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South by Southwest: Omaha South High Soccer Builds Makings of Dynasty on Diversity
South by Southwest: Omaha South High Soccer Builds Makings of Dynasty on Diversity
©by Leo Adam Biga
Originally published in El Perico (el-perico.com)
The feel-good story of Omaha South High School’s boys soccer team nearly got lost in the aftermath of last week’s state championship game. The Packers lost 4-2 to Lincoln East at Creighton’s Morrison Stadium. Marring the action was a small group of Lincoln East fans waving American flags during the contest. In the post-game rush celebrating the win some East fans littered the field with fake U.S. resident “green cards.”
Few among the record 5,800 in attendance actually saw the incident, which happened amid a tangle of bodies. When reporters on the scene informed South Coach Joe Maass what occurred he confronted East coach Jeff Hoham.
In the ensuing flood of media coverage the offending East students were suspended. Students and officials from the schools have expressed outrage and regret. Messages have been exchanged. A face-to-face dialogue convened. All to work through the hurt feelings. Practically everyone agrees the insults were racist taunts targeting predominantly Latino South. The provocative symbols inferred illegal status in what is already a tense climate over immigration. East has a largely white student body.
What should have been a capstone moment for South, whose graduation ceremony was held blocks away before the game, instead became fodder in the growing culture war. South officials say the stunt was just the latest insensitivity the school’s endured.
“There’s been incidents throughout the season and throughout my 11 years here,” said Maass. “It’s always been there.” Principal Cara Riggs said “inappropriate comments” have been directed towards “not just our boys soccer team, but also our nearly all African-American boys basketball team. They too have suffered from similar situations.”
She noted frustration with schools “minimizing” such events but credits East staff and students for trying to make things right.
As inevitable as it may be for what transpired to be headline material in the raging immigration debate, the greater lesson is how a team from a diverse inner city school achieved great heights and didn’t take the bait when egged on.
Maass has guided the program from awful to elite. Fueling the turnaround is talent from feeder South Omaha and Bellevue soccer clubs, notably Club Viva. The mostly Latino players bring a fluid style of finesse, quickness, creativity he terms “beautiful to watch. The average kid comes here with natural foot skills and an understanding of the game. A lot of the fundamentals are there.” Plus, he said, “they want to play passionately.”
South’s lone non-Latino player, junior Alex Stillinger, came from Viva, too. He was South’s leading scorer in 2010 and he calls playing for South “an honor.” He and his teammates describe themselves as “family.” Junior Guillermo Ventura, whose brother Eric made the squad as a freshman, said, “all my teammates are my brothers.”
MATT DIXON/THE WORLD-HERALD

The coaching staff is a mix of ethnicities, including Greece native Demitrios Fountas.
Diversity is not isolated to the soccer team, said Riggs: “Our students who live in a very diverse school population…are respectful of each other’s cultures and differences.”
The Packer faithful at the state title game included Latinos and non-Latinos. “It gives us some real pride to have the power back in one of the sports,” said South High grad Tom Maass, an uncle of coach Joe Maass. Sergio Rangel, who knows several South players, said the team’s success “is a good thing for the community.”
Coach Maass believes South’s new Collin Field came to fruition when alums and backers of largely Eastern European ancestry put their faith in the Latino-led soccer program as the school’s best chance at reclaiming its long dormant athletic glory. The regulation soccer field offers a decided home advantage. South’s unbeaten there.
His first five years brought only a handful of wins. But steady progress has resulted in three state tourney appearances in four years. In 2010 the program set a school record for single-season wins, 20, and achieved several South High soccer firsts: a No. 1 ranking; a district championship; a win at state; and a championship game berth. As departing senior star Manny Lira put it after South finally beat its longtime nemesis, Creighton Prep, in the state semifinals, “It’s history within history within history.”
“Yeah, this is huge, I can’t even put it into words right now,” Maass said after South beat Lincoln Southeast for the District A-3 title. “We’ve been building to this with every little stepping stone. Every year we’ve improved a little bit. Where we’re at and where we were are two different stories. It’s been a complete reversal. People used to pat me on the back and say, ‘Oh you’re making the kids so much better.’ Now when I beat their teams I don’t get that anymore. Now it’s kind of like they can’t stand me.”
The truth is, anytime South plays a Millard, Papillion, Westside or Prep, there’s a clash of inner city-suburban, poor-wealthy, Latino-gringo. Maass said despite some bigots most opponents “respect us in the end. People actually believe we’re good now. We’ve closed the gap for sure. It’s not a fluke, it’s the real deal.”
More important, he said, is how South soccer “is building a lot of pride within our community and our kids.”
“The community has something positive to look at now at South rather than the low test scores or low graduation rates,” said Guillermo Ventura. “The community is appreciative of the school and the kids and what we have to offer.”
Before the state championship game against unbeaten and nationally ranked Lincoln East Maass said, “I’ve been telling everybody regardless of the outcome of this game the community interest and support and enthusiasm I’ve seen from all walks of life far outweighs whether we win or lose, and it’s always kind of been about that here until the tradition’s built. Then I suppose it’ll be about winning championships.”
Even after the loss, he sounded upbeat, saying, “This is the best game I’ve ever been to in terms of crowd support, South Omaha support. I’ve never been so proud to be from South Omaha in my life. Seriously. This is the pinnacle.”
Maass feels with the pipeline that’s in place it’s just the start of something big.
“I hear stories now of middle school kids wanting to come to South and play soccer, and so I’m hoping we can build on this and create kind of like an every year trip to state and possibly win a state championship.”
Graduated goalkeeper Billy Loera, who set a state record with 37 career shutouts predicts “there’s a lot more to come.”
If the play’s the thing, then what about gender?
If the play’s the thing, then what about gender?
©by Leo Adam Biga
Appearing in the July 2018 issue of The Reader (www.thereader.com)
Theater offers windows on the world, yet only a fraction of plays produced anywhere are written by women. This arts parity issue has urgency with national initiatives extending to Omaha, where theater artists variously discuss the problem and implement remedies.
“The initiatives have been around for about a decade now,” said Creighton University theater professor Amy Lane. “The most well-known, 50/50 by 2020, started in response to a study that revealed women’s voices grossly underrepresented in theaters.”
In 2006, 17 percent of plays professionally produced nationwide (12 percent on Broadway) were written by women. “Surprising,” Lane said, given that “60 percent of the theater audience is women.”
She wonders if “there will be true gender equity by 2020” and what “progress” has been made thus far.
UNO theater professor Cindy Melby Phaneuf echoes many when she says, “My opinion is we are moving in the right direction, but still have a long way to go.” She heads the National Theatre Conference, whose Women Playwright Initiative has produced 500 plays by women since 2011 and expects to reach 1,000 by 2020. “I am encouraged by the energy and interest in gender parity, but am most interested in taking action.”
