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Local Black Filmmakers Showcase continues tonight with “Wigger”

February 28, 2019 Leave a comment

Local Black Filmmakers Showcase featuring screen gems by Omaha’s own Omowale Akintunde and Jason Fischer

Support the work of these African-American community-based cinema artists

 

February-March  2019

College of Saint Mary

6 p.m. | Gross Auditorium in Hill Macaluso Hall

The work of award-winning Omaha filmmakers Omowale Akintunde and Jason Fischer highlight this four-day festival at College of Saint Mary.

 

Next up:

“Wigger” (2010)

From writer-director-producer:

Omowale Akintunde

 

Screening tonight – Thursday, February 28 @ 6 p.m. 

Followed by a Q&A with flmmaker Omowale Akintunde. 

Moderated by Omaha fllm author-journalist-blogger Leo Adam Biga.

 

Shot entirely in North Omaha, “Wigger” explores racism through the prism of a white dude whose strong identification with black culture ensnares and empowers him amidst betrayal and tragedy.”Wigger” is a spellbinding urban drama, which chronicles the life of a young, White, male (Brandon) who totally emulates and immerses himself in African American life and culture. Brandon is an aspiring R&B singer struggling to overcome the confines of a White racist, impoverished family headed by a neo-Nazi father who is absolutely appalled by his son’s total identification with Black culture. Additionally, he is oft times reminded of his position of privilege by virtue of being White in a White, racist society despite his adamant efforts to transcend “Whiteness”, institutionalized racism, and find a place for himself in a world in which he rejects Whiteness but is not always fully embraced by African American culture. Ultimately, this is the story of a young White, inner-city, male caught up in an emotional, psychological, experiential, and racial “Catch 22” determined to be granted acceptance in the life and culture with which he chooses to identify.

Wigger Poster  

The Festival continues on Tuesday, March 5 with  three short films by Jason Fischer taking center stage. The art film “I Do Not Use” pairs searing, symbolic images to poet Frank O’Neal’s incendiary words. The documentary “Whitney Young: To Become Great” uses the civil rights leader’s life as a model for kids and adults to investigate what it takes to be great. “Out of Framed: Unseen Poverty in the Heartland”documents people living on the margins in Omaha.

 

NOTE: The March 5 Jason Fischer program was originally scheduled for February 25 but was postponed due to inclement weather.

The February 26 program featuring Omowale Akintunde’s Emmy-award winning documentary “An Inaugural Ride to Freedom” was also postponed due to weather and will be rescheduled at a date to be determined later.

 

All films begin at 6 p.m. and will be screened in Gross Auditorium in Hill Macaluso Hall at College of Saint Mary, 7000 Mercy Road.

A Q & A with the filmmaker follows each screening. 

Tickets and parking are free and all films are open to the public.

For more information, call 402-399-2365.

 

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Local Black Filmmakers Showcase featuring screen gems by Omaha’s own Omowale Akintunde and Jason Fischer

February 26, 2019 Leave a comment

Local Black Filmmakers Showcase featuring screen gems by Omaha’s own Omowale Akintunde and Jason Fischer

Support the work of these African-American community-based artists

 

February-March  2019

College of Saint Mary

6 p.m. | Gross Auditorium in Hill Macaluso Hall

The work of award-winning Omaha filmmakers Omowale Akintunde and Jason Fischer highlight this four-day festival at College of Saint Mary.

On Tuesday February 26, Akitnunde’s “An Inaugural Ride to Freedom” charts a trip Nebraskans made to D.C. for Obama’s historic first inauguration. On Wednesday, February 27, it’s the world premiere of Akintunde’s television pilot “It Takes a Village,” which turns black situation comedy on its head. On Thursday, February 28, his impressive dramatic feature debut “Wigger,”shot entirely in North Omaha, explores racism through the prism of a white dude whose strong identification with black culture ensnares and empowers him amidst betrayal and tragedy.

On Tuesday, March 5 three short films by Fischer take center stage. The art film “I Do Not Use” pairs searing, symbolic images to poet Frank O’Neal’s incendiary words. The documentary “Whitney Young: To Become Great” uses the civil rights leader’s life as a model for kids and adults to investigate what it takes to be great. “Out of Framed: Unseen Poverty in the Heartland”documents people living on the margins in Omaha.

Screenings start at 6 p.m. Q &As follow the February 27. February 28 and March 5 showings.

All films begin at 6 p.m. and will be screened in Gross Auditorium at College of Saint Mary, 7000 Mercy Road 68106.

Tickets and parking are free and all films are open to the public.

For more information, call 402-399-2365.

Local Black Filmmakers Showcase

Tuesday, February 26th

“An Inaugural Ride to Freedom”

Wednesday, February 27th

Premier screening:

“It Takes a Village”

Director Q&A with Omowale Akintunde

February 28th

“Wigger”

Director Q&A with Omowale Akintunde

Tuesday, March 5

Short Films (originally scheduled for Feb. 25)

“I Do Not Use”

“Whitney Young To Become Great”

“Out of Frame: Unseen Poverty in the Heartland”

Director Q&A with Jason R. Fischer

Commemorating Black History Month – Links to North Omaha stories (Part III of four-part series)

February 26, 2019 Leave a comment

Commemorating Black History Month

Links to North Omaha stories from 1998 to 2019

 

Articles on social justice, civil rights, race, history, faith, family, community, business, politics. education, art, music, theater, film, culture, et cetera

A weekly four-part series

This week: Part III – History, art, music, theater, film, culture, entertainment, society

 

https://leoadambiga.com/2018/11/25/cathy-hughes-for…g-the-status-quo

https://leoadambiga.com/2018/12/12/as-screen-vetera…-big-career-move

https://leoadambiga.com/2010/05/11/berthas-battle/ ‎

Burden of Dreams: The Trials of Omaha’s Black Museum | Leo Adam …

https://leoadambiga.com/…/burden-of-dreams-the-trials-of-omaha’s-black museum/

Great Plains Black History Museum Asks for Public Input on its …

https://leoadambiga.com/…/great-plains-black-history-museum-asks-for- public-input-on-its-latest-evolution/‎

