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Life Itself XVII: To All the Writers I’ve Loved Before – 25 Years of Stories About Writers and Writing

August 23, 2018 Leave a comment

Life Itself XVII:

 To All the Writers I’ve Loved Before – 25 Years of Stories About Writers and Writing

 

Noah Diaz making run for his dream at Yale School of Drama and theater companies nationwide

https://leoadambiga.com/2018/08/05/noah-diaz-making…anies-nationwide

Journalist-author Genoways takes micro and macro look at the U.S, food system

https://leoadambiga.com/2018/06/06/journalist-autho…u-s-food-syystem

Things coming full circle for Doug Marr, Phil’s Diner Series and Circle Theatre

https://leoadambiga.com/2018/04/24/things-coming-fu…d-circle-theatre/

 

 

Doug_Laura Marr

Doug Marr and wife Laura Marr

 

A book a day keeps the blues aways for avid reader and writer Ashley Xiques

https://leoadambiga.com/2017/03/03/a-book-a-day-kee…er-ashley-xiques

Voyager Bud Shaw gives up scalpel for pen

https://leoadambiga.com/2017/04/20/voyager-bud-shaw…-scalpel-for-pen

Kevin Simonson on Interviewing Hunter S. Thompson and Kurt Vonnegut

https://leoadambiga.com/2017/03/05/kevin-simonson-o…nd-kurt-vonnegut/

Literary star Ron Hansen revisits the Old West in new novel “The Kid”

https://leoadambiga.com/2016/08/25/literary-star-ro…ew-novel-the-kid/

 

Ron Hansen

 

 

Noah Diaz:

Metro theater’s man for all seasons and stages

https://leoadambiga.com/2016/07/19/noah-diaz-metro-…asons-and-stages

Old Hollywood hand living in Omaha comes out of the shadows: Screenwriter John Kaye scripted “American Hot Wax” and more

https://leoadambiga.com/2016/01/30/old-hollywood-ha…hot-wax-and-more

Bomb girl Zedeka Poindexter draws on family, food and angst for her poetry

https://leoadambiga.com/2015/03/11/zedeka-poindexte…t-for-her-poetry/

Playwright turned history detective Max Sparber turns identity search inward

https://leoadambiga.com/2015/02/07/playwright-turne…ty-search-inward/

Paul Johnsgard:

A birder’s road less traveled

https://leoadambiga.com/2016/06/24/paul-johnsgard-a…ad-less-traveled

Lew Hunter’s small town Nebraska boy made good in Hollywood story is a doozy

https://leoadambiga.com/2016/02/25/lew-hunters-smal…story-is-a-doozy

 

Hunter, Coppola B & W

Lew Hunter with Francis Ford Coppola

 

 

Alesia Lester: A Conversation in the Gossip Salon

https://leoadambiga.com/2016/03/09/alesia-lester-a-…the-gossip-salon/

Hardy’s one-man “A Christmas Carol” highlights Dickens-themed literary festival

https://leoadambiga.com/2015/11/03/hardys-one-man-a…iterary-festival/

Omaha World-Herald columnist Mike Kelly: 

A storyteller for all seasons

https://leoadambiga.com/2014/04/02/omaha-world-hera…-for-all-seasons/

 

 

Mike Kelly

Mike Kelly

 

 

Creative couple: Bob and Connie Spittler and their shared creative life 60 years in the making

https://leoadambiga.com/2015/12/23/bob-and-connie-s…rs-in-the-making/

A WASP’s racial tightrope resulted in enduring book partially set in 1960s Omaha

https://leoadambiga.com/2015/10/28/a-wasps-racial-t…t-in-1960s-omaha/

Alex Kava:

Bestselling mystery author still going strong

https://leoadambiga.com/2015/11/03/alex-kava-bestse…ill-going-strong/

Yolonda Ross adds writer-director to actress credits; In new movies by Mamet and Sayles as her own “Breaking Night” makes festival circuit

https://leoadambiga.com/2013/02/28/yolonda-ross-add…festival-circuit/

Omahans put spin on Stephen King’s “The Shining” – Jason Levering leads stage adaptation of horror classic to benefit Benson Theatre Project

https://leoadambiga.com/2014/03/17/omahans-put-thei…-theatre-project

Omaha author Timothy Schaffert delivers again with his new novel, “The Swan Gondola”

https://leoadambiga.com/2014/03/07/omaha-author-tim…the-swan-gondola/

Timothy Schaffert is seeking materials from the 1898 Trans-Mississippi Exposition for an online archive.

Timothy Schaffert

 

The Omaha Star celebrates 75 years of black woman legacy

https://leoadambiga.com/2013/04/11/the-omaha-star-c…ack-woman-legacy/

Ex-reporter Eileen Wirth pens book on Nebraska women in journalism and their leap from society page to front page

https://leoadambiga.com/2013/03/22/ex-reporter-eile…ge-to-front-page/

Bob Hoig’s unintended entree into journalism leads to career six decades strong

https://leoadambiga.com/2013/01/25/bob-hoigs-uninte…cades-strong-now/

Wounded Knee still battleground for some per new book by journalist-author Stew Magnuson

https://leoadambiga.com/2013/04/20/wounded-knee-sti…or-stew-magnuson/

Omaha native Steve Marantz looks back at city’s ’68 racial divide through prism of hoops in new book, “The Rhythm Boys of Omaha Central”

https://leoadambiga.com/2011/04/01/omaha-native-ste…of-omaha-central/

 

 

 

From the heart: Tunette Powell tells it like it is

https://leoadambiga.com/2015/03/10/from-the-heart-t…ls-it-like-it-is/

Finding her voice: Tunette Powell comes out of the dark and into the spotlight

https://leoadambiga.com/2013/01/24/finding-her-voic…to-the-spotlight/

Omowale Akintunde film “Wigger” deconstructs what race means in a faux post-racial world

https://leoadambiga.com/2010/05/21/deconstructing-w…ost-racial-world/

Beware the Singularity, singing the retribution blues: New works by Rick Dooling

https://leoadambiga.com/2010/10/10/beware-the-singu…-by-rick-dooling/

 

 

Richard Dooling's photo.

Richard Dooling

 

 

Lit Fest delves into what we fear, how we relate in extremis

https://leoadambiga.com/2015/10/09/lit-fest-delves-…late-in-extremis/

Omaha Lit Fest puts focus on Women Writers and Women in Publishing

https://leoadambiga.com/2012/10/06/omaha-lit-fest-p…en-in-publishing

Omaha Lit Fest Offers a Written Word Feast

https://leoadambiga.com/2013/10/18/omaha-lit-fest-o…itten-word-feast

Writing close to her heart: Author Joy Castro

https://leoadambiga.com/2012/11/23/author-joy-castr…in-two-new-books/

Ron Hull reviews his remarkable life in public television in new memoir

https://leoadambiga.com/2012/10/06/8945/

Ferial Pearson, award-winning educator dedicated to inclusion and social justice, helps students publish the stories of their lives

https://leoadambiga.com/2011/08/25/ferial-pearson-a…s-of-their-lives

Lit Fest brings author Carleen Brice back home flush with success of first novel, “Orange Mint and Honey”

https://leoadambiga.com/2011/07/02/lit-fest-brings-…e-mint-and-honey/

Novel’s mother-daughter thing makes it to the screen

https://leoadambiga.com/2010/10/26/novel’s-mother-d…it-to-the-screen

 

 

Carleen Brice

 

 

