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The Gabrielle Union chronicles

August 21, 2010 1 comment

Gabrielle Union at the San Francisco Blackberr...

Image via Wikipedia

My first couple  interviews with Gabrielle Union were by phone.  She was smart, funny, gracious, and generous with her time. My last couple interviews have been in person, and I found her exactly the same. She’s a sweet person.  Yes, her beauty leaves you breathless and is a bit distracting at first, but she’s completely down to earth and after awhile you don’t focus on her looks, you focus on what she’s saying and what she’s about.  This article for The Reader (www.thereader.com) appeared about five years ago, and in it she speaks extensively about some things she’s passionate about, including the difficulties that actresses of color have in finding suitable subject matter and her efforts to try and change that.  More recently, the formation of her new production company, Stew U, with Nzingha Stewart, finds her really taking matters into her own hands.

In the last couple years, she’s made as much news off the screen as on it due to her relationship with NBA superstar Dwyane Wade.  The couple have been to Omaha, where Gabrielle’s from, and they caused quite a stir here as you might imagine.  I wouldn’t be surprised if they become regular fixtures her before too long, at least during Native Omaha Days.  I hope to catch up with Gabrielle again in the near future.

 

The Gabrielle Union chronicles

©by Leo Adam Biga

Originally appeared in The Reader (www.thereader.com)

Let’s face it, the girl can’t help it. With a to-die-for combo of beauty and attitude, Omaha-born and bred actress Gabrielle Monique Union embodies what it means to be fabulous. The It Girl’s parlayed early television-film roles as the sharp-tongued foil and love interest babe into a regal-like, real-piece-of-work brimming with confidence, intelligence and class. This enticing package of goodies makes her a presence in the Hollywood glam machine. Despite The Honeymooners fizzle, her profile is about to explode owing to her work in a handful of new feature films awaiting release that show her in a new light and a starring role in the new ABC series Night Stalker that premieres September 29.

“I’ve been trying to branch out and do different kinds of projects people wouldn’t necessarily expect me to do, and I’m very proud of the work coming out” she said, while in town for Native Omaha Days, looking absolutely fabulous despite no sleep after wrapping Night Stalker that same morning and catching a red eye to O.

Yes, the many sides of Gabrielle are showcased these days. She recently shared the cover of Ebony with Honeymooners’ co-star Cedric the Entertainer, doing her best Alice Kramden domestic next to his Ralph Kramden bombastic. Depending on the gig, she’s whatever she wants to be. But no matter how much she appears all-together, she confided to The Reader some of the anxieties attending stardom and some of the frustrations that go with being black in a white-dominated field. Partly to determine her own fate and image, she’s about to start producing her own projects. Meanwhile, she plays the game, transforming herself into our fantasies.

When on the red carpet-runway circuit, she’s the preening diva in designer wear, perfect makeup and flawless hair who flashes I-love-my-public smiles and blows kisses in classic movie star fashion. In those Nutrogena TV spots, she’s the oh-so-fresh-and-so-clean girl-next-door of our dreams. For magazine spreads, she projects the epitome of style and elegance. She plays it sultry-urban-cool guesting on shows like BET’s Rap City: Tha Bassment, or turns on the charm chatting it up with Jay or David or Jimmy or Regis. She turns serious young artist at events like the NAACP Image Awards. On the big screen, she’s the hottie object of desire of LL Cool J, Jamie Foxx and Will Smith. Lately, she’s taking parts that don’t so much exploit her head-turning attributes and sex symbol defying smarts as display her acting depth.

 

 

 

In the drama Neo Ned, fresh off rave reviews at the 2005 TriBeca Film Festival, her disturbed character gets involved with a fellow patient at a mental health hospital. She’s a victim of abuse somehow under the delusion she’s Hitler. He’s a neo-Nazi hater of blacks and Jews. Upon recovery and release, this odd pair still try forging a life together. InConstellation, which beat out both Hustle and Flow and Crash for the Audience Prize at the Urbanworld film fest’, she’s the matriarch of a troubled Southern family whose secret legacy leads back to her own private crucible. In Running with Scissors, the much-awaited adaptation of Augusten Burroughs’ tell-all book, she’s the possessive lover of Annette Bening, whose messy life she makes messier. In Night Stalker, an update of a 1970s show, she’s part of an investigative reporting team examining unexplained homicide cases. With a creative staff from The X-Files, it’s not surprising Stalker casts Union as Perrie, a skeptic trying to rein-in her overly curious partner Kolchak (Stuart Townsend), who suspects the supernatural, paranormal or extraterrestrial in every unsolved murder. Sound familiar? Union was sold on the show, despite “not being a fan of the genre,” by the quality of the scripts and the chance it offered “to grow with my character.”