“I support these initiatives and applaud the theaters implementing them,” said Omaha playwright Ellen Struve.
Struve’s had plays mounted at the Omaha Community Playhouse (OCP) and Shelterbelt Theatre and across the nation.
“When I began writing plays, I didn’t know many other women getting produced on a regular basis. This past year I was able to invite more than a dozen Omaha-based women playwrights to participate in the 365 Women A Year project. It was so exhilarating to look at that list of writers. Even better was to see a few of the plays fully-produced by Denise Chapman at the Union for Contemporary Art.”
2017 panels hosted by the Blue Barn Theater and the University of Nebraska at Omaha dialogued about the social-economic context behind exclusion and why plays written by women would enrich any season.
“Panels are great for raising awareness. Representation matters: for women and female-identifying playwrights, directors, actors, designers, crews, administrators. Discussions are fine, but action is what is needed,” said Lane.
She created the 21 & Over series at OCP “to introduce Omaha to new works and new voices.” 21 & Over seasons were 50/50 by 2020 compliant, she said..
OCP’s ongoing Alternative Programming series continues to be diverse.
Creighton and UNO are devoting their respective theater departments’ entire 2018-2019 performance seasons to works by women playwrights.
Lane said Creighton’s “made a commitment to continue with the 50/50 by 2020 Movement” beyond this season.
Phaneuf and colleagues want to move things forward.
“UNO and Creighton have agreed to shine a light on what our greater Omaha community is doing already and look to the future to provide more opportunities to revel in women’s voices. The goal is gender parity on a permanent basis as an ordinary way of programming our seasons representing diverse voices. With parity also comes a desire to produce plays by writers of color. We are constantly on the lookout for plays that represent a variety of cultures and heritages.”
Outside the academic setting, Omaha presents a mixed bag in theater gender parity.
Phaneuf said despite some gains, many Omaha theaters present seasons with only one or two works by women. Sometimes, none.
“Those making artistic decisions at Omaha theaters either care about this issue or they don’t. If they care, then it is not a difficult task to make sure a theater’s season includes works by women,” Lane said. “There are plenty of terrific plays out there and plenty of resources to find them. If this is not an issue that matters to them, then they shouldn’t be surprised if they get called out. I think more of us who do care should speak out more when we see gender parity ignored.”
OCP artistic director Kimberly Hickman said “more opportunities for female artists is among her programming guidelines.” This past season several OCP playwrights and composers identified as women as did all its guest directors and many designers.
“Those priorities remain in place for 2018-2019.”
“Parity in theater is a complex issue that can’t be simplified to only gender,” Hickman said.
A session on female leadership she attended at a recent conference for regional theaters brought this home.
“While the room of women had many things in common, our experiences were very different due to ethnicity, sexuality, economic status, academic background, location. All these factors need to be taken into consideration. I believe the best way to make progress is to look at who is at the table making decisions. If the people all look the same, that is a problem and steps need to be taken to evolve. I also think accountability is important. I have intentionally surrounded myself with people I know will hold me accountable.”
The Shelterbelt has a demonstrated “strong commitment to gender parity, not only for playwrights, but for all production positions,” said executive director Roxanne Wach. “We do try to include at least 50 percent women playwrights in a season, while still creating a balance in storytelling and genres. It’s a conscious choice by our reading committee and a shared vision of our board.
“I personally feel if we don’t start with parity in the small theaters, it will never happen in larger theaters.”
Shelterbelt’s won recognition from the International Centre for Women Playwrights for reaching equity goals.
“To look just at playwrights is only scratching the surface,” Wach adds. “We’ve got to start valuing the work women bring to all areas of theater production and the great value in having different points of view.”
Omaha’s largest footprint on the national theater scene, the Great Plains Theatre Conference (GPTC), uses a 100 percent blind reading process selecting plays.
“We are one of the few major development programs that do this,” producing artistic director Kevin Lawler said. “We have had many long debates about whether we should change to have predetermined selection percentages to include gender, race, identity, but the overwhelming consensus by our staff and those who attend the conference is to keep the selections blind.
“Even with a blind selection we have always been close to parity. This year was a clean 50-50 split. Our women playwrights often appear on the Kilroys List (of most recommended unproduced or underproduced plays).”
UNO’s new Connections series is being curated from GPTC works by underrepresented playwrights.
GPTC playwright Sara Farrington terms parity “a triggery question” and initiatives to date “a baby step.”
“Many people simply don’t and won’t trust plays by women. It is astonishing people still assume women can or will only write about being imprisoned by their bodies or men. That idea has been beaten into a mass theater-going audience by over-produced, overrated, wildly misogynistic male playwrights and producers and by artistic directors financing and programming plays with reductive and fearful depictions of female characters.
“Women playwrights have a deep, refined, 200-proof rage. Rage makes for badass and innovative storytelling. Women playwrights tell stories backwards, sideways, in a spiral, upside down, from angles you’d never expect. They are utterly complex, psychologically profound and contemporary.”
Fellow GPTC playwright Shayne Kennedy, a Creighton grad, calls for systemic change.
“I believe men and women tell stories differently and because the creative industries have long been dominated by male voices, we as a culture have become conditioned to hear in those voices. I think to correct the imbalance we are going to need some risk-takers, visionaries and deliberately opened minds.”
Read more of Leo Adam Biga’s work at leoadambiga.com.
Link to the 2018-2019 UNO theater season at:
http://www.unomaha.edu/college-of-communication-fine-arts-and-media/theatre/index.php
Select UNO Theater 2018-2019 season:
TARTUFFE (Studio)
by Molière, adapted by Constance Congdon from a literal prose translation by Virginia Scott
Director Jackson Newman
August 23-25
THE CLEARING
by Helen Edmundson
Director Lara Marsh
September 26-29, October 3-6
SECRET GARDEN
Book & Lyrics by Marsha Norman, Music by Lucy Simon
Director D. Scott Glasser, Musical Director Shelby VanNordstand
October 31-November 3, 7-10, 14-18
CONNECTIONS
Director Dr. Ron Zank
February 20-23, 27- March 2
MR. BURNS, A POST-ELECTRIC PLAY
by Anne Washburn
Director: Jeremy Stoll
March 14-17, 2019
THE WOLVES
by Sarah DeLappe
Director Dr. Cindy Melby Phaneuf
April 10-13, 17-20, 2019
___________________________
Link to the 2018-2019 Creighton theater season at:
https://www.creighton.edu/ccas/fineandperformingarts/boxoffice/
Select Creighton Theater 2018-2019 season:
HANDLED
Written by Shayne Kennedy
World premiere play/Mainstage Theater
October 31 – November 4, 2018
KINDERTRANSPORT
Written by Diane Samuels
Play/Studio Theater
February 13 -17, 2019
LEGALLY BLONDE THE MUSICAL
Book by Heather Hach; Music and Lyrics by Laurence O’Keefe and Nell Benajmin
Musical/Mainstage Theater
March 27-31, 2019
Once more, with feeling: Omaha South High Magnet School and SNAP reteam for new musical “Once On this Island”
This weekend Omaha South High Magnet School and SNAP Productions are re-teaming for another musical co-production after the success of last summer’s “In the Heights” collaboration.
