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Bomb Girl Zedeka Poindexter Draws on Family, Food and Angst for her Poetry

March 11, 2015 Leave a comment

This is a breakout season in the life and career of Omaha slam poetry champion Zedeka Poindexter.  Her work is getting in front of more and more people thanks to her live and YouTube performances, her readings, and her published pieces.  My Reader (www.thereader.com) story about her and her passion for all things poetry related, including the Nebraska Writers Collective and its Louder Than a Bomb Omaha festival, reveals a woman extremely passionate about what she does and supremely confident in her own skin.  Zedeka’s coached several teams in Louder Than a Bomb Omaha, which runs March 17 through most of April, but work commitments are preventing her from coaching this year.  Her heart though will be with the youth competing in the event.

 

 

Photo by Justin Limoges 

©Photo by Justin Limoges 

 

 

 

Bomb Girl Zedeka Poindexter Draws on Family, Food and Angst for her Poetry

©by Leo Adam Biga

For The Reader (www.thereader.com)

 

Three-time Omaha Entertainment and Arts Awards poet nominee Zedeka Poindexter envies the performing outlets high school-age poets have today. The March 17-April 20 Louder Than a Bomb is a case in point. There wasn’t anything like it when she was in school.

“I was working in a notebook, I always did, but there was no place to go with these things,” says Poindexter, 39, who’s blowing up with her personal anthems about race, family, relationships, loss and blessings.

But as a teen her thoughts didn’t find a voice outside her private journals. That’s a far cry from today’s young poets, who have platforms galore for their innermost musings. Poindexter should know since she’s coached LTAB teams from Blackburn, Westside, Millard West and her alma mater, Omaha North.

“These kids are doing things that blow my mind and all I have to do is facilitate a space for them to do what they were already going to do anyway and help them figure out the best way to present it, These kids are fearless, they will tell you any personal story they have, They are incredibly courageous and just all by themselves so cool. It kind of fuels you as an artist, You’re like, If you’re doing this and you’re 16, what the hell’s my excuse.”

Just as LTAB gives youth an expressive arena, Poindexter uses slam and other opportunities to evolve her own work. For example, her Union for Contemporary Art fellowship will culminate in a new collection of poems that revolve around family recipes and food as focal point and bridge for familial divisions. She plans a May 2 reading and tasting.

“It’s a very different thing trying to write a series of poems that interconnect and relate to one another,” says Poindexter, who’s used to crafting slam’s more instinctive, one-off performance pieces.

In 2012 she became Omaha’s only female city slam champion.

“It has almost always been a white man. I might also be the only person of color who’s won, but I know I’m the only woman, so that’s a huge honor for me. I was a cranky woman that year because there was only one other woman and there wasn’t anybody else brown. I was like, ‘C’mon, y’all, can do better than this.’ I was pissed.”

She represented Omaha at the 2013 Women of the World Poetry Slam in Minneapolis, where she was voted an audience favorite.

“It’s all women, it’s all storytelling, it’s very affirming.”

Her work appears in the WOWPS anthology, Alight.

She’s not inclined to leave her slam roots. She has a long history with the Nebraska Writers Collective, whose head, Matt Mason, is the godfather of Omaha slam. He considers her “a cultural treasure for our community.”

“Zedeka is a nationally-known performance poet. You wouldn’t know by meeting her as she doesn’t name-drop or talk about all she’s accomplished, but her work is among the best in the country,” he says. “It’s been great to see her expand her role by publishing more lately as well as taking on the role of running Omaha’s poetry slam. She really does it all. She’s also a great presence in classrooms.”

In turn, Poindexter’s proud of her Collective family. “We’ve been a force for a good long time. We really had a pretty good run as far as accolades in the slam community. A lot of writers have grown beyond that and published work I really love.”

Beyond her Collective circle she’s studied with former Kennedy Center Imagination Celebration poet laureate Stacy Dyson and with storyteller A-Nanci Larenia Stallworth.

Recently, she joined novelist Joy Castro and poet Roger Gerberling for a Backwaters Press reading and paired with Nebraska state poet Twyla Hansen at the Kaneko Feedback Reading Series. Being matched with Hansen gave her pause.

“Being a slam artist is very different than being somebody who’s devoted their life basically to craft and teaching, which I have not done,” says Poindexter, who’s a thesis away from completing her master’s in communication at UNO. “But it turned out to be amazing. I think there are some people who exist strictly in the performative world and some who exist strictly in academia, but there is a lot of crossover.

“I think the bigger separation or chasm I noticed for awhile was a white scene and a black scene. Myself, i just went wherever the baddest ass readings were. They were different things but vitally important to how I grew as a writer and performer. The perception that anybody is not welcome at either place worries me.”

 

 

©photo by Eric David Herrera

 

 

 

She appreciates the diversity of the OEAAs and enjoyed doing her thing at last year’s awards show.

“The fact I got to perform poems really important to me before a roomful of artists and everybody got quiet was absolutely one of the most magical things.”

She often writes about the dynamics of her large African-American family. The Great Migration brought her people from the South to Chicago and Omaha. She mines their rich vein of idioms and imbroglios, delighting in food as a bond that nourishes and heals.

Her poem “Poor Relations” discusses her Omaha family line being branded inferior by their affluent Chicago relatives.

“There were struggles, we had our own personal dysfunctions but we were strong and we were happy. It’s been really cathartic to try to tell these stories and be honest about them.”
Born into a family of matriarchs who were “voracious readers,” Poindexter immersed herself in books and writing from an early age.

“Poetry’s been this thing that’s sustained me spiritually but it kind of existed outside regular life.”

She dabbled in theater and journalism but discovered her artistic home in the emergent slam and spoken word movement.

“I always wrote poems but I kind of started finding a community when Matt Mason ran readings at Borders years ago. There were Pop Tarts for prizes.”

She followed the local slam scene to the Om Center, where it’s still based.

Slam slayed her the first time she saw Def Jam. “I didn’t know what that thing was but I was going to figure out how to do that thing.”