All this comes on the heels of her small but weighty appearance in the Emmy Award-winning HBO drama, Something the Lord Made, her first period piece.

Ten years after breaking through, she’s sufficiently got-it-going-on to be in the  select company of such single name Star Sistas as Halle, Queen, Beyonce, Angela, Oprah and Vivica — adding flava to an otherwise bland look-alike white girl scene.

But a rising career for a black or Latina actress, no matter how talented or lovely she is, is not the same as it is for a white actress. Union bristles at the inequity that gives a Reese Witherspoon or Cameron Diaz carte blanch when she’s restricted from certain roles due to her race.

“It’s the option of doing different kinds of things,” she said. “They have the option of doing any kind of movies they want. Anything that could possibly pop into their head, that kind of script is there for them. Whereas with me, I’m offered the same exact things over and over and over again.”

This relative lack of choices, she said, not only means a more limited artistic palette to pick from, but a smaller financial reward, too. “There is a financial reality in what we do. Those bills, darn it, pop up every month. That dang mortgage has to be paid. You can pass, pass, pass, pass pass and hope for better material, but when it’s just not coming, at a certain point you end up doing the same sort of material. As actors of color we don’t have the same luxury and we’re certainly not paid anywhere close to what they (majority actors) get paid,” Union said.

Then there’s industry-wide casting practices that unfairly limit actors of color. Producers often can’t or won’t hire blacks and Hispanics for non-race specific roles because the suits’ experience/perception of the world doesn’t include racial-ethnic minorities in certain guises, especially opposite whites.

“That just happened last spring. I was told, ‘Gabrielle, you gave the best read. If we decide to go ‘black,’ you’re at the top of the list.’ It’s still a big fight to get people to think someone like me could be the friend or colleague of a white character, male or female. I’m not even talking about trying to convince somebody I could be Angelina Jolie’s sister or something like that. I’m talking about being her friend or associate or whatever. It’s the nature of the business” to stereotype us, she said.

But as her slate of new projects attests, Union’s not backing down or giving up. She’s a fighter and a survivor, instincts that helped her run-off the armed man who raped her in the early 1990s and cope with the trauma of that attack. A former competitive athlete, Union’s lately redirected her fire to her career, where she aggressively pursues the kinds of parts traditionally reserved for her white counterparts. She’s landing some of these jobs, but she wants more.

“You have these little victories and you hope to spin these little victories into a bigger victory,” she said, “and that’s just kind of been the basis of my career. I’m still waiting to sort of win the battle. But I’ve had a lot of fun on the path. Some of the battles I have lost have taught me so much about myself and about my inner resolve and who I am, and the fact that I don’t lay down and just die when I don’t get what I want. I learn to kind of regroup and fight harder. There’s nothing else I can do but stay prepared and stay ready for that opportunity. And I am prepared.”

 

 

 

 

Far from passively sitting by waiting for that breakthrough role to plop in her lap, she’s actively looking to develop properties and projects via a talent/marketing consulting agency now expanding into film production, Prominent Enterprises. The company is in the family, so to speak. It’s owned and managed by Union’s husband, Chris Howard, an ex-NFL player, in partnership with her former publicist, Alejandra Cristina. Although a new player in Hollywood, Prominent’s raising a sizable film fund to finance productions for Gabrielle to produce and/or star in.

“They’ve put together an investment group that’s put up $20 million to make anywhere from one to five films, so we’ve been poring over scripts. Nothing I’m going to star in yet, but I’m definitely going to produce,” she said. “The investment group has the capability of distributing and marketing a film, all in-house, so we don’t have to go pander our films to a studio to get distribution. I’d rather learn producing through my husband’s company than out there alone. We’ll definitely be putting our friends to work and you’ll be seeing people in roles that you would never anticipate them in. I’m excited about getting to work with my friends. It’s all happening very quickly. A lot quicker than we anticipated.”