“Once On this Island” is the attraction this time around.
Remaining performances are Friday, June 29 through Sunday July 1.
Check out my El Perico story below to learn more about the show and the cast.
For show times and tickets, visit http://www.eventbrite.com/e/once-on-this-island-tickets or call 531-299-7685.
©by Leo Adam Biga
Appearing in El Perico (el-perico.com)
A year ago, Omaha South High Magnet School and SNAP Productions set the local theater scene abuzz with their joint staging of the Tony Award-winning In the Heights. The all-star production of current and former South students, school performing arts staff and community theater veterans filled seats and won raves.
South and SNAP are again co-producing an acclaimed musical, Once On this Island, which happens to be enjoying a Broadway revival, The June 28-July 1 run at South once more teams community and school artists in a show about love conquering differences.
All tickets are $20. Proceeds benefit SNAP and South.
Urban-themed Heights was set in New York City’s Dominican subculture. Island is set in the Antilles archipelago, where love-sick orphan Ti Moune breeches the divide between dark-skilled peasants and light-skinned aristocrats with help from the gods. The Romeo and Juliet-inspired story is nearly all sung-through.
South and SNAP share a message through theater.
“I feel our mission of inclusion and acceptance dovetails beautifully with South’s amazingly diverse student body and nurturing environment,” said SNAP Artistic Director Michal Simpson, who directs the show.
“We believe theater should inspire and educate, unite and connect. We want it to reflect our world today – to share stories that reflect the gifts all cultures and ethnicities bring to the table. Above all, we believe theater can change people and, perhaps by seeing shows like these, our community becomes more open and affirming, welcoming and respectful of all people,” Island producer and South Magnet Coordinator Rebecca Noble said.
“The fact we are able to do multicultural and ethnically correct casting is something SNAP has been striving for,” Simpson said.
Regina Palmer, who plays Ti Moune, said, “It’s exciting that this story about island people of color is being told by a demographically correct cast.”
Show stage manager Esmeralda Moreno Villanueva, a South High grad, said, “This show is a great opportunity for people of color to demonstrate we’re out here and we’re as talented as anybody else. I think that’s what a lot of the theater community is looking for right now.”
Noble said Simpson’s assembled “an amazing cast.”
The play features three Omaha theater stars who’ve shared the stage before in Palmer, Echelle Childers and Zhomontee Watson. They earned great notices in Caroline or Change at the Omaha Community Playhouse.
“That OCP connection brings us back full circle,” said Watson. “We work really well together. Our voices meld. And we genuinely enjoy each other’s time and company, so it’s nice to be reunited in another show that is so powerful and packs a lot meaning into it.”
Then there’s the synergy of different ages collaborating.
“It gives students a great opportunity to work with some talented people in the community,” Moreno Villanueva said. “It’s important for adults to connect with young people because they are the future of theater.”
“Everyone gets connected in this way. I think it’s a beautiful thing,” said Watson, who plays Asaka.
Simpson said it’s a great training ground.
“With the staff and adult talent they’re working with, the kids can get a true read of what it’s like to participate in the community. They are exposed to new methods of direction, staging and choreography as well as new friendships and mentors. It’s a win-win for all involved.”
South senior-to-be Juan Valdovinos, who was in Heights, loves working with high-caliber talent.
“This collaboration gives me a chance to experience a new level of theater and dedication. I’ve grown a lot as a singer, a dancer and actor, It’s pushed me to do better at what I do. It’s an amazing opportunity. I would never have dreamed of performing with adults like this.
“We set a very high standard last year, but this cast is very passionate and I know we are up to the challenge.”
He appears in Island’s ensemble.
Noble looks to expand collaborations “with other organizations because our kids learn with every new person they work with and we feel really strongly that as an arts magnet we need to help them grow and have as many opportunities as possible.”
Though Zhomontee Watson did not attend South, she is an Omaha Public Schools grad (Benson) and she appreciates this opportunity for new collaborations.
“I had never worked with SNAP before, so I wanted to be able to gain those connections and work with a new director. I love working with new people.”
The productions also serve as reunions.
“One of the ensemble girls, Isabel (Gott), actually played my daughter when we did Les Miserable for the OPS summer musical at South,” Palmer said.
South High alum Kate Myers Madsen, who plays Andrea, is back again after performing in Heights. This new show reconnects her with old friends.
“My good friend Justin Blackson did Once On this Island with me in high school. I worked with the choreographer (Roxanne Nielsen) throughout high school.”
Things have come full circle for Myers Madsen, whose first Omaha community theater gig was with SNAP.
She said these plays showcase what South offers.
“When I was at South it was never given the credit it was due but there’s always been a phenomenal, talented student base. It’s finally got the platform to show why it’s the arts magnet.”
Island’s take on shades of color equating to class status is timely given today’s rhetoric around race and immigration.
“Colorism is one of the main conflicts in the play,” Palmer said, “and in real life it’s not something talked about often. Usually it’s just straight racism. Colorism is more nuanced because it exists within black communities in which lighter-skinned people, even though still black, are looked upon more favorably than dark-skinned people. This is still a very relevant, problematic issue.
“I remember when I was younger staying in summers because I didn’t want my skin to get darker.”
Zhomontee Watson said in addition to the play’s heart-filled music and dance numbers, its powerful human themes about identity will make audiences think.
“It’s something that makes you sit down and process how you fit into the story and what you look like in the story.”
For dates, times and tickets, visit http://www.eventbrite.com/e/once-on-this-island-tickets or call 531-299-7685.
Read more of Leo Adam Biga’s work at leoadambiga.com.
Interfaith Journey: Sharif Liwaru and Gabrielle Gaines Liwaru share how they make their interfaith walk work
Two of Omaha’s best – Gabrielle Gaines Liwaru and Sharif Zakir Liwaru – share the interfaith journey they make every day as a couple in my new Reader cover story. He’s Muslim. She’s a Follower of Christ. They make their blended union work in this fractious era by being intentional, open and honest about where their beliefs and practices converge and diverge. There is more sameness than difference and where there are differences, they treat each other and their tenets with respect. We all have something to learn from them.
