Home > African-American Culture, Athletics, Basketball, Books, North Omaha, Omaha Black Sports Legends, Race, Social Justice, Sports, Writing > Omaha native Steve Marantz looks back at city’s ’68 racial divide through prism of hoops in new book, “The Rhythm Boys of Omaha Central”

Omaha native Steve Marantz looks back at city’s ’68 racial divide through prism of hoops in new book, “The Rhythm Boys of Omaha Central”

 It was two years ago when I first heard about Steve Marantz‘s then in-progress book about racial tensions in late 1960s Omaha – our shared hometown – through the prism of basketball. I knew then I would have to write about it.  Fast forward to my getting a copy of the book earlier this year and finding it a compelling read and then my filing the story below for a local publication that is still looking for an editorial hole to drop it in. Those editorial holes are getting harder to come by as papers literally shrink, but that’s another story. I highly recommend Marantz’s book for its glimpse at the convergence of racial, cultural, social, and political streams that came to a head in 1968 in Omaha and a lot of other places. He was there when it played out and now more than four decades later he revisits the story with the perspective of time.  The four battlegrounds where the events of his story blow up are stand-ins for larger forces: there’s the staid old school, Omaha Central High, with a diverse student body and out-of-touch administration in an era when interracial friendship, especially romance, could only happen on the down low and when expectations for black and white student achievement contrasted sharply; there’s the Omaha Civic Auditorium where George Wallace’s appearance set off violence; there’s North 24th Street, the black business hub with its mix of black and white owners, that became the target of outrage; and there’s the state basketball tournament in Lincoln, Neb., where black teams from Omaha historically got the shaft from all white officiating crews. But what elevates Marantz’s book is its occasional intimate glances at the personal costs exacted by the contradictions and the turmoil.

Omaha native Steve Marantz looks back at city’s ’68 racial divide through prism of hoops in new book, “The Rhythm Boys of Omaha Central”

©by Leo Adam Biga

Originally appeared in The Reader (www.thereader.com)


America’s social fabric came asunder in 1968. Vietnam. Civil rights. Rock ‘n’ roll. Free love. Illegal drugs. Black power. Campus protests. Urban riots.

Omaha was a pressure cooker of racial tension. African-Americans demanded redress from poverty, discrimination, segregation, police misconduct.

Then, like now, Central High School was a cultural bridge by virtue of its downtown location — within a couple miles radius of ethnic enclaves: the Near Northside (black), Bagel (Jewish), Little Italy, Little Bohemia. A diverse student population has enriched the school’s high academic offerings.

Steve Marantz was a 16-year-old Central sophomore that pivotal year when a confluence of social-cultural-racial-political streams converged and a flood of emotions spilled out, forever changing those involved.

Marantz became a reporter for Kansas City and Boston papers. Busy with life and career, the ’68 events receded into memory. Then on a golf outing with classmates the conversation turned to that watershed and he knew he had to write about it.

“It just became so obvious there’s a story there and it needs to be told,” he says.

The result is his new book The Rhythm Boys of Omaha Central: High School Basketball and the ’68 Racial Divide (University of Nebraska Press).

Speaking by phone from his home near Boston, Marantz says, “It appealed to me because of the elements in it that I think make for a good story — it had a compact time frame, there was a climatic event, and it had strong characters.” Besides, he says sports is a prime “vehicle for examining social issues.”

Conflict, baby. Caught up in the maelstrom was the fabulous ’68 Central basketball team, whose all-black starting five earned the sobriquet, The Rhythm Boys. Their enigmatic star, Dwaine Dillard, was a 6-7 big-time college hoops recruit. As if the stress of such expectations wasn’t enough, he lived on the edge.

At a time when it was taboo, he and some fellow blacks dated white girls at the school. Vikki Dollis was involved with Dillard’s teammate, Willie Frazier. In his book Marantz includes excerpts from a diary she kept. Marantz says her “genuine,” “honest,” angst-filled entries “opened a very personal window” that “changed the whole perspective” of events for him. “I just knew the vague outlines of it. The details didn’t really begin to emerge until I did the reporting.”

Functionally illiterate, Dillard barely got by in class. A product of a broken home, he had little adult supervision. Running the streets. he was an enigma easily swayed.

Things came to a head when the polarizing Alabama segregationist George Wallace came to speak at Omaha’s Civic Auditorium. Disturbances broke out, with fires set and windows broken along the Deuce Four (North 24th Street.) A young man caught looting was shot and killed by police.

Dillard became a lightning rod symbol for discontent when he was among a group of young men arrested for possession of rocks and incendiary materials. This was only days before the state tournament. Though quickly released and the charges dropped, he was branded a malcontent and worse.

White-black relations at Central grew strained, erupting into fights. Black students staged protests. Marantz says then-emerging community leader Ernie Chambers made his “loud…powerful…influential” voice heard.

The school’s aristocratic principal, J. Arthur Nelson, was befuddled by the generation gap that rejected authority. “I think change overtook him,” says Marantz. “He was of an earlier era, his moment had come and gone.”

Dillard was among the troublemakers and his coach, Warren Marquiss, suspended him for the first round tourney game. Security was extra tight in Lincoln, where predominantly black Omaha teams often got the shaft from white officials. In Marantz’s view the basketball court became a microcosm of what went on outside athletics, where “negative stereotypes” prevailed.

Central advanced to the semis without Dillard. With him back in the lineup the Eagles made it to the finals but lost to Lincoln Northeast. Another bitter disappointment. There was no violence, however.

The star-crossed Dillard went to play ball at Eastern Michigan but dropped out. He later made the Harlem Globetrotters and, briefly, the ABA. Marantz interviewed Dillard three weeks before his death. “I didn’t know he was that sick,” he says.

Marantz says he’s satisfied the book’s “touched a chord” with classmates by examining “one of those coming of age moments” that mark, even scar, lives.

An independent consultant for ESPN’s E: 60, he’s rhe author of the 2008 book Sorcery at Caesars about Sugar Ray Leonard‘s upset win over Marvin Hagler and is working on new a book about Fenway High School.

Marantz was recently back in Omaha to catch up with old Central classmates and to sign copies of Rhythm Boys at The Bookworm.




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