When the iconic Dundee Theater appeared in danger of being lost, perhaps to the scrap heap of history, along came a means to save it courtesy Susie Buffett. Her Sherwood Foundation purchased it and donated it to Omaha’s art cinema nonprofit Film Streams, which successfully raised millions of dollars for its renovation, led by Rachel Jacobson. Before the end of the year, the newly made-over movie and stage house that dates back to 1925 will reopen after being closed for more than four years and host the theatrical premiere of the latest major Hollywood motion picture by Omaha’s own Oscar-winning filmmaker, Alexander Payne, when his “Downsizing” plays there in December. This return engagement for the ages is a personal project for everyone involved. Buffett, Jacobson and Payne all grew up watching movies there. Payne’s first feature “Citizen Ruth” played the Dundee and now his seventh feature “Downsizing’ will play there, too. This time his movie will help usher in the theater’s new era. This is my November 2017 New Horizons cover story about the Dundee Theater – its past, present and future, The issue with my story should be hitting newstands and mailboxes this weekend and no later than October 31. The story includes comments about the Dundee from several people, including Payne, all of whom share a great love for the theater. On a personal note, I share that love, too. It’s where so many of us from here lost it at the movies. 

You can access a PDF of the New Horizons at:

https://www.facebook.com/newhorizonsnewspaper/

Here are some extra Alexander Payne reflections on the Dundee Theater:

“I spent a considerable amount of time in all of Omaha¹s movie theaters when I was growing up, from the old palaces downtown (Omaha, State, Cooper, and Orpheum) to the Admiral, Indian Hills, Fox, Six West and Cinema Center. But the one I probably spent the most time in was the Dundee, since I could walk to it, as soon as I could walk. I can¹t even say I was ‘proud’ of it – it was just always there.

“I saw ‘The Sound of Music’ there six times when I was 4 years old. It played there for many months, and you know how little kids like to see the same thing over and over again. My older brothers used to take me to the Saturday morning show for kids – usually monster movies, and they had giveaways.

“In the early ’70s, they showed revivals of W.C. Fields, Chaplin and Laurel and Hardy – those early comedies had something of a renaissance then. In more recent times, when the Morans had it, I used to love the midnight shows of ’70s movies. I caught ‘Midnight Cowboy’ there just a few years ago.”

On having “Citizen Ruth” play there:

Well, that was a big deal to me, to have my first feature play at my neighborhood movie house. I still have a framed photo of the marquee hanging in my house. It meant something to Laura Dern too – while shooting ‘Citizen Ruth,’ she, Jim Taylor and I had seen ‘The English Patient’ there and walked out halfway through.

On soon having “Downsizing” play there:

“I expect to have the same delight I had when ‘Citizen Ruth’ premiered there 20 years ago, but ever more-so because it now belongs to Film Streams. It will serve as a new anchor in the elegantly-blossoming Omaha and will exist as our neighborhood movie theater for the next 100 years.”

 

 

 

 

 

 

 

 

 

Dundee Theater found its niche

A sleek new marquee and main entrance pay homage to a rich film heritage while signaling a fresh new start.

“It’s honoring that whole history of moviegoing in our community that’s enriched so many lives,” said Film Streams founder-director Rachel Jacobson.

“Film is arguably the most engaging and innovative art form of the 20th century. How wonderful that art form will be shown in Dundee well into the 21st century in such a charming, hospitable and attractive venue,” Gouttierre said.

Though it grew rough around the edges by the early 2000s and faced increasingly stiff competition from cineplexes and streaming, the Dundee outlasted all the other independent locally owned and operated single-screen theaters. The fact it was the last of Omaha’s still active neighborhood theaters added to its nostalgia and luster.

When the sell was complete, an auction of its old theater seats drew many buyers.

The theater was the main attraction but it once also connected to a video store and bar owned by Moran.

The Dundee set itself apart with its niche for projecting independent, foreign and midnight movies. For a long time, it had the metro art film market nearly to itself. Other than an occasional art film showing up at a chain, it’s only competition for that fare were university (UNO), museum (Joslyn) and film society (New Cinema Coop) series. They eventually disbanded. A short-lived Bellevue operation didn’t last.