©photo by Debra Kaplan
Interfaith Journey
Sharif Liwaru and Gabrielle Gaines Liwaru share how they make their interfaith walk work
©by Leo Adam Biga
Appearing in the November 2016 issue of The Reader (http://.thereader.com)
When it comes to religious diversity, Omaha has churches, cathedrals, synagogues, mosques and temples. The metro’s immigrant, migrant and refugee settlers planted deep roots of Catholicism, Protestantism, Judaism and Eastern Orthodoxy that still flourish today. The imprint Mormon pioneers made during the 19th century lives on in Florence and Council Bluffs.
Today’s local religious landscape also includes Bahá’í, Buddhist, Hindu, Islamic, New Religion, Pagan, Atheist and Unitarian centers. Throughout the metro, interfaith efforts abound: Inclusive Communities, Together Inc., Omaha Together One Community, Neighbors United and the Tri-Faith Initiative. Countryside Community Church programs sometimes feature interfaith dialogues. There are also serious religious studies offerings at local institutions of higher learning that invite cross-current explorations.
Omaha’s not immune from religious bigotry. Hate crimes have defaced area mosques amidst rising anti-Islamic fervor. As recent and still waging wars demonstrate, religion, like race and nationality, can be a wedge for conflict or a bridge for understanding. Schisms happen within and between countries, denominations, congregations, tribes, sects, even individuals. As a house divided starts at home, interfaith couples carry loaded religious commerce. One such couple is Sharif Liwaru and Gabrielle Gaines Liwaru of Omaha. He’s a Muslim by birth and choice. She’s a self-professed “follower of Jesus” after growing up Lutheran and Assembly of God.
The 40-something-year-old parents of three are professionals and community activists. He directs the Office of Equity and Diversity at Omaha Public Schools and is president-CEO of the Malcolm X Memorial Foundation. She’s a teaching artist. They’re both active in the African Culture Connection, the Empowerment Network and the Black Lives Matter movement.
They shared with The Reader how they make their blended union work in this fractious era when contrasting persuasions can be deal-breakers. Not surprisingly for two people who advocate engagement, they go to great lengths to ensure they remain connected despite their differences. It starts with respecting each other and their sometimes opposite beliefs.
Gabrielle said, “As a follower of Jesus in an interfaith marriage
what I admire is that Sharif is not every Muslim. – Sharif is his own Muslim. He’s unique. Each person and their set of beliefs does not have to be exactly like the rest in their group and it goes for me as well. I’m happy that in our relationship we explore ideas and spiritual matters together.”
Though born Muslim to convert parents, Sharif examined the religion and recommitted to it as a young man.
“This settles easy on my heart and on my mind. It makes sense for me,” he said of his practice. His disciplines include fasting, praying five times a day and weekly congregational prayer.
When the couple met 23 years ago, Gabrielle’s religious traditions demonized Muslims. The more time she spent with Sharif and other Muslims, she came to see those ideas as false.
“In a lot of ways, shapes and forms the attitudes-beliefs of Christians towards Muslims are wrong,” she said.
Marriage only confirmed her new-found outlook. “I have a husband who has a golden heart and he is Muslim. I’m extremely in love with how he depicts himself within black American culture and with how he’s chosen to be Muslim, too.”
The couple married despite each being warned against if not forbidden from mating with someone of another faith.
“Both of us we’re breaking rules against our religion to be together,” she said.
They met at the University of Nebraska at Omaha. She was a single mom and aspiring artist and art educator. He was a community volunteer. They began as platonic friends. To this day their friendship and love trump any conflicts.
Sharif said, “In faith and spirituality when there are disagreements there’s a barrier that can come from I-feel-it’s- this-way and you-feel-it’s-that-way and there’s no reconciliation.
We’re not trying to create a sense of hierarchy of one being better than the other. At the same time, if either one of us felt the other’s path was THE path, we would have been on it. So, in as much as we agree with the other, we have to acknowledge each of us thinks we’re right.”
“In situations where Sharif thinks he’s right, I still have to respect him to the core as being a peaceful person,” she said.
They try emphasizing those things they are of one accord on.
“We are connected purposefully and spiritually and aligned in so many ways, so it’s a challenge trying to walk through the things we may see differently,” Sharif said. “Our ideologies are very similar in terms of how we treat one another, the belief in one god and in a creator, the understanding that your actions need to reflect what you believe, the sense of having purpose and being created intentionally, having strong moral values and the way you carry yourself as vital.”
Gabrielle said she believes she and Sharif are ordained “to journey together to do the things that make this place better,” adding, “We strengthen community, we strengthen our children and family and we’re role models for people to see that oh, yes, you can get beyond differences.”
It hasn’t always been easy.
“For many years she wasn’t sure how I would take it if she was using Jesus a lot,” Sharif said. “I wasn’t sure how she would take different things – like greeting someone with ‘as-salamu alayka’ or s’alamun alaykum’ (peace and blessings or complimenting someone with ‘alhumdulillah’ (all praises be to god). Or praying-reading from the Koran before eating. Or using Allah for God. Those are Arabic words for English words commonly agreed upon and used in the house.
“We sometimes would self-dictate what made the other person feel uncomfortable. But then as we started to explore and grow,
especially in terminology, she used Yah as the one creator and I used Allah. We came to an understanding that when we say that we’re not saying it be contentious, rather we’re saying the same thing in two different ways. We don’t see them as counter or correction.”
As much as he or she might want the other to follow their beliefs, neither takes offense at their choosing not to.
She said she doesn’t accept Prophet Mohammed as “the final messenger Jesus said was to come after him –I feel like Jesus was talking about the spirit of truth and great comforter that would never leave us alone and would guide us without us having to follow a man and what the man said. I feel that deep in my soul and, yes, I would like my husband to feel that.”
She takes issue with the inequity Muslim women face. There are things about Christianity he finds difficult.
Each felt pressure to bring up they’re kids in a certain faith.
“There was a lot of recruiting by our parents wanting to make sure they grew up in the faith tradition they believed,” Sharif said. “We exposed them very intentionally and unashamedly to our faith. It was no secret Christian faith was on one side of the family and Islamic faith on the other side.”
He said he and Gabrielle left it open for their kids to identify as they saw fit. “Our kids grew to be examiners of information. The same way they took everything, they absorbed and created their own paths.” At various times, he said, they identified as “Muslim-Christian, neither-both, half Muslim and half Christian.”
In 2015 the couple’s middle child, Zaiid, was killed in an auto accident and the loss set them on a new path seeking answers.
“The passing of our son had us exploring an element of our faith we didn’t have many occasions to discuss (before),” Sharif said. “We found commonalities in the way we saw things and we talked through differences. Everything from wording to where Zaiid is now – physical presence versus spiritual presence – to where we originate from as human beings to where we come after we die. We share the philosophy that we are souls with a body, not bodies that have souls. Our bodies are vessels we carry until we return to our creator.”
