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Change in North Omaha: It’s been a long time coming for northeast Omaha

August 1, 2015 Leave a comment

With Native Omaha Days in full swing, here’s a new story I wrote for the August issue of The Reader that sounds out some African-American residents for their take on northeast Omaha’s challenges and what can be done to revitalize that area. Hard copies should now be out and about in North O, Midtown, Downtown and the Old Market, among other places.

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North Omaha Summer Arts Crawl – Friday, August 14 from 6 to 9 pm


North Omaha Arts Crawl 2015-3-1

North Omaha native, resident and artist Pamela Jo Berry saw a need for more art to be infused into her community. So she dreamed up something called North Omaha Summer Arts (NOSA) in order to bring art in all its forms into that underserved neighborhood. With the help of partners and collaborators she’s made it a reality.

This free arts festival for the community, by the community wraps up Year 5 with the annual Arts Crawl- Friday, August 14 from 6 to 9 p.m. At venues up and down and around North 30th Street. Take a stroll or drive from Metropolitan College Fort Omaha campus north to various churches to Heartland Family Service/Solomon Girls Center to enjoy inspiring visual art and soothing live music by artists from the community. Sample the work of established and emerging artists in a wide variety of mediums.

Free refreshments and homemade snacks at each stop.

Before, during or after the Crawl, enjoy some of North Omaha’s other resources, including the Loves Jazz & Arts Center, the Carver Bank, the Union for Contemporary Art, the Bryant Center, Miller Park and the Malcolm X Memorial Foundation.

The Arts Crawl lineup:

Metropolitan Community College Fort Omaha campus, Mule Barn Building #21 New this year: Omaha Fashion Week at the Mule Barn

Church of the Resurrection, 3004 Belvedere Blvd. (just northwest of 30th and Kansas Ave.)

Trinity Lutheran Church, 6340 North 30th St. (30th and Redick) Featuring a Community Peace mural made by teens and seniors from the North Omaha Intergenerational Human Services Campus

Parkside Baptist Church, 3008 Newport Ave. (30th and Newport Ave.)

Heartland Family Service/Solomon Girls Center, 6720 North 30th St. (30th and Titus Ave.)

NEW THIS YEAR:

Washington Branch Library, 2868 Ames Ave. is hosting an Arts Crawl reception from 5:30-6:30 p.m. Enjoy art and refreshments at the library.

FREE and open to the public. Family friendly.

Please come participate in this important milestone of 5 years bringing art to North Omaha. Your support is appreciated.

For more info, email pamelajoh100@hotmail.com or call 402-502-4669/402-709-1359.

Thank you,

The North Omaha Summer Arts team

P.S. Please pass the word to friends, family, colleagues. Like and share our Facebook page, https://www.facebook.com/NorthOmahaSummerArts. Visit and share our North Omaha Summer Arts Crawl Facebook Event page.

Coming Soon: A new book I wrote with Father Ken Vavrina, “Crossing Bridges,” the story of this beloved Omaha priest’s uplifitng life among the downtrodden

July 24, 2015 5 comments

Blank bookcover with clipping path

Blank bookcover with clipping path

COMING SOON A new book I wrote with Father Ken Vavrina-
“Crossing Bridges”

The story of this beloved Omaha priest’s uplifitng life among the downtrodden.

Look for future posts about where you can get your copies. All proceeds will be donated to Catholic organizations.

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The Champ Goes to Africa: Terence Crawford Visits Uganda and Rwanda with his former teacher, this reporter and friends


The Champ Goes to Africa

Terence Crawford Visits Uganda and Rwanda with his former teacher, this reporter and friends

Two-time world boxing champ Terence Crawford of Omaha has the means to do anything he wants. You might not expect then that in the space of less than a year he chose to travel not once but twice to a pair of developing nations in Africa wracked by poverty, infrastructure problems and atrocity scars: Uganda and Rwanda, I accompanied his last trip as the 2015 winner of the Andy Award for international journalism from the University of Nebraska at Omaha. Until now I’ve posted a little about the grant that took me to Africa along with a few pictures and anecdotes from the trip. But now I’m sharing the first in a collection of stories I’m writing about the experience, which is of course why I went there in fhe first place. This cover story in the coming July issue of The Reader (www.thereader.com) emphasizes Crawford within the larger context of what he and the rest of us saw, who we met and what we did. Future pieces for other publications will go even more into where his Africa sojourns fit into his evolving story as a person and as an athlete. But at least one of my upcoming stories from the trip will try to convey the totality of the experience from my point of view and that of others. I feel privilged to have been given the opportunity to chronicle this journey. Look for new posts and updates and announcements related to this and future stories from my Africa Tales series.

NOTE: This is at least the fifth major article I’ve written about Crawford. You can find all of them on this blog site.

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(Below is a text-only format of the same article)

The Champ Goes to Africa

Terence Crawford Visits Uganda and Rwanda with his former teacher, this reporter and friends

©by Leo Adam Biga

Soon to appear in The Reader (www.thereader.com)
EDITOR’S NOTE:
Senior contributing writer Leo Adam Biga, winner of the 2015 Andy Award for international journalism from the University of Nebraska at Omaha, chronicles recent travels he made in Africa with two-time world boxing champion Terence Crawford.
Expanding his vision
Terence “Bud” Crawford’s rise to world boxing stardom reads more graphic novel than storybook, defying inner city odds to become one of the state’s most decorated athletes. Not since Bob Gibson ruled the mound for the St. Louis Cardinals in the 1960s has a Nebraskan so dominated his sport.

When Bud overheard me say he might be the best fighter pound-for-pound Neb.’s produced, he took offense:. “Might be? I AM the best.”

En route to perhaps being his sport’s next marquee name, he’s done remarkable things in improbable places. His ascent to greatness began with a 2013 upset of Breidis Prescott in Las Vegas, In early 2014 he captured the WBO lightweight title in Glasgow, Scotland. He personally put Omaha back on the boxing map by twice defending that title in his hometown before huge CenturyLink Center crowds last year.

In between those successful defenses he traveled to Uganda and Rwanda, Africa in August. He went with Pipeline Worldwide co-founder Jamie Fox Nollette, an Omaha native and Bud’s fourth grade teacher at Skinner Magnet School. After reuniting in mid-2014, he expressed interest going to Africa, where her charitable organization works with partners to drill water wells and to support youth-women’s programs.

