Leo Adam Biga's My Inside Stories

A lot of you know me as a frequent and longtime contributor with The Reader, for whom I’ve written more than a thousand stories since 1996, including hundreds of cover pieces. Beyond The Reader, I am fortunate to own extended relationships with several other publications.  I was a major contributor to the Jewish Press for well over a decade.  My tenures with Omaha Magazine and Metro Magazine are both more than a decade old now.  But perhaps my longest-lived contributor relationship has been with the New Horizons, a monthly newspaper published by the Eastern Nebraska Office on Aging.  Editor Jeff Reinhardt and I are committed to positive depictions of aging that illustrate in words and images the active, engaged lifestyles of people of a certain age.  Older adult living doesn’t need to follow any of the outdated prescriptions that once had folks at retirement age slowing down to a crawl and more or less retreating from life.  That’s not at all how the people we profile approach the second or third acts of their lives.  No, our subjects are out doing things, working, creating, traveling, making a difference.  My latest profile subjects for the Horizons, Bob and Connie Spittler, are perfect examples.  They are in their 80s and still living the active, creative lives that have always driven their personal and professional pursuits.  He makes still and moving images.  He pilots planes.  She writes essays, short stories and books.  They travel.  They enjoy nature.  Sometimes they combine their images and words together in book projects.  Bob and Connie are the cover subjects in the January 2016 issue.  They join a growing list of folks I’ve profiled for the Horizons who embody such precepts of health aging as keeping your mind occupied, doing what you enjoy, following youe passion, cultivating new interests and discovering new things.  The Spittlers are also in a long line of dynamic older couples I’ve profiled – Jose and Linda Garcia, Vic Gutman and Roberta Wilhelm, Josie Metal-Corbin and David Corbin, Ben and Freddie Gray.  You can find many of my Horizons stories on my blog, Leo Adam Biga’s My Inside Stories at leoadambiga.com.

NOTE: ©Photos by Jeff Reinhardt, New Horizons Editor, unless otherwise indicated.

 

 

Bob and Connie Spittler outside their Brook Hollow home

 

 

Creative couple: Bob and Connie Spittler and their shared creative life 60 years in the making

©by Leo Adam Biga

Appeared in the January 2016 issue of the New Horizons

Once a creative, always a creative.

That’s how 80-something-year-olds Bob and Connie Spittler have rolled producing creative projects alone or together for six decades. Their work spans television commercials, industrial films, slideshows and books.

Bob, a photographer and filmmaker, these days experiments making art photos. Connie, a veteran scriptwriter, is now an accomplished essayist, short story writer and novelist. Her new novel, the tongue-in-cheek titled The Erotica Book Club for Nice Ladies, has found a receptive enough audience she’s writing a sequel. The book is published by Omaha author-publisher Kira Gale and her River Junction Press.

This past summer Bob and Connie hit the highway for a five-state book tour. Their stops included signings at the American Library Association Conference in San Francisco and the Tattered Cover in Denver. Following an intimate reading at a Berkeley, Calif. couple’s home she and Bob stayed the night. It harkened back to the RV road trips they made with their four kids.

On social media she termed the tour “an author’s dream.” It was especially gratifying given Bob endured a heart angioplasty and stent earlier in 2015.

Connie was also an invited panelist at an Austin, Texas literary event.

“All in all, an unforgettable year of healing, friendship, interesting places and great people,” she wrote in a card to family and friends.

Sharing a love for the outdoors, the Soittlers have applied their respective talents to splendid nature books. The Desert Eternal celebrates the ecosystem surrounding the home they shared in the foothills of the Catalina Mountains in Arizona, where they “retired” after years running their own Omaha film production biz

“When we want down to Tucson we weren’t going to be working together. We were just going to do our own thing,” she says. “We’ve always been able to kind of follow what we want to do. So I started writing literary things and he was out taking pictures. I had a lumpectomy and the day I came home I’m looking out at the Catalina Mountains and I thought, you know it’s strange Bob and I both think we’re doing our own thing when we’re doing the same thing, we’re just each doing it in our own way. We were both doing the desert.

