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Rosales’ worldwide spiritual journey intersects with Nebraska


Rosales’ worldwide spiritual journey intersects with Nebraska

©by Leo Adam Biga, Origially appeared in El Perico (el-perico.com)

Victoria Rosales is a seeker.  At 27, the Houston, Texas native is well-traveled in search of self-improvement and greater meaning. She’s dedicating her life to sharing what she knows about healthy living practices. Her journey’s already taken her to Ireland, England, Kosovo, Vietnam, Alaska, Mexico and Costa Rica.

From her Salt Lake City home, she handles communications for Omaha-based Gravity Center for Contemplative Activism. Its husband-wife team, Chris and Phileena Heuretz, lead workshops and retreats and author books. Rosales met them at the 2012 Urbana student missions conference in St. Louis. She took their contemplative activism workshop and participated in retreats at the Benedictine Center in Schuyler, Nebraska. The experiences enhanced her spiritual quest.

“I remember writing in my journal, ‘I love their message and mission and I would really love to do the work these people do.’ And now – here I am,” Rosales said.

Meditation came into her life at a crucial juncture.

“I was in a season where the idea of resting in the presence of God was all that I longed for.”

A few years earlier she’d left her east Texas family to chart a new path.

“I am a first-generation high school and college graduate. I’m carving my own path, but for the better – by doing things a little bit differently. In that way, I definitely see myself as a trailblazer for family to come.”

She grew up an Evangelical Christian and attended a small private Christian college in Michigan, where she studied literature, rhetoric and storytelling.

“The idea of telling a story and telling it well and of being careful in the articulation of the story really began to come alive for me. I began to pursue avenues of self-expression in terms of word choice and dialect.”

As a child enamored with words, the tales told by her charismatic grandmother made an impression.

“I was heavily influenced by my grandmother. She captivated an audience with her storytelling. I was raised on stories of her childhood coming out of Mexico. It was very much instilled in me. I see it as a huge gift in my life.”

But Rosales didn’t always see it that way.

“Growing up, it was like, ‘Here goes grandma again in Spanish. Okay, grandma, we’re in America’ – shutting her down. When she passed away, reconciling those prejudices became a huge part of my journey. I moved to Mexico for that very purpose and spent time living with my distant relatives, mostly in Monterey, to truly embrace what it means to be this beautiful, powerful, sensual Latina and honor that part of who I am.

“Part of creating a safe place for others to show up as who they are is feeling safe in my own skin and appreciating the richness of my Hispanic heritage.”

Self-awareness led her to find a niche for her passion.

“It started with me being really honest about telling my story with all of the hurts and traumas. I could then invite in light and life, healing and redemption.”

Her work today involves assisting folks “sift through the overarching stories of their life and to reframe those narratives in ways more conducive to personal well-being.” She added, “It’s moving from victim mentalities into stances of empowerment through how different life experiences are articulated. I developed my own practice to help people journey through that.”

She calls her practice Holistic Narrative Therapy. It marries well with meditation and yoga. She’s learned the value of “silence, solitude and stillness” through meditation and centering prayer.

“In silence you take time to sit and listen to find the still small voice within, the rhyme and reason in all the chaos and loud noise. In stillness you learn to sit through discomfort. In solitude you learn to remove yourself from the influences of culture, society, family and expectation and to be comfortable with who you show up as when no one else is watching. Those are the roots and fruits of the contemplative life.”

Doing yoga, she believes, “is the embodied expression of dance with the divine.” After attending a yoga resort-health spa in Costa Rica, the owners hired her to conduct Holistic Narrative Therapy sessions. She said everything about the setting invited restoration – “the lush jungles, the pristine beaches, the blue waters, the food that grows there, the music, the vibe.”

After that idyll. she roughed it by working as a wilderness therapy guide in Utah with youth struggling with anxiety, depression, suicidal ideation.

“Being one with the elements provides a lot of space for growth. I was just naturally attracted to that. That was a great experience.”

En route to starting that job she was driving through Zion National Park when she took her eyes off the road and her SUV tumbled down a cliff. She escaped unharmed but chastened. This heady, strong, independent woman needed bringing down a notch.

“I was falling into a trap of playing God in my own life. You don’t want to take rolling over a cliff to learn a lesson, but I guess I needed to be knocked off my center to re-land on something fortified and true.”

She now works for a Salt Lake youth therapy program.

“My dream is to open a community center for people to come and experience restoration and what it means to be fully alive, fully human.”

She rarely makes it back to Neb., but she did come for Gravity’s March Deepening Retreat in Schuyler.

“I am a firm believer we can only extend the love to the world we have for ourselves. That’s truly what these retreats are for me – to fill my own tank so that I can go out and serve the world to the best of my abilities.”

Visit http://www.facebook.com/public/Victoria-Rosales.

 

Tech maven LaShonna Dorsey pushes past stereotypes

January 8, 2018 2 comments

Tech maven pushes past stereotypes

©by Leo Adam Biga

Originally appeared in the December 2017 issue of The Reader (www.thereader.com)

LaShonna Dorsey, 38, busts stereotypes. Start with this sunny disruptor launching and selling a successful technology organization in her hometown.

As an African-American entrepreneur, she bridged the digital divide with Interface Web School. Though now part of the AIM Institute, she still heads the coding school that’s won her and its work much recognition. Her AIM title is Vice President, Tech Education.

She’s bypassed the Omaha ceiling for young black professionals that finds many leaving for better advancement opportunities elsewhere.

She’s defied expectations by going public, rather than remain silent, about an assault she endured.

For this superstar doer who serves on multiple boards, AIM’s acquisition of Interface was strategic.

“Interface had really reached a point of capacity,” said Dorsey. “We were growing, which was great, but I just knew I couldn’t take on more classes without having more infrastructure and all that. AIM has the infrastructure, they’ve got the space, they’ve got human resources, accounting, marketing departments.”

AIM Interface solidifies and expands partnerships.

“We had really good relationships with the Nebraska Department of Labor and Heartland Workforce Solutions and still maintain those, but it’s a lot easier for us to partner with companies and other organizations because we’re AIM now.

“It fit right with where AIM and Interface wanted to go. They have the youth education side and professional development, but they didn’t have adult tech training. The cool thing is that Interface LLC was a for-profit and now we’re a program within a nonprofit and so we get to take advantage of having that 501 designation.”

Building Interface fulfilled a dream.

“I really thought I was a starter, and so it was good to see something through from idea to completion in a major way.”

She frequently shares her start-up story, warts and all.

“I felt like especially in the early days of Interface I often had to act like I had it altogether all the time because I was selling it, too. It’s kind of a challenging position to be in because you can’t be truly authentic.

“I was really grateful to have good friends and a really strong support system. That made a huge difference.”

She especially enjoys sharing her story with women.

“Women that have done a ton in their career appreciate how difficult it is to do something like this. Women just getting started are like, ‘How did you even do that?’ We have real conversations about what it’s like and the pitfalls – but also the rewards. Being in the middle myself, I am kind of still navigating that.

“I do feel I have a lot of value to add and information to share if people are ready to hear it. I tell people it wasn’t easy all the time, but the thing that kept me moving forward was that it was so rewarding. I have so many graduate stories of people whose lives were changed because of what they learned. It helped them get better jobs and buy homes. They’re still reaping the benefits. It’s still rippling. The culture of Interface is like that.”

She readily accepts being a role model and mentor to young black women.

Growing up in a single-parent family, Dorsey learned self-reliance skills. As a bright Goodrich scholar at the University of Nebraska at Omaha, she became a self-motivated high achiever. Early in her career, she proved a project management whiz.

“I like to just figure my way forward. I like problem solving. When things get a little too simple, then that is hard for me. Then I’m like, ‘Okay, what else can we do here?’ I’m not afraid of conflict, so I do lean into it, and I encourage people who work for me to do the same. If you really want to get the thing you want, you have to work through the hard stuff, too.”

Omaha’s limited horizons saw Dorsey leave in her 20s.

“But I came back. The thing that’s really tough here is that as you move up in your career, the leadership gets more white. Working in tech, you’re with a lot of white professionals and when I lived in west Omaha I’d go home, where it was all white, and I felt I had no community. It’s unfortunate and it felt uncomfortable.

“Living in a diverse community is important for me.”

Workplace inclusion requires more than new hires.

“You can hire a bunch of black and whatever programmers but that is not going to change the culture of organizations who might not be ready for it. You have to give people a space where they’re comfortable being themselves and not feeling like they have to fully assimilate in order to fit in.

“I cannot wait until we don’t have to have this conversation anymore and where it’s not special that I’m a black woman in tech. But it matters a lot to people and I have to talk about it.”

She feels she’s reached a personal breakthrough by reclaiming her given name, LaShonna, in place of Shonna and letting her hair go natural.

“Now, I feel like I can be more of myself.”

Dorsey embraces the new diversity in revitalized northeast Omaha, where African-American culture is being discovered by white millennials.

“Whenever you can create opportunities for people to have those experiences with people they don’t interact with on a daily basis, you start to change the narrative. That’s the only way were going to see change.”

Mindset to her is critical to create the transformation she and others hope to see there.

“I think we’re still many years out from seeing the fruits of it. There’s a lot of work to do because we can’t deny the fact poverty is the highest in those zip codes. That’s something to address and fix but people have to want it and see it even as an issue.”

She’s doing her part to equip adults with job-ready tech skills by bringing her code school to the Highlander Village purpose-built community on North 30th Street.

“Those economic improvement opportunities can make a big difference for people,” she said. “It will be awesome to see all of that come to life.”

Her career exploded two years ago, but few knew she was reeling from having barely survived an assault.

“Everything was still new at Interface and I still didn’t feel like I knew what I was doing all the time when I had this really difficult, tragic thing happen. There were many work days when I had to meet attorneys or go to court Turning those emotions on and off was really hard.”

It stemmed from someone she’d dated suddenly revealing a side he’d concealed before.

“It turned into a night where he took me from where I was without my permission. He strangled me three times, including once where I lost consciousness. He assaulted me in all sorts of ways in what was a five-hour ordeal.”

Fifteen months elapsed from when she pressed charges to her attacker’s sentencing.

“It was a really hard process. I totally understand why people don’t pursue that path because it is very difficult and as the victim you have to prove something happened. Typically, this kind of stuff happens one-on- one.”

Dorsey nearly didn’t report the incident for fear of how she’d be perceived.

“I remember thinking this is going to be so embarrassing and people are going to think I can’t do anything right. It’s irrational thinking, I know, but that was in my head. I decided to report it anyway.

“I try to do everything on my own all the time. But I did get some counseling and I did work through some of this with friends. Leaning into work helped a lot.”

Nature walks and karaoke nights helped, too.

Then she began dealing with it in public forums, including a poignant Facebook post.

“It was hard to carry around all the time. People were really supportive. They called me brave and things like that. I just felt it was relieving a burden for me.”