Taking charge of her career is nothing new for Union, who’s taken pains in recent years to control her image by virtue of the parts she chooses and the type of pub she does. For her, not doing nude scenes, for example, is not so much about protecting her good-girl persona in the industry as it is honoring her family.

“I think it’s the respect I have for my parents and the respect I have for my husband. It’s also been a learning process. I’ve taken jobs and I’ve done photo spreads in the past I wouldn’t necessarily do now — understanding the reaction and aftermath that follows. My parents are alive and a part of my life and I’m not estranged from anybody. My husband has to go to work and face people. It’s just not worth it to me to do things that are going to embarrass them. My folks raised me to be a certain kind of person and I want my roles to be reflective of that and I want the kind of press I do to be reflective of that. Sometimes I stray, but it’s all a learning curve, and I’m learning I have the power to say no and the world’s not going to end and my career’s not going to stop.”

An example of her emancipation came during her recent Omaha visit, when she refused agent-publicist entreaties to fly her out of town for an ABC affiliate appearance. Instead, she opted to party-on-down with family and friends at the Native Omaha Days festival, where befitting her status, everywhere she and her small entourage went caused a stir. Just the rumor she might show some place got joints jumping and crowds buzzing. Hundreds attended a ceremony naming the Adams Park pond after her. The fans, many of them relatives from her large extended family on both sides, crowded inside the rec center for an autograph or some piece of their “Nikki.” Her appearance marked the first time “when everybody sort of came together since my wedding. They’re all here. More than I expected. People I didn’t even know came back. It’s exciting,” she said.

With such “a big family” and her “time always so limited” when in town, there’s added pressure to please everyone, so they don’t feel “cheated.” It’s also a reality check, not that her parents or sisters would let her get away with a big head. Her folks, Theresa and Sylvester Union, who are divorced, both said their star daughter is amazingly “grounded.”

Besides being selective in how she represents herself, there are the meatier roles Union’s been holding out for. Where she can coast playing brassy characters “cut from the same cloth that I’ve been cut from,” she has to stretch when cast in roles far from herself. “It’s a lot easier to play when the part’s close to who you are.” she said. “I take pride in bringing strong depictions of women to the screen.” With more substantial roles come more challenges.

Although she’s used to playing characters who are hell-on-wheels, Union’s part in Running with Scissors is a departure in that she portrays a drugged-out gay woman. “She’s a lesbian, a speed freak and a psychologically touched young woman who falls in love with Annette Bening’s character and disrupts her life. It’s a great kind of crazy character that’s really challenged me in new ways, and I just had a ball doing it. I think my mom is still getting used to the idea of me being a lesbian, but as long as Annette Bening is my girl friend, she’s OK with it,” Union said, laughing.

“To tackle” the role of an abused woman in Neo Ned, Union reopened the wounds of her own rape by going “back through my journals and to times when I was in therapy and to times when I was completely out of sorts and out of control. I was able to convey certain aspects of my own experience into the character’s, but at the time I wasn’t sure I’d be able to do it without going nuts.” She made it through OK, but she said far from being cathartic, reliving her own trauma was harrowing.

“It was only afterwards I found it therapeutic, when at the Q & A that followed the film’s opening, people were saying — and it always happens — ‘Me too, me too.’ It’s always comforting for me and others to know — I’m not alone in my experience. I’m not alone in my surviving and in being able to still lead a decent, functional life. That these obstacles are surmountable.”

Union has long used her celebrity to openly discuss her rape and recovery and to advocate for victims’ rights and the importance of counseling, which she received.

As much as she enjoys educating people about empowering themselves, she realizes she’s still learning both her craft and this whole business of being a star. Therefore she seeks out mentors to school her in acting and in managing fame. Diva soul singer Patti LaBelle is among those who’ve taken Union under their wing, teaching her how to stay “who she is” and keep “what she stands for” amid the hoopla. The more high profile projects Union does, the more seasoned veterans she calls on.

