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Gray Matters: Ben and Freddie Gray fight the good fight helping young men and women find pathways to success

July 13, 2012 10 comments

Omaha’s African-American community has some power couples in John and Viv Ewing; Willie and Yolanda Barney; Dick and Sharon Davis, among others, but the couple with the broadest reach may be Ben and Freddie Gray.  He serves on the Omaha City Council.  She’s president of the Omaha Public Schools Board of Education.  That’s really having your fingers on the pulse of Omaha. Ben is someone I use as a source from time to time for stories I write about North Omaha and he is the subject of an extensive profile you’ll find on this blog.  Freddie is someone I’ve just begun to know and I expect I’ll be interviewing and profiling her again before too long.  They both have compelling stories and individually and collectively they are dynamic people making a difference wherever they serve and it just so happens their passions allign in boosting urban, inner city North Omaha through a variety of community, youth, and education initiatives.

Freddie Gray

 

 

Gray Matters: Ben and Freddie Gray Fight the Good Fight Helping Young Men and Women Find Pathways to Success

©by Leo Adam Biga

To appear in the August edition of the New Horizons

If you follow local news then you can’t help know the names Ben Gray and Freddie Gray. What you may not know is that they are married.

He’s instantly recognizable as a vocal Omaha City Councilman (District 2). He’s also a prominent player in the Empowerment Network, One Hundred Black Men and other community initiatives. He was a public figure long before that as a KETV photojournalist and the activist-advocate executive producer and host of the public affairs program Kaleidoscope, which weekly found him reeling against injustice.

Until recently his wife wasn’t nearly as well known, though in certain circles she was tabbed a rising star. She actually preceded Ben in public service when appointed to the Douglas County Board of Health. At the time she was office manager at NOVA, a mental health treatment facility. Along with Ben she co-chaired the African-American Achievement Council. She was also a paid administrator with the organization, which works closely with the Omaha Public Schools. It’s not the first time the couple worked in tandem. They have a video production business together, Project Impact. He produces-directs. She’s in charge of continuity.

She’s also worked as a strategic planning and management consultant.

Her longstanding interest in education led her to volunteer with the Omaha Schools Foundation and serve as a member of the student assignment plan accountability committee. The Grays were vocal proponents of the “one city, one school district” plan. Her public stature began to rise when she replaced Karen Shepard on the Omaha Public Schools Board of Education in 2008. She’s since become board president. The demands of the position leave little time for consulting work, which she misses, but she may have found her calling as a public servant leader.

“I like governance, I really do,” she says. “I have a strong feel for it.”

The size of responsibility she carries can be daunting.

“Sometimes I think about what a big job it is. The Omaha Public Schools district is one of the largest employers in the state and I’m the president of the board that’s in control of this entity. That’s kind of scary. I am not as confident as it comes across but I have a voice and I believe in using it for all these kids.”

Since assuming the presidency her public profile’s increased. In truth her private life was compromised as soon as she became Ben Gray’s wife in 1991. “It put me in the spotlight. There’s so many things that marrying somebody in the public eye does, and you don’t have a choice, you’re going to be public at that point.”

She suspects that sharing his notoriety has worked to her advantage. “There’s a lot of stuff Ben has afforded me the opportunity to do. Without him people wouldn’t know me from a can of paint and that’s probably how I would have lived my life and I would have been comfortable and OK with that.”

That each half of this pair holds a highly visible public service office makes them an Omaha power couple both inside and outside the African-American community.

Each represents hundreds of thousands of constituents and each deals with public scrutiny and pressure that gets turned up when controversy arises. That was the case last spring when he led the fight for the nondiscrimination ordinance the council eventually passed and Mayor Jim Suttle signed into law. In June Freddie found herself squarely in the media glare in the fallout of the scandal that erupted when sexually explicit emails OPS superintendent hire Nancy Sebring made came to light and she resigned under fire.

The couple makes sure to show their solidarity and support in crisis. Just as she turned out for city council hearings on the ordinance he attended the first school board meeting after the Sebring flap.

They act as sounding boards for each other when they feel they need to. “Sometimes we do,” he says, “but most of the time we don’t.” “If I want to bounce something off of him I can do that but I have my board members to do that with and he has his council members,” she says.

“If you’re married and you’re connected you know when it’s time to intervene and say let’s have a discussion about this,” he says. “Sometimes you just want to come home and veg out. The last thing you want is to talk about it. I don’t bring it home unless there’s a strategy, like when the Sebring thing happened we needed my expertise as a journalist, we needed legal counsel, we needed all of that, so that week was all about that.”