Sun reflection: Revisiting the Omaha Sun’s Pulitzer Prize-winning expose of Boys Town

https://leoadambiga.com/2011/04/28/sun-reflection-r…ose-on-boys-town

Alexander Payne and Kaui Hart Hemmings on the symbiosis behind his film and her novel “The Descendants” and how she helped get Hawaii right

https://leoadambiga.com/2012/01/23/alexander-payne-…get-hawaii-right/

Thy kingdom come: Richard Dooling’s TV teaming with Stephen King

https://leoadambiga.com/2012/08/16/thy-kingdom-come…ith-stephen-king/

Buffalo Bill’s Coming Out Party Courtesy Author-Balladeer Bobby Bridger

https://leoadambiga.com/2011/09/06/buffalo-bills-co…er-bobby-bridger/

 

 

 

The Worth of Things Explored by Sean Doolittle in his New Crime Novel “The Cleanup”

https://leoadambiga.com/2011/07/02/the-worth-of-thi…ovel-the-cleanup/

When Safe Isn’t Safe at All, Author Sean Doolittle Spins a Home Security Cautionary Tale

https://leoadambiga.com/2011/08/19/when-safe-isnt-s…-cautionary-tale/

Acclaimed Author and Nebraska New Wave Literary Leader Timothy Schaffert

https://leoadambiga.com/2010/05/18/nebraska-new-wav…imothy-schaffert/

A Man of His Words, Nebraska State Poet William Kloefkorn

https://leoadambiga.com/2010/07/07/a-man-of-his-wor…illiam-kloefkorn/

 

Bill and Eloise KloefkornJACOB HANNAH / Lincoln Journal Star

 

Kurt Andersen’s new novel “True Believers” revisits 1960s through reformed radical breaking her silence

https://leoadambiga.com/2012/07/28/kurt-andersens-n…king-her-silence/

Dissecting Jesse James

https://leoadambiga.com/2010/10/10/dissecting-jesse-james

Ron Hansen’s masterful outlaw blues novel about Jesse James and Robert Ford faithfully interpreted on screen

https://leoadambiga.com/2012/07/27/ron-hansens-mast…preted-on-screen

Playwright Carlos Murillo’s work explores personal mythmaking

https://leoadambiga.com/2012/07/26/playwright-carlo…sonal-mythmaking

The Many Worlds of Science Fiction Author Robert Reed

https://leoadambiga.com/2011/06/22/the-many-worlds-…thor-robert-reed

He knows it when he sees it: Journalist-social critic Robert Jensen finds patriarchy and white supremacy in porn

https://leoadambiga.com/2012/06/17/i-know-it-when-i…upremacy-in-porn

Litniks Unite! The Downtown Omaha Lit Fest brings writers, artists and readers together in celebration of the written word

Litniks Unite! The Downtown Omaha Lit Fest brings writers, artists and readers together in celebration of the written word

 

photo

Omaha Lit Fest: In praise of writers and their words: Jami Attenberg and Will Clarke among featured authors

https://leoadambiga.com/2012/06/19/omaha-lit-fest-i…featured-authors/

Omaha playwright Beaufield Berry comes into her own with original comedy “Psycho Ex Girlfriend”

https://leoadambiga.com/2013/04/20/omaha-playwright…iend-now-playing/

Omaha Lit Fest: “People who like this sort of thing will find this the sort of thing they like”

https://leoadambiga.com/2011/10/07/omaha-lit-fest-p…-thing-they-like/

Martin Landau and Nik Fackler discuss working together on “Lovely, Still” and why they believe so strongly in each other and in their new film

https://leoadambiga.com/2010/09/23/martin-landau-an…-in-the-new-film/

Martin Landau and Nik Fackler

 

 

“Lovely, Still,” that rare film depicting seniors in all their humanity, earns writer-director Nik Fackler Independent Spirit Award nomination for Best First Screenplay

https://leoadambiga.com/2010/12/03/lovely-still-tha…first-screenplay/

Filmmaker Nik Fackler’s magic realism reaches the big screen in “Lovely, Still”

https://leoadambiga.com/2010/05/18/when-dreams-that…neath-do-surface

Nik Fackler, the Film Dude Establishes Himself a Major New Cinema Figure with “Lovely, Still”

https://leoadambiga.com/2010/05/18/the-film-dude-es…ew-cinema-figure/

Writers Joy Castro and Amelia Maria de la Luz Montes explore being women of color who go from poverty to privilege

https://leoadambiga.com/2011/05/12/writers-joy-cast…rty-to-privilege/

Being Jack Moskovitz: Grizzled former civil servant and DJ, now actor and fiction author, still waiting to be discovered

https://leoadambiga.com/2011/09/05/being-jack-mosko…to-be-discovered/

 

With his new novel, “The Coffins of Little Hope,” Timothy Schaffert’s back delighting in the curiosities of American Gothic

https://leoadambiga.com/2011/04/13/with-his-new-nov…-american-gothic/

Timothy Schaffert Gets Down and Dirty with his New Novel “Devils in the Sugar Shop”

https://leoadambiga.com/2010/08/29/timothy-schaffer…n-the-sugar-shop/

Rachel Shukert’s anything but a travel agent’s recommended guide to a European grand tour

https://leoadambiga.com/2011/09/05/rachel-shukerts-…opean-grand-tour/

Author Rachel Shukert: A nice Jewish girl gone wild and other regrettable stories

https://leoadambiga.com/2011/09/05/author-rachel-sh…rettable-stories/

 

Rachel Shukert

 

 

After whirlwind tenure as Poet Laureate, Ted Kooser goes gently back to the prairie, to where the wild plums grow

https://leoadambiga.com/2010/06/19/after-a-whirlwin…-wild-plums-grow/

Keeper of the Flame: Poet Laureate and Pulitzer Prize winner Ted Kooser

https://leoadambiga.com/2010/06/19/keeper-of-the-fl…inner-ted-kooser

 

ted-kooser.jpg

Ted Kooser

 

 

Being Dick Cavett

https://leoadambiga.com/2010/12/04/being-dick-cavett-2/

Homecoming always sweet for Dick Cavett, the entertainment legend whose dreams of show biz Success were fired in Nebraska

https://leoadambiga.com/2010/12/04/homecoming-is-al…ed-in-nebraska-2/

 

Dick Cavett

 

 

Dream catcher Lew Hunter: Screenwriting guru of the Great Plains

http://leoadambiga.com/2010/05/09/dream-catcher-lew-hunter/

Q & A with playwright Caridad Svich, featured artist at Great Plains Theatre Conference

https://leoadambiga.com/2011/06/02/a-q-a-with-playw…eatre-conference/

Featured Great Plains Theatre Conference playwright Caridad Svich explores bicultural themes

https://leoadambiga.com/2011/05/29/featured-great-p…icultural-themes

Playwright-screenwriter John Guare talks shop on Omaha visit celebrating his acclaimed “Six Degrees of Separation”

https://leoadambiga.com/2011/06/02/playwright-john-…es-of-separation/

Attention must be paid: Arthur Kopit invokes Arthur Miller to describe Great Plains Theatre Conference focus on the work of playwrights

https://leoadambiga.com/2011/05/29/attention-must-b…s-and-their-work/

Q & A with Edward Albee: His thoughts on the Great Plains Theatre Conference, Jo Ann McDowell, Omaha and preparing a new generation of playwrights

https://leoadambiga.com/2011/05/29/a-q-a-with-edwar…n-of-playwrights/

Great Plains Theatre Conference ushers in new era of Omaha theater

https://leoadambiga.com/2011/05/28/great-plains-the…of-omaha-theater/

 

