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10th Annual Omaha Film Festival a showcase for indie writer-directors; Patty Dillon documentary about executioners among films to check out

March 11, 2015 Leave a comment

Don’t take my word for it, but the Omaha Film Festival is one of the last best kept secrets of Omaha’s evolving cinema scene.  You would think that after nine years running and with its 10th annual festival happening March 10-15 that the OFF would be ingrained in the local film culture by now, but my guess is that most residents of Omaha don’t even know it exists.  If true, then that speaks to how hard it is to get your event message heard and received amid all the competing messages out there.  For those who know about it but don’t patronize it, it’s an indication of how much there is to do in Omaha when it comes to cultural activities and entertainment options.  The festival hasn’t helped itself by changing locations a few times in its short history.  But the festival is a well-mounted event that’s worth your time if you make the effort to seek it out.  My Reader (www.thereader.com) story about the 2015 festival highlights a few films that you might want to check out.  One of these is the fine documentary There Will Be No Stay  by Omahan Patty Dillon that finds a provocative way into the death penalty debate by focusing on the trauma of two executioners.

 

 

Showcase for indie writer-directors

 

 

10th Annual Omaha Film Festival a showcase for indie writer-directors

Patty Dillon documentary about executioners among films to check out

©by Leo Adam Biga

Now appearing in the March 2015 issue of The Reader (www.thereader.com)

 

The metro’s work-in-progress cinema culture has lately come of age due to a montage of things. Alexander Payne making movies and bringing world-class film artists here. A surge of indigenous indie filmmakers. The advent of Film Streams. The slate at Omaha’s “original art cinema” – the Dundee Theatre.

Often overlooked as contributing to this invigorating mix is the Omaha Film Festival, celebrating 10 years with the March 10-15 edition at Marcus Village Pointe Cinema. OFF showcases work by indie writer-directors from near and far. Three short film blocs are dedicated to Neb-made films. To commemorate the fest’s history there’s a separate bloc screening audience favorite shorts from the first nine years,

Among the feature-length documentaries is a moving and provocative work about the death penalty, There Will Be No Stay, by Omaha transplant and former stuntwoman Patty Dillon. The pic recently had its world premiere at the Big Sky (Mont.) Documentary Film Festival and will be making the national festival circuit rounds. CNN’s Death Row Stories will feature Dillon and her project in an upcoming segment. Series narrator Susan Sarandon champions Dillon’s film, calling it “a powerful and unique perspective on the death penalty.”

The film flips the typical death penalty debate by profiling two men, Terry Bracey and Craig Baxley, who worked as executioners in the same state prison and by charting the trauma that carrying out those awful duties caused them. They’re still paying the price today.

This is Dillon’s debut film as a director and getting to its premiere was a five-year endeavor. About the experience of Big Sky, she says, “It was truly a warm and gentle place to birth a first film. It was a bit surreal. You work on a project for so many years, revolve your life completely around it, then let it go for the world – hopefully – to see. You have taken your subject’s trust and just hope tyou have served their stories. It is such a controversial issue and I think the assumption is agenda or activism and that is certainly understandable. The foundation of the film is really more about dissolving human opposition, period. I was pleasantly surprised how receptive the audiences were. It’s intense watching people watch your film. They laughed, gasped, shook their heads and greeted me with many unexpected hugs and hand shakes.”

 

 

On getting the blessing of Sarandon, whose role in the death row dramatic film Dead Man Walking earned her a Best Actress Oscar, Dillon says, “Susan and her camp have been incredible. She was initially going to narrate the film and after the final re-writes she insisted I do it. She felt it served the story better. I had just received two festival rejection letters when I got the email from her assistant she had posted the trailer on Facebook and Twitter. Irony. It’s been a crazy ride indeed and I intend to keep riding it with loads of gratitude.”

OFFs roots are squarely in the state’s small but robust and ever expanding indie film scene. Founders Marc Longbrake, Jeremy Decker and Jason Levering have a history making or working on indie projects. A decade ago they saw a gap in the Omaha film scene, which never really had a full-fledged annual festival before, and they filled it.

Now that Omaha has its own version of bigger, better known festivals, area residents can see work unlikely to play cineplexes otherwise.

Festivals are the take-what-you-get buffet of cinema-going. There are choices representing different cultures, styles, genres and influences. But the menu wholly depends on what films are entered and curated for this screen feast. Some entrees (features) and sides (shorts) are safer bets than others. Some come with a track record and others are unknowns. With upwards of 100 films in play there are hits and misses, and so the operative advice is watch-at-your-own-risk.