When I caught up with The Champ last fall, he left no doubt the impact that first trip made.

“It’s life-changing when you get to go over there and help people,” he says.

Nollette recalls, “When Terence left he had an empty suitcase. He left all his clothes, except what he was wearing, to a bus driver.”

“I just felt they needed it more than I did,” he says. ‘I just thought it was the right thing to do.”

Seeing first-hand profound poverty, infrastructure gaps and atrocity scars made an impression.

“Well, it just made me appreciate things more. It kind of humbled me in a way to where I don’t want to take anything for granted. I haven’t in my life experienced anything of the nature they’re experiencing over there. For one thing, I have clean water – they don’t have clean water. That’s one of their biggest issues and I want to help them with it. They appreciate everything, even if it’s just a hug or a handshake.”

Simpatico and reciprocal
Nollette says the trips and fundraisers she organizes raise awareness and attract donors.

Only weeks after winning the vacant WBO light welterweight title over Thomas Dulorme in Arlington, Texas last April Bud returned to those same African nations with Nollette.

“I told Jamie I would like to go back.”

He says locals told him, “We have a lot of people that come and tell us they’re going to come back and never do. For you to come back means a lot to us.”

“Just the little things mean a lot to people with so little, and so I guess that’s why I’m here,” Bud told an assembly of Ugandans in June.

None of this may have happened if he and Nollettte didn’t reconnect. Their bond transcends his black urban and her white suburban background. He supports Pipeline’s work and she raises funds for his B&B Boxing Academy in North O.

His first Africa trip never made the news because he didn’t publicize it. His June 1 through 12 trip is a different matter.

What about Africa drew this streetwise athlete to go twice in 10 months when so much is coming at him in terms of requests and appearances, on top of training and family obligations?

Beyond the cool machismo, he has a sweet, soft side and burning curiosity. “He really listens to what people say,” Nollette notes. “He wants to understand things.”

His pensive nature gets overshadowed by his mischievous teasing, incessant horseplay and coarse language.

This father of four is easy around children, who gravitate to him. He supports anything, here or in Africa, that gets youth off the streets.

He gives money to family, friends, homies and complete strangers. In 2014 he so bonded with Pipeline’s Uganda guide, Apollo Karaguba, that he flew him to America to watch his Nov. fight in Omaha.

“When I met Apollo I felt like I’ve been knowing him for years. I just liked the vibe I got. He’s a nice guy, he’s caring. He took real good care of us while we were out there.”

Bud says paying his way “was my turn to show him my heart.”

He respects Nollette enough he let her form an advisory committee for his business affairs as his fame and fortune grow.

Even with a lifelong desire to see “the motherland” and a fascination with African wildlife, it took Nollette reentering his life for him to go.

“Certain opportunities don’t come every day. She goes all the time and I trust her.”

His fondness for her goes back to when they were at Skinner. “She was one of the only teachers that really cared. She would talk to me.”

He needed empathy, he says, because “I got kicked out of school so much – a fight here, a fight there, I just always had that chip on my shoulder.” He says she took the time to find out why he acted out.

Catching the vision
Boxing eventually superseded school.

“I used to fall asleep studying boxing.”

Meanwhile, Nollette moved to Phoenix. On a 2007 church mission trip to Uganda she found her calling to do service there.

“It really impacted me,” she says. “I’ve always had a heart for kids and
I always had an interest in Africa.”

She went several times.

“There’s not really anything that can prepare you for it. The volume of people. The overwhelming poverty. Driving for hours and seeing all the want. I didn’t know what possibly could be done because everything seemed so daunting.

“But once I had a chance to go into some villages I started to see things that gave me hope. I was absolutely amazed at the generosity and spirit of these people – their hospitality and kindness, their gratitude. You go there expecting to serve and after you’re there you walk away feeling like you’ve been given a lot more. I was hooked.”

Bud got hooked, too, or as ex-pats say in Africa, “caught the vision.”

“I was very touched by the people and how gracious and humble and thankful they were about everything that came towards them. I had a great time with great people. I experienced some great things.”

Coming to Africa i:
Uganda
For this second trip via KLM Delta he brought girlfriend Alindra “Esha” Person, who’s the mother of his children. Joseph Sutter of Omaha and myself tagged along, Julia Brown of Phoenix joined us in Detroit and Scott Katskee, a native Omahan living in Los Angeles, added to our ranks in Amsterdam. Nollette arrived in Uganda a day early and met us in Entebbe, where Bud and Apollo enjoyed a warm reunion.

The next seven days in Uganda, which endured civil war only a decade ago, were a blur made foggier by jet lag and itinerary overload. Dividing our time between Kampala and rural areas we saw much.

Roadside shanties. Open market vendors. Christian schools, clinics, worship places. Vast, wild, lush open landscapes. Every shade of green vegetation contrasted with red dirt and blue-white-orange skies. Immense Lake Victoria. Crossing the storied Nile by bridge and boat.

The press of people. Folks variously balancing fruit or other items on their head. Unregulated, congested street traffic. Everything open overnight. Boda bodas (motor bikes) jutting amid cars, trucks, buses, pedestrians. One morning our group, sans me, rode aback boda bodas just for the thrill. I suggested to Bud Top Rank wouldn’t like him risking injury, and he bristled, “I run my life, you feel me? Ain’t nobody tell me what to do, nobody. Not even my mom or my dad.”

Ubiquitous Jerry cans – plastic yellow motor oil containers reused to carry and store water – carted by men, women, children, sometimes in long queues. “All waiting on water, that’s crazy,” Bud commented.

Stark contrasts of open slums and gated communities near each other. Mud huts with thatched roofs in the bush.

Long drives on unpaved roads rattled our bodies and mini-bus.

Whenever delays occurred it reminded us schedules don’t mean much there. Bud calls it TIA (This is Africa). “Just live in the moment…go with the flow,” he advised.

In a country where development’s piecemeal, Apollo says, “We’re not there yet, but we’re somewhere.”

Africans engaged in social action say they’ve all overcome struggles to raise themselves and their countrymen. “I was one of the lucky few to get out (of the slums),” Apollo says. They want partners from the developed world, but not at the expense of autonomy.