Long and Winding Saga of the Great Plains Black History Museum …

https://leoadambiga.com/…/long-and-winding-saga-of-the-great-plains-black- history-museum-takes-a-new-turn-2/

https://leoadambiga.com/2010/04/30/omahas-sweet-six…master-battalion

https://leoadambiga.com/2010/06/18/the-tuskegee-airmen/

https://leoadambiga.com/2019/02/09/omahas-jazz-past…ge-at-the-jewell/

https://leoadambiga.com/2018/11/25/funny-yet-seriou…ber-ruffin-story

https://leoadambiga.com/2018/12/08/putting-it-on-th…in-late-night-tv/

https://leoadambiga.com/2018/04/30/north-omaha-rupt…f-playfest-drama/

https://leoadambiga.com/2018/04/24/stage-screen-sta…e-omaha-symphony

soul sisters – The Reader

http://thereader.com/visual-art/soul_sisters/

Camille Metoyer Moten | Omaha Magazine

http://omahamagazine.com/articles/tag/camille-metoyer-moten/

Camille Metoyer Moten: With a song in her heart | Leo Adam …

https://leoadambiga.com/2016/12/26/camille-metoyer-moten-with-a

Art imitates life as themes in play cut closely for its stars – The Reader

http://thereader.com/visual-art/art_imitates_life_as_themes_in_play_cut_closely_for_its_stars/

https://leoadambiga.com/2016/02/18/blacks-of-distinction-2/

https://leoadambiga.com/2012/04/01/blacks-of-distinction-ii/

https://leoadambiga.com/2011/09/05/after-night-of-v…s-venue’s-future/

https://leoadambiga.com/2010/11/20/finding-forefath…limpse-of-future/

https://leoadambiga.com/2012/07/09/actor-kelcey-wat…es-of-separation/

https://leoadambiga.com/2016/04/22/john-beasley-living-his-dream/

https://leoadambiga.com/2010/06/06/john-beasley-making-his-stand

https://leoadambiga.com/2012/02/01/john-beasley-act…nt-believability

https://leoadambiga.com/2011/09/03/john-beasley-and…kshop-and-beyond

https://leoadambiga.com/2011/09/30/tired-of-being-t…-beasley-theater

https://leoadambiga.com/2010/06/18/get-your-jitney-on

https://leoadambiga.com/2011/05/29/polishing-gem-be…gem-of-the-ocean

https://leoadambiga.com/2011/06/14/what-happens-to-…aisin-in-the-sun

https://leoadambiga.com/2012/10/04/michael-beasley-…-steel-magnolias/

Life comes full circle for singer Carol Rogers | Leo Adam …

https://leoadambiga.com/2015/08/28/life-comes-full-circle-for

Sisters of song: Kathy Tyree connects with Ella Fitzgerald …

http://thereader.com/visual-art/sisters_of_song_kathy_tyree_connects_with_ella_fitzgerald/

Black Women in Music | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2010/07/11/black-women-in-music

Now Wasn’t That a Time? Helen Jones Woods and the …

https://leoadambiga.com/2010/04/29/17

Kia Corthron | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/category/kia-corthron

Bomb Girl Zedeka Poindexter Draws on Family, Food and …

https://leoadambiga.com/2015/03/11/zedeka-poindexter-draws-on..

Lit Fest Brings Author Carleen Brice Back Home Flush with …

https://leoadambiga.com/2011/07/02/lit-fest-brings-author-carleen

https://leoadambiga.com/2010/10/26/novel’s-mother-d…it-to-the-screen

Wanda Ewing Exhibit: Bougie is as Bougie Does | Leo Adam …

https://leoadambiga.com/2013/12/08/wanda-ewing-exhibit-bougie-is

https://leoadambiga.com/2012/06/17/color-me-black-a…ications-of-race/

https://leoadambiga.com/2011/06/22/frederick-browns…ing-on-of-legacy

https://leoadambiga.com/2011/08/28/artist-bernard-s…-revival-worship/

Jana Murrell: Working Towards a New Standard of Beauty …

https://leoadambiga.com/2012/07/04/jana-murrell-working-towards-a

Gospel Playwright Llana Smith Enjoys Her Big Mama’s Time

https://leoadambiga.com/2010/06/07/gospel-playwright-llana-smith

Quiana Smith’s Dream Time Takes Her to Regional, Off …

https://leoadambiga.com/2011/01/23/quiana-smiths-dream-time-2

Jill Scott Interview | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2012/08/08/interview-with-jill-scott

https://leoadambiga.com/2010/07/05/a-woman-under-the-influence/

Crowns | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/crowns/‎

Tiffany White-Welchen delivers memorable performance in …

https://leoadambiga.com/2015/10/14/tiffany-white-welchen-delivers

Enchantress “LadyMac” Gets Down | Leo Adam Biga’s My …

https://leoadambiga.com/2011/06/21/enchantress-ladymac-gets-down

Preston Love, His Voice Will Not Be Stilled | Leo Adam Biga’s My …

https://leoadambiga.com/…/preston-love-his-voice-will-not-be-stilled/‎

https://leoadambiga.com/2016/05/05/preston-love-a-t…late-hepcat-king/

https://leoadambiga.com/2010/06/03/mr-saturday-night

https://leoadambiga.com/2010/06/03/omaha-blues-and-…end-preston-love

https://leoadambiga.com/2010/06/03/preston-love-192…ed-at-everything

https://leoadambiga.com/2010/05/01/hard-times-ring-…uthor-laura-love/

https://leoadambiga.com/2013/04/27/laura-love-omaha…r-gal-comes-home/

https://leoadambiga.com/2011/12/19/preston-love-jr-…e-man-chautauqua

Cool Cat Billy and the Sportin’ Life | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2010/07/01/sportin-life/‎

https://leoadambiga.com/2010/06/18/puttin-on-the-ritz/

https://leoadambiga.com/2011/08/28/soon-come-nevill…hing-north-omaha

https://leoadambiga.com/2016/12/27/gabrielle-union-…-from-the-camera

Gabrielle Union having it all between her own series, new …

http://thereader.com/news/gabrielle_union_having_it_all_between_her_own_series_new_film_producing_mar/

https://leoadambiga.com/2012/09/29/gabrielle-union-…ary-half-the-sky/

https://leoadambiga.com/2010/08/21/the-gabrielle-union-chronicles

https://leoadambiga.com/2010/08/21/gabrielle-union-a-star-is-born

Dope actress Yolonda Ross is nothing but versatile – from …

https://leoadambiga.com/2016/10/18/dope-actress-yolonda-ross-is

Yolonda Ross adds writer-director to actress credits – The …

http://thereader.com/visual-art/yolonda_ross_adds_writer-director_to_actress_credits/

https://leoadambiga.com/2011/06/21/yolonda-ross-takes-it-to-the-limit

https://leoadambiga.com/2015/09/13/tim-christian-ch…film-in-nebraska

https://leoadambiga.com/2011/11/29/vincent-alstons-…nd-love-all-over

https://leoadambiga.com/2016/03/09/master-of-many-m…ms-jason-fischer/

https://leoadambiga.com/2011/09/01/an-inner-city-ex…range-of-stories/

https://leoadambiga.com/2011/09/01/art-from-the-streets/

https://leoadambiga.com/2011/07/20/omowale-akintund…new-cinema-voice/

https://leoadambiga.com/2010/05/21/deconstructing-w…ost-racial-world

DISPARATE DISCIPLINE: Black, Latino Youth 2-3 Times More Likely To Be Suspended From School

February 11, 2019 Leave a comment

DISPARATE DISCIPLINE

Black, Latino Youth Are 2-3 Times More Likely To Be Suspended From School

©by Leo Adam Biga

Appearing in the February 2019 edition of The Reader (www.thereader.com)

 

Cover1902

 

The harsh practice of early childhood centers and elementary schools meting out discipline to “difficult” children through suspension or expulsion is netting more attention. Even more disturbing is the higher rate at which African-Americans and Latinos face exclusionary discipline for behavioral reasons. Special-needs kids are also more frequently disciplined than the general student population. Punitive measures applied in special ed are higher yet for kids of color.

