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Overarching Plan for North Omaha Development Now in Place, Disinvested Community Hopeful Long Promised Change Follows

July 29, 2011 18 comments

North Omaha Village Revitalization Plan and Empowerment Network leaders after 7-0 City Council vote approving plan

 

 

Here’s a cover story I did for The Reader (www.thereader.com) about a plan and a vision that may at last signal the start of significant turnaround for long stagnated North Omaha. To be more precise – Northeast Omaha, where the predominantly African-American community is located and has awaited meaningful change for going on half-a-century. If it doesn’t happen now, then when?

Overarching Plan for North Omaha Development Now in Place, Disinvested Community Hopeful Long Promised Change Follows

©by Leo Adam Biga

As published in The Reader (www.thereader.com)

 

Recent adoption of the North Omaha Village Revitalization Plan into the city master plan gives direction and impetus to energizing a stagnated, disinvested area never fully recovered from decades-ago civil disturbance and urban renewal.

Unanimous approval by the Omaha Planning Board and City Council sends a strong signal to public-private funders and developers the plan provides an officially endorsed blueprint for action. What happens next to realize its 30-year vision is up to stakeholders, entrepreneurs, elected officials, movers and shakers.

The Empowerment Network initiated plan, which drew input from residents, business concerns, philanthropists, planning consultants and others, envisions $1.43 billion in redevelopment along key corridors. The initiative puts the Northside in the crosshairs of major transformation as never before.

Some plan contributors and likely implementers recently spoke with The Reader about what this means for a section of the city that’s long awaited significant change.

“One reason it’s important is to show the people who participated, who live in the community, that we’re serious about a North Omaha that is a strong component of the overall city, one that shares in the successes and in the future of the whole city,” says Omaha Planning Director Rick Cunningham.

“It’s important because as the Planning Department this gives us then our marching orders. This is what we then work with with developers to compare their ideas and plans against. It gives people a clear understanding of what the vision is and where they can best take their dollars and invest them.”

 

 

 

 

Omaha Economic Development Corporation president Michael Maroney sees the plan as “absolutely essential” for addressing some sobering realities.

“I’ve been working in this community for over 40 years and over that period of time I’ve heard over and over again from the political leadership of this city, from the corporate-business community, why can’t North Omaha leadership get together and speak with a single voice in terms of what the needs are.

“And this whole effort going back five years in the creation of the Empowerment Network was really in part a response to that, because we recognized we had to start doing things differently.”

The need for a new approach became painfully obvious, he says, in the wake of a 2005 study. It showed that in every quality of life measure constituting a healthy community blacks “were either no better off or worse off compared to the majority community” than they were in 1977, he says.

“That basically said all the good work all of us thought we were doing wasn’t making a difference, not in the overall scheme of things. Something was missing.”

The community action coalition African American Empowerment Network was born.

“We sat around a table and said we’ve got to start working together, we’ve got to start collaborating, we’ve got to start connecting with each other, and bring all our combined talents together,” says Maroney. “That led to this village revitalization visioning we did.”

 

 
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To those who might regard the resulting plan’s price tag as excessive, he says, “We cannot be afraid of reality. Now we’re not saying we’re going to go out and get a $1.43 billion commitment tomorrow. It’s a 30 year process, and it’s not going to come from any one entity or one source or one area. Government has a role in this, the private sector has a role in this, there’s going to be a lot of bank financing in this thing.”

“When $3 billion has been spent in downtown and midtown, what’s a billion dollars for North Omaha to make it a strong resource, a strong player, a big part of the tapestry for a sustainable Omaha?” asks Cunningham.

It’s no exaggeration to say the plan is a put-up or shut-up moment in Omaha history.

Maroney says, “For decades the greater community has said come together and the support will be there. Well, we’ve done that now, and I have to say we’ve had good vibes all along the way from those various entities. But the proof is going to be in the pudding. We now have a very solid process we’ve gone through that creates a long term vision for the community. We’ve done this in a collaborative way that engaged the city and the business and philanthropic community. Now the question becomes, Will you step up to the plate? We’ve got this down, we’ve got it in phases, we’ve got even the first couple projects identified. So we’re moving to that next level and we’ll see if what has been suggested and indicated for years will actually happen.”

 

 

Michael Maroney

 

 

Empowerment Network president Willie Barney says the plan’s “going to take focus and commitment from the community itself,” adding, “New businesses and venues will only be sustainable to the level they’re supported by the people who live here.”

For the area to thrive, says Maroney, “it’s more than just brick and mortar because we know if people don’t feel safe and secure, I don’t care how nice we make it, they’re not going to be there, they’re not going to come.”

Observers agree infrastructure needs like the sewer-separation project must proceed to lay the way for large scale development.

Seventy Five North Revitalization Corp. executive director Othello Meadows says whatever happens next, the Network deserves credit for making North O a priority.

“I’m encouraged by what the Empowerment Network is doing,” he says. “They’ve been consistent, they haven’t let the momentum fizzle out. They’ve been diligent. They’ve put together a really comprehensive plan. Anybody can quibble with aspects of it, but the fact they’ve put this together is a major accomplishment.

“They’ve kept the conversation going long enough to get the attention of the right people and it’s moved to a very concrete step being part of the master plan.”

He’s confident North O has the players it needs to drive the plan to fruition.

“I think there’s far more executors than they’re used to be. There’s more people who are used to being held accountable, to executing and getting things done and who are much less interested in talking about it and much more interested in doing it. That’s the single biggest component of what will make North Omaha successful.”

Another aspect of economic development the plan implicitly addresses is improving work skill readiness and creating more living wage to career job pathways.

“Omaha has one of the lowest unemployment rates in the nation, yet we still have in North Omaha a very high unemployment rate,” says Barney. “We have not really bridged that gap yet. We really haven’t come to grips with job creation and development. I think more so now than ever the business community is alongside us in looking at how to solve this. There are training programs through the Urban League, Heartland Workforce Solutions, Metro Community College that I think will do a more effective job of getting people ready.”

The Chamber of Commerce’s Workforce Solutions partners with local employers, Metro and Goodwill Industries to train skill deficient workers for entry level professional jobs. Meadows, who headed the Omaha Workforce Collaborative, says too many North Omaha residents still have “the steepest of hills to climb” to become proficient.

North Omaha is a much studied, social serviced area suffering disproportionately from poverty, unemployment, underemployment, educational-skill gaps and health problems. As Omaha as a whole has prospered, North O’s languished, cut off from the mainstream of commerce and affluence that ranks the city among the nation’s best places to live. For half a century its predominantly black population has seen their community cast as a crime-ridden danger zone and charitable mission district.

Branded as an undesirable place to live or do business in, major investment has bypassed it. Thus, it lacks goods and services, its population is down, its housing stock deteriorated, its vacant, condemned properties number in the thousands. Added to this is a sparse entrepreneurial class and scarcity of entertainment options-attractions.

 

 

 

 

Planning Director Cunningham says though efforts have “stabilized what was a declining part of town, it doesn’t mean there isn’t a lot of work to do,” adding. “To say we’ve stabilized is not great, but it does give us a platform upon which to move forward.”

“If North Omaha is to be a sustainable community, and that means it really takes care of itself and it doesn’t need to be a welfare community, we have to have a different mind set,” says Maroney. “That does not mean we forsake those in need, but we have to create the atmosphere by which we not only bring back people with higher incomes but we elevate those people within upward. We must create a community that is generating resources that turn around in the community by creating jobs, creating opportunity.”

“The whole idea is to make North Omaha a neighborhood of choice,” says Cunningham. “That not only people who live there now stay, because they can afford to stay, because of new jobs and opportunities, but people who moved away are invited-enticed to move back and people looking for a new place to raise their families move there.”

He says the plan mitigates against gentrification pricing out residents.

“The concept is to not have just one type of housing but a full range of housing types and income levels. I think that’s all through the plan.”

Facilitating mixed income housing projects is what Seventy Five North plans doing. The new nonprofit, in partnership with Purpose Building Communities, is quietly acquiring properties to infuse new life into neighborhoods.

Prospect Hill has recently seen the addition of new “green” homes to its stock of older homes courtesy of a collaborative venture between OEDC, Alliance Building Communities, Holy Name Housing, Wells Fargo Bank and Family Housing Advisory Services. More partnerships like this are needed, says OEDC’s Maroney.

Cunningham says if North Omaha is to be a prime development landscape the same way other parts of the city are, “we need to identify innovative and new ways we can invest. So we’re looking at the economic development tools we have to make it just as easy to develop and reinvest there. We’ve got to do that. We’ve got to utilize the resources of this city.” He says, “A plan like this is a catalyst that begins people thinking about, What if? Why not? and people are doing that already. There are partners (emerging) out there the public doesn’t know about at this point.”

Othello Meadows feels a serious attitude change is necessary.

“One of the things I see a lot is almost this antithetical attitude to people coming into North Omaha to make money,,” he says, “as if it’s almost a bad or exploitive thing, and I don’t understand that. The only way North Omaha grows in a sustainable way is if somebody sees an opportunity to go in there and make some money. That’s how North Omaha gets tied to the rest of the economic prosperity the city has enjoyed.”

 

 

Othello Meadows

 

 

Nurturing more entrepreneurs, says Maroney, “is absolutely key. It’s an area we’re working on. It needs a lot of help. A lot of it is access to credit and capital. A lot of its entrepreneurial development training. That’s critical because as we develop all this brick and mortar we need to have people ready to move in and create businesses and jobs and hopefully make a lot of money.”

The city and Chamber are actively recruiting black businesses outside Nebraska to open operations in North Omaha. Consultant Jim Beatty heads an Atlanta initiative that’s imported one business thus far, All(n)1 Security. He says aggressive, wide net efforts like these are needed to market the revitalization plan to entrepreneurs, philanthropists and developers. “I think we need to present North Omaha as an opportunity for investment, and we need to tell that story, not only locally but nationally,” says Beatty, who chairs the Black History Museum board.

The Chamber’s Ed Cochran, who heads the North Omaha Development Project, says, “There are several ways to grow business in a community. One is to grow it organically
through inspiring entrepreneurs with brand new businesses. Another is to strengthen and grow existing businesses. A third is to import businesses from other locations.” He says North Omaha needs all these approaches.

For too long, says Meadows, the Northside has been treated as a charity case.

“I feel like there’s almost a patriarchal type relationship that always leaves North Omaha in a secondary position. At this point North Omaha doesn’t have the capital, in a lot of ways it doesn’t have the personnel, kind of by way of brain drain, to transition itself organically without outside resources. At this point it needs help from philanthropy and individuals whose hearts are in the right place, who simply want to do the right thing.

“I think the compassion that exists in this city is rare, especially in the philanthropic community, but I think we have to have a little bit more analytical, clinical approach.”

While the adjacent downtown, riverfront and mid-town have bloomed, North O’s seen piecemeal, stop-gap change, with pockets of redevelopment surrounded by neglect.

“Historically what we’ve done, and I’ve been a part of that, is have a scattered gun approach toward development,” Maroney says. “A lot of good things have been done, but they’ve been done in isolation. We need to better coordinate and understand how these things relate to each other, and then how you build on top of those. We’re now trying to take a more deliberative and directed approach toward development.”

 

 

 

 

Backers of the revitalization plan see it as a guide and stimulus to making North O a destination to live, work and recreate in. Among the early focal points is developing 24th and Lake into a heavily trafficked, tourist-friendly arts-culture district.

“In North Omaha one of the real epicenters is 24th and Lake, where you have a really nice combination of history and communal feeling,” says Meadows. “It’s one of the hubs of the community. I think you could make a tremendous splash by focusing on that area. You can’t find somebody who grew up in North Omaha that hasn’t spent a lot of time in that area, whether they got their cut there or they went to church there. So to me it makes sense to start with an area that touches so much of North Omaha.

