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Dick Cavett is the latest luminary to endorse my Alexander Payne book
“Alexander Payne richly deserves this astute book about his work by Leo Biga. I say this as a fan of both of theirs; and would be one even if I weren’t from Nebraska.” – Dick Cavett
Dick Cavett is the latest luminary to endorse my new book, Alexander Payne: His Journey in Film – A Reporter’s Perspective 1998-2012.”.
“Alexander Payne richly deserves this astute book about his work by Leo Biga. I say this as a fan of both of theirs; and would be one even if I weren’t from Nebraska.”
Thanks, Dick. Some background: I’ve written extensively about Cavett over the years and those stories can be found on this blog.
His kind words join those of fellow world-class creatives:
“Alexander is a master. Many say the art of filmmaking comes from experience and grows with age and wisdom but, in truth, he was a master on day one of his first feature. Leo Biga has beautifully captured Alexander’s incredible journey in film for us all to savor.” – Laura Dern, actress, star of “Citizen Ruth”
“Alexander Payne is one of American cinema’s leading lights. How fortunate we are that Leo Biga has chronicled his rise to success so thoroughly.” – Leonard Maltin, film critic and best selling author
“I’d be an Alexander Payne fan even if we didn’t share a Nebraska upbringing: he is a masterly, menschy, singular storyteller whose movies are both serious and unpretentious, delightfully funny and deeply moving. And he’s fortunate indeed to have such a thoughtful and insightful chronicler as Leo Biga.” – Kurt Andersen, novelist (“True Believers”) and “Studio 360 host
“Leo Biga brings us a fascinating, comprehensive, insightful portrait of the work and artistry of Alexander Payne. Mr. Biga’s collection of essays document the evolution and growth of this significant American filmmaker and he includes relevant historical context of the old Hollywood and the new. His keen reporter’s eye gives the reader an exciting journey into the art of telling stories on film.” – Ron Hull, Nebraska Educational Television legend, University of Nebraska emeritus professor of broadcasting, author of “Backstage”
The book, released through Concierge Marketing Publishing Services and my own Inside Stories, may be previewed at www.facebook.com/LeoAdamBiga.
Available via Amazon, Barnes and Noble and for Kindle and other e-Readers.
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Parenting the Second Time Around Holds Challenges and Delights for Senior Kinship Caregiver Theresa Glass Union, Who Always Puts Family First
Parenting the Second Time Around Holds Challenges and Delights for Senior Kinship Caregiver Theresa Glass Union, Who Always Puts Family First
©by Leo Adam Biga
Soon to appear as the cover story in the December issue of the New Horizons
After raising three daughters in the 1970s-1980s and nearing retirement in the early 2000s, Theresa Glass Union thought she knew what her later years would look like. Even though still working, she envisioned socializing and traveling with friends and family. When she could finally retire it’d mean free time like she hadn’t known in ages.
The Omaha native had just moved back here after more than 20 years in Calif. She was divorced, eager to start a new life and catch up with old mates and haunts. Then a family crisis erupted and her selfless response led her to join the growing ranks of kinship caregivers raising young children.
Reports indicate that upwards of 6 million children in America live with grandparents identified as the head of household. Nearly half of these children are being raised by someone other than the parents or grandparents. The number of children being parented by non-birth parents has increased 18 percent since 2000, according to a report from the Annie E. Casey Foundation.
Some kinship caregivers do it informally, others through the state child welfare-foster care system. Being informed of rights, regulations and benefits takes work.

Theresa is a kinship caregiver to children of a niece who’s long battled drug addiction. The niece is the mother of six children by different fathers, The three oldest variously live with their fathers or their fathers’ people. When the niece got pregnant with each of her three youngest children, now ages 5, 4 and 2, they came to live with Theresa shortly after their births.
It’s not the first time Theresa’s dealt with tough circumstances inside and outside her family. She has a younger sister with a criminal past who happens to be the mother of the niece whose children Theresa is raising. Years spent in social service jobs dealing with clients living on the edge have given Theresa a window into the bad decisions that desperate, addicted persons make and the hard consequences those wrong choices bring.
At age 65 and two-and-a-half decades removed from raising three grown daughters, one of whom is film-television star Gabrielle Union, Theresa’s doing a parenting redux. She never thought she’d be in charge of three pre-school-aged kids again, but she is. She’s since legally adopted the two older siblings, both girls, and is awaiting an adoption ruling on their “baby” brother.
As the babies came to her one by one she found herself knee deep again in diapers and baby bottles, awakened in the middle of the night by crying infants, figuring out formulas and worrying about fevers, sniffles, coughs and tummy aches. Now that the kids are a little older, there’s daycare, pre-school and managing a household of activity.
It’s not what she imagined retirement to be, but how could she not be there for the kids? They were going to be removed from their birth mother and placed in a system not always conducive to happy outcomes. Child welfare officials generally agree that childcare fare better in kinship care settings than in regular foster care.
Kinship caregivers may get involved when the parents are incarcerated, on drugs or deceased. In the case of Theresa, drugs were found in the systems of the two oldest children she’s adopted, Keira and Miyonna. Theresa felt they needed unconditional family love. The girls are doing fine today under the care of Theresa and her brother James Glass. The girls’ brother, Amari, was born drug-free.
With so much stacked against the children to start life, Theresa wasn’t about to turn her back on them. Family is everything to her. She’s the oldest of seven siblings, all raised Catholic – churched and schooled at St. Benedict the Moor, the historic African-American parish in northeast Omaha. It’s where she received all her sacraments, including marrying her ex-husband Sylvester Union.
“The church is central to my family here.”
She graduated from Sacred Heart High School.
She and Union moved to San Francisco during the Summer of Love in 1967 and they returned to Omaha a year later. They both ended up working at Western Electric. Like other black couples then they ran into discriminatory real estate practices that flat out denied them access to many neighborhoods or steered them away from white areas into black sections of North Omaha. Their first home was in northeast Omaha but they eventually moved into a house in the northwest part of the city, where their three daughters went to school.
In the 1970s Theresa, who studied social work at the University of Nebraska at Omaha, worked for Omaha nonprofit social service agencies, including CETA (Comprehensive Employment & Training Agency) and GOCA (Greater Omaha Community Action). After a long stint in corporate America she returned to the non-profit field.
The family left here in 1981 for Pleasanton, Calif., where they lived the sun-dappled Southern Calif. suburban life. She worked for Pacific Bell and completed her bachelor’s degree in human relations and organizational behavior at the University of San Francisco. After her divorce she and her brother James Glass returned to Omaha in 2003. A few years passed before Theresa’s troubled niece came for help. At various times the family tried interventions, once even getting the niece into rehab, but each time she fled and resumed her drug habit.

As a former field worker with Douglas County Health and Human Services and as a one-time Child Protection Service Worker with Nebraska Health and Human Services, Theresa’s seen the despair and chaos that result when siblings are separated from each other and extended family. It’s why when her niece kept getting pregnant while hooked on drugs and unable to take care of herself, much less children, Theresa intervened to ensure the kids would go to her.