John Guare

 

 

Hard times ring sweet in the soulful words of singer-songwriter-author Laura Love, daughter of the late jazz man, Preston Love Sr.

https://leoadambiga.com/2010/05/01/hard-times-ring-…uthor-laura-love

Gospel playwright Llana Smith enjoys her Big Mama’s time

https://leoadambiga.com/2010/06/07/gospel-playwrigh…r-big-mamas-time

Blizzard Voices:

Stories from the Great White Shroud

https://leoadambiga.com/2018/07/27/blizzard-voices-…eat-white-shroud

Click Westin, back in the screenwriting game again at age 83

https://leoadambiga.com/2010/07/11/click-westin-bac…-again-at-age-83/

“The Bagel: An Immigrant’s Story” – Joan Micklin Silver and Matthew Goodman team up for new documentary

https://leoadambiga.com/2012/03/16/the-bagel-an-imm…documentary-film

Actor Peter Riegert makes fine feature directorial debut with “King of the Corner”

https://leoadambiga.com/2011/05/12/actor-peter-rieg…ng-of-the-corner/

Talking screenwriting with Hollywood heavyweight Hawk Ostby: Omaha Film Festival panelist counts “Children of Men” and “Iron Man” among credits

https://leoadambiga.com/2012/03/02/talking-screenwr…mong-his-credits/

 

Hawk Ostby

 

 

Tempting fate: Patrick Coyle film “Into Temptation” delivers gritty tale of working girl and idealistic priest in search of redemption

https://leoadambiga.com/2012/04/09/tempting-fate-pa…ch-of-redemption/

Otis Twelve’s Radio Days

https://leoadambiga.com/2010/05/31/otis-twelves-radio-days/

Three old wise men of journalism – Hlavacek, Michaels and Desfor – recall their foreign correspondent careers and reflect on the world today

https://leoadambiga.com/2010/05/18/three-old-wise-men-of-journalism/

John and Pegge Hlavacek’s globe-trotting adventures as foreign correspondents

https://leoadambiga.com/2010/06/02/john-and-pegge-h…n-correspondents/

 

 

John Hlavacek

 

 

Preston Love: His voice will not be stilled

https://leoadambiga.com/2010/06/03/preston-love-his…l-not-be-stilled/ 

 

Marguerita Washington: The woman behind the Star that never sets

https://leoadambiga.com/2010/08/02/marguerita-washi…-that-never-sets

“Walking Behind to Freedom” – A musical theater examination of race

https://leoadambiga.com/2011/06/21/walking-behind-t…mination-of-race

Sacred Trust, Author Ron Hansen’s Fiction Explores Moral Struggles

https://leoadambiga.com/2010/07/06/sacred-trust

Jim Taylor, the other half of Hollywood’s top screenwriting team, talks about his work with Alexander Payne

https://leoadambiga.com/2016/06/30/jim-taylor-the-o…lexander-payne-2/

Author, humorist, folklorist Roger Welsch tells the stories of the American soul and soil

https://leoadambiga.com/2010/06/19/author-humorist-…he-american-soul/

 

From the Archives: Warren Francke – A passion for journalism, teaching and life

https://leoadambiga.com/2012/06/11/from-the-archive…eaching-and-life

Author Scott Muskin – What’s a nice Jewish boy like you doing writing about all this mishigas?

https://leoadambiga.com/2011/12/05/author-scott-mus…ll-this-mishigas/

Vincent Alston’s indie film debut, “For Love of Amy,” is black and white and love all over

https://leoadambiga.com/2011/11/29/vincent-alstons-…nd-love-all-over

Screenwriting adventures of Nebraska native Jon Bokenkamp, author of the scripts “Perfect Stranger” and “Taking Lives'”

https://leoadambiga.com/2011/11/28/screenwriting-ad…ve-jon-bokenkamp/

 Taking Lives

Murder He Wrote: Reporter-author David Krajicek finds niche as true crime storyteller

https://leoadambiga.com/2011/10/28/murder-he-wrote-…rime-storyteller/

Bobby Bridger’s Rendezvous

https://leoadambiga.com/2010/05/11/bobby-bridgers-rendezvous/

Nancy Duncan: Her final story

https://leoadambiga.com/2010/05/09/her-final-story/

Nancy Duncan: Storyteller

https://leoadambiga.com/2010/08/02/nancy-duncan-storyteller/

From the Archives:

Nancy Duncan’s journey to storytelling took circuitous route

https://leoadambiga.com/2012/04/01/from-the-archive…circutious-route

Joan Micklin Silver: Maverick filmmaker helped shape American independent film scene and opened doors for women directors

https://leoadambiga.com/2010/10/10/joan-micklin-sil…-women-directors/

Joan Micklin Silver: Shattering cinema’s glass ceiling

https://leoadambiga.com/2010/05/18/shattering-cinemas-glass-ceiling/

Joan Micklin Silver

 

 

Doug Marr, Diner Theater and keeping the faith

https://leoadambiga.com/2010/06/06/doug-marr-keeping-the-faith/

Short story writer James Reed at work in the literary fields of the imagination

https://leoadambiga.com/2011/09/03/short-story-writ…-the-imagination

Culturalist Kurt Andersen wryly observes the American scene as author, essayist, radio talk show host

https://leoadambiga.com/2010/05/18/culturalist-kurt-andersen/

Slaying dragons: Author Richard Dooling’s sharp satire cuts deep and quick

https://leoadambiga.com/2010/05/18/slaying-dragons-rick-dooling/

 

K

Kurt Andersen

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Ted Genoways Gives Voice to Rural Working Class

August 23, 2018 Leave a comment

 

Ted Genoways

Gives Voice to Rural Working Class

by Leo Adam Biga

Photography by Bill Sitzmann

Originally appeared in July-August 2018 issue of Omaha Magazine ( http://omahamagazine.com/articles/ted-genoways/)

 

Award-winning poet, journalist, editor, and author Ted Genoways of Lincoln, Nebraska, has long been recognized for his social justice writing as a contributor to Mother Jones, onEarth, Harper’s and other prestigious publications. While editor of the Virginia Quarterly Review, the magazine won numerous national awards.

His recent nonfiction books—The Chain: Farm, Factory and the Fate of Our Food, and This Blessed Earth: A Year in the Life of an American Farm—expand on his enterprise reporting about the land, the people who work it, and the food we consume from it. The themes of sustainability, big ag versus little ag, over-processing of food, and environmental threats are among many concerns he explores.

He often collaborates on projects with his wife, photographer Mary Anne Andrei.

His penchant for reporting goes back to his boyhood, when he put down stories people told him, even illustrating them, in a stapled “magazine” he produced. His adult work took root in the form of secondhand stories of his paternal grandfather toiling on Nebraska farms and in Omaha meatpacking plants.

His father noted this precociousness with words and made a pact that if young Ted read a book a week selected for him, he could escape chores.

“I thought that was a great deal,” Genoways says. “Reading John Steinbeck’s Of Mice and Men was the first time I remember being completely hooked. After that, I tore through everything Steinbeck wrote, and it made a huge impact on me. I thought, there’s real power in this—if you can figure out how to do it this well.”

Reading classics by Hemingway, Faulkner, and other great authors followed. The work of muckrakers such as Upton Sinclair made an impression. “But those Steinbeck books,” he says, “have always really stuck with me, and I go back to them and they really hold up.”