“If I were a developer I’d start right there. It’s close enough to downtown to draw from a lot of different nodes, which is important.”

Anticipated commercial development would build on existing anchors in strategic areas:

24th and Lake (Bryant Center, Jewell Building, Omaha Star, Family Housing Advisory Services, Blue Lion Centre, Loves Jazz & Arts Center, Omaha Business & Technology Center, Great Plains Black History Museum)

30th and Lake (Salem Baptist Church, Salem Village, Miami Heights, Urban League, Charles Drew Health Center)

Adams Park and the Malcolm X Memorial Foundation

Refinements to 16th and Cuming and the 24th and 30th St. corridors are meant to spur a “seamless transition” from north downtown to North Omaha. Cunningham says “development there would integrate with the downtown and begin to bring the flow of people, goods, enterprise and economic development over into and overlapping with what has been historically the North Side.”

He adds, “We’re working now with 24th Street and an existing building there housing an historic business to revamp their footprint so that it says this is a front door rather than a back door. We’re also working with Creighton (University) and their plans for 24th and Cuming. That’s an entry portal for them too. They’re a partner in this and they have a vision for what’s happening there, really from 30th to 16th Streets, in creating a Cuming that is not a barrier, not a border, but a strong component of activity.”

 

Rick Cunningham

 

 

 

Asked if it’s vital the first projects find success, Cunningham says. “Absolutely, because that builds momentum. We have to have successes early because it will be easier for the next developer to come in.” Sources indicate government funded projects are likely to launch first to “prime the pump” for private investment to follow.

Sustainability will be critical.

“Each one of those projects, particularly ones in the initial stages, have to be able to stand on their own in the event nothing else happens so that 20 years from now that project will still be there, will still be functioning,” says Maroney. “Not only do we look at what is it going to cost to create that project, but what is it going to take to sustain it over time. We nee to make sure thats built in also.”

Meadows says, “The same kind of rigor, due diligence and economic models that went into determining the feasibility of midtown and downtown development projects needs to take place with each North Omaha project” to ensure their sustainability.

More than anything, Meadows just wants to see change.

“When my friends come to visit from out of town there’s very little positive to show them on the Northside, very little you can point out and say, ‘Wow!’ So I’m glad we potentially have some things to be proud about in our neighborhood, in my community.

“I think North Omaha is really poised. I think residents are getting ready to see actual movement, they’re getting ready to drive down certain streets and see real development, real improvement. I can’t remember when that’s happened here.”

Omowale Akintunde’s In-Your-Face Race Film for the New Millennium, ‘Wigger,’ Introduces America to a New Cinema Voice

July 20, 2011 23 comments

Over the past 20 years I have had the opportunity of stumbling upon some filmmakers from my native Nebraska whose work has inspired me and many others. I first became aware of Alexander Payne back when I was programming art films in the late 1980s-early 1990s.  This was before he’d directed his first feature. I read something about him somewhere and I ended up booking his UCLA thesis film, The Passion of Martin, for screenings by the nonprofit New Cinema Cooperative. Hardly anyone came, but his work was unusually mature for someone just out of college. That lead to my interviewing him in the afterglow of his feature debut, Citizen Ruth, and his making Election. I’ve gone on to interview him dozens of times and to write extensively about his work.  I even spent a week on the set of Sideways. I almost made it to Hawaii for a couple days on the set of his film, The Descendants. I may be spending weeks on the set of his next film, Nebraska. It’s been an interesting ride to chart the career of someone who has become one of the world’s preeminent filmmakers.

More recently, I was fortunate enough to get in on the evolving young career of Nik Fackler, whose feature debut, Lovely, Still, shows him to be an artist of great promise.

More recently still I discovered Charles Fairbanks, a true original whose short works, including Irma and Wrestling with My Father, defy easy categorization. He is someone who will be heard from in a major way one day.

In between Fackler and Fairbanks I was introduced to Omowale Akintunde, an academic and artist whose short film Wigger became the basis for his feature of the same name. Akintunde and Wigger are the subjects of the following story, which appears in The Reader (www.thereader.com). The small indie film, made entirely in Omaha, is getting some theater exposure around the country.

This blog contains numerous stories about these filmmakers and others I’ve had the pleasure to interview and profile.

 

 

Omowale Akintunde’s In-Your-Face Race Film for the New Millennium, ‘Wigger,’ Introduces America to a New Cinema Voice 

©by Leo Adam Biga

As published in The Reader (www.thereader.com)

Make no mistake about it, filmmaker Omowale Akintunde intends for his 2010 racially-charged Omaha-made feature, Wigger, to provoke a strong response.

After premiering here last year, and in limited theatrical release around the country, the dynamic looking and sounding film returns for a 7 p.m., July 28 red carpet screening at the Twin Creek Cinema. It’s back just in time for Native Omaha Days (July 27-August 1), the biennial African-American heritage celebration.

The film, definitively set in North Omaha, plays off a young white man, Brandon (David Oakes), so enamored with African-American culture he’s adopted its trappings. He pursues a R & B career amid skeptics, users and haters. His interracial relationships, both platonic and romantic, are tinged with undercurrents.

“He feels he has transcended whiteness,” says Akintunde, chair of the University of Nebraska at Omaha Department of Black Studies. “On the other hand, his father is a very overt racist who calls people nigger, talks about fags and Jews. He’s very open about his biases. So Brandon sees himself as disconnected from his father.”

Brandon’s best friend, Antoine, is black. As pressures build, the two have a falling out, each accusing the other of racism, unintentionally setting in motion a tragedy.

“There’s just some things you learn in a black household you don’t get in a white    household, and vice versa,” says Eric Harvey, who plays Antoine and co-produced the film, “so that line between them keeps them from being as close as they really want to be. They’re both in denial of self-conscious racism.

 

 

 

 

“It’s not a bad thing, it’s a reality. We do things without thinking about it. Seriously, it’s been embedded for so long it’s just the norm.”

This is the prism through which Akintunde, who produced, wrote and directed the film, examines polarizing attitudes. Nearly everyone in the film exhibits some prejudice or engages in some profiling. Race and privilege cards abound.

“I thought this story…was the perfect premise to get into some real deep stuff,” says Akintunde. “It’s about these two characters with this improbable dream. This white boy who loves black culture and wants to be accepted comes from a background that says, why would you want to be like THEM? And then them telling him you’re not one of US. And how does one make that fit?”

 

 

 

 

The film suggests a post-racial world is a fallacy short of some deep reckoning or ongoing discussion. It’s message is that not confronting or deconstructing our racial hangups has real consequences. Akintunde can spout rhetoric with the best, but his film never devolves into preaching.

He does something else in offering a raw, authentic slice of black inner city life here with glimpses of Native Omaha Days, the club scene, neighborhoods, church. He avoids the misrepresentations of another urban drama set here, Belly (1998).

“This is the first film that really deals with North Omaha and attempts to make icons of the things that have become emblematic of it,” says Akintunde. “I really did want to show this city and that community some big love. It was very intentional I made the location a character in this film.”

Rare for any small independent, even more so for a locally produced one, Wigger is managing theatrical bookings at commercial houses, albeit mostly one-night engagements, coast to coast. In classic roadshow fashion, the filmmaker is brokering screenings through his own Akintunde Productions. He pitches exhibitors and when he sells a theater or chain on the flick he often appears, film in hand, to help promote it. He often does a post-show Q & A.

 

 

Meshach Taylor

 

 

In May the film got national mention when co-star Meshach Taylor plugged it on The Wendy Williams Show.

The success is the latest affirmation for Akintunde, who has a solid reputation as a serious artist and scholar. His 2009 nonfiction film, An Inaugural Ride to Freedom, which charts the bus trek a group of Omahans made to the Obama presidential inauguration, won a regional Emmy as Best Cultural Documentary.

The Alabama native has heeded his creative and academic sides for as long as he can remember. “I always wanted to be a university professor and I always wanted to make films,” he says. “I wanted to make films because there are so many people who will never attend a university, who will never be involved in a high level ivory tower discussion, and movies reach everybody. What I always wanted to do is to meld those two worlds — to use film to teach academics.”

In a career that’s seen him widely published on issues like white privilege and diversity, he’s penned academic texts, short stories, a novel and a children’s book. He says he always conceives his stories cinematically. Well into his professional career though, the cinephile still hadn’t realized his dream of filmmaking.

“It was one of those things you always wanted to do but everyone discouraged you from because they felt you needed a real job,” he says. “No one ever thought that was a credible goal. I finally reached a point where I realized credibility was determined by me, and if I had a passion for filmmaking I needed to do what…makes me happy. That was one of the missing things in my life.”

During a sabbatical he attended the New York Film Academy‘s Conservatory Filmmaking Program. His thesis project was a short version of Wigger. Another of his shorts, Mama ‘n ‘Em, was selected for the Hollywood Black Film Festival.

An expanded Wigger script became his feature debut. He and producer Michael Murphy financed the film themselves. Akintunde imported principal cast and crew from outside Nebraska, including film-television actors Meshach Taylor (who was in the short) and Anna Maria Horsford, cinematographer Jean-Paul Bonneau and composers Andre Mieux and Chris Julian.

“I didn’t follow any of the traditional methodologies in terms of even making Wigger, much less how I promote it and get it out there.”

 

 

David Oakes

 

 

Kim de Patri (Kim Patrick), who plays Antoine’s girlfriend Shondra, says the script’s unvarnished truth grabbed her.

“It said every single thing most people think (about race) but would never actually say. It was the way it was said and the voice it was speaking from, these characters. It was so real and so honest and it came from a very genuine place.”

Taylor, a big advocate of Akintunde’s, says he likes how the film “challenges people’s concepts of what racism really is” by dealing with “the reality of institutionalization racism,” adding, “It’s not an overt thing, it’s really built into the system.” He says he and Akiintunde just click. “I like what he’s trying to do. It’s really wonderful to have someone who has an intellectual approach to filmmaking but still has the artistic sensibility to make it fun and interesting to watch.”

To date, Akintunde has arranged limited bookings in mid and major markets, ranging from Minneapolis and Birmingham to Denver, Las Vegas and Los Angeles. It’s one continuous run was at the Edge 12 in Birmingham, the home of Tim Jennings, who has a supporting role. Akintunde says an Edge Theaters official “became a big fan and supporter” of the film and offered a one-week run.

Future screenings are scheduled in Chicago, Atlanta, Washington D.C. and New York City. He’s negotiating with Edge for new, multi-date runs.

 

 

Kim de Patri (Kim Patrick)

 

 

With Wigger, he’s taken a subject and set of conventions rife with stereotype and exploitation possibilities and dramatized them as an extension of his scholarship. His goal is as much to frame a dialogue as to make a profit.

“My biggest objective here was to really put a story out there that would compel people to talk about institutionalized bias in a way that I don’t think we’ve had. I really wanted to have a national conversation about this.”

In the tradition of Do the Right Thing and A Time for Burning, which was shot in Omaha 45 years ago, Wigger makes a full-frontal assault on our expectations.

“Obviously, I chose a very provocative and incendiary title because I want it to evoke a very strong, visceral response. I want to incite people. I want to grab America by the collar and just shake them,” he says. “The title itself is very problematic for people because we live in a society where we won’t even pronounce the word nigger. It becomes the “n word” in any context in which we use it.

“In many of the (Q & A) discussions we talk about why I gave the film such a provocative title — it’s because I want people to stop and think. Certain words are simple, symbolic representations of a much deeper social problem that we tend to mask by using silly euphemisms, as if we do not know what they mean, instead of looking at why the actual word bothers us.”

The film deftly handles topics usually glossed over or overdone without becoming pedantic or sensationalistic, though it does get melodramatic. As an “ethnic” genre pic, it draws largely black audiences, but enough of a mix that Akintunde is able to gauge how it plays to black and white viewers.

“There has not been a huge disparity in response and I think that’s because Wigger takes on multiple kinds of institutionalized biases. What I find is people see in a sense the mirror being held up to themselves.”