“Some of the things children said to me when I was a social worker have just stayed with me,” she says.
On one call she visited three young siblings in a foster home.
“I was like the fifth social worker since they’d been brought into the system. The 8-year old boy said, ‘Please don’t take us away, we get fed three times a day here. ‘Well. that told me they’d been staying with some people (before) who weren’t feeding them regularly. Who does that? The foster parent let him walk me around the home and this little boy was just adamant he be with his brothers.”
In another case several siblings were divided up among different foster families.
“One of the siblings got to see her sisters at school but she no longer got to see her brothers, and she asked me, ‘Can I see my brothers?’Her foster parent had made the request but nothing had happened, so I looked into it and found that each sibling had a different social worker and had been placed at a separate time. I got it worked out that the siblings got to visit each other.”
System shortfalls and breakdowns like these were enough to make Theresa bound and determined to arrange in advance with hospital social workers for her to be the foster placement parent for her niece’s three youngest kids. When Keira and Miyonna tested positive for drugs the state, by law, detained them and they were put in Theresa’s care two days after their births. She did the same with their brother. She simply wouldn’t let them fall outside the family or be separated.
“After Keira was born I was already a resident foster placement and I’d already contacted everybody involved to let them know if there was another baby that ends up in the detention system I want to be the foster parent of choice because I didn’t want these kids to go into the system. My idea is that the kids all need to be raised together. They deserve to have their siblings .
“I was working for Child Protective Service, so I knew all the ins and outs of what was going to happen. I knew how many times we were going to have to go to the doctor before the baby’s cleared. I knew that babies wake up in the middle of the night and children with drugs in them can find it more difficult sleeping, eating. I was prepared for all that. It didn’t happen, I was thanking God that Keira’s and Miyonna’s little withdrawal things were just a few days. The biggest problem we had was figuring out formula.”
Daughter Kelly Union, a senior analyst with US Airways, admires her mother’s by-any-means-necessary fortitude.
“My mom always looks for more solutions, other options, different ways to climb a mountain. That determination helps me when I hit a brick wall at work, in my marriage, with my kids. My mom also sees all glasses as half full. There is a positive in everything and we just need to find it. My mom’s best attribute, however, is being strong against all odds—she finds the strength to hold up everything and everyone, including herself despite what she is up against. I get my strength from her.”
The way Theresa sees it she did what she did in order to “preserve the continuity of the children’s lives, so that they know their family members, the cousins, the aunts and uncles, the lineage back, like my grandma Ora Glass and my grandma Myrtle Fisher Davis, and the head of our family today, Aunt Patricia Moss.”
Theresa hails from one of the largest and oldest African-American families in the region, the Bryant-Fishers, whose annual picnic is 95 years strong.
Her bigger-than-life late grandmother, Ora, the longtime matriarch, lived to 110. Ora gained celebrity as a shining example of successful aging, even appearing on Phil Donahue’s show and running her fingers through the host’s hair. In her younger years Ora was a housekeeper and nanny for some of Omaha’s elite families. One packinghouse owner family even brought her out to Calif. to continue her duties when they moved there. She survived the Red Summer of 1919, when blacks were targeted by racists in riots that wreaked havoc from coast to coast, including Omaha and Orange County, Calif..
“My grandmother had a whole lot of stories,” says Theresa.
In her 70s and 80s Ora “reinvented” herself from a very strict, prim and proper lady with politics tending toward the conservative” to loosening up on things like relationships and social issues, notes Theresa. “She told me, ‘I’m losing so many old friends that I have to make new friends and I have to use new opinions and I have to make new decisions.’ She began reaching out and making new friends and gathering new family to her. She started trying different things. She went to political science classes at UNO. She learned ceramics.”
Even when she had to use a walker, Theresa says. Ora maintained her independence, riding the bus downtown for Mass at St Mary Magdalene’s Church, a repast at Bishop’s Cafeteria and taking in all the sights.
Ora was then and is now an inspiration to Theresa. She carries her grandmother’s boundless curiosity, determination and affirmation inside her.
“She always persevered. She said, ‘Whatever you do you always do it to the best of your ability.’ She said, ‘You can always make more family’ and she always did generate more and more family for herself.”
Ora was godmother to Omaha native Cathy Hughes, founder of the Radio One and TV One media empires, and played a big role in the mogul’s early life.
Ageless Ora ended up a resident at the Thomas Fitzgerald Veterans Home (the military service of her late husband Aaron Glass entitled her to stay there) and Theresa says her grandmother “recruited families from St. Vincent dePaul parish to visit residents there. There were a couple of families she adopted. The kids came and they called her grandma and they brought her gifts.”
It’s figures and stories like these that Theresa didn’t want her three new children to miss out on. The family takes great pains to maintain its ties, celebrate its history and record the additions and losses as well as the triumphs and tragedies among their family trees. Help abounds from loved ones she says because “there’s so many of us. There’s like 1,500 of us (dispersed around the country).”
She values the traditions and events that bind them and their rich legacy and she wouldn’t want the children now in her care to be deprived of any of it.
“We’re called the Dozens of Cousins. Yeah, I do take a lot of pride in that. I get that a lot from my aunt Patricia Moss because she wants there to be the continuity. We do have continuity.”
Regarding the big August reunion, when hundreds gather at Levi Carter Park, she says, “I try to always make it. Since coming back home in 2003 I haven’t missed any, and when I was younger it wasn’t an option, you were there. We have the family picnic, we have family birthdays, we have that kind of continuity and I think children need that to grow in their own maturity and emotional strength,” she says. “It can give them that stability. You’re not going to get that from strangers. And knowing at some point there’s going to be questions about who mom is, I have all those baby pictures and all that stuff. I can give them a sense of who she is if she doesn’t care to come around.”
Having a large family around gives Theresa a ready-made support network.
“I have a supportive family around me. I have everybody lined up that’s going to keep this continuity. My brother James wouldn’t say it before that he’s helping raise the kids, but he’s saying it now. My sister and cousins call and make sure I have break times. My granddaughter Chelsea came from Arizona recently to watch the kids so I could have a break time. When my daughter Tracy has breaks from work she comes in and helps out.
“So I have a support system around me and they’re all kin to these children, so they’re never outside of family.”

Kelly Union says even if there wasn’t all that family support her mother would have done the same thing.
“Without a doubt, she would have been that beacon without all of us supporting her. That is her character, that is the legacy she inherited and the legacy she is passing on to all of us. We have all been known to help someone else, even when it isn’t easy or comfortable and that is a direct reflection of her.”
The respite family provides Theresa has proven vital as she’s realized she’s not capable of doing everything like she was the first time she raised kids. She’s much more prone now to ask for help. Another difference between then and now is that her older daughters were spaced out three or four years, whereas the kids she’s raising today are all just a year or two apart.
“My oldest was 4 before I had my second and then my second was 7 before I had my third. It’s a different experience when you can devote your time to the one child at a time. And then by the time I had the second child the oldest child had more of her own things she was doing that she didn’t need me while I was taking care of this other one. And then the two of them did not need me as much when I was taking care of the third one, so every kid got to be like an only child.”