Black boys are consistently disciplined more than any other students across the educational spectrum.

These practices and trends happen nationwide in pre-K, elementary, middle and high school settings. Nebraska’s largest school district, the Omaha Public Schools, incurred a $1.85 million penalty from the Nebraska Department of Education in 2015 for disproportionate suspension of special-ed students. A district report for the 2017-2018 academic year revealed blacks and Latinos suspended at two or three times the rate of whites within the general and special-ed populations.

In the wake of community concerns, district suspension data is slated to be discussed at the Feb. 20 OPS board meeting.

Despite studies-reports, strategies-initiatives on the issue, data show a persistent problem here and across the U.S. where there’s diverse student enrollment.

Yet some schools-centers manage misbehavior without resorting to exclusionary discipline as a matter of policy.

There’s consensus by educators, academics and parents that repeated, prolonged removals from the classroom negatively impact a child’s educational, social-emotional developmental progress. It also poses challenges to parents and families.

“There are very few parents in a position where suddenly having a child home for some amount of time is going to be easily managed. This can create significant challenges for families.” said Juliet Summers, policy coordinator for Child Welfare and Juvenile Justice at Voices for Children in Nebraska.

Jana Habrock, director of Early Childhood Mental Health at the Child Saving Institute (CSI), said, “Research and experts agree suspension-expulsion is harmful for young children. It has damaging effects on children and their relationship to school and the message it sends to them about their worth.”

“As a practical matter,” Summers said, “every time a student is suspended or expelled, learning time is lost. When the student returns to class, he or she will be a little bit behind, understand a little bit less of what the class is learning. The student may act out from boredom or lack of understanding, and the cycle repeats.

“This repeat cycle of behavioral choices, being excluded, feeling unwelcome, returning and feeling lost, can certainly foster negative perceptions about school, education and authority figures. Exclusionary discipline, particularly for young children, can have lasting impacts. If a child comes to believe he or she is unwelcome or unwanted in a classroom environment, one defense mechanism can be to decide he or she does not want to be there anyway and act out accordingly. Written or unwritten labels of ‘the bad kid’ can stick, not just with educators, but with children themselves.”

At Nelson Mandela School in North Omaha, principal Susan Toohey said, “We don’t believe in suspensions – we believe in timeouts.” Serving a suspension at home, she said, “is probably not going to be educationally fruitful and a kid gets the mindset that I’m bad.

“Doing restorative justice within the school setting – to change behavior to get the child back with peers – is much better.”

Sherwood Foundation-supported Educare centers do not use suspension-expulsion for the same reasons.

Path of least resistance

Exclusionary discipline is even more problematic when applied arbitrarily or as an expediency.

“At times, I think suspension-expulsion is used to send a message to the parent the behavior is serious,” said CSI’s Habrock, adding, “Sometimes the center or school does not know what else to do to improve the behavior.”

Resources are available to assist educators and parents.

At CSI, Habrock said, “we did not suspend or expel kids, but we also did not know what to do with kids coming in our doors that had been expelled from other programs and had significantly challenging behavior. So, we started a program, KidSquad, to support these kids and get them prepared for the behavior expectations of kindergarten and the school setting.”

Child care centers can become last resort “babysitting” options for expelled elementary school children. Age and developmental-needs differences pose problems.

“I think our program continues to exist and maintain a wait list for services because challenging behavior is hard, overwhelming and frustrating – and teachers and parents don’t know what to do,” Habrock said.

Another early childhood focused training program, Rooted in Relationships, works to prevent suspension by coaching childcare providers to use the Pyramid Model – a positive behavioral intervention and support framework – and providing information about the harm suspension practices cause.

Habrock concedes educators must “balance keeping all children safe.”

Studies and parent testimonies, however, suggest many children get thrown out of school for behaviors denoted as “disrespect,” “insubordination” and “verbal conflicts” that pose no safety risk. The severity of other behaviors resulting in suspension, such as fighting, are open to interpretation. Thus, there’s momentum around Too Young to Suspend legislation that limits suspension-expulsion to only clear threats of physical danger. Nebraska State Sen. Megan Hunt is sponsoring the Too Young to Suspend Act in LB 165. It’s been referred to the Unicameral’s Education Committee.

A mishmash of procedures in private child care centers makes standardized suspension-expulsion rules difficult. Public schools, however, have structures, policies and government funding in place that provide framework and leverage for system-wide uniformity.

“I think we have really great evidence that pushing a student out of school is not good for that individual student, and it’s not good for the rest of the students either,” said Voices’ Juliet Summers. “One of the best predictors of student achievement for a school is not necessarily the poverty or crime rate of a neighborhood but rather how strong the relationships are that parents, administrators, teachers and students describe.”

Lack of staff training and resources may explain why some kids get suspended or expelled.

“Even in classrooms where teachers have bachelor degrees in early childhood education,” Habrock said, “they often have very little hands-on experience in preventing behavior and implementing strategies to improve behavior. That is changing some in our colleges and universities, but there is still more to be done.”

As more children present Individualized Education Plans (IEPs), some disruptive behavior may be rooted in trauma requiring professional mental health intervention.

“More than one child in a classroom with these types of experiences can overwhelm the capacities of even the best teachers,” Habrock said.

Just don’t expect easy answers for “a multi-layered issue,” she and other experts say.

Adequate training and resources are only part of it.

“Making adjustments to meet the individual needs of each child is the gold standard in early childhood education,” Habrock said. “Programs in our community like Early Head Start, Head Start and NAEYC (National Association for the Education of Young Children), accredited child care programs do this really well. Those programs often have additional resources like family support workers or lower teacher-child ratios to bridge home and school to learn the individual needs of each child. Programs without those resources have a more difficult time accommodating individual child needs.”

Early Buffett Childhood Institute founding Executive Director Sam Meisels said, “Almost always a situation that could lead to expulsion of a preschooler is an environmental problem. It’s a simple thing but a not-so-simple or unimportant thing. Often a teacher doesn’t know how to structure a physical space for preschoolers. To expel a child at that age is a failure on the part of the teacher. Mostly we can figure this thing out or get some help to figure it out.”

Said Habrock, “Nearly all early childhood experts agree play is how young children learn. But with the push for academics at earlier and earlier years, we see less and less time for things like center time and outdoor play.”

Making it personal

Educators believing they’ve failed a child is one thing. Parents having their child kicked out of school is another. Tunette Powell and her husband are well-educated, good-earning African-American parents of two young boys. The couple provide a safe, stable home, and yet their sons got suspended from a Bellevue preschool in 2014.