She posted soon after the last presidential election and urged people to walk through their fear and anger over the results as she had with her assault.

“Every time I talk about it publicly, more than one person will come up to me and say, ‘Me, too,’ or “My friend, my sister, my daughter.’ It’s so common. There’s a bunch of people who feel like they can’t talk about it, so I decided to share what happened to me.”

If nothing else, she said, her story reveals all is not what it seems on the path to success.

“People tend to look at the surface and just assume that because you’ve done a lot, it was without hardship.”

Visit Interfaceschool.com. Follow Dorsey on Facebook.

Read more of Leo Adam Biga’s work at leoadambiga.com.

Dope actress Yolonda Ross is nothing but versatile – from “The Get Down” to cinema cannibals to dog-eat-dog politics

October 18, 2016 2 comments

Dope actress Yolonda Ross from Omaha gave me some love for the new Reader (http://thereader.com)) article I wrote about her, her recurring role as a teacher in “The Get Down” and an inspirational teacher in her life–

“Hey Leo!! I saw The Reader. It looks great. Thanks for including the part about Mrs. Owens. She meant a lot to a lot of people. Thanks for the nice spread in The Reader.”

Just now featuring it on my blog, leoadambiga.com, where you can find several more pieces I’ve written about Yolonda as well as Gabrielle Union, John Beasley and dozens of other Omaha native screen and stage stars.

Love the photo of Yo going all glam. How about you? She’s that rare actress who can transform herself from role to role and go from high to low, serious to silly, hard to soft in a heartbeat.

 

Dope actress Yolonda Ross is nothing but versatile – from “The Get Down” to cinema cannibals to dog-eat-dog politics

©by Leo Adam Biga

Originally appeared in October 2016 issue of The Reader (http://thereader.com)

This post falls under the heading: This is why I do what I do

August 15, 2016 Leave a comment

This post falls under the heading:

This is why I do what I do.

 

Received the amazing email message below from Kac Young. She fell under the influence of a dynamic group of radical feminists at Immaculate Heart College in Hollywood, California of all places during the late 1960s. These were provocateurs who challenged all kinds of conformity and many of them were the nuns who taught there. These women were unafraid to challenge the status quo when it came to the Catholic Church, higher education, culture and society. They were known as the Rebel Nuns of Hollywood. They brought cutting edge figures to the campus, including activists and artists. Among the resident artists was Megan Terry, a major figure in the New York and national experimental theater scene then. Kac Young appeared in the original production of Terry’s “The Tommy Allen Show” at the college. Kac found a Reader cover story I did on Megan and Jo Ann Schmidman, who together forged compelling, socially relevant work at their Omaha Magic Theatre. Kac wanted to make sure Megan knew that one of those cheerful subversives at the college, in fact the very woman who brought Megan there, had passed away.

 

 

Megan Terry

 

You can linl to that Reader story at–

https://leoadambiga.com/2010/05/19/the-magical-mystery-tour-of-omahas-magic-theatre-a-megan-terry-and-jo-ann-schmidman-production/

I have also included, thanks to Kac, links to some content about the places, the figures and the times she references in her message.

Kac says some very nice things about my writing but you should know she enjoyed quite the career as a television director before changing careers a few years ago. She’s also an author. Check out her website at http://www.kacyoung.com/about-kac-young/ and her LinkedIn page at https://www.linkedin.com/in/kacyoung1.

Kac Young

Here is the message she sent that made my day yesterday and that I think you will enjoy too (that’s Kac on the right).

“Dear Leo: I was in the original play The Tommy Allen Show that Megan Terry wrote and directed at Immaculate Heart College in 1969.  I was searching for her and found your incredible interview with her and Jo Ann Schmidman. I’m now following you and what you write about because you are terrific and there are no accidents. Thank you for a great piece on Megan.  I am writing to you because I want to get in touch with Megan. The beautiful nun who hired her to come to our drama department passed away two summers ago. She was Sr. Ruth Marie Gibbons that we all called “Ruth.” She was one of the leading drama teachers and persons of theatrical merit in the 60’s and 70’s having worked with Joe Papp, The Bread and Puppet Theater and La Mama. She graduated from the then Carnegie –Mellon and was way ahead of her time and vocation. Ruth brought Megan to our campus for the experience of having a radical playwright in residence at Immaculate Heart College which was frequented by The Berrigan Brothers and other anti-war protestors. These are the nuns who rebuked the Vatican and left the church because the powers that be in Rome wanted them to get back in their habits after a two-year experiment without them. The nuns found that being out of the habit made their work in the community more effective and in line with their purpose which was to serve humanity. The uniform habits proved to be a barrier and they wanted to be effective not quaint.  They were a feisty lot and they were smart. They owned the deed to the property at Western and Franklin in Hollywood, where AFI now sits, and were able to subsidize their mission statement with the proceeds from the sale of the College land.  They formed a lay community and have been doing good in the world ever since.

“I wanted Megan to know Ruth died. I thought maybe you could connect me with Megan. Or at least forward my info to her.  It was 47 years ago that we worked together. I became the 4th woman to join the Director’s Guild in 1973 and have three Doctorates to my name and other rabble-rousing credits.  It would be great fun to speak with Megan and let her know what an impact she had on all of us and the theatrical world. She probably already knows that, but it never hurts to tell her again.

“I love your writing Leo and I thank you for anything you might be willing to pass along to Megan on my behalf. Thank you…Your help is much appreciated. Thank you and I’ll be reading what you write from now on.  Thanks a zillion.” -kac

Love and Heartlight

 

The Mary’s Day Parade at Immaculate Heart College in Los Angeles,1964

The Mary’s Day Parade at Immaculate Heart College in Los Angeles,1964
Reproduction permission of the Corita Art Center, Immaculate Heart Community, Los Angeles

 

The Immaculate Heart College silkscreen room in 1956. Corita Kent is in the middle in the back, standing and pointing.

The Immaculate Heart College silkscreen room in 1956. Corita Kent is in the middle in the back, standing and pointing.
Courtesy of the Corita Art Center

 

Here are some links about the times and the place that was so alive in the 60’s.

http://www.laweekly.com/arts/the-rebel-nuns-of-hollywood-why-they-embraced-the-60s-and-broke-from-catholicism-5726544

http://www.independent.com/news/2008/aug/28/how-group-ex-catholic-nuns-saved-their-famous-mont/

http://www.skylightbooks.com/event/rebel-nuns-immaculate-heart-community-discuss-art-and-legacy-sister-corita

The most famous of them all: Sister Corita Kent.

http://articles.latimes.com/1991-01-28/entertainment/ca-236_1_fine-art

The Trial of the Catonsville Nine was performed first in LA at The Mark Taper Theater and was based on the Berrigan work.  Those were the people who gathered at the college along with Megan Terry, our playwright in residence.

http://www.baltimoresun.com/news/maryland/baltimore-city/bs-md-ci-berrigan-legacy-20160501-story.html

Ann Schatz on her own terms – Veteran sportscaster broke the mold in Omaha

March 30, 2016 4 comments

Women covering sports today is routine but not so long ago it was a rarity. Ann Schatz broke the mold as the first female sportscaster in Omaha in the late 1970s. She then became the first in Portland, Oregon. In both cities she dealt with serious push-back that got ugly. Not from male colleagues, who supported her, but from fans and viewers. She’s stuck it out to have a big career as a reporter and play-by-play announcer. I distinctly remember when Ann broke through on Omaha television. It really was A Thing and topic for conversation because she was the first. Because viewers, myself among them, were not entirely sure how we felt about her doing sports, which back then was the clear domain of men, we collectively put her through a trial-by-fire period that saw some folks get downright rude and nasty. She rose above it all to prove herself a real pro who could talk and report sports with the best of her male counterparts. Ann’s been away from Omaha a long time but she’s coming back as a keynote speaker for an event I will be at and I’m very much looking forward to meeting her for the first time. However, I feel like we do know each other already as a result of the interview I did with her for the following profile appearing in the April 2016 issue of The Reader (www.thereader.com).

Ann hails from a prominent Omaha family. Her brother Thomas Schatz is a noted film educator, historian, and author who wrote one of the forewords fro my book, Alexander Payne: His Journey in Film.

 

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Ann Schatz on her own terms – Veteran sportscaster broke the mold in Omaha

©by Leo Adam Biga

Appearing in the April 2016 issue of The Reader (www.thereader.com)

 

Omaha native Ann Schatz swears she never meant to be a pioneer. She became one as her hometown’s first female sportscaster in the late 1970s, repeating the feat in Portland, Oregon in 1989. From that Pacific Northwest base she’s traveled to cover the 1994 Winter Olympics in Lillehammer, Norway, where she broke the Tonya Harding story, and the 2000 Sydney, Australia Summer Games. She’s covered everything from the NBA finals to the Boston Marathon to the U.S, Women’s Open Golf Championship.

These days, she does play-by-play of women’s college sports for the Pac-12 Network. sometimes gigging for Westwood One.

Schatz is back in Omaha as keynote speaker for the April 29 Toast to Fair Housing Gala at the Livestock Exchange Building Bsllroom.

As a woman sportscaster, she’s confronted gender bias. As a lesbian, she once hid her sexual orientation for fear of repercussions.

Today, with women sports reporters galore on ESPN and Fox, her story may seem passe. But a few decades ago, even as recently as 2000, a female covering sports raised eyebrows and ire. Being there first paved the way for others.

Schatz’s late father was a federal district judge in Omaha. She grew up playing sports with her siblings.. She competed in basketball and softball at Creighton University. where she earned a broadcasting and mass communication degree. A WOWT internship introduced her to local television sports legend Dave Webber, the first of many men in the business who encouraged her. Still, she didn’t see herself as a sports journalist until KMTV hired her as a weekend sports reporter despite scant experience. The late Terry Yeager mentored her.

Try as she might, she says, “there were very few women role models” in the field then. None locally. Only former beauty queens Phyllis George and Jayne Kennedy nationally. “There wasn’t anything to aspire to. It’s not like you could point to somebody and say, ‘I want to be like her.’ There weren’t any hers, they were all hims.”

She’s mused whether affirmative action or her family name got her in the door but she’s concluded, “It really doesn’t matter why, it just matters what you do with what they’ve given you,” adding, “It didn’t take me long to find out I had found my calling. i knew the questions to ask. I wasn’t afraid of hard work.”

To her surprise and delight, male peers schooled and shielded her.

“They taught me in the most kind, compassionate, relevant way. Those guys saved me and the rest of the newsroom saved me. When I heard potshots from people it would be from athletes and fans, never from my colleagues, and that meant everything to me. I got nothing but support and it was genuine.”

That support extended to her family. From her pre-Title IX childhood on, they championed Schatz’s love of sports.