Things stated out different the second time around.
“‘I found I was now taking care of two kids at the same time, so if I’m changing a diaper the other one’s right there fussing and attention grabbing. and boy that’s more wearing on me. The energy for two young ones is just wearing.
“When I first got Keira and Miyonna I was working, so I got to take them to day care. But I could not keep my mind going well enough during the day to do a social work job. I could not keep up and my caseload was falling farther and farther behind. I even asked for more training, but I just couldn’t manage it. I thought I was super lady but my energy level is not the same as it was, trust me.”
The two girls don’t need quite the attention they did before, which is good because their little brother needs it now.
“We got through that and Keira and Miyonna started doing real good together. I even have them sleeping together in a big double bed. They sleep all night.”
In terms of parenting, she says she’s learned to “let some things go” that she would have stressed over before. For example she doesn’t worry whether the kids’ clothes or hair or bedrooms are perfect. “You do the best with what you have and you gotta innovate,” she says.
Her adult daughters may be the best gauge for what kind of mother Theresa is. The oldest, Kelly, wrote in an email:
“My mother was always the “you can do it”, “give it a try” type of parent. She supported all our whims—Girl Scouts, musical instruments, sports, school plays, dance class. Whatever struck our fancy at the moment, she backed our efforts. No is not a big word in her vocabulary. Not that she was a permissive parent who let us get away with things. But more in the way that she was willing to let us try and learn our own likes, dislikes, pleasure and pain first hand.
“My mom was never really a yelling, scolding type of mom and that worked well for us. Life lessons taught with logic, love and support goes a long way to shaping a child the right way.”
Kelly doesn’t see any marked difference in her how mom parents now than before.
“No, the core is very much the same. My mom is home more with them but the attention, the opportunities, the lessons are all still the same.”
Theresa would like for the children’s birth mother to be involved in their lives but thus far she says her niece has shown little interest. In fact, Theresa’s lost most contact with her niece, whose exact whereabouts she’s unsure of.
“She actually did visitation with Miyonna for the first three weeks of her life and then she back slid all the way and did a disappearance act. We didn’t know where she was.”
The instability and unreliability of the mother were huge factors in Theresa taking charge and getting the kids in a safe home surrounded by family. She says she never wanted to have happen to these children what she’s seen happen to others, such as when kids age out of the system never having been reunited with family, much less visited by them. With their biological mother out of the picture, Theresa saw no option but to step up.
“It’s hard to forge your own identity when your identity has been connected with state administrators,” she says of foster children.
It’s not the first time she’s taken in loved ones in need. When her uncle Joe Glass lived in a Milwaukee nursing home and was going to be transferred to a veterans home near the Canadian border, far from any family, Theresa and her brother James brought him to Omaha.
Growing up, she saw the example of her family take in childhood friend Cathy Hughes when Cathy’s musician mother Helen Jones Woods was on the road. Hughes said growing up she and Theresa thought they were “blood sisters.”
Theresa’s three birth daughters have embraced her returning to parenting young kids again all these years later. She says they’ve all accepted and bonded with their new siblings and go out of their way in spoiling them. “They don’t want for anything,” she says of her little ones.
Kelly speaks for her sisters when she says they all admire and support their mother in assuming this new responsibility at her age but that it doesn’t surprise them.
“That is just my mom. I don’t think she thought of it as parenting at her age, she just saw a need and filled it. Age really didn’t play into it, although she did discuss it with us because doing the right thing would impact all of us. My mom always does the ‘right thing,’ and right doesn’t mean easy and she accepts that whenever she takes on a task, a role, a responsibility.
“My grandmother raised her and this is what my grandmother did and would have done if she was alive. Her opting to raise the kids did not surprise any of us in the least. It is the one characteristic both my parents had and handed down to us: Do what you can, when you can and share of yourself, your home, your belongings and your wealth (regardless of how much money you have or don’t have). It’s the right thing to do to help someone else, especially family.”
Kelly and her sister Gabrielle have each assumed similar super-nurturing roles as their mother. Kelly, who has three children of her own, has acted as a surrogate mom to athletes coached by her husband. Gabrielle is now the adult female figure in the home of her equally famous boyfriend, NBA superstar Dwyane Wade, whose two sons and a nephew live with him in Miami.

Theresa’s justifiably proud of her three grown children, each a successful, independent woman in her own right. Kelly’s a corporate executive. Tracy’s a facilities coordinator at Arizona State University and Gabrielle’s the movie star. Just as she feels she well prepared her older girls for life she hopes to do the same for their young siblings.
“I got my three grown daughters there healthy and educated and then they had to travel it on themselves. Hopefully I can do this another time and the three young ones will be healthy and educated and they’ll be able to move on and enjoy their lives. Nobody has to be famous but you have to be able enjoy and sustain your life. I think my girls have done really well and I hope the next ones do, too.
“This time it’s a different experience and we’re working it out.”
She says most of her parenting the first time happened in the suburbs compared to the inner city, where she, her brother and the kids live today. She’s struck by the stark difference between the two environments and their impact on children.
Gun violence and street gangs were foreign to west Omaha and Pleasanton but the northeast Omaha she’s come back to is rife with criminal activity. Where Pleasanton lacked for no amenities North Omaha has major gaps.
“It’s interesting that this neighborhood doesn’t have the things that we had when we were young. The (black) population has been dispersed throughout the city. Things you take for granted, conveniences you have right there in the suburbs, are not so readily available in the inner city. It’s a lack of resources, lack of everything right in this neighborhood for raising children. So I had to start looking for the village (the proverbial village that helps raise a child). My village is right here. I have Kellom School and I have Educare.”
Gabrielle says the way her mother intentionally seeks out educational and cultural opportunities for the young kids she’s raising now reminds her of how she did the same thing when she and her sisters were coming up. She says her mom’s always been about expanding children’s minds through enriching experiences.
Theresa says the dearth of programs for young kids in northeast Omaha “is what prompted me to join the board of the Bryant Center Association – so we could add things (like recreation activities and counseling services).”
The nonprofit association operates the Bryant Center, a community oasis at 24th and Grant Streets that aims to improve the lives of youth, young adults and seniors. Administrators are looking to expand programming. Theresa recently prevailed upon Cathy Hughes to co-chair the association’s capital fundraising campaign.
In the final analysis Theresa doesn’t consider rearing young children at her age as anything heroic or out of the ordinary. It all comes back to family and doing the right thing. “I don’t call it being a saint,” she says. “You always take care of your own.”
She wants others to know they can do what she’s doing. An aunt or a grandmother or another relation can be the parent when Mom and Dad cannot.
“It is a doable process, especially in Omaha, because there is other help available. There are families out there that could do this with their own because there is support for you in the community. Sometimes you have to really search for it depending on what your needs are. But even if there’s a problem where the natural parents aren’t available to participate, you can raise the children so they are still a part of a family.”
Helping navigate the experience is ENOA’s Grandparent Resource Center. It offers free monthly support group meetings, crisis phone intervention, transportation assistance, access to legal advice and referrals to other services and programs. Participants need only be age 55 or above.