She immersed herself in slam in Colorado, where she moved after losing her grandmother and anchor. She returned to Omaha a few years ago to be close to her spoken word soul sister, Felicia Webster, and to her slam girls, Katie F-S and Sarah McKinstry-Brown.

“Slam has saved me in more ways that I can think of. It feels right. If I migrate away from performance and writing I feel the atrophy of it. I like the fact I have a passion, that there’s this thing that drives me. I don’t know what I would do without that as a rudder.”

She wouldn’t know what to do without her creative community.

“I don’t know if I could function without having that sense of support. It’s afforded me most of the close friendships and safety nets I’ve experienced the last 15 years.”

She’s encouraged by the camaraderie LTAB students display. She’s still struck by what happened a few years ago when a Lincoln High team member lost her mother.

“As a team they decided they wanted to come to finals with all new work, including a piece that the girl who’d just lost her mother had written. And so they scrapped everything. There was no strategy, they were not worried about winning, they were like, This is the work we want to feature. They believed in it and they won, and it was so good. The thing that was so cool was they were willing to sacrifice to do this thing intrinsically personal to them. I’ll take that any time over people who live for the scores and stuff.”

She calls LTAB coaching “the best job ever.”

She feels confident about one day supporting herself as an artist and teacher. She may next pursue a master of fine arts degree,

“I don’t know many artists who value themselves for the work they do because it’s always something that’s never fully supported them,” says Poindexter, who works a corporate day job.

“Being valued for my artistry is something I’ve learned to do a lot better.”
Zedeka hosts the Om Center poetry slam the second Saturday of every month. Visit OmahaSlam.com.

View her performing at buttonpoetry.com.

For Louder Than a Bomb details, visit ltabomaha.org.

From the heart: Tunette Powell tells it like it is

March 10, 2015 Leave a comment

Tunette Powell has taken Omaha by storm since blowing into town like a mini-hurricane a few years ago.  This journalist, author, speaker, nonprofit co-founder, mother, and daughter is a high energy, speak-her-mind advocate for giving at-risk young people the foundational support they need to heal wounds and to pursue dreams.  In a very short time she’s garnered lots of attention and accolades and gained quite a following of admirers.  This story I wrote about Tunette for Omaha Magaizne (omahamagazine.com) charts her fast-rise to public figure.  On this blog you can find an earlier story I wrote about Tunette.

 

 

GRAMMY-WINNING JAZZ VOCALIST CASSANDRA WILSON TO CELEBRATE BILLIE HOLIDAY AT HOLLAND CENTER

February 24, 2015 Leave a comment

CW_final_2 (2)

 

Don’t miss this must-see concert!

GRAMMY-WINNING JAZZ VOCALIST CASSANDRA WILSON TO CELEBRATE BILLIE HOLIDAY AT HOLLAND CENTER

Omaha Performing Arts presents jazz vocalist Cassandra Wilson performing Coming Forth By Day: A Celebration of Billie Holiday at the Holland Performing Arts Center on Saturday, March 7, at 8 p.m.

Tickets start at $20, and are available at TicketOmaha.com, 402.345.0606 or at the Ticket Omaha Office inside the Holland Center, 1200 Douglas St. Wilson is part of the 2014/15 Jazz Series.

@OPerformingArts

@OmahaPerformingArtsOrg

@Omaha_Performing_Art

 

Cassandra Wilson 1 Credit Mark Seliger

 

She is a jazz musician, vocalist, songwriter and producer from Jackson, Miss. Critic Gary Giddins describes her as “a singer blessed with an unmistakable timbre and attack who has expanded the playing field” by incorporating blues, country and folk music into her work. Her performance in Omaha celebrates legendary jazz vocalist Billie Holiday (born Eleanora Fagan on April 7, 1915) on the 100th anniversary of the singer’s birth. The album, Coming Forth By Day: A Celebration of Billie Holiday, is slated to be released in April. While in Omaha, Wilson will teach a jazz vocal workshop at the Holland Center.

Wilson began playing piano at 6, guitar by the age of 12 and was working as a vocalist by the mid-’70s, singing a wide variety of material. After moving to New York City in the early ‘80s, she met saxophonist Steve Coleman and became one of the founding members of the M-Base Collective. She signed with Blue Note Records in 1992 and released a landmark album titled Blue Light ‘Til Dawn, which would pave the way for a new generation of jazz singers seeking an approach and repertoire that challenges the supremacy of the American Standard songbook.

Wilson has continued interpreting in fresh and creative ways vintage blues, country and folk music up until the present day. Her awards include: Two Grammys®, the Django D’Or, The Edison Music Award, a marker on the Mississippi Blues Trail and the 2012 Echo Award for Jazz. She also performed one of the leading roles in Wynton Marsalis’ Blood on the Fields, the first jazz work to receive a Pulitzer Prize.

Her Omaha performance is sponsored by Robert H. Storz Foundation and Children’s Hospital. Hospitality sponsor is Hotel Deco XV.

 

Sex talk comes with the job for Douglas County (Neb.) Health Department HIV-STD specialist Sherri Nared-Brooks

February 11, 2015 Leave a comment

Talking sex is what Sherri Nared-Brooks does for a living.  As the Douglas County (Neb.) Health Department HIV-STD Prevention Specialist she makes it her business to find out what risky behaviors people are engaging in and to get them tested and informed to help prevent them from becoming new casualties in the epidemic of sexually transmitted diseases impacting urban Omaha, particularly the Africa-American community. My profile of her and her work is in the February 2015 issue of The Reader (www.thereader.com).

 

Bridge Church

Sherri Nared-Brooks and her mobile sex ed-STD testing clinic, ©Debra S. Kaplan

 

 

Sex talk comes with the job for county HIV-STD specialist Sherri Nared-Brooks: Telling it like it is no problem for this veteran on the sexual health frontlines

©by Leo Adam Biga

Now appearing in The Reader (www.thereader.com)

 

America’s schizophrenic about sex. Images and hookups abound, yet in this information age many folks don’t know, follow or discuss safe practices. That incongruity explains why sexually transmitted diseases are at epidemic levels and why things never slow down for Sherri Nared-Brooks in her role as Douglas County Health Department HIV-STD Prevention Specialist.