“If you looked at our situation you would say this would never happen – and here it happened. It was a shock and a wake-up call at the same time,” Powell said.

It evoked memories of her own elementary school suspension in her native San Antonio. The experience, she said, put her behind. Since her sons’ suspension, she gets triggered whenever their school calls.

Powell, a writer and public speaker, shared her family’s story in a blog that went viral. She instantly gained a national platform to address the issue. Today she’s Parent Engagement Coach at the UCLA Parent Project and a UCLA doctoral student in Urban Schooling. Her dissertation is based on interviews with black parents, including Omahans, who’ve had children suspended.

Powell was shocked again when she discovered how embedded racialized suspension is in early education.

“We always knew about K-12. For younger children the data is very new. However, we as a nation have been capturing data about this since the 1970s, so at this point we know there’s a problem. But I don’t think people expected the disparity would also be present for children as young as 3 and 4 years old.”

She traces the suspension epidemic and the disparity of its application to when integration introduced more black children to majority schools.

“It has its roots in desegregation and, if we want to go beyond that, we have to talk about the context in which black people were brought and put here in the first place. It’s always been about social control.”

Her thesis, she said, “looks at the damage done to the minds and spirits of black parents when they have a child suspended. They’re sharing some pretty              heartbreaking and emotional things about how this is impacting their lives. I call it collective trauma.”

She’s been there herself.

“It’s my life. It’s one thing to read statistics but it’s another to hear stories. And this is where black parents are especially important. We have to be sharing our stories. These parents hurt. They’re embarrassed. They’re made to feel that if my child is in trouble then they’re a problem and that means I must have given birth to a problem. That’s the way we frame right now.

“It’s not to say black kids don’t present behavior issues. But when we see the disparities we have to be honest and say it’s probably not the child that’s the problem.”

Powell echoes others that school disciplinary actions can haunt youth into adulthood.

Omaha business owner David Mitchell dealt with “the negative results of elementary school suspension” into high school, when, he said, he was finally “comfortable exploring my scholastic abilities.”

Bias

“We know it’s an embarrassment for the child,” Powell said. “We know it severs early ties with peers and teachers. It’s completely disrupting to everything about the child’s life. It stigmatizes young people. Your suspension history record follows you in school the same way incarceration does when you’re job-seeking. Teachers are likely to see you through one lens only.”

Nelson Mandela principal Susan Toohey agrees. “We all come to our work with the lens with which we were given, and some of us need to change our lens.”

“We still need a lot of work in breaking down bias and implicit bias,” Juliet Summers of Voices said. “Teachers and administrators have huge hearts for their students, but all of us walk around with implicit biases drilled into us through our culture. Educators are not exempt.”

“Implicit bias is something we see in our work,” Habrock said. “We have done some community training-professional development on cultural competence. We also address implicit bias in our consultation with teachers. This spring we will bring a national expert on this topic to provide training to the KidSquad team and others to improve our skills at addressing implicit bias and disproportionate discipline.”

In schools with diverse students but predominantly white educators, “it’s inevitable biases and prejudices will be a factor,” said Gabrielle Gaines-Liwaru.The former OPS teacher seeks to “change the culture and climate of the public education tree that seems to drop many African-American students like bad apples.”

Summers believes bias is one piece of the situation.

“Another piece,” she said, “is that black students are more likely to attend under-resourced schools in a classroom where a teacher has more students to handle, sometimes more with higher, more various needs. In those environments teachers don’t have what they need to meet any behavioral challenges with the same level of patience and grace and welcoming arms.”

Buffett Early Childhood guru Sam Meisels said, “There are problems of identification with the authority figure who looks different and is different – some children coming from minority backgrounds may not have encountered a white authority figure previously.”

Given bias is real, Gaines-Liwaru said, “Building diversity understanding and cultural empathy through appropriate professional development for educators and support staff should be every urban school district’s mandate, and it should be on-going.”

For Gaines-Liwaru, remedying the “disproportionate suspension mess and injustice” should include engagement in curriculum students “can see themselves in.” She fears “It’s easier to put kids out of the classroom, document negative behaviors and allow suspensions to ensue than to individually research and design lessons that empower students in their racial-cultural identities.”

She advocates “putting resources towards diversifying teaching staff” and “utilizing restorative justice methods that teach kids healthy social skills and behavior management techniques versus suspending them.”

OPS has made diversifying its teacher-administrator ranks a priority. It contracts with the Minnesota Humanities Center for voluntary cultural competency training. The district’s plan to reduce disproportionate suspension among special-ed students includes closer partnerships with Project Harmony and other mental health resources. OPS is also working to implement a problem-solving model called Multi-Tiered Systems of Support for Behavior (MTSS-B) to more effectively and equitably address misbehavior and discipline.

Activism-Advocacy

“It’s not enough to have blacks in leadership roles,” said Tunette Powell. “We have a tendency to be content or complacent with that. We need to really push them. If you’re leading a district struggling with disproportionally, what are you going to do about it? We have to hold people accountable. We are so far beyond symbolism.”

If there’s to be change, Powell said, “black parents need to discuss their experiences and take those to school board and community meetings. We have to become the community leaders and activists. I think people don’t want to listen to black parents because often we don’t have a Ph.D. after our names. But we can’t ignore black parents’ voices anymore.

“I wish education officials would be bold enough to say that systemically we have failed black children. It’s the only way we can move forward.”

Omaha community activist Leo Louis II held fall public forums on school suspension after black parents asked him to be an advocate in dealing with OPS.

“Often times the parent is completely unprepared for what the school has planned for their child,” he said.

He’s concerned that terms associated with adult criminal allegations, such as “assault” and “abuse,” are used to describe some young children’s misbehavior.

The forums have yielded personal testimonies about suspension and alternatives to its practice.

“it’s been my task to educate the community this is not a unique situation to individuals and individual families but a systemic thing,” Louis said. “We’re seeking allies willing to have this conversation and to put in real work toward the solutions.”

One ally, Sharif Liwaru, was fired in December as director of OPS’ Office of Equity and Diversity after forwarding an email from Louis about a school suspension forum at North High to district principals. Liwaru said he didn’t direct or invite school officials to attend but merely shared the event notice. Two previous suspension forums were held at the Malcolm X Memorial Foundation, for which Liwaru is president.

Louis led a silent protest of Liwaru’s firing at a Jan. 7 school board meeting.

The district will not comment on personnel matters.

Liwaru has not moved on from the suspension issue. He’s now executive director of the new grassroots Justice for Kids Initiative that seeks to reduce school suspensions.  Organizers and supporters held a Feb. 3 launch to build awareness and raise funds.

He worries alternatives will receive short shrift as long “as educational exclusion is on the table.”

“We need to find alternatives to suspension that actually teach the appropriate behavior as an immediate response to violations and we need to have solutions that build relationships between students and teachers. Bigger than that, we have to have the difficult dialogue about racism and how it shows up here,” said Liwaru, whose wife is Gabrielle Gaines-Liwaru.