“It didn’t occur to me girls weren’t supposed to play sports because that’s not how I grew up. In the neighborhood I played with boys all the time and it was no big deal. My brothers taught me how to bat, throw, shoot, run. My dad, my brothers and I read the sports section of the Omaha World-Herald every night. My dad would wake me up in the morning and let me know how my beloved Boston Celtics did the night before. I learned how to read box scores. It never occurred to me this was an odd, difficult activity for a young girl to love and pursue.

“What a gift. What a testament, especially to my father and mother who never once caused me to question it. All they did was encourage.”

 

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Not everybody was so inclusive. In Omaha she endured vitriol from some viewers and fans.

“People would tell me, ‘You suck, we hate you. you’re the worst, we never watch you.’ Some of the stuff that came out of the stands, especially at high school games, was just brutal.

“Some of the athletes would test me. I would remind myself, Hey, you chose this, you knew exactly what to expect, so either figure out a way to deal with it or walk away.”

As bad as it got here, she says. “Portland was tougher initially because I was the girl from the cowtown with the hick accent. It was very much, Are you kidding me – who the hell is she?””

Worse yet, she was far from her family’s embrace.

“I knew not a soul in Portland You can only call home so often. Not having any support personally was really difficult. That made the comments, the letters, the phone calls sting much more. I just didn’t have that ability to vent and let off steam.”

Her saving grace was an empathetic workplace at KOIN-TV.

“Had I had any kind of push-back in that newsroom in Portland I’m not sure I would have lasted. Their support meant everything to me. It was critical I did not bail out on a tough situation. I’m glad I stuck with it. And, hey. look, I’m still here 27 years later.”

Portland’s also an LGBT-friendly place that, she says. is “not counterproductive to my head and heart,” adding that being gay is not something “I lead with, but if it comes up – and it took a long time – I am absolutely comfortable.”

As time went by, she was no longer the lone woman covering sports.

“It was a relief to see another female in those environments in which I was the only one for all those years”

 

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She loves what’s happened at the networks with Erin Andrews and Co.

“God bless that these women are young and blonde and pretty. It’s not just style either, but substance, too. I applaud these women for going in an arena where women are still judged differently.”

She says women are still not immune from double standards she confronted.

“You always had to be better. You were judged much more harshly. Your mistakes were magnified. The smallest things were scrutinized. If a guy got something wrong, like a score, it’d be, ‘Oh, there goes Bob again.’ If I got it wrong, it was, ‘See, I told you – stupid women.’ You always had to be better, more nimble, more prepared.

“As hard as it was, sometimes heartbreaking, sometimes where I’d excuse myself because I needed a good cry, that awareness I had to be better helped immensely.”

For all the strides women in sports media have made elsewhere, she notes that after opening the door here and in Portland few have followed her footsteps.

“That makes me sad. I thought there would be more after me. The fact that there isn’t is puzzling.”

She says the playing field will only be level when more women call the shots in media executive suites and in sports organization front offices.

Her biggest professional coup was getting Tonya Harding to address the Nancy Kerrigan imbroglio. KOIN sent Schatz and her cameraman to Lillehammer sans credentials. They were among hundreds of journalists on the outside looking in but found a way to reach Harding when no one else did. “Connie Chung, Dan Rather, 60 Minutes were calling us. We went from the step child to the golden child real quick.”

After years reporting, including sideline work for the Portland Trailblazers, she found her niche doing play-by-play for the Big East, Conference USA and the Pac-12 (soccer, hoops softball). She likes the “purity” of women’s college athletics and its lack of “hired guns.”

“There’s nothing like an in-the-moment call when you gotta get it right. You don’t get to take it back and do it again.”

Unlike the mellifluous tones of her sportscaster idols Vin Scully and Keith Jackson, she’s fast-talking, high-energy, high-emotion.”

She feels privileged witnessing-chronicling great moments in athletics.

“The only way we can understand greatness is to watch athletes do their thing at the highest level. It doesn’t have to be the Super Bowl. Greatness happens at every level if you’re open to it. That’s the beauty of sports.”

Read more of Leo Adam Biga’s work at leoadambiga.com.

 

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Gina Ponce Leads Women On a Mission for Change Conference

March 11, 2015 Leave a comment

Gina Ponce has a passion for helping girls and women reach their potential because people helped her find her her own best self.  She leads an annual event called the Women On a Mission for Change Conference that is designed to empower women and girls to achieve goals in core quality of life areas.  This year’s all-day conference is Friday, March 13 at UNO’s Community Engagement Center.  Read my El Perico story about Gina and her event and some of the participants it’s helped. The story includes contact information for registration.

 

Gina Ponce

 

Gina Ponce Leads Women On a Mission for Change Conference

©by Leo Adam Biga

Originally published in El Perico

 

When Gina Ponce meets first-time participants of her Women on a Mission for Change Conference she sees herself 15 years ago. Ponce was then-executive director of the local Chicano Awareness Center (now Latino Center of the Midlands). The single mom was making it but didn’t see much more ahead educationally or professionally.

Then an opportunity came her way. She didn’t think she was up to it at first. But Ponce followed some advice and trusted herself to go back to school for her bachelor’s and master’s degrees. That added education anchored a 10-year work career at Bellevue University. “It was the best thing I could have ever domn,” says Ponce, who then moved into her current job as Salvation Army Kroc Center education and arts director.

She says the annual conference, which this year is March 13 at the University of Nebraska at Omaha’s Community Engagement Center, is for all women but particularly aimed at those stuck in life, unsure how to reach their potential.

“The women I’m serving have slipped through the cracks. Maybe they went to college and didn’t finish after getting married or having kids. Some are in relationships where they get emotionally, mentally beat down. These women may be in that stagnant part of their life where they don’t know which way to go. We talk to them about going back to get their degree and how important that is to moving forward.

“Some may be senior citizens who still have the ability to do something else after retirement. We empower them to believe that just because you’re retired doesn’t mean you have to sit home and do nothing. You can go out and get a job or volunteer or go back to school.”

At the event motivational speakers accomplished in various fields address five pillars of self-improvement: change, health, applied life skills, nutrition, growing your spirituality and education. There’s also a meet-and-greet and a luncheon.

“Through this conference women have the opportunity to talk to professionals who are great at telling them the importance of having all these things in their life,” she says.

The event also has a girls component that includes a mentoring program, Women Influencing Girls. Separate speakers present to women and girls. Networking and mentoring opportunities abound. Ponce wants to light a fire under participants to stop settling, start dreaming and pursue goals.

“I hope they take away being motivated to become whatever they want to be. I want them to really walk out of there saying, ‘I can do this and I’m going to do it,’ and to really stay focused and motivated to get a degree, change their job, improve their diet and health, whatever it is. I want women to know they can have a family and still get an education and have a career. I know, because I did it.”

Ten years ago Bellevue University officials asked Ponce to help fill the position of South Omaha outreach coordinator. After searching, officials told Ponce they wanted her. Afraid her two-year associate’s degree wouldn’t make the grade, Bellevue agreed to pay her way through school if she took the job. She wavered until she walked out on faith and believed in herself.

“I was scared. I had been out of school 25 years. I had all those feelings of, Oh my God, can I do this, how am I going to balance this with working and raising kids? All that stuff, But I didn’t let it get in my way. It was an incredible opportunity given to me. Yeah, it was a big strain, but it was worth everything I went through.”

Ponce wants conference participants to believe in themselves and take positive steps to aspire higher and live deeper.

“I want them to do it now. It doesn’t matter whether you’re married and have kids or whatever, just do it. This is something you’re going to do just for yourself.”

Conference veteran Judy Franklin is sold on Ponce and the event.

“When we met I was going through a time in my life where I knew I needed more and needed to expand my horizons, and Gina said, ‘I know exactly where you’re at – come to the conference.’ I did,” Franklin says, “and it really let me look at myself to see the potential in me and what I can do. She really took me under her wing to become a mentor with no strings attached. She just wanted to see me be successful in my work, my family, my relationships.”

Franklin says the conference exposes her to “powerful women doing the things I desire to do,” adding, “I get some good insights. It’s not just a conference, it’s your life as you go forward in your calling to find what you have to do. It’s a very empowering thing.”

She says Ponce has a heart for helping people tap their best selves.

“She’s just all about getting us to where we need to be. She opens up so many doors for me, for other women and for young girls and then it’s for to us to step through.”

Franklin, a state social security district manager, has done some serious stepping. She credits the conference and Ponce with “having a lot to do with me getting the job I’m in now.”

Alisa Parmer has come a long way, too. Parmer was a single mom and an ex-felon when her transformation began 10 years ago.

“I found myself being identified as a leader and a change agent with my employer, Kaplan University. I was a college graduate with a variety of degrees and letters after my name. I was giving back to the community. But I was caught up with working for others – attempting to balance family, career and a variety of roles.”

That’s when she came to the conference, whose board she now serves on.

“It gave me the first opportunity to share my story to empower women, to be empowered, to network and develop life-changing relationships with women in the community whose lives mirror pieces of mine or where I strive to be. The conference is a life-changing experience, Ms. Gina (Ponce) does not settle for anything less for each attendee.”

That holds for girl attendees as well. Judy Franklin says her daughter Abrianna, who earned the conference’s first academic scholarship, and other girls learn goal setting and leadership skills and do job shadowing. “It’s amazing to watch how she grew in a short time.”

When Ponce meets conference veterans like Judy or Alisa she sees her empowered self in them. It’s all very personal for Ponce, who feels obligated to give other women what she’s been given.

“I’m at a place in my life where I want to do it for others. I want to see more motivated women be successful and do the things I know they can do,. They just need somebody to tell them that.”

She believes so strongly in paying-it-forward that she underwrote much of the conference herself, along with sponsors, when she launched it five years ago. She’s since obtained nonprofit status to receive grants. But she feels she’s only just getting started.

“When I retire I’m doing this full-time and I’m going to make it bigger.”

The 8:30 a.m. to 4:30 p.m. conference is $40 for adults, $25 for students and $10 for girls 14 to 17 years old.

For registration and schedule details, visit womenonamissionomaha.org or call 402-403-9621.

Aisha’s Adventures: A story of inspiration and transformation; homelessness didn’t stop entrepreneurial missionary Aisha Okudi from pursuing her goals

July 10, 2014 2 comments

The Reader July 10 - 16, 2014

 

If you’re looking for a pick-me-up story to lift you out of the self=pity blues or doldrums then you’d be hard-pressed to top the story of Aisha Okudi, an Omaha woman who has not let anything stop her, including homelessness, from pursuing her entrepreneurial missionary purpose and dream.  This is my new cover story about her for The Reader (www.thereader.com).  I did a previous story about Aisha and her path of inspiration and transformation which you can find on this blog.

 

 

 

 

 

Aisha’s Adventures:  A story of inspiration and transformation; homelessness didn’t stop entrepreneurial missionary Aisha Okudi from pursuing her goals

Her Sha Luminous by Esha Jewelfire line of beauty products serves African missions dream

©by Leo Adam Biga

Appeared in The Reader (www.thereader.com)

Entrepreneurial African missionary Aisha Okudi, 37, laid the foundation for her thriving business and ambitious humanitarian work during a period when she and her children were sometimes homeless. She’d been through worse.