Many good works there are done by faith-based groups. Apollo works for Watoto Child Care Ministries, whose campus we toured. Three resident boys close to Nollette bonded with Bud on his last trip. The boys joined us for dinner one night.

We spent a day with Sister Rosemary Nyirumbe, whose vocational work with exploited females has won acclaim. Last year Nollette produced a video showing Bud training Sister for a mock fight with Stephen Colbert. This time, Nollette, Bud and Co. outfitted a dormitory for her girls in Atiak, where Pipeline built a well. Bud played music the girls danced to. They honored us with a traditional dinner and dance.

We toured Pastor Ben Kibumba’s Come Let’s Dance (CLD) community development organization. Bud and others gave out jerseys to kids.

Nakavuma Mercy directs CLD’s Thread of Life empowerment program for single moms in Kampala’s Katanga slum.

We met Patricia at Bless a Child, which serves cancer-stricken kids in Kampala, and Moses, who’s opening a second site in Gulu. We met young entrepreneurs Charles Mugabi and Richard Kirabira, whose Connect Enterprise and Chicken City Farms, respectively, are part of a creative class Pipeline partners with.

“One of the things I see is that you have a lot of young people with strong leadership skills and I want to be able to come alongside them and support them in their efforts,” Nollette says.

Apollo says Uganda needs new leadership that’s corruption-free and focused on good resource stewardship.

Nollette says she offers “a pipeline to connect people in the States with opportunities and projects in Africa that are really trying to make a difference in their communities.”

It’s all about leveraging relationships and expertise for maximum affect.

We met ex-pats living and work there: Todd Ellingson with City of Joy and Maggie Josiah with African Hospitality Institute.

Josiah offered this advice:

“A lot of times, especially we Americans come over thinking we have all the answers and we know how to fix all the problems, and really we don’t need to fix any of the African problems. They will fix them themselves in their own time. But come over and listen and learn from them. The Africans have so much to teach us about joy when we have very little, they have so much to teach us about what it really means to live in community, what it means to live the abundant life…”

Hail, hail, The Champ is here
Having a world champ visit proved a big deal to Ugandans, who take their boxing seriously. The nation’s sports ministry feted Bud like visiting royalty at a meeting and press conference. He gained extra cred revealing he’s friends with two Ugandan fighters in the U.S., Ismail Muwendo and Sharif Bogere.

“I want to come back with Ismail.”

Ministry official Mindra Celestino appealed to Bud “to be our ambassador for Uganda.” Celestino listed a litany of needs.

“Whatever I can do to help, I’d like to help out,” Bud said. “I’m currently helping out Ismail. He fought on the undercard of my last fight. We’re building him up.”

Bud won over officials, media and boxers with his honesty and generosity, signing t-shits and gloves, posing for pics, sharing his highlight video and delivering an inspirational message.

“For me coming up was kind of hard. You’ve got gangs, you’ve got drugs, you’ve got violence. I got into a lot of things and I just felt like boxing took me to another place in my life where I could get away from all the negativity. I got shot in my head in 2008 hanging out with the wrong crowd. At that time I knew I just wanted to do more with my life, so I started really pursuing my boxing career.

“I had a lot of days I wanted to quit. For you boxers out there this ain’t no easy sport. It’s hard, taking those punches. You might be in the best shape of your life, but mentally if you’re not in shape you’re going to break down.”

He emphasized how much work it takes to be great.

“Every day, any boxing I could watch, I would watch. I would take time out to study, like it was school. I would tell you to just work hard, stay dedicated, give your all every time you go in there and who knows maybe you can be the next champion of the world.”

He referred to the passion, discipline and motivation necessary to carry you past exhaustion or complacency.

“There’s going to be days you want to quit. Those are the days you’ve got to work the hardest. I never was given anything. I was one of those kids they said was never going to make it – I used that as an opportunity to prove them wrong.”

We did take time out to enjoy the outdoors, hiking to the top of Murchison Falls and going on safari at Paraa game preserve. I brought up the rear on the hike and Bud hung back to encourage me: “I’ve got you, Leo…you can do it.” On safari his fondest wish of seeing big cats was fulfilled when we came across two lion prides. He earlier spotted a rare leopard perched on a cliff.

Into Africa II:
Rwanda
Uganda still swam in our heads after flying into Kigali, Rwanda, a city less teeming than Kampala. Despite only a generation removed from genocide, urban Rwanda’s more developed than Uganda. There are even some street lights and stop signs, plus more Western-style construction. In the rural reaches, it’s a sprawling complex of hills and valleys unlike Uganda’s flatlands.

Our guide, Christophe Mbonyingabo, reunited with Bud at the airport.

Just as Bud was mistaken for Ugandan, Rwandans mistook him for one of theirs, too. He delighted in it, especially when residents tried engaging him in their language and he begged off, “I’m American.”

In both countries, access to clean water is a daily challenge.

“Whether you’re passionate about women or children or health or education, once a village gets access to clean drinking water, this very basic need, it just changes everything,” says Nollette. “If a village gets a well it all of a sudden gets a school, a clinic, some agriculture.”

We met young men hoping to make a difference when they complete their U.S. studies. Another, Olivier, lost his entire family in the genocide but has gone on to become a physician.

As Bud put it, we were “happy to meet new friends, new faces.”

Like the work Apollo does in Uganda, Christophe works to heal people in Rwanda. The eastern Congo native needed healing himself after losing his father and two brothers to violence there. He credits being spiritually saved with his founding CARSA (Christian Action for Reconciliation and Social Assistance), which counsels genocide survivors and perpetrators to find forgiveness. We met a man and woman – he was complicit in her husband’s murder and stole from her – who’ve come to a serene coexistence. They now share a cow.

All of us expressed awe at this turning-the-other-cheek model.

“They love each other, too, that’s the crazy part,” says Bud, though Christophe said not every survivor forgives and not every perpetrator makes amends.

Bud summed it up with, “Life’s about choices.”

We met a survivor widow for whom Pipeline’s building a new home.

Bud caught up with two boys he met last year. He nearly caused a riot when the gifts he gave and the backflips he performed were spent and a crowd of kids clamored for more.