“Cooperative relationships and open communication between school, student and parent are fundamental to every child achieving his or her educational goals,” Summers said. “When a student is excluded from the school environment, particularly if strong lines of communication have not already been created, it can send the wrong message.”

School-to-prison pipeline?

Some suggest the jarring interruption of being severed from school contributes to truancy and drop-out behaviors. Once youth come in contact with law enforcement and the criminal justice system, this pattern can be a school-to-prison pipeline gateway. Former U.S. Secretary of Education Arne Duncan said so in 2014.

“You talk about setting kids on a wrong pathway – it just adds to the trauma many children experience. The science is pretty clear,” said Buffett Early Childhood Fund President Jessie Rasmussen. “These things happening in the earliest years of a kid’s life have a direct connection to their trajectory for life. It doesn’t mean we can’t do interventions later, but it’s harder, more time and resource intensive and far too often not successful.”

The skew of blacks and Latinos facing exclusionary discipline mirrors that of individuals in detention and incarceration. The U.S. Office of Civil Rights reports that schools with Student Resource Officers have much higher arrests and referrals to law enforcement for black students than white students. A permanent police presence in schools makes children far more likely to be subject to school-based arrests for disciplinary matters than a generation ago, said ACLU Nebraska Legal Counsel Rose Godinez, “A school-based arrest is the quickest route from the classroom to the courthouse.”

ACLU Nebraska recommends “positive alternatives to exclusionary punishments” to improve student safety.

It’s clear to Powell and others that the same “racialized narratives” behind over-policing, profiling and criminalizing of adult black male scours in schools, where black boys are viewed as “older or less innocent.”

“Just as communities are exploring alternatives to detention, we must consider alternatives to suspensions-expulsions which push kids out and cause them to disengage with education,” said ReConnect Inc. Executive Director LaVon Stennis-Williams. Her program works with families who have contact with the justice system. She sees a direct correlation between exclusionary discipline and delinquency.

“Often what we label as a disciplinary problem is actually the child acting out because he or she is so far behind in school that learning is not making sense,” said Stennis Williams. “Some of this might be due to learning disabilities that go unmet. I have had youth sent to my program for day reporting due to long-term suspensions or expulsions who have gone months with no educational services. So the youth will eventually quit school at an early age and spiral in and out of the juvenile justice system until reaching the magic age to be charged as an adult.”

No one wants children’s welfare to get lost in the shuffle.

“Because a child can be disruptive for your whole class, it’s easy to say in the interest of all the other kids this kid’s got to go, What we should say is that in the interest of all kids all kids need to stay,” said Rasmussen. “This is not anything about the children. This is about decisions by adults, and that’s how we have to see it.

“Our job is to promote this child’s healthy growth and development. Our responsibility is to figure out how best to do that and what they need and to work in partnership with parents to accomplish that,” Rasmussen said. “It’s more important to get the support to the parents and the caretakers than to somehow penalize children.”

Meanwhile, Sharif Liwaru sounds a note of collective remediation. “Because this is so complex,” he said, “we must all take ownership.”

Read more of Leo Adam Biga’s work at leoadambiga.com.

 

A firsthand account of school suspension and trauma

Black mother, 2 sons suffer the wounds of expulsion

By Tunette Powell

When I was three 3 years old, I was expelled from preschool because — as my mother remembers it — I was “acting too grown.”

I was a preschool dropout.

My elementary experience was similar. Whether it was me “acting too grown,” fighting over something silly or passing letters because I was bored, the end result was the same: I was suspended, and because my mother worked, my Aunt Linda and my grandma watched me.

It was the early 1990s, and on the East Side of San Antonio, Texas, where I grew up, the black community was unraveling. Crack cocaine had kidnapped black mothers and fathers, including my father. When my grandma saw me in the principal’s office, it was reminiscent of the countless times she had seen my father strung out on crack cocaine as he was being hauled off to the county jail. To my grandma, my schooling experience had become my father’s prison experience.

As I got older, rather than focusing on becoming better in school, I focused on getting out. The older I got, the less I attended school. I was chronically absent and despite a B+ average in high school, my mother was forced to pay a fine, to the courts, for my absenteeism.  I was assigned to a probation officer and sentenced to Saturday school and after-school detention for most of my 11th-grade year of high school to make up for all of the days I had missed. Despite skipping school and being suspended at nearly every grade level of K-12, I graduated from high school and tried college for a bit before dropping out. I eventually went back to college after a four-year hiatus, and in 2012, eight years after graduating from high school, I became the first woman — and just the second person — in my family to earn a bachelor’s degree. On the surface, it appeared as though the adult-me had outrun the school-suspended child-me.  On the surface, the trauma of being cast out by schooling, and the trauma experienced in my family had been conquered.

And then in 2014, the phone rang.

“We need you to come pick up Jason,” the director of my oldest son’s preschool said.

“Is he being suspended?” I asked.

“We don’t like to use the word ‘suspended,’” the director said. “We just call it going home for the day.”

That same year, my oldest two sons, Jason and Joah, who were 3 and 4 years old at the time, went “home for the day” nearly a dozen times combined. By 2014, my life was completely different than that of the 1990s. Having escaped poverty and married now, my husband, who was in the Air Force, and I were living in suburban Omaha. I was a published author, motivational speaker and founder of a nonprofit. But no matter the years and miles removed, that phone call took me back to my childhood; that of not only being told that I was a problem but actually believing it. While on the first of multiple calls that year with my children’s preschool, I was reminded that I could not outrun trauma, out-accomplish trauma, nor could I buy my way out of trauma. The trauma of my childhood experiences with suspension and those of my children permeated my core being. Similar to a solider, safe and away from the battlefields, having a reflexive duck-for-cover response after hearing a loud sound, suspension had “impaired my hearing.”  Every time the phone rang, the sound brought tears to my eyes as I was always expecting it to be a suspension phone call. The trauma impaired my sight. As I looked in the mirror, I no longer saw the accomplished woman, only a problem who had given birth to two problems.

For black families throughout the United States, this has become the norm as black children have become the most suspended students in the country, according to a report released in 2018 by the U.S. Government Accountability Office. According to that report and others like it, black boys are the most suspended of any group of students; and Black girls — the most suspended of all girls — have the highest-growing suspension rate of all students. Black K-12 students are nearly four times as likely to receive one or more out-of-school suspensions as white students. Among children in preschool, black children, who make up only 19 percent of preschool enrollment, represent 47 percent of out-of-school suspensions. Furthermore, according to a report released by UCLA’s Civil Rights Project, even among students with disabilities, who carry federal documents that are supposed to protect their civil rights (e.g. IEP and 504 plans), black students are unprotected as they are suspended more often than any other group of students with disabilities. Based on these statistics, it is easy to assume black children – as young as 3 and 4 years old – are the problem, that their behavior and emotional responses are particularly maladaptive to schooling.  However, black and white children do not behave very differently; it is the adult response that is different. Previous studies have shown that adults typically view black children as older, less innocent and more blameworthy compared with non-black children, including Latino children.