If nothing else, he hopes the film encourages viewers to see past the taboo or race.

“In our society we’re taught the way you demonstrate you’re not racist is to pretend you don’t know race exists. Because of this color blind mentality we’re all supposed to be adopting, we have come to a point where we can’t discuss the 600 pound gorilla in the room, and what Wigger does is give people an opportunity to discuss the 600 pound gorilla.

“But it goes beyond that — to our gender, our class, our sexuality, our religious beliefs. These are so interwoven and so inextricably bound that it is impossible to construct yourself in any of those domains without taking into consideration the others.”

 

 

 

 

Wigger shows how racism, sexism and other isms thrive in both white and black culture. Everyone is guilty of some kind of bias.

“I try not to make a compelling argument of black versus white,” says Akintunde, “but about what it means to be either and how we can transcend these boundaries, these ridiculous social constructions, these radicalized expectations that keep us divided. I believe we have the ability to cross these boundaries and truly become a society resolute in its solidarity.

“I think the reason people don’t leave that film feeling as if they’re more divided is because of the way the film is structured. I think you cant help but see how really alike we are. It’s hard to walk away from this movie seeing the world in, no pun intended, black and white.”

Relegating someone to a narrow category or box, he says, diminishes that person and in the process only widens the gulf between individuals and groups.

“I don’t think they are things that exist on their own. I don’t think people are born heterosexist or are racist or Christian. We are taught these positions, we are taught these ideologies, and we reinforce them in our social context in such discreet ways that we’re formed and shaped into opinions and ideas long before we understand that’s what has happened to us.

“Nobody can be plugged comfortably into one of these slots. It ain’t that damn simple. It never has been that simple. It’s a very complex thing.”

The film unabashedly “goes there” by unearthing the fear and anger alternative lifestyles generate, from gay revelations to interracial affairs to wigger mainfestations.

“Society paints a picture of what it wants to see and some people just don’t want to see certain things,” says de Patri (Patrick).

Overcoming these barriers, in Akintunde’s view, starts with recognizing them for what they are and how complicit we are in maintaining them.

“The thing I want to get across to people is that it’s all of our problem. Even if you think you’re just a victim, you’re not, you are a participant. It’s not a white problem, and it’s not a black problem, and it’s not a gay problem. It is a human problem.”

 

 

Omowale Akintunde reviews script with cast

 

 

Akintunde enjoys the canvass film provides for expressing multi-layered themes.

“I’m very attracted to film as a way of telling that story because I think it allows you more complexity.”

Wigger marks the beginning for what he hopes is a string of films, but for now, he says, “it’s the fruition of my life’s work.” He’s justifiably proud the film’s getting seen.

“For an independent filmmaker to even get a film to run continuously anywhere for any length of time is an extraordinary achievement, and I got that to happen.”

The exhibition schedule is being revised as new screening opportunities surface.

“I had this carefully laid out plan, man, with absolute linearity, and instead things are happening in the moment.”

 

 

Zaina Ark’Keenya

 

 

He says the film’s well received wherever it plays and is invited back in some cases for additional screenings, including Las Vegas and Birmingham.

“Obviously, I would love to see the movie in an even larger roll out and I think that that is happening,” he says. “I didn’t plan that Edge Theaters was going to pick up the movie. I didn’t plan these people in Vegas and Birmingham would want me to come back. I’m going to go with what happens in that moment and just enjoy it. I’m sort of like riding the wave.”

He says there’s been preliminary talk about Rave Theaters pickiing up Wigger. He’s also following up a lead about potential interest from BET in acquiring the film for network broadcast. Wigger will eventually go to Blu-Ray and DVD.

“I am still seeking a distribution deal.”

Considering its small marketing budget, he’s pleased with the film’s performance.

“We sell out the house wherever we play. I’m not making a killing, but certainly making back the money invested to bring the movie to these theaters. I have a real job, so for me it’s not so pressing my movie makes a lot of money, Of course, I want it to make money if for no other reason then to allow me to make more films.”

His unpublished novel, Waiting for the Sissy Killer, is the basis for a new feature he’s planning. The partly autobiographical story concerns a young black man trying to cope with identity issues in the 1960s South. Akintunde hopes to begin pre-production in the fall. He plans shooting the project in his native Alabama.

Omaha rapper ASO headlines the 6:30 p.m. Wigger pre-show at Twin Creek Cinema. Performing at the Blue Martini after-party is co-composer Andre Mieux.

Tickets are $20 for the screening, pre-show and party and available at http://www.WiggerThe Film.com, Youngblood’s Barber Shop, Loves Jazz & Arts Center and Twin Creek.

Rev. Everett Reynolds Gave Voice to the Voiceless

July 18, 2011 6 comments

Another Omaha elder leader has passed.  The Rev. Everett Reynolds spent the better part of his life fighting the good fight against injustice. The following in memoriam piece I wrote appeared in The Reader (www.thereader.com).

Rev. Everett Reynolds leading a march, ©Lincoln Journal-Star photo

 

 

Rev. Everett Reynolds Gave Voice to the Voiceless

©by Leo Adam Biga

Originally published in The Reader (www.thereader.com)

Rev. Everett Reynolds was not from Nebraska but he’s remembered as someone who made a significant mark here.

The St. Louis, Mo. native passed earlier this week in Omaha at age 83.

As a United Methodist minister and community leader he led congregations, worked with parolees, headed the local chapter of the NAACP, founded Cox Cable television channel CTI-22 and advocated for civil rights.

His work followed that of his father and grandfather, who were preachers. But for a long time Reynolds resisted The Call.

As a youth, he moved with his family to Lincoln, Neb., where his father pastored a church. After his father took over at Clair Memorial United Methodist Church in Omaha, Reynolds attended Technical High School.

But school and church were far from his mind. He heeded another calling, music, to become a professional musician in touring dance bands. He sang ballads and blues and played bass violin. He sat in with such legends as Count Basie and Lionel Hampton. He also played for top Omaha Midwest touring bands led by Lloyd Hunter and Earl Graves.

It was a heady time, but as the years went by he got caught up in the night life. Women. Booze. His alcoholism made him a liability. Once, after a week-long bender, he woke up in Houston, unable to remember what happened. Exiled from the band, this Prodigal Son finally returned home.

In a 2004 interview he said after failing to kick his drinking habit, he asked for divine help, and this time he stayed dry. In 1950, he rejoined the church and married. He and his wife Shirley celebrated their 61st wedding anniversary last year. His fall from grace and his subsequent recovery and rebirth, he said, gave his ministry “a message” for anyone straying from The Word. “For I have been there.”

 

 

 

 

 

 

 

 

He made his ministry an extension of his work as a Nebraska parole officer. In his duals roles he said he often shared with youth his own experiences.

Reynolds, who held a theology degree and a doctorate, eventually took over his father’s pulpit at Clair Methodist. A consistent theme he delivered as a preacher is that “we’re all created equal in the sight of God. One blood are we.” Black or white, he said, shouldn’t matter. “When we reduce our faith to race, we’ve reduced our faith. Each time we make an advance, it’s for all people, not one.”

“My father was against any kind of inequitable treatment of people, of any people,” says Trip Reynolds, one of the late pastor’s three sons. “That’s his hallmark. Some people talk it — my dad was frequently acknowledged for practicing what he preached.”

Rev. Reynolds went on to pastor Lefler United Methodist Church. During his tenure, he assumed leadership of the Omaha NAACP. It was a tough time for the organization, locally and nationally, with declining memberships and a flagging mission.

As a NAACP spokesman he made his voice heard on hot button incidents like alleged police brutality. He raised awareness. He advocated dialogue. He organized protests. He called press conferences. The cable channel he founded, which originated as Religious Telecast Inc. before changing names to Community Telecast Inc., was created as a forum for minority voices to be heard. Trip Reynolds ran the channel with his father and today is general manager.

The late minister is remembered as the conscience of a community.

“He was very strong and intense in what he believed in,” says Metropolitan Community College liaison Tommie Wilson.”Powerful, intelligent. He knew civil rights backwards and forwards, and he stepped out there and he did it — fighting for justice for everybody. He was a fine man and quite a leader.”

“He took on some really difficult and sometime controversial cases, and he did that knowing what the consequences were and being unafraid to address those consequences,” says Omaha City Councilman Ben Gray. “He also helped create alternative programming and an opportunity for different voices.”

Along the way, Reynolds made clear the NAACP’s watchdog mission is still relevant. “Our struggle continues. People are still hurting because of inequities in such areas as education, employment, voting and the criminal justice system,” he once told a reporter.

When Reynolds stepped down as Omaha NAACP president in 2004, he recommended Tommie Wilson succeed him.

“I feel Dr Reynolds is responsible for me appreciating my history and me wanting to follow those big shoes he wore,” says Wilson. “When he asked me to take over it intensified in me my desire to do all I could to do to make a difference.”

Clair United Methodist Church, 5544 Ames Ave., is hosting a Friday wake service from 6 to 8 p.m., and a Saturday funeral service at noon.

Luigi’s Legacy, The Late Omaha Jazz Artist Luigi Waites Fondly Remembered

July 18, 2011 22 comments

I wrote the following two pieces in memory of the late, much-beloved Omaha jazz artist Luigi Waites.  I only met the man once and I only saw him perform a few times, but I knew a lot of people who knew him and his music well.  I had always meant to do a full-blown profile of him but it just never worked out.  These short recaps of his career will have to do.  I wish now I had pressed forward in doing something with him.  It’s a reminder that particularly with older subjects the time to interview them is now, because one never knows when they might be gone. And once gone, the wisdom of that elder goes with them.

 

 

Luigi’s Legacy, The Late Omaha Jazz Artist Luigi Waites Fondly Remembered

©by Leo Adam Biga

Originally appeared in Encounter Magazine

The April 6, 2010  death of Omaha jazz percussionist, vibraphonist, band leader and music educator Luigi Waites brought an outpouring of tributes to this Classic Omaha Hep Cat.

Luigi, whose first name identified him for legions of fans, became an ambassador for jazz in his hometown of Omaha. Unlike the bombast of another local jazz icon, the late Preston Love Sr., Luigi was sedate. Contrasting personalities aside, these “brothers” came out of the same African-American social-cultural milieu to carve out careers.

The humble Luigi made friends wherever he laid down licks. It’s not surprising then his passing prompted memorials befitting a beloved hero. He touched innumerable lives with his timeless music and generous spirit.

Long ago divorced, the 82 year-old was survived by six children.

Wearing his signature floppy hat, Luigi exuded a Zen master’s inscrutable calm. His signature performance spot, Mr. Toad in the Old Market, lasted some 1,700 Sundays. Manager Rick Renn said what he’ll cherish most about Luigi is his “absolutely unique personality, adding: “He was just comfortable with everybody and he made everybody comfortable; he was one of these people who you met for the first time and you loved about a minute later; he was unusual, he was cryptic, he was always making you think.”

Whether playing a bar or festival, doing a school residency or giving private music lessons, Luigi was always teaching. Bandmates say he turned gigs into symposiums, encouraging an open exchange of ideas and approaches.

“You knew he was serious when you watched him play. You knew he was going, as the great ones do, into his element,. You’d sit and watch him on the vibes, the concentration on his face, but at the same time the fun he was having,” said Renn.

For years Luigi traveled the Midwest for the National School Tours program and Nebraska Arts Council. He provided music lessons, often for free, all over Omaha. His touring multicultural drum and drill corps, The Contemporaries, served at-risk kids. Professional side man and session player Arno Lucas credits his stint with the Contemporaries for saving him from the streets. He considered Luigi “a true mentor.”

For years, too, Luigi booked all the entertainment for the Summer Arts Festival downtown. He was also a clinician for Sonar, Trixon and Ludwig drums.

The lifetime learner never stopped being a student himself, whether teaching himself to play drums, later the vibes, or trying new things with his group, Luigi Inc.