Center coordinator Debra Scott, who is raising her granddaughter, says caregivers need to know they don’t have to do it alone. “Don’t be afraid to ask for help,” she says. “I’m learning I can’t be everything to everybody, I need to ask for help and that’s where this program comes in.”
Call 402-444-6536, ext. 297 to inquire how the center may be able to help you or a senior caregiver you know.

Theresa Union & Gabrielle Union pictured at the ‘Cadillac Records’ premiere after party at Marquee in New York City on December 1, 2008. RD / Dziekan / Retna Digital
Related articles
- Agencies work to unite foster, biological parents (miamiherald.com)
- Wanted: Parents willing to take in children (newsherald.com)
- SPITZ: From foster to forever family (metrowestdailynews.com)
- Gabrielle Union Takes Serious Turn in BET Drama ‘Being Mary Jane’ and PBS Documentary ‘Half the Sky’ (leoadambiga.wordpress.com)
- Kinship Celebration Brings Together Community in Support of National Adoption Awareness Month (virtual-strategy.com)
Heartland Latino Leadership Conference Features Dynamic Speakers for Networking, Motivational, Recognition Events
Each year the Who’s-Who of Latino Omaha gather for the Heartland Latino Leadership Conference and as I’ve done the last few years I wrote an advance piece about the event and some of its keynote speakers, and my story previewing the 2012 conference and select presenters follows.

Heartland Latino Leadership Conference Features Dynamic Speakers for Networking, Motivational, Recognition Events
©by Leo Adam Biga
Originally published in El Perico
Motivational speakers will draw on personal stories of achieving high educational and professional goals in the face of hardships at the annual Heartland Latino Leadership Conference & Expo. Now in its 13th year, the November 8-9 event will focus on the themes of authentic leadership and community success in talks by local and national presenters.
Conference highlights:
Thursday Career Expo, 1-4 p.m.
CoolThink Youth Rally, 4-5:30
Welcome Reception, 5:30-8:30
Friday Registration and exhibitor booths open, 7:30 a.m.
Scholarship Luncheon, 11:45 a.m. to 1:45 p.m. (Sixteen local students will receive college scholarships)
Latino Leadership Gala Awards Reception, 5:30-6:30
Latino Leadership Gala Awards Dinner, 6:30 to 8:30 (Community service awards will be presented)
Keynote speakers and personal, community and corporate development workshops are scheduled throughout the day on Friday.
All of it takes place at the Omaha Hilton, 1001 Cass Street.
Conference chair Julissa Lara, a Mutual of Omaha distribution compensation specialist, says she’s eager to hear speakers address topics close to her heart.
“An authentic leader to me is talking the talk and walking the walk. It’s doing (things) to benefit not only yourself but others and that will grow your community.”
About the “great” lineup of presenters, she says, “You may not remember their names but you’ll remember the content of what they say, I can guarantee you.”
Life change artist Shayla Rivera is the featured speaker at Thursday’s 5:30 to 8:30 p.m. Welcome Reception. The Puerto Rico native went from knowing zero English to earning an aerospace engineering degree to working as a NASA astronaut to becoming a motivational speaker and corporate trainer to remaking herself into a successful standup comic.
Leaving everything behind she knew in Puerto Rico for America sent her into a depression. She determined to learn English. She says experiences like these taught her the power of “making a true decision,” adding, “I’ve made a lot of pretty radical changes in other people’s eyes but they seemed logical to me. You have to listen to yourself. It’s easier not to do that. It’s easier to listen to the voice of your parents or of obligation or of what’s ‘realistic.’ That’s ca-ca. You gotta listen to yourself and not just listen but take a step and be kind of bold about it.”
“The people who are really following themselves are the trendsetters,” she says. “We’re not taught how to do that and we’re not given permission. You kind of go through life not thinking about what you believe. You kind of march in step. Latinos especially, We’re expected to be all of a certain political inclination and religion and all that stuff. We have to foster individuality and let people be whatever they are.”
As “an awareness expert” Rivera challenges us to uncover our beliefs “because our beliefs determine our lives. The process is painful but learning how to laugh at yourself will keep you sane.”
She says despite all she’s done “I still feel like I have a whole lot more to do.” She’s sure she’ll” reinvent herself again. Each new path, she says, “found me because I was open to it.” In today’s fluid world she says “it’s imperative we embrace change – life and technology demand it. We’re used to asking our children, ‘What do you want to be when you grow up?’ and what we need to ask anymore is, ‘What do you want to be first?'”
Friday’s 8:15-10 a.m. session keynoter Joaquin Zihuatanejo went from award-winning classroom teacher to world champion poet. In finding his bliss he’s living proof education can be transformational. He made it out of the east Dallas barrio with the encouragement of his grandfather, who forced him to read aloud to him nightly. At first resisting the ritual, Zihuatanejo says, “I came to find the beauty in what I was reading. I just became enamored with words. It was my salvation ”
He says it can be for others, too.
“Reading and writing and education are the great equalizers. If you become good with reading and writing you in turn become a strong student and thus you become good at education and when that happens I don’t care where you come from, it makes you equal to any other student on the planet because you can excel.”
It’s a message he drives home with youth.
“If I can talk young Latinos into empowering themselves through the act of reading and writing, they may not grow up to be a world champion poet but then again they may grow up to be a dentist or a doctor or an accountant or a lawyer. Anything you do you have to be an effective communicator.”
He acknowledges many Latino youths face obstacles that make learning difficult but he adds, if they can just find that book that makes them think, ‘This is me, they’re telling my story…’ For me that book was Bless Me Ultima by Rudolfo Anaya.”
He says he’s always encouraged young people to chase their dreams but it wasn’t until one of his students challenged him to follow his own advice that Zihuatanejo quit teaching to become a full-time poet. That makes two callings, teaching and poetry, he’s cultivated and he’s committed to inspiring others to find theirs.
HLLC Chair Julissa Lara says as the annual conference has grown over its 13 years so has the number of high caliber keynote speakers. Friday’s Scholarship Luncheon keynoter, Graciela Tiscareno-Sato, is the author of the best-selling book Latinnovating: Green American Jobs and the Latinos Creating Them. Tiscareno-Sato will discuss “Grabbing Opportunity in the Green Innovation Economy” through real stories of “creative Latino entrepreneurs” and innovators rarely featured in mainstream media.
“We need to show who we really are and how we’re really contributing economically,” she says. “Something that isn’t known is we start businesses at twice the national average.”
In Omaha she’ll offer case studies of Latinos on the cutting edge of America’s transition to a green economy and share ideas for education-career paths that best prepare Latinos to tap into this new paradigm,
“There’s a lot of different ways to participate and some of them are technical and some of them are not,” she says.
She enjoys inspiring audiences with her tales of Latinnovators. She says two typical reactions her stories elicit are: “Wow, I didn’t know that,” and “Hey, that person’s just like me.” She says the only way these stories get the attention they deserve is if Latinos communicate them.