Exposing injustice—just as Steinbeck did with migrants and Sinclair did with immigrants—is what Genoways does. Nebraska Wesleyan professors Jim Schaffer and the late state poet of Nebraska William Kloefkorn influenced his journalism and poetry, respectively. Genoways doesn’t make hard and fast distinctions between the two forms. Regardless of genre, he practices a form of advocacy journalism but always in service of the truth.

“I’m always starting with the facts and trying to understand how they fit together,” he says. “There’s no question I’ve got a point of view. But I don’t show up with preconceived notions of what the story is.”

He’s drawn to “stories of people at the mercy of the system,” he says, admitting, “I’m interested in the little guy and in how people fight back against the powers that be.”

While working at the Minnesota State Historical Society Press, Genoways released a book of poems,Bullroarer: A Sequence, about his grandfather, and edited Cheri Register’s book Daughter of a Meatpacker. At the Virginia Quarterly, he looked into worker illnesses at a Hormel plant in Austin, Minnesota, and the glut of Latinos at a Hormel plant in Fremont, Nebraska. He found a correlation between unsafe conditions due to ever-faster production lines—where only immigrants are willing to do the job—and the pressures brought to bear on company towns with influxes of Spanish-speaking workers and their families, some of them undocumented.

That led to examining the impact “a corporate level decision to run the line faster in order to increase production has up and down the supply chain” and on entire communities.

“That’s become an ongoing fascination for me,” Genoways says. “I can’t seem to stop coming back to what’s happening in meatpacking towns, which really seem to be on the front line of a lot of change in this country.”

The heated controversy around TransCanada Corp.’s plans for the Keystone XL pipeline ended up as the backdrop for his book, This Blessed Earth. He found “the specter of a foreign corporation coming and taking land by eminent domain” from legacy farmers and ranchers “and telling them they had to take on this environmental risk with few or no guarantees” to be yet another challenge weighing on the backs of producers.

His focus became a fifth-generation Nebraska farm family, the Hammonds, who grow soybeans, and how their struggles mirror all family farmers in terms of “how big to get and how much risk to assume.”

“They were especially intriguing because they were building this solar and wind-powered barn right in the path KXL decided to cross their land, and that seemed like a pretty great metaphor for that kind of defiance,” he says.

Pipeline or not, small farmers have plenty to worry about.

“Right now, everything in ag is geared toward getting bigger,” Genoways says. “The question facing the entire industry is: How big is big enough? What do we lose when we force farmers off the land or make them into businessmen more than stewards of the land? To my eye, you lose agri-CULTURE and are left with agri-BUSINESS.”

Farming as a way of life is endangered.

“Nebraska lost a thousand farms in 2017,” he says. “Those properties will be absorbed by larger operations. The ground will still be farmed. The connection between farmer and farm will be further stretched and strained. That’s the way everything has gone, and it’s how everything is likely to continue. Agribusiness interests argue these trends move us toward maximum yield with improved sustainability. But it also means decisions are made by fewer and fewer people. Mistakes and misjudgments are magnified. So we not only lose the culture of independence and responsibility that built rural communities, but grow more dependent on a version of America run by corporations.”

Chronicling the Hammonds left indelible takeaways—one being the varied skills farming requires.

“We saw them harvest a field of soybeans while keeping an eye on the futures trading and calling around to elevators to check on prices; they were making market decisions as sophisticated as any commodities trader,” Genoways says. “This is one of the major pressures on family farms. To survive, you have to be able to repair your own center pivot or broken tractor, but also be a savvy business owner—adapting early to technological changes and diversifying to insulate your operation.”

The Hammonds weathered the storm.

“They are doing well. They got good news when the Public Service Commission only approved the alternate route for KXL,” he says.

Meanwhile, Genoways sees an American food system in need of reform.

“We would benefit mightily from a national food policy,” he says. “How can you explain subsidizing production of junk food and simultaneously spending on obesity education? How do we justify unsustainable volumes of meat while counseling people to eat less meat? If we really want people to improve their eating habits, we should provide economic incentives in that direction.”


Visit tedgenoways.com for more information.

This article was printed in the July/August 2018 edition of Omaha Magazine.

Hispanic Authors-Artists Part of Omaha Lit Fest Experience

August 8, 2018 Leave a comment

Hispanic Authors-Artists Part of Omaha Lit Fest Experience

©by Leo Adam Biga

Originally published in El Perico (el-pericp.com)

 

The September 10-11, 2010 (downtown) Omaha Lit Fest gathers authors and artists to investigate the theme Curiouser & Curiouser: The Book in Flux.

Some guests, like University of Nebraska-Lincoln Ph.D. candidate Sarah Chavez, are Hispanic, Others, like first-time festival panelist Peter Kuper of Manhattan, New York, are not, but explore Hispanic themes.

Nebraska native Belinda Acosta, the Latina author of two Quinceanera Club novels, was a panelist last year and the Austin, Texas resident would like to come back again.

Chavez, a Fresno, Calif. native poet, has completed a chapbook she’s expanding into a full-length volume. This will be her first Omaha Lit Fest. She read some of her original work at an August 26 preview. She looks forward to the fest, saying she’s “impressed” by the supportive literary community here and by the diversity and quality of writers presenting at area lit events.

In her poetry Chavez explores the working class character of Fresno. She also explores borders and boundaries of identity. Her father is a first generation Mexican-American migrant worker. As a girl she joined her father laboring in the fields. Her Irish-American mother comes from upper middle class roots.

Chavez said by phone, “I was always sort of aware of this transferring back and forth between cultures. My parents divorced fairly early on, so I was always going back and forth, crossing like city and cultural borders, learning you act like this in this environment but then you can act like this in this other environment.

“So I was always aware of this mobility and the tenuous nature of environment. I was also aware of being, like my sister and I joke, ‘half breeds.’ Because of that mix we’re able to pass in different areas. I go to minority programs and have cultural cachet as a Mexican there but then people don’t automatically assume I am of that heritage. I don’t quite fit, I don’t look like this but I don’t feel like this other group.”

She considers different cultural expectations attending Latinas or African-American women and white women. She examines what it means for women of color to move away from traditional domestic duties to inhabit professional and academic roles.

Curiouser and curiouser.

Political cartoonist and illustrator.Kuper anticipated a two-year siesta in Oaxaca, Mexico with his wife and daughter, but when a teachers’ strike there was violently put down by government forces, he went from casual tourist to engaged reporter. His visceral Diario de Oaxaca journal sketches and commentaries capture how nature and civilization, history and modernity, bounty and deprivation are intertwined there.

He prized playing the role of first-hand witness and participant. In a phone interview he said this active, intimate experience “made it feel we were inside of Mexico rather than standing on the edge regarding it from a slight distance.” He said when he first arrived he made up for his “lousy” Spanish by using his sketches to communicate with people, adding that his habit of walking the streets offered interactions that drew him deeper into local rituals and customs.

His work expresses the surreal-like quality of nature run riot amid a busy tourist trade, an oppressive regime, crushing poverty and citizen protests.

“It’s fascinating. I kept on feeling I was walking through a metaphor.”

Perhaps most striking to him is how people risk everything to oppose an unjust ruling class. He’s quite taken by the politicized street art there. He’s also impressed by how every day people make art an expressive part of their life, whether arranging flower and candle homages for Day of the Dead festivities or painting murals.