“It’s the only way you’re going to get better. Unfortunately, a lot of young people in our industry lack humility. That whole idea of wanting to be the biggest fish in the pond doesn’t appeal to me. You can learn so much more if you just shut up and watch, which is what I do. I don’t know enough to keep talking. I watch the masters work and try to absorb as much as I can about how they work and how they handle different situations. That’s been the biggest help to me and my career — being able to watch what to do and what not to do.”

Asked if working with a Bening in Scissors, Alan Rickman in Something the Lord Made or Billy Dee Williams in Constellation obliges her to raise her own level, she answered emphatically, “Oh, hell, yes. They make you step up your game. And especially as I’m not formally trained, I don’t have that wealth of knowledge to fall back on. I have to learn from my co-workers.”

To help prep for difficult parts, she works with acting coach Dennis Lavelle, an actor/director who gets her to “fine tune stuff,” like nailing a Nashville accent for Something, and “on point” for portraying characters undergoing emotional crisis.

 

 

 

 

She’s still insecure and starstruck enough that she gets tongue-tied around her idols, such as Diahann Carroll, whom she “chickened out” meeting. On the set of Constellation, she lost her composure working alongside icons Williams and Rae Dawn Chong. “I got intimidated. I didn’t know where to begin the scene — to not be buried,” she said, “because they were all bringing it.” She uses the work ethic of fellow pros to motivate herself. “When I see them doing their homework, running lines or doing theater, I’m like, I need to go home and study more. The people I look up to never stop growing…never stop working. So, I need to step it up.”

To her surprise, serious theater offers have come her way. Thus far, she’s passed, admitting she feels out-of-her-depth there.

“I’ve been offered things I have no business being offered. I mean Broadway productions — all off the strength of something like Bring It On. But I have too much respect for the craft and for the theater to take a job I’m not ready for and to bring down a whole production. I have too much respect for the amazing talent that’s underemployed to take a job I don’t deserve and I haven’t earned — just because I can. I don’t want that on my shoulders.”

The props, the perks, the offers, the adoring crowds, the intrusive fans and the unwanted stares are all part of the bargain, good and bad.

“It’s weird. I don’t feel worthy of that sort of adoration. Ultimately, it’s nice that people appreciate what you do and to know your work is not in vain,” she said.

Negotiating fame is a-work-in-progress for her and husband Chris Howard. “It’s been a long path to kind of figuring that out,” she said. “When we want a fun, cool time, either with him and I or with our friends, we don’t do it at premieres or parties. We do it at our homes. We keep it private. So that whatever we’re doing or talking about or wearing or not wearing, no one’s going to know about it except for us. That’s how we stay strong.”

Careerwise, she has her thing and he has his. Even with the overlap from Prominent Enterprises, she’s the one out front. He’s in the background, where he prefers it. It’s their way of maintaining separate identities. “When I do travel for work and go to premieres or parties, he doesn’t always come,” she said. “He’s like, ‘That’s your life. I don’t want to stand around and hold your purse. I have my own career and a whole life outside yours.’ And that’s made it a lot easier.”

Being the center of attention, she said, “sometimes is a drag.” Having to look gorgeous, smile, press the flesh, sign the stills, pose for pics, answer questions. Her well-known penchant for slumming at Target has even gotten problematical, with shoppers and clerks wanting to stop and talk. “There’s times you just don’t feel like it. You’re tired. You just want a quiet evening with family. You just want to be. But when they don’t fuss over you, that’s when you go, What happened?”

The spotlight will only get hotter once her new films break and Night Stalker, airing Thursdays at 9 p.m. (CST) on ABC, debuts. There’s also two more features, Donut Hole andSay Uncle, in the can and still another, 32 and Single, in development.

Inking the deal for Night Stalker, which she wanted against the advice of her management, was done partly to get more “alone time with my husband,” she said. “Now that I’m home in L.A. shooting the series, even though the hours are crazy, we have a little bit more time together. It almost feels like we’re starting over because I’m home now.” Starting a family is not a priority yet. “I don’t want to be jealous of a child for taking me away from my man. Once we get enough alone time and we travel and we do all the things we want to do, than we’ll expand.”