However, if you’re a film buff with an appetite for something different, then you owe it to yourself to try this cinema smorgasbord. You can always design a sampler menu of your own choice.

Longbrake says there is a place for a mid-size festival like OFF that lacks world premieres of marquee industry and indie titles.

“There’s a ton of people out there making movies that aren’t part of the Hollywood system,” he says. “The only way to really see independent films in a theater, except for the off-chance they’re picked-up by a Hollywood distributor, is by going to film festivals. So you’re seeing a different kind of movie. Sometimes low budget, sometimes without a recognizable star, although familiar faces do turn up.

“People sometime think indie-low budget are code words for lesser quality. I would argue independent filmmakers tend to worry a bit more about the art and the story than the makers of big budget Hollywood pictures. Indie filmmakers are putting their passion, their guts, their heart, their soul and their grandpa’s money into making a film that’s personal to them as opposed to Hollywood studios that tend to be motivated to make something that needs to make them money back.”

The fest’s not all about the voyeuristic ritual of viewing movies either. The art and craft is explored at the OFF Filmmakers Conference and Writer’s Theatre program. A slate of OFF parties bring film geeks, fans and artists together for celebrating and networking.

In addition to Dillon’s film, others to check out include:

Documentaries
Shoulder the Lion
This self-conscious art film portrays three disparate people whose physical disabilities don’t stop them from being fully engaged artists. Alice Wingwall is a much-exhibited Berkeley, Calif-based photographer and filmmaker who happens to be blind. Graham Sharpe is a musician with a severe auditory condition. In his native Ireland he writes and performs music and runs a major music festival. Katie Dallam is a Spring Hills, Kan. visual artist who suffered traumatic brain injury in a boxing match that inspired Million Dollar Baby. Her art before and after her injury is markedly different.

In the spirit of Errol Morris, filmmakers Patryk Rebisz and Erinnisse Heuer-Rebisz use assertive techniques to create a visually stunning if sometimes overdone palette that gets inside the head of its subjects.

On Her Own
Morgan Schmidt-Feng’s portrait of the dissolution of a Calif. farm family, the Prebliches, plays like a dramatic film as tragedy and ill-fate befall the clan. The troubles of these salt-of-the-earth folks symbolize what happens to many small farm families. The story’s emotional heart belongs to Nancy Prebilich, who carries on despite losing it all.

Narrative Features
The Jazz Funeral
When an unhappy man fears his adult son may be turning into him, he concocts a scheme to spend a week with him in New Orleans to set him straight. As the pair’s insecurities and resentments come tumbling out, their relationships with the women in their lives come undone. James Morrison and Bobby Campo find the right notes as this awkward, strained yet loving father and son, respectively.

Slow West
This opening night film debuted at Sundance. It follows the adventures of 16-year-old Jay, who travels from Scotland to the 19th century American frontier in search of the woman he’s infatuated with. Newcomer Kodi Smit-McPhee stars as Jay. Co-starring are Michael Fassbender as Silas, the mysterious man Jay hires to protect him, and Ben Mendelsohn as one of the hard characters Jay confronts.

Cut Bank
The closing night film is another young man in peril story, this time set in contemporary Montana. In his rural town Dwayne (Liam Helmsworth) captures something on video he shouldn’t have and bad men with mean intentions come for after him and his girl. Co-starring Teresa Palmer, Billy Bob Thornton, John Malkovich, Bruce Dern and Oliver Platt.

For tickets and festival schedule details, visit omahafilmfestival.org.

Nebraska’s Film Heritage presented by Leo Adam Biga: Tuesday, Feb. 17, 6:30 p.m., Durham Museum

February 16, 2015 Leave a comment

Join me for-

Nebraska’s Film Heritage Lecture

presented by Leo Adam Biga

Tuesday, Feb. 17, 6:30 p.m.

Durham Museum

PLEASE NOTE: Reservations are required. Email reservations@DurhamMuseum.org or call 402-444-5071.