“We lived between two washes the coyotes and other wildlife came through. I had seven weeks of radiation and I had the idea of putting our work together. I downloaded all my essays on the desert and every morning before radiation I’d go into his office and together we’d look through his photo archive for images he’d taken that matched the words I’d written. Well, by the time we got to the end we had 114 photos – enough for a book. Bob formatted it. It came back (from the printer) the day my radiation finished. It was just this cycle.”

Another of their books, The Legend of Sleepy Hollow, documents the wild-in-the-city sanctuary around the southwest Omaha home they’ve lived in since 2010, when they returned from their Arizona idyll. Their home in the gated Sleepy Hollow neighborhood abuts four interconnected ponds that serve as habitat for feathered and furry creatures. The inspiration the couple finds in that natural splendor gets expressed in her words and his images.

“Words and images are perfect for each other,” Connie says by way of explaining what makes her and Bob such an intuitive match.

The couple met at Creighton University in the early 1950s. They studied communications and worked on campus radio, television, theater productions together. He was from the big city. She was from a small town, But they hit it off and haven’t stopped collaborating since.

 

 

The couple’s original office, ©Bob Spittler

 

Her writerly roots
The former Connie Kostel grew up in South Dakota. This avid reader practically devoured her entire hometown library.

Connie developed an affection for great women writers. “I love Emily Dickinson. Her poems are short and kind of pithy. She always has one thought in there that just kind of sticks with you.” Other favorites include Elizabeth Barrett Browning, Christina Rossetti, Jane Austen.

“I like a lot of classics.”

Terry Tempest Williams is a contemporary favorite.

Success in school got her thinking she might pursue writing.

“I think it was in the sixth grade I won an essay competition. It had to be on the topic of how we increased production on our family flax farm. Well, there were some farm kids in my grade but I don’t think anybody grew flax. My father was a funeral director. But I got the encyclopedia and I found out some facts about flax and I wrote an essay and I won. I think I got $25 or something. i mean it was like, Wow, I think I should be a writer. That sparked my interest.”

She attended the Benedictine liberal arts Mount Marty College in Yankton, S.D., a then-junior college for girls.

“I got a scholarship there. I was interested in writing and I was going to have to transfer anyway and I began to see radio and TV as one way maybe I could make a living writing rather than writing short stories and novels and so forth. So I decided to do that. My parents researched it out and found Creighton University for me, It had one of the few programs with television, radio and advertising,”

His Army detour
Meanwhile, Bob graduated from Omaha Creighton Prep before getting drafted into the U.S. Army. In between, he earned his private pilot’s license, the start of a lifelong affair with flying that’s seen him own and pilot several planes he’s utilized for both work and pleasure. Prior to the Army he began fooling around with a camera – a Brownie.

He recently put together a small book for his family about his wartime stint in Korea. He had no designs on doing anything with photography when he began documenting that experience.

“Everybody bought a camera over there and I bought an Argus C3. I just got interested in taking pictures for something to do. I learned how to use it and I just took a lot of pictures. I didn’t think it was going anywhere. It was just a hobby, you know.”

But those early photos show a keen eye for composition. He was, in short, a natural. The book he did years later, titled My Korea 1952 to 1953, gives a personal glimpse of life in the service amidst that unfamiliar culture and forbidding environment.

The Army assigned Spittler to intelligence work.

“My specialty was artillery but I was put in what they called G2 Air (part of Corps Intelligence). I went to a school in Japan. Back in Korea I coordinated the Air Force with the artillery in the CORPS front.”

Spittler relied on wall maps and tele-typed intel to schedule flights by Air Force photo-reconnaissance planes. “When I first arrived P-51 Mustangs were the planes used. Then after about six months they shifted to the F-80 Shooting Star,” he writes. “In winter a little pot-bellied kerosene stove warmed our tent. At night it had to be turned off and lighting it on a cold morning, below zero, was painful, It took 10 minutes before it even thought about giving heat.”

The closest he came to action was when a Greek mortar platoon on the other side of a river running past the American camp fired shells into a nearby hill, causing the GIs to scramble for cover.

Though he didn’t pilot any aircraft there he did find ways to feed his flying fix.