The couple doesn’t allow any divergence to supersede their relationship.
“The harmony we want is because of our love – our love being bigger than him having a different religion than my spiritual way.
It’s love above all,” Gabrielle said.
They are secure enough that they can broach awkward disagreements without fear of rejection or resentment or rupture.
Sharif said, “Because of the way we feel about each other we can go deep into conversations other people can’t and we feel confident in exploring things. There’s intentionality and purpose. We work on it as much as we do for us because we’ve vested this many years into it, but beyond that working on us is working on God’s plan. That part we know to be truth – no doubt. We have to work through some stuff we don’t agree with or understand but we know the outcome will still be that this union stays. As much as we have some (conflicting) areas, I believe we’re walking the same path.”
Gabrielle doesn’t mask feelings about certain tenets of Islam she opposes but she delights in how she and Sharif find common ground.
I view Islam as being a religion and I feel less inclined to follow any religion. In his mosque I can’t go with him and stand or sit and make Salat with him, and I don’t agree with that. I want to be led spiritually by my husband. I want to have that accountability for a man to uphold his household with first priority to serving God and loving his wife and giving to his children every nurturing and provision he can.
“Sharif embodies all these beautiful characteristics to me and when I can grab his hand and we can pray prayers each of us understands, we’re worshiping,” she said, clasping his hand in hers at their dining room table, “and I believe it doesn’t need a religion that goes with that. It’s just us trying to put God at the center of our marriage and home and bring him glory. That’s where I like to worship. Personally I have found the church of Jesus has no walls. I will continue to have church with people who believe in God, whether we’re at my dining table or on somebody’s couch or in a coffee-shop or outdoors.”

She said nature, music and art resonate with her and Sharif’s spirits. In their North Omaha home plants sprout everywhere, international music plays, incense burns, art pieces from friends and travels pop on walls, tables, shelves. The couple’s curiosity is reflected in their many books and periodicals.
While no discernible faith artifact is displayed, the home exudes a warm, prayer-like intimacy and calm. When their kids were small the couple deliberately integrated faith in their home.
Gabrielle said. “We had the Bible, we had the Koran. We prayed as a family. We adopted and said mostly in English a Hindu prayer. We did prayers I grew up with. We asked our kids to invent prayers. Sharif taught our kids how to make Salat. We didn’t continue to do it religiously, nor did we do Bible or Koranic studies religiously, but our family has a strong sense of being together. We pray when we hear an ambulance go by. Whenever we’re at the table about to eat we honor God first because from God all good things come.”
Their oldest, Parris, composed a prayer the family still recites:
“Thank you Yah for this beautiful day.Thank you for all the blessings you have given us today. Please bless this food. Take any impurities out of it and let it nourish our bodies in every way it can. Please help anyone in need of your merciful blessings and wonderful healing. Amen”
The couple’s faith, she said, extends to “doing community service and standing up for people in need.” She stays “prayed up” for people regardless of their beliefs. “It doesn’t matter what they’re following, if they have a religion or not, just that they’re part of who I call mine. We pray no hardship or harm for our loved ones and that means my Muslim loved ones who cover. The Muslim community is part of who I pray for all the time.”
Though Gabrielle’s concerned about anti-Muslim sentiment, she said, “I have more concern over Sharif’s well-being because he’s a black man in America versus being Muslim.”
After the human stampede that killed and injured thousands during 2015’s Haj, she worried about his safety on the pilgrimage to Mecca he made last summer. Not used to being apart that long, the separation reconfirmed their love.
“We missed each other like crazy when he was on his pilgrimage,” she said. “I think both of us held onto that our love is going to be bringing him safely home and us back together again because of our destiny.”
She feels as a couple they’re still all-in.
“We have 21 years under our belts and it doesn’t feel like we’ve come to a place of we’re too tired to work on this or we don’t have any sparks about each other.”
Meanwhile, they support interfaith exchanges. Omahan Beth Katz used their perspective to frame dialogues and trainings at Project Interfaith. She said she admires their “commitment as individuals and as a couple” to engage on issues of identity, faith, diversity, culture and community” that are “complex and messy and many people prefer to avoid.” “But I think it is precisely because they each have a deep sense of faith rooted in different religions that avoidance has never been an option and they have embraced this reality rather than resent it.”
“They also didn’t sugarcoat the experience,” Katz said. “They revealed there were times of tension and unease. I think their willingness to share publicly their journey on issues of religion and faith speaks to the incredible respect they hold for each other as people of faith, as a couple and as a family. They live out their faiths and the common values it provides them through their commitment to their family and the larger community.”
Sharif said the interfaith dynamic he and Gabrielle share adds a “very strong richness” to their lives. He agrees with Katz that most folks aren’t ready for open, honest conversation along faith lines. “As a community I think we’re not as engaged in that interfaith conversation as we need to be. Whether interfaith or interracial, conversations are ignored so that nobody feels uncomfortable or because you’ve decided you know about a particular group of people or it’s just easier to have this hateful opinion versus actually listening and possibly liking the other. Some people are not prepared to deal with that dissonance.”
He likes the Omaha Tri-Faith Initiative’s attempt to bring Christian, Jewish, Muslim faith centers together on one campus.
“It’s countering the narratives we see and hear that folks are not getting along based on their religion and the politics of that, where in many parts of the world these three faiths are interacting in a peaceful way.”
Small but mighty group proves harmony can be forged amidst differences
Small but mighty group proves harmony can be forged amidst differences
This fall marks the 30th anniversary of an all black congregation and an all white congregation merging to form a new racially diverse house of worship in North Omaha called Church of the Resurrection, Omaha. That’s right, blacks and whites set aside their fears and differences for the greater good in one of the most segregated cities north of the old Mason Dixon Line in order to create just what its motto reads:
“We are a diverse family united in God’s love.”
Two episcopal churches on the North Side – all white St. John’s and all black St. Philip’s – found themselves struggling by the early 1980s. The writing was on the wall: find an infusion of new members or close. Neither church wanted to call it quits but going it alone offered little hope. Each had a dwindling membership dying off or moving away. That’s when the neighbor churches began exploring the possibility of combining congregations and founding a brand new Episcopal house of prayer that not only embraced diversity but that depended on it for survival.
This union didn’t happen overnight or without distrust and acrimony. To test the waters, the congregations shared some services and activities together. When those experiments in worshiping and doing fellowship together went over well, the two groups then proceeded to formalize the coupling under the new organization and name. As with any change in affiliation and leadership, there were some hurt feelings and defections. Traditions and practices from each former church had to be integrated into the new entity without favoring one or the other. Naturally, there were disagreements and compromises and not everybody who started with Church of the Resurrection remained there. But COR, as the church goes by for short, survived and even thrived through the transition. COR is still going strong three decades later. The small congregation is still mixed, though its black numbers have decreased due to attrition. But on any given Sunday should you visit you will see for yourself this, for Omaha, historic blending continues.