 

Here is how the Durham is promoting my talk:

 

 

 

*Nebraska’s Film Heritage
presented by Leo Adam Biga
Tuesday, February 17, 6:30PM
Stanley and Dorothy Truhlsen Lecture Hall, Durham Museum

Omaha author Leo Adam Biga highlights the story of Nebraska’s rich legacy in cinema. Several native sons and daughters have made significant contributions and established major careers in the industry, both on screen and behind the camera. To this day, Nebraskans continue to make their mark in virtually every aspect of the industry and have received many honors, including Oscar recognition. Many hometown products are regarded as leaders, innovators and trailblazers, including the Johnson Brothers and their Lincoln Film Company, Harold Lloyd, Fred Astaire, Darryl F. Zanuck, Marlon Brando and Joan Micklin Silver.

Leo Adam Biga is an Omaha-based nonfiction author, award-winning journalist and blogger. His 2012 book Alexander Payne: His Journey in Film is a collection of his extensive journalism about the Oscar-winning filmmaker. Additionally, Biga is the coeditor of Memories of the Jewish Midwest: Mom and Pop Grocery Stores and the author of two e-books for the Omaha Public Schools. As a working journalist he contributes articles to several newspapers and magazines. His work has been recognized by his peers at the local, regional and national levels.

*Due to limited space, reservations are required. Please call 402-444-5071 or email reservations@DurhamMuseum.org to reserve your spot.. Cost of admission applies and members are FREE.

SCHEDULED TOURS
Join selected scholars for a special tour and commentary of Katharine Hepburn: Dressed for Stage and Screen.
*March 7, 2015, 9AM and 11AM
Rachel Jacobsen, Executive Director, Film Streams at the Ruth Sokolof Theater

*Due to limited space, reservations are required. Please call 402-444-5071 or email reservations@DurhamMuseum.org to reserve your spot. Cost of admission applies and members are free.

SPECIAL EVENTS
Hollywood Bootcamp
Saturday, March 28, 2015, 10AM-3PM
Bring your friends for a day of boot camp…Hollywood style! Walk the red carpet, learn expert tips in costuming and make-up design, star in your own movie and much more. Plus, get your own star on The Durham Walk of Fame!
Regular Museum Admission Rates Apply
Free to Members

Katharine Hepburn Movie Series
Now – March 30
The Durham Museum is proud to partner with Film Streams at the Ruth Sokolof Theater for a series of movies that coincide with the costume exhibit, Katharine Hepburn: Dressed for Stage and Screen.

All screenings will occur at Film Streams’ Ruth Sokolof Theater (1340 Mike Fahey Street). For details and showtimes visit http://www.filmstreams.org.

Leo Adam Biga to deliver Nebraska Film Heritage lecture at Durham for Katharine Hepburn exhibit

January 22, 2015 Leave a comment

Leo Adam Biga to deliver Nebraska Film Heritage lecture at Durham for Katharine Hepburn exhibit
Join me at the Durham Museum at 6:30 pm on Tues. Feb. 17 for a lecture I am giving on Nebraska’s Film Heritage in conjunction with the Katharine Hepburn exhibit there. Kate had no particular ties to Nebraska, but she was an icon in an industry that included many fellow icons from this state. She famously worked with two of them, Henry and Jane Fonda, in On Golden Pond. She worked with another, Montgomery Clift, in Suddenly Last Summer. Her longtime lover, Spencer Tracy, won a Best Actor Oscar for his performance in a movie partially shot here, Boys Town, about one of the most famous Nebraskans ever, Father Edward Flanagan, and his legendary home for boys. One of Hepburn and Tracy’s lesser films together, Sea of Grass, was set here.

My talk will touch on some of the figures from here, past and present, to have carved out successful cinema careers behind the camera and in front of the camera. These include household names and more obscure but no less important names. Far more Nebraskans than you think have made significant contributions to the industry or established themselves as solid working film artists. I will also discuss some of the significant films made here and premiered here. Additionally, I will highlight some of the legendary film artists who have passed through Nebraska. Finally, I will give props to some of the individuals and organizations that have enhanced the cinema culture here.

 
The lecture is part of my Nebraska Film Heritage Project that will ultimately result in a book.
 
Read more about the exhibit and the special programs scheduled around it, including my lecture, below.
 