He’s proud of “how well she handled that situation, adding, “That was her defining moment.”

A lot of times the conversation is after the fact,” she says, “because I can’t wait to talk to him to respond to the media when they’re in my face. I know if i need to I can reach out and he’s going to respond. The other thing is, we don’t always agree with each other. There’s been times when we’ve been able to change each other’s opinion or stand but not real often. But we don’t fight about it.”

The Grays have been making a difference in their individual and shared pursuits for some time now. The seeds planted during their respective journeys have borne fruit in the public-community service work they do, much of it centered around youth and education.

“We believe in children, I can tell you that, we believe strongly in children,” says Ben. Freddie calls it “a passion.”

Their work has earned them many awards.

They have seven adult children from previous marriages. They mentor more. By all accounts, they’ve made their blended family work.

“One of the things we did was we started having family dinners, and we started that before we got married,” says Freddie, “I still had one daughter at home with me. My older daughter was away from home. His children were still at home with their mom. Both of us were smart enough to figure out that with this new young person, let alone me, in the picture spending time with him that could be difficult. So we started having family dinner on Sunday and all seven of the kids would come. And we still do family dinner today.

“It was a wonderful way to bring our families together. And when people talk about a blended family, if you’ve ever done something like that and made it a tradition of your house for everyone to come together, it really and truly does blend them.”

Two of their kids live out-of-state now, as does one of their 11 grandchildren (they also have a great grandchild), but that still leaves a houseful.

“So generally on Sunday it’s a zoo time,” she says. “He loves it. He’s like they could all move back tomorrow. I’m the one that says no they cannot move back here and they have to go home now. They’re so close.”

Though born and reared in Cleveland, Ben’s made Omaha his home ever since the U.S. Air Force brought him here in the early 1970s. He’s built a life and career for himself and raised a family in his adopted hometown.

She’s an Omaha native but her father’s own Air Force career uprooted her and her six sisters for a time so that she did part of her growing up in Bermuda and in Calif. She returned in the early 1960s. The Omaha Central High School graduate raised a family here while working.

Whether in vote deliberations or media interviews each seems so poised and at home in this milieu of politics. As accomplished as they are today each comes from hard times far removed from these circumstances.

For example, the man Omahans know as Ben Gray is called by his street name “Butch” in his old stomping grounds of East Cleveland, where after suffering the loss of his working class parents at age 13 he fell into a life of organized crime. Numbers running, pimping, drug dealing. His extended family was well-entrenched in the black criminal underworld there. Its pull was something he avoided as long as his parents were alive but once gone he succumbed to a life that he’s sure would have ended badly.

Ben’s older sister Mary Thompson, whom he calls “my guardian angel,” and her husband took Ben and his younger brother Doug in and raised the boys right, modeling a fierce work ethic. But the call of the streets won out.

“The guys that I was dealing with, the guys that I knew, were real life gangsters. They do stories about these guys. Shondor Birns. Don King.

Before he was a fight promoter Don King used to run Cleveland. He ran all the drugs. And then he stomped a guy to death and when he went to prison his territory was split up, primarily between three different individuals and one of them was my uncle.”

Gray was arrested and sentenced to a youth incarceration center. After graduating a year late and near the bottom of his class he entered the military. His life’s never been the same since. “The Air Force changed who I was,” he says. “The military was my way out. Had I not joined I don’t think I would be alive. I was headed down a pretty dark path.” He graduated from aerial photography with honors. “People ask, ‘What was different?’ My response is always the same – discipline and expectations.”

That training is so ingrained, he says, “I’m disciplined about everything,” whether the self-pressed clothes he wears, the tidy home he keeps, the legislation he advances or the youth outreach he does.

“The intention of the military is to complete the mission and I complete the mission. When it came to the equal employment ordinance I had to complete the mission. When it came to the budget I had to complete the mission.”

He says leaving his old environment behind was the best thing he could have done.

“My sister readily tells folks all the time that while she hated to see me go she was in a lot of ways glad to see me go because she didn’t think I was going to make it if I stayed there.”

“That’s what she told me once,” says Freddie. “She said, ‘We’d thought he’d be dead or in jail.’ But they’re so proud of who he is today.”

When he goes back to visit relatives and friends, as he did with Freddie in July, he’s clearly a different person than the one who ran the streets as a youth but to them he’s still Butch. Oh, they see he’s transformed alright, but he’s Butch just the same.