“Latinos, due to culture and tradition, are told we don’t talk about ourselves. We’re not used to telling our stories and proclaiming from the rooftop and being loud and proud. That’s not what we do. But it’s up to us, we own this responsibility, we own telling our stories and getting them out there.”
Marie Quintana, president-CEO of her own management consultant business, Quintana Group, is a success story in her own right. For her Friday Gala Awards Dinner keynote she’ll discuss strategies for tapping the inner leader in us all. Her talk “Embracing Authentic Leadership: Unleashing Your Strongest Life” draws on her personal and professional empowerment experiences.
“I will share some stories from my life that reflect times when I had to really reach deep down to ensure I was being authentic,” she says. “I think it’s important to be an authentic leader but it’s also important to be first of all an authentic person and to do that you have to start with a strong awareness of who you are, your roots, your values, your integrity.
“I was born in Cuba. I came to this country in the ’60s. In trying to navigate through these two worlds I had a difficult assimilation. So I had to be sort of the trailblazer. I think every Latino is always going to have that – where you’re very connected to your roots but then you go to work and maybe it’s not as familiar. I think the balance of that is very important.”
She advises doing self-appraisals.
“I think the first thing a person needs to do is to look at their life as a story. I call these defining moments. There’s been defining moments in every single stage of my life. Something happened at each stage that reminded how important it is to connect to who I am, to where I came from. That has built a foundation for me to take on whatever challenges and opportunities have come in my life. I think our strength comes from these moments.
“That (process) helps you become authentic and more aware of who you are and why you’re doing what you’re doing, so your life takes on a much more deeper meaning. Through my journey I’ve become a better person and a more authentic leader because I really call out my Latina heritage. I use the best I’ve been given through my roots and family and who I am and I bring that to my work.”
She says whether you think so or not leadership has something to do with you.
“I think we’re all called to be leaders in one way or another. People who don’t believe they’re leaders don’t believe in themselves. It really starts with you. You have to believe in yourself for other people to see you as a leader. Once you develop your gifts, then you’re ready to operate from your strengths and not your weaknesses. You get courage, you can take risks, you’re much more capable moving your life forward.”
She advocates Latino youth find mentors and sponsors to guide them and she reminds adults they need guidance too.
The public may register for the entire conference or purchase event-only tickets. Visit http://www.heartlandlatino.org for details.
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- Latinos deliver for Obama; now they want something (charlotteobserver.com)
Wild about chocolate
Chocolate. Say no more. This delectable indulgence makes anyone with a taste for it weak in the knees with anticipation. Count me among the afflicted. When I heard about a local festival dedicated to chocolate I thought perhaps I had died and gone to heaven. This is a story I did in advance of the second Great Omaha Chocolate Festival. It is an annnual fundraiser held in the fall.
Wild about chocolate
©by Leo Adam Biga
Originally published in The Reader
Year two of the Great Omaha Chocolate Festival at UNO celebrates one of popular culture’s great food indulgences.
Organizers of the September 30 event, which benefits the Omaha Section of the National Council of Jewish Women, say chocolate’s diversity will be highlighted in displays by 44 vendors. Sample wares ranging from cupcakes to cookies to candies to frozen yogurt to dog treats. Chocolate lotions, candles and clothing items, along with cookware, will also be available.
Big O 101.9-FM radio personality Dave Wingert will emcee the proceedings.
Bakers Candies of Greenwood, Neb, is the corporate sponsor and its general manager Todd Baker says the event will offer “chocolate made to almost every conceivable taste, from the highest end elite artisan confections all the way down to the mass produced broadly available consumer products.”
Festival co-chairs Beth Friedman and Joanie Jacobson, who’ve partnered on several NCJW projects together, say whether you’re a connoisseur or not the fest’s Willy Wonka-like sampling should please anyone looking to get their chocolate fix.
“It’s the variety,” says Friedman, a Brooklyn transplant. “I think it’s the fact that no matter what you may want you can find something to satisfy your chocolate fancy. A lot of it is about the vendors, we could never ever do it without the vendors’ participation and support. They provide the samples that fuel the festival.”
Jacobson, a Des Moines native, doesn’t believe the strong response to last year’s inaugural fest, which drew 2,200 people, has anything to do with a foodie fad.
“I just think chocolate is the ultimate, quintessential comfort food,” she says. “It is ambrosia. It’s this staple that’s a part of people’s lives. There’s T-shirts and mugs and greeting cards and lewd magazines that talk about chocolate. Chocolate’s everywhere and I think it always will be because I don’t know anything else like it.
“It’s amazing the appeal of chocolate. It makes people happy.”
Jacobson’s enthusiasm for the subject is personal.
“I’m a registered, card-carrying chocoholic. I’m 66 years old, so I’ve been eating chocolate for a long long time and I really believe with all my heart and chocolate soul that a good 75 80 percent of the public is in love with chocolate.”

Todd Baker says while chocolate never goes out of style there are trends and the festival showcases what’s new or hot in the chocolate universe.
“The festival will be a great place for not only vendors but the general public to see what’s happening within the industry,” he says. “What you’ll continue to see this year and actually got a hint of last year is really unprecedented manufacturing attention in the field of dark chocolate. As the American palette has matured more Americans have developed a taste for dark chocolate.
“Industry studies also point to the superlative health benefits of dark chocolate – everything from lowering blood pressure and stroke risk to increasing happiness and well being. The only thing people needed to eat more chocolate was an excuse and the studies have provided that for us.”
He says Bakers will not only scout for new products and ideas there but introduce new flavors at the company’s own booth.
“We’ve worked very hard on three new meltaway chocolate flavors to debut at the chocolate festival this year, which is the most new flavors we’ve ever added in any one year.”
In 2011, he says, “Bakers Candies became the first candy company in the world to mass produce a chocolate potato chip cluster.” It was introduced at the fest, where samplers were blissfully unaware of the logistics behind it. “It took a tremendous amount of work on the automated production technology side to get potato chips and chocolate solidified before they got soggy and ruined the formula,” he says.
Baker, whose father Kevin launched the company after a career as a missile defense contractor, realizes most chocolate lovers don’t care about where the chocolate they enjoy comes from. But Baker says they might be interested to know the U.S. now has “access to all kinds of coca we’ve never had access to before,” adding, “The variety of chocolate available to the American consumer is unprecedented anywhere in the world. It’s quite fantastic.”
It’s why he says there’s never been a better time to be a chocolate fan, though he says the automation that’s allowed companies like his family’s to grow comes with the price of compromising the flavor of old-time, hand-made recipes. On the other hand, he says some of the best chocolate innovators are small shops just like the ones slated for the festival.
Proceeds support local social action projects by the Omaha Section of NCJW, whose mission, Friedman says, is improving the lives of women, children and families. While she concede chocolate won’t fix bullying or domestic violence, it’s a safe, fun, family-centric thing. The Iowa Western Community College Culinary Arts program will offer hands-on chocolate activities for kids along with The Cordial Cherry. Cooking demonstrations are planned too.