“Before Film Streams, the Dundee was the only spot in town if you wanted to see the cool films coming out. As a high schooler, the midnight movies were a big thing to look forward to,” said Nik Fackler, among an impressive group of Dundee devotees who became filmmakers.

“Growing up in the neighborhood, Dundee Theater was always a haven for independent cinema as well as an Omaha landmark,” Quinn Corbin said. “The midnight movies were a wonderful feature of the nightlife scene and the video store provided the movie posters with which I plastered my childhood walls.”

 

 

Changing times, moving on, handing it off

Later, two new players arrived on the scene: Film Streams in 2007 and Alamo Drafthouse Cinema in 2015. In between, the quirky Dundee held on. Then, after 88 years of nearly continuous operation, it closed for renovations that proved too much for Denny Moran and wife Janet. They owned other theater properties as well. The retirement age couple wanted out and sought and found a buyer for it and contiguous properties.

“I didn’t want to run anything anymore,” Moran said. “I’m tired, I don’t want anything. The kids are grown now. Jan and I just want to enjoy ourselves and travel a little bit.”

The Dundee holds many memories for the Morans.  While it was their baby, it was also a burden. Denny Moran is just glad it’s in good hands so it can generate memories for new generations of moviegoers.

“I’m glad its being saved,” he said. “It came down to two other buyers and one other buyer wanted to save it, too. We came close to selling it to them but the wife had little kids and Jan said, ‘I don’t want it to ruin her life like it did mine down there with all the time being spent on theater stuff while the kids are in day care.’ So we went with Susie’s offer. This other couple would have taken care of it, too, but it’s not many times when a Buffett calls.

She’s got the money to put in it for the new infrastructure and to secure its future.”

Alley Poyner Macchietto Architecture in collaboration with Lund Ross Construction have kept the old world charm while modernizing it, too. They uncluttered the roofline. They reconfigured the main entrance off Dodge Street on the south side to a new promenade on the north. They added a patio. They folded in a Kitchen Table cafe that leads right into an expanded theater lobby with its original terrazzo floor intact. They added a conference room, a bookstore and a micro auditorium, thus giving Dundee a second screen for the first time.

“It is going to be a neighborhood theater,” Jacobson said, “but we see the audience for the cinema being the entire community. I like to think of it as Omaha’s neighborhood cinema. It still has that feel, that history.”

“It’ll be more than just a movie theater,” Vic Gutman said. “It’s going to be a place for great conversations, for learning about film, being exposed to films you wouldn’t normally see and then having Kitchen Table there. So, I see it as a true social and educational space. And I love the fact that I can walk to it from my home.”

“The purpose of it is to be a real true community space,” Jacobson confirmed. “There are multiple spots throughout that facilitate people coming together and talking either before a film or after a film. It has that design intention of this is what a neighborhood theater can be in the 21st century. We tried to be really thoughtful about that by incorporating the bookstore, by having the micro cinema, which also has the potential to do not only ticketed shows but hosting new adult education ‘Courses’ program there,.

“Kitchen Table will give people another reason to go there, to hang out, without even going to see a movie, and so that creates all these opportunities for interaction, and that’s a big part of what we’re about.

We’re trying to create learning about film by osmosis.”

Jacobson said great care was taken balancing renovation versus restoration “to make what we know will be a sustainable place versus what we maintain for people’s memories and the history of the Dundee.”

Progress on the transformed theater, which sat idle four years, has been closely watched

None of this might have happened if Moran hadn’t hung in there for 30-plus years and waited for the right offer. The theater could easily have been history by now.

“I want to give a shout-out to Denny Moran, who kept it going for so long,” Gutman said. “I don’t think it was a money-maker for him. I think it was a labor of love and a commitment to the neighborhood. It could have been torn down or repurposed for something different a long time ago and he kept that property intact.

“So I think we owe him a thank you for doing that.”

 

Memories

Sentiments about the theater run deep. It’s meant so much to so many.

It’s not hard to imagine a pair of Hollywood legends who grew up in Dundee, the late Henry Fonda and Dorothy McGuire, may have frequented the theater. Though it was still a stage venue when he left Omaha to pursue his acting dreams, he twice did extended play runs here and it’s nice to think he might have caught a picture show or two at Dundee during his down time.

Future late night TV king Johnny Carson may have indulged in some movies at the Dundee when he was starting out at WOW in Omaha.