“There’s so much creating of art that goes on in daily life as a natural thing to do,” he said. “It really gives me a sense of art having purpose, enriching and playing a role.”

He said the whole experience shook him up artistically, putting him on a different track once he returned home.

“It challenged and opened me up to trying different approaches. I had to sort of reinvent myself with the new information.”

Acosta grew up in Lincoln. She was active in Omaha theater, helping found the Center Stage Theatre and touring a one-woman show on Midwestern Latinas, before attending the University of Texas at Austin to focus on writing.

A freelance journalist by trade, she’s a contributing writer for the Austin Chronicle and Texas Observer. Her books Damas, Dramas, and Ana Ruiz and Sisters, Strangers, and Starting Over chart family relationships within the backdrop of the quinceanera, which she finds ironic since she never had a quince herself. But she said she researched the coming-of-age celebration in preparation for her books.

She’s presently working on a new book set in Nebraska.

For event details, visit www.omahalitfest.com.

‘Alexander Payne: His Journey in Film’ book signing meet and greet @ Our Bookstore

November 7, 2017 Leave a comment

“Alexander Payne: His Journey in Film”

Book signing meet and greet

@Our Bookstore, Old Market Passageway

Monday, Nov. 13

5-7 p.m.

 

 

 

This Fall is a cinema showcase to remember in Nebraska: 

•Omaha’s own Alexander Payne will be back in December with his new movie, “Downsizing.” The sci-fi satire shot a few days in Omaha with stars Matt Damon and Kristen Wiig.  
 
•The Oscar-winner’s film will premiere at Omaha’s last remaining neighborhood movie house, the historic Dundee Theater, where his silver screen dreams were stirred and his first feature, “Citizen Ruth,” played. 
•The renovated landmark is beginning a new life under the management of Film Streams. Check out my New Horizons cover story about this return engagement for the ages in the Nov. issue.
 
•Through my work as an Omaha film journalist, I’ve created a book celebrating the writer-director’s creative process: “Alexander Payne: His Journey in Film.” The new edition features expanded content.
 
•Join me for a book signing meet & greet @ Our Bookstore: Monday, Nov. 13, Old Market Passageway, 5-7 p.m.. Hor dourves and refreshments will be served.
•The $25.95 book makes a great gift for film lovers. 
 
Hope to see you there.
 
 

2017 Nebraska Book Festival: Saturday, July 15 in Lincoln


Source: Announcing the Nebraska Book Festival

I am proud to be a part of the 2017 Nebraska Book Festival this weekend in Lincoln’s Union Plaza. The Saturday, July 15 event is an all-day (9 a.m. to 6 p.m.) celebration of the written word featuring presentations by several Nebraska authors, including yours truly. As the following description explains, I will share my writer’s life as an author-journalist-blogger. Since the figure and subject of Alexander Payne plays a prominent part in my career, I will discuss my book “Alexander Payne: His Journey in Film” and sign copies of it.

2:15-3:15 p.m.
Jane Snyder Trails Center
“My Adventures as a Nonfiction Book Author, Freelance Journalist and Compulsive Blogger” with Leo Adam Biga

Sponsored by Nebraska Writers Guild

Veteran Omaha writer Leo Adam Biga has done a little of everything in his career. He started in public relations in the arts and athletics fields, then became a freelance journalist for business and health publications. His work today as a contributing writer for newspapers, magazines and online sites ranges across many topics – from boxing to books and movies to food to social justice issues. His extensive work on Oscar-winning filmmaker Alexander Payne is the basis of his book Alexander Payne: His Journey in Film, one of a handful of books that Biga has written. He will share insights into what the life of a full-time writer entails, including its challenges, rewards and opportunities.

Click links for the complete schedule of author presentations and festival events and activities.

I hope to see some of my Lincoln friends there. And if any of you from Omaha can make it, so much the better.

Wish I could make it to the festival kick-off party the evening of Friday, July 14, but my schedule won’t allow it. Hope to see you there on Saturday.

NBF_Flyer_Final2

North Omaha Summer Arts – Women’s Writing 7


Our 7th summer of North Omaha Summer Arts (NOSA) is just around the corner and we cannot wait to serve you all.

Our first class is Women’s Writing 7 – “A further journey into Being Published”
Held weekly on Wednesdays, beginning June 7th and running through July 26th.

All events are free and open to the entire community.

See details by clicking the poster below.

 

Voyager Bud Shaw gives up scalpel for pen

April 20, 2017 2 comments

If you follow my work via my blog or Facebook page then you may have noticed I like writing about fellow writers. I mean, beyond the natural affinity I feel for anyone who takes up the pen and sticks with it, there are myriad things about the writing life that are universal and singular to each writer I profile. There’s no single path to becoming a writer and every writer’s life around the work and separate from it looks a little different, sometimes a lot different. And then there’s the very different kinds of writing people do and the unique voices they express. The subject of this New Horizons cover story, Bud Shaw, is a medical doctor and writer who’s gained a measure of fame for training his inner eye and ear on his former life as a transplant surgeon through essays, several of them collected in his well-received book, Last Night in the OR. Though it took him until about a decade ago to finally write about his own personal experiences, he’s been writing since he was a child. It can take the better part of a lifetime to find one’s voice, especially that voice residing deep within the inner recesses and nooks and crannies of our subconscious. When Shaw finally did find his, he revealed himself to be a strong, spare writer in the style of his literary heroes. My profile of Shaw will appear in the May 2017 issue of the New Horizons, a free montly newspaper from the Eastern Nebraska Office on Aging. Beginning April 28, look for the new issue at area newsstands or, if you’re a subscriber, in your mailbox,. Order your free subscription by calling 402-444-6654.

 

Voyager Bud Shaw gives up scalpel for pen

©by Leo Adam Biga

Appeared in the May 2017 issue of the New Horizons

 

Before Dr. Bud Shaw gained fame as a liver transplant surgeon, first in Pittsburgh, then at the University of Nebraska Medical Center (UNMC), he was a writer. An adventurer, too. He’s a veteran small-engine pilot and hang gliding enthusiast and an avid bicycle trekker.

His wonderment with words goes back to childhood. It continued during his formal education – all the way through undergraduate and medical studies. Even during his surgical career he continued writing whenever he had down time. But since putting down the scalpel for the pen, his writing’s really taken off.

For decades he composed fiction but in recent years he’s turned to nonfiction. Some of his highly personal essays have won recognition. His 2015 book Last Night in the OR was a New York Times Bestseller.

His wife Rebecca Rotert is an award-winning poet, short story writer and essayist whose first novel Last Night at the Blue Angel was well-received.

Shaw leads writing clubs at the Med Center. He advocates students and professionals take writing courses to enrich their humanities education. He cites research showing the health benefits of writing.

“When you write something down as opposed to talking about it, it gets stored in long-term memory – with far fewer details but more indelibly – and it’s in an area where your brain keeps working on it. It’s like the thing where you write something and put it away and come back to it and you start editing it immediately when you couldn’t have done that the day before. But your brain’s been working on it.”

He said studies show that in “patients who wrote for three days in a row their brain did some processing that somehow also helped them deal with their illness.”

Reading and writing

Prose fed Shaw’s imaginative escapes as a youth.

“I read a lot. As a kid I got sick frequently and I’d end up having to stay home. We had bookshelves full of books. My mother bought a series of classics for kids: Black Beauty, Treasure Island, Bambi. I would pick them out and read them, and then I got into The Hardy Boys and when I read all that I even tried Nancy Drew.”