The noon to 5 p.m. event takes place at the University of Nebraska at Omaha Field House. The $5 admission includes buys five samples. Children under 10 get in for $3 and receive tickets for three samples. Extra samples may be purchased.
The irony for Friedman is that since becoming co-chair she’s been diagnosed as pre-diabetic, meaning she’s had to eliminate all sweets from her diet. No matter, she’s just glad to carry the chocolate banner for a good cause.
For details, visit http://www.omahachocolatefestival.com.
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A Different Kind of Bistro
For a long time I had in mind experiencing the Sage Student Bistro that’s part of the Institute for Culinary Arts at Metropolitan Community College in Omaha, Neb. It’s reputation for fine dining precedes it. I finally got around to eating there late this past summer and the experience fulfilled all the expectations I had built up over time. You can read all about my experience there in the following piece that I filed for The Reader (www.thereader.com). The food is entirely prepared by Metro culinary students under the supervision of instructors. The results are divine. A visit to this different kind of bistro is well worth it.
A Different Kind of Bistro
©by Leo Adam Biga
Originally published in The Reader (www.thereader.com)
Among the first things you notice at Sage Student Bistro is the staff’s earnestness. Greeters, servers and cooks are all students in Metropolitan Community College’s respected Institute for Culinary Arts, whose sleek building is the face of the Fort Omaha campus’ south entrance.
This hidden dining gem occupies an intimate corner space just off the lobby. The contemporary, neo-industrial decor is accented by warm touches. Windows help open up the room and overlook the horticulture department greenhouse, the main supplier of Sage’s locally-sourced produce. Some of that fresh goodness is grown in a herb garden surrounding a small, semi-secluded patio outside the bistro.
Culinary students rotate from kitchen to dining room any given night as part of a well-rounded experience both in back and in front of the house. Students don’t have to worry about job security there but their performance in this live, public venue is graded and has everything to do with getting them ready for food industry careers. That aspirational motivation translates into eager-to-please service.
Diners are asked to fill out an evaluation form to offer much-valued criticism.
“Sage Student Bistro is an essential part of the student curriculum here. Having a paying customer that expects a restaurant quality meal makes for some honest and direct feedback,” says chef instructor Oystein Solberg, “Giving students as close to as possible real life experience hopefully takes away some of the dear-in-the-headlight feel once they’re out in the world getting paid for their craft.”
If you go on a slow night as I did you’re in for a pampered, privileged fine dining experience that could easily spoil you for your next eating-out adventure. The set-up included white linen tablecloths, lit candles and soft recorded music.
Wait staff did a good job explaining the menu’s dishes, including ingredients, preparations and techniques. For an appetizer I chose the bistro’s play on a BLT, a delightful deconstruction of the staple sandwich with bacon, toasted brioche, tomato relish and shredded butterhead lettuce.
The entree selections variously featured chicken, beef, salmon and duck. Following my servers’ suggestions, I ordered the free range chicken breast, well-complemented by chipolata apple sausage and a nice medley of beets and broccoli flowers, all tied together by an apple gastrique. Everything practically melted in my mouth.
A basket of piping hot brioche spread with sage butter added a final satisfying note.
The gourmet meals and sensible portions are reasonably priced, with appetizers at $5 or $6 and entrees from $16 to $18.
I found my table-side servers engaging. For instance, I learned my charming wait person, Yuka VanNorman, is from Okinawa, Japan. She says she was attracted to come from half way around the world to train at the Institute by the quality and affordability of its offerings. My other server, Forrest Whitaker-look-alike Jason Mackey, is a well-traveled Omaha native who one day hopes to impress diners like me at his own eatery. Their heart and passion overflowed.
All of it, the ambition and proving ground and attention to detail, result in a one-of-a-kind, give-and-take transaction that found me rooting for the students to wow me. If my one visit is any indication, they have the chops to pull it off, too. By the end, I felt as invested in the students as they seemed invested in me and this practicum.
It’s just what Metro’s culinary faculty hope for.
“I really believe culinary arts education must be guest-entered in order to be effective,” says chef instructor Brian O’Malley. “We have to learn to ply our craft to the expectations of others and Sage has grown to really drive that home throughout our curriculum.”
He says the bistro’s come a long way from its predecessor student operation, which served mainly Metro students and faculty in a no-frills cafeteria-like setting in Building 10 and was only “a side piece” of the culinary program. Now it’s a full-fledged public forum and integral training component all students participate in.
O’Malley, who helped found Sage, says, “It moves the classroom into a working restaurant-like environment. It brings an enormous sense of realism without actually being the real thing. As an industry professional I saw the great deficiency in culinary school grads was knowledge without application, and here we’ve worked hard to move towards that application. We’ve added this very deep middle layer (between test kitchen and internship) of operating a restaurant in-house.”
There’s a fine balance at play to make sure students are challenged, not crushed.
“We want them to get their butt kicked, we want it to be tough and difficult and hold their feet to the fire but we don’t want them to actually get burned,” is how O’Malley puts it. “We’re supposed to still be a safe place for a student to kind of push and grow and develop, so when they fall down it’s supposed to still be quiet to the rest of the world.”If missteps happen, and they do, he says “we kind of have to ask for your forgiveness.”
An OpenTable poll recently named Sage the best overall restaurant in Nebraska, a recognition Solberg says “we don’t like dwelling on” and he takes with a grain of salt given the small voter pool. Just as Solberg finds surprisingly few people in the metro know about the Institute, O’Malley says Sage is a best-kept secret on purpose.
“We certainly want to be known,” he says. “I mean, there’s a piece of the reputation of the school that rides on the quality of Sage, so we want it to be excellent, but we also don’t really want it to be crowded. We’re not trying to run Upstream Brewing company, we’re trying to get our students ready to work at Upstream.”
He says Sage does enjoy a regular following and business generally picks up as the quarter moves on and word gets out the bistro’s open again (it closes when school’s not in session). Thirty dollar prix fixe five-course dinners, resuming in October, have proven popular.
Sage is open Monday through Thursday for breakfast, lunch and dinner. For hours and menu details, visit http://www.mccneb.edu/bistro.
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Writing close to her heart: Author Joy Castro
Joy Castro is a writer to be reckoned with. I’ve had the pleasure now of interviewing her twice and I trust more interviews will follow in the future. Her work is widely recognized. And while she has until recently published memoirs and personal essays she’s now established herself as a mystery writer with her debut novel, Hell or High Water. That book may be turned into a movie. I finally had the pleasure of meeting Joy (our interviews have been by phone) when she generously attended a talk and reading I gave at Indigo Bridge Books in Lincoln, Neb. for my new Alexander Payne book. She even bought three copies. What a sweet thing to do for someone of her stature. It’s a lesson in how we fellow writers need to support each other.
Writing close to her heart:
Author Joy Castro
©by Leo Adam Biga
Originally published in El Perico
University of Nebraska-Lincoln associate professor of English Joy Castro made her mark as a short story writerand essayist before her acclaimed 2005 memoir The Truth Book: Escaping a Childhood of Abuse Among the Jehovah’s Witnesses.