In my case, I was a curious child who asked a lot of questions and enjoyed talking. At home, my family, especially my father, called me smart and gifted. However, at school, preschool teachers interpreted that behavior as me “acting too grown.” These school discipline disparities are rooted in a history of the dehumanization and adultification of black children. Black children are treated like they should know better, adultified and are consequently robbed of the chance to be children. For example, in 2016, a group out of Yale University found that the early childhood educators tended to observe black students more closely, especially black boys. According to their study, early childhood educators expected black preschoolers to exhibit more challenging behaviors compared with their non-black peers. This has resulted in the increased likelihood of dropping out of high school, academic failure, grade retention and future incarceration – all things that are harmful and traumatic to black children and their families.

As the Trump administration is repealing federal protections that guard students from these discriminatory practices, the fight to disrupt and dismantle what is happening in schools must be fought at the local level – and must begin and end with black families. All across the nation, in cities such as Los Angeles; Portland, Oregon; and Dayton, Ohio, black families are fighting against school suspension and supporting behavior intervention. In Omaha, where black families are met with the same fate as black families nationally, the time to be vocal is now. The single-most-important first step of disrupting and dismantling school suspension disparities is for black parents and students to share their experiences. Additionally, because parents in other states have launched grassroots efforts to combat school suspension, it is important to study those successes. For example, Dignity in Schools – a national coalition of parents, youth and community organizers to end school pushout – offers a toolkit for parents, youth and organizers who want to combat school pushout. This toolkit includes organizing and campaign strategies as well as fact sheets and sample reports.

Right after desegregation, black parents tried to alert us of school suspension disparities. More than 50 years later, the cries of black parents have gone unheard, resulting in black children being the most pushed-out children in the country. However, at this time in history, black parents are lifting their voices in ways that are forcing school districts to hear us and see us. Omaha needs this kind of rallying.

Tunette Powell..JPG

Commemorating Black History Month Links to North Omaha stories from 1998 through 2018 (Part II of four-part series)

February 9, 2019 Leave a comment

Commemorating Black History Month

Links to North Omaha stories from 1998 through 2018

 
 
 
Articles on social justice, civil rights, race, history, faith, family, community, business, politics. education, art, music, theater, film, culture, et cetera
 
A weekly four-part series
This week: Part II –  Faith, family, community, business, politics

 

https://leoadambiga.com/2016/11/16/interfaith-journ…rfaith-walk-work/

Good Shepherds of North Omaha: Ministers and Churches Making a …

https://leoadambiga.com/…/the-shepherds-of-northomahaministers-and- churches-making-a-difference-in-area-of-great-need/

https://leoadambiga.com/2010/08/30/two-blended-hous…houses-unidvided

https://leoadambiga.com/2016/11/14/small-but-mighty…idst-differences

https://leoadambiga.com/2011/09/16/everyones-welcom…g-bread-together/

https://leoadambiga.com/2014/02/02/upon-this-rock-h…trinity-lutheran/

https://leoadambiga.com/2010/05/31/gimme-shelter-sa…en-for-searchers

https://leoadambiga.com/2011/01/09/an-open-invitati…-catholic-church

https://leoadambiga.com/2012/07/15/everything-old-i…-church-in-omaha/

https://leoadambiga.com/2015/03/10/the-sweet-sounds…ts-freedom-choir/

Sacred Heart Freedom Choir | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/sacred-heart-freedom-choir/‎

Salem’s Voices of Victory Gospel Choir Gets Justified with the Lord …

https://leoadambiga.com/…/salems-voices-of-victory-gospel-choir-gets-justified-with-the-lord/

https://leoadambiga.com/2010/07/11/the-myers-legacy…ng-and-community/

A Homecoming Like No Other – The Reader

http://thereader.com/news/a-homecoming-like-no-other/

Native Omaha Days: A Black is Beautiful Celebration, Now, and All …

https://leoadambiga.com/…/nativeomahadays-a-black-is-beautiful- celebration-now-and-all-the-days-gone-by/

https://leoadambiga.com/2011/06/11/back-in-the-day-…party-all-in-one

https://leoadambiga.com/2011/06/05/how-one-family-d…-during-the-days/

Bryant-Fisher | Omaha Magazine

http://omahamagazine.com/articles/tag/bryant-fisher/.

A Family Thing – The Reader | Omaha, Nebraska

http://thereader.com/news/a_family_thing/.

https://leoadambiga.com/2011/06/11/big-mama’s-keeps…ve-ins-and-dives/

Big Mama, Bigger Heart | Omaha Magazine

http://omahamagazine.com/articles/big-mama-bigger-heart/

Entrepreneur and craftsman John Hargiss invests in North Omaha …

http://thereader.com/visual-art/entrepreneur_and_craftsman_john_hargiss_invests_in_north_omaha/

https://leoadambiga.com/2016/06/30/creative-to-the-…s-handmade-world/

https://leoadambiga.com/2013/09/27/minne-lusa-house…on-and-community/

https://leoadambiga.com/2013/10/22/a-culinary-horti…ommunity-college/

https://leoadambiga.com/2012/08/28/revival-of-benso…estination-place

A Mentoring We Will Go | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2010/06/18/a-mentoring-we-will-go

https://leoadambiga.com/2018/01/08/tech-maven-lasho…past-stereotypes/

https://leoadambiga.com/2017/08/22/omaha-small-busi…rs-entrepreneurs

Omaha Northwest Radial Hwy | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/omaha-northwest-radial-hwy/

Isabel Wilkerson | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/isabel-wilkerson/

The Great Migration comes home – The Reader

http://thereader.com/visual-art/the_great_migration_comes_home/.

Goodwin’s Spencer Street Barber Shop – Leo Adam Biga’s My Inside …

https://leoadambiga.com/2010/04/29/goodwins-spencer-street-barbershop-we-cut-heads-and-broaden-minds-too/.