Regardless of how bad things have gotten, she’s remained focused on her mission because she considers her story of transformation a testimony to her faith in a Higher Power she serves for the greater good. The Omaha visionary is proud of how far she’s come with her Sha Luminous line of organic shea butter skin rejuvenation and beauty products. Sha Luminous is available at HyVee supermarkets in six states as well as Akins Natural Food Stores, No Name Nutrition, Jane’s Health Market and select salons. She’s working to get in Whole Foods.

She’s humble about her success because she’s following a plan she feels called to. She views everything about her journey, even the dark side, as a conduit for the missionary work that is her real passion.

The base of her hand-crafted products is butter extracted from the shea nut, a natural plant indigenous to the same rural African provinces she serves. After years helping poor African children by sending supplies and making donations, she visited Niger in 2010 through the auspices of the international NGO, Children in Christ. She made connections with villagers, tribal leaders, fellow missionaries, government representatives and American embassy officials. She purchased a missionary house to accommodate more evangelists.

She says she’s tried getting Omaha churches on board with her work but has been rebuked. She suspects being a woman of little means and not having a church or title explains it. Undaunted, she works closely with CIC Niger national director, Festus Haba, who calls her work “a blessing.” In addition to Niger, where she once considered moving, she also visited Togo on that 2010 trip.

She visited Ghana in 2012. She’s returning to Africa in August, this time to Mali. With the help of Haba and CIC she’ll explore growing her business there to create import-export streams. At one time she weighed developing holistic herbal health clinics in West Africa.

“I want to create job opportunities for people because this business is about helping people who come out of poverty just like me.”

She wants more Africans enjoying the fruits of the shea nut grown there by employing locals in its production and sale and by making her products affordable so more locals can enjoy their health benefits.

It’s a far cry from the self-centered, destructive path she was on from the early-1990s through 2004. Growing up in Omaha and Des Moines she long headed for a hard fall. Her family often moved. Finances were always tight. She was a head-strong girl who didn’t listen to her restless mother and alcoholic father. She got in trouble at school.

“There were issues at home. I was always told no coming up and I got sick of hearing that. I felt I was a burden, so I was like, ‘I’m going to get out and get my own stuff.'”
At 15 she left home and began stripping. A year later she got pregnant. She gave birth to the first of her four children at 17.

“I found myself moving around a lot. I really didn’t know what stability was. I never had stability, whether having a stable home or just being stable, period, in life. I was young and doing my thing. My dad walked in the club where I was stripping. My sister told on me.”

The ensuing confrontation only drew her and her parents farther apart.

“I was trying to live that life. I wanted to have whatever I wanted to have. I danced, I sold my body and I made lots of money from it. I did it for about 12 years. I wanted to have it all, but it was not the right way.”

 

 

 

 

 

She got caught up in the alcohol, drug abuse and theft that accompany life on the streets.

“I was in and out of prison a lot. I used to steal to make money.”

In 1997 she served time in the Douglas Country Correctional Center for theft by receiving stolen property.

In 2004 she was crying in an Iowa jail cell after her second Operating While Intoxicated offense. Her arrest came after she left the strip club where she performed, bombed out of her head.

“I had to get drunk so I could let these men touch me all night,” says Okudi, who drove her car atop a railroad embankment, straddling the tracks, poised to head for a drop-off that led straight into a river.

That night in jail a decade ago is when it all came to a head. “I just sat there and I thought about my kids and what I just did,” she says. She felt sure she’d messed up one too many times and was going to lose her children and any chance of salvaging her life, “I was crying out and begging to God. I had begged before but this time it was a beg of mercy. I was at my bottom. I surrendered fully.”

To her relief the judge didn’t give her prison time at her sentencing hearing. “I told the judge, ‘I will never do this.’ He said, ‘If I ever see you in my courtroom again it will be the last time.’ I burnt my strip clothes when I got out, and I didn’t turn back. I got myself into treatment.” She’d been in treatment before but “this time,” she says, “it was serious, it wasn’t a game. I enrolled in school.”

Ten years later she has her own business and a higher calling and, she says, “I’m so proud that I write the judge and tell him how I’m doing.” Okudi’s learned how to live a healthy lifestyle and not surround herself with negative influences and enablers.

Her life has turned many more times yet since getting straight and sober. In 2006 she seemingly found her soulmate in George Okudi, an ordained Ugandan minister and award-winning gospel artist. They began a new life in Washington DC and had two children together. Then she discovered he was still married to another woman in Africa. The couple is separated, awaiting a divorce.

She’s learned to forgive, but she’s only human. “Even though I’ve grown sometimes it feels like, When is it going to end? But to much is given, much is required. You’ve just gotta consistently stay on track. No matter what it is, stay focused.”

Even as recently as 2012 and 2013 there were tests and setbacks, including bouts of homelessness. The difference then and now is that when adversity strikes she doesn’t get too high or too low, she doesn’t feel entitled to act out. She claims she experienced an epiphany in which God spoke to her and set her on her Esha Jewelfire mission.

“When I had that vision and dream I was pregnant with my youngest son. I was living with my grandmother. I was newly separated from my husband. I said to my grandmother, ‘I don’t know if I’m going crazy or what, but the Lord said I will build like King Solomon and go and help my people in Africa.'”

Since childhood this Africaphile has expressed a desire to help alleviate poverty overseas. Her visit to Niger and the overwhelming reception she received confirmed she’s meant to serve there.

“It was immediate. I was able to blend in wherever I went. I know that’s where my calling is. I cook African, my children are African, my friends are African. It’s just a natural thing for me.”

She even speaks some native dialects.

She’s long made a habit of sending clothes and other needed items to Africa. But a call to build was something else again.

“Where am I going to get the money from to help these people in Africa?” she asked her grandma. “I didn’t know.”

Then by accident or fate or divine providence a friend introduced her to shea butter, an oil used in countless bath and beauty products. “And that’s how the idea for my business came up,” Okudi says.

Shea is gritty in its natural state and only transforms with love. Sound familiar? “I researched it and found that it moisturizes, it cleanses, it refreshens, it heals, it brightens, it just makes you shine. It’s naturally rich in vitamins A, E and F. So I figured out what I needed to do with it.”

Her experiments led to lightly fragranced shea butter-based products, including lotions, creams and scrubs. She began marketing them.

She gets raw shea in big blocks she breaks down by chopping and melting. She incorporates into her products natural oats and grains as well as fruit and herb oils to lend pleasing textures and scents. The fresh fruit and herbs are pressed by hand. Nothing’s processed. “All this stuff comes from God’s green earth — oils, spices, herbs, organic cane sugar,” she says. Nothing’s written down either. “I have it all in my head. I know every ingredient in everything I make. Everything is made fresh to order and customized. Everything is hand-packaged, too.”

Selling at trade shows, house parties, off the Internet, the small business “started really growing and taking off for me,” she says. With her products now in chain stores, she contracts workers to act as sales demo reps where her products are carried. She also has a contract with a hand-mass manufacturing firm in Nashville, Tenn. She’s in discussions with a majo beauty products manufacturer-distributor.

She says besides her line being “bomb diggity,” retailers and customers alike respond to “the mission purpose behind it,” adding, “It’s purposeful, its meaningful, there’s life to my company.”

Her business has been based at various sites, including the Omaha Small Business Network. Production’s unfolded in her mother’s kitchen, in a friend’s attic, in her house, wherever she can find usable space. “My business is simple, it doesn’t really need a big plant or office.”

Having a store of her own though was a dream. A few years ago “an angel” came into her life in the form of Robert Wolsmann, who within short order of meeting Okudi wrote her a check for $10,000 – as a loan – to help her open her own shop.

Wolsmann is not in the habit of lending such amounts to near total strangers but something in Okudi struck him. Besides, he says, “I could see she needed help. She showed me what she made and I was so impressed I presented her with that money. I couldn’t resist investing.”

“He’s an awesome person,” Aisha says of Wolsmann. “We’ve become great friends.”

She says her dynamic personality attracts people to her. She feels what Wolsmann did is evidence “things work in mysterious ways – you don’t know what’s going to happen, you’ve just got to be prepared.”

Her Organically Sweet Shea Butter Body Butter Store opened in 2010. The labor of love proved star-crossed when after two months her landlord evicted her. Okudi’s opened and closed two more stores to pursue new opportunities .

“Entrepreneurs go where they have to go to get things done.”

Evictions from two rental homes found to be uninhabitable took their toll. “I asked God, “What is going on? Why does this keep happening to me?’ I didn’t have nowhere to go. I was seeing myself back living from place to place like I’ve always been, still trying to take care of my kids and do my business.” Stripping’s fast money lured her back for a short time. She and her kids stayed at the transitional housing program, Restored Hope, but when things didn’t work out there they went back to couch surfing before finding stability at the Salvation Army Shelter.

“It kept me focused on my mission. I’ve been called to be that missionary, so I’m not so upset anymore about why I’ve been bounced around or why things have happened the way they have. There’s a way bigger purpose. If you just be really humble and wait and be patient to see what God’s doing, He’ll turn things around.”

 

A Restored Hope residence

 

Aisha and her wares at a store

 

 

 

It’s why she no longer dwells on the past or worries about what she doesn’t have right now.

“Nothing matters when it comes to material things. The only thing that matters to me is my health and just doing what I know is right in my heart to do. Even though I lived the way I lived, basically homeless, I realized I am very blessed and I remained grateful.

“God only gives you what you can handle. He obviously knew I was equipped to do it. You just do it, but there’s preparation to everything. Nothing goes to waste. Everything I’ve been through I’ve actually used as a powerful testimony to either encourage someone else or to inspire myself to move forward.”

For the past year she’s earned enough money to find stable living in her own downtown condo.

Often asked to share her story before church congregations and community groups, her message is simple:

“To persevere, period. I don’t care what your situation is you’ve got to keep going. The world doesn’t stop, time doesn’t stop, problems never cease. You have to go through them. I go through my trials and tribulations and I never ask God to remove me out of them because it builds character, strength and perseverance for you to move on. I always tell people, ‘Don’t stop, just keep going.’ The fight is not easy, the fight ain’t no joke, it’s a war, it’s a battle. You’ve got to put full armor on and fight. God don’t have punks in his army.

“You’ve got to be a soldier for everything you put hour hands to.”

She’s aware her success amid myriad struggles inspires others.

“It reminds me who I am and that when I don’t think people are watching me they are. I’ve always been a happy, giving, loving person. Even when going through something, I pick myself up. Even my father said, ‘If you can be changed from where you came from, I know there’s a God.’ Now, he’s stopped drinking. He’s reborn.”

She realizes her own rebirth may be hard for some to swallow. “People who knew me in my past might say, ‘Oh no, not Aisha, with what she used to do?'” She acknowledges she couldn’t transform without help.