Her main focus is North Omaha, where the epidemic’s acute among African-Americans. Her deep ties there, along with her straight talk and personal mission, give her street cred making the rounds at barber shops and clubs.

“I believe in keeping it real, so I talk in the vernacular they understand,” she says of young men and women she encounters at her office or out and about.

She knows urban sex slang and doesn’t make moral judgments.

“It’s about accepting people where they’re at and reminding them the things they’re doing are putting them at risk, so whether it’s at the jail or at a barbershop or I’m walking down 24th Street, I pass out condoms. They may not know my name, but they know me as the Condom Lady or the STD Lady.”

She addresses the topic, too, at prisons, hospitals, schools, churches, community centers, health fairs. Always looking for nontraditional sites, she has eight public libraries holding screenings.

In her experience young people are cool talkng sex but what kids get at school, home, worship center or doctor’s office is often woefully inadequate. That leaves teens gleaning often wrong or insufficient info where they can. Denial and magical thinking – “it happens to other people, not me” – run rampant. She fills gaps, dispels myths and emphasizes anyone not using protection or practicing abstinence is at risk, period. It’s about education and testing, but it starts with self-worth.

“It’s just about loving them and wanting them to love themselves. It’s getting people to understand they’re important and they need to take responsibility for their own health. I teach women they’re the prize. When you know you’re the prize you’re not going to just give yourself to anybody, because once he gets it from you he wants it from your friend, your cousin. If you keep yourself, he doesn’t have a choice but to respect you because you’re respecting you.

“The things I teach I had to learn over my own lifetime,” she says.

Raising five kids helped prepare her.

Then there’s the fellas.

“I tell guys, if she’s having sex with you that easy, you need to be afraid because she’s giving it to everybody else, too, and if she’s saying she doesn’t want to use a condom you really need to be afraid.”

When you have sex with someone, she stresses, you essentially have sex with everyone they’ve been with. It’s all about exposure. She imparts the same message to folks engaging in same-sex relations.

She enlists business owners as foot soldiers in the fight to reduce STDs. Alesia Lester at Gossip Salon, 5625 Ames Ave., is glad to help the cause. “Sherri comes in and educates us and that allows us to educate the client. She makes people aware. She’s very passionate about it and it’s so needed. I had a child at 15. I didn’t understand myself, so I definitely didn’t understand my body. I wish I’d had someone that could have sat me down and talked to me without me being afraid my mom would know. Sherri makes it plain and people respect her.”

“To me, they’re champions in helping get the word out to educate people,” Nared-Brooks says of community partners like Lester.

Nared-Brooks targets barbers, stylists, bartenders on the theory people open up about their sex lives to them. “You may not tell your doctor, but you’re going to tell your barber. They know who’s doing what.” She schools owners on the basics, leaving condoms, fact packs and kits for on-site testing. Lester welcomes it all. Both women say confidentiality is maintained throughout.

With so many places to hit and so many people at risk, Nared-Brooks ends up doing much work on her own time.
“It needs to be done.”

She calls her personal SUV “the STD truck” for all the supplies it carries. She trains others to do prevention-education work and she’d like to train more.”There’s only one of me,” she says.

She’s encouraged her strategy’s working when proprietors take the lead. Lester and her salon colleagues all tested and customers often ask for kits. Confirmation comes, too, when people seek the STD Lady’s advice about behaviors or symptoms and come in for testing.

“That makes me know I’ve done my job. Until we look at getting tested for STDs as a regular checkup and take away the stigma of it, the numbers are going to stay high. We need to give the message it’s OK to get tested and it’s kind of crazy to not get tested. You need to do it for yourself before you start sharing with someone else. And show each other your test results. Before my husband and I got married we showed each other our paperwork.

“It’s about loving me.”

Her husband, Walter Brooks, joins her on the front-lines of sexual health. They earned the Nebraska AIDS Project’s Shining Star Award for their awareness-prevention efforts. It wasn’t their first recognition. He covered prevention as a University of Nebraska Medical Center public relations specialist and still does for the Omaha Star. They met when he interviewed her.

She accepted his invitation to speak at his church. They’ve been a team ever since.

“My husband is awesome. He’s like my biggest fan, my biggest advocate. We do this community service together. He knows it’s not just something I do as a job. Right now, it seems like for me it’s life.

“When I stand before God and give an account of my life I want to know I used all my talents.”

BLACK HISTORY MONTH CONCERT DIVA 3 A TRIBUTE TO HISTORY OF AFRICAN-AMERICAN WOMEN IN CLASSICAL MUSIC

January 28, 2015 2 comments

I have the distinct pleasure of being friends with a remarkable group of women musical artists in Omaha who are all related to each other. Once in a while they gift the community with their individual and collective talents in concert. Their DIVA 3 concert on Sunday, February 8 at New Life Presbyterian Church will commemorate Black History Month with performances of arias and spirituals from the classical canon that celebrate the legacy of African-American women in classical music. Nola Jeanpierre, her daughter Carole Jeanpierre and Carole’s daughter Elyssia Reschelle Finch possess powerful, dramatic soprano voices that will raise the rafters and give you goosebumps. They are all classically-trained. Nola’s sister Johnice Orduna will add her fine vocals as well. As if that’s not enough this musical line, those three generations of performers will be joined by a fourth generation, in the person of Nola’s aunt, Claudette Valentine, who will accompany this family of vocalists on piano. It will be a program you won’t soon forget. Your heart and soul will never be the same. I’ve always thought that if someone with a video camera would record oen of this family’s concerts and post it to YouTube that the video would stand a good chance of going viral because people all over world will be struck by the magic of their music. Nola, Carole and Elyssia deserve the recognition.