COR’s diversity is intentionally embedded and reinforced in its culture because the church’s very existence and ethos are predicated on folks of different persuasions doing praise and worship together and breaking bread together. In this time of division, fear and anger, much of it raclalized, Church of the Resurrection is a beacon of hope and light for the truth that differences can be overcome or surmounted where there is love, respect and willingness to meet your fellow man half-way. It takes a commitment to talk things through and to hear each other out. You may still not agree or see eye to eye on things, and you may not end up in the same pew on Sunday, but in making an authentic connection you will have humanized The Other and broken down another wall or barrier to understanding.
This has been happening at COR since 1986. Its tight church community is far from insular though and is in fact inclusive in the peace greeting that unfolds during service, in the fellowship that happens after service, in the Thanksgiving dinner, Soul Food Sunday, Annual Fish Fry, neighborhood block party, pantry, holiday meal and gift baskets and many other community outreach events, programs and services it provides. Everybody is always welcome.
I can speak from personal experience about COR because I have been semi-regularly attending there for about 15 years. My late life partner Joslen (Johnson) Shaw brought me to the church, She had grown up in St. Philips and she and her family stayed through the merger. Her mother Juanita Johnson is a deacon there today. My present life partner, Pamela Jo Berry, and I split our Sunday worship time between COR an her church, Trinity Lutheran. They are about two blocks apart on North 30th Street opposite Miller Park. Both churches are venues for the Arts Crawl that happens each August as part of Pam’s North Omaha Summer Arts.
Below is a link to a story I did several years ago about the formation of Church of the Resurrection and of another blended church in North Omaha, New Life Presbyterian, whose members include my dear friends Nola Jeanpierre and Carole Jeanpierre.
Both churches are filled with giving hearts and gentle spirits of people who are black and white, rich and poor, and where the only qualification for entrance is a desire to love and be loved.
LINK TO THE STORY HERE–
OR READ IT RIGHT HERE–
This story is personal. I occasionally attend an Episcopal church in north Omaha that was formed by a merger of two previous churches, one with an all-black congregation and one with an all-white congregation. This blending had its ups and downs at first but the church has survived and a couple decades later it is a model of multicultural, interracial harmony. It’s called Church of the Resurrection. A similar story resulted in the formation of New Life, a blending of two north Omaha Presbyterian congregations, one white and one black, and like Church of the Resurrection it remains an intact interracial house of worship. The reason I attend Church of the Resurrection is that my girlfriend and her mother attend there. The people are warm and welcoming to newcomers. I am Catholic and I have never felt out of place there or pressured to be something I’m not. When I discovered the history behind the church I knew I would one day want to write about how it came into being, and that’s what prompted the article here. The piece originally appeared in The Reader (www.thereader.com).
©by Leo Adam Biga
Originally published in The Reader (www.thereader.com)
Martin Luther King Jr. scornfully observed that 11 o’clock Sunday morning “is the most segregated hour in this nation.” His indictment rings as true today in worship places as 50 years ago.
Organized, affiliated Christian churches are historically houses divided regardless of location or denomination. Witness Omaha, where defacto segregation is reinforced by geographic racial lines. With rare exceptions whites and blacks exclusively attend their own churches. That’s true even when a white congregation and black congregation of the same religious organizationare within close proximity.
The difficulty of achieving a racially mixed congregation is evident by the story of Augustana Lutheran Church in Omaha. The documentary A Time for Burning portrayed the upset that even timid attempts at interracial outreach caused within white Augustana in the mid-1960s. The film and a CBS news special about it elicited national discussion. The congregation underwent a self-study to examine their hearts. Augustana responsed to its neighborhood’s increasing African-American presence through outreach programs. Despite all this, the church has had little or no success in attracting black members. Why that should be so there and at many other churches is hard to answer without looking at the past.
Given America’s racial history, whites could always attend black churches without repercussions. Few did. Blacks attending white churches were made to feel unwelcome. Manifestations of this exclusion were designated inner-city Catholic, Episcopal, Presbyterian, Methodist, Baptist churches set aside for blacks.
Anymore, it’s not about being banned, barred or shunned. There’s more inclusion today. Chalk it up to enlightenment or political correctness. Of course, anything smacking of racism may generate a lawsuit or a YouTube-Facebook-Twitter campaign. Independent, nondenominational churches are most likely to be mixed. Without a compelling reason to integrate, most churches remain segregated because it’s easier to remain in their comfort zone.
Circumstances can lead two racially-defined, old-line churches to unite as one. It happens when they fall on hard times. Rather than move or close, they merge. Often, these unions fail. Even when they work, it’s by no means a smooth ride. Two successful Omaha inner-city blendings are Episcopal Church of the Resurrection, 3004 Belvedere Blvd., and New Life Presbyterian Church, 4060 Pratt Street.
Each was a marriage of convenience. When all white St. John’s and all black St. Philip the Deacon faced declining rolls in the ‘70s, members reviewed options and elected merger. It took effect in 1986 with Resurrection, housed in the former St. John’s building. The same scenario happened with Fairview and Calvin Memorial, only nominally white Fairview was already integrated and predominantly black Calvin resulted from a previous merger between black Hillside and white Bethany churches. New Life opened in 1991 in the former Fairview building. Calvin was one of two black churches that tried fellowship with Augustana.
By all accounts, New Life and Resurrection make multicultural diversity work. Challenges remain: each has only about 100 active members whose average is 60-plus; few members live in their church neighborhoods; the neighborhoods are rife with poverty and violence; physical plant needs persist; short budgets are stretched thin. But the journey of each church is a lesson in how we can heal the racial divide.
Sisters Johnice Orduna and Nola Jeanpierre share a unique perspective on both churches. Orduna, a licensed minister, attended Resurrection in the ‘90s and now serves as “a supply preacher” at New Life until a permanent pastor’s found. Jeanpierre grew up at Calvin, she experienced the birth of New Life, where she’s a member, and she’s now Resurrection’s choir director.
“I think the folks at New Life and Resurrection have made the decision, ‘We’re going to be here and we’re going to be together doing this regardless, and we’ll work through whatever it takes.’ If more congregations would do that then we wouldn’t have these rifts,” said Orduna. “We’ve gotta get past this business of Sunday being the most segregated day of the week. I think we have been convinced by society we can’t do it any differently, and it’s just not true. But we have to be intentional and we have to learn to respect that culturally we’re going to want to do some things differently, and that’s OK. I mean, it’s wonderful.”