I hope to see you at my presentation,
 
 
Leo Adam Biga
Author of “Alexander Payne: His Journey in Film”
February 7 – April 26, 2015
The Durham Museum is pleased to present Katharine Hepburn: Dressed for Stage and Screen, an exclusive exhibition of Hepburn’s personal costume collection organized by the Kent State University Museum. The exhibit features more than 35 costumes worn in 21 films and 6 stage productions spanning Hepburn’s illustrious career. Among the items on display will be an ensemble of her signature tailored beige trousers and linen jackets, vintage posters, playbills, photos and other Hepburn-related artifacts, as well as stage costumes from The Philadelphia Story and Coco and screen costumes from Adam’s Rib and Stage Door. From classic Hollywood dresses to Kate’s personal “rebel chic,” the exhibition highlights how Hepburn’s sense of style influenced countless women and fashion designers. It helped to create the informal, elegant approach to American style seen on today’s runways. Come see how this true icon of American culture came to epitomize the modern woman of the 20th Century.
Katharine Hepburn: Dressed for Stage and Screen is supported locally by Mutual of Omaha, Douglas County Commissioners, On Track Guild, Rhonda and Howard Hawks and the Dixon Family Foundation. Media support provided by KETV.
Pictured Left to Right:
Dress by Walter Plunkett, from the 1934 RKO movie The Little Minister
White satin and lace wedding dress by Howard Greer, from the 1934 production of The Lake
Design by Chanel, from the 1976 production of Coco
LECTURES
*Nebraska’s Film Heritage
Presented by Leo Adam Biga
Tuesday, February 17, 6:30PM
Stanley and Dorothy Truhlsen Lecture Hall
Omaha author Leo Biga highlights the story of Nebraska’s rich legacy in cinema.*Katharine Hepburn: Master of her own Image
Presented by Amy Henderson of the Smithsonian National Portrait Gallery
Thursday, April 9, 6:30PMSCHEDULED TOURS
Join selected scholars for a special tour and commentary of Katharine Hepburn: Dressed for Stage and Screen.*Backstage with Kate
February 7, 2015, 9AM and 11AM
Jean Druesedow, Director, the Kent State University MuseumMarch 7, 2015, 9AM and 11AM
Rachel Jacobsen, Executive Director, Film Streams at the Ruth Sokolof TheaterApril 4, 2015, 9AM and 11AM
Dr. Barbara Trout – Professor – Department of Textiles, Clothing and Design, College of Education and Human Sciences University of Nebraska-Lincoln

*Due to limited space, reservations are required. Please email reservations@DurhamMuseum.org or call 402-444-5071. Cost of admission applies and members are free.

SPECIAL EVENTS
An Evening with Kate
February 6, 2015
6:30PM Lecture, Reception and exclusive preview of the exhibit to follow
Join the Durham Museum’s On Track Guild and Honorary Chairs Gail and Mike Yanney for “An Evening with Kate.” Jean Druesedow, Exhibition Curator and Director of the Kent State University Museum will discuss the exhibit, collection and Kate’s life.

Tickets: $75

For more information or to make a reservation, contact the museum at 402-444-5071.

Hollywood Bootcamp
Saturday, March 28, 2015, 10AM-3PM
Bring your friends for a day of boot camp…Hollywood style! Walk the red carpet, learn expert tips in costuming and make-up design, star in your own movie and much more. Plus, get your own star on The Durham Walk of Fame!
Regular Museum Admission Rates Apply
Free to Members

Katharine Hepburn Movie Series
February 14 – March 30
The Durham Museum is proud to partner with Film Streams at the Ruth Sokolof Theater for a series of movies that coincide with the costume exhibit, Katharine Hepburn: Dressed for Stage and Screen.
All screenings will occur at Film Streams’ Ruth Sokolof Theater (1340 Mike Fahey Street). For details and showtimes visit http://www.filmstreams.org.

Visit The Durham Museum Hitchcock Museum Shop, Old-Fashioned Soda Fountain and the Photo Archive for 10% off Katharine Hepburn related gifts, treats and photos as part of your membership!

A Look Into and Back at the Many Diverse Faces of Leo Adam Biga’s Blog (leoadambiga.wordpress.com): “I write stories about people, their passions and their magnificent obsessions”

January 3, 2015 Leave a comment

      • A Look Into and Back at the Many Diverse Faces of Leo Adam Biga’s Blog (leoadambiga.wordpress.com): “I write stories about people, their passions and their magnificent obsessions”

       


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Matinee Marriage: Omaha couple Mauro and Christine Fiore forge a union based on film and family