Other celebs who’ve known it as their neighborhood theater include billionaire investment guru Warren Buffett. His daughter Susie Buffett, who’s also seen her share of pictures there, is responsible for reactivating the theater through her Sherwood Foundation.

Some fans who cut their cinema teeth there have gone on to be feature filmmakers, including Dan Mirvish (Omaha, the Movie) and Nik Fackler (Lovely, Still).

Mirvish grew up near the theater. Besides the Dundee being a neighborhood staple, he echoes others in saying how supportive Moran was of the then-nascent local cinema community in letting emerging filmmakers like himself show their work there.

“I. of course, remember going to movies at the Dundee growing up in the neighborhood and then later renting tapes at the video-store,” Mirvish said. “But my most distinct memory is when we were shooting Omaha, the Movie in fall of 1993. We screened some of our dailies there. We were shooting 35mm film and the footage had to be sent to a lab in L.A. for processing and sent back to Omaha for us to watch. The Dundee was the best place to watch the footage once a week. Okay, so instead of ‘dailies.’ they were really ‘weeklies.

“Denny was great about letting us in there. The whole cast and crew came. It was a huge relief to see our footage.”

A few years earlier Moran set a precedent working with filmmakers when he allowed Sean Penn to screen dailies of the actor’s directorial debut, The Indian Runner (1991), which shot in and around Plattsmouth.

When local filmmaker Dana Altman, who produced Omaha, the Movie, needed a space to premiere his locally-made feature directorial debut, The Private Public, Moran agreed to play it at the theater. Altman protege Nik Fackler was a teenager making short films then with friend Tony Bonacci and the aspiring filmmakers got their shorts screened the same night. Fackler, who went on direct Oscar-winners Martin Landau and Ellen Burstyn, recalls the opportunity fondly.

“Like total nerds, we made tickets in photoshop and sent them out to our friends and family, we rented suits and a limo, got dates. We were like, ‘Here’s our one chance we could probably get dates.’ But, yeah, we got our short films shown at Dundee.”

An earlier “graduate” of the Dundee, the late Gail Levin, went on to make acclaimed documentaries about film (Making the Misfits, James Dean: Sense Memory). She remembered seeing Federico Fellini’s 8 1/2 as a teenager and what an impression that film and others by international artists made on her.

Jacobson appreciates the memories the Dundee holds for so many because it does for her, too. She said, “I grew up nearby, so we went to Dundee plenty. My dad tells the story that my very first movie was at Dundee. A 31-year old dad took his 18-month old daughter to The Empire Strikes Back, He said whenever Darth Vader came on, he would take me into the lobby. So, my first memory is not my own, it’s more my dad’s,” she said.

“In high school, I remember seeing Citizen Ruth there, which was huge, and Clerks – that was definitely a big one. I remember going to a full house and me and my girlfriends being the only girls opening night of Showgirls. We were just so interested because it had so much press and we really wanted to check it out.”

Memories just like these from movie lovers have been shared with Jacobson and her Film Streams staff ever since the nonprofit took over the Dundee.

 

 

Silver screen stirrings 

Two cinephiles who became famous filmmakers. Joan Micklin Silver (Hester Street, Crossing Delancey) and Alexander Payne (Election, About Schmidt, The Descendants, Nebraska), go way back with the Dundee.

Payne’s childhood home was within a couple blocks of the theater. It’s where he fell in love with 1970s cinema. Whenever back home from college in the ’80s, he’d return to whet his cinema appetite at the Dundee. Even after finding success with his filmmaking career in the ’90s and beyond, winning two Academy Awards and nominated for several others, he made the Dundee his go-to Omaha sanctuary for feeding his celluloid hunger.

Moran said, “Alexander would come in. His mom would come to movies here all the time, They’re both big Dundee fans .” Moran has a handwritten note by Payne thanking him for all he did in keeping the theater going.

In movie-movie fashion, Payne shot much of his first three feature films in Omaha, including scenes in and around various Dundee haunts, and his debut film Citizen Ruth starring Laura Dern played at the theatre.

“I’ve got a Citizen Ruth poster signed by Laura Dern

‘to my friends at the Dundee Theatre’ that I left in there for Film Streams,” said Moran, who collected other film memorabilia signed by visiting film artists.