Church of the Resurrection
A merger doesn’t just happen. “It’s a process,” said Orduna. “You have to be intentional, you have to be diligent, you have to commit.”
Member Pat Tooles said New Life “overturns the myth African-Americans and whites can’t worship together because they have two different worship styles.” Presbyterians, white or black, favor a sedate service light on emotional displays and heavy on orderly structure, although there’s some call-and-response at New Life.
Whether at the pulpit, in the pews, working on the building and grounds or breaking bread together, the people at New Life and Resurrection say they see how they are more alike than different. They view their differences as gifts not threats. They embrace their diversity as enriching, even branding their faith communities that way. Resurrection describes itself “…a culturally diverse family united in God’s love.” New Life’s mission statement begins, “We believe we are called to be a congregation of diverse backgrounds, ages and races…”
“I just think we have so much every day all the time to learn from each other,” said Orduna. “Sure, there are tiffs, but they’re not gamebreakers.”
Lesley Dean grew up in St. Philip’s at 26th and Binney. Her parents were active members. She moved away and once returned was “heartbroken” her beloved home parish was no more. In her absence the merger happened, She liked what she found at Resurrection.
“I immediately felt comfortable there. I felt like this was the next step of St. Philip’s, especially because of the blending of the two congregations. It just seemed natural. I think one of the things that made me be able to accept it and to go with the flow is because I lived in San Francisco for 20 years, so I had already experienced different cultures coming together and getting along. That wasn’t anything thing new to me. I thought it was great actually.”
She wasn’t there for the merger but knows it wasn’t all roses.
“I don’t think it was anything instantaneous,” she said. “That blending did not come along easily. It took a lot of work from my parents and all the other elders that came before me. They just worked very hard to build a sense of trust amongst the rest of the congregation. And I just think they all learned from that — from the bickering and whatever else was going on. When I came back it was just like, What was all that for? — let’s just start anew, we’re all human beings, we all deserve to be treated with respect and dignity. They just kind of formed that alliance. Then the generations that came after, like me, have just taken it a step further.”
Deacon Juanita Johnson was there. Coming from St. Philip’s, she confirmed Resurrection’s first years saw conflict. Disputes arose over the racial composition of lay leadership roles. Any hint of favoritism took on a racial slant.
“At that time it was very important to keep everything racially balanced because there were people from St. Philip’s that weren’t completely on board with the merger,” she said, adding the same was true with some from St. John’s.
There was also resentment from St. Philip folks over sacrificing their building for the move to St. John’s.
A black splinter group alleged racism against Resurrection’s first rector, Rev. John Nelson, who was white, and against the local Episcopal diocese’s all-white administration. A national consultant was brought in to get people talking. Some folks left — black and white — but the core remained. New membersof both races joined.
“The people that stayed wanted it to work,” said Johnson, whose experience told her it could. As a University of Nebraska-Lincoln student in the late ‘40s she and fellow black students were denied admittance to campus dormitories. They resided instead at International House, where they lived harmoniously with students from Europe, Asia, et cetera. She also did interracial outreach while a Fisk University student in Nashville, Tenn. with students from nearby white colleges.
“I had that background, so I knew it could work.”
Resurrection’s long past how many blacks-whites serve on the vestry. Those things work themselves out. St. Philip’s took a sense of ownership by incorporating elements from their old church, such as stained glass windows and candles, into the Resurrection sanctuary. A more vital music liturgy of gospel, spirituals, even jazz, was introduced. A popular fish fry St. Philip’s held was adopted.
Tim and Cheri Oelke got married at St. John’s. They left long before the merger. Then they visited Resurrection and were hooked by the “inspirational” black hymns. The couple are the last St. John’s members left there. For Cheri, the spirit of the place is not an edifice, an icon or an event. “It’s not in the building as much as it is the people. I think the reason we want it to work now is that we all care about each other, and if we do it in this building or if we have to do it in another building we want to worship together. Bonds have been formed, friendships have been formed, and we feel like we’re all a family.”
Helping ease the transition were shared Lenten worship services and other events St John’s and St. Philip’s hosted prior to merging. Still, old habits die hard.
“For a long time it was just the two churches worshiping at the same time in the same building but still two identities,” said Resurrection’s new rector, Rev. Jason Emerson, who previously served as an intern and curate there. Tim Oelke said, “It’s the Church of the Resurrection now, it’s not St. John’s. St. John’s was certainly special but that’s in the past.”
New Life’s tribulations were similar. Former Fairview member Janet Decker recalls a meeting where Bernard Grice voiced Calvin’s concerns. “He got up and said he hoped we didn’t do the same thing the whites did at Bethany, which was disappear.” She said Fairview’s integrated ranks avoided that. “We had only one family who decided not to continue to come — absolutely everyone else stayed. We didn’t have this feeling of giving up a thing. We were gaining. We knew if we were going to survive we needed to merge. We’re very comfortable with each other.”
Change was more traumatic at Calvin, not due to race but turf. “There were a lot of hard feelings. It was like giving up our church,” said Nola Jeanpierre. Calvin members like she and Michael Maroney did abandon their beautiful building at 24th and Wirt. “It was not an easy or smooth transition inside Calvin. There was a lot of contention in terms of how Calvin was actually dissolved,” said Maroney. “In hindsight, it probably went the way it had to go.” Those wounds healed.
Just as Resurrection eased into things pre-merger, New Life did. Joint worship services and soup suppers were held at Calvin and other events at Fairview “so the two congregations could be together and people could kind of get to know each other,” said Rick Rudiger, who belonged to Fairview. “You kind of have that courtship time. If you try to force it, you’ll probably fail.”
Carolyn Grice, whose father Bernard was a leader at Calvin, served with Rudiger on the merger committee. “We met weekly to start ironing out stuff. It pretty much started from scratch — what is it we want to see and then how are we going to get there. We had lots of disagreements but we’re all friends now,” said Grice. Rudiger said people tended to draw lines along Fairview or Calvin. “You had to reinforce it all the time of who we are — we’re New Life now, so let’s move on. Change is hard for everybody. Some accept it. For some it’s very difficult. The way you have to deal with change is you do things a little at a time.”
Jeanpierre said it’s imperative to “come in open-minded and ready to work together and not to exclude anyone, not to remove anyone from a post or role. You’re talking about a marriage, about one family meeting the in-laws and basically trying to make everything work for both in-laws, so that the family as a whole and on both sides can come together and find a common ground.”
After a few interims New Life’s first full-time pastor helped solidify things. “We had a strong female minister who kind of got us turned around and really focused on becoming New Life,” said Rudiger. “I would say overall we really have grown strong. I don’t think there’s too much thought even of what Fairview used to do or what Calvin used to do — it’s what’s New Life’s doing.”