“When we’re in Cleveland I immediately go back to referring to him as Butch,” says Freddie. “That’s what everybody knows him as. I don’t think anybody knows him as Ben.”

“It’s interesting when you leave a place and you come back to it,” he says, “because when I visited the corners I used to be at – even though a lot of the same people were still there – it wasn’t the same for me. They knew it and I knew it. A friend of mine told me, ‘This is not your place anymore,’ and he was right, it wasn’t. I didn’t fit.

“When I was doing the things I was doing I fit right in, as a matter of fact I ran the show for the most part.”

On a plane ride the couple made 20 years ago to spend Thanksgiving with his family in Cleveland Ben revealed his past for the first time to Freddie.

“I said, ‘Babe, when we get to Cleveland you’re going to hear some stories about me.'”

Then he asked her to marry him.

“Yeah, that plane ride was interesting,” she says, “and I still said yes.”

Ben Gray commands respect from many quarters, including young people
 
Freddie gray presiding over an Omaha Public Schools Board of Education meeting

 

 

She has her own past.

Living in the South Omaha public housing projects called the Southside Terrace Garden Apartments, near the packinghouse kill floors her father worked after his military service ended, the future Mrs. Ben Gray grew up as Freddie Jean Stearns.

Life’s not always been a garden party for her. She got pregnant at age 17 and missed graduating with her senior class. She struggled as a young single mother before mentors helped her get her life together.

“It was not all a fairy tale life. The personal feeling of disappointment, not just letting my parents down but all those sisters behind me. That humbled me for a really long time.”

Long before marrying a celebrity and entering the public eye or serving on the school board, she quietly made young people her focus as a mother and mentor. She calls the young people under her wing “my babies.” Just as women helped guide her she does the same today.

She can identify with young single moms “who think their lives are over,” telling them, “I thought that was going to be it, that I was going to be on welfare for the rest of my life. I looked around at where I was, the projects, and I saw a lot of it around me. Mothers who had never been married. I was on public assistance for awhile and didn’t like that at all. I didn’t like the fact welfare workers could just come over my place and go through my stuff.”

She shares her experience of learning to listen to the right advice and to make better choices.

“I talk to these young women now, and I’m very open about it. I don’t preach.”

But she tries to do for them what women did for her. “I was blessed to have those women in my life. A number of them became my mentors. One of them was LaFern Williams. I’ll never forget her and Miss Alyce Wilson, the director of the Woodson Center in South Omaha. I spent so much time there. My big sister Lola Averett was another. There was a time when anything and everything she did I would do. She still models everything I could ever hope to do and to be.”

She says women like her sister, who worked at GOCA (Greater Omaha Community Action), along with Carolyn Green, Juanita James, Phyllis Evans, Sharon Davis and Beverly Wead Blackburn, among others, encouraged and inspired her. When Gray attended GOCA meetings she says she was at first too shy to speak up at but Lola and Co. helped her find her voice and confidence.

“They honestly would make me stand up and ask my question.”

“I’ve been very blessed in my life to have great female role models,” she says. “They took special care of me and others. They took care of the community, too. They made it safe. They protected and loved. These women touched a lot of lives.”

Those that survive continue fighting the good fight into their 70s and 80s. “They haven’t stopped. I wouldn’t even say they’ve slowed down.” She says when she sees them “you can bet your bottom dollar I’m in their ear saying, ‘I’m making you proud, I’m doing the right thing.'” It’s what Freddie’s babies do when they’re around her. All of it in the each-one-to-teach-one tradition.

“I’ve always had the passion for those who are behind me, young people. I just collect them, I don’t know what else to say. Anyone who really knows me knows that I talk about my babies. And they know who they are and they know what I expect from them. I can’t tell you how they’re selected, I don’t know how. But there is that group and they are my babies and I love them with all my heart.

‘I’ve told them, ‘My expectations are you’ve got to take care of Miss Freddie when she’s old.’ They laugh at that. But I need them to take care of me. They’re going to be my doctor, my mechanic, my attorney. And then they get it, they understand what I’m telling them. That they’re going to take care of me because I can’t do it forever. So they’re going to have to do these things, they’re going to need to be on the board of health, on the school board, work at NOVA. They need to take care of the world. They know that’s my expectation.”

She is a wise elder and revered Big Mama figure in their lives.

“When they see me they call me Mama Freddie or say, ‘How you doin’ Mama Freddie?'”