He had some formal music training, courtesy a hitch in the U.S. Army and attending the Midwestern Conservatory of Music. Like many musicians of his era though he picked up his chops informally, traveling the country and Europe, but mostly in his hometown, where a vibrant live music scene back in the day saw him haunt the local night spots, sitting in on jam sessions galore and playing in various bands.

Luigi never lost his enthusiasm or curiosity. Late in life the amateur photography buff learned digital techniques from Omaha professional photographer Herb Thompson.

“He was always just very young at heart,” said Thompson, who mentored Luigi for a Nebraska Arts Council project that resulted in an exhibition.

Thompson said the only time he saw Luigi slow down was after the ailing musician underwent chemo treatments. The artist finally lost his battle with cancer, but till the end was making plans — for a new CD, for new photography projects.

 

 

 

 

A memorial service at Omaha North High School and the funeral at St. Cecilia Cathedral drew hundreds each.

“Neither of those was really a sad occasion, they were more a celebration,” said Thompson. “People just said how much they loved him, how much he meant to them. It was a cross-section of this city who celebrated the life of a man who had contributed so very much to his community. I don’t think there’s anyone in the black community of a certain age who hadn’t been touched by Luigi. Another thing that struck me is that it’s obvious he crossed racial barriers. It came out in almost all of the comments folks made at the tribute but also in the kind of racial mixture you had there.”

Playwright Monica Bauer can attest to Luigi gracefully defying social constraints. She was among many whites who took music lessons from him. In the 1960s he was teaching at Swoboda Music Center at 20th and Q. Few blacks worked in the heavily Czech area and despite some raised eyebrows from neighbors, owner Johnny Swoboda hired and kept Luigi, and the two became friends.

If anybody had objected to Luigi’s presence, Swoboda would have stood by his man. “We were buddies,” said Swoboda. “He made quite an impression on all kinds of people. It’s quite a legacy.” Swoboda’s children became the first white Contemporaries.

Bauer echoed the sentiments of many in describing Luigi as “a terrific music teacher” with a “kind and compassionate” manner. His students say he taught philosophical life lessons as much as music. She said she “learned how to be an artist” and a mensch from him. “Luigi always told me, ‘Be kind to everybody, and they will be kind to you.’ I took those words with me through two Ivy League degrees, three Master’s degrees, and a Ph.D.”

Her play My Occasion of Sin dramatizes Luigi’s social action of taking on white students in the racially tense ‘60s. He didn’t see it as making a statement. He was just being Luigi.

 

 

 

 

Luigi Gone But Not Forgotten

©by Leo Adam Biga

Originally appeared in The Reader (www.thereader.com)

As much as the music he made. the generous spirit of iconic Omaha drummer and vibraphonist Luigi Waites is likely be remembered even more. Waites died early Tuesday morning at Immanuel Hospital. He was 82.

His 70-year performing career encompassed much of the Omaha live music scene but extended well beyond his hometown borders. He’s perhaps best known for the more than 1,700 Sunday night shows he and his group, Luigi Inc., performed at Mr. Toad in the Old Market. Luigi was also a fixture at the Dundee Dell. As a Summer Arts Festival board member, he booked the event’s entertainment.

As early as age 12 he began playing drums and soon gigged at local nightclubs, where his mother served as his escort. He studied at the Midwestern Conservatory of Music in Chicago and worked as a clinician for drum manufacturers. He influenced many youths through the touring multicultural marching corps he formed in 1960, The Contemporaries. He applied R&B rhythms to the traditional military-style marching band aesthetic. Professional musicians Arno Lucas and Victor Lewis “graduated” from The Contemporaries.

In a 2007 interview Lucas spoke for many when he said “Luigi was the guy who made it possible for me to stay focused and to keep out of trouble.” Lucas recalled Waites as a “mentor, teacher, step-father.”

For decades Waites did artist-in-the-schools presentations.

His many honors included 1996 Nebraska Artist of the Year from the Nebraska Arts Council and 2009 Best Jazz Artist from the Omaha Entertainment and Arts Awards, which previously honored him with a lifetime achievement award. Waites was also inducted into the Omaha Black Music Hall of Fame.

The father of six leaves behind some recordings but mainly a legacy of teaching and sharing. He lives on in YouTube excerpts of his Mr. Toad shows.

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Good Shepherds of North Omaha: Ministers and Churches Making a Difference in Area of Great Need

July 4, 2011 1 comment

If you have visited the site a few times in the last week or two then you’ve probably noticed I’ve been changing things up even more than normal by posting stories that cover an unusually broad range of topics. That diversity of content is one of the things that I think distinguishes this site from a lot of others. The following long story is actually a package of profiles I did for The Reader (www.thereader) of ministers and churches serving predominantly African American northeast Omaha. These good shepherds are in some cases at the forefront of large community-based initiatives attempting to engineer a turnaround of the area, which has great needs, and in other cases leading smaller grassroots efforts focused on changing one block, one neighborhood at a time. The story tries to convey the role of black ministers and churches today and yesterday and where they fit into the fabric of community engagement and redevelopment.

 

 

photo
North 24th Street, photo by lachance (Andrew Lachance)

 

 

Good Shepherds of North Omaha: Ministers and Churches Making a Difference in Area of Great Need

©by Leo Adam Biga

A shorter version of the story appeared in The Reader (www.thereader.com)

 

Church is universally the tie that binds and the salve that heals. Its significance in the black community is even more profound given African Americans’ historical disenfranchisement.

“Faith has always been the element that motivated us and allowed us to continue forward in perilous times,” says Salem Baptist Church pastor Selwyn Bachus. “When we didn’t have anything else the one thing we did have was faith and the one institution we had and still have is the African American church. Every major movement in the history of African Americans has been founded on faith and out of the church. It’s the primary thing and everything else kind of grows out of that.

“You can use the visual of a bicycle wheel. Faith is that hub and the other efforts are really spokes out of that hub, which is the thing that holds it together.”

He says church remains central but its “interaction with congregants is not as intense as it once was.” As blacks’ living patterns have grown more dispersed, many no longer live in the immediate area their church occupies. Bachus says Salem members come from all over. He reminds, however, Omaha remains segregated, thus blacks still predominately live on the north side of the inner city, where most black churches are located.

With worshipers’ lives more mobile, their time more pressed, the family structure more fractured and people’s needs more acute, he says church ministries have evolved to focus on youths, couples, families, seniors. Everything from financial to computer literacy to life skills training is offered. The church is meeting place, mobilization center, sanctuary, conscience, healer, forum, refuge. It’s where fellowship’s found, tradition preserved and ritual celebrated — where the cycle of life plays out.

The black minister is shepherd, counselor, confessor, educator, orator, leader, role model and, depending on who wears the collar and what the times call for, agitator, protester, witness, critic, community organizer and social activist.

Five preachers pastoring North O churches are profiled here. Each discusses ministering to their people in times that, if not perilous, are challenging.


Apostle Vanessa Ward
, Afresh Anointing Church, 4757 No. 24th St.
From the front porch of her northeast Omaha home, Apostle Vanessa Ward describes the transformation her block’s undergone in a decade. Situated in an area called Death Valley for its frequent, sometimes fatal gun violence, the Omaha native no sooner states, “This is a high risk neighborhood,” when the crackle of gunfire interrupts the mid-summer afternoon quiet.

“We gotta pray. That was not good,” Ward says solemnly, head bowed in prayer.

©photo by Eric Gregory, Lincoln Journal Star

 

 

An ugly reminder gang bangers still menace these streets. But not on her block. Not anymore. Not since this wife and mother of four began ministering right where she lives — not just from the Sunday isolation of the pulpit at the 75-member Afresh Anointing Church (Body of Christ) she pastors. She admits she was like everyone else. Too apathetic and afraid to do anything about the chaos around her.

“This neighborhood used to be so bad there was no way you and I could be sitting outside like this,” she says to a visitor, “without filth in the street, loud music, prostitution, corner boys, as we call them, selling drugs on every corner. Oh, 10 years ago, you never would have been able to do what we’re doing now.

“I remember watching a 7-year-old in the back of my house selling drugs.”

She remembers consoling the mother of a young man killed in a driveby right in front of her house.

A large, now abandoned home she points to just up the block was a gang den.

“They would sit right there and throw dice in the daytime. Shoot, argue or do whatever they want because when the neighborhood’s disconnected nobody cares as long as it doesn’t hit my house or affect my child. And that’s a mistake.”

She says she was part of the culture of silence that prevails in North O, where “the rules of this kind of community are, don’t get involved, don’t call the law, mind your own business, pull the shade down.” Her own blind eye to it all bothered her. It led her to do some serious soul searching.

“I was praying. My main question was this: How can I be so powerful in my pulpit and powerless on my block? Why isn’t anything changing around me? Because it first had to change within me.” That revelation, she says, “took me on a journey.” She charts that journey in her new book, Somebody Do Something.

She felt called to organize a block party with food, music, information booths set up by community agencies, a police presence. It meant talking to gang members.

“The rules for a block party are that everybody on the block has to give their consent, so that forced me to have to go and approach what most would call undesirables. It took a lot of courage. It took a lot of stamina. But I just knew it needed to be done.”

She asked them to abide by three rules — no drugs, no alcohol, no weapons — and “they agreed.” From that first party in 1996 through the most recent one last July, she says, not a single incident’s occurred.

“No violence, no drug charges, nothing at any of these events that get as big as 600 people,” she says with pride and thanksgiving.

 

 

 

 

The parties became the impetus for broader, long-term change or “healing.” She began doing cleanups — picking up litter. Others followed her lead. Pretty soon, homeowners were fixing up their properties and looking out for each other. It continues today. The negative elements faded away once residents interacted as concerned neighbors taking a collective stand in reclaiming their block.

“The neighbors started buying in,” she says “and now these neighbors do their own. The example was set.”

For Ward, being able to “bring a neighborhood together” is an expression of “signs and wonders” at work. That success, she says, validates what citizens can do “on a small ghetto block” and, she hopes, offers a model for doing it on a wider scale.

There’s much to emulate. Her leadership’s helped make the area’s Central Park Neighborhood Association a proactive force for positive change.

Neighbors maintain two community gardens on the block. The Peace Garden grows vegetables “that everybody in the neighborhood can glean,” she says, and the Hope Garden is a budding fruit-flower bed on one side of her house.

Ward envisions turning portions of the Hope Garden into a playground as well as a space for arts-craft activities, mentoring and job/trade training. She dreams of converting the vacant, former drug house into “a community center” for GED training, drug rehab and other services. She sees the home she now occupies one day being a mission house for those wishing to serve the neighborhood’s needs.

It’s all part of her belief that efforts to overturn social ills must be community-based, like her own “trench ministry.” Says Ward, “A lot of times if you don’t work it from the inside out what tends to happen is it doesn’t have longevity.” She realizes she needs to be right at ground zero to make the most impact. “The people need it,” she says. “They don’t know neighborhood, they don’t know community. We preach about it and we talk about it but people need to see a true evidence that Jesus is still alive. They need to touch it, it needs to be tangible.”

Just as Christ “met people where they were,” so does Ward, a highly visible figure in The Hood. Engaging people where they live, she says, requires change agents rid themselves of prejudices and resentments. She had to herself. Where before she wanted to tune out and cut off after a long day, she makes herself available 24/7. Her door always open — to anyone. She’s the block’s eyes, ears, voice, heart, soul.

“If you’re really looking to make a difference in people’s lives you’ve got to start with yourself,” she says. It’s about being authentic. “People can tell it. The street knows the street. They know if you’re faking, if you’re shaking, if you’re only going so far, if you don’t approve. It’s all over you.”