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Gabrielle Union: A Star is Born

August 21, 2010 2 comments

Cover of

Cover via Amazon

I have to believe that some folks are surprised to discover that the stunning actress Gabrielle Union is from Omaha, Neb. That’s because a large chunk of America either draws a blank when the city and state are mentioned or else conjure up images of corn fields and small towns devoid of black people.  Well, it is true that most of Nebraska is crop and range land. This is a Great Plains agricultural state after all, and agriculture is what drives the state’s  economy.  It is also true that most of the communities dotting the state’s wide expanse are small towns that generally do have few residents of color, particularly African-Americans, although some  have large Latino populations. But Nebraska also has two large cities in Lincoln and especially Omaha, and while the black population in Omaha has never been huge, its always been significant, in the tens of thousands, and African-Americans here own a long and rich heritage of cultural and intellectual achievement. She belongs to a large and prominent extended family whose annual reunion is more than a hundred years old and draws hundreds from all over the region and the nation.  Gabrielle is proud of her roots and she usually makes it back for that reunion, particularly when it coincides with the biennial Native Omaha Days, a week-long black heritage celebration.

So, when you know the facts, you realize Gabrielle hails from an urban African-American environment here not so dissimilar from those in cities with major black populations, and through all her success she’s remained fiercely loyal to this place and the old haunts in the inner city.  The following is the first of two cover stories I did on her for The Reader (www.thereader.com).  This piece appeared just as she was breaking big on the national scene.  Just as she’s done with other journalists, she spoke thoughtfully and candidly with me about a whole range of subjects, including her family, her growing up here, her surviving an assault, and her forging a career.  Although she’s enjoyed a nice long run in film and television, I’m not sure she’s quite reached the heights that she or others saw ahead.  But she’s still young, still fabulous, and still working hard to develop projects that provide positive images of African-Americans and that put her and other African-Americans in control of those images.  To that end, she and director Nzingha Stewart have formed their own production company, Stew U.  Good luck with it, Gabrielle, you are a face of poise, beauty, and strength for many females who see you as a role model.  You also give America and the world a whole other idea of who lives in Omaha.

Look for my followup story about Gabrielle on this same site.

 

Gabrielle Union wedding beauty

©by Leo Adam Biga

Originally published in The Reader (www.thereader.com)

 

The next Halle Berry?

If, as some predict, Gabrielle Union, co-star of the new action sequel Bad Boys II, is poised to be the next ebony screen idol, then don’t expect the rising young actress with the suave sultriness of a classic Hollywood siren to do any cartwheels in anticipation of It happening. Not that the hard-bodied ex-athlete — she competed in track, soccer and basketball while growing up in Omaha and Pleasanton, Calif. — couldn’t do a flip if she wanted. It’s just that this sophisticated lady, who first made an impression playing smart, sassy babes in the teen comedies Bring It On and She’s All That and who more recently revealed a deeper dramatic range as a hard-boiled seductress in Welcome to Collinwoodand as a meddling man-hater tamed by Mr. Right in Deliver Us From Eva, remains firmly grounded. After all, she well recalls the vagaries of her unexpected cinema ascent, which soared despite no formal acting training. Unlike some stars to whom success comes early on, she’s savvy enough to seek advice and hungry enough to hone the craft that first chose her. Sweet.

“I have no problem humbling myself and asking a lot of stupid questions of veteran actors and of people who’ve been there-done that. I’m not into taking myself so seriously that I can’t go, I’m in a little over my head — can you help me out here? Yeah, I think a director would rather have you ask questions than waste takes. Luckily, people have taken me under their wing and helped me along the way. I’ve found really great mentors the last couple of years who’ve helped me sort of deal with my insecurity and say, Obviously you’re doing something right — you’re working, so whatever it is you’re doing don’t stop that, but also don’t stop asking questions,” she explained by phone from the Los Angeles area home she shares with husband Chris Howard, a former University of Michigan and NFL football player.

One reason Union doesn’t think she’s all that is because she views her film career as a kind of fluke. Not so long ago she still held out the possibility of falling back on her sociology degree if this movie thing didn’t work out (Her mother and two aunts have worked as social workers.). You see, the UCLA grad stumbled into acting only when her striking good looks and poised manners got her mistaken for a model at an agency where she interned. Before she knew it she found herself going up for and landing parts in ads and then television shows, debuting on Moesha, doing guest spots on ER and Steve Harvey and nabbing recurring roles on Sister Sister7th Heaven and City Of Angels. A year ago she was just another fetching supporting player in a string of moderately successful films, but was still best known as the first African-American love interest on the hit NBC series Friends. It was really the buzz behind her Friends guest shots, combined with her scene-stealing turn as a diva head cheerleader in 2000’s Bring It On and her portrayal of a tough yet tender sista in 2001’s The Brothers that added steam to the career she never intended.