He writes, “Since my job was using radio contact with reconnaissance flights every day I became ‘talking friendly’ with some of the pilots. One of them agreed to give me a jet ride…”

 

 

Bob Spittler

 

 

That ride was contingent on Spittler making his way some distance to where the sound-breaking aircraft were based. “Come hell or high water I wasn’t going to pass up that offer,” he writes. With no jeep available, he hitchhiked his way southwest of Seoul and got his coveted ride in a T-33. From 33,000 feet he sighted the “double bend’ of the Imjin River pilots used as a rendezvous landmark – something he’d heard them often reference in radio chatter.

At Spittler’s urging the pilot did some loops. Aware his guest was a flier himself the pilot let Spittler put the jet into a roll. But before he could complete the pull out the pilot took over when Spittler began losing control in the grip of extreme G-forces he’d never felt before. An adrenalin rush to remember.

 

 

 

 

Kindred spirits
After a year in-country Bob eagerly resumed the civilian life he’d put on hold. What he did to amuse himself in the Army. photography, became a passion. When he and Connie met at Creighton they soon realized they shared some interests and ambitions. They were friends first and dated off and on. She was entranced by the romance of this tall, strapping veteran who took her up in his Piper Cub. He was drawn to her petite beauty and unabashed intelligence and independence.

Besides their mutual attraction, they enjoyed working in theater productions. They even appeared in a few plays together. Connie’s passion for theater extended to teaching dramatic play at Joslyn Art Museum. She also enacted the female lead, Lizzie, in an Omaha Community Playhouse production of The Rainmaker.

The pair benefited from instructors at Creighton, including two Jesuit priests who were mass communications pioneers. Before commercial television went on the air in Omaha, Rev. Roswell Williams trained production employees of WOW-TV with equipment he set up at the school. He founded campus radio station KOCU to prepare students for broadcasting careers. He implemented an early closed circuit television systems used to teach classes.

 

 

 

 

 

“He was the person that brought television to Creighton University,” Connie says. “He was interested in it in students learning about it.”

Rev. Lee Lubbers was an art professor whose kinetic sculptures experimental, film offings and international satellite network, SCOLA, made him an “avant garde” figure.

“It was so unusual to have him be here and do what he did,” Connie says. “He stirred things up for sure.”

Right out of college she and Bob worked in local media. He directed commercials and shows at WOW-TV. She was a continuity director, advertising scriptwriter and director at fledgling KETV. She also worked in advertising at radio station KFAB.

Bob’s father was an attorney and there was an expectation he would follow suit but he had other plans.

“My father wanted me to be a lawyer and I just kept fighting that,” he recalls. “The gratifying thing about that is that after about 10 years of being in business he said, ‘I’m really kind of glad you didn’t go into it.'”

Bob calls those early days of live TV “fun.”

“I did little 10 second spots for Safeway. They’d just give me the copy and have me go shoot a banana or something. Well, one night I hung them up in the air and swung them and moved the camera and they were flying all over the place and Safeway just loved it.

“But it changed so much with (video )tape coming in. You can always look back and say, ‘Boy, what we could have done if we’d had that.'”

 

 

 

 

Taking the plunge
Bob and Connie then threw caution aside to launch a film production company from their basement. Don Chapman joined them to form Chapman-Spittler Productions. While leaving the stability of a network affiliate to build a business from scratch might have been a scary proposition for some, it fit Bob to a tee.

“To be honest with you I’m not a team player and I’m not a leader. I’m kind of a loner,” he says. “I could see corporate-wise I wouldn’t get anywhere. I had ideas and things I wanted to do myself. When I did get something done it was always off by myself and I figured out that was the way I wanted it.”

The fact that Bob and Connie brought separate skill sets to the table helped make them work together.

“We didn’t do the same things, that was part of it, so we weren’t competing with each other,” she says. “One other very important thing she did – she kept the books,” Bob notes.

It was unusual for a married couple to work together in the communications field then. Connie was also a rarity as a woman in the male-dominated media-advertising worlds.

She’s long identified as a feminist.

“I was a working woman in the ’50. We were just women that wanted to be able to work, to be able to make a living wage, that wanted to have a family and kids if we chose to but not that we had to.”

There were a few occasions when her gender proved an issue.