If we expect kids to leave gang life behind, she says, we need “to offer a better way.” Better options. Like real jobs. “That kind of encouragement is inclusive, it’s not exclusive.” She leads several youth ministries that attempt to do just that. The Omaha-based African American Empowerment Network she’s a part of has been working with gang members to get them to leave that life and placed in jobs. She co-chairs the Network’s crime prevention covenant with John Ewing.

Her outspoken Apostleship, she says, makes her “controversial.” Being a female minister, she says, makes her “unwelcome in some pulpits.” None of that stops her from proselytizing her concepts for building community as a speaker, panelist, trainer, facilitator and organizer. Her message is always the same: “Don’t just talk about it, don’t just preach about it, don’t just teach about it. Do something.”


Rev. Portia Cavitt
, Clair Memorial United Methodist Church, 5544 Ames Ave.
Newly installed Clair Memorial United Methodist Church pastor Rev. Portia Cavitt is still getting a feel for North Omaha. She was previously at Allen Chapel AME Church on the south side. She grew up in St. Louis and moved to Omaha for the first time in 2004 to pastor Allen. That followed years as “an itinerant Elder” serving churches in San Francisco, Seattle, St. Louis and Hutchinson, Kan.

When Clair called on her this year, it meant changing denominations and geographic locales. She continues serving Allen until it finds a new pastor.

 

 

Pastor Portia Cavitt

 

 

She sees similarities between the two inner city sectors in terms of segregation, poverty, gang violence and education gaps. The needs in North O, she realizes, are even more pronounced. The STD-HIV/AIDS epidemic among African Americans is much on her mind. She’s active in efforts to raise awareness, promote testing and advocate safe sex. The high jobless rate found her asking employers at a Clair job fair tough questions — namely, why employers offer black applicants mostly entry level customer service-telemarketing posts that don’t pay a living wage.

Her first priority at Clair, an old-line church of 200 members atop an Ames Avenue hill, is getting to know her flock, one that’s old and weary. Members have drifted away. Her mantra to bring folks back is, “come get your hillside experience.” She wants Clair to be a “beacon of light” for an area beset by despair.

She wants believers to “come and hear a word that will encourage them, that will empower them to go out and make a difference.” That will give them a voice “to speak up and declare what is it that your community needs. I mean, is there a Neighborhood Association that would help you take pride back in your block, your home, your property, your community? That’s what I’m hoping to offer.”

For Clair or for any church to prosper, she says, there must be a multi-generational membership that includes intact families. The broken family syndrome in black culture puts a strain on community and church. Historically, she says, the black church has been an extension of the family.

Cavitt feels the black church is still the inspiration and anchor it’s always been but that as times have changed new leadership needs to emerge alongside the church.

“The people still hold their pastors in high esteem as a community leader, as a spokesman for them,” she says. “But I think people today have lost their own voice and need to find their voice. Back in the ‘60s, during the civil rights movement, yes, the black church was deemed being the center. That’s where the meetings or rallies were. The pastors spoke. But there were also community leaders. And they locked hands together and the people followed and participated.

“Now I think the people have gotten quiet and they want the leaders to do the leading. But I want my congregation to realize, yes, I might be your leader but I can only do so much as we lock hands together and go together. I’m not the only spokesperson. Some of you are more equipped and knowledgeable and outspoken than I am on some issues. We need to stand and support each other on all issues.”

 

 

Clair Memorial United Methodist Church

 

 

If the disparities are to be rectified, she believes the black church will be involved  — if for no other reason than that’s where the majority of African Americans gather. It’s where pledges are made and coalitions built. “Because we still view the church as that power source,” she says. “On Sundays or during mid-week service I know the people are listening and you have an opportunity to encourage them. We try to address our violence and our unemployment issues. We’ve got to. The Bible speaks to all of that and so I have to make that come alive.”

The black church is where hope springs eternal. It’s where, she says, people “have an opportunity to band together to make a difference — as long as people can see that change is on the way. Sometimes change is slow. But as long as you’re working toward a goal, it doesn’t matter how long it takes you to get to it.”

Cavitt, like her friend Apostle Vanessa Ward, sees black churches beginning to work more collaboratively but still having a ways to go. “It can get better,” Cavitt says. “We are not as cohesive as we can be.”

Again, like Ward, she feels being a strong female minister poses problems for some  — making unity difficult. “We have to embrace each other and respect each other regardless if I’m a female or not. I don’t have time to play games. I won’t take a back seat to anyone. I mean, you don’t have to respect me for my sex but you should respect me for what I represent. I’m in a main line denomination at a major church. I can be a radical at times but after all of these years I have so much to offer that I can’t go backwards, I can only continue to move forward.”

The fact that Clair, which had a female minister once before, chose her is all the validation she needs. “For this church to lift my name and desire to have me says a lot about my ministry here in Omaha. They wanted a pastor like me.”

The single and childless Cavitt says “it would be nice to come home to someone who takes care of me but I don’t need that because my members are my family.”


Rev. Jeremiah McGhee
, Mt. Sinai Church, 4504 Bedford Ave.
The core needs of Omaha’s black community have changed little since the civil rights era. The black church has been there for the whole ride. Since the ‘70s Rev. Jeremiah McGhee’s worked the front lines to address inequities. He says churches play a vital role in this work but have their limitations. He notes, pastors can’t be experts in everything and seldom can a problem be tackled in isolation from others.

Thus, any serious discussion of community needs must encompass multiple factors from a broad range of informed perspectives.

“We gotta find jobs, we gotta help people get better educated, we gotta help people with their health problems, we gotta help right down the line,” he says.

 

Rev. Jeremiah McGhee

 

 

 

For churches or other organizations to face these matters alone, he says, “it gets overwhelming.” The best-intentioned efforts then tend to “fizzle out.” That’s why he’s encouraged by some new initiatives, especially the African American Empowerment Network, that target these issues through expert-based coalitions or covenants. “We’ve got our best and brightest leading,” he says. par

Ministers like himself and churches like his own, the non-denominational Mt. Sinai, a 70-member congregation he pastors, are part of the Network. The community-wide effort, he says, promotes public-private, religious-secular partnerships, thus taking the pressure off churches in an era when a shrinking social safety net finds churches offering services and programs far beyond what they once did.

Mt. Sinai’s typical of most churches today in providing things like an after-school program, a computer lab, a pantry or a homeless ministry, et cetera. It’s not like it was when he grew up, when “we were one big family — the neighborhood, the village. Because of that brokenness today, a lot more has fallen on the church.”

He says strengthening families is a must. He also says churches can be relieved of responses better suited to others as more community-based solutions develop.

“That makes it easy for us,” says McGhee, who’s married and a father of 10, “because we don’t have to be everything to everybody anymore.”

McGhee’s led Mt. Sinai to do “extensive outreach to the homeless.” It began with church volunteers feeding the homeless downtown. It expanded to sheltering people, first in members’ homes, then at the Colonial Hotel. It grew into New Creations, a five-building, 28-apartment complex converted to transitional housing for homeless men, women and families. New Creations operated from 1996 until earlier this year, when Mt. Sinai’s partnership with another non-profit failed. McGhee’s looking to restructure and reopen New Creations.

All along, he says, black churches “gave attention” to the very concerns the Empowerment Network focuses on “but we lacked experience, we lacked expertise.” Then there’s the question of time and resources and pastors spreading themselves or their churches too thin. Not to mention the resistance some put up to anything smacking of religion.

He says the black church’s traditional social justice mission has never wavered but is perhaps less visible or recognized now because its emissary may not wear a collar. “The church is there, it’s just not the pastor — it’s a member of the congregation that’s there,” he says. “As pastors we’re encouraging our people to get involved in politics, education, economics. We’ve got sophisticated, educated members of our congregations that go do those things.”

Wherever McGhee is involved he makes no bones where he’s coming from.

“We don’t want to be Bible-thumpers,” he says, “but I’m going to live my faith. You can’t expect me not to be who I am or to act the way I believe just because I’ve got a lot of people around me who maybe believe different or don’t believe at all.”

In the end, any coalition must put aside competing egos, agendas and philosophies and attend to what needs doing.

“The street’s dirty, let’s sweep. We need houses built, let’s build ‘em. We’ve got kids that are undereducated, what are going to do about that? And so as we approach those things in that way across the board we’re finding a greater acceptance,” McGhee says.

He said he and pastors of different faiths are getting better at “building relationships.” Fewer turf wars. More cooperation. More compromise.

“They listen to me, I listen to them, and we manage to work at it a lot stronger and to keep focused on the prize.”

He says it’s no accident the Network, for example, made faith the first of its 13 covenants or that members work hard at building alliances. Many steering committee-leadership team members “are very strong in faith,” he says. “They’re believers.” Some are clergy, some are not.

“We have decided we will be solutions-oriented. I have never been more impressed with African Americans that have come together who want to work together, who like each other,” he says.

All this partnering is bringing black churches in closer contact. His church was one of several on the north side to collaborate on a summer youth program at Adams Park Recreation Center. McGhee heads the Interdenominational Ministerial Alliance (IMA) and says that group and other black faith-based groups are increasingly “coming together. We’re talking about things regularly. We’re keeping each other informed. We’ve got good relationships and out of those grow commitments. Now when we hear anything about what’s going on, we’re connecting.”

“Before we’d seem to come together and we’d kind of spin our wheels awhile and in the end a little got done but not as hard-hitting as today,” he says. “We’re determined. This group of pastors is working together. We share the same interests. We live in the same community. We’re pastoring the same class of folk — that are struggling. Divided we fall. We can’t make it if we don’t begin to put our heads together and work smart and that’s what we’re doing now.”

He says it’s vital churches fulfill their historical leadership mission. If churches are to lead by example, he says, they must be open. The same with the IMA, which he acknowledges has been resistant to women members.

“We’re learning to get past that,” he says, because a welcoming church excludes no one. “It’s men, it’s women, it’s interracial, its intergenerational, its interdenominational. As pastors we need to lead the way. We need the congregations and the community to see us leading and taking charge in that.”


Rev. LeRoy Adams, Morning Star Baptist Church
, 2019 Burdette St.
Morning Star Baptist Church represents the dichotomy of Omaha’s black community. Its magnificent, multi-million dollar facility bespeaks a place of worship that’s well attended and supported. With 1,500 members and growing, Morning Star is a success story. Its pastor, Rev. LeRoy Adams, a rising star in the Baptist Church nationally, in demand as an inspirational speaker and leader.

The 83-year-old institution’s a neighborhood anchor flanked by two more community stalwarts — Conestoga Magnet Center and the Hope Center. Nice new homes on North 20th Street are nearby.

 

 

Morning Star Baptist Church

 

 

Like most of North O, the area’s basically safe. The normal rhythms of daily life unwind in well-kept neighborhoods with families, businesses, schools, churches. It’s also true that routine is interrupted at times by gun violence. An illicit drug-sex trade operates openly. The perception from the outside looking in is that all of North O’s a war zone or wasteland. Not so. However, the reality is that gun violence and other social ills are persistent problems. While not unique to that area they are predominantly centered there due to a high concentration of conditions  — poverty, unemployment, gang activity — that cultivate them.

Adams, a Buffalo, N.Y. native who’s married with two kids, dislikes how the media disproportionately highlights problems over success stories in his community.

“Sometimes I get very perturbed about that because we know what’s happening here. There’s the good and there’s the bad. But we get this stereotypical negative view that North Omaha is a place of reproach. That it’s a mission field for the churches in West Omaha to come. There’s no balance. There’s no appreciation for this being a very large area that’s also doing great things.”

Like it or not, shootings on the north side get reported. He and his church hardly ignore the violence there. He’s made the issue a priority of Concerned Clergy of North Omaha, which he heads. He advises Mayor Mike Fahey on ways to intervene in the gun culture. Morning Star provides youths positive alternatives to street life. His church organized the summer sleepover program at the Adams Park rec center. The rev leads prayer marches and vigils. It’s through efforts like these black churches act as stabilizing forces every day — a fact he feels gets overlooked.