He became a familiar figure at the local library.

Family trips to Crystal River, Florida got him hooked on diving and his natural curiosity and affinity for reading found him hunting every book he could on the subject.

“My school projects were reports about the aqua lung and the difference between one and two stage regulators and how you could get the bends and prevent that. I knew the decompression tables when i was 12.”

Writing had already become an outlet.

“I began writing seriously in second grade, My mother helped me write a romantic adventure novel involving a boy and his pony. It filled 10 pages of Golden Rod tablet paper we bound with rubber cement and a cardboard cover. She died a few years later and I guess I’ve been looking for that kind of approval ever since.”

His passion for literature was stoked at Kenyon College a small liberal arts school near where he grew up in rural Ohio. There, he said, “reading and writing were paramount and literature became a limitless world for me – a world where anything could happen. I was a chemistry major, but I filled the other spaces with literature and creative writing courses. In the first two years of medical school, those intellectual pursuits were largely replaced with the drudgery of rote memorization. I found myself obsessively writing short stories and sending them off to Redbook, Playboy and Reader’s Digest. It was a useful diversion and the rejections hardly mattered.”

His literary favorites range from John Steibeck, Ernest Hemingway and William Faulkner to Kurt Vonnegut, Gunter Grass and Cormac McCarthy.

 

Image result for last night in the or bud shaw

 

Finding his niche as a transplant surgeon

Though his father was a surgeon, Bud at first resisted following in his footsteps. He said the fact he eventually did was “probably because he didn’t push it on me.” Shaw received his MD at Case Western Reserve University, did general surgery training in Utah and completed a transplant surgery fellowship in Pittsburgh,

There, he made a name for himself as a talented maverick working under the father of transplantation in America, the late Tom Strazl. The two men shared a complicated relationship.

“Most of the advances going on at that time in transplantation were happening in Pittsburgh. I was working with Starzl, who then was by far the most important pioneer in transplantation. I would have stayed there happily and worked with him but it just became more and more difficult.”

Shaw left because he disagreed with the way certain things were being done that he felt hampered surgeons’ learning and endangered patients’ lives.

“I wanted to change the way we did things and I realized I wasn’t going to be able to do that there as much as I wanted. I realized I didn’t want to be part of a program that was chaotic and dangerous for patients.”

Prestigious hospitals coveted having this hot shot young surgeon come start a transplant program in what was a sexy new medical horizon making headlines.

“It was a brand new field. I had probably done more liver transplants in the previous two years than anybody in the world .”

Coming to Omaha and building a world-class transplantation program

UNMC recruited him. It didn’t have the cachet of other courters but it proved the right fit. It helped that the man pursuing him. Layton “Bing” Rikkers, knew him when Shaw trained in general surgery at the University of Utah, where Rikkers had taught.

“Once I got trained in transplant I always intended to go back to the University of Utah but they just didn’t seem to want to do it (start a transplant program).”

When Rikkers took the UNMC job he asked Shaw to join him but Shaw wouldn’t be persuaded – at first.

“I told him I want to go someplace with a seacoast or mountains or preferably both.”

Rikkers wouldn’t take no for an answer. He strategically brought Shaw in as a consultant on the ABCs of starting a transplant program. Shaw met a Med Center contingent, including Mike Sorrell and Jim Armitage, who, he said, were “incredibly enthusiastic about doing liver transplants.” “There was a stark contrast between the attitude here, which was one of ‘We understand we don’t know anything about how to do this – we need you to be the expert,’ and what I found elsewhere.”

Shaw said. “I realized this was a rare opportunity because I’d interviewed at much more famous, high-powered places. I’d told them the same thing I told UNMC – I can’t come alone, I’m going to bring a junior surgeon with me and I need to have an anesthesia team go to Pittsburgh and learn how to do anesthesia and a pathologist go learn how to read the biopsies of the liver. And all these places said, ‘No, we have experts, we’re sure they can handle this, and we have very precious faculty positions to maintain.”

He said other centers didn’t appreciate just what a commitment they needed to make.

“They said, ‘We want you to come start this and we’ll see how it goes,’ and I said, ‘See how it goes? This is a high risk sort of thing.’ That’s when I realized they were mainly interested in doing this not because they were interested in treating liver disease but because it was a cool thing to start doing and they didn’t want to be left out. This place (UNMC) was clearly different. It was one of the only places in the country thinking about this as a long-term prospect they could succeed in, and that’s why I came here.”

One of Shaw’s biggest contentions with the way things were done in Pittsburgh that he changed in Omaha was transplant surgeons not having responsibility for post-op patient care. Some patients get profoundly sick after transplant surgery and lax care can exacerbate already dire situations.

“On a typical Sunday morning I’d find three transplant patients in the ICU and two of them would be bleeding still and I’d have to take them back and fix them in the operating room. I’d go talk to the family and they’d say, ‘Nobody’s talked to us.’ So I found myself cleaning up messes made by other surgeons who weren’t being supervised adequately and hadn’t had enough training.

“I talk about this in the book,” Shaw said. “Tom Starzl never wanted to have a routine, he wanted to change it every time, and you just can’t teach other people what works and what doesn’t work very well if you’re changing it constantly.”

After coming to Omaha in 1985 with his first wife and establishing a world-class solid organ (liver, kidney, pancreas, heart) transplant program here, the city became their home.

“I came here with the idea we’d spend five years and then move to one of those places with seacoast and mountains, but at the end of five years we had a really good program going. We were still growing, we were doing innovative things.

“I got recruited to go look at a couple of jobs right around that time. I just realized it was going to be like starting over and the politics would be worse. There’s no advantage of going to those places other than geography and I can buy a plane ticket.”

Diversions by ground and air

He’s bought plenty of tickets over the years to make bike tours with friends in scenic spots around the globe:

Cuba

Costa Rica

Panama

Argentina

Chile

Scotland

Nova Scotia

Newfoundland

Hungary

Slovakia

Poland

France

Italy

Crete

Australia

Vietnam

Cambodia

Then there’s his life as a pilot. He got his license at 19.

“I bought a 1939 J-3 Cub and flew it back to college. I had another airplane in Utah where I also took up hang gliding. I didn’t have any aircraft in 1981 when I arrived in Pittsburgh, but by 1984 I bought a used seaplane that I also took to Omaha in 1985. I eventually sold it and joined two other guys in a partnership in several airplanes.

“I plan on getting my glider rating this summer.”

Shaw’s logged enough hours behind the controls to have had some harrowing moments in the air.

“Every pilot with that many years experience has many stories to tell, as do I. I’ve been scared several times when weather closed in on me unexpectedly while flying cross-country. I flew aerobatics for half a dozen years in the ’90s. That was always exciting but I never had any close calls doing that. I had a couple of close calls hang gliding. I describe one in the book.”

More often than not, his time in the sky has afforded sublime glimpses of beauty. He recalled a Utah ridge that provided “wonderful soaring” and close encounters with Bald and Golden eagles living in the rocky cliffs.

“They often came out and flew along with us, sometimes showing off their aerobatic skills.”

Unexpected turbulence 

Then there was the 1973 coming-of-age flight he made in his little Cub with an acquaintance of his from Ohio, Scottie Wilson.

“The summer of ’73 was between my first and second year of medical school, which I hated. I’d restored an airplane I kept out at the local airport. Scottie had just gotten his wings for the Air Force. That summer we flew in my little Cub a lot together. Toward the end of the summer he had to get to Tuscon, Arizona for combat training. He was going to drive and I said maybe we should fly my Cub out there.