“I had them framed in glass. It’s part of the theater and so I left it with the theater.”

Payne’s latest film Downsizing will make its national premiere at the new Dundee on December 22.

Given his personal history with the Dundee, he’s felt a sense of proprietorship in it. As a Film Streams board member, that ownership’s no longer symbolic but real.

“The reopening of the Dundee Theater is the realization of a dream – a dream we’ve had for a long time, first of all for preserving it in any form. That in the current incarnation of Omaha it belong to Film Streams is perfect. When the Morans closed the theater a few years ago, my hope was that if it was going to reopen that it become part of Film Streams, and now the dream is a reality and I couldn’t be more excited.”

His warm feelings run for its deep because as a second home the Dundee helped form his cinema sensibilities.

“I spent a huge amount of time in that theater watching movies.”

Payne also has a soft spot for vintage theaters. He’s supported the restored Midwest Theater in Scottsbluff and the World Theatre in Kearney. He speaks longingly of the time when neighborhood theaters dotted the urban landscape and he’s enthused about efforts to preserve and revive those theaters.

He said the Dundee, which once sat 470 people, stood out from some other cinemas.

“Few of these neighborhood theaters were as large as the Dundee. The Dundee had a more regal presence, so I’m extra glad it has survived.”

A generation before he cultivated his cinema passion there, Joan Micklin Silver attended movies at the Dundee. Her family, who owned Micklin Lumber, lived nearby and she saw standard post-World War II Hollywood fare growing up in the 1940s before moving East and becoming enamored with world cinema. By contrast, a decade later Gail Levin got turned onto world cinema at the Dundee. The difference in what the women saw at the Omaha theater is explained by the fact that during various eras and ownership regimes, it played very different slates of films.

Rich history

The Dundee’s shown motion pictures since the early 1930s, but it opened years before that, in 1925, as a vaudeville house. Harry Houdini once performed his escape artist act there. The locally owned Goldberg Circuit converted it from stage to film just as talking pictures became all the rage as a cheap escape from the hardships of the Great Depression.

The noted Omaha father-son architect team of John and Alan McDonald designed the historical revivalist venue that was Omaha’s then-westernmost theater. It opened to much fanfare in the Roaring Twenties. An ad touted it as a modern community asset to be proud of:

“The opening of the new Dundee Theater at 50th and Dodge is another example of the growth and development of this enterprising community. Only a personal visit can possibly give you an idea of the beauty of the lobby and interior of this beautiful showplace. All the latest developments in theater construction have been included in the building of the Dundee. All the new ideas for the comfort and entertainment of patrons will be found even in a greater extent than other houses … built just a few years ago.”

The ad went on to play up the beauty and comfort angle, referring to the “steel and concrete fireproof construction, finest ventilation and extra large upholstered seats with plenty of aisle space.”

The promotion continued: “Our policy is to bring to this theater the best pictures obtainable anywhere, and to present them as finely as possible.”

Finally, the ad played off the names of its McDonald designers. The elder John earlier designed the George A. Joslyn home, now known as Joslyn Castle, and First Unitarian Church of Omaha. The McDonalds later designed Joslyn Art Museum.

During the 1950s the Dundee was still part of the circuit owned by Ralph and Hermine Goldberg, who operated it as a first-run commercial house screening Hollywood studio releases. By 1958, Ralph Goldberg was dead and his widow sold the Dundee and State Theaters to the Cooper Foundation in Lincoln, Neb. That organization acquired the Dundee for its Cooper Theaters chain that later included the Indian Hills. Under Cooper management, the Dundee switched to showing art films from the U.S. and abroad.

“We have noted around the country a growing interest in the motion picture as an art form,” a Cooper rep told the Omaha World-Herald. “We hope to encourage this.”

Cashiers de Cinema critics in France led the film as art movement. Some became leading filmmakers (Jean Luc Godard, Francois Truffaut) themselves in the French New Wave. Great centers of international cinema and directors emerged in Italy (Federico Fellini, Luciano Visconti, Michelangelo Antonioni, Bernardo Bertolucci, Sergio Leone), Sweden (Ingmar Bergman), Great Britain (Tony Richardson, Joseph Losey), (Mexico-Spain (Luis Bunuel), Japan (Akira Kurosawa), India (Satyajit Ray) and behind the Iron Curtain – Roman Polanski in Poland and Milos Forman in Czechoslovakia.