December 13, 2014 Leave a comment

Here is a short profile piece for Omaha Magazine about an Omaha couple whose lives revolve around film and family, Mauro and Christine Fiore. He’s an Oscar-winning cinematographer who works on A-list projects. She’s a costume designer and the producer of an in-development indie feature based on the best-selling novel The Persian Pickle Club. They met on the set of a film they both worked on. They have three children together. Whenever the film Christine is producing ends up shooting, Mauro will light it. That’s keeping it in the family. Mauro is a native of Italy who moved to the States with his family when he was young. Christine is a native Omahan. The couple have made their home in Omaha for the last several years even as Mauro’s career blew up. She and the kids often travel to his far-flung sets. They also travel as a family to his small hometown in Italy, where he has many relatives and where they regard him as a kind of hero and superstar. It may surprise some folks to know that Mauro is one of three Oscar winners living in Omaha. He won his for Avatar. Then there’s recently retired editor Mike Hill, an Omaha native who won his for Apollo 13. And then there’s Omaha native Alexander Payne, who won his writing Oscars for Sideaways and  The Descendants.

 

 

 

Matinee Marriage

Omaha Couple Mauro and Christine Fiore Forge a Union Based on Film and Family

March 16, 2015
©Illustration by William Holland

The metro’s small but robust cinema community includes Film Streams and the Omaha Film Festival (see related story on page 42) along with several working industry professionals, among them Oscar-winning cinematographer Mauro Fiore (Avatar). He’s among three Academy Award recipients residing here. The others are editor Mike Hill (Apollo 13), and filmmaker Alexander Payne (Sideways, The Descendants).

Fiore’s most recent director of photography feature work came on The Equalizer in Boston. The projected 2015 release reunited him with Antoine Fuqua and Denzel Washington from Training Day.

But Fiore, originally from Italy, isn’t the only film pro in his own household. His wife Christine Vollmer Fiore, a native Nebraskan, is a costume designer now developing a feature adaptation of The Persian Pickle Club. Mauro’s slated to light it.

The couple actually met in 1997 on an independent picture largely shot in Nebraska, Love from Ground Zero. At the time each lived in L.A., traveling wherever projects called them. Christine finds it “ironic” the film that brought their itinerant lives together happened in her home state. They settled here after marrying. He regularly goes off to do commercials and features.

They are the parents of three children—Olivia, Tessa and Luca. The Fiores view the state as a healthy grounding from the hustle, bustle and hype of L.A., where they also have a home.

“We knew we didn’t want to raise kids in L.A.,” Christine says. “It’s kind of nice to be here and have blinders on and not be affected by what’s out there.”

It’s a stable sanctuary they can count on.

“It’s nice to have a firm place and not really worry about Christine when I’m gone because her family’s here,’ Mauro says. “I feel really safe there’s somebody here to support her. I’ve come to really appreciate it because when I’m here it’s all about the family and helping Christine any way I can.”

During his absences Christine runs a tight ship. “I’m very schedule and routine-oriented,” she says. She purposely doesn’t make a big deal of his departures.

“It’s kind of no-nonsense, no-tear because it’d be too tough emotionally. It’s like, ‘Dad’s leaving but he’s going to come back and now I need help around the house from all of you.’ Then when Mauro comes back home we still have the same routine. Dinner’s at 5:30. I think it makes it easy for Mauro to kind of slide back in.”

That normal, laidback lifestyle is what appeals to the Fiores.

“Omaha is manageable,” Christine says. “It’s easy to go to the airport and to the zoo…”

“It’s easy, it’s familiar,” Mauro adds. “We’ve found several friends around the community of schools the kids attend.”

They enjoy, too, how much more house they can afford here. They lived in Hawaiian Village before moving into their present home over a year ago. The ranch-style in Elkhorn sits on a six-acre lot with a view.

“We really love the property,” Mauro says. “It has a piece of land that stretches out to the river. You don’t really find that too much anymore.”

They appreciate the open floor plan, banks of tall windows and homey features.

He says, “It’s just the uniqueness of the place and the fact we can really grow into this and make it our home.”

“It’s not like a builder’s model home,” Christine says. “It’s different, it has personality.”

They’re now updating the downstairs to accommodate a craft room for the sewing Christine and the kids do.

In her spare time she wears her producer hat trying to get Persian Pickle Club financed. Setting up a film is a new experience for them.

“It’s been a great learning process to see the inner workings because I never really knew what it took. I’m never on that side of it,” he says.

He admires how “Christine’s done it all from here—figuring out ways to push it along.”

They’re admittedly anxious to start production because making films is what they know best.

Mauro eagerly shares his expertise. He photographed an Omaha Film Festival promo. He’s served as a panelist-presenter at OFF and Film Streams. The couple supports the opera, the symphony, KANEKO and other local arts-cultural offerings they find on par with anywhere.