On the drive into the hills, the stunning vistas resembled Calif. or Mediterranean wine country. It’s a sensory explosion of nature’s verdant, colorful abundance and folks plodding the roadsides on foot and bike, selling wares, hauling bundles, Jerry cans,. you name it.

Upon hiking into a pygmy village, a young woman, Agnes, impressed on us residents’ extreme poverty. Their subsistence living and limited water source pose problems. She shared aspirations to finish school. The villagers danced for us. Our group returned the favor. Then Scott Katskee played Pharrell’s “Happy” and everyone got jiggy.

Seeing so much disparity, Bud observed. “Money can’t make you happy, but it can make you comfortable.”

A sobering experience came at the genocide memorial in Kigali, where brutal killings of unimaginable scale are graphically documented.

Group dynamics and shooting the bull
The bleakness we sometimes glimpsed was counteracted by fun, whether playing with children or giving away things. Music helped. At various junctures, different members of our group acted as the bus DJ. Bud played a mix of hip hop and rap but proved he also knows old-school soul and R&B, though singing’s definitely not a second career. Photography may be, as he showed a flair for taking stills and videos.

In this device-dependent bunch, much time was spent texting, posting and finding wi-fi and hot spot connections.

On the many long hauls by bus or land cruiser, conversation ranged from music to movies to gun control to wildlife to sports. Apparel entrepreneur Scott Katskee entertained us with tales of China and southeast Asia travel and friendships with noted athletes and actors.

Bud gave insight into a tell Thomas Dulorme revealed at the weigh-in of their April fight.

“When you’re that close you can feel the tension. I could see it in his face. He was trying too hard. If you’re trying too hard you’re nervous. If he’s intimidated that means he’s more worried about me than I am about him. I won it right there.”

Our group made a gorilla trek, minus me. Even Bud said it was “hard” trudging uphill in mud and through thick brush. He rated “chilling with the gorillas” his “number one” highlight, though there were anxious moments. He got within arm’s reach of a baby gorilla only to have the mama cross her arms and grunt. “That’s when I was like, OK, I better back off.” A silverback charged.

Back home, Bud’s fond of fishing and driving fast. He has a collection of vehicles and (legal) firearms. He and Esha feel blessed the mixed northwest Omaha neighborhood they live in has welcomed them.

Nollette correctly predicted we’d “become a little family and get to know each other really well.” She was our mother, chaperone, referee and teacher. Her cousin Joseph Sutter, an athlete, became like a little brother to Bud, whom he already idolized. When the pair wrestled or sparred she warned them to take it easy.

“Stop babying him,” Bud said. “I’m not going to hurt him. I’m just going to rough him up. You know how boys play.”

Like all great athletes Bud’s hyper competitive – “I don’t like to lose at nothing,” he said – and he didn’t like getting taken down by Suetter.

Once, when Bud got testy with Nollette. Christophe chastised him, “I hope you remember she’s your teacher.” Bud played peacemaker when things got tense, saying, “Can’t we all get along? We’re supposed to be a family.” We were and he was a big reason why. “What would y’all do without me? I’m the life of the party,” he boasted.

Out of Africa…for now
As The Champ matures, there’s no telling where he’ll wind up next, though Africa’s a safe bet. When I mentioned he feels at home there, he said, “It IS home. I’m AFRICAN-American. It’s where a lot of my people come from historically down the line of my ancestors. Damn, I love this place. I’m just thankful I’m able to do the things I’m able to do. I can help people and it fills my heart.”

Our last night in Africa Christophe and Nollette implored us not to forget what we’d seen. Fat chance.

Recapping the journey, Bud said, “That was tight.”

Bud may next fight in Oct. or Feb., likely in Omaha again.

THE GREAT MIGRATION: WHEREVER PEOPLE MOVE, HOME IS WHERE THE HEART IS


I am posting for the first time an iBook I wrote for 3rd graders in the Omaha Public Schools. As explained below, the book is one of two I wrote for a series of Nebraska Department of Education iBooks that paired local authors and artists with educators in exploring various aspects of African-American history. This was all part of the OPS program Making Invisible Histories Visible. The book I’m sharing here covers the Great Migration. Many elements of the book are missing from this post but suffice to say that the actual iBook is a graphic-heavy, interactice experience meant to be used by teachers in classroom settings with their students. I am making a separate post with my second series book that looks at Civil Rights through the lens of the effort that integrated the Peony Park pool.

You can access the Great Migration book in PDF format at-

http://www.education.ne.gov/nebooks/ebooks/great_migration.pdf

Or you can download this and other books in the series at-

http://www.education.ne.gov/nebooks/ebook_library.html

 

MAKING INVISIBLE HISTORIES VISIBLE

THE GREAT MIGRATION: WHEREVER PEOPLE MOVE, HOME IS WHERE THE HEART IS

©BY LEO ADAM BIGA

©ILLUSTRATIONS BY VICTORIA HOYT

DEVELOPED BY OCTAVIA BUTLER

 

ABOUT THIS PROJECT

During the summer of 2013, eight Omaha Public Schools teachers each developed an iBook on a topic of Omaha and Nebraska history as it relates to African American history. I wrote two of the 3rd grade books: Civil Rights: Standing Up for What’s Right to Make a Difference and the one shared here, The Great Migration: Wherever People Move, Home Is Where the Heart Is.

Each book paired an Omaha author and artist. Not included in this post are photographs, documents, and other artifacts provided by local community members and through partnership with the Great Plains Black History Museum.

Each book in the series provides supplemental information on the role of African Americans in Omaha and Nebraska history topics.

ABOUT THIS BOOK

The Great Migration: Wherever People Move, Home is Where the Heart Is describes the Great Migration as it pertains to Omaha’s history. Topics covered include jobs, culture, historical events, and local figures. The piece itself is written similarly to a newspaper article, and interviews with local community members inform the majority of the story.

This book is meant to encourage students to compare the experiences of the people in the story to their own lives. There are several activities along the way that allow students to reflect critically on the content of the story. They will explore and analyze photos, newspaper articles, maps, and graphs. Students will examine not only the period of the Great Migration, but also the culture brought to Omaha and other parts of the North because of the Great Migration.

FREEDOM

Freedom means many things to many different people. For some, freedom means the right to be treated equally under the law. Others value the importance of being free to speak one’s mind. Freedom also means the ability to move and travel without limits. Indeed, freedom is about all of these things.