She recently lost one of her “babies.” When she got the news, she says, “it knocked me to my knees and I’m not talking figuratively. I was walking down the hall looking at Facebook on my phone when I saw it. I was very thankful Ben was here because I dropped to the floor. And then the phone started ringing and it was some of the other babies calling to check on me and me needing to check on them.”

Just as Freddie’s been a force in the lives of young people for a long time, so has Ben, who’s made at-risk youth his mission. As part of his long-time gang prevention and intervention work he even founded an organization, Impact One, that supports young people in continuing their education and becoming employable.

Because he’s been where they are, he feels he can reach young men and women whose lives are teetering on the edge of oblivion.

“It’s amazing how quickly you can spiral down into some really deep stuff if you let yourself, so I understand,” he says.”When people ask me why I do i deal with gang members it’s because I know ’em. I know how they think, I know what they think, I know most of ’em don’t want to do what they’re doing because I didn’t.

“But you get to a point after awhile where it becomes a lifestyle that makes it very difficult for you to get out of and the only choice you have sometimes, and the only choice I see for a lot of these young men, I hate to say this, is to leave here. I don’t like the brain drain. A lot of these people are really smart. But they’ve cast such a bad shadow that I don’t know how you stay here. I mean, I think there has to be some time between they’re leaving and coming back.”

He says something missing from today’s street dynamic is a kind of mentoring that used to unfold on the corner.

“At that time we had older guys that were able to talk to the younger guys.”

Kind of like what Ben does today.

“Someone might say, ‘Stop, don’t do that, that’s crazy.’ Or, ‘If this is what you’re going to do, here’s how you do it.’ Those kinds of things.

These young men don’t have that. A lot of them don’t. I’m talking about across the country. There’s nobody on that corner anymore who’s older who can tell them…”

“It used to be the young guys on the corner and the wise guys that went back to the corner gave people words of wisdom, and that’s gone,” says Freddie, who’s known her share of hard corners.

“That’s lost,” says Ben.

He says what’s missing from too many of today’s homes and schools in the inner city and elsewhere is the kind of discipline he got from his parents and sister and the military.

“I think most of us want it, we just don’t know we want it. Discipline is a method of working with people and molding people into what they should be as adults. That’s what it is. And that’s what my father tried to do for me in the brief time he was on this Earth.”

Gray sees a disconnect between some of today’s African-American youth and schools.

“I think what’s missing from majority minority schools is a pathway to get young people to know who they are. Our African-American students don’t know why they are. They don’t know the background. In the classroom they get a real strong dose of European history but they don’t get much about who they are.

“When there’s little or no discussion about you then how do you sit there and maintain an interest in being there?”

OPS has struggled closing the achievement gap between African-American students and nonblack students. Gray says before any real progress can be made “you’ve got to get them to stay there and keep them interested,” an allusion to the high truancy and drop-out rates among African-American students.

The problem has thus far defied attempted remedies.

He says, “In spite of efforts by the Empowerment Network, Building Bright Futures and others to address core problems like truancy and drop-outs in the (North Omaha) Village Zone we’re losing kids, they’re not staying in school. And they’re not staying in school because the influence of the street is such a strong influence. I know it. Those streets call you, man, and you can be in that classroom six hours a day but damnit you’ve got to go home and when you dog home you go to an environment that’s primarily unhealthy.

“So in spite of all we’ve done in that Village Zone we’re not winning.”

He doesn’t pretend to have the answers. He knows the problem is complex and requires multiple responses. But he does offer an illustration of one approach he thinks works.

“Teachers are constantly amazed I can address a school assembly and keep kids’ attention. Staff don’t get it. Freddie gets it. I talk about where the kids came from, I talk about who they are, I talk about what their history has been. They listen because they don’t (usually) hear that. That’s part of the missing piece of why they don’t stay. They don’t feel there’s anything there for them.”

He doesn’t claim miraculous results either.

“Any of us who are involved in this effort who talk to these kids know they’re not going to hear everything we say right away. They’re waiting to hear if we’re genuine. I tell them, ‘I’m not here to get all of you, I’m not here to convince any of you of anything. One of you is going to hear what I say, respond and react to what I say by becoming a leading citizen in this community. So I’m just here to get my one.’

“That’s when they start listening. They want to be the one.”

Flanked by Freddie Gray and Ben Gray, grieving parent Tabatha Manning at a press conference in the aftermatth of losing her 5-year-old child to gun violence.