2003 is shaping up as a breakout year for Union between her performances in the already released  AbandonCradle 2 the Grave and Eva and her featured appearance opposite Will Smith and Martin Lawrence in Bad Boys II. In the expected summer blockbuster she plays the vexing Syd, a woman raising the heat and danger for Miami police detectives Mike Lowrey (Smith), who falls for her, and Marcus Burnett (Lawrence), her half-brother. She may really turn heads with her on-the-limb portrayal of a disturbed mother in the now-under-production Neo Ned, a gritty project by indie director Van Fischer (Blink of An EyeUrban Jungle). Her persona as a beautiful, brainy, brassy black woman coincides with the growing crossover appeal of women-of-color artists — from Jennifer Lopez to Beyonce Knowles to Halle Berry — whose urban, hip-hop vibe is redefining the image of female sex symbols. Where, only a few years before, Union doubted if she even belonged, she’s paid her dues and now finds herself on the verge of A-list status. Not coincidentally, she’s since fallen in love with acting.

 

 

 

 

“I have, actually. Certainly after working on Welcome to Collinwood with Joe and Anthony Russo — who are very much actors’ directors — they really made it a different kind of experience. It wasn’t just about coming to work and knowing your lines. It was — How can we elevate this material? How can we make this better? How can we make this completely organic? We’d be doing exercises on set. We’d be doing tons of rehearsals. And through that process there was so much more discovery about the character and about the text that I really became enamored with what they did. It’s definitely experiences like that that make me really enjoy what I do now. It’s not so much a means to an end.”

Challenges are something Union, a fierce competitor at Scrabble or anything she competes in, welcomes. Her never-say-die-attitude, which surfaced when she fought back against a rapist that attacked her at 19, was instilled by her old-school ex-Army and ex-jock father, Sylvester, who pushed her, like a drill instructor, to excel in sports and academics from the time she was a child. She feels this boot-camp rearing gives her an edge in swimming with the sharks. “I’ve learned how to navigate tough waters, whereas a lot of actors are used to being coddled. I have a very thick skin. Screaming directors or difficult actors or whatever…it’s not a big deal. I mean, after you’ve dealt with my father, it’s all easy.”

The mettle that comes from a trial-by-fire background is why Theresa Union is “not surprised” by her daughter’s success. “She’s very disciplined. She’s self-reliant. She’s a natural-born competitor. She takes advantage of things that come her way. Her confidence and ability to pick up things fast give her an edge,” she said.

After playing largely decorative roles early in her career, Union, who can now afford to be choosy, is embracing more ambitious parts. “With certain kinds of things I was doing it wasn’t that hard to figure out and you sort fell into a lull,” she said of the stock best friend and girl friend characters she played. “But as the projects got a little bit more complex and a little bit more challenging it became a lot more fun for me because I had to push myself to see what I could do better than the day before. For me, it’s like when I played up an age group in basketball or in soccer, where the players were bigger, faster, stronger, better and you had to kind of raise your level of ability to meet that challenge. It’s the same with acting. As the projects get a little bit more in-depth and complex you have to raise your game to work with the William H. Macys and the George Clooneys. You can’t just sort of rest on, Well, I did a few sitcoms for UPN. So, I work with a coach (acting) now to make sure I’m sharp and ready to compete.”

Of the tests posed by her latest films, Union said: “For Eva, the challenge was how to make this really difficult woman likable. For Bad Boys, it was how to do action and not make it seem like you’re just a cardboard cutout in this high-concept movie. This movie I’m shooting now — Neo Ned — will probably be my most challenging to date. I play this woman who was molested as a child. She’s a bed-wetter. She’s trying to deal with the shame that comes with these experiences. She keeps checking herself into mental institutions. She’s not necessarily crazy, she’s just very overwhelmed. She develops this character, if you will, of this girl who feels like she’s got the soul of Hitler trapped inside her. She goes as far as to learn German and she ends up falling for this neo-Nazi, Ned. So, it’s incredibly challenging on a lot of different levels.”