The family often visits his far-flung movie locations. His Hollywood colleagues are surprised he lives far afield from film industry centers.

“They find it very odd,” he says. “But with Alexander Payne, Nebraska also sort of has a mystique. They appreciate it’s a different way of living, more old fashioned or traditional.”

20150202_bs_9062

 

 

What do Oscar-winning filmmaker Alexander Payne and WBO world lightweight boxing champion Terence “Bud” Crawford have in common?

December 2, 2014 Leave a comment

What do Oscar-winning filmmaker Alexander Payne and WBO world lightweight boxing champion Terence “Bud” Crawford have in common?

These newsmakers share the same hometown of Omaha, Neb. but more than that they share an unflinching loyalty to their roots. Payne could elect to or be swayed to make films anywhere but he repeatedly comes back to Omaha and greater Neb. to create his acclaimed works, often resisting studio efforts to have him shoot elsewhere. Crawford doesn’t get to call the shots about where he fights but for his first two title defenses he did convince Top Rank and HBO that Omaha could and would support a world title card. Besides, it’s tradition that a world champion gets to defend his title on his own home turf. And when there was talk his first title defense might move across the river to Council Bluffs, he wasn’t having it. Now that he’s been proven right that Omaha is a legitimate market for big-time fights and is a formidable hometown advantage for him, he will undoubtedly press to fight here over and over again and opponents will certainly resist coming into his own backyard. As he moves up a division and the stakes get higher, there may come a time when the CenturyLink and Omaha can’t provide the same pay-day that a Las Vegas and one of its mega venues can. Whether Omaha could ever become a main event host for fighters other than Crawford is an open question. The same holds true for whether Neb. could ever attract a major feature film to fix its entire shooting schedule here outside a Payne project. The only way that will happen, it appears, is if the state enacts far more liberal tax incentives for moviemakers than it currently offers. But that is neither here nor there, as Crawford’s done right by Omaha and his adoring fans have reciprocated, just as Payne has done right by his home state and his fellow Nebraskans have responded in kind.

 

 

The Crawford parallel to Payne goes even deeper. Just as Payne maintains a signifcant presence here, living part of the year in his downtown condo, serving on the board of Film Streams and bringing in world class film figures for special events, Crawford lives year-round in Omaha except when he goes off to train in Colorado and he owns and operates a boxing gym here, the B&B Boxing Academy, that’s open to anyone. Just as Payne looks to grow the film culture here Crawford hopes to grow the boxing scene and each has made major strides in those areas. A major Hollywood film besides one of his own still hasn’t come to shoot here, though he’s lobbied the state legislature to give studios and filmmakers the incentives they need. No world-class fighter has emerged here yer as a protege of Crawford’s or as someone showing promise to be “next Bud Crawford.” Similarly, “the next Alexander Payne” hasn’t announced him or herself yet here.

Another way in which these two Omaha figures – each so different on the surface, wth one the product of white privilege and the other the product of Omaha’s poor inner city – are similar is that each has been embraced and endorsed by the Omaha establishment. They’ve been honored with the keys to the city, feated at banquets and preened over by the media. When Mayor Stothert showed up for a photo op with Bud at his pre-Thanksgiving turkey giveaway and Warren Buffett appeared at his most recent title defense, you knew that Crawford had made it.

I don’t know if Payne and Crawford have met, but I would enjpy the intersection of two different yet not so different Omaha’s meeting. At the end of the day, after all, each is in a segment of show business or entertainment. Each is a professional who has reached world class stature in his profession. Each has worked and sacrificed for his craft and been rewarded for it.

I have been covering Payne for going on 20 years, I have been covering Crawford for two years. I admire both men for having come so far with their passion. I congratulated Payne on his latest achievement, the film Nebraska, one in a long line of filmic successes. And I now say congrats to Terence “Bud” Crawford on defending his WBO world lightweight boxing title in his hometown of Omaha for the second time in five months. The 11,000-plus fans on hand Saturday night at the CenturyLink arena were there to support their own and they roared and cheered and gave shout-outs to Bud, who’s become a much beloved folk hero here. Feeding off their energy he displayed a full boxing arsenal in thoroughly dominating a very tough challenger in Ray Beltran. Every time the pressing Beltran tried to trap Bud along the ropes or in the corners, the champ used his superior quikness and agility to turn the tables on Beltran with sharp counterpunching, By the last few rounds Bud was doing the attacking, thwarting the few rallies Beltran mounted and frustrating his foe at every turn. It was an impressive boxing display and further proof that the talk about Bud being pound for pound one of the best fighters in the world today is no hype. He’s the real deal and almost certainly the best prizefighter to ever come of Nebraska. As I articulated above, the fact that he remains rooted to his community and brings his success back home reminds me of what filmmaker Alexander Payne does in another arena, filmmaking.