“When I got the call to start my business to support the Africa missions I had no business training or education, I just did it. I’ve learned as much as I can from experts and entrepreneurs who’ve already been there and done it. I’ve seen what not to do and what to do. I’ve learned to listen more, to be more patient, to look at all options instead of just what I know, because it’s not about what I know it’s about what I need to know. This has been a very humbling and hard faith thing for me.”

In 2011 she graduated from Creighton University’s Financial Success Program for low income single mothers.

“I learned how to be very resourceful working within my means, how to budget and how to cut out unnecessary costs.”

She was introduced to EcoScents owner Chad Kampschneider, who became a mentor and ended up picking up her product line.

After being accepted to tape an episode of Shark Tank she decided to pass on the opportunity rather than risk gaining partners who would wrest control of her vision.

“I’ve gotten this far with my mission and purpose and I don’t want to get detoured on another path. I figure one day I’ll be a shark myself helping people grow their businesses and realize their dreams. If I continue to follow the path I’ve been following I’ll get there. I see myself global helping in poverty areas through my company.”

She’s determined to complete her mission.

“I just get up knowing I gotta do what I gotta do, and I live one day at a time. I don’t let my financial and emotional path haunt me. There’s nothing you can do but do what you need to do every day and be a part of hope. Too many people are hopeless. There’s no light in them. I’m not about that, I’m about life and living to the fullest and being happy with what I have and where I’m at because I know greatness will come some day for me. I’m a very favored woman in all things I do.

“I haven’t been at a standstill. I’ve come a long way and I continue to grow. I’m still transforming, I’m still moving forward. I still reach out for help in areas I need help in.”
She suspects she’s always had it in her to be the “apostolic entrepreneur” she brands herself today. “Sometimes you don’t discover it until things happen to you. I think I had it but I didn’t embrace it then. I heard so much negative in my life coming up that it turned me away…I said, ‘I’ll show you,’ and I made wrong decisions. What the devil meant for bad, God turned it for good.

“I’m a natural born hustler but I hustle in the right way now.”

This month Okudi will be at select Walmarts and No-Frills stores seeking donations for her African missions.

For more about her products, visit her Facebook page, Sha-Luminous-by-Esha-Jewelfire.

 

One of Aisha’s many different looks

Ex-reporter Eileen Wirth pens book on Nebraska women in journalism and their leap from society page to front page

March 22, 2013 6 comments

Women journalists cover anything and everything today.  They work in all facets of media.  But there was a time, and not so long ago at that, when they were restricted to a narrow range of reporting topics and jobs.  There were always exceptions to that rule.  Here and there, pioneering women journalists defied conventions and overturned stereotypes to file assignments and fill roles traditionally prescribed for men only.  A new book by Eileen Wirth profiles some of the revolutionary figures among Nebraska women journalists over the last century.  Wirth is a pioneer or revolutionary herself.  She became one of the first modern women in city news at the Omaha World-Herald in the late 1960s-early 1970s, then she broke the gender barrier in the public relations at Union Paciific, before becoming the first female chair of the Journalism Department at Creighton University, where she oversees what’s now called the Department of Journalism, Media and Computing.  Her book, From Society Page to Front Page, is published by the University of Nebraska Press.  It’s officially out in May.  My story about Wirth and the female journalists she writes about whose lives and careers advanced the cause of women both inside and outside the media field will appear in the April 2013 New Horizons.  This blog contains several stories by me about journalists in print, radio, and television.

 

 

Eileen Wirth

 

 

Ex-reporter Eileen Wirth pens book on Nebraska women in journalism and their leap from society page to front page

©by Leo Adam Biga

Originally appeared in the New Horizons

 

Eileen Wirth doesn’t seem to fit the part of a revolutionary but that’s exactly what she’s been during her three careers. Wherever she’s worked, whether as a reporter or public relations practitioner or academic, she’s broken gender barriers.

As the women’s liberation movement played out from the 1960s through the 1980s she fought the good fight for equal rights, only not in the street or in the courtroom but by challenging male chauvinism, sexism and discrimination in newsrooms, offices and boardrooms. Her feminist predecessors fought similar battles as suffragists from the late 19th century through the immediate post-World War II era.

She says the struggles women endured to open new opportunities in the workplace is a story she feels deeply about, especially the stories of women in her own profession of journalism.

In the course of researching her new book, From Society Page to Front Page, Nebraska Women in Journalism, Wirth developed a deep appreciation for and kinship with maverick women who preceded her in the field she loves. She documents dozens of women of high achievement, many of whom she never previously knew about, and the obstacles they faced to work as publishers, editors, reporters. PR professionals and media moguls.

Some ran small weeklies, some made their names as columnists with local newspapers, others as reporters with national wire services and major metropolitan dailies. One woman covered the White House. Three women covered the Starkweather murder spree in great detail. Beverly Deepe became the longest serving American correspondent of the Vietnam War.

Mildred Brown became one of America’s only black newspaper publishers. Cathy Hughes is still running a media empire. Other women are still doing their thing as well.

“In writing the stories of these women it became a journey of self discovery,” says Wirth. “I identified so strongly with these women and with their struggles and their achievements. Both of my sisters had national level careers and I’ve always been in Omaha, but I realized we need to redefine what we mean by female achievement. We have too often downplayed the local, the personal, the balancing act of career and family. I don’t think our society values that enough. One of the things I hope this book does is really give recognition to women who juggled both.”

 

 

 

 

She also hopes the book gets some deserving women elected to the Nebraka Journalism Hall of Fame, where there are cases of men inducted there whose wives are not, even though the wives were co-editors and publishers and full partners of small weeklies.

Wirth says doing the book proved both an awakening and an education for her.

“What was amazing to me is that we had so many absolutely remarkable Nebraska women in journalism. Even as someone who has spent her entire life in journalism and more recently teaching journalism history, if you had asked me to name them I probably couldn’t have named five or six, until you get to the ’50s when I knew some of these people. But even then I was finding people right and left.”

The finding took considerable effort. “It took a lot of digging to find most of them,” she says.  “This book is nothing but a huge reporting process. I went to people and said, ‘Who do you know about, what am I missing?’ I went to sources and people would tell me stuff and I would follow up on leads.”

Elia Peattie, a popular Omaha World-Herald writer from the late 19th century into the and early 20th century, is a prime example of someone Wirth found..

“If I were going to pick one woman in the book I fell absolutely passionately in love with it was Elia Peattie. Hardly anybody has heard of her. I resonated to her. She wrote a column that in some ways is very similar to the Mike Kelly columns of today’s Omaha World-Herald. This was before they had social or women’s pages. She’s kind of the World-Herald’s entree into that.

“She came to Omaha in the 1880s. She had been a society girl on a Chicago paper. She got a woman’s column at the Herald. This is when women’s news was in its infancy and the reason why women’s news was created in the first place was for advertisers. Women could not vote and the headlines were mostly about politics and crime, and if you look at the lives of women in the 1880s this just wasn’t relevant to them. They were working incredibly long days, raising large families, taking in work. They had very hard lives.

“Advertisers pressured the papers to do something to attract women readers because women were the primary shoppers. This was in an age when advertising was exploding. And the Herald hired Elia Peattie to write a column about women and apparently they put almost no restrictions on her. It was up to her to define what would interest women. Well, what she thought would interest women was apparently anything that interested her, which was everything.”

 

 

Elia Peattie

 

 

Wirth admires Peattie’s range.

“A professor from the University of Nebraska-Kearney compiled her columns in a book and I was blown away because it was reading a social history of the city in the 1880s. I mean, she has everything from this wonderful description of a young Bohemian slaughtering cows down at the Cudahy plant to a nursing sister at St. Joseph Hospital to the people riding a streetcar to showgirls. She did a very sympathetic portrait of the African American community when racism was horrible.

“She did some hilarious satirical columns about Omaha society people and why did they have to go back East to buy finery when they could buy anything they wanted in Omaha.”

Peattie’s community service involvement also appeals to Wirth, who has a strong service bent herself.

“Peattie ran for the school board when that was the only office women could run for or vote for. She was also one of the founders of the Omaha Woman’s Club. It was a way of localizing the city’s upper class women to do social work stuff. Nationally the woman’s club movement got behind the needs of working women in factories.”

All these activities made Peattie a popular figure.

“She became a larger than life personality,” says Wirth.

Another reason to like Peattie, according to Wirth, is “the work she did to bring together the handful of women journalists in the state. She documented a great deal about fellow women journalists. A lot of my best material came from work she did and recorded for history. She gathered the names of women active in journalism in the 1880s and 1890s. That was invaluable.”

Peattie’s become something of a hero to Wirth.

“One of the other reasons I resonated to Elia Peattie is that while she was writing this column her husband got very ill and it was up to her to support the family. She was writing everything right and left to make money to keep the family going and as a former working mother raising two children I just totally identified with her.

“If she was alive today she’d be running half the city, she’d be writing a blog.”

She might be publishing her own newspaper or magazine, ala Arrianna Huffington.

Wirth also writes about the one certifiable superstar among Nebraska-bred women reporters – Bess Furman.

“If you were going to pick a single woman that was our state’s most distinguished contribution to journalism it would probably be Bess Furman Armstrong,” says Wirth. “She was remarkable and she spanned a lot of eras. She was once referred to as a flapper journalist for her work in Omaha in the ’20s. She was what we would now call a liberated young woman writing rather risque satirical stuff about Omaha. She covered bootleggers and weird crimes down in Little Italy. She wrote this saucy column about Omaha’s most eligible bachelors.”

 

 

(Photo)

 

Bess Furman Armstrong

 

 

Furman was a product of her post-Victorian emancipated times.

“The ’20s were a wonderful period for women,” notes Wirth. “They had gotten the vote, there were more economic and education opportunities. She loved Omaha and she probably would have stayed except she worked for the Omaha Bee and when it  was purchased by William Randolph Hearst she wanted out and when the opportunity came to leave she did.

“With women now having the vote the Bee needed somebody to write the women’s angle to politics. When Al Smith came to give a speech in Omaha in his 1928 campaign she got assigned to cover it and she wrote such a good story that she won a major journalism award for it and the head of the ;Associated Press who was in town with Al Smith offered her a job in Washington (DC) and she took it. Timing is everything.”

Furman made an immediate impression on Capitol Hill

Wirth says, “She was one of the first women to be allowed on the floor of the House of Representatives. She was assigned to cover First Lady Lou Hoover, who absolutely hated journalists. One time in order to write a story about what the Hoovers were doing for Christmas she dressed up like a Girl Scout” and infiltrated a troop visiting the White house. The ruse worked, too.

