One of the neat things about being a journalist covering arts and cultural happenings is the opportunity it provides to intersect with emerging or rising talents. In the case of this article for El Perico I got to speak with Jorge Gomez, the leader of the breakout Latin band Tiempo Libre, who kick off this season’s Jazz on the Green at Midtown Crossing series in Omaha. The timba-jazz infused, Miami-based group performs July 7, and the series featuring regional and national jazz acts runs through August 11. If you haven’t heard of Tiempo Libre, as I hadn’t, you’ll soon learn why you should take notice in the space of my short article. First of all, the group has only been together 10 years and yet they’ve already earned three Grammy nominations. They’e opened for and collaborated with some world class artists. Their music draws from many different sources and influences. These musicians are highly skilled and steeped in a classical foundation. They are also inventive enough to blend their native Cuban rhythms with all manner of musical styles. And they have a great story of what fired their imaginations in Cuba and of living out their dream now as a headline act around the world.
Tiempo Libre Kicks Off Jazz on the Green at Midtown Crossing in Omaha
by Leo Adam Biga
As soon to be published in El Perico
Growing up in Cuba members of the hot Miami-based Latin band, Tiempo Libre, studied classical music at Havana conservatories. Popular music, especially American, but even their native timba, was deemed subversive and thus forbidden. Hungry for what they were denied, the players clambered atop roofs at night with homemade antennas to pick up faint Miami radio broadcasts.
The staticky sounds of Michael Jackson, Chaka Chan, Stevie Wonder, Gloria Estefan, Manhattan Transfer and Earth Wind and Fire filled the tropical air. “It was fuel for our dreams. It opened a new door for us,” says Jorge Gomez, Tiempo Libre lead vocalist, keyboardist and musical director. “We listened, we recorded and during the day we put the music on and everybody in the neighborhood came to my house. We danced and sang and played dominos, everything. It was a new hope for us.”
Today, Gomez and his Grammy-nominated bandmates are touting their new Afro-Cuban fusion album, My Secret Radio, and its celebration of those clandestine raves. Fresh from performing at an Italian music festival, Tiempo Libre opens the Jazz on the Green at Midtown Crossing season Thursday. Their pulsating rhythms begin at 7 p.m. at Turner Park (31st and Dodge Streets).
The band describes their gigs as parties rather than concerts, says Gomez, “because by the end of the show everybody’s going to be singing and dancing with us. It happens all the time, and that’s the whole idea — to have fun. It’s all about the energy people are going to feel. That’s the best reason to play music .”
The free performance kicks off the weekly series that runs through August 11.
This is Tiempo Libre’s first Omaha show but the group’s well known for breakout recordings on Sony Masterworks and high profile appearances on Dancing with the Stars and the Tonight Show and at Jazz at Lincoln Center. Their genre busting work includes collaborations with classical artists Sir James Galway and Joshua Bell and Venezuelan composer Ricardo Lorenz.
Formed a year before, Tiempo Libre only came together after its seven members separately fled Cuba. Their individual journeys included long stays in other countries before their paths merged again in 2000 in Miami. They were all working with different artists then “and in our free time we came together to make the band, ” says Gomez, hence the name Tiempo Libre or “free time.”
He’s proud the band has disproved predictions timba cannot thrive outside Cuban-centric Miami. “It’s fantastic the way people respond to it,” he says. Playing before enthusiastic audiences around the world, he says, “it’s incredible how beautiful the music can be between people who don’t even speak the same language.” By mixing timba with other styles, Tiempo Libre breaks down artificial barriers, as in the live orchestra work Rumba Sinfonica and the album Bach in Havana.
“Timba style is a mix between jazz and Cuban music. For example, if you put Buena Vista Social Club with Chic Corea, that’s timba style,” he says. “The harmony’s going to be deeper in the jazz roots but the rhythm is going to be, of course, Cuban rhythms, like rumba, ch-cha-cha, bolero. We play a mix of everything — timba, jazz, classical.”
Gomez says as the band’s exposed to ever more diverse musical influences, the more there is to blend with Cuban rhythms, including a new Placido Domingo Jr. album they’re collaborating on.
“We are living our dream playing all the music, all the mix that’s in there, adding a lot of Cuban flavor.”
Noted for their rigorous musicianship, yet free-spirited manner, Gomez says, “the way we’re playing now is so different from the beginning. We feel so secure. Now it’s all about how to enjoy yourself and transmit that energy to everybody around you. It’s unbelievable, the sensation. It’s a beautiful life.”
Now that Cuba’s more free, Gomez expects Tiempo Libre will perform back home.
“That’s part of our dream, too,” he says. “We want to play there in our neighborhood, for our friends.”
And perhaps inspire others to live their dreams. “Exactly, that’s the idea,” he says.
Jazz on the Green features other Latin-style bands this summer, including Incendio on July 14.