As he’s well aware, solidarity and indignation only go so far. Public-private responses that give kids alternatives to gang-street life are needed.

He agrees with friend and fellow clergyman Rev. Jeremiah McGhee that the black church has much help in the social justice struggle today. “That particular burden is not just upon us anymore,” says Adams, “it is shared by many.” Rather than diminish the church, he contends sharing the load with other institutions enhances the church’s work and increases its reach.

He says collaboration’s healthy as long as “we don’t forget and ignore the influence of the church. Our history will remind us our church has always been the foundation of change in America.” Whether a local effort like the Empowerment Network or a national one, he adds, “it comes right back to the church. Our history has always been the church. Our hope has been inspired by the church.”

An institution the size of Morning Star can also afford to extend its reach in ways little imagined in the past. For example, Adams says his church is planning to build a family life or wellness center with a range of programs, activities and services for black seniors. Additionally, he says, Morning Star’s looking “to be a little bit more entrepreneurial by creating jobs in our community” through such church-owned businesses as a book store, a restaurant and a beauty/barbershop.

This kind of economic reinvestment in the community, he says, “provides us a foothold beyond the norm” for Omaha but common among large churches in other cities. “That’s kind of where we want to lead our congregation, so that we can be a dominant presence in our community. I’m kind of excited about it.”

Adams sees the black church enjoying a renaissance today. “Not only are we growing numerically but we’re seeing this diversity,” he says. Morning Star, which he describes as “progressive,” is an illustration of these trends. It’s more than doubled its rolls since he arrived nine years ago and attracts a mixed house of worshipers by race, ethnicity, income, affiliation — from a wide geographic area.

 

 

Pastor LeRoy Adams with wife Traci

 

 

The black church is also a model for other faith groups.

“We’re seeing many other denominations taking some of our culture” — gospel music, praise and worship, call-and-response — “and adopting it to their style of worship, and that’s gratifying to see that,” says Adams.

Omaha has many black churches but he feels the bigger ones like Morning Star and Salem Baptist Church too often overshadow their smaller counterparts.

“There are several others that are doing a great job. Every church and every minister that serves in some capacity is important.”

Unlike McGhee, he sees Omaha churches “yet divided” denominationally and geographically. “There is a splinterization that exists in many ways, in many forms, in many fashions and Omaha is too small of a city to be that way,” he says. “Whether it has to do with race, reconciliation or dealing with poverty we have the persons and resources here to invest in making Omaha what she can be.” Now it’s just a matter of getting those stakeholders “involved in changing Omaha.”


Selwyn Bachus
, Salem Baptist Church, 3131 Lake St.
Salem Baptist Church is a rock in northeast Omaha. The landmark owns the largest membership, more than 3,000, and most glorious worship center of any black church in the state. In a metaphorical sense African American leaders here hope to build upon its solid foundation and that of other institutions and organizations in the area by implementing strategies that, if successful there, will revive an area smack dab in the heart of the black community.

Rev. Selwyn Bachus has pastored Salem only since 2005 but he owns a long history with the 86-year-old church dating back to his childhood in Kansas City, Mo., where his minister father was a friend of then-Salem pastor J.C. Wade. Bachus accompanied his parents on visits to Omaha and Salem, which became like a second home. That background gives Bachus, who’s married with two children, a deep appreciation for Salem’s legacy.

 

 

Pastor Selwyn Bachus

 

 

He came here after stints in Virginia and Ohio. The challenges and opportunities posed by Omaha’s inner city are similar to those of urban black communities elsewhere. When the head of Omaha’s most prosperous, influential black institution talks, people listen, and what Bachus says bodes well for a community that’s struggled to find sustainable economic development. Decades of instability have marked the area since the late ‘60s. But Bachus sees a turnaround in the offing and attributes the promise of better times ahead to a confluence of shared interests.

“I’ve lived in four different cities for fairly significant periods of time and have never been able to see the community unified in such a way. And so that excites me to see that people can bring to the table their efforts and say clearly that we want to do what’s best for the community as a whole.”

He refers to Omaha’s African American Empowerment Network and to parallel initiatives underway here whose leaders “bring expertise and experience” to focused efforts aimed at raising the black community.

Bachus is active in the Network, whose Empower Omaha covenants encompass everything from improving educational achievement to spurring economic development to creating affordable homes to supporting black businesses. The Network looks to apply all 13 covenants to the area Salem resides in.

That section is slated as a target or test site because there are anchors in place in Salem and in the neighboring Urban League of Nebraska, Charles Drew Health Center, Salem Village senior residential community and Aframerican Book Store, among others, and in the stately Miami Heights homes. A planned redevelopment of the Pleasantview projects is on the drawing board.

Even with these stabilizers, residents experience poverty, unemployment, violence, health issues and a myriad of other problems in disproportionate numbers. The Network seeks to use existing anchors as building blocks to strengthen the area overall and impact those specific inequities. Success there could be replicated throughout the community to realize the larger revival of North O envisioned.

Salem’s already made huge commitments. In 2000 its $7.5 million worship-education center opened and that’s spurred added redevelopment in the neighborhood. Its multiple ministries reach out to people across the board. It’s planning a community development center. Still only in the conceptual stages, the facility may include an early childhood development program, a gym, a stage, classrooms and a pantry. Bachus is encouraged that fellow stakeholders in the community have expressed support for the center and the various programs and activities it can host.

The synergy Bachus sees is not a moment too soon in his opinion.

“African Americans in Omaha are at a crisis point,” he says. “We’re at a crossroads. There’s extreme possibilities. There’s great possibility for greatness in our community but we have to do it now.”

The World-Herald’s reporting on the extent of poverty in Omaha’s black community, he says, “gave us a dose of reality that was not very palatable. I think it really awakened something within us.” For Bachus it’s unconscionable “a city as wealthy as Omaha” can allow the hypocrisy of “five Fortune 500 companies almost literally within a stone’s throw of a poverty stricken community.”

He expresses dismay “at seeing some of the progress made over the past 40 years begin to erode.” He says that loss, too, has been a wake up call to action. “If not now, never,” is the mantra. The time for rhetoric, he says, is over. It’s time to act.

“No longer will we talk about the problem without seeking to alleviate the problem,” he says. “If we don’t fix the problem we’re a part of the problem itself. Don’t just talk about it, be about it. Don’t protest or criticize if you’re not part of the solution.”

 

 

Salem Baptist Church

 

 

Bachus says coming out of the civil rights experience blacks “looked for a leader to motivate us and give us a vision,” ala a King or Jackson, “and I think what we’ve come to realize is there’s no one leader at this point that’s going to be able to do that. And so as a result we’ve seen the effectiveness of collaborating as leaders.”

Barack Obama may prove a catalyst for sweeping change but there’s a sense African Americans are more diffused politically-socially-religiously than assumed. Even someone as dynamic as Obama may only get the support of a segment of blacks when it comes to social policies or programs.

The days when a single figure, elected or unelected, can marshal a nationwide movement may be over. The days when the black church can be out front leading the charge may be past. But Bachus echoes his colleagues in saying the church is still a bastion of black culture, it just operates in a more collegial, cooperative, community-oriented way. That’s why Bachus and his fellow ministers now partner with a broad coalition of public and private sector figures and entities.\par

“It’s a collaborative effort that brings persons and expertise to the table to allow us to do what we do even more effectively.”

He’s optimistic about progress being made behind the scenes by the Empowerment Network and other efforts. He says the strength of these approaches is that clergy, activists and social service professionals are working with strategically-placed public-private lay leaders in key  indicators like education, employment, economic development, housing. The church is not taking a back seat but walking hand in hand with change agents, many of whom are leaders at their churches.

Clergy or not, Bachus says the blacks taking the lead in Omaha “have a sense of calling, a sense of direction. It doesn’t come from the world, it comes from God.”

If the black community is to arise, he’s sure it will be a faith-inspired resurrection.

More Shepherds for the Faith and the Cause

©by Leo Adam Biga

Fr. Ken Vavrina, St. Benedict the Moor Catholic Church, 2423 Grant St.

African American Catholics comprise a minority within a minority. Historically. Omaha’s home base for this small but persistent segment has been St. Benedict the Moor Catholic Church, whose black namesake and gospel music-infused services reflect black culture.

After decades serving the poorest of the poor on Native American reservations, in India and in Africa, Father Ken Vavrina ministers to Omaha’s most disadvantaged residents as St. Benedict’s pastor. He knows The Hood well. He pastored at Sacred Heart Catholic Church in the late ‘60s-early ‘70s. He knew Black Panthers. He was on Nprth 24th Street when it burned during the riots.

“It has not come back since then,” he says.

After serving St. Richard Church he took over St. Ben’s in 2007 at his request. Before him, assigned priests lived off-site for years, leaving a void and disconnect with parishioners and neighbors. Vavrina, a Clarkson, Neb. native, insisted he reside at the rectory. “You gotta live here. You gotta live in your community,” he says.

 

 

A service at St. Benedict the Moor Catholic Church

 

 

His small parish today is at “ground zero.” Yes, there are pockets of stability and revitalization but this zone’s depressed by poverty, prostitution, drugs, gangs, gun violence and scant economic development. Within view of his rectory is an open market for crack cocaine and human trafficking. On one side you buy dope. On the other, sex. Whatever your fix, suppliers stand ready. Walking a visitor outside, Vavrina points to “the girls” working the streets down the block. Parish members counsel some of these young women in the hope they’ll make better choices.

“A lot of our young boys and some girls are being sucked into the street, and they’re good kids,” he says, “but they have to develop the discipline to make short-term sacrifices for long-term benefits. We need to be able to help these kids have that discipline.”

He’s sending a message that we “won’t be intimidated by the violence” and he’s putting in place mentoring programs that impact young people where they live.

An Adopt-a-Family program matches at-risk families headed by single mothers with volunteers from metro area churches. With the right advice and support, the goal is to turn clients’ lives around. The program grew out of St. Ben’s ongoing support of a neighborhood family impacted by gun violence. The church has also rededicated the Bryant Center, a once popular recreation facility on its grounds whose outdoor basketball courts had grown largely dormant and run down until recent efforts to refurbish them. A new summer/fall hoops league with coaches, referees, strict supervision and police security has taken off.

For projects like these to work Vavrina knows ecumenical partnerships are needed and therefore he’s formed broad alliances across the public-private-Christian spectrum. For example, he often works with clergy from area Protestant churches.


Fr. Tom Fangman
, Sacred Heart Catholic Church, 2207 Wirt St.
The Sacred Heart Catholic Church congregation is marked by racial, ethnic, socioeconomic diversity. Like St. Ben’s, Sacred Heart embraces gospel music and black religious iconography to reflect the predominant culture it inhabits.

The church operates one of a dwindling number of inner city private schools. Sacred Heart Elementary School serves African American students from largely low income families. Few of the students are Catholic but their parents prize “a faith-based education,” says church pastor and school president Father Tom Fangman. The school’s much-copied Life Skills, Building Blocks for Success Program aims to prepare students for real world experiences.

Support comes from CUES or Christian Urban Education Services, a nonprofit whose board members of different races and faiths endorse the school’s mission and track record. Fangman says 98 percent of Sacred Heart grads complete high school compared to 72 percent of students on average from other area schools.

Sacred Heart Church

The church also serves the community via its Heart Ministry Center, which provides needy residents with clothes, household goods and food. Its pantry allows clients to self-select their own groceries. Education programs are also offered. Youth-adult ed classes cover everything from nutrition to early pregnancy to literacy.

“It’s a hub for outreach,” Fangman says. “I mean, things are just constantly happening there. We’re forming all these great relationships with the community. I would put this up with just about any social service agency in North Omaha.”

Partnerships abound, including cooperative ventures with other churches, Creighton University and the University of Nebraska Medical Center.

