Archive

Archive for the ‘Film Class’ Category

Nebraska Screen Gems – “The Rain People” & “We’re Not the Jet Set”

October 13, 2018 Leave a comment

Rare screening-discussion of two Screen Gems Made in Nebraska:

“The Rain People” (1969) & “We’re Not the Jet Set” (1977)

Francis Ford Coppola’s dramatic road film “The Rain People” & Robert Duvall’s cinema verite documentary “We’re Not the Jet Set”

Both films shot in and around Ogallala, Nebraska

Wednesday, October 17, 5:45 p.m.
Metro North Express at the Highlander
Non-credit Continuing Ed class
Part of fall Nebraska Screen Gems film class series

Register for the class at:
coned.mccneb.edu/wconnect/CourseStatus.awp?&course=18SECOMM178A 

 

Montage of moments from “The Rain People”. ©motionpictureart.com

 

photo
B.A. Peterson, the late patriarch of the Peterson family that Robert Duvall profiled in We’re Not the Jet Set, ©photo courtesy Stephen Mack

photo
©poster art courtesy Stephen Mack
photo
At New Yorker premiere of We’re Not the Jet Set: DP Joseph Friedman, Robert Duvall, Barbara Duvall, editor Stephen Mack, ©photo courtesy Stephen Mack


This class in my fall Nebraska Screen Gems series will screen and discuss a pair of films made in Nebraka by Hollywood legends before they were household names.

An unlikely confluence of remarkable cinema talents descended on the dusty backroads of Ogallala, Neb. in the far southwest reaches of the state in the summer of 1968.

None other than future film legend Francis Ford Coppola led this Hollywood caravan. He came as the producer-writer-director of The Rain People, a small, low-budget drama about a disenchanted East Coast housewife who, upon discovering she’s pregnant, flees the conventional trappings of suburban homemaking by taking a solo car trip south, then north and finally west. With no particular destination in mind except escape she gets entangled with two men before returning home.

Coppola’s creative team for this road movie included another future film scion in George Lucas, his then-protege who served as production associate and also shot the documentary The Making of The Rain People. The two young men were obscure but promising figures in a changing industry. With their long hair and film school pedigree they were viewed as interlopers and rebels. Within a few years the filmmakers helped usher in the The New Hollywood through their own American Zoetrope studio and their work for established studios. Coppola ascended to the top with the success of The Godfather I and II. Lucas first made it big with the surprise hit American Graffiti, which touched off the ’50s nostalgia craze, before assuring his enduring place in the industry with the Star Wars franchise that made sci-fi big business.

Rain People cinematographer Bill Butler, who went on to lens The Conversation for Coppola and such projects as One Few Over the Cuckoo’s Nest, Jaws and The Thorn Birds, was the director of photography.

Heading the cast were Shirley Knight, James Caan and Robert Duvall. Though they enjoyed solid reputations, none were household names yet. Caan’s breakthrough role came two years later in the made-for-television sensation Brian’s Song (1970). The pair’s work in Coppola’s The Godfather elevated them to A-list status. Rain People was not the last time the two actors collaborated with the filmmakers. Duvall starred in the first feature Lucas made, the science fiction thriller THX-1138. The actor went on to appear in Coppola’s first two Godfather pictures as well as The Conversation and Apocalypse Now. After his star-making performance as Sonny Corleone in The Godfather Caan later teamed up with Coppola for the director’s Gardens of Stone.

Among Rain People’s principals, the most established by far then was Knight, already a two-time Best Supporting Actress Oscar nominee (for The Dark at the Top of the Stairs and Sweet Bird of Youth).

The experience of working together on the early Coppola film forged relationships that extended well beyond that project and its small circle of cast and crew. Indeed, this is a story about those connections and their reverberations decades later.