Making the role even more demanding for the actress is that it requires her to be more emotionally raw on screen than ever before. “Usually, I’m cast as someone strong — with bolder-type qualities. But with this, she’s damaged and sort of on the path of trying to put herself back together. I kind of wanted to challenge myself in that sense in being able to convey the vulnerability and the trust issues that victims have and some of the things that go along with being violated.”

 

 

 

 

 

 

Union is careful not to take on roles too close to the real-life trauma she endured, saying she accepted Neo Ned because it deals with the aftermath of the attack rather than its depiction. “I’ve turned down other projects where the character was brutally raped on-screen,” she said. “It’s not a problem talking about it or expressing it or conveying the emotions of what it feels like to have all control taken away from you, but to have someone physically simulate raping me, that would be above and beyond what I’m emotionally able to do. So, I know my limitations.” Her fear of having to relive her horror during a City of Angels shoot whose storyline concerned a serial rapist first led Union to divulge her own story. “I had so much anxiety that my character would be next that I was like, ‘Oh, my God, I can’t go through that again. You see, I never talked about it. No one ever knew to not write my character to be raped. That, combined with the very cavalier attitude a lot of people on the set were taking about the storyline, made me come out to a magazine reporter I was doing an interview with in the midst of all this. I just felt it was my duty to come out and use my voice for something worthwhile. Reporters ask you a lot of stupid questions, like who’s cuter — Freddie Prinze. Jr. or Paul Walker? Well, who cares? How about what I’ve experienced and what I’ve overcome. I still finished college and I still got a pretty cool career for myself in spite of all this. Why don’t we talk about that and help people?”

She said it’s only after “years and years of therapy” that she’s able to be “normal again and somewhat sane.” Although once the victim of a brutal crime, Union is no victim for life. Her defiant attitude then and now stems from the way she was brought-up. “My parents always said, Don’t ever start a fight, but you damn well better finish it. You know, it was like — Don’t bring your ass home defeated. I certainly never solicited to have that (rape) happen to me, but when I saw an opening to sort of take back control of the situation I gave it my all. I put up a really valiant fight and have the scars to prove it.” As first related to Vibe Magazine, she wrestled the armed perpetrator to the ground, flailing at him with her fists, and managed to grab his gun and fire. “But in the end I wasn’t successful. He went on to rape another girl and ultimately turned himself in. A part of me was disappointed I didn’t kill him or didn’t at least wing him, so he could be apprehended sooner. I wanted to be the one that put an end to it.” She is proud, however, for having “the tenacity and courage…to make sure he was prosecuted and served his time and got a little dose of good old-fashioned prison justice,” she said. “All of that definitely goes back to how I was raised.”

 

 

 

 

 

 

Where her father has been the driving disciplinarian in her life, her mother, Theresa, a former dancer, has been the nurturing, artistic influence. Her mother’s family, the Bryant-Fishers, is one of the oldest and largest black families in Nebraska. So entrenched are they that as part of their annual weekend-long August reunion — 85 years and running — the family stages their own parade down 24th Street. Union recalls that after her family moved from Omaha, where her father was an AT&T manager and her mother a social worker, her mom would take her and her two sisters to such Bay Area cultural events as poetry slams, ethnic festivals and gay pride parades. Union, a tomboy at heart, was 8 when she left Omaha but her ties led her to attend the University of Nebraska-Lincoln, whose women’s soccer team she competed on and whose football team she still madly cheers. Homesickness soon led her back to the coast, where she attended Cuesta College in San Luis Obispo before entering UCLA. After getting her B.A. she  considered law school before being “discovered” at the Fontaine Modeling Agency.

Despite lacking a prestigious acting school pedigree, Union said, “I feel confident about what I bring to the table.” In a sense, she’s been in training from the start by being a keen observer. “I’ve always been the kind of person, even as a young kid, who would just sit somewhere and watch people. I’ve always been fascinated by human nature and by what motivates people to do certain things…and that’s kind of a big chunk of acting. That, coupled with the fact I was a sociology major and wrote tons of term papers on inter-group conflict and on what makes people tick…which is a lot of what goes into theater studies.”