Dundee’s artsy foray was interrupted when it exclusively booked The Sound of Music and ended up playing the mega-musical hit for more than two years on its solo-screen. The 20th Century Fox picture from Robert Wise began a reserved-seat, roadshow run in April 1965. In August 1966, Cooper Theaters reported that in its 69th week the film set records for the longest run and highest gross in Omaha. The previous records were held by South Pacific at the Cooper Theatre (64 weeks), grossing $430,000. Sound of Music passed those marks and added to them the next 49 weeks for a total of 118 weeks. It was the second longest run in the world, exceeded only in London, England, according to Art Thompson with the Cooper Foundation.

“The story around the Cooper Foundation was that a notation scribbled on the wall of the projection booth recorded the record run of The Sound of Music,” Thompson said.

The Omaha theater went on to host other long runs in its Cooper era. Funny Girl (1968) ran 55 weeks and Hello Dolly (1969) played 36 weeks.

Under Moran’s ownership, the Dundee enjoyed overwhelming receptions to very different kinds of movies. The South African comedy The Gods Must Be Crazy and the spare American drama Tender Mercies, featuring Robert Duvall in a Best Actor Oscar performance, each played several months.

After Sound of Music’s exceptional showing, the art emphasis resumed. When business waned, the theater was purchased by Omahans Edward Cohen and David Frank. They tried a family-friendly slate but eventually settled for second-run features. Nothing worked.

By the early 1980s, the Dundee struggled turning a dollar. It was already among the last single-screen commercial neighborhood theaters still in operation here. Virtually all the rest – in Benson, North Omaha, South Omaha – were closed and repurposed. All the downtown movie palaces were defunct or converted for new uses. Theaters moved west with the suburbs and independent locally owned and operated single-screen movie houses gave way to chains and multiplexes.

Cop who narrowly escaped death turned theater mogul

Then-Omaha police officer Denny Moran bought the Dundee in 1980 as a real estate investment. He was already buying and flipping houses in the area. His interest was the prime property the Dundee occupied, not the movie business. He already owned two adjacent lots and wanted to tie up all the land on that half-block. He initially planned to only keep the theater running until he found a national franchise, perhaps McDonald’s, to build on the site. But then a funny thing happened: He fell in love with it and the movie exhibition business.

Though Moran, an Omaha native, was a casual movie fan and frequented many local theaters growing up, he was a most unlikely candidate to carry on the Dundee’s legacy. For starters, he was not a film buff and he had zero prior experience in the film exhibition game.

“I didn’t know diddly squat about the movie business,” he told a reporter in 2012.

Besides, he was lucky to even be alive. A decade before buying the theater, he was a young cop in town when he intersected with a tragic incident that remains one of the darkest days in local law enforcement history.

On August 17, 1970, an anonymous 911 call of a woman being assaulted in a house at 2867 Ohio Street resulted in several police officers being dispatched. Moran and partner Larry Minard Sr. were first on the scene. They found two vacant houses. Minard and other officers entered the back of the 2867 dwelling while Moran investigated the other. Moran made his way outside when a tremendous explosion went off in the first house. Though protected by a tree, the concussive force sent him flying. Minard, a husband and father of five, died and several officers suffered injuries.

The call had been a ruse to lure the cops into a trap and when Minard opened the front door to exit the house a powerful homemade bomb detonated.

Two local Black Panthers were arrested, charged and convicted of the crime. They denied any involvement and never changed their stories. Controversy arose when documents revealed the federal government engaged in illegal measures to discredit and disrupt the Panthers. Many inconsistencies and irregularities were found in the prosecution of the suspects. Attempts to have the two men pardoned or their convictions overturned failed. One recently died in prison.

Asked about the incident, Moran confirmed the facts of that fateful night, his eyes watering at the memory of the trauma still with him. He became an undercover narcotics officer and a bodyguard-driver for the mayor.

Once he had the Dundee and celluloid got in his blood, he wanted to make it work as a going concern again.

“I said, ‘We’ve got to figure this out, this ain’t going to go.”