“When Hoover got beaten by FDR Eleanor Roosevelt started holding women’s only press conferences in order to force papers to give jobs to women,” says Wirth. “She and Eleanor Roosevelt hit it off wonderfully. Furman and her husband hit it off so well with the Roosevelts that they took home movies of the Roosevelts. When Bess became pregnant she decided she wanted her child to have a Neb. birth certificate, so she drove back here in the middle of the Dust Bowl to have her physician brother deliver what turned out to be twins. She brought with her a baby blanket Eleanor knitted her, and that got reported and went nationwide. Postmaster General (James) Farley sent her $10 worth of flowers and that was such a big order they had to send a special train.”

Furman later she did war information work during World War II and then joined the New York Times as one of its first female political reporters.

“She ended her career as the public information officer for the Department of Health Education and Welfare under Kennedy. Bess Furman may have gone to Washington but she was very deeply a Nebraska person and remained so for her whole life,” says Wirth.

Bringing to light women of distinction she feels connected to is satisfying to Wirth.

“Oh yeah, these are my people. We’re out of the same background, the same occupation. Yeah, I felt a very strong affinity with these women. I really found myself as I was writing about them feeling like I knew them and wishing I could actually have known them. I guess I felt especially this way with the women who wrote books, so you got a real feel for them, you weren’t just getting them second hand, you were getting their own take on the world.

“Their struggles were things I could totally identify with. You don’t have to be a journalist to feel this way about these women. Their humanity, their humor, the way they overcame obstacles with grace and courage and dignity, their persistence. To have careers like theirs was pretty daunting but they did it. I identified with the fact they juggled the personal and the professional and really probably never lost sight of either one.

“Culturally, anyone who has Neb. roots would identify with their style. Most of them let their work speak for them, which is what a journalist usually does.”

 

 

Mary McGrath

 

 

One that Wirth did get to know well is Mary McGrath, who preceded her at the Herald and labored 12 years in club news before becoming a highly respected health and medicine reporter. McGrath helped the green female reporters like Wirth negotiate the male-dominated newsroom.

“Mary McGrath was really the pioneer in city news at the Omaha World-Herald,” says Wirth. “She made a huge difference.”

Wirth recalls McGrath organizing potlucks for the paper’s women journalists and how these occasions became vital airing out and strategizing forums.

“It was a support system and an expression of solidarity. It was a safe place to bounce off ideas. If we would have said we were having a consciousness raising session the older women wouldn’t have gone, but to throw a potluck, how more Midwestern could you get? Mary knew the young women on staff were increasingly militant and she knew how smart and talented they were and she knew they were not writing about who was having who to coffee because they wanted to. She broke down the barrier between the two sections (city news and women’s news) by having those potlucks.

“The guys never had a clue what was going on.

Wirth says the Omaha Press Club served the same function for women in journalism across different media. “It was a great way to get to know other women journalists. You realized you were not alone.” Wirth adds, “A sociologist at Iowa State told me if you’re going to get social change made you have to have a cohort and in a sense you could look at the potlucks or the friendship ties that women journalists formed through the Press Club is how we had a cohort. There were enough of us who felt the same way to make a difference and it really made me feel for women of earlier eras who were one of a kind, out there on their own, whereas

I could go cry on Mary’s shoulder or vice versa .”

Each pioneering woman journalist in her own way contributed to the women’s rights cause and helped move their peers a little further along than before.

“There was a movement afoot. That was how this revolution was waged – one tiny step at a time.”

All those steps taken together made big changes, which is why Wirth was so offended when a feminist of high stature, former First Lady Hilary Clinton, was subjected to sexist coverage during her 2008 presidential campaign bid. The way Clinton was dismissed felt to Wirth like a slap in the face and a setback given how far women have come and what they’ve endured to get there.

“It was very disrespectful to women of our era,” says Wirth. It was like, Don’t they realize what we went through? Most of the Baby Boomers fought very quietly to infiltrate, to get a seat at the table, and nobody knew what it had taken to integrate the American workplace. That was my inspiration for writing the book.

“The women involved have kept silent about what they did because that’s how they were able to do it. We were a minority. The women were mostly just asking to practice the field they loved and were good at. They weren’t asking for special treatment.”

Much like the civil rights movement, the women’s movement gained its biggest victories through mass protests, the passage of new laws and court decisions, but there were many smaller, no less important victories won every day by ordinary women asserting their rights.

“When you look at coverage of the women’s movement it all focuses on things like lawsuits and militant demonstrations and you couldn’t do that in a city like Omaha if you intended to go on working in journalism. It wasn’t like you had a union that would protect you or a vast choice of employers, and for most of us that wasn’t our style anyway,” says Wirth.

Big, loud, public displays, she says, “weren’t the only way women made progress.”

Most of the change, she says, was the result of “the stealth revolution.” She adds that “KETV News Director Rose Ann Shannon said it very well when she told me, ‘I always felt I was dealing with reasonable people and we could work problems out.’ I too found that if you could have a reasonable conversation with somebody you could make progress. You were not going to change things overnight.”

She says there’s still work to be done, such as closing the pay gap between the sexes and shattering the glass ceiling that still limits women from advancing the way men do.

“But it’s sure better than what it was in 1970, and those changes were made nationwide by unsung young women quietly sticking their necks out on relatively small things over and over again.”

She says “it kind of boggles the mind” of her students to realize that as late as the 1970s women were still marginalized in journalism. “When you tell this to girls today they’re like, What? They can’t believe it, which I guess shows that we succeeded. They take it for granted.”

Wirth grew up in a large, high-achieving Nebraska City farm family whose parents set high academic standards and expectations for their children. Wirth loved reading and showed a knack for writing early on. She intended on being a history major at the University of Nebraska-Lincoln until her father insisted she take a journalism course.

“What really made me into a journalist  besides Dad ordering me to take the class was working on the Daily Nebraskan and I still think of as ‘the rag.’ It was so much fun. I fell in love with journalism people. The women were strong, funny, delightful, intelligent people and the guys wouldn’t have had us be any order way. I had found myself.”

When Wirth went to work for the World-Herald in 1969 she became one of the paper’s few female news reporters and right up to leaving its employ in 1980 she and women colleagues there, along with women at t countless other workplaces, waged that “quiet revolution” to bring about change.

“When women said, No, I’m not going to get you coffee, that’s not part of my job description, they were part of this revolution,” she says.

So was Wirth when she brought to the attention of an editor the fact that some young males colleagues hired the same time she was had received new section assignments while she was still in the religion beat she began in three years before.

“I’m a contemporary of Steve Jordon and Mike Kelly and both of them had had a couple of assignment changes, and I thought I was as talented as they were and I certainly worked as hard as they did. I told my editor, ‘If you’re doing this for the guys then you should treat the two groups the same. There shouldn’t be a difference. You should give young women the same opportunities as young men.”

She got the assignment change she desired.

At a time when female journalists were confined to covering only certain subjects, such as religion or society news or women’s news, her work made the case that women were capable of covering anything.

“There was a lot of hesitancy about assigning women to cover cops, which was fine with me because I hated it, but I covered them every Saturday for years simply because I wanted to show that a woman could do it.

“There was a lot talk that women couldn’t cover politics because they couldn’t get stories in bars and nonsense like that. There was real hesitancy about sending women to certain places. The ironical thing is that my religion beat in the early ’70s was at a time when the churches were heavily involved in the civil rights movement, so under the guise of covering religion I was actually doing a tremendous amount of civil rights coverage.

“I never regretting spending those three years on religion but I felt like I wanted to grow, to expand, to try new things.”

She also had the opportunity to take on occasional stories that struck a blow for women’s rights by shining a light on gender inequities.

“Quite a few of the stories I did were aimed at showing this inequality.”

 

 

Connie Claussen

 

 

Take the time that former University of Nebraska at Omaha women’s coach and athletic director Connie Claussen called to say she was fed up with the unfair and unequal treatment she experienced at the beginning of her career there. Claussen, whom Wirth describes as “a force of nature, a great lady.” was an equal rights champion who served on the Mayor’s Commission on the Status of Women.

Claussen eventually built a much envied women’s athletic department at UNO featuring championship programs but that legacy almost ended before it started because of how frustrated she was with the short end of the stick offered her and her student-athletes. Before Title IX was passed women’s athletics were separate and unequal in every way.

Wirth recalls, “Connie called one Saturday and said, ‘I’ve had it, I’m not going to do it anymore, I’m not going to teach a full load of physical education classes and coach two or three sports for nothing extra.'” Wirth was sympathetic. “No male would ever coach a (college) sport for free. Women’s athletics were housed in a quonset hut with no showers. I thought, Well this is a sports story and I went over to the UNO beat reporter and he yelled at me, ‘Women sports are a joke, there’s no story here.’ He practically threw me out of the sports department. So I went over to the city desk and they said, Oh yeah, great story. I wrote it and they put it on page one of the Sunday paper. It stirred up enough indignation and attention that Connie ran with it and she got the support she needed to build an outstanding program.

“And I think that was one of the major things we did as women journalists – we were approachable, we were interested in the problems.”

Another story resulted when Doris Royal, a farm wife from Springfield, Neb., called Wirth and in her gravely voice asked, “Are you interested in stories on women?”

“She told me a lot of farm women were losing the family farm operation because of inheritance taxes. The IRS said farms belong to the husband. The only way a woman could escape paying inheritance taxes on a family farm or family small business if she became a widow was if she had worked in town, so she could show she made an economic contribution or if she had brought family inheritance into it.

“A lot of women on farms had worked side by side, they’d driven the tractor and milked the cows, they’d done all the farm work, plus kept the books, and of course that doesn’t account for all their work in the home. But the IRS in effect said, You have made no contribution. Well, that was driving women off the farm because they couldn’t afford it. Land prices had gone up. So Doris started a petition drive and she wanted me to cover a story on it, so I did, I looked into all this stuff. I grew up on a farm and I was horrified, I was shocked, I had no idea. I wrote the story and Doris leveraged my story in the World-Herald to get the Farm Journal, which is the nation’s largest farm magazine, to take up the crusade.

“Doris got petition signatures from every state, she testified before Congress. This woman’s amazing, and they got the law changed.”

Wirth did an entire series on inequitable credit practices that devalued and punished women. “If a woman got married and changed her name she immediately lost all of her credit history,” says Wirth. “Banks assumed the credit rating belonged to the husband even if the women worked full time and could document it.”

With stories like these to file, Wirth’s work was fulfilling enough but when she and her then-husband Ron Psota decided to start a family she knew the demands of her work and the inflexibility of her employer would make motherhood and reporting incompatible. Besides, she was ready for a change.

“It was still the era when women were fired if they got pregnant. My ex-husband and I had been approved to adopt a child and at the World Herald at that time there was no way you could be a reporter and a mother. You had to work 12 and 15 hour days at the drop of a hat if some story broke.”

Making it easier to leave, she says, was the fact that “after 11 years I was burned out on reporting. It was time.”

When hired as the first woman outside of secretaries or receptionists to work in the Union Pacific public relations department she broke down the doors of what had been an exclusive boys-only club. She didn’t appreciate it when one of the old gang complained that she was a token hire to conform with Equal Employment Opportunity and affirmative action policies.