Now she’s being hailed for her debut novel, Hell or High Water, set in post-Hurricane Katrina New Orleans. Mystery author superstar Dennis Lehane (Mystic River) calls it “a terrific thriller.
Her new book of personal essays, Island of Bones is “getting some really nice press,” she says, adding, “The book critic Rigoberto Gonzalez, who writes for the El Paso Times and is part of the National Book Critics Circle, wrote a really nice review.” Island of Bones takes up where The Truth Book left off.
Castro often lectures and writes about her Cuban-American heritage and journey through poverty into academia and stability.
“Much of my work focuses on bringing attention to economic injustice as well as racism and sexism. I’m lucky and grateful to be someone who has made it out of poverty, abuse and voicelessness – to a position where I have a voice. It’s an important responsibility. My own published fiction, nonfiction and poetry all concern issues of poverty and I make a point of teaching literature by poor people in the university classroom.”
Castro shares much in common with her novel’s protagonist, Nola, a female Cuban-American reporter from a poor background. Just as Castro once sought to keep her own roots secret, so does Nola. Just as Castro explored abuse, Nola investigates sexual predators.
“Nola comes from the projects. She’s trying to pass among her colleagues and friends. She doesn’t want anybody to pity her and she doesn’t really want it to be known at all. So she’s struggling to sort of keep up with the Joneses while dealing with the after-effects of her difficult past, all while researching this creepy story.”
Hell or High Water’s been optioned as a film-television drama and Castro’s writing a sequel with Nola as the main character again.
She says, “The two artists associated with the project right now are both really fantastic Latina actresses – Zoe Saldana and Gina Rodriguez. And I’m really excited about having a mystery series with a Latino protagonist.”
Now that Castro’s own story is out there, she’s over any sense of shame.
“When you’re hiding something, the feeling you have is a tremendous anxiety that revealing it will destroy you or someone else,” she says. “After you’ve had a little practice at disclosing, you realize it’s not quite that life-or-death a situation.”
Writing The Truth Book and Island of Bones proved cathartic.
“Laying it all out in book form, I came to respect the difficulty of what I’d had to navigate. In some ways, my journey was as challenging as moving from one country, one culture to another. All the new customs have to be learned.
“For the most part, I earned and climbed my way out of trauma and poverty by myself. My family was too shattered, scattered and dysfunctional to support anyone. I’ve been on my own since I was 16. There were counselors who helped me change, sure, and thank goodness, but I paid for them, and I did the emotional work. No one stepped in and said, ‘Here, let me lighten the load.’ That’s the hard truth of it. No one’s going to do it for you, no one’s going to hold your hand.
“But the important thing to remember is that it’s your life and if you want to change it you have to put in the hours and the labor and the love. Your life is worth it, you’re worth it. Even in the bleakest of circumstances, it’s worth doing, and it’s possible.”

Her interest in Spanish-speaking cultures and identities infuses her work.
“Latinidad is hugely important to me, and it is definitely connected with class and gender. Because of the great wave of well-to-do Cuban immigrants who came to the USA when Fidel Castro took power, many people assume all Cuban-Americans are wealthy and right-leaning. That wasn’t the case for my family, who had been in Key West since the 1800s and were working-class and lefty-liberal.”
Island of Bones explores that little-known history.
“My father experienced racism and police abuse in Miami in the 1950s, after which he tried very hard to assimilate and be ‘American’ in ways ultimately painful for him and for us.”
Her father, a conch diver as a boy, moved north as a young man seeking adventure and a wider life. As The Keys became an expensive resort playground that priced old-line residents out, some family relatives were forced to leave.
Her father committed suicide in 2002. One of her essays deals with the aftermath.
“For my brother Tony and me, our father’s life is a cautionary tale about the costs of shame and of trying to erase who you are. We raised our children to be proud of their heritage. My son is fluent in Spanish, for example, which my father refused to speak at home.”
What it means to be Latina and the roles Latinas play are also primary concerns.
“I’m glad to say things are changing. But despite many advances in women’s rights, Latinas are often pushed, even today, to put men first, to have babies, to love the church without question, to be submissive and obedient to authority. It took me a long time to crawl out from under the expectations I was raised with.”
View more about the author’s work at joycastro.com.
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My Next Alexander Payne Book Event Comes to Florence
Looking for something different to do on your Tuesday night?
Then come to my next Alexander Payne book event:
Tuesday, Nov. 20, 6:15 pm,
Florence Branch Library, 2920 Bondesson St., Omaha
Your favorite Omaha writer talks about “Alexander Payne: His Journey in Film – A Reporter’s Perspective”
I am just returned from the set of Payne’s new film, “Nebraska,” and I will share my impressions of that production. My highly praised book about the filmmaker and his work will be available for purchase. It’s only $19.95. I will personally sign copies.
The book makes a great gift for the movie lover(s) in your life.
Get yourself a copy of the book and find out why it’s receiving such generous praise as this:
“Alexander is a master. Many say the art of filmmaking comes from experience and grows with age and wisdom but, in truth, he was a master on day one of his first feature. Leo Biga has beautifully captured Alexander’s incredible journey in film for us all to savor.” – Laura Dern, actress, star of “Citizen Ruth”
“Leo Biga brings us a fascinating, comprehensive, insightful portrait of the work and artistry of Alexander Payne. Mr. Biga’s collection of essays document the evolution and growth of this significant American filmmaker and he includes relevant historical context of the old Hollywood and the new. His keen reporter’s eye gives the reader an exciting journey into the art of telling stories on film.” – Ron Hull, Nebraska Educational Television legend, University of Nebraska emeritus professor of broadcasting, author of “Backstage”
“Alexander Payne is one of American cinema’s leading lights. How fortunate we are that Leo Biga has chronicled his rise to success so thoroughly.” – Leonard Maltin, film critic and best selling author
“I’d be an Alexander Payne fan even if we didn’t share a Nebraska upbringing: he is a masterly, menschy, singular storyteller whose movies are both serious and unpretentious, delightfully funny and deeply moving. And he’s fortunate indeed to have such a thoughtful and insightful chronicler as Leo Biga.” – Kurt Andersen, novelist (“True Believers”) and “Studio 360 host
I am counting on my Blog followers and Facebook friends to come out and show support.
Hope to see you there.
Media Alerts:
•I will be doing a live appearance on WOWT during the 4 pm news today
•KIOS Radio is airing a segment about me and the book at 7:30 am and 4:30 pm today
•Check out Indiewire’s feature on the book at-
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Laura Dern Endorses My Alexander Payne Book
Acclaimed actress Laura Dern has remained good friends with Alexander Payne since she starred in his first feature, “Citizen Ruth,” and I was lucky enough to interview her a few years ago in advance of a program she did with him in Omaha. Now, I’m privileged to have her endorse my new book about the filmmaker.