The main event turned into a love-in and as much love as the crowd gave to one of their own Bud gave it right back. It’s a beautiful thing that’s happening in what can be a brutal sport and a heartless game.

Look for my new story about Bud in the Jan./Feb. 2015 issue of Omaha Magazine. I’ll have something in a upcoming issue of The Reader as well. Meanwhile, you can read my previous stories about Bud at these links:

http://leoadambiga.wordpress.com/2014/06/25/bud-rising-bud-crawfords-tight-family-has-his-back-as-he-defends-title-in-his-own-backyard/

http://leoadambiga.wordpress.com/2013/07/30/in-his-corner-midge-minor-is-trainer-friend-and-father-figure-to-pro-boxing-contender-terence-bud-crawford/

http://leoadambiga.wordpress.com/2014/02/25/terence-bud-crawford-in-the-fight-of-his-life-for-lightweight-title-top-contender-from-omahas-mean-streets-looks-to-make-history/

You can find excerpts of my many stories about Alexander Payne on my blog. You can also buy my book, “Alexander Payne: His Journey in Film,” which is a collection of my extensive journalism about the artist and his work. You can preview the book at, www.facebook.com/LeoAdamBiga,

Nebraska Film Currents

November 13, 2014 Leave a comment

Nebraska Film Currents 

©by Leo Adam Biga

 

Monday night’s David O. Russell-Alexander Payne cinema summit got me to thinking about past film royalty visits to Nebraska. In the annals of Neb. film history, precious few notable Hollywood figures have come here to shoot or to make public appearances or for that matter to make private appearances. I don’t claim to have an exhaustive history of these cinema drop-ins, but the ones that come to mind, include:

Much of the MGM 1938 classic film Boys Town was shot in Boys Town and greater Omaha, which brought director Norman Taurog and stars Spencer Tracy and Mickey Rooney here, and all of them, along with studio czars, came for the world premiere here; Read about it at-
https://leoadambiga.wordpress.com/…/when-boys-town-became-…/

Cecil B. DeMille, Barbara Stanwyck, Joel McCrea and other principals from the 1939 film Union Pacifc came for the world premiere here.

 

 

Robert Taylor hunted at Ducklore Lodge and may have been a guest at the Storz Mansion on Farnam Street.

James Stewart was also a guest at Storz Mansion parties.

In the mid-1950s Henry Fonda and Dorothy McGuire, both at their peak fame, came to do performances of The Country Girl as a benefit to fund construction of the new Omaha Community Playhouse – each was an OCP alum – and Henry’s daughter Jane was part of the cast as well; Henry Fonda came back many times to support the Playhouse and the Stuhr Museum.

 

Veteran stage and screen star Henry Fonda and his 17-year-old daughter, Jane, take a break during rehearsals for the Omaha Community Playhouse production of "The Country Girl," June 18, 1955, in which Fonda co-starred with Dorothy McGuire. Jane won the ingenue role in a telephone audition with Playhouse director Kendrick Wilson.
Henry Fonda and Jane Fonda

In 1965 Betty Grable starred in the national touring company production of Hello, Dolly at the Omaha Music Hall. Another national tour of Dolly starred Carol Channing at the Orpheum Theater.

In 1967 Otto Preminger was one of two guests of honor at a Creighton University film festival – the other was experimental filmmaker Stan Brackhage.
A year later Francis Ford Coppola, George Lucas, Shirley Knight, James Caan and Robert Duvall came for the last few weeks shooting on the road movie, The Rain People, which Coppola wrote and directed; Lucas was along for the ride to document the making of the film; in the ensuing years Robert Duvall returned to Neb. several times to make the documentary We’re Not the Jet Set about the rambunctious Ogallala-area ranch-rodeo family, the Petersons; Read about all this at-
https://leoadambiga.wordpress.com/…/film-connections-an-in…/

 

 

From left: Papamichael, Dern, Forte and Payne on set

 

 

Jane Fonda, who did part of her growing up in Omaha, came for the regional premiere of On Golden Pond at the Orpheum Theater; some 30 years later she sat where David O. Russell did for an interview Alexander Payne did with her at the Holland.