“Northern Natural Gas was interviewing for a position and they said there’s no way we can accept a female for this because this job entails going to a lot of parties that get too rowdy, so we’re sorry. When I was at KETV we were doing a documentary about SAC (Strategic Air Command) in-air refueling missions. I wanted to go up so I could write about it, but base officials said we can’t send up a woman, so I couldn’t do that. The station did send up a male director and he came back and told me about it and I wrote the script

“Otherwise, I don’t think I did experience discrimination.”

 

 

Bob’s beloved Piper Cub, ©Bob Spittler

 

 

She wasn’t taking any chances though when she broke into the field.

“I was one of the first people hired before KETV went on the air. My job was as an administrative assistant to work with New York (ABC). That was one place where I didn’t know if there’d be any problem with my being a woman so instead of signing letters Connie Kostel (this was before she was married), I signed them Con Kostel, so they wouldn’t know what sex I was. I didn’t have any problems.”

Connie will never forget the time she wrote a promo for a Hollywood actor on tour promoting his new ABC Western series.

“I directed him in the promo. When I got home Bob said, ‘How’d it go with the guy from Hollywood?’ I said, ‘He’s nice looking but he’s a loser, He had the personality of a peach pit. I just didn’t get anything from him at all.'”

She was referring to James Garner, whose Maverick became a hit.

In retrospect, she chalks up his lethargy to being exhausted after a long tour. “Thank heavens I didn’t want to be a talent scout.”

 

 

 

 

 

The salad days
She says when she and Bob had their own business she was put “in charge of some really big sales meetings” by clients who entrusted her with writing-producing multi-screen slide shows. These elaborate productions cost tens, even hundreds of thousands of dollars and often involved name narrators, such as Herschel Bernardi and Rex Allen.

She wrote-produced a 9-screen, 14-projector show for Leo A. Daly having never produced even a single-screen slide show.

“Inspired in the late ’60’s by our plane trips to the Montreal World Fair and the San Antonio HemisFair, Bob and I were both excited by multi-screen shows.”

Once, Connie was asked to produce show in three days to be shown in a tent in Saudi Arabia.

“I always wondered about the extension cord,” she quips.

Bob says Connie was accepted as an equal by the old boys network they operated in. “I never saw any signs of any rejection.” Besides, he adds, “she got along real well with people” and “she was good.”

For her part, Connie felt right at home doing projects for Eli Lilly, Mutual of Omaha, Union Pacific, ConAgra, Ak-Sar-Ben, the Greater Omaha Chamber of Commerce and many other clients.

“I loved it, I absolutely loved it. And the thing I loved about the writing I did was that each one was a different subject. I’d go visit a big company like Leo A. Daly and they’d introduce me to their top people to interview. I’d be given all these research books and reports to read. It was like a continuing education. Working on the Daly account I learned a lot about architecture.

“Almost anything turned out to be really interesting once I talked to the people who worked there who were excited about their work.”

Their projects played international film festivals and earned industry awards. Bob worked with Galen Lillethorup at Bozell and Jacobs to produce the ‘The Great Big Rollin’ Railroad’ commercials for Union Pacific, which won the prestigious Clio for B & J. Bob recalls the North Platte, Neb. shoot as “fun,” adding, “We got a lot of attention out of it and we did get other business from it.” A few years later, Spittler Productions received their own Clio recognition for an Omaha Chamber project. Assignments took them all over the U.S. Bob would often do the flying.

“Bob either shot, scouted or landed for business purposes and I traveled to locations to research, write and produce sales meetings in every state in the U.S. with the exception of Alaska, Hawaii, Maine and Rhode Island,” Connie says.

One time when Bob let someone else do the flying he and a Native American guide caught a helicopter that deposited them atop a Wyoming mesa so he could capture a train moving across the wilderness valley.

“I sat up there with my Arriflex and that old Indian and waited for that train to come and neither of us could understand the other,” he recalls.

Connie once wrote liner notes for a City of London Mozart Symphonia produced by Chip Davis and recorded in Henry Wood Hall, London. Davis recommended her to Decca Records in London to write liner notes for a Mormon Tabernacle Choir album.

At its peak Chapman-Spittler Productions did such high profile projects the partners opened a Hollywood office. Spittler worked with big names Gordon McCrae and John Cameron Swayze.

The Nebraskans made their office a Marina del Rey yacht, the Farida, supposedly once owned by King Farouk and named after his wife.