For example, Duvall and Caan were already horse and Old West aficionados when they were befriended by a couple of Nebraska ranch-rodeo families, the Petersons and Haythorns. The interaction that followed only deepened the artists’ interest in riding and in Western lore. This convergence of New York actors and authentic Great Plains characters produced some unexpected spin-offs and helped cement enduring friendships. Duvall and Caan remain best buddies to this day.

Duvall became so enamored with the colorful, cantankerous Peterson clan, a large, boisterous family of trick riders led by their late patriarch, B.A. Peterson, that he made a documentary about them and their lifestyle called We’re Not the Jet Set. The actor returned to Nebraska several times to visit the family and to shoot the film with a skeleton crew. It was his first film as a director and it’s easy to find resonance in it with his future directorial work (Angelo My Love, The Apostle, Assassination Tango).

With this class I am trying to bring this story to light and to help revive interest in these films, particularly We’re Not the Jet Set. Recently, Turner Classic Movies added The Rain People to its rotating gallery of films shown on the cable network. But Jet Set remains inaccessible. I would also like to see the Lucas documentary, The Making of the Rain People, revived since it is a portrait of the early Coppola and his methods a full decade before his wife Eleanor shot the documentary Hearts of Darkness about the anguished making of Apocalypse Now. The story I’m telling is also an interesting time capsule at a moment in film history when brash young figures like Coppola, Lucas, Duvall, and Caan were part of the vanguard for the New Hollywood and the creative freedom that artists sought and won.

With their reputation as expert horsemen and women preceding them, several of the Petersons ended up in the film industry as wranglers, trainers and stunt people, boasting credits on many major Hollywood projects. One member of the family, K.C. Peterson, even ended up working on a film Duvall appeared in, Geronimo, An American Legend.

We’re Not the Jet Set has rarely been seen since its late 1970s release owing to rights issues, which is a real shame because it’s a superb film that takes an authentic look at some real American types. Duvall is justly proud of what he captured in his directorial debut. Don’t miss this chace to see what is a true gem.

Here is a link to register for the class:
coned.mccneb.edu/wconnect/CourseStatus.awp?&course=18SECOMM178A

Advertisements

Nebraska Screen Gems – “Boys Town” (1938)

September 24, 2018 Leave a comment

Screening-Discussion of 1938 Movie Classic “Boys Town” on Wednesday, October 10.

The first in the Nebraska Screen Gems class series held Wednesday evenings this fall. 

Offered by Metropolitan Community College Continuing Education. 

 

Join me for our first Screen Gems Made In Nebraska class at MCC’s North Express in the Highlander Accelerator. We’ll be screening and discussing the classic 1938 movie “Boys Town.” It represents the biggest movie event in our state’s history considering the major studio that made it, the mega stars who appeared in it,  the huge crowds that turned out for the world premiere in downtown Omaha, the business it did at the box office and the Oscar that Spencer Tracy won for his portrayal of Father Flanagan. Then there’s the priceless promotion the film gave the boys home.

 

Boys Town

 

MCC Continuing Education - Nebraska's photo.

OCT10

Nebraska Screen Gems – Boys Town

Public

Date: October 10, 2018

Meets: Wednesday from 5:45 PM to 8:45 PM

Location: MCC North Express 311, Highlander Accelerator

Registration Fee: $29.00

 

Register at: https://coned.mccneb.edu/…/ShowSchedule.awp?&…for…‎

 

For the entire Screen Gems Nebraska class series schedule, visit:

https://coned.mccneb.edu/ShowSchedule.awp?&…Title…

 

More information at:

https://www.facebook.com/events/170739783781160/

 

Screen Gems Made in Nebraska – Film discussions and screenings

September 21, 2018 Leave a comment

The next round of noncredit Continuing Education film classes I am teaching for Metropolitan Community College is called

 

Screen Gems Made in Nebraska

 

This fall series runs Wednesday evenings, from October 10 through November 14, at MCC’s North Express in the Highlander Accelerator.

We’ll screen and discuss diverse films made in Nebraska from the 1930s through the 2000s.