 

 

 

Freddie appreciates better than most the challenge of educating children when so many factors bear on the results.

“We don’t produce widgets, we produce the citizens that are going to run this country. That’s exactly what we’re doing every single day. Every single one of these kids is an individual who deserves to have an individual touch them. It’s about that one-on-one relationship if we’re going to get kids to succeed, and if we don’t get this right then I think that says something about what the state of this country will be.

“Poverty is going to be the thing that kills us if we don’t take care of it and the only way I know to do that is to provide our children with the necessary skills to become employable.”

She’s keenly aware of criticism that the school board has ceded too much power to the superintendent.

“I understand people say that thing about the board being a rubber stamp but they don’t come and listen to the committee meetings and hear the board in dialogue. By the time theres a news sound bite we’ve already talked about it or figured it out or tabled it. Those things happen during the day (when the cameras aren’t on).

“But trust me we’ve got this. My job is to provide the superintendent with guidance in saying, ‘This is what you will do.’ There has to be parameters. We’ve got statutes to follow.”

In seeking solutions to bridge the achievement gap, she say, “I’m talking to other districts’ board presidents and members, not just when I’m on the Learning Community, but other times, too. That hasn’t happened much before.”

She says more collaboration is necessary because studies show that wherever kids live, whatever their race, if they live in poverty they underachieve.

“Poverty is a problem. If we’re not addressing poverty now than 20 years from now we’ll be having the same conversation.”

Breaking the cycle is a district goal.

“At the board level it’s looking at careers. We do kids a disservice when we say everybody’s going to college because that’s a lie and we all know it. But we do need to supply them with the necessary skill sets so they can be productive citizens.

“We’ve got to get these young people to the place where they can get jobs, where they can get out of poverty.”

She says OPS is finding success getting businesses to offer students internships that provide real life work experiences.  He’s been active in the Empowerment Network’s Step-Up Omaha program to provide young people summer training and employment towards careers.

As both of them see it, everyone has a stake in this and a part to play, including schools, parents, business.

“There’s room at the table for everybody and everybody has to have a foot in this and has to step up. The focus has to be on what can we do together,” she says.

Now that she’s solidly in the public eye in such a prominent job she hopes African-American women follow her.

“I have to say this for other women who find themselves feeling like they’re voiceless: If you can see it, you can be it. There’s a lot of young African-American females who are just sharper than sharp, that could run rings around me all day doing this, but they don’t feel like they have a voice.

“And so I really hope they are paying attention because again Miss Freddie is not going to be doing this for the rest of her life and some of them are going to need to be sitting on this board.”

Ben Gray feels the same way about the young men and women of color he wants to see follow him into television or politics or wherever their passion lies.

Both with his own children and those he’s “adopted,” he’s taken great pains exposing them to African-American history and culture and encouraging them to engage in critical thinking and discussion.

“I wanted them to be more aware, I wanted all of our children to be aware of what’s around them and what it takes to survive. And to know who they are and what their history is, and some of them can tell you a lot better than I can tell you now.

“We have two that are like our own who are former gang members. Both of these guys are brilliant young men, and given a different set of circumstances would be someplace else.”

Ben and Freddie Gray are living proof what a difference new circumstances and second chances can make.

Film Streams at Five: Art cinema contributes to transformed Omaha through community focus on film and discussion

July 13, 2012 5 comments

The Film Streams art cinema in Omaha gets more than its share of attention and deservedly so.  It operates at a world-class level under the leadership of Rachel Jacobson.  It has the likes of filmmaker Alexander Payne and novelist  Kurt Andersen as board members and advisers, not to mention guest curators and hosts.  Its visiting artists have included Steven Soderbergh, Debra Winger, Laura Dern.  And to help celebrate its fifth anniversary and raise funds for the organization it’s bringing Jane Fonda in for a July 22 on-stage conversation with Payne.  The following story I wrote, soon to appear in The Reader (www.thereader.com), examines the organization’s strong community orientation and considers Fonda’s legendaric status.

Film Streams at Five: Art cinema contributes to transformed Omaha through community focus on film and discussion

©by Leo Adam Biga

Soon to appear in The Reader (www.thereader.com)

 

Just as Omaha’s come of age with performing arts venues, nightlife attractions, community events and public spaces, so it’s matured in cinema.

This maturation first bloomed when Alexander Payne made features here. Then the local indie filmmaking scene organized. Subsequently the Omaha Film Festival’s provided an annual juried focus on movies.