“On one occasion I flew a Moviola (editing machine) out there and we edited one of the Union Pacific commercials on the boat over in Catalina,” Bob remembers.

An InterNorth commercial was edited there as well.

Connie adds, “I used the yacht as a wonderful place to write scripts.”

“Ours was 40-foot. We were able to sleep on it. I took the boat out a lot. When we left, that’s where it stayed,” Bob says. “Our boat was right next to Frank Sinatra’s boat off the Marina del Rey Hotel. His was a converted PT-boat.”

Bob also did his share of flying up and down the Calif. coast. Connie wedded her words to his images to tell stories.

One of Bob and Connie’s favorite projects was working with Beech Aircraft. Using aerial photography Bob shot in several states, they produced a film on the pressurized Baron and later a film on the King Air for the Beechcraft National Conference in Dallas, Texas

The variety of the projects engaged her.

“Curiosity is my favorite thing,” she acknowledges.

A hungry mind is another attribute she shares with her mate, as Bob’s a tinkerer when it comes to mechanical and electronic things.

“Bob is curious, too,” she says. “He’s always trying to think of something to invent. Years ago he went out and brought home one of the first PCs – a TRS 80. He wanted to play around with it. Then he pushed me into playing around with it and then he made all the kids learn it so they could do their college applications on the computer. So he dragged the whole family into the computer generation.”

The way Bob remembers it, “When I brought that first computer home we had it for a week and I was still trying to figure out how to turn the damn thing on and my son was programming it. He taught me. But that was neat. I’m way behind now on technology,” though he has digital devices to share and store his work.

 

 

Connie Spittler

 

 

Reinventing themselves
Bob and Connie’s collaborations continued all through the years they worked with Don Chapman. When that partnership dissolved the couple went right on working together.

“We were complementary I suppose in many ways,” she says. “When we had the business I wrote and produced, he shot and edited, so it just worked.”

By now, Connie’s written most everything there is to write. Being open to new writing avenues has brought rewarding opportunities.

“You have to be open to writing about other things just to keep your mind going. I received a phone call in Tucson one day and this person said, ‘We heard about you and we wondered if you’d come read your cowboy poetry at our trail ride?’ I’d never written any cowboy poetry but it sounded so much fun. I said, ‘Let me think about that.’ Well, I like cowboys and nature and all these things, so I agreed to do it. Bob and I ended up making this little book Cowboys & Wild, Wild Things.”

When she got around trying her hand at fiction writing, it fit like a glove.

“I was writing my first fiction piece and Bob said to me, ‘Do you know for the first time since we’ve come down here every time you come out of your office you’re smiling?’ Before, my projects were all kind of heavy, fact-laden subjects. I mean, there was creativity but it was mostly how do you take this subject and make it interesting. With the novel, I could make it anything I want.”

She hit her fiction stride with the books Powerball 33 and Lincoln & the Gettysburg Address.

A project that brought her much attention is the Wise Women Videos series she wrote about individuals who embody or advocate positive aging attributes. The videos have been widely screened. For a time they served as the basis for a cottage industry that found her teaching and speaking about mind, body, spirit matters.

For the series, she says, “I found interesting women I thought other people should listen to. None of them were famous. They were just women introduced to me or once people knew I was doing the series they would say, Oh, you should talk to this person or that person.”

As the series made its way into women’s festivals and organizations she got lots of feedback.

“When I would get letters from cancer groups or prisons or abused women groups I thought good grief, how wonderful that can happen, that they can ‘meet’ these women through these videos.”

The series is archived in Harvard University’s Library on the History of Women in America.

She’s given her share of writing presentations and talks – “I love to attend book clubs to discuss my books” – but a class on memoir she taught in Tucson took the cake.

“The class was inspired by one of my Wise Women Videos and began with each student telling a story about their first decade in life. Then each time we met the women chose one important memory to tell the group about the next decade. The assignment was to write that story for family, friends or themselves. An interesting thing happened: When the class sessions reached the end of their decades and the class was finished the women were so connected from the experience they continued to meet independently for years afterward.”