“A crusty old guy who didn’t begin to have my educational credentials and who couldn’t write protested that they had had to hire a woman.”

The bosses set him straight, she says by stating, ‘We hired someone who could write.’ Period. End of story.

Then in 1991 she joined the teaching staff at Creighton University, where in addition to her professor’s role she later became that Jesuit institution’s first female chair of the Department of Journalism (now called the Department of Journalism, Media and Computing). Teaching college is something she always knew was in her future and making a difference in the lives of her students is what most satisfies her about academia.

She’s glad that her book gives students an appreciation for who came before them.

“I think it is very important for my students, especially my female students. You want to give them a sense of what went before so when they invariably face some challenges they will do so with grace and with confidence knowing that women like themselves have conquered similar challenges.”

Wirth’s book, published by the University of Nebraska Press, is available starting May 1.

 

 

Harsh Life Revealed in Memoir Gives Way to Growth: Ruth Marimo Comes Out of Silence to Assert Her Voice

February 14, 2013 1 comment

The provocative cover of Ruth Marimo’s 2012 memoir, Freedom of An Illegal Immigrant, pictures her sitting nude, her legs drawn up to her chest and her arms crossed just below her knees, a hood covering her face and a GPS tracking device affixed, like a shackle, to one ankle.  It’s a powerful and unsettling image of bondage.  Beyond the metaphor and symbology, the image represents the reality that was Marimo’s life as an orphaned and undocumented immigrant from Zimbabwe who suffered through an abusive marriage with a man that did produce two beautiful children but that nearly cost her her life and her freedom.  Amidst all of that, she discovered and embraced her sexual identity as a lesbian.  As she describes in the article that follows, she went through hell and back before finding liberation and the life story she began writing in jail became a successful self-published memoir that’s sparked new opportunties for her as an author and inspirational speaker. My profile of Marimo will appear in a coming issue of The Reader (www.thereader.com).

 

 

 

 

Harsh Life Revealed in Memoir Gives Way to Growth: Ruth Marimo Comes Out of Silence to Assert Her Voice

©by Leo Adam Biga

Appeared in The Reader (www.thereader.com)

 

Four years ago Marimo sat in the Cass County Jail contemplating suicide. The mother of two and then-undocumented immigrant from Zimbabwe, Africa was there because her estranged husband, whom she says verbally and physically abused her, reported her to authorities.

In the space of 30 days behind bars she seemingly lost everything. Her children, her home, her job, her will to live. She feared deportation and never seeing her kids again. It was all too much for a woman whose mother committed suicide when Marimo was 5 and whose only sibling died as a toddler. With things at their darkest Marimo began writing. Amid tears of despair she put her story down with a pen on the back of jail activity forms. She filled up dozens of sheets.

“I just kept writing and the pages kept adding up,” she says. “It was almost like something pushed all of these words out of me.”

Flash forward to today, when Marimo’s 2012 memoir Freedom of An Illegal Immigrant is a self-published success story that’s propelled a new career as an author and inspirational speaker. Marimo, who fought court battles to win sole custody of her children, is recently returned from her most prestigious speaking appearance yet, a Feb. 8 address for the IvyQ Conference at Yale University. The gathering of students and scholars from all the Ivy League schools seeks to empower young people in owning their sexual identities.

Marimo, who came out as a lesbian in the aftermath of her failed marriage, is a LGBT activist often called on to speak at equal rights rallies. She’s also a popular spoken word artist at Verbal Gumbo, where a poem of hers she performs there, “Who Am I?,  asserts her complex identity.

She next shares her momentous personal journey Feb. 20 in the Nebraska Room of the Milo Bail Student Center at the University of Nebraska at Omaha. Her Noon talk is free. A Q&A follows and Marimo will also sign copies of her book.

 

 

Ruth Marimo

 

 

The happy, confident woman who addresses audiences these days would not exist, she says, without the crucible of her tragedies and traumas.

“Those are the things that helped me become the person I am today. Even in those times I want to feel sorry for myself there’s so much I am grateful for.”

The memory of her past struggles, she says, “is what pushes me to speak, to be passionate, to even want better for my kids,” adding, “That’s where I think my drive, my activism comes from,. Everything I’m doing now is very purposeful because I can’t forget who’ve I’ve been and what I’ve been through.”

She’s pleased that her story inspires others. “I’ve heard from people all over the world saying that my story’s touched them.” If more women would leave abusive relationships because of her story she’d be pleased but she despairs most will choose to stay put. She empathizes.

“I think for a long time I was that person that stuck around in the wrong relationship.

I had this husband, I had these two beautiful kids, but I was so lonely and miserable. I knew I was in the wrong marriage, an abusive marriage. He would choke me and then we would be out holding hands and everybody would see this totally different picture. There are so many people stuck in abusive relationships and they don’t have the courage to take the next step. They don’t have that drive to be willing to get out and risk everything.

“Of course, there’s a thousand reasons why you stay. I could have easily stayed in my marriage but it would not have changed anything. Even though I went to hell and back and lost everything, the peace of mind I have to be able to freely express myself is so much worth it.”

She shutters to think how different her life would be if she hadn’t left the marriage.

“You wouldn’t know this Ruth, I wouldn’t have written a book, I would still have been stuck in that mundane, everyday life of pleasing the world and not pleasing myself and not facing who I really am.”

Freedom is in the title of her book for a reason.

“It was a very purposeful naming. For me it refers to the freedom of me actually accepting and owning up to who I am – an undocumented, gay, African woman

who was orphaned. All this stuff I was trying to hide is who I am.

“We have all of these layers of who we and society thinks we should be or how we should act. A very small number of people are lucky enough to strip away those layers at some point and reveal for themselves who they really are. That I think is where the freedom was coming from.”

Life is good for Marimo now. She’s content raising her kids. She has financial security from the cleaning business she owns and operates. She’s fulfilled by her speaking gigs and writing projects, including completed manuscripts for a children’s book entitled But What is Africa Really Like?, a teen book of African folk tales, a poetry volume and an adult erotica novel. Omaha artist Gerard Pefung is illustrating the children’s book. She eagerly awaits getting her Green Card so that she can travel abroad and participate in the international seminars she’s invited to.

One day she fully expects to return to Africa, but she says it will need to be cautiously as her gay and women’s activism makes her a target there. Nothing though will get her to remain silent again.

“Peace of mind and inner happiness I’ve discovered are more important than anything,” she says. “To me, if you’re unhappy you’re essentially dying a slow death and you’re the only one that knows it.”

 

Carol Kane Interview

August 20, 2012 Leave a comment

A filmmaker who doesn’t get nearly the attention she deserves is writer-director Joan Micklin Silver, whom I’ve written about over the years.  Many of my stories about her can be found on this blog.  Her 1975 debut feature, Hester Street, was a phenomenon for its time because Joan and her producing partner husband Raphael (Ray) Silver were forced to go totally independent when all the studios rejected the script.  Thus, the couple raised the few hundred thousand dollars needed from investors, gathered a cast and crew, completed the film on time and on budget, then distributed the picture themselves.  It all came together, too.  The period piece looked like it was done on a much larger budget.  The performances were stellar.  Most amazingly the film found a large enough audience at theaters to make millions at the box office, making it one of the most successful indie films up to that time.  The capper was star Carol Kane getting an Oscar nomination for Best Actress for her sensitive and insightful performance as Gitl, a traditional Jewish immigrant wife and mother who undergoes a transformation in the face of the new world she enters and the gulf that’s grown between herself and her husband.  It’s a powerful and moving portrayal of emancipation and empowerment as Gitl finds a path of her own from her and her son.  The impish film-television-stage actress recently spoke with me about working with Joan on the film and what it meant to be part of a movie that’s now part of the National Film Registry.  She’s a delightful interview.

Look for coming Q&A’s with Robert Duvall, Martin Landau, Danny Glover, and legendary cinematographer Bill Butler.

 

Interview with Carol Kane

©by Leo Adam Biga

LAB: So what are your thoughts about Hester Street being included in the National Film Registry?

 

CK: “I had no idea about it until Joan wrote me a couple days ago saying she’d talked to you. I didn’t know. I’m so glad you’re doing this because I didnt know about the movie getting this status and I think it’d be fun for us to have people know about it.”

LAB: It’s selection in the registry pretty much ensures it will be part of the American film canon going forward.

CK: “Isn’t that wild? It’s a wonderful feeling to feel like something we did was authentic enough and true enough to be valued as something which should be preserved. You know that’s an extraordinary thing because so many movies are made every year and a lot of them just disappear. And it’s wonderful to know that ours will be preserved and, of course, I’m proud to be part of it.

“I always loved the story, it’s just a great, great story. When I read the script I saw the movie in my mind. She (Joan Micklin Silver) wrote the movie so beautifully that you could see it, and so I’m just so glad that it materialized in the way it read.”

LAB: I understand that Joan first saw you in the Canadian dramatic feature, Wedding in White.

CK:  “Yes, I co-starred in the movie with Donald Pleasance when I was 19 actually, and I guess somehow she saw it. It was voted best film in the Canadian Film Festival I believe. Donald and I were disqualified because neither of us were Canadian. But it got very lovely reviews in the New York Times and in other publications and I guess her being an independent film gal she went and saw it.”

LAB: Joan told me she assumed that you were Canadian and therefore it would be difficult to get you to come on location for a small indie pic on New York’s Lower East Side.

CK: “Oh, I didnt realize that or I forgot about it. But I do know at that point a lot of people did think I was Canadian because somehow I was working a lot in Canada when I was young.”

LAB: In fact you’re a native of Cleveland, where coincidentally Joan settled after college and that’s where she got her start in theater and in film. By the time she was casting Hester Street she and her husband Ray lived in New York, where you had moved as well.

CK: “Yes, and did she tell you that my dad and Ray knew each other in Cleveland?”

LAB: No.

CK: “Yeah, because my dad was an architect, Michael M. Kane, and Ray’s dad was a rabbi, Rabbi Silver. I think I’ve got that right. And my dad did some work with the temple at that time and so they knew each other in this other life, you know. Ray also was involved in pre-fab housing when we made Hester Street. I don’t know if that’s still his business or not or whether he gave it up for the love of the movies. Yeah, so the Silvers and the Kanes knew each other in Cleveland. It’s a strange aside, right?”

LAB: Yes, I love that kind of thing. In checking your IMDB page…

CK: “Oh my God, I’ve got a movie on there that I’ve just begged them to take off from mine and they won’t. It’s some movie (supposedly) like early on in my career, and I have no idea what it is, and they also say I’m also known as this other person that’s in that movie. It’s still there and I can’t get it off.”

LAB: Before even doing Hester Street you had already made Wedding in White, Carnal Knowledge and The Last Detail, which was an incredible start to your career and found you working with some impressive talents like Pleasance, Nicholson, Mike Nichols, Hal Ashby, Randy Quaid.