But the real growth came when Film Streams launched in 2008, thus giving north downtown a vital new anchor and the metro its first year-round dedicated art cinema. Another amenity in the transformed Omaha.

More than a showcase Film Streams is viewed as a cultural center that invites discussions around movies and their themes.

“I love that there is a place to talk about complex and difficult issues and where I am learning about and appreciating film in a whole new way,” says board member Katie Weitz White.

Board member Paul Smith says “films that would never be seen in Omaha but for the existence of Film Streams are shown and provoke a discussion amongst a diverse community of people who attend those showings, and I think it’s very healthy and enriching to our community.”

He mentions the documentaries Food Inc. and A Time for Burning as films whose subjects, the nation’s food supply and racial discrimination, respectively, became talking points following screenings.

The nonprofit is part of the new community engagement model championed by young professionals here. Perhaps no one embodies that aesthetic more than Film Streams founder-director Rachel Jacobson.

 
Rachel Jacobson

 

 

The Omaha native long harbored the vision for an art cinema. She enlisted artists, entrepreneurs, community leaders and business experts to help realize it. A classic networker, Jacobson’s built an enviable, pro-active board of directors and advisory board filled with heavy hitters, influencers and tastemakers.

Two celebrity players from Omaha, Payne and Kurt Andersen, are more than window-dressing names associated with it. They guest curate series and host the annual fund raiser, Feature Event. The July 22 Feature Event IV pairs Payne in conversation with Jane Fonda. Past Features brought Steven Soderbergh, Debra Winger and Laura Dern. It’s no secret Payne reels in these major cinema figures.

“That’s really all about Alexander,” says Jacobson. “We wouldn’t be able to do that without him and we are so fortunate because Feature Event provides 15 to 20  percent of the annual budget. So that’s a huge deal for us as an institution.”

The gala’s evolution reflects how Film Streams capitalizes on relationships.

“It’s been a collaboration between us and the Holland and each of the different chairs of the gala. The first chairs were Betiana and Todd Simon, the second chairs were Paul and Annette Smith. Last year it was Katie Weitz White and her husband Watie White and the Weitz family. This year’s chair is Susie Buffett.

“All the different chairs and gala committees have helped shape the event and make it into this interesting thing. Alexander’s been involved. It’s not the kind of fund raiser where we’re auctioning off stuff. We’re not talking about fund raising at the event. We raise the money up front. That way the event gets to be about our mission.”

It’s only one night but in that small window Film Streams coalesces everything it stands for by giving film-as-art a big fat community forum.

“It’s become this signature thing that’s perfect for us. The fact that we get to bring these world renowned actors and directors to town is absolutely thrilling and the conversations have been I think really meaningful and one-of-a-kind,” she says.

Similarly, the whole community development piece of Film Streams has been shaped by many participants. Jacobson says the one-page prospectus she devised “of what Film Streams was going to be,” which amounted to her version of Charles Foster Kane‘s declaration of principles in Citizen Kane, “is very similar to what the organization has become. But the way that everything’s been created has been very collaborative with the staff and the board and with everyone engaged with the organization. Even though it matches what was inside my head it really is outside of me now. It’s something that a lot more people have a hand in authoring.”

 

Sherlock Jr

 

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10film streams 16

 

Among those varied authors is her father David Jacobson (Kutack Rock), who chairs the board of directors. The board of directors includes members of old-line art philanthropist families.

Jason Kulbel and Robb Nansel of Saddle Creek Records and Lyn Wallin Ziegenbein with the Peter Kiewit Foundation are advisory members from different generations, each exerting pull in different segments.

The broad-based support Film Streams has received from donors, granters and box office patrons has allowed it to become a vested fixture on the arts-culture landscape in a short time.

“What Film Streams has achieved in only five years in being one of the jewels in the crown of the Omaha arts scene, together with the symphony and the zoo and The Rose and the College World Series and the Bemis, is an amazing achievement as far as I’m concerned,” says Payne. “I go to other cities and they don’t have Film Streams.”

Paul and Annette Smith support the organization monetarily and as advocates. The couple sponsored Feature Event II with Debra Winger.

“We’ve been a vocal proponent of Film Streams and we do that really because we believe it plays a critical role in the community,” says Smith a Taneska Capital Management. “The way I think about this is it’s an investment of time, talent, some treasure in an organization which is a cultural asset.”