For African Americans, it was important that they be free to move to a place they would be able to express their beliefs, be treated equally under the law, and enjoy other benefits of an open society. With the end of slavery, African Americans began leaving the U.S. South for greater freedom and opportunity in the North and West.

There’s a long history of masses of people moving from one area of America to another. One of the largest internal movements occurred from the 1910s through the 1960s when millions of African Americans fled the South for other regions during the Great Migration.

During both World Wars, the movement of African Americans out of the South rose to such high levels that it became known as the Great Migration. One of the destinations for black people leaving the South was Omaha. African Americans came here not only to enjoy greater freedom but also to take advantage of employment and educational opportunities.

Imagine living some place where you’re made to feel less than a full citizen or even less than human simply based on the color of your skin. For many years African Americans living in the South were treated unfairly and cruelly because they were the black minority and whites were the ruling majority.

The discrimination blacks faced were remnants from the days of slavery. Blacks were denied the same educational, housing, job, voting, and recreational opportunities as whites. The threat of physical violence was real.

These were reasons enough for blacks wanting to leave the South. Other reasons included the hard times that the South experienced in the first half of the 20th century, where most blacks made their living working the land. When crop failures and natural disasters occurred there, some blacks felt they had no choice but to leave to find better fortune in other parts of the country.

Reflect: Can you think of a time you were treated unfairly?

How would it feel to have less rights than someone else because of how you look?

COMING AND GOING

JOBS

Blacks left the South to take advantage of the better paying jobs open to minorities in other parts of the nation. In Omaha, the railroads and the packinghouses were the main job magnets that pulled people here.

Black men could find work as Pullman Porters, baggage handlers and cooks with the railroads, and as laborers in packing plants. Porters dressed in crisp uniforms and prided themselves on giving great customer service to passengers on trains. Packinghouse workers performed physically demanding and dangerous duties. These jobs paid well enough that a black man could support his family and even buy a home.

The Omaha Monitor would promote businesses that hired members of the black community.

The railroad industry provided many jobs for black men

Black women found work as domestic help in well-to-do people’s homes, where they worked as maids, housekeepers, or nannies. Some cleaned offices. Black women were also employed as cooks, laundresses, cleaning help, and aides in hospitals and nursing homes.

It was very important for the black community to promote businesses that not only would serve black customers, but would also hire them for jobs.

Reflect: Why was this important to members of the community when looking for a job?

How did writing about these businesses in the newspaper help the black community?

OMAHA’S GROWTH

The Great Migration had dramatic effects on the communities African Americans left and the communities they moved to. For example, the first wave from 1910 to 1920 doubled Omaha’s black population.

Newcomers were not always warmly welcomed where they moved. Early on in Omaha, blacks lived in multicultural neighborhoods throughout the city. However, outbreaks of racial violence, including the 1919 lynching of a black man, Will Brown, gradually confined blacks to a few neighborhoods on the North and South sides.

Migrants came to Omaha as individuals, couples, families, and groups. They came by bus, train, and automobile. Often, one family member would make the move, find employment and housing, and after getting settled would send for another relative.

 

looking to Omaha Looking to Omaha out of agricultural despair in the South, African-American men “stepping up” from share-cropping to the meat-packing plants.

The vibrant, yet increasingly isolated, black community in North Omaha.

Feeling the effects of destructive segregation and racism from the same Omaha that offered new opportunities.

 

ESTABLISHING COMMUNITY

Blacks largely came here from Alabama, Mississippi, Arkansas, and Louisiana. A group of Christians from Brewton, Alabama, established Pilgrim Baptist Church in Omaha in 1917 during that first big migration movement. These church founders helped build a thriving congregation, which their descendants kept alive. Today, Pilgrim is nearly a century old and still going strong.

A half-century later the migration had slowed quite a bit, but was still in progress. Two women who left the South in the 1960s to make new lives for themselves in Omaha are Luriese Moore and Lorraine Jackson. Moore came from Boligee, Alabama. Jackson came from Brookhaven, Mississippi.

SEEKING A BETTER LIFE

Exactly why migrants left, the mode of transportation they used to get here, and how they did once they arrived differed. But generally speaking everyone wanted a better life, and most found it too. They were motivated to go by the chance for greater equality and freedom and glad to leave behind reminders of slavery.

In the South there were separate facilities and sidewalks for the races. “They had one side colored and the other side white,” Moore recalled. “You just didn’t get in on the white side because you knew where you were supposed to be. There were some stores we couldn’t even go in in my hometown, like exclusive stores that sold very fine clothes. It was just a way of life. We didn’t like it but it’s what was happening.”

Jackson, whose grandparents were sharecroppers, said blacks would go to town and head right back home because “we were expected to stay in our place. There was no hanging out downtown. You did what you had to do and left because you didn’t know what might happen. I mean, you really had to walk careful.”

Moore wanted to join the civil rights protests happening then but her mother wouldn’t let her. Her father transported demonstrators from their rural homes into town to participate in marches and demonstrations. It was a brave thing to do because if the Ku Klux Klan caught him doing it he could have been in serious trouble.

Moore left Alabama for Omaha after graduating high school and marrying. “I had never left the South before,” she said. “I came here on the bus. When I left Alabama I had to sit in the back of the bus and then by the time we got to St. Louis (Missouri) we could sit anywhere we wanted.”

Venturing North to start a new life stirred “mixed emotions” in her. She was recently married at the time, and her husband moved ahead of her to get work at a packinghouse.

Reflect: Have you ever moved to somewhere new before?

What plans did you have to make before moving?

MAKING A NEW START

Moore found life far different here than it was down South. “The integration and everything was all new to me. It was just totally different from where we were. I didn’t see the (colored only or white only) signs we saw in Alabama. You could just go anywhere you wanted to here. You could go to any store.”

However, not everything was open to everybody. Until the 1970s blacks could only live in certain areas and some businesses refused to serve or hire them. But things were far more limiting in the South.

Jackson said the stories she heard about the way things were up North made enough of “an impression” she decided “it was right for me to go.” She came by train. From Mississippi to Illinois, blacks had to ride in separate cars. When they reached Chicago, they could sit anywhere on trains headed West, East or further North. Lorraine headed West to Omaha.