Here’s what she says about “Alexander Payne: His Journey in Film – A Reporter’s Perspective 1998-2012”:
“Leo Biga brings us a fascinating, comprehensive, insightful portrait of the work and artistry of Alexander Payne. Mr. Biga’s collection of essays document the evolution and growth of this significant American filmmaker and he includes relevant historical context of the old Hollywood and the new. His keen reporter’s eye gives the reader an exciting journey into the art of telling stories on film.” – Ron Hull, Nebraska Educational Television legend, University of Nebraska emeritus professor of broadcasting, author of “Backstage”
“Alexander Payne is one of American cinema’s leading lights. How fortunate we are that Leo Biga has chronicled his rise to success so thoroughly.” – Leonard Maltin, film critic and best selling author
“I’d be an Alexander Payne fan even if we didn’t share a Nebraska upbringing: he is a masterly, menschy, singular storyteller whose movies are both serious and unpretentious, delightfully funny and deeply moving. And he’s fortunate indeed to have such a thoughtful and insightful chronicler as Leo Biga.” – Kurt Andersen, novelist (“True Believers”) and “Studio 360 host
The book, “Alexander Payne: His Journey in Film – A Reporter’s Perspective 1998-2012,” can be ordered at AlexanderPayneTheBook.com.
The Bookworm in Omaha carries it.
Now available, too, from Amazon.com and Barnes and Noble.com as well as for Kindle and other e-reader devices.
The book makes a great gift for the film lover in your life.
Preview it at www.facebook.com/LeoAdamBiga.
Book events:
Florence Branch Library, Tuesday, Nov. 20, 6:15 pm
Media Alerts:
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More Alexander Payne Book News: WE MADE INDIEWIRE!!!
WE MADE INDIEWIRE!!!
The Web’s leading site for independent film is running an exclusive feature this week on my Alexander Payne book, including an excerpt. This is our first national coverage. It coincides with the book becoming available, today, on Amazon.com, BarnesandNoble.com and for Kindle and other e-readers.
Read: Exclusive Excerpt From ‘Alexander Payne: His Journey in Film,’ A Book That Goes Behind-the-Scenes With the Oscar-Winning Auteur

The collection will be available November 13 from Amazon.com and BarnesandNoble.com, as well as for Kindle and other e-reader devices. Go HERE for more info.
Introduction
I first met Payne in the fall of ‘97, and my first story about him appeared at the start of ‘98. Though I have covered many other filmmakers and film projects since then, my body of Payne work remains unique for its duration, scope, and depth. Early on, I recognized in him an important cinema figure and the fruits of my cultivating that relationship are the stories that comprise this book.
I also saw in Payne an opportunity to write about one of the most significant Nebraskans in film to come along in a while. Many from the state have made major contributions to the film industry either by the prominence or quality or volume of their work….I have interviewed several of the contemporary figures…Payne is the preeminent filmmaker among them all…
Some of the fondest memories I retain from my professional life are the lively, engaging, one-on-one sessions I enjoy with Payne. They are as much conversations and explorations between two film guys as they are interviews between subject and journalist.
Payne, as you would expect, is a superb interview. Highly literate. Thoughtful. Composed. He is rarely less than frank. He can be both profane and flat out funny. He is only politically correct and circumspect when it serves a project. He generally knows what you are looking for but does not necessarily hand it to you on a silver platter, which is to say he will only give as good as he gets. He does so much press now that he does sometimes repeat quotable nuggets or tag lines from interview to interview. The strategic part of him has shown more as his career has exploded. Who can blame him?
Oh, I have my scripted questions at the ready all right, because I always feel I have to be extra prepared, not to mention be on my mental toes with him, certainly more than with most subjects. He is so damned smart that it can be a bit intimidating even now, 15 years into our relationship. I make sure to do my homework when possible. But I am also comfortable enough to go off script and wing it on occasion and to let him take these interludes wherever he wants to go with them. The best material often comes from these asides or addenda anyway, and so I am not about to curtail his digressions or flights of fancy. Or my own for that matter.
In preparing this book I was reminded of the rather comprehensive Payne archive I have been able to compile as a result of doing so many interviews with him over a decade and a half period that roughly covers his entire feature filmmaking career. It is an archive that no other journalist or author has been in a position to acquire. This body of work has accrued because I have persisted in covering him and cultivating our relationship and because he has responded by consistently granting me great access. The often exclusive interviews and unfettered access continue…

Some who know about my long-tenured coverage of Payne assume that he and I are friends or buddies. Not exactly. I mean, we are certainly friendly with each other. But we do not hang out together. Ours is definitely a closer relationship than most journalists have with a subject, but it is by no means a rare or unprecedented one. We never speak about it, but my sense is that he and I feel the same in that while it is fine we have this thing together, we do not push it so far that it compels him to meddle in my work or tempts me to compromise my journalistic integrity.
In other words, we do not cross certain lines. That includes not probing too deeply into our personal lives. I only rarely mention his life away from film in my stories. He has no financial stake in or editorial control over this book. He never interferes with what I write, just as I never think about censoring my work to please him. We both want it this way. It’s the right thing to do and it avoids weird conflicts of interest.
Because I am in the unique position of having covered him for so long and in such an in-depth manner, this book uses the interviews and stories I have done to chart the arc of his filmmaking career.
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Get Your Greek On at My Next Alexander Payne Book Event
I am personally inviting you to attend my next Alexander Payne book event:
Friday, Nov. 16, St. John the Baptist Greek Orthodox Church, 6:30 pm 602 Park Avenue,
George and Peggy Payne Community Center (lower level, south entrance)
I will be signing copies of “Alexander Payne: His Journey in Film – A Reporter’s Perspective 1998-2012.”
Yummy Greek treats served.
Come mingle with Omaha’s Greek American community and enjoy the splendor of this recently restored Byzantine-style edifice. This is the very church the filmmaker and his family belong to. His grandfather helped found it.
I will talk a bit about Payne and the book and I will personally sign copies.
Hope to see you there.
Here’s what others are saying about the book:
“Leo Biga, through his extraordinary talent with words, brings us a fascinating, comprehensive, insightful portrait of the work and artistry of Alexander Payne. Mr. Biga’s collection of essays document the evolution and growth of this significant American filmmaker and he includes relevant historical context of the old Hollywood and the new. His keen reporter’s eye gives the reader an exciting journey into the art of telling stories on film.” –Ron Hull, Nebraska Educational Television, UNL emeritus professor of broadcasting, author of the new memoir, “Backstage”
“I’d be an Alexander Payne fan even if we didn’t share a Nebraska upbringing: he is a masterly, menschy, singular storyteller whose movies are both serious and unpretentious, delightfully funny and deeply moving. And he’s fortunate indeed to have such a thoughtful and insightful chronicler as Leo Biga.” –Kurt Andersen, novelist (“True Believers”) and “Studio 360” host
“Alexander Payne is one of American cinema’s leading lights. How fortunate we are that Leo Biga has chronicled his rise to success so thoroughly.” –Leonard Maltin, national film critic and best-selling author
Buy a copy or two or three. The book makes a great gift for the film lover in your life.
More about the book at AlexanderPayneTheBook.com.
Available November 13 from Amazon.com and Barnes and Noble.com as well as for Kindle and other e-reader devices.
Preview the book at www.facebook.com/LeoAdamBiga.
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