Mid-Century Modern Leaves Its Mark
Architecture is not something I usually write about or think about, not because of disinterest, indeed the few times I’ve read or watched interviews with architects I’ve found their discourse fascinating if a little over my head and outside my comfort zone. If I’ve learned nothing else in my game it’s that when a subject or assignment presents itself that makes me a bit anxious then that is precisely a subject or assignment that I need to pursue. Such was the case with the following story I did for the Omaha Home section of Omaha Magazine on Mid-Century design and its expression in Omaha architecture of that style. It was edifying to interview architects who applied the principles of that movement in their work. I hope the story’s edifying to you.
Mid-Century Modern Leaves Its Mark
©by Leo Adam Biga, ©photos by Bill Sitzmann and Kristine Gerber
Originally appeared in Omaha Magazine’s Omaha Home section
In post-World War II America a contemporary design style borne of the modernist movement and emphasizing a balance of form and function, came to the attention of visionary Omaha developers and architects. The resulting homes and buildings completed in that style made for some distinctive neighborhoods that endure as models of aesthetics and utility and that continue to fascinate owners and onlookers alike.
What became known as Mid-Century Modern is seeing a resurgence in interest today among preservationists and restorers, thanks in part to television shows like Mad Men and their celebration of vintage culture. That interest was never more evident than during a October 7 Mid-Century Modern tour sponsored by Restore Omaha and Omaha 2020 that drew a record 850 participants.
Restore Omaha president Kristine Gerber says it was the organization’s first tour to focus on an architectural style and the Indian Hills neighborhood offered “the best collection” of Mid-Century Modern. A 2010 Omaha Historic Building Survey of Mid-Century Modern neighborhoods by Leo A. Daly architects Christina Jansen and Jennifer Honebrink offered a blueprint or map for the tour.
For tour participants, it meant getting inside homes, for example, they may have long admired from afar or been curious about to see for themselves the various ways in which these structures bring-the-outdoors-in.
Mid-Century Modern homeowners like Mark Manhart and Bonnie Gill love their residences. “We both feel we have lived here forever and plan no move now or later,” says Manhart.
Gerber says there’s growing appreciation for the style’s ahead-of-its-time characteristics of flat roofs, open floor plans, floor-to-ceiling windows, ample natural light and green design-construction elements.
There’s motivation, too, in obtaining National Register of Historic Places status for select Mid-Century Modern structures and neighborhoods that qualify.
Mid-Century Modern can be found in other metro neighborhoods besides Indian Hills, but some intentional decisions made it the prime site for it to flower here.
Food manufacturer brothers Gilbert and W. Clarke Swanson, along with architect Leo A. Daly, saw potential to develop a modern, upscale suburban neighborhood taking its name from the old Indian Hills Golf Course. Commercial structures, such as Christ the King Church and the Leo A. Daly company headquarters, became shining examples of this modernist-inspired architectural style.
But it was left up to a pair of edgy young architects, Don Polsky and Stanley J. How Sr., to design dozens of residential homes in this new development featuring the attributes, values and principles of Mid-Century Modern. How also designed one of Omaha’s most distinctive luxury apartment buildings, the sleek Swanson Towers, in Indian Hills. The building’s since been converted to condominiums.
Together, the Swansons, Daly, How and Polksy, transformed the built Omaha.
“They were young tigers and weren’t necessarily rooted in doing the same old thing and I think they saw an opportunity to do some things that were really unique and new,” says Stan How, president of Stanley J. How Architects, the company his late father founded. He says his father was “a cutting-edge guy.”
Polsky apprenticed with superstar modernist architect Richard Neutra in Los Angeles and borrowed concepts from his mentor and others for the work he did in Omaha. He says Mid-Century Modern’s appeal all these years later makes sense because it’s forward-thinking approaches and emphasis on clean lines, simplicity and efficient use of space are what many homebuyers look for today.
“We were green before its time, we put in a lot of insulation, we shaded our windows, we oriented things towards light and brought light into the home. We used insulating glass, we planted trees to give us shade, we broke the wind from the north, we worked with the client’s budget on the configuration of the sight.”
Passive solar features and energy efficient systems were rarities then.
Stan How says his father began practicing architecture for Leo A. Daly right as the modernist movement caught on. “He started his career at a perfect time to absorb all these new things going on. When he went out on his own he had some clients who had the guts, he’d always say, to explore some of these ideas and let him toy around with that.” Mike Ford became a key early client.
“Mike was a young guy who wanted to do something really new, so my dad floated out the contemporary style or what we now call Mid-Century Modern and Mike loved it But he also didn’t want to be the only one on the street with a house like that, so he bought four lots and said, ‘Let’s do four spec houses,’ and that’s what they did.”
One of those Stanley How-designed homes, built in 1963, was later purchased by Mark Manhart and Bonnie Gill.
Home buyers like Ford were the exception, however, not the rule, as Mid-Century found relatively few takers.
“We’re a pretty conservative group, Omaha. It’s not Los Angeles. I thought you’d just show a few things and they’d be beating a path to your door, but it didn’t turn out that way,” says Polsky. “There’s still a limited supply of buyers for this type of architecture but you do what you can, you carry the torch.”
Polsky marveled though at the huge turnout to see his homes and those of his old colleague, Stanley How Sr. “It’s amazing how many people showed up,” he says.
Stan How says designs by his father and Polsky are the antithesis of the overblown, oversized McMansions many homeowners reject today. “I think people are coming back to simplicity.” Indeed, Mark Manhart says “the clean lines and classic simplicity” of his home are major attraction points for he and his wife and the many inquirers who call on them.
The only regret How has is that his father wasn’t around to see all the love his homes are getting today. “He would have absolutely reveled in it. He would have loved it.”
The March 1-2 Restore Omaha Conference will once again offer a strong lineup of expert preservation and restoration presenters, says Gerber, who promises a dynamic host site that gives attendees an insider’s glimpse at some landmark.
For details, visit http://restoreomaha.org.
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