Decker said there’s appreciation for what each faith community contributed. “There’s a lot of things we do now because that’s what they brought with them (from Calvin).” That includes spirituals. On a more practical level, she said, “they brought the numbers (more members) and we had the place.”
Ruth York, who came over from Calvin, said “those of us that have seen it through have been through quite a bit, financially and so forth, but we’ve stayed strong and stuck together like a family, and we’re stronger for it.”
Just as New Life is on its second generation, Resurrection is, too. Lesley Dean feels a legacy calling.
“I have really worked hard to make sure some of the traditions of St. Philip’s continue on, like our Black History month celebration and the fish fry named after my dad. Myself and some others have tried to make sure our African-American culture was not lost in the merger. We still needed an identity and the St. John’s people were willing to embrace that.”
Dean said sensitivity makes all the difference.
“That’s how people get along. Ignorance is I believe why we have so much discrimination and racism in society because people don’t take the time to learn about each other. I just really feel Church of the Resurrection is a family. We are accepting and welcoming of every one and there’s a genuineness to that acceptance — it’s not just for show or not just for money.”
Richard Artison and his wife were St. Philip’s members and then moved away for his career. Once back, they went church shopping before settling on Resurrection.
“We’ve been to some churches that were very cold and impersonal and you feel like a number and we’ve gone to churches where nobody would speak to us. Just got ignored. This church has a lot of warmth and a lot of love. We like it,” he said.
Emerson’s proud his church is so inviting.
“The least worry I ever have at this congregation is that somebody new will walk through the door and not get spoken to. That just does not happen. They’re going to get spoken to. They’re going to get greeted, they’re going to get welcomed and I don’t have to do anything to make that happen. Other congregations, you have to work at that, it’s not as ingrained in their nature. It’s a problem in Episcopal churches churchwide, and that’s not the case here.”
He said Resurrection’s open mat, Sunday social hour/lunch and ministries targeting the underserved — including an after-school program, an emergency pantry, a transitional living site — reflect the church’s origins.
“I firmly believe this congregation’s history has led them uniquely to a high level of hospitality and I don’t know mean they just put on a good food spread, which they do. That attitude, that desire, that passion for outreach and justice comes from the two churches melding and the level of hospitality they had to practice to each other to come together and become one parish.”
He said Resurrection’s reputation for tolerance is why it’s a player in the Tri-Faith Initiative for a shared Episcopal-Jewish-Muslim campus.
Dean senses Resurrection’s come a long way in the eyes of a diocese that’s been slow to accept it. “For the longest time we felt they looked down on us, they didn’t want to participate in any activities we were doing, basically because we’re in north Omaha and the media portrays north Omaha as this horrible place. Our congregation has fought really hard to change that image, and it’s working. Some of the other diocesan churches are now participating in some of our ministries, so that’s a good feeling. We’ve got a lot further to go, but it’s a beginning.”
New Life’s at-risk kids mentoring program continues the legacy of the two socially conscious churches preceding it. Fairview ran Head Start and Project Embrace prpgrams. Calvin was active in youth job/leadership training and civil rights.
Orduna said the unity embodied by New Life and Resurrection “has the possibility to create a strong, trustworthy identity that could really be powerful force in bringing this whole neighborhood back to God.” Artison said, “I think church is the one place where we should come together. I think we’re an example for others.” Decker said churches that resist diversity “don’t know what they’re missing.”
Diversity finally comes to the NU volleyball program
Diversity finally comes to the NU volleyball program
©by Leo Adam Biga
Kudos to the Nebraska volleyball program for finally joining the 21st century by building a diverse roster of student-athletes that includes African-Americans. Better late than never. For decades the Husker volleyball program has been elite but its rosters have been lily-white, with an occasional Asian-American player, but you would have to look long and hard to find a black girl on any of those teams going back to the early 2000s and even mid-to-late 1990s. That omission always seemed strange and awkward to me but became particulalry glaring the last decade or so as more and more of NU’s peer conference programs, going back to the Big 12 and now in the Big 10, as well as peer national programs featured rosters with one or two or three or more African-American players. I could never understand how a perennial NCAA title contending program that recruits nationally could find itself year after year devoid of even one black player. I mean, what are the odds of that? What if that happened in basketball or softball? Wouldn’t that be cause for concern or called out as something in need of redress or examination? But to my surprise I never heard or saw the situation broached by NU coaches, staff, players or by media covering the program or by fans supporting it. I am quite sure the situation would not have been tolerated or overlooked or pooh-poohed in a sport like basketball. So why was it different with the volleyball program? I expect because the program was so successful in continuing to vie for and win championships and to produce All-Americans and Olympians. Of course, there was a period of time where NU slipped competitively, not by much mind you, but fell behind its elite sister programs and experienced a title drought, clearly falling behind some programs that coincidentially or not did feature black players here and there. Then, out of the blue, LSU All American Briana Holman transferred to Nebraska, though she had to sit out a season, the very year NU returned to championship form. She was the first black player to my knowledge to play for the Huskers in at least 15 years. That same year a second African-American, Tiani Reeves, from Gothenburg, Neb. of all places, joined the team and sat out as a redshirt. As the Huskers look to defend their national title this year Holman has become, as expected, a key cog as a middle blocker and attacker. Reeves has seen only limited action but she possesses great promise for the future. Both players will take leadership spots next season as NU loses the dynamic and dominating Rolfzen twins. And now comes word that of NU’s 5 new signees for the 2017 recruitment class 2 are student-athletes of color and are in fact African-American: Jazz Sweet from Kansas and Chesney McClellan from Tennessee. (See the link below for info on these girls and the other signees).
Tiani Reeves

This is a great if long overdue development for the program and for black girls playing volleyball in Nebraska and the greater Midwest. More and more African-Americans are playing the sport at a high level in club and high school programs and volleyball affords a great avenue and opportuity for college scholarships. The Omaha Starlings volleyball program has been a platform for several area girls, several black girls among them, to earn scholarships at mid-major colleges. Creighton has been ahead of this trend locally and has featured a number of black players the past few years, including a girl from Nebraska and another from Iowa. I can’t speak to why it took so long for black girls to find their way into the Husker program but I am glad it’s finally happened and has seemingly become a thing. I’m sure there wasn’t any intentional bias happening to not recruit black players but the perception from the outside looking in sort of made it seem that way when season after season the complexion of the team never changed to include a black face. That was a bad look for Nebraska. I’m just glad that the Huskers are now among the many teams embodying diversity and not just giving it lip service. You go, Briana and Tiani. You go girls. And can’t wait for Jazz and Cheesney to make a quartet where there used to be none.
Here’s the link to the story about the NU recruiting class that includes Jazz and Cheesney:
http://www.huskers.com/ViewArticle.dbml?DB_OEM_ID=100&ATCLID=211284120