For film buffs like Sam Walker, “Film Streams has been a dream come true.” Before it the University of Nebraska at Omaha emeritus professor of criminal justice made do with scattershot screenings of art and classic films at commercial theaters and other venues. Documentaries rarely showed. Visits by guest film artists were almost nonexistent. Forget about any discussion or education.

The situation worsened when local universities and museums abandoned curated alternative film series. As cineplexes became slaves to blockbusters and sequels, the metro starved for an art film fix. Enter Film Streams. It’s already presented more than 200 first-run premieres and 400-plus classics, shown films from 43 nations and welcomed 222,000 patrons to 700-plus programs at its Ruth Sokolof Theater.

Forty-some visiting filmmakers and guests have spoken there. Dozens of panels and Q&As have followed screenings.

Payne sums up the seascape change with, “Omahans now take it for granted they can go see great movies, and that is an amazing development.”

Alexander Payne

 

Guest filmmakers sing its praises too.

Louder Than a Bomb documentary producer-director Greg Jacobs says Film Streams “really was one of the favorite stops” on its theatrical tour. “It’s an amazing facility and program. i just got the sense it’s a creative hub.” Jacobs notes what many observers do – that the organization takes its role as catalyst seriously.

Just as it occurs wherever the film plays some Omaha viewers “came up afterwards interested in Louder Than a Bomb as an event,” he says. “But what makes Film Streams stand out,” he adds, “is that Rachel Jacobson helped connect us with poet Matt Mason (Nebraska Writers Collective), which ultimately led to the creation of Louder Than a Bomb Omaha. I think it’s something very special when people take interest not just in the film but in the outreach activities around it. The folks there were involved enough to see the film could have an impact beyond its screening.”

“I get the sense Rachel’s innately a connector,” says Jacobs. “That’s the kind of role she plays. There’s a real desire to not just have people there but then to see what other things she can help create from that.”

“I’ve always loved the social action element of film and how it can convey ideas about issues and spark important conversations,” says Jacobson. “You can maximize the power of film by having discussions around them.”

Film Streams screened the documentaries Restrepo and To Hell and Back and hosted ensuing discussions by veterans and heath care workers about PTSD. It screened the doc The Last Survivor and hosted discussions about genocide.

“These are tough conversations to have and I love that we’re able to provide a safe place to have that kind of dialogue. That wasn’t really the initial vision, but seeing that happen has been exciting.”

She considers Omaha conducive to doing community outreach.

“I think a lot of it’s due to the nature of Omaha and how things operate, how everyone is kind of interconnected in 12 different ways. So we just have these opportunities to link to so many different organizations and individuals who in turn are willing to collaborate.

“That aspect has been really surprising. I didn’t realize how wide ranging it could be. I never really imagined how many different interest groups and demographics would be able to engage with it. It just kind of happened.”

 

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The 100-some partners Film Streams has cultivated run the gamut from arts groups to community organizations and social service agencies to school districts and universities. One partner is the Office of Latino and Latin American Studies at UNO. OLLAS-Film Streams present a biennial Cinemateca series. It returns August 12.

“The partnership became an instant expression of these two organizations’ mutual commitment to community engagement and to the broadening of learning opportunities beyond traditional spaces,” says OLLAS executive director Lourdes Gouevia. “We continue to explore ways to encourage the Latino and non-Latino community to experience this great theater and the beauty of Spanish and Portuguese foreign films.

“This year’s Cinemateca will include food, music and audience forums guided by OLLAS faculty as well as an invited film expert from the University of Pittsburgh. The series brings in El Museo Latino as a partner.”

All that engagement has a practical side, too. “It has to be that way in order to be sustainable,” says Jacobson, who bends the ear of top business executives.

“It’s very common to find compelling nonprofits that aren’t very well run and Film Streams is a very well run organization,” says Paul Smith. “I spend a good deal of time helping Rachel with organizing the financial management of her business and she’s a very sharp person, a very quick study, and is an effective business manager. It’s great to work with somebody like that.”

Smith says while the business end is not the sexy part of Film Streams, “it’s the infrastructure everything else hangs on. You need to have a good financial infrastructure. Without that you can’t do the fun stuff.”

Payne says the best is yet to come. “Wait till you see all the other outreach programs Film Streams is going to try to do in the next five years.”

 

 

Jane Fonda: A Legend Considered

©by Leo Adam Biga

Soon to appear in The Reader (www.thereader.com)

 

Jane Fonda. Love her or hate her, she’s a lightning rod figure like few others in film.