Please join us.

 

Screen Gems Made in Nebraska

Nebraska is not high on most filmmakers’ list of places to shoot pictures for its lack of arresting locations, paucity of film production facilities and no meaningful tax incentives. Yet dozens of Hollywood and indie feature projects have been filmed here in part or in their entirely since the 1930s. Some even ended up award-winners and classics.

Big budget studio or network projects are a rarity here. Most in-state pictures have modest or micro budgets. Still, there’s a history big screen names working here, sometimes before they were stars.

Native son Alexander Payne is responsible for a preponderance of the major films lensed in Nebraska. Five of his seven features have shot in total or in part in his home state. Each time he’s had to fight to shoot here. His in-state projects have brought A-list talent.

Some made-in-Nebraska films have enjoyed national premieres in Omaha, complete with red carpet, search lights and queues of fans.

From the Golden Age of the studio system to today’s dispersed production apparatus, Nebraska has hosted a wide range of film productions. This fall’s series of film classes will sample seven very different pictures from the relatively small but surprisingly rich filmed in Nebraska heritage.

Fall Class sessions are held Wednesday evenings from 5:45 to 8:45 at the Highlander Accelerator, 2112 North 30th Street.

$$ Bundle & Save $$ Screen Gems Made in Nebraska

Dates:

October 10 through November 14, 2018

Meets:

Wednesdays

5:45 PM to 8:45 PM

Location:

MCC North Express 311 in the Highlander Accelerator

2112 North 30th Street.

Registration Fee:

$145.00

For a limited time only, bring a friend for free.

Register at:

https://coned.mccneb.edu/wconnect/ace/

This fall, Metropolitan Community College’s series of film classes will sample seven different pictures from the relatively small, but surprisingly rich filmed-in-Nebraska inventory.

The instructor is yours truly, Leo Adam Biga, film journalist and author of the book “Alexander Payne: His Journey in Film.”

This bundle includes “Boys Town,” “The Rain People,” “We’re Not the Jet Set,” “Terms of Endearment,” “My Antonia,” “A Time for Burning” and “Wigger.” (five sessions)

NOTES:

Must be 18 or older.

Series skips Wednesday, October 31.

The fall 2018 Screen Gems Made in Nebraska series:

Boys Town

October 10, 2018 

5:45 PM to 8:45 PM

MCC North Express 311, Highlander Accelerator

$29.00

MGM came to Omaha to make the 1938 Oscar-winning chestnut “Boys Town” about an institution and its beloved priest founder, Edward Flanagan. The presence of stars Spencer Tracy and Mickey Rooney set the town to talking during the film’s shoot at the village of Boys Town and in Omaha. (one session)

The Rain People & We’re Not the Jet Set

October 17, 2018

5:45 PM to 8:45 PM

MCC North Express 311, Highlander Accelerator

$29.00

In 1968 Francis Ford Coppola and George Lucas came to Ogallala, Nebraska for the last few weeks shooting on “The Rain People,” an arty road picture Coppola wrote and directed that starred Shirley Knight, James Caan and Robert Duvall. While working in Nebraska, actor Robert Duvall met a Nebraska farm-ranch family who became the subjects of his evocative, rarely seen 1977 documentary, “We’re Not the Jet Set.” This was Duvall’s first directorial effort and it’s a must-see for anyone wanting a full appreciation of his screen career. (one session)

Terms of Endearment

October 24, 2018

5:45 PM to 8:45 PM

MCC North Express 311, Highlander Accelerator

$29.00

James L. Brooks found great success creating “The Mary Tyler Moore Show,” “Taxi” and “The Simpsons” and he proved equally adept with big screen comedy when he produced-wrote-directed 1983’s “Terms of Endearment,” whose A-list cast worked on several scenes in Lincoln. Brooks won Oscars as producer, writer and director. (one session)