 

Bob and Connie on their deck

 

 

Legacy
Connie’s own essays and short stories are published in many anthologies. She achieved a mark of distinction when an essay of hers, “Lint and Light,” inspired by the work and concepts of the late Neb. artist and inventor Reinhold Marxhausen, was published in The Art of Living – A Practical Guide to Being Alive. The international anthology’s editor sent an email letting Connie know the names of the other authors featured in the book. She was stunned to find herself in the company of the Dalai Lama, Mikhail Gorbachev, Deepak Chopra, Desmond Tutu, Jean Boland, Sir Richard Branson and other luminaries.

“I almost fell off the chair. When that happened I was like, I wonder if I should quit writing because I don’t think I’ll ever top that.”

Bob says he always knew Connie was destined for big things. “It didn’t surprise me a bit.”

Much of her work lives on thanks to reissues and requests.

“It’s interesting how you do something and it isn’t necessarily gone,” she says. “Some of those things have a long life. I always say a book lasts as long as the paper lasts.”

Now with the Web her work has longer staying power than ever.

Meanwhile, one of Bob’s photographs just sold in excess of a thousand dollars at a gallery in Bisbee, Arizona.

Living in Tucson Connie says she was spoiled by the “absolutely wonderful writers community” there. She and some fellow women writers created their own salon to talk about art, music, theater and literature. “The one rule was you couldn’t gossip – it was just intellectual, interesting talk,” she says. “One night the subject of erotica came up. The next day I went to a bookstore and I said to this young female clerk, ‘Do you have a place for erotica here?’ And she said, ‘Oh erotica, yes, let me get my friend, she loves erotica, too!’ and they both took me off to the section and told me all their favorite books. I didn’t get any of their favorites, but I did get this one, Erotica: Women’s Writing from Sappho to Margaret Atwood.”

Connie found writers published in its pages she never expected.

“When I opened this book the first thing I saw was Emily Dickinson, then Jane Austen, Charlotte Bronte, all these well-known, respected authors. Their work is considered erotica for their time because it was romantic reading with sensual undertones. It’s in your mind, not graphic. I thought it so interesting that that could be erotica. It occurred to me a book club about erotica could be fun.”

Only Connie’s resulting book is not erotica at all but “a cozy mystery.”

“A librarian who gave it 5 stars said, ‘You would not be embarrassed to discuss this book with your mother.'” In the back Connie offers a list of erotica titles for those interested in checking out the real thing.

She’s delighted the book’s being published in the Czech Republic.

“My dad was a hundred percent Czech. I asked the publisher if I could add my maiden name and change the dedication to dedicate it to my dad and my grandmother and Czech ancestors and they said, ‘We’d love that.’ My dad’s been gone a long time and he didn’t have any sons and he always said to me, ‘That’s the end of my line,’ so now I thought it will live on – at least in the Czech Republic.”

 

 

 

 

Words to live by
Closer to home, Connie’s developed a following for the Christmas Card essays she pens. Her sage observations and sublime wordings are much anticipated. This year’s riffs on the fox that visits their property.

“Sometimes in the late evening he trots along the grasslands and pond. Bob, watching TV down in the family room, has spotted the scurrying fox several times – always unexpected and too quick for his camera lens. I haven’t seen this wild urban creature yet since I’m in bed during the usual prowling gorse. Still, imagining his billowing tail flying by int he dark adds a flurry of magic to the winter night…

“As our dancing, prancing fox moves in and out of focus and time, I think of the surprising people, pets, events and moments that visit our lives. They come and go with reminders to be grateful for unexpected things that happen along the way…fleeting or lingering…illusive…intriguing.

“This season our message comes from the fox, a wish for wisdom, longevity and beautiful surprises. Do keep a look out. You never know who you’ll meet or what you’ll see.”

Finally, as one half of a 57-year partnership, Connie proffers some advice about the benefits of passion-filled living.

“One beautiful thing about writing is that by picking up pencil and paper, or using computer, iPad, you can write anywhere. I’ve written on a beach, by a pool, a yacht and in an RV. I always encourage anyone interested in writing to sit down and go to it. It doesn’t cost any money to try and studies show the creativity of writing keeps the mind alert. And it’s a feeling of accomplishment, if you finish a piece or even if you finish a good day writing.”

The same holds true for filmmaking and photography. And for delighting in the wonders of wild foxes running free.

Follow the couple at http://www.conniespittler.com.