 

 

Diva3 (NS)

 

BLACK HISTORY MONTH CONCERT DIVA 3 A TRIBUTE TO HISTORY OF AFRICAN-AMERICAN WOMEN IN CLASSICAL MUSIC

Three generations of classically-trained Omaha singers bound by blood, faith and black musical heritage will perform a DIVA 3 concert on Sunday, February 8 at New Life Presbyterian Church, 4060 Pratt Street.

The 6 p.m. Black History Month show will feature Nola Jeanpierre, her daughter Carole N. Jeanpierre and Carole’s daughter Elyssia Reschelle Finch performing songs celebrating African-American women in classical music. In the tradition of Marian Anderson, Leontyne Price, Jessye Norman and Kathleen Battle, the three local women will use their dramatic soprano voices to interpret arias and spirituals from the classical canon.

Nola is a veteran musical theater performer on Omaha stages. She portrayed Bloody Mary in South Pacific at the Omaha Community Playhouse. She sang the role of the High Priestess in the memorable Opera Omaha mounting of Aida at the Ak-Sar-Ben Coliseum. She’s the featured soloist at the St. Cecilia Cathedral Flower Show each year. She’s done summer stock back East. She traces her vocal abilities to her mother, Bernice Bragg.

Carole has performed with national artists on stage and in the recording studio. She is often a guest soloist with the University of California Davis Gospel Choir. She also composes music, including an original, faith-based opera she wrote, Noalia: An Opera of Love that she is workshopping She recently adapted the opera into a children’s book.

Ejyssia, a student at Concordia University in Seward, Neb., has a goal of auditioning for the Metropolitan Opera in New York City, which her grandmother Nola did as a young woman.

Nola’s sister, Johnice Orduna, will lend her own fine voice to the concert. Nola and Johnice’s aunt Claudette Valentine, a piano instructor and choir director, will accompany the vocalists, which means a fourth generation of musicianship will be represented.

This long line of musical talent is viewed by family members as a gift from On High they feel called to share.

“As a family music represents the fruits of the spirit,” says Carole. “It is our hope to enlighten hearts, to share the gift with love and with unity so that audiences are uplifted. That’s the bottom-line.”

“I’ve always been so appreciative that we were blessed with a gift that we could give back,” says Nola.

“Music is love,” Valentine says simply.

Carole created DIVA 3 as a vehicle for the family to sing together, just like they did at family reunions back in the day.

“We’d have family gatherings and someone would bring the macaroni and cheese and someone would bring the guitar, and we would all sit up under each other and sing. That was our best times,” recalls Carole.

“The piano was the center of everything we did,” Valentine says of growing up.

As each next generation came into the family’s musical fold, a new talent was nurtured and another voice added to the mix. When Nola and her two sisters showed a musical knack as toddlers, their mother had them start piano lessons. Voice lessons followed. Claudette formed the girls into a sweet harmonizing trio that performed widely. As Nola’s music career blossomed her first-born, Carole, soaked it all in.

Nola recalls their earliest musical bonding, “She would be under the piano and sometimes I would sit her on the stool next to me and we would sing. She’d touch the keys and play the piano. When I heard the talent then it was time to use it because she has the most phenomenal gift of pitch and mimicking a sound of a one I’ve ever known. She can sound like anybody.”

“I picked up everybody’s gift,” says Carole, who made her public performing debut at age 3 in church.

“I just gave her what was given to me and passed it on down,” says Nola.

Truthfully, it probably started in the womb,” Carole says of this music osmosis. She went on to train with some 17 vocal coaches but says her mom’s “the best.” Nola and Carole both teach vocal students.

The family’s closeness carries over to performing, where their intuitive understanding allows them to cover for one another.

“We feel each other,” says Nola. “We just know when one is going to drop out and the other needs to pick it up.”

Elyssia, who has a mixture of her grandmother’s and mother’s voices. appreciates the musical legacy she is part of and the warm comfort of performing with loved ones.

“I definitely recognize how special that is. Not everybody has that and it does bring your family into a closer connection because we all do share something and we all display our gifts in the same kind of way.”

For the February 8 concert the doors open at 5:30 p.m. for a private auction from the Creations 2 Bragg About Collection.

DIVA tickets are $15. Purchase advance tickets by calling 402-.281-5396. A portion of the proceeds will go to the Raw DAWGS after-school program.

For more information, call 402-281-5396.