CK: “I know, I’m so lucky.”

LAB: When you got the part in Hester Street did you give much thought to the prospect of working with a woman filmmaker?

CK: “I don’t think I thought of a woman or a man…Like I told you, I read that script and saw it and I just wanted to be in it, but I don’t think I thought, ‘Hmmm, what’s it going to be like to have a woman in charge?’I didn’t really feature that, and I still don’t. I mean, I just think a good director is a good director and the sex doesn’t feature in that much. But I do think at that time some female directors were very tough because they had to be. That’s not my main recollection of Joan. But I know there was a time when there was such a battle to make a movie that some of them were pretty tough.

“But the Silvers had this sort of unit of belief in the fact that if something was good and worthwhile it would happen, which was very nice. And of course it was a time in film history when that was coming true, when a lot of strange little movies somehow were happening from beautiful scripts about people rather than you know giant events. So it was the right time for this little story I guess.”

LAB: What about working with Joan and the tone she created on the set?

CK: “Well, it had to be very serious because it had to happen very fast because we didn’t have a lot of money. We had less than $400,000 I believe, so you know we didn’t have any time to waste but she would never sacrifice the essence of a scene for that. Ray was producing. They both had to be very, very, very prepared, which she was, and I think I was too. I think there was a lot of research and work that happened before the camera rolled.

“Our art directors were so brilliant, the costume designer, makeup and hair, our DP (director of photography), everyone was so prepared. And as an actress that was so so helpful to me that I would look around and what I was seeing was what would have been. I was wearing clothes from that time and earrings from that time. Our little set was just a little apartment, and it was so real. The settee the boarder had to sleep on was so tiny and you would think, ‘How could a grown man sleep on this behind a curtain?’ You know, it was all there. And everybody was so prepared in working as fast as they could but with a very determined view toward it being right and real. I don’t mean right as in there’s only one right way but it had to ring true before we moved on.”

LAB: Joan described to me that there was a particular article of wardrobe you wanted to take home with you and the costumer balked at letting you do that until she approved it.

CK: “I don’t know if you’re talking about the sheitel (a wig or half wig,) which I believe I did take home and wear around, or maybe my nightgown. But I do remember taking the sheitel and wearing it somewhat. It’s so interesting what we go through in falling in love with our characters. For awhile I was thinking that sheitel was really beautiful, that I looked really good in it, and then if you look at it objectively it’s like, ‘What? What is that thing on my head?’ But I became very happy with it, very comfortable with it because you have to get used to the fact…I mean, that’s my partner and it’s very important to an Orthodox woman. So they did let me take it home and wear it.”

LAB: What is your take on your character and her transformation and awakening?

CK: “I haven’t seen it (the film) in awhile I must confess. I think the last time I saw it was when the film was going to come out on DVD and Joan and I recorded commentary for it.

(Speaking of her character Gitl in the first person):

“I just think I came here to America with kind of a pure hope and attitude and feeling that my life with my husband and child would continue very much as it had been and of course I arrive to find out that’s completely untrue and that I’m somehow kind of an embarrassment to my husband and not ‘modern.’ Because I’m very religious in the beginning I’m not flexible about practicing the things I practiced in the old country, like wearing the sheitel or not looking at men in the face and not using American names for my son and husband as he wants me to.

“I think life teaches me that I have to change. I think of Gitl as very, ver,y very strong but not tough. Very strong to be able to change in a way that would make her life and her son’s life feel rich while getting divorced, which you know is a huge traumatic scandal. She works so hard at learning English. People always say to me, ‘What do you think happened to Gitl afterwards?’ and I always think she probably went on to run Macy’s. You know how were walking down the street at the end and we talk about opening a store and I tell Mr. Bernstien that he’ll study and I’ll sell? I have the feeling we did quite well.

“Who knows what would have become of me if we hadn’t had a son, which I think is a story that’s repeated very frequently throughout history. Women have to learn to be strong because they are responsible for a child and that brings out things in one that one didn’t think were there, and thats true of Gitl.”

 

 

 

Carol Kane as Gitl in Hester Street 

 

Montage from Hester Street 

 

 

LAB: I don’t know how you feel but I regard Hester Street as one of the great immigrant experience depictions in screen history.  There aren’t that many.

CK: I think The Godfather II, don’t you?”

LAB: Yes. And Kazan’s America, America.

CK: “Right. I have to say, I don’t know how, it just seems impossible to me those people (immigrants) did what they did. How did they do it? I mean, get on a boat to someplace they’d never even seen a picture of and don’t know the language. My grandmother came over and taught English and she barely spoke English. You know, the resourcefulness is just…It’s scary enough nowadays in the modern age –with the computer and you Google where you’re going and you see the pictures of the hotel where you’ll be staying – to go to an unknown country where you don’t speak the language. To just leave your life and start over from scratch like that, the bravery is just unimaginable to me.

“Can you possibly picture yourself doing that?”

LAB: No, I can’t.

CK: “I can’t either.”

LAB: “Both sets of my grandparents made the immigrant journey from Europe – my father’s parents from Poland and my mother’s parents from Italy – and I regret not knowing more about how they did it and why they did it.

CK: “I think we all lost a lot of opportunities to find out what that was like and what drove them to be brave enough to do it. Gosh. My relatives went to Cleveland. It’s not like, OK, the boat lets us off by the Statue of Liberty and we’ll just stay there.”

LAB: And my people ended up in Omaha, right in the middle of America.

CK: “That old cliche which is so true about necessity being the mother of (invention). I guess that was the main thing, people reinvented everything about themselves.”

LAB: It’s often said that completing any film is a small miracle and getting it seen in theaters and having it be well received is perhaps even more miraculous. But in the case of a small indie film like Hester Street that saw the filmmakers raise the money, produce the picture and get it distributed themselves, and have the film find an audience and do quite well is the rarest of all miracles, especially in that era.

CK: “Oh, I know. And by the way yours truly big mouth here was adamant against that (self-distribution). I tried to explain to Ray it was impossible (laughing), but you know he talked to my later to become dear friend John Cassavetes and I think John was very inspirational and helpful as he was all the time with every artist he ever spoke to and in business too because he was such a maverick. He was an immigrant in Hollywood, you know. He did such a brilliant job, Ray. Where I’ve done other wonderful tiny little movies like this, like a movie called In the Soup that Alex (Alexandre) Rockwell directed and you know the distribution part is so critical and it doesn’t always work. And Ray (and Co.) just did a great job.”

LAB: I understand that it was Joan who had the thrill and privilege of calling with the news of  your Oscar nomination.

CK: “Well, that’s the craziest thing in the world isn’t it?”

LAB: I’m sure you never saw that coming.

CK: “Uh, no, no I didn’t think of anything like that. I think when I was nominated I was 23. I know it’s crazy.”

LAB: I assume you attended the Academy Awards ceremony?

CK: “I did but I really think I was pretty much in shock.”

LAB: What do you recall of it?

“Well, the thing was again Joan and Ray had done sort of a maverick thing and hired this wonderful man named Max Bercutt who had worked in PR in the studio system (at Warner Bros. publicity from 1948-1968, where he headed the department for 15 years, before working as a consultant from 1968-1984). He was retired and he was a man who loved to gamble and he loved to gamble on a dark horse and he had done Julie Christie’s campaign for Darling and she had won for a similarly tiny movie. And he came out of retirement to do my campaign. Oh, he was just so great. I think for me the biggest disappointment was not winning for Max because I had hoped to be one of his dark horses. But I mean the fact I got nominated was amazing. I know he went around with a can of film under his arms and went over to Roz Russell’s house and had her invite six people, he went to these dinner parties with the film and people sat down and watched it and that’s why I got nominated – because of him schlepping it around.”

LAB: Yeah, but you overcame such huge odds just to get nominated.

CK: “I did but I still do feel sad that I didn’t go the distance for him. But I think it was a pretty big distance to get where we got. I tried to track him down after and I never found him. And he was just as you would have imagined, with a cigar and scotch. Anyway, he was tremendously kind to me and you can imagine I was way out of my league and he was a great guide in a very human and humane way through this strange experience.

“And the other thing for me that was very moving was that that was the year Jack (Nicholson) was nominated for Cuckoo’s Nest. That year Cuckoo’s Nest won everything. So I was there and it was so sweet and surrealistic for me to be sitting a stone’s throw away from Jack, whom I had done my first movies with, Carnal Knowledge and The Last Detail. The most amazing thing was the next day. In the days before you’re at the Beverly Hills Hotel or whatever and every one sends you flowers and calls. People come out of the woodwork to celebrate you and it’s lovely but it’s just completely overwhelming and then the next day it’s like the phone doesn’t work, there’s no ringing. Suddenly the phone stops ringing, there’s no flowers, and who calls me but Jack and he invites me to go with my friend Angelica (Huston) at the time and they took me to El Cholos for lunch. Only Jack would understand what that day is like and what it meant to be included.”

LAB: What a graceful thing to do.

CK: “Oh, so graceful, he’s a very graceful person. It’s almost like when I tell that story I think it can’t be true because it was so graceful but it is true and it is quite a strange thing to wake up the next morning and to realize the air has been completely changed in your room. Everything about it is different.”

LAB: Were you surprised by Joan’s subsequent success after Hester Street, when she went on to make two of the better comedies of the late ’70s-early ’80s period in Between the Lines and Chilly Scenes of Winter, respectively, and had her greatest triumph with Crossing Delancey in the late ’80s? I mean, I think she has one of the best bodies of work from that era.

CK: “Yes, she does. Amy Irving (the star of Crossing Delancey) and I are very close friends and we had lunch the other day and we were saying wouldn’t it be fun if somebody did a program, a double feature with Crossing Delancey and Hester Street (the films look at Jewish life on the Lower East Side from contemporary and turn-of-the-last-century lenses, respectively). I think that would be very fun.

“Joan and I tried to do one or two other things together and never got them off the ground and that’s what surprised me more than any success – that it wasn’t a guarantee you could pick up and tell more stories (together). There was another book that was a true story that we had really tried to get done but it didn’t happen. But there’s still time. And we worked for awhile on a play together that also has not yet happened but we really enjoyed working on it. But I’m not at all surprised by any success they have had or would have in the future.”

LAB: I note that you say ‘they’ and so I take it you think of Joan and Ray as a team?

CK: “Yeah, I guess I do. I know that they obviously perform very different functions on a set but at least on Hester Street I did think very much of them as a team.”

LAB: The fact that they’ve endured as a couple for all these years in an industry that’s not conducive to long term relationships certainly indicates they have something very strong together.

CK: “Yes, very unique, very non-show biz.”

LAB: I really appreciate your taking the time to speak with me.

CK: “Sure, and if like in the middle of the night you think of another question, give me a call, but don’t call in the middle of the night, wait till the morning (laughing).”

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