He finally hit upon returning to its recent past but this time going all in in making it an art cinema. The timing was right because the ’80s saw the end of the New Hollywood and the emergence of the Independent or Indie craze. Smart early bookings helped reestablish Dundee as a must-see cinema venue:

The Elephant Man

The Gods Must Be Crazy

Das Boot

Fitzcarraldo

Koyaanisqatsi

Tender Mercies

Local Hero

Then, Moran scored a real coup by getting Universal Studios’ rerelease of five classic Alfred Hitchcock films long unavailable and unseen:

Rear Window

Vertigo

The Man Who Knew Too Much

Rope

The Trouble with Harry

By the mid-’80s on, the Dundee was THE place to catch the latest Woody Allen film. By the ’90s. it was where you went to see works by breakout new talents such as Terry Gilliam (Brazil), the Coen Brothers (Miller’s Crossing), Atom Egoyan (The Sweet Hereafter) and Omaha’s own Alexander Payne.

The midnight movie screenings with their party-like atmosphere of fans reciting lines aloud, yelling and throwing popcorn, became a signature thing. The sound system was another attraction point.

“I was always a big sound guy,” Moran said. “We had the best sound of any theater in the area. It was clean sound, not loud sound. I was the first one in town with Dolby digital. It was expensive.”

Once, its high fidelity sound secured a coveted picture.

“We were talking about playing U2: Rattle and Hum and I had a guy come in from Paramount Pictures

because he wanted to check out the theater before he would give it to us. We screened Colors for him – the picture where Robert Duvall and Sean Penn play cops.

The guy’s sitting there when the digital sound comes in during an outdoor night scene and he starts complaining about ‘the freaking crickets chirping in back of the screen’ and I said, ‘They’re in the soundtrack.’ He goes, ‘What?’ ‘It’s in the soundtrack.’ He says, ‘You got the movie.’ After we started playing that movie, a local radio station said, ‘You can go see the movie, but if you want to hear that movie, go to the Dundee Theatre.”

Stephanie Kurtzuba, a busy film-TV actress (The Wolf of Wall Street) from Omaha, recalled seeing the movie “with a big group of friends and being enthralled by the experience.” “I think that was more about Bono than the theater,” she added, “but I sure was grateful Omaha had a movie house that showed things like concert films.”

 

Passing the torch

Dundee continued enjoying its art niche but once Film Streams came on the scene and on-demand services like Netflix, Hulu and Red Box appeared, margins got smaller. It became more grind-house than art house.

Moran said he and Film Streams enjoyed a friendly relationship.

“We always had a good rapport. Even when I was open here, I’d help them out with stuff, like spare parts when their projector broke down.”

“We had a pretty complementary relationship,” Rachel

Jacobson said. “It felt more collaborative than competitive.”

But industry changes took the fun out of running a theater for Moran. He enjoyed it when it was a more personal business. He learned the ropes from exhibition  veterans he met at theater owner conventions. He got to know distribution reps, too. But as small companies gave way to conglomerates, it became more corporate.

Moran held on as long as he could.

“We planned on keeping it,” he said.

But aft it got to be too much, he found the best deal for himself, the theater and the community.

“There’s a lot of people we need to thank for what’s happening there. Denny Moran. The Sherwood Foundation, which does so much for this city. Rachel (Jacobson) and her vision for Film Streams. All the donors,” Vic Gutman said. “We are fortunate to have so many visionaries and philanthropists who are helping to shape those visions and make them a reality.”

The Dundee’s back to projecting our collective dreams and nightmares, whimsies and follies, on the big screen.

Film buffs Sam and Mary Ann Walker can’t wait.

“Mary Ann and I practically live at Film Streams. And we live only a block and a half away from their new Dundee venue,” Sam Walker said. “I have had the thrill of seeing all my favorites from my college years, and finally a chance to see the great international films I never saw.”

Jacobson appreciates what good stewards the Morans were in keeping the theater viable for so long. She said she and her staff realize the “huge responsibility” Film Streams is taking on, but the fit seems so right.

“It’s seen so much film history and in that respect it’s so intricately tied to our mission and what we’re about. In one sense, it’s a big leap for us, and in another sense    something about it feels natural-next-step about it, too.”

She reassures people the theater will “continue to be the Dundee” but for a new age.