My Antonia

November 7, 2018

5:45 PM to 8:45 PM

MCC North Express 311, Highlander Accelerator

$29.00

The classic book “My Antonia” by iconic Nebraska author Willa Cather was adapted into this 1995 cable television movie featuring Neal Patrick Harris, Ellna Lowensohn, Jason Robards and Eva Marie Saint. The movie, helmed by acclaimed TV director Joseph Sargent, shot in and around the Stuhr Museum in Grand Island. (one session)

A Time for Burning & Wigger

November 14, 2018

5:45 PM to 8:45 PM

MCC North Express 311, Highlander Accelerator

$29.00

In the mid-1960s, Lutheran Film Associates commissioned Bill Jersey and Barbara Connell to make a cinema verite documentary about race relations in mainstream America. They focused their camera on Omaha, where a young, liberal pastor met resistance attempting interracial fellowship at his North Omaha church. A young barber-philosopher-activist by the name of Ernie Chambers stole the show in the Oscar-nominated “A Time for Burning” about the rupture that resulted among the Augustana Lutheran Church congregation.

University of Nebraska at Omaha Black Studies professor Omowale Akintunde took on the tricky subject of racial identity in his 2010 urban drama “Wigger,” which the writer-director shot entirely in North Omaha. Join this in depth discussion which will also be facilitated by the director himself. (one session)

Register at:

https://coned.mccneb.edu/wconnect/ace/ShowSchedule.awp?&Criteria

Alexander Payne: His Journey in Film screenings-discussions Recap/Looking Ahead closing session, Saturday, May 12


Alexander Payne: His Journey in Film screenings-discussions

Recap/Looking Ahead closes this sequence of classes

Saturday, May 12

9:30 am-12:30 pm

MCC @ DoSpace

Few filmmakers have accumulated a body of work of such depth and quality as Alexander Payne has in two decades. He’s given us much to think about already but he may only be at the mid-point of his career, which means there’s much more to come. It’s fun to recap what he’s given us thus far and to speculate on what might come next from him. We will sample scenes from his works, converse about what makes an Alexander Payne film an Alexander Payne film and discuss what we would like to see from him that we haven’t seen to date.

Instructor:

Leo Adam Biga

Author of “Alexander Payne: His Journey in Film”

Must be 18 years old.

Register at:

https://coned.mccneb.edu/wconnect/ace/CourseStatus.awp?&Course=18APCOMM304+&DirectFrom=Schedule

 

Alexander Payne: His Journey in Film screenings-discussions – “Downsizing” next on tap, Saturday, May 5


Alexander Payne: His Journey in Film screenings-discussions

Downsizing” next on tap

Saturday, May 5

9:30 am-12:30 pm

MCC @ DoSpace

If you didn’t catch Alexander Payne’s new film “Downsizing” or you did but weren’t sure what to make it, well here’s an opportunity to see one of 2017’s most interesting releases for the first time or to give it a go again.

Join me this spring for my Metropolitan Community College Continuing Education non-credit film screenings-discussions class:

Alexander Payne: His Journey in Film

Saturday mornings @ DoSpace

Through May 12

Register at:

https://coned.mccneb.edu/wconnect/ace/CourseStatus.awp?&Course=18APCOMM303%20&DirectFrom=Schedule

Payne ventured into new territory with “Downsizing,” his first big visual effects film. For it, he collaborated with a-name-above-the-title star in Matt Damon, who heads a large international cast, and re-teamed with old writing partner Jim Taylor. The late 2017 release filmed in Los Angeles, Omaha, Toronto, Norway and other spots has an original take on looming world crisis. It is a stunning visual and deeply moving emotional experience with an unexpected love story rooted in diversity. The foibles and dreams of humanity are given full voice and reign here in what is Payne’s most ambitious film to date.

Must be 18 years old.