- Tiempo Libre’s “My Secret Radio” (theworld.org)
- Cuban Music Icon, Grammy Award Winner Pablo Milanés to Perform in Miami at the American Airlines Arena (thecubanartproject.com)
- The Bay Citizen: A Havana Connection Infuses the Music Scene (nytimes.com)
- Omaha Address by Cuban Archbishop Jaime Ortega Sounds Hopeful Message that Repression in Cuba is Lifting (leoadambiga.wordpress.com)
- A Rich Music History Long Untold is Revealed and Celebrated at the Omaha Black Music Hall of Fame (leoadambiga.wordpress.com)
- Home Girl Karrin Allyson Gets Her Jazz Thing On (leoadambiga.wordpress.com)
- Enchantress “LadyMac” Gets Down (leoadambiga.wordpress.com)
- Camille Metoyer Moten, A Singer for All Seasons (leoadambiga.wordpress.com)
- Luigi’s Legacy, The Late Omaha Jazz Artist Luigi Waites Fondly Remembered (leoadambiga.wordpress.com)
Long Live Roberto Clemente, A New Exhibit Looks at this Late King of the Latin Ball Players and Human Rights Hero
I am a moderate baseball fan at best, but I am drawn to the stories behind the game and to the figures who animate it. One of the all-time great players, Roberto Clemente, made millions take notice of his baseball skills, which earned him a well-deserved spot in Cooperstown, but what he did off the field may be what he’s ultimately best remembered for. This little story for El Perico newspaper in Omaha takes a cursory look at the impact the late Roberto Clemente still has on people nearly 40 years after he tragically died at age 38 while attempting to carry out a humanitarian mission. The occasion for the story was a touring exhibition of his life that landed at El Museo Latino, and I simply asked a few folks in the local Latin community what Clemente’s legacy means to them. The exhibition continues through July 17.
©by Leo Adam Biga
Originally published in El Perico
Beyond Baseball: The Life of Roberto Clemente continues through July 17 as part of a 20-city tour.
It’s curated by Museo de Arte de Puerto Rico with the Carimar Design and Research studio and organized for touring by the Smithsonian Institution Traveling Exhibition Service. The Smithsonian Latino Center is a sponsor.
When Pittsburgh Pirates great and Latin symbol Roberto Clemente died December 31, 1972, his native Puerto Rico wept. He was only 38. The grief extended throughout the Americas.
The first great Latino star in the big leagues, Clemente was a trailblazer who opened pathways for other Latin players to follow. He’s remembered as more than a magnificent athlete, but as a man of the people, devoted to his countrymen and Spanish-speakers worldwide.
He died when a plane he was aboard delivering relief supplies to Nicaraguan earthquake victims went down in the ocean. His body was never recovered. It was not the first time he acted as a humanitarian — he helped needy people in the United States and Central America and held free baseball clinics for children in Puerto Rico. After his death his wife and children have continued his work.
In recognition of his brilliant play in the outfield, at the plate and on the base paths, the usual five year waiting period for Hall of Fame consideration was waived and he was elected by an overwhelming majority into Cooperstown. The Roberto Clemente Award was established to salute Major League Baseball players who combine outstanding play and community service. The award, given annually since 1973, made Clemente the inaugural honoree.
His homeland is replete with stadiums and streets named after him. As a national hero, his image adorns homes of Puerto Ricans there and everywhere.
With Clemente’s legacy so strong, El Perico asked members of Omaha’s Puerto Rican community and others for lasting impressions.
Antonia Correa vividly recalls the news of his tragic death on the island, where Clemente’s aid mission to stricken Nicaraguans was well known. His sudden loss cast a pale over holiday celebrations.
“It was a major emotional thing,” she says. “It was sad twice because we lost him, someone everybody was passionate about, and because of his trip to help victims.”
Correa’s memory of Clemente is forever fixed in context of what he died doing. “I remember him as this face of humanity. I keep in my mind the face of this humble man eager to help others.”
Maria Valentin remembers “days of mourning Roberto” after his death. In life he was beloved because he never forgot his roots. “He was very proud of being a Puerto Rican,” says Valentin.
Beyond baseball success, his charitable work endeared him even more.
“He was young and he wanted to help, and he did it and we loved him in the process,” says Valentin. She notes that he’s revered as “a champion for human rights” and “a role model for kids, adding “He was ours. He created a legacy not only for him but for all of us Puerto Ricans, carrying the country along. His talent, his energy, his commitment to help people still remains within us.”
She says his example of overcoming discrimination to excel when he and other Latin and black players were treated as “second class” citizens is inspiring. “He broke barriers for the younger generation. The language, the color, the strange territory should not stop you once you have a dream, once you have a talent.”
Hector Santiago says Clemente is a rare figure who transcends eras to still inspire.
Acclaimed jazz artist Miguel Zenon, who played Omaha May 21, says Clemente’s place in history “really surpasses anything that has to do with sports or fame. He just took it to another level in terms of what he achieved as a human being.”
University of Nebraska at Omaha professor Jonathan Benjamin-Alvarado says Clemente “presented for us the archetype of what we wish all humans do when given the immense gifts and skills he possessed…His dignified presence was equivalent to that of the icons of his age and his too-soon passing only served to remind us of what had been taken from us. He would have been the penultimate ambassador for sport and humanity to the Latin world.”
Special programs in conjunction with the exhibition include a lecture series, a baseball clinic and a celebration of Puerto Rican culture.
El Museo Latino is located at 4701 South 25th St. For details, call 402-731-1137 or visit http://www.elmuseolatino.org.
- El Museo Latino in Omaha Opened as the First Latino Art and History Museum and Cultural Center in the Midwest (leoadambiga.wordpress.com)
- Review: “21”: The Story of Roberto Clemente (repeatingislands.com)
- Graphic biography of Puerto Rican Baseball great Roberto Clemente (repeatingislands.com)