Free Radical Ernie Chambers – The Reader

http://www.thereader.com/post/free_radical_ernie_chambers

https://leoadambiga.com/2016/03/15/deadeye-marcus-m…t-shooter-at-100/

https://leoadambiga.com/2012/01/15/north-omaha-cham…s-the-good-fight

North’s Star: Gene Haynes builds legacy as education leader with …

https://leoadambiga.com/…/norths-star-gene-haynes-builds-legacy-as-education-leader-with-omaha-public-schools-and-north-high-school…

Brenda Council: A public servant’s life | Leo Adam Biga’s My Inside …

https://leoadambiga.com/…/brenda-council-a-public-servants-life/‎

https://leoadambiga.com/2012/04/17/carole-woods-har…ess-and-politics/ ‎

Radio One Queen Cathy Hughes Rules By Keeping It Real …

https://leoadambiga.com/2010/04/29/radio-one-queen-cathy-hughes…

Miss Leola Says Goodbye | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2011/09/01/miss-leola-says-goodbye/.

https://leoadambiga.com/2011/09/02/leola-keeps-the-…-side-music-shop/

Aisha Okudi’s story of inspiration and transformation …

http://thereader.com/news/aisha_okudis_story_of_inspiration_and_transformation/

Alesia Lester: A Conversation in the Gossip Salon | Leo …

https://leoadambiga.com/2016/03/09/alesia-lester-a-conversation-in…

Viv Ewing | Omaha Magazine

http://omahamagazine.com/articles/tag/viv-ewing/

https://leoadambiga.com/2015/02/11/sex-talk-comes-w…rri-nared-brooks/

https://leoadambiga.com/2010/08/29/strong-smart-and…-girls-inc-story/

https://leoadambiga.com/2015/10/13/omaha-couple-exp…ica-in-many-ways

Parenting the Second Time Around Holds Challenges and …

https://leoadambiga.com/2012/11/25/parenting-the-second-time…

Pamela Jo Berry brings art fest to North Omaha – The Reader

http://thereader.com/visual-art/pamela_jo_berry_brings_art_fest_to_north_omaha/

https://leoadambiga.com/2010/06/06/its-a-hoops-cult…asketball-league/

Tunette Powell | Omaha Magazine

http://omahamagazine.com/articles/tag/tunette-powell/

Finding Her Voice: Tunette Powell Comes Out of the Dark …

https://leoadambiga.com/2013/01/24/finding-her-voice-tunette..

Shonna Dorsey | Omaha Magazine

http://omahamagazine.com/articles/tag/shonna-dorsey/

Finding Normal: Schalisha Walker’s journey finding normal …

https://leoadambiga.com/2014/07/18/finding-normal-schalisha-walker..

Patique Collins | Omaha Magazine

http://omahamagazine.com/articles/tag/patique-collins/

Omaha’s jazz past and present merge at The Jewell 

February 9, 2019 1 comment

Omaha’s jazz past and present merge at The Jewell 

©by Leo Adam Biga

Appearing in the February 2019 edition of The Reader (www.thereader.com)

 

Brian McKenna, a drummer and former Sony Music Studios executive, pays homage to North Omaha’s rich jazz history at his new downtown club, The Jewell, in the Capitol District.

The fine dining-live music establishment’s February 6-7 grand opening features Grammy Award-winner David Sanborn and his Jazz Quintet.

McKenna’s appreciation for North O’s legacy music scene is evident throughout the swank space. Oversized reproductions of archival photos picture icons who played the Dreamland Ballroom. The black and white images add warmth to an already intimate room distinguished by a contoured stage backdrop meant to represent a jewel’s kaleidoscopic patterns. The club takes its name from Jimmy Jewell Jr., who booked the killer acts that made the Dreamland on North 24th Street a venue of some renown in jazz circles.

Dreamland operated on an upper floor of the Jewell Building, which today is home to nonprofit agencies, and back in the day housed a street level barber shop and pool hall. Leave it to a transplant from New York to put the Dreamland, which closed in 1965, front and center again. McKenna, an Eastman School of Music graduate, first learned about the venue in school. He was intrigued how it was a Midwest circuit stop for touring legends Louis Armstrong, Duke Ellington, Count Basie, Dizzy Gillespie, Nat King Cole, Sarah Vaughan, Dinah Washington, Lionel Hampton and many more.

Now the Jewell carries forward the Dreamland’s heritage.

“To revitalize it a little bit is kind of cool. That’s why I called it The Jewell – to bring that back and to do right by North Omaha,” said McKenna, who’s located his club in the Capitol District to take advantage of folks staying in downtown’s 3,000 hotel rooms. Besides, North Omaha already has Love’s Jazz & Art Center.

Still, he said, “This is not going to happen without North Omaha’s blessing. I have 11 investors from different pockets of the city, including North Omaha. I’m taking ads out in the Omaha Star. I’m trying to really embrace this authentic storyline, so that we can work together to make sure this is a community celebration.”

He wants The Jewell to be a platform for sharing this undertold narrative about North O’s live music culture.

“Along the way I’ve been telling this story and a lot of people don’t know this story. To keep it genuine, we’ve got to really spell it out.”

When McKenna and his Fremont, Nebraska native wife moved to Omaha in 2015 to raise their daughter, he researched Jimmy Jewell Jr., the Dreamland, other historic local music hives and the many noted musicians who resided or visited here. Once the Jewell idea crystalized, he sounded out North O leaders (Mike Maroney, Al Goodwin) and players (Curly Martin) for their knowledge and approval in creating a venue that’s both tribute to the past and showcase for established and emerging talent.

Having left Sony in 2008 to form his own music management company, McKenna Group Productions, which he now operates out of Omaha and New York, and fueled by his fascination with the history here, he found a project to challenge himself.

 

Brian McKenna at The Jewell.jpg

 

Brian McKenna at The Jewell

 

 

“I figured out something that wasn’t here at the level I thought it should be and that was a proper sit-down fine dining music venue,” he said. “But I knew it wasn’t going to work unless we really found the thread – and that was North Omaha.

“We’re going to hopefully carry that torch and really expose what used to be and try to bring some people back and then deliver that to future generations. The next generations need to know that this was a great scene, a beautiful scene. There’s a huge story there.”

McKenna marvels at what Jimmy Jewell Jr. did.

“He was able to get the biggest names. I mean, c’mon, man. It’s not easy to convince managers and agents,

but he was selling out the venue from 1930 all the way to 1965. Kudos to Jimmy Jewell Jr. for doing that.”

McKenna’s collecting stories. How on an extended Omaha stay, Nat King Cole wrote the hit “Straighten Up and Fly Right” –  “i’ve got some artists that will be doing tributes to Nat King Cole” – and how artists arrived by bus and stayed in private black homes or black boardinghouses, lionized by adoring neighbors. After gigs, star musicians jammed with local players.

Meanwhile, hometown musicians honed their chops here before going off to solo, sidemen, studio session careers. Victor Lewis, Arno Lucas, Carol Rogers, Calvin Keys, Lois McMorris, the late Buddy Miles and others broke out. Those who left (Wali Ali) or returned (Curly Martin) now have a new place to gig at.

McKenna digs how Count Basie hired Preston Love Sr. at the Dreamland to tour with his orchestra and how Anna Mae Winburn headlined there and later lead the International Sweethearts of Rhythm all-female swing band that McKenna studied in college.

“We need to talk about this,” McKenna said. “We’re going to really be celebrating the historical sense but also bringing the new players, too, like Esperanza Spalding and Christian McBride. Every time I go back East and talk to them about North Omaha, they’re like, ‘Oh yeah – there was a scene there.’ We’ve got to put the spotlight on that. That’s what I want to do. On our social media we’re posting a lot of that historical stuff. We’ve got to educate folks that we had this here.”

He’s also insisting artists make pilgrimages to the Jewell Building, whose display of photos from the Dreamland’s heyday, said McKenna, “gives me chills.”

David Sanborn is eager to learn.