Both she and Moore became beauticians and raised families here. The women, who were able to go into business for themselves here, say they encountered some racism in Nebraska, but overall they feel they made a good choice in coming to the Midwest.

Both have returned to the South almost every year. Their families still own land there. They marvel at how the South has changed. “I can’t believe all the mixed marriages there. And the white people are at the black church,” said Jackson. “I never dreamed I would be seeing this. We’ve got a black mayor there in our hometown. I’m just shocked because I never thought it would ever happen, but it has.”

DRAWING ON THE OLD TO MAKE NEW

African American migrants often feel a strong connection to the South, where their roots are. Their families hold regular reunions, sometimes in their childhood hometowns. Many blacks who left the South have reversed their migration and moved back. Moore said, “Boligee means so much to me because of how my dad risked his life. He could’ve got killed doing what he was doing, just to get the vote. He always preached to us, ‘Hey, when y’all get the chance to vote you vote,’ and I’ve never missed voting.”

Jackson, Moore, and their siblings all finished school and some went on to college. Looking back on how much they overcame, Jackson said it’s “amazing we’re successful – I think it was our upbringing. In that time we lived in we had to be strong and respectful. Faith was a big factor, too.”

Migrants brought their culture wherever they settled. Traditional African American music and food are now staples in the larger culture. North Omaha became a haven for jazz, blues, and gospel music, soul food, stepping, and Southern slang. Emma Hart of Omaha still uses the treasured family recipes for sweet potato pie, candied yams, collard greens, and cornbread dressing brought here from Arkansas by her family. The hospitality southerners are famous for was also brought North.

Similarly, migrants and immigrants of other races and ethnicities have brought and continue bringing their own sounds and flavors. This infusion or blending of cultures has created a richer stew than what existed before.

The Great Migration changed America by dramatically increasing the black population in cities across the land, thus creating a more diverse society.The migrant experience continues to play out in many locales around the world.

SPOTLIGHT: DAN DESDUNES

Dan Desdunes was one of the first major musicians to play in Omaha, and played a major role in North Omaha’s jazz scene and musical culture. He is considered the father of black musicians in Omaha.

Desdunes was born in 1873 in New Orleans, Louisiana. He started studying music when he was 17 years old. He learned to play the violin, cornet, trombone, and trap drums. In 1894, at the age of 21, Desdunes traveled as a musician with different theater companies. During this time, he began to learn to play wind instruments.

After he got married in 1904, Desdunes decided to settle in Omaha. He felt there were good musical opportunities in the city. Since Omaha was in the middle of many bigger cities along the Union Pacific Railroad, many musicians would stop here to perform.

In Omaha, he started the Desdunes Band and the Desdunes Jazz Orchestra. The Desdunes Band started in 1915, and Dan Desdunes led the band until his death in 1929. They played annually in the Ak-sar-ben Parade, and other events for the Chamber of Commerce. The Desdunes Jazz Orchestra was one of the first black orchestras to perform in Omaha.

Desdunes also trained many young musicians. He was a music teacher and bandleader for Father Flanagan’s Home for Boys during the last eight years of his life. He believed that the study of music made people better citizens.

Take a Stand

There were many positive reasons to leave the South and move North. However, the black community still experienced some discrimination in the North.

Make a list of the positive reasons to move North. Then list the struggles still faced in the North.

Think about each list. Next, decide whether you would choose to move North or stay in the South.

Defend your choice by explaining why you chose to move North or stay in the South.

MEET THE AUTHOR

Leo Adam Biga is an Omaha-based author-journalist- blogger best known for his cultural writing-reporting about people, their passions and their magnificent obsessions. His book “Alexander Payne: His Journey in Film” is the first comprehensive treatment of the Oscar- winning filmmaker. Biga’s peers have recognized his work at the local, state and national levels. To sample more of his writing visit, leoadambiga.com.

MEET THE ARTIST

Victoria Hoyt is an artist working in Omaha, Nebraska, the city she grew up in. She received her BA from Gustavus Adolphus College in St. Peter, Minnesota and her MFA from the University of Nebraska-Lincoln. You can find her making paintings and things that make her laugh in her North Omaha home studio, or teaching part- time at Metro Community College. To see more of her work, please visit her website at victoriahoyt.com.

BLACK HISTORY MONTH CONCERT DIVA 3 A TRIBUTE TO HISTORY OF AFRICAN-AMERICAN WOMEN IN CLASSICAL MUSIC

January 28, 2015 2 comments

I have the distinct pleasure of being friends with a remarkable group of women musical artists in Omaha who are all related to each other. Once in a while they gift the community with their individual and collective talents in concert. Their DIVA 3 concert on Sunday, February 8 at New Life Presbyterian Church will commemorate Black History Month with performances of arias and spirituals from the classical canon that celebrate the legacy of African-American women in classical music. Nola Jeanpierre, her daughter Carole Jeanpierre and Carole’s daughter Elyssia Reschelle Finch possess powerful, dramatic soprano voices that will raise the rafters and give you goosebumps. They are all classically-trained. Nola’s sister Johnice Orduna will add her fine vocals as well. As if that’s not enough this musical line, those three generations of performers will be joined by a fourth generation, in the person of Nola’s aunt, Claudette Valentine, who will accompany this family of vocalists on piano. It will be a program you won’t soon forget. Your heart and soul will never be the same. I’ve always thought that if someone with a video camera would record oen of this family’s concerts and post it to YouTube that the video would stand a good chance of going viral because people all over world will be struck by the magic of their music. Nola, Carole and Elyssia deserve the recognition.

 

 

Diva3 (NS)

 

BLACK HISTORY MONTH CONCERT DIVA 3 A TRIBUTE TO HISTORY OF AFRICAN-AMERICAN WOMEN IN CLASSICAL MUSIC

Three generations of classically-trained Omaha singers bound by blood, faith and black musical heritage will perform a DIVA 3 concert on Sunday, February 8 at New Life Presbyterian Church, 4060 Pratt Street.

The 6 p.m. Black History Month show will feature Nola Jeanpierre, her daughter Carole N. Jeanpierre and Carole’s daughter Elyssia Reschelle Finch performing songs celebrating African-American women in classical music. In the tradition of Marian Anderson, Leontyne Price, Jessye Norman and Kathleen Battle, the three local women will use their dramatic soprano voices to interpret arias and spirituals from the classical canon.