Then, she said, there’s the side of the profession no drama school can simulate. “Nothing prepares you for Hollywood. There’s no class on how to deal with a psycho director or a co-star on cocaine or on how to get along with people. Those are just sort of common sense things and a lot of that goes into who works and why. A lot of it is just like manners. Being on time. Working well with others. Literally being one of those people that others like to spend three or four months out of a year with. Part of that is definitely being professional, but part of it too is not taking yourself so seriously that you don’t have a good time. I mean, if I’m going to work in Miami I’m taking a very professional attitude, which means I’m going to be at work on time, I’m going to know my lines, I’m going to hit my marks and you’re not going to have to wait for me. But I’m also going to have a good time while I’m there. No one’s ever going to accuse me of being a fuddy-duddy.”

The vivacious Union is also no shrinking violet. Having grown up in the suburbs, she’s used to being “the black girl” in classes, on teams and, more recently, on sets, which means taking on “the responsibility of sort of educating people, correcting people and letting people know…little different nuances of race and class. It can be a little tiresome. It’s so much different on the set of a predominantly minority cast and crew, when you can free yourself up to just work and not have to worry about somebody saying something offensive or not understanding why I need a black hair stylist or why pink lipstick doesn’t look so great on a black person. It’s nice not to have those little struggles.”

Union is riding a wave that is seeing a more inclusive American cinema than, say, 10 years ago. But, as she can attest, Hollywood is still no where near to being as diverse as the society it purports to mirror. “There’s so much more that needs to be done for minorities, period, just to make films reflective of a multicultural America. Unfortunately, most of the writers employed come from privileged, homogeneous backgrounds not representative of the changing face of America, especially among younger people who, with the infusion of hip-hop, have a completely different mind-set,” she said. “For the younger generation, it’s not a big deal to have a black person kissing a white person or to have a Latino and an Asian as a couple. If those are the dollars Hollywood’s trying to get, then the projects need to be reflective of those attitudes, which are much more open.”

 

 

does she age at all? wth?

 

Casting, she said, is still replete with racism. While Berry broke down barriers playing a Bond girl, the buzz behind that “goes away and it’s back to fighting to play certain roles not written race specific. Why does the star’s secretary have to be blond? Why does Tom Cruise’s love interest have to be white? What’s the problem?” More insidious, she said, is the practice of casting light-skinned minorities in positive roles and dark-skinned minorities in negative roles. “When I was auditioning to play the pretty girl friend or the well-educated snob, the other girls in the room were either very fair or biracial and it was like, OK, clearly we have a mind set about what’s attractive, what’s well-to-do and what those faces look like. But a single mother crack-head who just lost her baby’s daddy to a gangland shooting, oh yeah, those girls are going to be dark. It’s just what people feel comfortable with I guess. It’s weird. But hopefully we’re slowly changing that.”

Along with her counterparts, Union hopes to open doors for more actors-of-color. “People in Hollywood always say, It’s not a black thing or a white thing, it’s a green thing, and in a sense that’s true. I’ve been lucky enough that some of my films have made money. Deliver Us From Eva made triple its budget, which you can’t say about many other movies, and that means something to Hollywood, which says, Here’s a movie about four sisters who all have jobs, who all have relationships and it made made money — Hmmm, let’s have more of this.”

Black or white, part of being a starlet in Hollywood is glamming it up, something Union, who can otherwise be found kicking it at home in sweats or shorts, enjoys doing for occasional magazine spreads and industry bashes, when she looks as cool and posh and fabulous as anyone. “It’s an escape from reality and a nice release to be a part of that whole Hollywood glamour machine,” she said. “It’s a lot of fun, but it’s not something I could keep up every day, certainly.”

She still gets back to Omaha, most recently for the January funeral of her great-grandmother, Ora Glass, who was 110. And she keeps tabs on other native Omaha film artists, such as actress Yolonda Ross (Antwone Fisher). An admirer of Alexander Payne, who’s a fan of hers, she said if he ever shoots in town again she’s “willing to be a P.A. or grip to help him around north Omaha,” adding with her typical sauciness, “I love his work, but you don’t see all of Omaha reflected.” Hint, hint.

 
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