Marlon Brando paid a visit to his birthplace and hometown in the 1980s and did an awkward but entertaining television interview with Peter Citron.

Joan Micklin Silver (Hester Street, Crossing Delancey) came back to her home state to accept a Sheldon Film Theater tribute in Lincoln; read one of my many pieces on Joan at-
https://leoadambiga.wordpress.com/…/shattering-cinemas-gla…/

Peter Fonda, who’s been known to pass through unannounced, picked up the same award from the Sheldon.

Jack Nicholson, Shirley MacLaine, Debra Winger and Jeff Daniels were in and around Lincoln making the James Brooks film Terms of Endearment; Winger and then Neb. Governor Bob Kerrey became romantically involved and were frequently seen together in Lincoln and Omaha.

Too Wong Foo filmed here with Wesley Snipes, Patrick Swayze, and John Leguizamo in and out of drag.

Sean Penn filmed The Indian Runner in and around Plattsmouth with principal cast members Viggo Mortensen, David Morse, Patricia Arquette, Charles Bronson, Sandy Dennis, Dennis Hopper and Co.; Penn returned as an actor for The Assassination of Richard Nixon written by Omaha native Kevin Kennedy.

 

 

 

Alexander Payne has directed four of his six features here and those projects have brought a gallery of notables to Omaha and thereabouts; Citizen Ruth (Laura Dern, Kurtwood Smith, Mary Kay Place, Kelly Preston, Swoosie Kurtz, Burt Reynolds, Tippie Hedren, Kenneth Mars); Election (Matthew Broderick, Reese Witherspoon); About Schmidt (Jack Nicholson, Kathy Bates); Nebraska (Bruce Dern, Will Forte, Stacy Keach); Buy my book about Payne and his work at-
https://www.createspace.com/4001592

Payne has brought Laura Dern, Debra Winger, Steven Soderbergh, Jane Fonda, the principal cast of Nebraska and most recently David O. Russell as the special guest for the Film Streams Feature event; Read my pieces about Payne’s latest Film Streams cinema conversations at-
https://leoadambiga.wordpress.com/…/masters-david-o-russel…/
and
https://leoadambiga.wordpress.com/…/new-american-cinema-au…/

Bruce Crawford has actually hosted more cinema legends in Omaha than Payne, having brought Ray Harryhausen, Janet Leigh, Patricia Neal, John Landis,Debbie Reynolds, Shirley Jones, Patty Duke and most recently Tippi Hedren; Read some of my interviews with these legends at-https://leoadambiga.wordpress.com/…/09/06/unforgettable-patricia-n…/                                                                                                                                                              and                                                                                                                                                                                                                                             https://leoadambiga.wordpress.com/…/hollywood-legend-debbi…/

 

 

Gabrielle Union visits her hometown of Omaha now and again but never for any film function; Read two of my profiles of her at-
https://leoadambiga.wordpress.com/…/gabrielle-union-a-star…/
and
https://leoadambiga.wordpress.com/…/the-gabrielle-union-ch…/

Yolonda Ross (Go for Sisters) has been getting back more frequently to her shared hometown of Omaha for film related events; Read my profiles of her at-
https://leoadambiga.wordpress.com/…/yolonda-ross-takes-it-…/
and
https://leoadambiga.wordpress.com/…/yolonda-ross-is-a-tale…/

Nick Nolte made a surprise appearance at his Omaha Westside High School class reunion a few years ago.

Nick Fackler worked with Martin Landau and Ellen Burstyn, among others, on his Lovely, Still made in his hometown of Omaha; Read two of my stories about Nick and Lovely, Still at-
https://leoadambiga.wordpress.com/…/lovely-still-that-rare…/
and
https://leoadambiga.wordpress.com/…/martin-landau-and-nik-…/

EXTRAS: I have interviewed several more film notables who have passed through Nebraska, including Robert Duvall, James Caan, Shirley Knight, Laura Dern, Bruce Dern, Bill Cosby, Mickey Rooney, Danny Glover, Swoosie Kurtz, Marg Helgenberger, Dick Cavett and Jon Jost; my inteviews with them can all be found on my blog, leoadambiga.wordpress.com, with the exception of Rooney and Helgenberger.

And I have interviewed all three living Oscar winners who reside here: Mauro Fiore, Mike Hill and Alexander Payne, whom I’ve interviewed dozens of times. My pieces about these film figures are also on my blog.

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