“There were multiple times during that trip where I was going to quit medical school and become a jet jockey.

When the whole thing was done I had to turn around and fly back by myself, and this was like two weeks before I was getting married. I had sort of abandoned ship and ran away.”

The event proved a crucible for Shaw.

“Right after I crossed the Continental Divide there was a storm up ahead I realized iI couldn’t fly around or above so I just landed on a road. As I was sitting there watching this storm go by I started crying. I had this deep sense of loss.”

Broke and out of fuel, he siphoned gas from every small plane on the line at the airport. Back home. he married. started a family and completed his studies. That summer interlude never left him but it’s only recently he

tried writing about it.

“I told Rebecca about it and she said, ‘There’s a romance there of a kind,’ and there really was. A closeness developed in a short period of time that was very different than any experience I’ve had with another guy.”

Intent on catching up with his old pal, Shaw happened to open a magazine to a story about Wilson restoring a 1938 Bugatti airplane presumed lost during World War II. The plane was rediscovered and Wilson, a retired Air Force officer, was building a replica.

“I tracked him down through Facebook and we ended up spending hours on the phone three or four different times over the space of a couple months. My plan was to go see him. He was in the process of starting to test fly this plane. I talked to him in May 2016 and in December I got an email from his brother that said, ‘I’m sure by now you’ve heard about Scottie dying…’ He’d taken the plane up again and was barely off the ground when it happened.

“He’d sent me some sample writing. He wanted me to help him write the story of this airplane.”

Wilson’s passing marked the latest of four recent deaths of important people in Shaw’s life. He feels compelled to write about what they meant to him.

“I have lots of starts in different directions in talking about the way your relationship with your mentors is more like a love affair than it is like a parenting             relationship. It’s like seeking their love and approval more-so than maybe with a parent.”

Merging his personal, medical and writing lives

When Shaw was still doing transplants he was barraged by life and death events but so cut-off from them emotionally he didn’t write about them.

“I was so busy and chronically sleep deprived I rarely had time or inclination to write. Except on vacation. Once I got away from work, I inevitably started writing. It was always fiction. By the mid-’90s I had the starts of five novels. I took a sabbatical in 1996 to write and came away with a 180,000-word novel that isn’t yet worthy of publication. Of course, family and friends all thought it was wonderful but nobody else did. I was afraid of getting it reviewed by anybody.

“None of my writing then had any direct relationship to my work. I think it was largely a way to escape the stress of that life.”

Shaw’s real growth as a writer began when he confronted his own life on the page at the 2007 Kenyon Review Workshop.

“It was very educational and inspirational to actually have to write something and then to have people critique it. It was the first time I had valuable critique of what I’d written. I began to understand what I needed to do to improve things was to keep writing, to keep having people critique and then keep changing and writing.”

His next evolution came as a participant in the Seven Doctors Project that puts doctors together with writers.

Shaw was in the project’s first group of doctors in 2008 and he participated in several other sessions the next few years. One session in particular proved fruitful.

“I did get some wonderful stuff from the review of what I wrote that year. The most telling thing was from another writer there, Rebecca Rotert” (whom he ended up marrying after he and his first wife split).

“When it was my turn to read, everybody complimented how they liked this or liked that and then all of a sudden Rebecca said, ‘Okay, here’s the deal: I don’t know what this person’s motivations are. We’re missing some of the basic things of a story and by now we should know this.’

I started to feel defensive and then I thought, ‘Oh my God, she’s absolutely right,’ and I can fix that because I know what the answers to those questions are.”

All of it spurred him to explore his own life in nonfiction writing. The more he drew from his personal experience, the more he liberated himself.

“I was finally able to think about some of the experiences I had and to step back from them far enough to actually write about them without having a strong emotional agenda that kept me from doing it before.”

With each story he takes from his own life, he’s puts himself on the line.

“I suppose writing highly personal nonfiction stories is risky for anyone. I felt I couldn’t do it unless I found a way to be more objective about the most difficult and emotional experiences. I had to resist the temptation to ‘set the record straight.’ I had to discover instead the other stories within those moments.”

His first published essay, My Night With Ellen Hutchinson, is about a devastating personal and professional episode early in his career.

“As I sat down to write about it, I discovered just how stubbornly I still held onto a version of that story that blamed others, that let me off the hook for the death of a patient during a liver transplant. I had to revisit that night over and over again for weeks to reconstruct a view that wasn’t about the cause of the failure so much as it was about the results of it. It wasn’t easy.

“That was a very straight forward operation. In my mind, I’d done everything right. I got the new liver sewn into place and blood flowing into it and everything was just great when her heart stopped. And yet, the technical details of why the woman’s heart stopped and how we should have handled it and how today, I know she would not have died because of what we later learned to prevent the problem, none of that was a story worth recounting. I needed a fresh and far more human perspective, and that required me to do a lot of processing I hadn’t done before.

“Now I don’t seem able to stop.”

For years Shaw erected shields warding off self-reflection when people’s lives were in his hands.

“The protective mechanisms were about dealing with failure, where failure could be somebody’s death. After failure I felt it absolutely necessary to approach the next case with supreme confidence that everything is going to go well. There’s a lot of ways of getting to that point. Maybe the quickest way is to simply say, ‘That last problem – that wasn’t my fault.’ But that’s not the only way. Another way, but it’s not the one I took, is to think about it more and to recognize we’re fallible and I did play a role in that, and what can I do next time to make sure that doesn’t happen again.

“It would have taken the ability of being more mindful as they call it now.”

 

 

            

 

Frailties 

In his book Shaw reveals his own and others’ frailties as counterpoint to the God-like status medical professionals are held in or hold themselves in. His essays chronicle how he didn’t let things touch him, not the lives he saved or lost, not even his own bout with cancer, What opened the flood gates of introspection was the disabling anxiety that overcame him in 2006.

“I didn’t have any problems with social anxiety at all

until one day I was sitting in my living room and suddenly had a panic attack that eventually caused me to crawl into bed and cover up. I had no idea what was causing it. It just came out of the blue.”

Some days at work he couldn’t leave his office. He finally sought help. Drugs help regulate the condition. Writing about it has been freeing.

“What the writing has done is help me understand and accept the fact that I have this problem. It’s also helped me recognize I did have these protective things and the question in my mind is – what if I had been as self-aware and self-reflective when I was in the midst of this incredibly intense surgical career with all this risk?

Would I have been able to continue? I think the answer to that question is probably yes.

“The process of writing about my own experiences really did open up my writing in a way. That, and there were about three books I read around that time that made me become much more spare, to work harder on eliminating stuff. The big problem I had was my need to make sure you understood everything, explaining

everything. Being freed up from the idea that you have to explain everything was like a miracle. You can actually let people figure out stuff on their own.”

He said a UNMC colleague objected to how much medical imperfection he revealed in his book.

“She said, ‘This is a huge mistake. Nobody should pull back the curtain and expose these sorts of things.’ I said, ‘Why, do you think people are going to come after us with torches?’ She said, ‘Well, they might,’ and I said, ‘Well, if they do, maybe we deserve it.’ I certainly got lots of positive feedback from surgeons outside of here. In fact, I’m still getting it.”

A notable exception was his old mentor Tom Starzl, who reacted strongly against the book. It strained the two men’s already tenuous relationship. As a show of respect and peace offering, Shaw attended Starzl’s 90th birthday celebration.