Nola is a veteran musical theater performer on Omaha stages. She portrayed Bloody Mary in South Pacific at the Omaha Community Playhouse. She sang the role of the High Priestess in the memorable Opera Omaha mounting of Aida at the Ak-Sar-Ben Coliseum. She’s the featured soloist at the St. Cecilia Cathedral Flower Show each year. She’s done summer stock back East. She traces her vocal abilities to her mother, Bernice Bragg.

Carole has performed with national artists on stage and in the recording studio. She is often a guest soloist with the University of California Davis Gospel Choir. She also composes music, including an original, faith-based opera she wrote, Noalia: An Opera of Love that she is workshopping She recently adapted the opera into a children’s book.

Ejyssia, a student at Concordia University in Seward, Neb., has a goal of auditioning for the Metropolitan Opera in New York City, which her grandmother Nola did as a young woman.

Nola’s sister, Johnice Orduna, will lend her own fine voice to the concert. Nola and Johnice’s aunt Claudette Valentine, a piano instructor and choir director, will accompany the vocalists, which means a fourth generation of musicianship will be represented.

This long line of musical talent is viewed by family members as a gift from On High they feel called to share.

“As a family music represents the fruits of the spirit,” says Carole. “It is our hope to enlighten hearts, to share the gift with love and with unity so that audiences are uplifted. That’s the bottom-line.”

“I’ve always been so appreciative that we were blessed with a gift that we could give back,” says Nola.

“Music is love,” Valentine says simply.

Carole created DIVA 3 as a vehicle for the family to sing together, just like they did at family reunions back in the day.

“We’d have family gatherings and someone would bring the macaroni and cheese and someone would bring the guitar, and we would all sit up under each other and sing. That was our best times,” recalls Carole.

“The piano was the center of everything we did,” Valentine says of growing up.

As each next generation came into the family’s musical fold, a new talent was nurtured and another voice added to the mix. When Nola and her two sisters showed a musical knack as toddlers, their mother had them start piano lessons. Voice lessons followed. Claudette formed the girls into a sweet harmonizing trio that performed widely. As Nola’s music career blossomed her first-born, Carole, soaked it all in.

Nola recalls their earliest musical bonding, “She would be under the piano and sometimes I would sit her on the stool next to me and we would sing. She’d touch the keys and play the piano. When I heard the talent then it was time to use it because she has the most phenomenal gift of pitch and mimicking a sound of a one I’ve ever known. She can sound like anybody.”

“I picked up everybody’s gift,” says Carole, who made her public performing debut at age 3 in church.

“I just gave her what was given to me and passed it on down,” says Nola.

Truthfully, it probably started in the womb,” Carole says of this music osmosis. She went on to train with some 17 vocal coaches but says her mom’s “the best.” Nola and Carole both teach vocal students.

The family’s closeness carries over to performing, where their intuitive understanding allows them to cover for one another.

“We feel each other,” says Nola. “We just know when one is going to drop out and the other needs to pick it up.”

Elyssia, who has a mixture of her grandmother’s and mother’s voices. appreciates the musical legacy she is part of and the warm comfort of performing with loved ones.

“I definitely recognize how special that is. Not everybody has that and it does bring your family into a closer connection because we all do share something and we all display our gifts in the same kind of way.”

For the February 8 concert the doors open at 5:30 p.m. for a private auction from the Creations 2 Bragg About Collection.

DIVA tickets are $15. Purchase advance tickets by calling 402-.281-5396. A portion of the proceeds will go to the Raw DAWGS after-school program.

For more information, call 402-281-5396.

BLACK HISTORY MONTH CONCERT DIVA 3 A TRIBUTE TO HISTORY OF AFRICAN-AMERICAN WOMEN IN CLASSICAL MUSIC    Three generations of classically-trained Omaha singers bound by blood, faith and black musical heritage will perform a DIVA 3 concert on Sunday, February 8 at New Life Presbyterian Church, 4060 Pratt Street.    The 6 p.m. Black History Month show will feature Nola Jeanpierre, her daughter Carole N. Jeanpierre and Carole's daughter Elyssia Reschelle Finch performing songs celebrating African-American women in classical music. In the tradition of Marian Anderson, Leontyne Price, Jessye Norman and Kathleen Battle, the three local women will use their dramatic soprano voices to interpret arias and spirituals from the classical canon.    Nola is a veteran musical theater performer on Omaha stages. She portrayed Bloody Mary in South Pacific at the Omaha Community Playhouse. She sang the role of the High Priestess in the memorable Opera Omaha mounting of Aida at the Ak-Sar-Ben Coliseum. She's the featured soloist at the St. Cecilia Cathedral Flower Show each year. She's done summer stock back East. She traces her vocal abilities to her mother, Bernice Bragg.    Carole has performed with national artists on stage and in the recording studio. She is often a guest soloist with the University of California Davis Gospel Choir. She also composes music, including an original, faith-based opera she wrote, Noalia: An Opera of Love that she is workshopping She recently adapted the opera into a children's book.    Ejyssia, a student at Concordia University in Seward, Neb., has a goal of auditioning for the Metropolitan Opera in New York City, which her grandmother Nola did as a young woman.     Nola's sister, Johnice Orduna, will lend her own fine voice to the concert. Nola and Johnice's aunt Claudette Valentine, a piano instructor and choir director, will accompany the vocalists, which means a fourth generation of musicianship will be represented.    This long line of musical talent is viewed by family members as a gift  from On High they feel called to share.    "As a family music represents the fruits of the spirit," says Carole. "It is our hope to enlighten hearts, to share the gift with love and with unity so that audiences are uplifted. That's the bottom-line."    "I've always been so appreciative that we were blessed with a gift that we could give back," says Nola.    "Music is love," Valentine says simply.    Carole created DIVA 3 as a vehicle for the family to sing together, just like they did at family reunions back in the day.     "We'd have family gatherings and someone would bring the macaroni and cheese and someone would bring the guitar, and we would all sit up under each other and sing. That was our best times," recalls Carole.    "The piano was the center of everything we did," Valentine says of growing up.    As each next generation came into the family's musical fold, a new talent was nurtured and another voice added to the mix. When Nola and her two sisters showed a musical knack as toddlers, their mother had them start piano lessons. Voice lessons followed. Claudette formed the girls into a sweet harmonizing trio that performed widely. As Nola's music career blossomed her first-born, Carole, soaked it all in.    Nola recalls their earliest musical bonding, "She would be under the piano and sometimes I would sit her on the stool next to me and we would sing. She'd touch the keys and play the piano. When I heard the talent then it was time to use it because she has the most phenomenal gift of pitch and mimicking a sound of a one I've ever known. She can sound like anybody."    "I picked up everybody's gift," says Carole, who made her public performing debut at age 3 in church.    "I just gave her what was given to me and passed it on down," says Nola.    Truthfully, it probably started in the womb," Carole says of this music osmosis. She went on to train with some 17 vocal coaches but says her mom's "the best." Nola and Carole both teach vocal students.     The family's closeness carries over to performing, where their intuitive understanding allows them to cover for one another.    "We feel each other," says Nola. "We just know when one is going to drop out and the other needs to pick it up."    Elyssia, who has a mixture of her grandmother's and mother's voices. appreciates the musical legacy she is part of and the warm comfort of performing with loved ones.    "I definitely recognize how special that is. Not everybody has that and it does bring your family into a closer connection because we all do share something and we all display our gifts in the same kind of way."    For the February 8 concert the doors open at 5:30 p.m. for a private auction from the Creations 2 Bragg About Collection.    DIVA tickets are $15. Purchase advance tickets by calling 402-.281-5396. A portion of the proceeds will go to the Raw DAWGS after-school program.    For more information, call 402-281-5396.