BLACK HISTORY MONTH CONCERT DIVA 3 A TRIBUTE TO HISTORY OF AFRICAN-AMERICAN WOMEN IN CLASSICAL MUSIC</p>
<p>Three generations of classically-trained Omaha singers bound by blood, faith and black musical heritage will perform a DIVA 3 concert on Sunday, February 8 at New Life Presbyterian Church, 4060 Pratt Street.</p>
<p>The 6 p.m. Black History Month show will feature Nola Jeanpierre, her daughter Carole N. Jeanpierre and Carole's daughter Elyssia Reschelle Finch performing songs celebrating African-American women in classical music. In the tradition of Marian Anderson, Leontyne Price, Jessye Norman and Kathleen Battle, the three local women will use their dramatic soprano voices to interpret arias and spirituals from the classical canon.</p>
<p>Nola is a veteran musical theater performer on Omaha stages. She portrayed Bloody Mary in South Pacific at the Omaha Community Playhouse. She sang the role of the High Priestess in the memorable Opera Omaha mounting of Aida at the Ak-Sar-Ben Coliseum. She's the featured soloist at the St. Cecilia Cathedral Flower Show each year. She's done summer stock back East. She traces her vocal abilities to her mother, Bernice Bragg.</p>
<p>Carole has performed with national artists on stage and in the recording studio. She is often a guest soloist with the University of California Davis Gospel Choir. She also composes music, including an original, faith-based opera she wrote, Noalia: An Opera of Love that she is workshopping She recently adapted the opera into a children's book.</p>
<p>Ejyssia, a student at Concordia University in Seward, Neb., has a goal of auditioning for the Metropolitan Opera in New York City, which her grandmother Nola did as a young woman. </p>
<p>Nola's sister, Johnice Orduna, will lend her own fine voice to the concert. Nola and Johnice's aunt Claudette Valentine, a piano instructor and choir director, will accompany the vocalists, which means a fourth generation of musicianship will be represented.</p>
<p>This long line of musical talent is viewed by family members as a gift  from On High they feel called to share.</p>
<p>"As a family music represents the fruits of the spirit," says Carole. "It is our hope to enlighten hearts, to share the gift with love and with unity so that audiences are uplifted. That's the bottom-line."</p>
<p>"I've always been so appreciative that we were blessed with a gift that we could give back," says Nola.</p>
<p>"Music is love," Valentine says simply.</p>
<p>Carole created DIVA 3 as a vehicle for the family to sing together, just like they did at family reunions back in the day. </p>
<p>"We'd have family gatherings and someone would bring the macaroni and cheese and someone would bring the guitar, and we would all sit up under each other and sing. That was our best times," recalls Carole.</p>
<p>"The piano was the center of everything we did," Valentine says of growing up.</p>
<p>As each next generation came into the family's musical fold, a new talent was nurtured and another voice added to the mix. When Nola and her two sisters showed a musical knack as toddlers, their mother had them start piano lessons. Voice lessons followed. Claudette formed the girls into a sweet harmonizing trio that performed widely. As Nola's music career blossomed her first-born, Carole, soaked it all in.</p>
<p>Nola recalls their earliest musical bonding, "She would be under the piano and sometimes I would sit her on the stool next to me and we would sing. She'd touch the keys and play the piano. When I heard the talent then it was time to use it because she has the most phenomenal gift of pitch and mimicking a sound of a one I've ever known. She can sound like anybody."</p>
<p>"I picked up everybody's gift," says Carole, who made her public performing debut at age 3 in church.</p>
<p>"I just gave her what was given to me and passed it on down," says Nola.</p>
<p>Truthfully, it probably started in the womb," Carole says of this music osmosis. She went on to train with some 17 vocal coaches but says her mom's "the best." Nola and Carole both teach vocal students. </p>
<p>The family's closeness carries over to performing, where their intuitive understanding allows them to cover for one another.</p>
<p>"We feel each other," says Nola. "We just know when one is going to drop out and the other needs to pick it up."</p>
<p>Elyssia, who has a mixture of her grandmother's and mother's voices. appreciates the musical legacy she is part of and the warm comfort of performing with loved ones.</p>
<p>"I definitely recognize how special that is. Not everybody has that and it does bring your family into a closer connection because we all do share something and we all display our gifts in the same kind of way."</p>
<p>For the February 8 concert the doors open at 5:30 p.m. for a private auction from the Creations 2 Bragg About Collection.</p>
<p>DIVA tickets are $15. Purchase advance tickets by calling 402-.281-5396. A portion of the proceeds will go to the Raw DAWGS after-school program.</p>
<p>For more information, call 402-281-5396.

 

COR BLACK HISTORY MONTH EVENTS LOOK AT AFRICAN-AMERICANS THROUGH THE LENS OF HISTORY, CULTURE AND SOCIAL JUSTICE

January 28, 2015 Leave a comment

My place of worship, Church of the Resurrection in Omaha, does Black History Month good. We are a diverse family united in God’s love. Come and join us for these upcoming events that look at African-Americans through the lens of history, culture and social justice. We haven’t forgotten the soul food, either.

 

 

 

 

 

 

 

COR BLACK HISTORY MONTH EVENTS LOOK AT AFRICAN-AMERICANS THROUGH THE LENS OF HISTORY, CULTURE AND SOCIAL JUSTICE

Church of the Resurrection (COR), a blended house of worship with a strong community focus, is offering Black History Month events that take stock of Omaha social justice, past and present.

The Cultural Awareness Team at COR, 3004 Belvedere Boulevard, has scheduled a February lineup of Sunday Lunch Talks, plus a Saturday, February 28 finale, that feeds the soul, the mind and the body. This diverse, progressive church family united in God’s love is calling its Black History Month slate, “Omaha Then and Now: Things Gotta Change.” Some programs reflect African-American achievements and cultural touchstones, others address problems that disproportionately affect the African-American population and another focuses on North Omaha revival efforts.

The Sunday event schedule is:

Feb. 1
Great Plains Black History Museum display

Feb. 8
Soul Food Sunday: “Come Get Your Eat On.” This is the church’s annual home-cooked soul food feast that invites people of all races to break bread and talk together.

Feb. 15
“Profiling Then & Now” presentation by the Omaha Anti-Defamation League

Feb. 22
“North Omaha Revitalization” presentation by local community leaders

The Sunday events are free and open to the public. They immediately follow the regular 10 a.m. service in the basement fellowship hall of the church (at approximately 11 a.m.). A free-will donation lunch is served February 1, February 15 and February 22. The soul food feast is served Feb. 8.

COR culminates its observance of Black History Month 2015 with “An Evening of Music and Learning” on Saturday, February 28 at Loves Jazz & Arts Center, 2510 North 24th Street. The 5 to 7 p.m. program will feature live music by the Church of the Resurrection Choir and a talk by Douglas County District Court Judge Darryl Lowe on the topic of “Equality in the Justice System.” Catered hors d’oeuvres will be served.

The event is open to the public. Tickets are $5.

For more information, call COR at 402-455-7015.