“I’m sorry to say I’m unaware of the history of jazz in Omaha. It’ll certainly be new to me and an interesting experience,” Sanborn said.

McKenna’s taking steps to immerse visiting artists in the community by contractually requiring they do outreach through master classes or workshops. “I have relationships with UNO, the Holland Center and Love’s for this educational component.”

His support of the local music community extends to reserving Wednesdays for area performers.

Programming-wise, the club’s “not going to be a hundred percent jazz,” he said, adding, “There are  singer-songwriters coming through.”

The Jewell’s about good quality music, whatever the genre. Just no hard rock.

“It’s good to be diverse like that. Good music is good music.”

Further rooting the club to this place is Assistant General Manager Monique Alexander, a North Omaha native with a legacy connection to Duke Ellington as a distant cousin.

McKenna, who rose through the Sony ranks as a researcher, librarian and eventually vice president of audio operations and marketing. is applying his expertise to the entire endeavor.

“I felt I should do something that taps into that experience. Managing artists is great but you’ve got to do something in the community, too.”

He’s modeled The Jewell after Dizzy’s Club Coca-Cola in New York. Dakota in Minneapolis and Jazz St. Louis.

His industry contacts with agents, managers and talent bookers should aid in attracting top tier artists.

“We will get Wynton Marsalis out here, I guarantee you that. But the timing’s got to be right.”

He’s confident the club’s high standards of decor, house instruments (a Steinway piano, a custom Gretsch drum kit, a killer base) and acoustics (a floating ceiling to isolate vibrations from above), combined with its historical focus, will attract name talents.

“They will do whatever it takes to perform at great venues.”

McKenna’s left nothing to chance.

“It needs to be nurtured and developed. It’s not going to be rushed. It’s gotta be done right. To put this together has not been an easy thing. It’s been very detailed oriented. Every single move I’m making means something.”

The cozy, 150-seat venue boasts great sight-lines, with patrons only a few feet from the stage.

“When you’re that close it’s a different thing,” he said. “That’s the treat – to be that close to these types of artists. They’ll talk to you in a different way than they will performing in a big house. That’s what I love about this club – it’s a whole different vibe.”

He’s leveraging The Jewell’s sustainability on business travelers-tourists as well as locals looking for a signature night out. The club, at 1030 Capitol Avenue, is accessible from the Marriott and The Capitol Plaza.

It has its own dedicated chefs (Jon Seymour and Mark Budler) food and beverage director (Brent Hockenberry), hosts and servers in putting out its New Orleans-influenced menu.

McKenna expects to draw diverse audiences.

“People of all different cultures and walks of life will congregate similar to what happened at the Dreamland Ballroom. People will come to eat, drink and hear great music.”

The club worked out the kinks during a soft opening that launched January 17. Sanborn will help officially usher in The Jewell at a ribbon-cutting. He and his quintet will play 6:30 and 8:30 p.m. shows both nights. Sanborn’s trademark alto saxophone will blend with acoustic bass, drums, piano and trombone in performing works from his personal repertoire and from the late jazz composer-instrumentalist, Michael Brecker.

For tickets and upcoming featured artists, visit https://jewellomaha.com.

Read more of Leo Adam Biga’s work at leoadambiga.com.

 

David Sanborn Interview: The Jewell’s grand-opening artist shares some of his music takes

February 9, 2019 Leave a comment

David Sanborn Interview: The Jewell’s grand-opening artist shares some of his music takes

©by Leo Adam Biga

 

Grammy-winning alto saxophone master David Sanborn helped usher in Omaha’s new live music hot spot, The Jewell, at its February 6-7 grand opening in the Capitol District.

I got a chance to interview him before his quintet played their Omaha gig.

Check out my Reader feature on The Jewell, its owner Brian McKenna and his club’s tribute to the North Omaha live music scene legacy on my blog, leoadambiga.com, or on the paper’s website, http://www.thereader.com.

 

David Sanborn Interview

 

Saxophonist David Sanborn long ago made his musical bones, yet still marvels at his good fortune.

“Yeah, every day I’m grateful I’m able to actually make a living doing something i love to do,” Sanborn said. “I’m kind of amazed that at my age I’m still able to do that.”

 

His natural curiosity finds him ever exploring his instrument and craft.

“It’s a discipline you never completely master because it’s all about process, so the more you play, the more you hear. It just keeps opening up. There’s always another door to open, another corner to turn, another world to discover. That’s the great thrill of music  – you never get to the end of it. You’ve got to develop a sense of humility about it if you’re going to keep from going crazy.”

 

His exploration resides in both the sound and the silence.

“It’s just new ways of looking at harmony, new ways of looking at space, and use of notes, and understanding in a deeper way the relationship of silence and sound. The sound and the silence are of equal value.”

 

David Sanborn Quintet to Grace Enlow Recital Hall

 

Music is mystery.

“If you look at music as interrupting the silence, the sound only has meaning in the silence that surrounds you,” he said. “What you’re doing as any artist is manipulating space. You have to honor those spaces where you’re not. Especially if you’re playing in a group, it’s not all about what you’re doing, it’s how you interact with people and where you play and don’t play. It’s a conversation you want to keep interesting, dynamic and engaged.”

In terms of new directions he’s ventured into as an artist, he said, “I don’t know if it’s so much a matter of my tastes changing or what I’m interested in pursuing has changed, but I mean the basic thrust of it is that I’m curious about things, about life in general and because music is the centerpiece of my life, about music.

The seeking and learning never stops.

“It’s always going to change. Somebody’s going to have something else to say. It depends on the venue, how the audience reacts to you. You need to respond to all of that. So if you look at it that way, it never gets old, and it’s always new and you’re always discovering new things.”

As for jazz, he said, “the idea of collective improvisation and what the rules are are constantly being redefined.”

 

“You can’t keep recreating a style or an era of the music because then it’s just a museum piece. Jazz is an evolving, vital, art form. The reason it holds such fascination is because it’s a very challenging art form where you’re composing on the spot. That’s a high wire act. It’s tremendously rewarding.”

Just as jazz is it’s own reward, he feels jazz travels its own journey and remains as relevant today as when it started. It may have a relatively small following compared to other music forms, but it’s hardly an endangered genre.

“It depends on what you think jazz is,” Sanborn said. “If jazz is a concept, if jazz is a philosophy, then it’s not going to end. It responds to the times. It incorporates elements from other types of music. if you want to break down music in terms of types. I don’t like to do that. But jazz is always going to be evolving.

 

“What we call jazz now would not necessarily have been called jazz in 1930. Maybe not. But jazz in 1930 or 1920 is not necessarily what jazz is today. So is it dead? Well, I don’t think so. I don’t think anybody would think so. If you think of jazz as a fixed thing – like this is jazz – you’d be missing the point. The same with pop or classical. It’s just music. It’s people telling their story. And they use different means to tell their story.

 

“What we loosely call jazz is one way of doing it. It reflects a certain time and place and geography. All of that.”

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