 

COR BLACK HISTORY MONTH EVENTS LOOK AT AFRICAN-AMERICANS THROUGH THE LENS OF HISTORY, CULTURE AND SOCIAL JUSTICE

January 28, 2015 Leave a comment

My place of worship, Church of the Resurrection in Omaha, does Black History Month good. We are a diverse family united in God’s love. Come and join us for these upcoming events that look at African-Americans through the lens of history, culture and social justice. We haven’t forgotten the soul food, either.

 

 

 

 

 

 

 

COR BLACK HISTORY MONTH EVENTS LOOK AT AFRICAN-AMERICANS THROUGH THE LENS OF HISTORY, CULTURE AND SOCIAL JUSTICE

Church of the Resurrection (COR), a blended house of worship with a strong community focus, is offering Black History Month events that take stock of Omaha social justice, past and present.

The Cultural Awareness Team at COR, 3004 Belvedere Boulevard, has scheduled a February lineup of Sunday Lunch Talks, plus a Saturday, February 28 finale, that feeds the soul, the mind and the body. This diverse, progressive church family united in God’s love is calling its Black History Month slate, “Omaha Then and Now: Things Gotta Change.” Some programs reflect African-American achievements and cultural touchstones, others address problems that disproportionately affect the African-American population and another focuses on North Omaha revival efforts.

The Sunday event schedule is:

Feb. 1
Great Plains Black History Museum display

Feb. 8
Soul Food Sunday: “Come Get Your Eat On.” This is the church’s annual home-cooked soul food feast that invites people of all races to break bread and talk together.

Feb. 15
“Profiling Then & Now” presentation by the Omaha Anti-Defamation League

Feb. 22
“North Omaha Revitalization” presentation by local community leaders

The Sunday events are free and open to the public. They immediately follow the regular 10 a.m. service in the basement fellowship hall of the church (at approximately 11 a.m.). A free-will donation lunch is served February 1, February 15 and February 22. The soul food feast is served Feb. 8.

COR culminates its observance of Black History Month 2015 with “An Evening of Music and Learning” on Saturday, February 28 at Loves Jazz & Arts Center, 2510 North 24th Street. The 5 to 7 p.m. program will feature live music by the Church of the Resurrection Choir and a talk by Douglas County District Court Judge Darryl Lowe on the topic of “Equality in the Justice System.” Catered hors d’oeuvres will be served.

The event is open to the public. Tickets are $5.

For more information, call COR at 402-455-7015.

COR BLACK HISTORY MONTH EVENTS LOOK AT AFRICAN-AMERICANS THROUGH THE LENS OF HISTORY, CULTURE AND SOCIAL JUSTICE</p>  <p>Church of the Resurrection (COR), a blended house of worship with a strong community focus, is offering Black History Month events that take stock of Omaha social justice, past and present.</p>  <p>The Cultural Awareness Team at COR, 3034 Belvedere Boulevard, has scheduled a February lineup of Sunday Lunch Talks, plus a Saturday, February 28 finale, that feeds the soul, the mind and the body. This diverse, progressive church family united in God's love is calling its Black History Month slate, "Omaha Then and Now: Things Gotta Change." Some programs reflect African-American achievements and cultural touchstones, others address problems that disproportionately affect the African-American population and another focuses on North Omaha revival efforts. </p>  <p>The Sunday event schedule is:</p>  <p>Feb. 1<br />  Great Plains Black History Museum display</p>  <p>Feb. 8<br />  Soul Food Sunday: "Come Get Your Eat On." This is the church's annual home-cooked soul food feast that invites people of all races to break bread and talk together.</p>  <p>Feb. 15<br />  "Profiling Then & Now" presentation by the Omaha Anti-Defamation League</p>  <p>Feb. 22<br />  "North Omaha Revitalization" presentation by local community leaders</p>  <p>The Sunday events are free and open to the public. They immediately follow the regular 10 a.m. service in the basement fellowship hall of the church (at approximately 11 a.m.). A free-will donation lunch is served February 1, February 15 and February 22. The soul food feast is served Feb. 8.</p>  <p>COR culminates its observance of Black History Month 2015 with "An Evening of Music and Learning" on Saturday, February 28 at Loves Jazz & Arts Center, 2510 North 24th Street. The 5 to 7 p.m. program will feature live music by the Church of the Resurrection Choir and a talk by Douglas County District Court Judge Darryl Lowe on the topic of "Equality in the Justice System." Catered hors d'oeuvres will be served. </p>  <p>The event is open to the public. Tickets are $5.</p>  <p>For more information, call COR at 402-455-7015.

 

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