COR BLACK HISTORY MONTH EVENTS LOOK AT AFRICAN-AMERICANS THROUGH THE LENS OF HISTORY, CULTURE AND SOCIAL JUSTICE</p><br />
<p>Church of the Resurrection (COR), a blended house of worship with a strong community focus, is offering Black History Month events that take stock of Omaha social justice, past and present.</p><br />
<p>The Cultural Awareness Team at COR, 3034 Belvedere Boulevard, has scheduled a February lineup of Sunday Lunch Talks, plus a Saturday, February 28 finale, that feeds the soul, the mind and the body. This diverse, progressive church family united in God's love is calling its Black History Month slate, "Omaha Then and Now: Things Gotta Change." Some programs reflect African-American achievements and cultural touchstones, others address problems that disproportionately affect the African-American population and another focuses on North Omaha revival efforts. </p><br />
<p>The Sunday event schedule is:</p><br />
<p>Feb. 1<br /><br />
Great Plains Black History Museum display</p><br />
<p>Feb. 8<br /><br />
Soul Food Sunday: "Come Get Your Eat On." This is the church's annual home-cooked soul food feast that invites people of all races to break bread and talk together.</p><br />
<p>Feb. 15<br /><br />
"Profiling Then & Now" presentation by the Omaha Anti-Defamation League</p><br />
<p>Feb. 22<br /><br />
"North Omaha Revitalization" presentation by local community leaders</p><br />
<p>The Sunday events are free and open to the public. They immediately follow the regular 10 a.m. service in the basement fellowship hall of the church (at approximately 11 a.m.). A free-will donation lunch is served February 1, February 15 and February 22. The soul food feast is served Feb. 8.</p><br />
<p>COR culminates its observance of Black History Month 2015 with "An Evening of Music and Learning" on Saturday, February 28 at Loves Jazz & Arts Center, 2510 North 24th Street. The 5 to 7 p.m. program will feature live music by the Church of the Resurrection Choir and a talk by Douglas County District Court Judge Darryl Lowe on the topic of "Equality in the Justice System." Catered hors d'oeuvres will be served. </p><br />
<p>The event is open to the public. Tickets are $5.</p><br />
<p>For more information, call COR at 402-455-7015.

 

Gabrielle Union having it all between her own series, new film, producing, marriage and family

December 10, 2014 1 comment

Native Nebraskans’ own many Hollywood-made-good stories. One of the best belongs to Gabrielle Union, who sort of fell into acting by way of modeling and hasn’t looked back since in building a significant career in television and film that shows no signs of slowing down and that in fact appears to be getting richer and deeper with time. Here’s a preview of my new story about her for The Reader (http://www.thereader.com/). It will hit newsstands and the paper’s website Dec. 10-11. The Being Mary Jane star talks about her popular BET series, the hot new Chris Rock film Top Five she has a supporting role in, an upcoming Lifetime movie she produced, the impactful documentary series Half the Sky she participated in. Now married to longtime boyfriend NBA superstar Dwyane Wade, she is loving being a step-mother in addiiton to being a doting daughter and sister. You can find on my blog my earlier stories about Gabrielle, whom I’ve been covering since the early 2000s.

 

 

Gabrielle Union having it all between her own series, new film, producing, marriage and family

©by Leo Adam Biga

Soon to appear in The Reader (http://www.thereader.com/)

 

My, how time flies. It seems only yesterday Omaha’s own Gabrielle Monique Union first caught our attention on the big screen with her scene-stealing turn as the diva rival to Kirsten Dunst in the wickedly funny high school cheerleader comedy Bring It On.

Hard to believe that was 15 years ago.

Now 42 and firmly established as a Black Hollywood star, red carpet fashion plate and natural beauty spokesperson, Union’s at a career apex few native Nebraskans ever reach in the business. In 2014 alone she starred in her own hit BET series, Being Mary Jane, co-starred in the successful film Think Like a Man Too and produced a Lifetime movie. Oh, and on a personal note she married longtime boyfriend, NBA star baller Dwyane Wade in an American royals-style wedding.

A definite presence at her hubby’s Miami Heat games, she caused a buzz when she jokingly interrupted a recent live post-game interview Fox Sports did with him. He’d returned from the injury list to score 27.

“It was OK,” she deadpanned about his performance to the bemused sideline reporter and to viewers, while styling a black fedora over her long black locks to match her basic black dress. “I mean, a hamstring pull, wow, to come back with 27 points. We’re going to talk about the free throws (he was 5 for 9) later. But he did good for an old geezer.”

Wade appeared to take the upstaging and teasing in stride.

 

 

 

 

She’s lately been propping her new film, the acclaimed Top Five from Chris Rock. which has opened to strong box-office.

“I shot that movie last summer in New York right after we did Think Like a Man Too,” she says.

Originally titled Finally Famous, its story centers on Rock’s character Andre Allen, a standup comic-turned actor who, ala Joel McCrea’s idealistic director in the Preston Sturges classic Sullivan’s Travels comes unhinged after going all serious. With Allen’s pretentious new film a dud, he feels dislocated from his true identity. The recovering addict feels pressure, too, from a reality TV crew covering him and his celeb fiance Erica, played by Union, as their planned televised wedding draws near. Then there’s his instant relationship with a reporter, Chelsea (Rosario Dawson), with whom he finds In the space of a few hours more truth than the surreal media circus his life’s become.

“It’s really the story of the upside and the downside of fame and chasing fame,” says Union, who sports blonde hair, big glasses and gaudy bling in the role. “The story follows a day in the life of Chris’ character and it just happens to be when he’s got to kind of look at some hard truths and decide how does he really want to live and why that is and he kind of gets lost in himself.

“It sounds really deep and at times I think it very much is but it’s also really, really funny.”

 

 

 

 

Tracy Morgan and Cedric the Entertainer co-star and Jerry Seinfeld, Adam Sandler and Whoopie Goldberg make cameos.
Despite going way back Union and Rock never worked together before the project.

“I mean, Black Hollywood is pretty small, so we all kind of run into each other and know each other and definitely Chris and I do. With him being such a huge Knicks fan I’ve run into him many times over the years (at Heat games). We have a lot of mutual friends as well,” says Union, who among basketball wives is the queen bee now that Eva Longoria and San Antonio Spurs star Tony Parker have split.

Seeing Rock at work on the set gave Union a new appreciation for him.

“Chris was not only acting but he wrote it and directed it as well, so watching him put all those hats on was amazing and very inspiring. But honestly I felt bad for the man because it’s like he never got off work. But he handled it all very, very well.”