“I gave him a big hug and he started crying. It was very emotional.”

Starzl died a year later.

Before Shaw could get his book published, UNMC made him jump through hoops to change details so as to avoid privacy issues.

“A lot of the essays had been written with the names of the real people involved before I knew these stories were going to be part of a book,” Shaw said. “I had to start looking at how I could contact these people (for their permission). I knew I wasn’t allowed to look in the medical records for that purpose and I knew I couldn’t ask anybody else to do it for that purpose.

“I couldn’t remember some of their names. I was in the process of trying to sort out how to contact them when the privacy officer at the hospital called and said you can’t write about any of your experiences here.”

The decree made Shaw bristle. He resisted the blanket refusal, pointing out there was nothing in his contract or in UNMC’s HIPPA policy preventing him from doing it.

“Eventually I could not get them to allow me to contact the people. So I went in and changed enough of the details that there’s just no way anybody could recognize the real people.”

 

 

Doing what he has to do

Some of his writing does name names. His essay A Doctor at His Daughter’s Hospital Bed recounts the time  he intervened in the care of his daughter Natalie, who was hospitalized with pneumonia and not getting the IV fluids he knew she needed.

“I know I shouldn’t be my daughter’s doctor. They taught us the problems with that during my first week in medical school. It’s a really bad idea, especially in high-risk situations. We doctors are also very superstitious that when dealing with family members … something is always going to go wrong. The more the Special Person hovers over the care of his or her loved one, the worse the complication will be. I’ve had conversations in which doctors feel they change their routine with V.I.P. patients, and it’s that disruption in routine that allows error to creep into their care.

“But right now, I don’t care about any of that. I’m the one with experience taking care of really sick patients, and if I know she needs more fluids, she’s going to get them.

I break into the crash cart … I pull out two liters of saline solution and run both into Natalie’s IV in less than 20 minutes. Natalie’s pulse slows and her blood pressure rises. An hour later, after the nursing supervisor and on-call resident finally arrive, I’ve finished infusing a third liter. Natalie finally looks better.

“This wasn’t the first time during Natalie’s illness … I broke my promise to just be her dad.”

It also wasn’t the first or last time he crossed the medical care barrier with a loved one.

My younger son, Joe, almost died … from septic shock. He became ill while I was out of town. I flew home and by the time I arrived at the hospital, he looked deathly ill to me. I told the nurse I thought he should be transferred to the intensive care unit, but she said the doctors thought he was improving. Joe stopped breathing during the night and I have blamed myself ever since for not insisting they move him.

“Over and over again during my dad’s last few years of life, I felt as if I should have just moved in with him so that I could prevent all the well-meaning doctors and nurses from killing him. Sometimes it was just because his doctors weren’t talking to one another and their conflicting prescriptions sent Dad to the hospital. In the end, he died about 10 minutes after receiving an injection I didn’t want him to receive.”

Shaw’s daughter did recover but, he writes. “I didn’t.” He explains in his essay:

“I stopped operating and taking care of really sick people two years later. I told myself I had become too distracted by my increasing administrative duties to be a safe doctor. I was glad to leave all that behind. Now I just want to sit on the sidelines and marvel as a new generation of doctors performs the miracles. I never again want to step in to rescue someone I love. But I will, if I have to.”

On a pedestal 

He had occasion to operate on public figures or loved ones of celebrities. Such was the case in 1993 when he performed liver transplants on Hollywood icon Robert Reford’s son, Jamie Redford, in Omaha.

As is often the case, patients with good outcomes form an attachment with their surgeons that is one-part gratitude and one-part adulation. It was no different with Jamie Redford, who on Instagram recently posted a photo of himself and his life-saver with this caption: “My hero and good friend, Dr. Bud Shaw.”

Redford regained his health and produced a documentary, The Kindness of Strangers, raising awareness of the need for organ donation. Redford and Shaw saw each other just last year.

“Jamie and I did something at the Sundance Authors Series. I did a reading of my book and then Jamie came up and we sat on a couple stools and we did a kind of give-and-take with each other and people asked questions. Bob (Robert Redford) was there and Jamie’s sister was there. It was standing-room-only.”

But in his essay Real Surgeons Can’t Cry Shaw divulges how he didn’t cope well with the hero worship showed him. For him, surgery was a job to be gotten through, a task to be completed. The human dimensions of it sometimes escaped him or made him uncomfortable, and so he avoided those implications and interactions that required emotional investment.

Taxing times in the crowded OR give way to one-on-one writing-editing critiques 

A transplant operation is always complex and requires a team of professionals/ But these were far riskier procedures in the 1980s and 1990s then they are today because there weren’t the techniques and drugs available then that there are now.

“The longest one in my experience was in Pittsburgh that was 27 hours,” Shaw recalled. “In that case it was a child. When we started out trying to open the abdomen it was like concrete. We had to go ahead and get the liver in there because its time out of the donor’s body was getting too high. We didn’t want it to die – the liver would be nonfunctional. So we put it in and then we had all this sorting out of stuff to do for hours and hours, trying to get the bleeding stopped.

“What would happen is the patient’s own body would start dissolving its clots. That was a pretty common feature of a liver transplant.”

The operating room is a collaborative, dynamic environment of high risk and high reward. Writing, by contrast, is a solitary experience whose rewards are more internal then external. Shaw values having a life partner in Rotert who is a fellow writer. They share everything they write with each other.

“We are our own best editors,” he said. “I think I take her criticism of what I write a lot better than she takes my criticism about what she writes, and I don’t know if that’s because her criticism is more gently delivered because she’s not very gentle with it. But for some reason whatever she tells me often rings so true.

“LIke with these initial essays I wrote, I wasn’t sure what they were really about and she helped me figure out what they were really about.”

He admires her craftsmanship.

“She really writes incredibly well. She writes some beautiful sentences. She also develops characters incredibly well, each with different voices. She’s really a master at that sort of thing.”

The couple live in a multi-story home on the edge of Neale Woods. Books, magazines, paintings (by her) and photographs (by him) adorn the rustic-chic living spaces whose large windows look out on the Missouri River basin and bluffs to the east and pristine forested land to the west.

 

 

Reinventing himself

Idyllic surroundings and professional accolades aren’t salves for the demons inside us as Shaw discovered. Even at the height of his career, politics and egos found him fighting external battles. He eventually became chairman of surgery at the Med Center and after 12 years in that post he headed-up a large point-of-care software development project that got canceled.

He’s felt a bit adrift since retiring from surgery and then having that software project killed.

“There’s almost nothing like having a really difficult job to do with a lot riding on it and you’re afraid going in about what might happen but you do it anyway and you succeed and everything’s okay. It just so happens that liver transplants is one of the best things like that. And so I lost that reward system. The other thing I lost was every day somebody telling me what to do. Even when i was chairman of the department. It’s not like I had to say what am i going to do today? There was always stuff to do and too much to do.

“Not having that and having so called free time to write and to do other stuff was initially fun and easy but the longer it’s lasted the more difficult it’s become

finding reward.”

While a practicing surgeon he once thought of leaving that career to write full-time but he wasn’t crazy or brave enough to try it. “Doing liver transplants is easier.”

Ever the voyager, Shaw has worlds yet to explore in his travels and in his new vocation as author, Having finally given himself permission to write about his past, he’s embracing new adventures as source material for future tales. With so much to draw on, his creative well should never run dry.

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