Fangman says Sacred Heart provides a consistent presence in a neighborhood sorely lacking stability. “I believe we’re an anchor,” he says. “We’ve been here a long time and so we have a history. And the people in the community know the school’s making a big difference in lots of kids’ lives, which I think brings hope.”

The Omaha native’s exactly where he wants to be. “I always wanted to do inner city ministry,” he says. “It’s a ministry I find fulfilling every day.”


Rev. Johnice Orduna
, New Life Presbyterian Church, 4060 Pratt St.
“I’m one of those born-and-bred called-to people, because I never knew anything but the church,” says Rev. Johnice Orduna, an Omaha native whose life’s been one long faith journey.

Orduna, a licensed/certified missionary, started out a Baptist. She’s ministered in Episcopal, Lutheran, Presbyterian churches on the north side. One of her Nebraska Synod assignments was at Omaha’s Augustana Lutheran Church, where she brought the perspective of “a crusader” and the reputation of “a dangerous black woman” to a congregation once resistant to interracial fellowship. She did formal anti-racism training for the Lutheran Church.

As a mission developer she formed a congregation that became Fontenelle Community Church. Her ministry reached out to youths and families in crisis.

Semi-retired today, she’s now filling a temporary post at New Life Presbyterian Church, which lost its pastor. She’s doing “supply preaching” until a new pastor’s found. New Life’s a blending of the former Calvin and Fairview Presbyterian Churches, whose congregations were all-black and all-white, respectively. When the inner city parishes faced closure due to declining membership they merged, and a mixed race church was born.

Racial diversity in the pews is a rarity. She says, “We gotta get past this business of Sunday being the most segregated day of the year. If we can put our barriers down and not operate in our little heresies that say, ‘My way’s the only way to get to God,’ then we really could enrich each other.

“We haven’t gotten there. It’s too safe to do it the other way.”

 

 

New Life Presbyterian Church

 

 

She admires New Life, saying it’s a congregation “where people just come in and be who they are. I mean, they have their tiffs. We all do. But it’s never a gamebreaker. These folks have made a decision — We’re going to be here and we’re going to be together doing this, regardless, and we’ll work through whatever it takes. If more congregations would do that then we wouldn’t have these rifts. There would be so much that we could empower ourselves to do.”

In her opinion, churches get bogged down in a survival mode of maintaining the status quo. She advocates getting outside the four walls to do evangelization.

“Our neighborhoods are lost. We’ve got kids killing each other in the street who have no clue what the inside of a church looks like,” she says. “That’s where you have to be — literally out on the streets. There’s a fearlessness required. You can’t go in your house and lock the door and keep yourself safe. You gotta be willing to go to the 7-Eleven parking lot where the kids are and greet them with dignity and respect and then begin to let them know who you are and who Jesus is.

“I think Jesus is as transforming as ever but it’s how you deliver the message. You cannot assume anymore that kids are going to have heard any of that.”

Orduna rues the loss of intimacy that once permeated the black community. She believes the black church is not as unified as it was in the civil rights struggle but remains critical for instilling or restoring a “sense of community” in neighborhoods.

Native Omahans Take Stock of the African-American Experience in Their Hometown

July 4, 2011 44 comments

With the 2011 Native Omaha Days, July 27-August 1, just around the corner I am posting stories I’ve written about this every two years African American heritage and homecoming event and how it serves a kind of litmus test for the black community here to take stock of itself in terms of where it’s been, where it is today, and where it’s heading. The following story appeared just as the 2009 Native Omaha Days concluded. I spoke to a number of individuals for their take on the state of Black Omaha at a time when there is both much despair and much promise for the predominantly African American northeast Omaha community. I interviewed folks who grew up here and stayed here and those who left here but who retain deep ties here and come back for events like the Days in order to get a cross-section of perspectives on what the past, present, and future holds for North Omaha. This much discussed community, where generational problems of poverty and underachievement are rampant but where many success stories have also been launched, is finally getting the kind of attention it’s long required. Initiatives like the African American Empowerment Network are helping drive a planned revitalization that seems much closer to reality today than it did even two years ago. The role of Native Omaha Days shouldn’t be overlooked because it does bring together thousands of current and former Omaha residents whose individual and collective vision and energy are helping fuel what is about to be a major North Omaha revival. That doesn’t mean all the challenges that face that community will be eradicated overnight. It took decades for those problems and wounds to become embedded and it will take decades to heal them, and events like Native Omaha Days help give a purpose and focus to affecting change.

 

Native Omahans Take Stock of the African-American Experience in Their Hometown

©by Leo Adam Biga

Originally published in The Reader (www.thereader.com)

 

The 2009 African-American heritage celebration Native Omaha Days concluded Monday. Natives came from across America to indulge memories of this touchstone place. The biennial, week-long Days lends itself to gauging the African-American experience here — past, present, future.

Taking stock has added import with North Omaha at a tipping point. Ambitious new housing and commercial developments, job training programs, educational reform efforts and gang intervention initiatives are in the works. All in response to endemic problems of poverty and unemployment, low job readiness, poor academic performance, high dropout rates, epidemic-level STDs and ongoing drug traficking-gang violence. North O has a strong sense of identity and purpose yet struggles with scarce opportunities. The persistent challenges of segregation and inequality have led many natives over time to leave for better prospects elsewhere, but a sense of home and family keeps their ties to Omaha strong.

The Days brings thousands of natives back to meet up with friends and relatives for homecomings, large and small. Last week’s public events included: a mixer at the Native Omahans Club; a parade along North 30th Street; a dance at the Mid-America Center; appearances by NBA star Dwayne Wade and actress Gabrielle Union at North High School; and a picnic at Levi Carter Park.

Visitors helped swell the numbers at Jazz on the Green, at clubs and bars on the north side and at black church services. Celebrants were out in force too at school reunions. Then there were untold family reunions and block parties that unfolded in people’s homes and yards, in the streets, and in parks all over the city.

Northeast Omaha was jumping as visitors mixed with residents to sight-see or just kick it. Kountze Park, the Native Omahans Club, the Love’s Jazz & Arts Center, the Bryant Center, Skeets Barbecue and other haunts were popular gathering spots. Joe Tess on the south side was a popular stop. Streams of cars toured the black community’s historical corridors. Many made the rounds at post-card amenities like the riverfront, the Old Market, Lauritzen Gardend and Henry Doorly Zoo.

Nobody seems to know how many expatriates arrive for The Days. That’s a shame, as these visitors represent resources for a strapped city and state hurting from a brain drain and a small tax base. Many natives who come back are the same upwardly mobile blacks Omaha has trouble retaining, a costly decades-long trend. The city’s black population is small to begin with, so every talented native lost is felt acutely by a community with a paucity of black entrepreneurs and professionals for a city this size.

Hometown girl Felicia Webster has twice left for the East Coast but has since returned to live here with her young son. She wonders what would happen if residents collaborated with visitors on visioning new initiatives, ventures, projects, even start-up businesses aimed at reviving North Omaha.

“I feel Native Omaha Days right now is a good opportunity and a wonderful manifestation of African-American people coming together of one accord and building and talking and socializing. It would be nice to just have a really huge collective on what could actually happen with development here,” said Webster, a spoken word artist, “because, you know, people come from everywhere that are doing all kinds of things. They can bring their knowledge and tools with them to share something fresh, new and vital here. I personally would like to see that.”

 

Felecia Webster

 

 

What about The Days serving as a catalyst for brainstorming-networking forums that capitalize on the skill sets and entrepreneurial ideas and investment dollars of natives near and far? All geared toward building the kind of self-sufficiency that black leaders point to as the most sustainable path for black prosperity.

Nate Goldston III  left Omaha as a young man and went on to found Gourmet Services in Atlanta, Ga., one of the nation’s largest food service companies. He’s doing just what Webster advocates by working with locals on stimulating new development. The self-made millionaire has been advising the Omaha Chamber of Commerce and the North Omaha Development Project on the landscape for new North O investment. He’s bullish on the prospects for that long depressed district.

“I think it’s going to grow, but you’ve got to plant the seeds first and that’s what were interested in helping do with some business development there in the food service area,” Goldston said by phone from Atlanta.

He’s close to finalizing plans for a brick-and-mortar Gourmet Services backed project here to provide entrepreneurial opportunities for local African Americans.

“If we can bring this business opportunity there and put some young people in place and let them have a little piece of the action and begin to develop a franchise type operation, and then allow them to go on and grow it themselves, manage and own at the same time, that’ll bring that missing link and fill that gap in the economic development portion. At least a small portion of it,” he said.

He said it’s the kind of grassroots development that’s required. “It’s not the Chamber’s job to develop North Omaha. North Omaha needs to be developed by people from or attached to North Omaha, and the kinds of things that need to go in need to be done from within as opposed to from without.” Goldston’s impressed with the “pro-business, pro-development, pro-North Omaha” focus of the Chamber and city. “They just need the right teammates, they need the right partners to help them do it, and that’s the first time I’ve ever noticed that collaborative attitude in Omaha. I think there’s a real chance there.”

New Omaha City Planning Director Rick Cunningham, who most recently lived on the East Coast, is a native who hopes to implement Mayor Jim Suttle’s vision for a revitalized north side. “His agenda includes a strong commitment to North Omaha,” Cunningham said of Suttle. “He has a goal for 24th and Lake Street to become a new Dundee for Omaha.”

Cunningham knows first-hand Northeast Omaha’s prolonged decline. He also knows “there have been pockets of success,” including the Blue Lion Center at 24th and Lake he served as project manager for under Omaha architect and mentor Ambrose Jackson. He said most North O redevelopment has come from “investments in new rooftops, in new housing,” and while that needs to continue he said there must be a focus on creating more employable residents and attracting businesses and services that generate new jobs and commerce. “To bring Omaha into a very livable community with an environment that all residents and visitors can enjoy we’ve got to make sure we’ve got a diverse economy.”

He looks forward to being part of solutions that “return North 24 to the vibrancy it had, when 24th and Lake was the heart and soul. We will be engaged in that effort.” He looks forward to meeting with community partners from the public and private sectors to “build synergy in accomplishing those goals.” He said the city cannot afford to let North Omaha wallow. “If there is an area that suffers in Omaha than the entire city suffers,” he said. “It’s important we revitalize the core area. Those communities that are alive and thriving have inner cities that are alive.”

 

 


Nate Goldston III

 

 

Goldston vividly recalls when North O had a greater concentration of black-owned businesses than it does today, but he said even in its heyday Omaha’s black community had few major black entrepreneurs.

“Omaha’s African-American community has always been job-oriented as opposed to entrepreneurial-oriented,” he said. “I see great opportunity and I see opportunity that’s been missed only because I don’t know that we’ve been blessed with a lot of entrepreneurs that have had the path or the ability to develop businesses in the area. We had the model of the bars, the nightclubs, the pool halls.”

He could have added restaurants, barbershops, beauty salons, clothing stores and filling stations. There were also black professionals in private practice — doctors, dentists, attorneys, accountants, pharmacists, architects.

Their example “gave me inspiration and hope,” said attorney Vaughn Chatman, a native Omahan who made it back for The Days from Calif. North 24th Street was once a thriving hub of black and white-owned businesses. Few, however, survived the ‘60s riots and their aftermath. Urban renewal did in more. Once the packing house and railroad jobs that employed many blacks vanished, few good-paying  employment options surfaced. “My friends and I had no desire to leave Omaha until opportunities for us began to disappear,” said Chatman . “Most, if not all my friends, faced with lack of opportunity have left Omaha. My friends and relatives (still) there tell me the quality of life for them and their generation has not gotten any better despite the best efforts of a number of individuals and organizations.”

Several new businesses have popped up but many have come and gone over time. Despite some redevelopment North 24th is largely barren today.

“That positive feeling of inspiration and hope is what I miss the most about the North Omaha I grew up in,” said Chatman.

 An old-line exception is the Omaha Star, a black weekly now 70-plus years strong. Founder Mildred Brown was one of America’s few black women publishers. She earned a national reputation for her crusading work during the civil rights movement. Goldston learned valuable lessons working for the Star as a kid.