She says the the spirit of Rock’s free-wheeling, anything-goes standup act infuses the film, which has received glowing reviews since its September Toronto International Film Festival premiere.

“I think people are going to be surprised. It’s a different kind of role for him, even though it might seem playing a standup comedian would be easy for him. But I really watched him blossom as an actor and as a director as well on the set.”

She feels he brought out in her emotional notes and layers she hadn’t accessed before on screen.

“Sometimes when the leader’s been where you’ve been as an actor they know the right things to ask, they know how to finesse a situation, they know how to get the best out of you as an actor because they’ve been an actor. That’s really what Chris was able to bring to me that was unique from other directors. He had a different perspective of each scene I found very, very helpful. He also challenged me in a way other directors haven’t.”

Just as Rock didn’t need to research the capricious nature of fame, neither did Union. They both live it. The heat of celebrity for her is more intense than ever now that she and Wade are married. Just last summer, while the couple honeymooned, nude pictures of her and other female celebs were hacked and posted online. Where she’s taken a diplomatic stance about intrusions of privacy, she’s gone on the offensive this time. She penned a Cosmopolitan essay equating the pandering and profiteering of private nude images to sex crimes and called out feminist groups for not protesting their release. “The silence has been deafening,” she recently told Meredith Vieira, adding that celebs like her are subject to “victim-shaming,” something she can’t abide having survived rape as a college student.

Much like the characters she plays, Union can be bold in speaking her mind. Mary Jane Paul is very close to her in that way. In season one  the trials and tribulations of her title character – a successful single black female struggling to balance work demands and romance issues – became the stuff of countless Tweets, chats, blog posts and Facebook shares. After a 5 million viewership pilot debut and consistently strong ratings over its 12-episode run, BET recently renewed the series. Season two premieres February 3.

“I couldn’t ask for a better reception to be honest,” Union says. “We knew we did great work but it doesn’t always translate and to have the audience respond so well and to basically blow up social media every week was awesome.”

Mary Jane’s the latest in a long line of strong, smart, confident characters played by Union, who is a women’s rights advocate.

University of Nebraska at Omaha dean and professor of communication Gail F. Baker says, “Gabrielle Union occupies a unique position among African-American women in media – one she has carved out for herself. She has ‘quietly’ established an exceptional career across myriad platforms – movies, television, advertising – while playing a smart and independent woman. Union brings a special blend of savvy and sophistication to each role. She¹s a trailblazer on many fronts.”

Those qualities are precisely the ones Union says her mother, Theresa Glass Union, instilled in her and her two sisters.

“Having three highly successful daughters is a testament to the job she did,” she says.

Union enjoys how Mary Jane’s story speaks to her own life and the lives of many women she knows. Just like her character, Union knows what it’s like dealing with family pressures and expectations, the ticking biological clock, the dating scene, romantic commitment and standing firm to do the work and to follow the path you want, not what others want. Making the show relevant means a lot to her.

“I’m proud of it,” she says. “It’s the most I’ve ever worked in my life being the star of the show and having lots of other responsibilities but I love it, and I love doing it. I love the writing, I love the direction, I love how it looks stylistically. I’m really pleased.

“For us being their (BET’s) first original dramatic series we’re all sort of learning together and it’s been a great partnership. It’s not my way or the highway, it’s very much a collaborative effort and BET’s been pretty patient in launching this as their first dramatic series. So I think we’ve all kind of handled it well.”

She’s glad to portray a character and front a series that transcend black women stereotypes, which she feels have limited opportunities for female artists of color on screen and behind the camera  She acknowledges “we’ve seen improvements,” noting the breakout success of Shonda Rhimes, producer-creator-writer of mega-hits Grey’s Anatomy, Private Practice and Scandal. But, she says, “it goes in waves,” adding, “Like right now we’ve got a lot of women heading up their own shows” – herself, Kerry Washington, Viola Davis, Jada Pinkett Smith, Taraji Henson – “so it’s improving, but if any of these shows fail then next year we’ll kind of be back at the drawing board.”

Mary Jane marks a major step for Union. For starters, its powerhouse creators Mara Brock Akil and Salim Akil (The Game) developed it for her. Now that she and that husband-wife producing team have a popular series together they’re likely to collaborate again. Next, the show gives Union her first successful starring platform on TV after the misfire of her previous (ABC) series Night Stalker, in which she co-starred with Stuart Townsend, and her recurring roles in the equally short-lived Life and Flash Forward.

Then there’s the fact Union clearly carries this series. Its success rides almost entirely on her performance and on the writing.

“It’s tough to turn out 12 episodes of exciting, engaging material and we absolutely have done that. It’s been looking good and I’m pleased with the writing for sure.”

 

The key to any episodic series enduring is developing different, deeper shades of its main characters. Union’s satisfied she’s getting to plumb the depths of one complex sister in Mary Jane, whose tough as nails exterior covers a fragile interior.

“The writers have been absolutely brilliant at pushing her buttons. They give me a lot of different places to go with the character. She’s definitely not Johnny-One-Note, which I’m excited about.”

Now that Union’s proven she can hold an audience week after week network and studio execs may be more willing to have her head-up a future series or movie. That’s important because until Mary Jane it’d been a while since she got top billing. She’s at an age, too, when actresses get passed over for younger women, though her youthful, glam looks – she’s fronted several beauty brands – are an asset.

It doesn’t hurt being part of a power black couple who by making it official in August consolidated their mad pop culture currency. During her series hiatus Union and Wade said their I-dos at a lush outdoor ceremony in Miami that saw John Legend perform. A much-seen photo released by the couple, who began seriously dating in 2009, pictured them with his two sons from his first marriage, Zaire and Zion, and a nephew, Dahveon, he’s been raising. They looked every bit a family.

Wade authored the 2012 book, A Father First: How My Life Became Bigger Than Basketball. He supports numerous programs for kids and families. Union wrote the foreword to Hill Harper’s 2008 book Letters to a Young Sister: Define Your Destiny. With both acutely conscious of their role model status, their party days may not be completely behind them but when not working these two are domestics focused on family.