When the actress appears at the July 22 Film Streams Feature Event she’ll not only carry the impressive legacy of her personal filmography but that of her iconic family. Alexander Payne will undoubtedly cover the Fonda family acting tree when he converses with her live on stage at the Holland Performing Arts Center.

“To have such a remarkable star and actress and icon, and with the Omaha connection, well, it’s in my dreams,” says Payne.

The Fondas became a noted thespian clan when Jane and brother Peter followed their father, Henry Fonda, into the family business. Papa got his start at the Omaha Community Playhouse, where the siblings did their earliest acting.

In a life and career filled with makeovers and causes, she’s been sex symbol, counterculture rebel, traitor, feminist, artist, power player and fitness guru. Today, she’s best known as a healthy aging advocate and author.

Her early career rested more on her famous name and fashion model good looks than acting ability. But she remade herself from sex kitten ingenue in mostly forgettable Hollywood and European romps (the latter directed by her Svengali-like filmmaking partner Roger Vadim) to serious actress and wannabe activist. Her commitment to challenging projects and roles set her apart from her peers.

At the dawn of the New Hollywood she was perhaps the most powerful woman in the industry, often developing-producing her own material, and usually choosing a smart balance of commercial and art properties.

She turned entrepreneur in the 1980s when she tapped the nascent fitness craze with home workout videos that went viral. Her marriage to politico Tom Hayden ended in 1989. She then married rogue media czar Ted Turner in 1991 and abruptly retired from acting.

Her 2005 autobiography made peace with her deceased father. That same year she returned to acting. The Omaha event comes just as she’s reemerging as a screen presence. Her persona’s come full circle too – from coquette to neurotic to career woman to unreconstructed yippie.

A repertory series of her work shows now through August 30 at Film Streams.

The series:

Cat Ballou

She’s the fetching, spirited title character who hires gunman Kid Shelleen to meet out justice against Tim Strawn (both played by Lee Marvin) for the murder of her father. She holds her own with Marvin in this whimsical Western comedy with heart.

Barbarella

Fonda’s an eye candy fantasy figure in this surreal, pan-sexual trip. She and the film’s director, her then-husband Roger Vadim, push the boundaries of sexual expression and liberation on screen that he earlier exploited with Brigitte Bardot.

They Shoot Horses Don’t They?

It’s a harder, jaded Fonda stripped of any glamour in a bleak story of Depression-era dance marathoners intent on oblivion. The guile, vulnerability and yearning she revealed here became her signature face.

Klute

Fonda consolidated her new serious image with this post-modern take on the prostitute-with-a-heart-of-gold convention. She’s both savvy and brittle as Bree Daniels, a New York call girl entangled with a small town detective (Donald Sutherland) investigating a disappearance in the big city. Her first Oscar win.

Julia 

As playwright Lillian Hellman she juggles writerly insecurities and triumphs, a tumultuous relationship with Dashiell Hammett (Jason Robards) and danger aiding a friend, Julia (Vanessa Redgrave) caught in the web of anti-Nazi intrigue.

Coming Home

Perhaps her most defining role came as a socially conscious war bride who has an affair with a paraplegic anti-war vet (Jon Voight). Her army officer husband (Bruce Dern) returns from ‘Nam a shattered man and becomes unhinged when he discovers her infidelity, Her second Oscar win.

The China Syndrome

Fonda makes spunk sexy in the part of an ambitious TV reporter who stumbles upon a nuclear reactor accident story. She finds just the right chemistry with cool Michael Douglas and manic Jack Lemmon in this prescient cautionary tale.

Nine to Five

Buttoned-down Jane joins Lily Tomlin and Dolly Parton in taking extreme measures against their oppressive boss (Dabney Coleman) and his misogynistic ways in this proto-feminist comedy. She plays it straight and gets laughs.

On Golden Pond

This career grace note paired her with Henry for the only time on screen in a story deeply resonant with their own real-life father-daughter dynamics. Henry disliked her Method style. The cathartic project also teamed her with Katharine Hepburn. Jane came to the Orpheum for the film’s gilded Midwest premiere and later accepted her father’s Best Actor statuette at the Oscars.

At Film Streams’ invitation Fonda’s selected two favorite films – 12 Angry Men starring her father and the 1941 Preston Sturges comedy classic Sullivan’s Travels.

Tickets for the 6:30 p.m. Feature event are $35. For pre and post-event party tickets and screening dates-times, visit http://www.filmstreams.org.

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