“The Omaha Star was my entree to entrepreneurship,” he said. “That’s what taught me to create a marketing sense, the ability to be able to develop a customer base and customer service and the whole nine yards.”

Cathy Hughes is another Star veteran who credits her experience there and at Omaha black-owned radio station KOWH with helping give her the impetus to be a broadcast owner and eventually build her Radio One empire.

“It encouraged me to go ahead and to try to own my own radio station because I saw some folks in Omaha do it,” she said by phone from her Maryland home. “You lead by example. When you do something, you never know who you’re touching. you never know who you’re having an impact on. I saw Bob Gibson and Rodney Wead and Bob Boozer and Gale Sayers come together and buy a radio station, so I knew it was possible, and now I’m the largest black-owned broadcast corporation in America and the only African-American woman to head a publicly traded corporation. None of that would have been possible if I hadn’t seen the examples I saw in Omaha, if I hadn’t seen Mildred Brown keeping her newspaper not only afloat but providing her with a very comfortable existence for that day and time.”

 

 

Cathy Hughes

 

 

Hughes, like Goldston, is pleased by gains that have been made via new housing developments, streetscape improvements and the Love’s Center, but is dismayed there aren’t more Mildred Brown figures in Omaha by now. In Hughes’ estimation Omaha should be much further along than it is in black entrepreneurship.

“It has a long ways to go,” she said.

Hughes is also concerned that strong community leaders like North O developer Al Goodwin, educator Katherine Fletcher and job training director Bernice Dodd are no longer on the scene. She’s warily watching the new generation of local black leadership to assess their commitment to redevelopment.

Goldston said black businesses in Omaha are not as visible as they once were.

“Those things have all gone away,” he said, adding that Omaha “is miles apart” from the dynamic black business culture found in Atlanta. “I think other opportunities were just not there (in Omaha) at that time to start and build a business.”

All these years later, he said, few if any Omaha businesses have made the Black Enterprise 100 list of the largest African-American owned businesses.

Most black-owned Omaha businesses of any size are not located on the north side today. Out of sight, out of mind. Hard to emulate what you don’t see. “I think we flourish when we see reflections of ourselves in the community where we live,” said Webster. “And when you don’t see that, what do you have to strive for?”

Introducing students to Omaha black achievers via school curricula is something Vaughn Chatman, founder of the Omaha Black Music Hall of Fame, advocates.

Webster presents programs in schools that attempt to expand kids’ vision. “I want them to see a bigger picture, a bigger view of the world than what they normally see, and I hope that by my being African-American young boys and girls are seeing reflections of themselves in me of what they possibly could attain,” she said.

Hughes and Goldston are concerned about the education gap that finds black students on average lagging behind whites. The truancy and drop-out rates for blacks are higher. The two are alarmed by how far Omaha’s inner city schools trail their suburban counterparts. “We’re going to have to really cure that before anybody can make any progress,” said Goldston, who’s challenged a national organization he once led, 100 Black Men, with making a difference in schools.

Webster said she was fortunate to have parents who stressed education and showed her “the world was bigger than Omaha.” Omaha’s segregation meant she would often frequent places and be the only black person there. Cathy Hughes had the same experience coming of age here. “That’s challenging,” said Webster. The first time Webster left, for Philadelphia, in the early ‘90s, Omaha was viewed as a dull place by many young people — black and white.

“A lot of my close friends did end up leaving and going to more heavily populated cities, and I think a lot of that had to do with not only wanting to explore the world but what opportunities they saw. For some, it was a larger African-American presence. For others, it was bigger metropolitan areas where you felt like you were getting paid what you were worth and could fulfill what you desired.

“Coming back this time I can see Omaha is really growing but I think Omaha is still a work in progress. I have friends with degrees who are still making $12 an hour, and I think that’s a challenge. They can’t find jobs with livable wages. And I find I’m still the only person that looks like me when I go certain places.”

Webster likes that Omaha has far more going on now than even five years ago, but she said she misses Philly’s constant slate of cultural activities and larger base of African-Americans to share them with. The big city scene “reignites” her.

Author Carleen Brice (Orange Mint and Honey, Children of the Waters) is a native living in Denver, Colo. with mixed feelings about Omaha.

“It’s always complex being from a small city and having big dreams,” said Brice. “I can’t speak for others, but I felt I needed to leave Omaha to achieve what I wanted to achieve. Part of that had to do with my specific family background. When my parents divorced, we went through some bad times and so I associate Omaha with those negative memories as well as with the positive ones.

 

 


Carleen Brice

 

 

“What I sense the most in Omaha is a kind of small thinking, small dreaming. Strange since Omaha does have a lot going for it. But I also think every city is what you make of it. I live in Denver and think it’s great, but I have friends who grew up here and feel very much like it’s a tiny, backwards city. I’ve begun to think that if I moved back to Omaha I could experience it differently, without feeling so blinded by my past.”

Still, Brice said she senses North Omaha’s quality of life is worse today. “I know my grandmother is saddened by the decline of that part of the city. My friends don’t see much improvement in how people actually interact or how they are treated, which makes them feel depressed. Back to that word depressed again. It’s sad, but true, I think Omaha is depressed.”

Beaufield Berry is a playwright and actress who’s come and gone from her hometown several times. She’s here again. She feels a big part of what holds Omaha back is its “small town ideas” that don’t readily embrace diversity. She believes North Omaha will not reach its potential until the cycle of inequity and despair is broken.

“For Omaha’s black population to really thrive I think you’ve got to start at the poverty line. You have to start at where the people may not have the role models that other kids do. You have to make it so they can see a father figure or an older brother making the right decisions.”

 

 

Beaufield Berry

 

 

But Berry sees much to be hopeful about, too. “On the flip side of that I see so many amazingly talented young people of all different races who are really working towards something, who can really make a difference, not only with their work but with their words, with their presence, and I want to see more of that. I think that’s how Omaha, black or white, will start to thrive citywide.”

Webster sees Omaha progressing but like many blacks she’d like to see more done.

“I think with a collective idea and voice from all kinds people that it could kind of put a faster spark into it happening. It could manifest into something where everybody that lives here really enjoys it. I think it would be amazing.

Native Omaha Days: A Black is Beautiful Celebration, Now, and All the Days Gone By

July 4, 2011 45 comments

As the July 27-August 1 Native Omaha Days festival draws near I am posting articles I’ve written about this African-Ameican heritage and homecoming event and about closely related topics. The following story for The Reader (www.thereader.com) appeared some years ago, at at time when predominantly African American North Omaha was experiencing a large increase in gun violence and media reports laid out the widespread poverty and achievement gaps affecting that community. In response to dire needs, the African American Empowerment Network was formed and a concerted process begun to to bring about a revitalized North Omaha. Native Omaha leaders and others expressed hope that events like Native Omaha Days and the Omaha Black Music and Community Hall of Fame might serve to unify, heal, and instill pride to help stem the tide of hopelessness and disrespect behind the violence. Things have improved recently and North O really does seen the verge of coming back, thanks in large part to efforts by the Empowerment Network, but the stabilizing role of events like Native Omaha Days shouldn’t be forgotten or dimissed.

 

photo

Native Omaha Club photo by lachance (Andrew Lachance)

 

Native Omaha Days: A Black is Beautiful Celebration, Now and All the Days Gone By

©by Leo Adam Biga

Originally published in The Reader

Organizers of the 16th biennial Native Omaha Days call it the largest gathering of African-Americans in Nebraska. That in itself makes it a significant event. Thousands fill Salem Baptist Church for the gospel fest, spill into North 24th Street for the social mixer/registration and the homecoming parade, boogie at the Qwest Center dance and chow down on soul food at a Levi Carter Lake Park picnic.

This heritage celebration held every other summer is a great big reunion with many family-class reunions around it. Parties abound. Hotels, casinos, eateries, bars fill. Jam sessions unwind. Bus tours roll. North 24th cruising commences. Stories and lies get told. It’s people of a shared roots experience coming together as one.

Unity is on the minds of natives as their community is poised at a historic juncture. Will North 24th’s heyday be recaptured through new economic-education-empowerment plans? Or will generational patterns of poverty, underemployment, single parent homes, crime and lack of opportunity continue to hold back many? What happens if the cycle of despair that grips some young lives is not broken?

“The Native Omaha homecoming is very important, but a lot of young people don’t know what it’s all about, and that really bothers me,” said Hazel Kellogg, 74, president of the sponsoring nonprofit Native Omahans Club, Inc.. “They’re the future and what we’re trying to do is make them realize how important it is to hang in with your community and to keep your community pulling together for the betterment of our people. OUR people, you know?

“We have a big problem on the north side with violence and crime and all that, and I want to reach out to young people to let them know this homecoming is all about family and friends coming home to be together and enjoy a weekend of good clean fun. Eventually the young people are going to be heading up Native Omaha Days and they need to know what it’s all about.”

She said she hopes the event is a catalyst for ongoing efforts to build up the community again. After much neglect she’s encouraged by signs of revitalization. “I’ve been through it all. I’ve been through the riots. For a long time it moved in a negative direction. Now, I’m very hopeful. We need the whole community to come together with this. Together we stand.”

Vaughn Chatman, 58, shares the same concerns. He left Omaha years ago and the problems he saw on visits from Fair Oaks, Calif., where he now lives, motivated him to found the Omaha Black Music Hall of Fame. The Hall seeks to restore the sense of community pride he knew. An induction ceremony held during the Days honors area black artists, athletes, activists, entrepreneurs and leaders. He feels young blacks can only feel invested in the future if exposed to successful folks who look like they do. He works with the Omaha Public Schools to have local black achievers discussed in classroom curricula as a way to give kids positive models to aspire to.

“Back in the day” is an oft-heard phrase of the week-long fest. Good and bad times comprise those memories. Just as World War II-era Omaha saw an influx of blacks from the South seeking packinghouse-railroad jobs, the last 40 years has seen an exodus due to meager economic-job prospects.
photo

photo by Cyclops-Optic (Jack David Hubbell)

 

Centered in northeast Omaha, the black community hub became North 24th, where  Jewish and black-owned businesses catered to every good and service and a vital live music scene thrived. Hence, many Days activities revolve around 24th, which declined after the late ‘60s riots. A few blocks have seen improvements, but much of this former “Street of Dreams” is run down or empty. Gang violence in the district is a problem. It’s concerns like these now spurring coalitions of residents and expatriate natives like Chatman to craft sustainable solutions.

For a change, Karen Davis sees “substance” in the new initiatives targeting rebirth. Enough to make the Native Omahans Club officer feel the area “can be back to where it was or even more. Businesses have come down or moved back, and I think it’s a good thing for us,” she said.

The Native Omahans Club is quartered in a former lounge at 3819 North 24th. During the Days the building and street outside overflow with people reminiscing. Visitors mix with residents, exchanging handshakes, hugs, laughter, tears. Scenes like this unfold all over — anywhere neighborhood-school chums or relatives catch up with each other to relive old times.

“We haven’t seen each other in years, so it’s just a fellowship — what we used to do, what we used to look like…It’s just big fun,” said Davis.

Like countless Omahans, Davis and Kellogg each have friends and family arriving for the Days. No one’s sure just how many out-of-state natives return or the economic impact of their stays, but organizers guess 5,000 to 8,000 make it in and spend millions here. Those hefty numbers lead some to say the event doesn’t get its just due from the city. No matter, it’s a family thing anyway.

“People come in from all over for Native Omaha Days. My family comes from Colorado, Minnesota. It’s a time I can get together with them. I have a friend from Arizona coming I haven’t seen in 20 years. I’ll be so glad to see her. Those are the things that really just keep my heart pumping,” Kellogg said. “It’s just a gala affair.”

For details on the Days visit www.nativeomahans.com or call 457-5974.

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