 

 

 

 

After taking a time-out in their relationship a year ago or so, the couple worked it out and things culminated in the wedding Gabrielle’s mother describes as “wonderful, beautiful and poignant – full of both loving personalities,” adding, “I was happy that Gabrielle was happy.” Long before the marriage, Theresa saw her daughter’s maternal instincts kick-in:,

“Gabrielle has embraced the role of the adult female in Dwyane’s household to his two sons and to his nephew.” Now that Nicki, as her family calls her, is married, Theresa says, “I feel she has taken to parenting as the capable person I know her to be.”

Union had no children with her ex, former NFL player Chris Howard. Union’s hinted she and Wade plan having a child together.

Besides being a wife and mom, she’s branched out into producing. Her first project as an executive producer is the upcoming Lifetime movie With This Ring. Jill Scott, Eve and Regina Hall play three single friends who vow to get hitched after attending the wedding of a mutual friend. The movie’s adapted from the book The Vow, which Union optioned five years ago and sold to Sony Pictures Television for Lifetime.

After a long wait to get it made, she found the producing role fulfilling.

“I mean, to finally get things off the ground is very satisfying. Being able to be in a position where you can put talented people to work is incredibly satisfying. It’s just a different struggle as a producer than it is as an actor. It’s a different conversation. I’m still learning, I’m a novice, so I’m trying to say less and learn more.”

Union anticipates developing more projects, perhaps ones to star in. She’s only prepared to wear so many hats behind the camera though.

“I absolutely don’t want to direct. I want to produce though for sure. I’m definitely going to be up for opportunities that challenge me and inspire me and tickle my fancy. So maybe a year from now after we’re (Mary Jane) syndicated I can think about trying my hand at something else.”

Besides being well-liked in the industry, Union’s well-connected. In addition to her association with the Akils, she’s aligned herself with another major industry player, Tyler Perry, two of whose franchise films, Daddy’s Little Girls and Good Deeds, she’s appeared in. Her best friend in the business is actress Sanaa Lathan, Then there are all the ensemble pieces she’s been in with Morris Chestnut, Regina Hall, Taraji Henson and Kevin Hart from the Think Like a Man movies.

Union says it’s a bonus “anytime you can work with your friends and we’ve been friends, the vast majority of the cast, like for well over a decade. We just have a lot of fun. To get paid to do what we want and to hang together, well, it’s like stealing from the studio.”

In 2012 she stretched herself to serve as a celebrity advocate for the multi-platform PBS documentary series Half the Sky that examined the oppression of girls and women in developing nations.

The title came from the best selling book by New York Times journalists Nicholas Kristof and Sherly WuDunn.

 

 

 

Union spent two weeks with Kristof and executive producer and director Maro Chermayeff for a segment set in Vietnam’s Mekong Delta. The actress got close with two girls there, Duyen and Nhi, both of whom contend with barriers to try and further their education.

“Their stories are amazing and their overcoming adversity kind of puts everything in perspective,” says Union.

The actress got especially close to Nhi, whose father forced her to sell lottery tickets, a time consuming job that interfered with her education. Union came away inspired by “the perseverance of these young girls, who move hell and high water to get an education. If that means paying for it themselves, they pay for it themselves, if that means living away from their families they do that.”

She’s discovered that her segment made an impression on people and she leaves no doubt the impact it made on her.

“When people come up to you you never know what part of your work kind of resonates with them or that they connect with. But I’m always pleasantly surprised when people ask me about Half the Sky. They’re usually interested in if I know whatever became of any of the subjects. Since I left Vietnam Dwyane and I have sponsored Nhi’s education. I know you’re not supposed to get personally involved with the subjects but we couldn’t help ourselves. There was no way I could leave Nhi there with her dad, so Dwyane and I pay for her schooling.

“She’s a bright girl and she’s doing well, she’s thriving. We’re happy about that.”

Union’s passion for children extends to the new siblings she gained a few years ago when her mother adopted three children a relative could not care for herself. Keira (8), Miyonna (6) and Amari (4) are being raised by Union’s mother, who recently moved with the kids from Omaha to Arizona, where one of Gabrielle’s sisters lives and where more Union family members have since moved. Gabrielle’s enjoying the new family dynamic.

“It’s like we’re starting over and I’ve kind of come back to be in big sister mode again, trying to get another set of young people and mold them and try to provide as much as we can. It’s kind of like we’re going back in time and we get to do it over and fix some of the mistakes we made in the past. My mom very much believes in we are our brother’s keeper and you’re only as strong as your weakest link, and she refuses to let our family down. Where other people might say that’s the next man’s responsibility my mom feels like our family is our responsibility and you try to do your best for your family.”

 

 

 

 

Union admits she enjoys spoiling her little sisters and brother.

“The gifts arrive and then my mom kind of filters them out, not as they arrive but sort of as good behavior happens, so they’re not fully getting all of my spoiling. They’re great kids, I really love them.”

About her daughter’s generosity, Theresa says, “She does a lot for us as a family. She has smanaged to make the birthdays for each child special. My daughter gave me the Kentucky Derby one year as a birthday present. That is the most marvelous party in the world.”

Now that her mother’s no longer living in Omaha, it’s an open question when Gabrielle might next make it back for the biennial Native Omaha Days or the annual Bryant-Fisher family reunion and its Dozens of Cousins. Union’s ridden in the Omaha Days parade. Union and Wade showing up, as they’ve done, would cause a stir. She says no matter how famous they get though it doesn’t change how they roll.

“Not to us, maybe for other people who aren’t expecting to see us at a restaurant or something. I’m lucky that my family’s really down to earth. They know that when we come to Omaha we don’t want to be treated any differently than any of the other cousins. I think it’s more how other people perceive us. But for us it’s just nice to get out and see family and catch up. We’re definitely not trying to make spectacles of ourselves by any stretch.”

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