Alexander Payne: His Journey in Film screenings-discussions – “Nebraska” next on tap, Saturday, April 28

April 22, 2018 Leave a comment

 

Alexander Payne: His Journey in Film screenings-discussions

“Nebraska” next on tap

Saturday, April 28

9:30 am-12:30 pm

MCC @ DoSpace

Every Nebraskan needs to see this film, not only because its title is the state’s name but because it captures on the big screen some essential truths about this place and its people that no other motion picture does.

Join me this spring for my Metropolitan Community College Continuing Education non-credit film screenings-discussions class–

Alexander Payne: His Journey in Film

Saturday mornings @ DoSpace

Through May 12

Register at:

http://coned.mccneb.edu/

Take this opportunity to explore the creative process of Indiewood filmmaker Alexander Payne through screenings and discussions of his more recent work. The book “Alexander Payne: His Journey in Film” serves as an informal guide for this appreciation of the American cinema master who calls Omaha home. Don’t be surprised if some film artists drop in to share a few things about Payne and their own cinema careers.

Optional textbook available for purchase at class for $25.95. If you register for all three remaining classes, you can purchase the book at a discount for $20.

Must be 18.

Instructor:

Leo Adam Biga

Author of “Alexander Payne: His Journey in Film”

Remaining classes

Alexander Payne: Nebraska

Many years had passed since Payne made a film in his home state and he returned to make arguably his most artful to date, “Nebraska.” Distinguished by its fine ensemble cast, rural settings, black and white photography and Oscar-nominated script by Robert Nelson, the film follows a father-son road trip of healing and discovery. The small pic didn’t do much at the box-office but it was warmly received by those who saw it.

MCC at Do Space

Saturday, April 28

9:30am-12:30pm

Alexander Payne: Downsizing 

Payne ventured into new territory with “Downsizing,” his first big visual effects film. For it, he collaborated with a-name-above-the-title star in Matt Damon, who headed a large international cast, and re-teamed with old writing partner Jim Taylor. The late 2017 release filmed in Los Angeles, Omaha, Toronto, Norway and other spots has an original take on looming world crises.

MCC at Do Space

Saturday, May 5

9:30am-12:30pm

Alexander Payne: Recap/Looking Ahead

Few filmmakers have accumulated a body of work of such depth and quality as Payne has in two decades. He’s given us much to think about already but he may only be at the mid-point of his career, which means there’s much more to come. It’s fun to speculate on what might come next from him. We we will screen excerpts from his films to date and discuss what Payne’s work has meant to world cinema thus far and we expect to see from him in the future.

MCC at Do Space

Saturday, May 12

9:30am-12:30pm

‘Alexander Payne: His Journey in Film’ Now a Metropolitan Community College non-credit Continuing Education class

August 24, 2017 Leave a comment

“Alexander Payne: His Journey in Film”
Now a Metropolitan Community College non-credit Continuing Education class taught by yours truly.

Alexander Payne’s Journey in Film
Movie Discussion Club
9/26-10/24 (five classes offered ala carte or bundled)
MCC @ Do Space
7205 Dodge Street (catalog has the incorrect address)
Must be 18 years old
Watch for your MCC catalog in the mail. Register: mccneb.edu/ce • 531-MCC-5231

Explore the creative process of Oscar-winning Indiewood filmmaker Alexander Payne through screenings and discussions of his work. The book “Alexander Payne: His Journey in Film” serves as informal guide for this appreciation of the American cinema master who calls Omaha home and describes all his films as comedies. Payne’s in a long line of Nebraskans in Hollywood, yet he’s the only one who makes A-list films here. He not only brings the industry here via his productions, he hosts major film artists for special events and supports Omaha’s arts community.

Don’t be surprised if some film artists drop in to share a few things about Payne and their own cinema careers.

Purchase optional book from me for $25.95
Bundle all five classes to receive a discount.
MCC at Do Space
Tuesdays
5:45-8:45pm
09/26-10/24

Alexander Payne: Introduction/Overview/The Passion of Martin
Discover the influences that shaped Payne and how far he’s come on his writer-director journey. The film nerd fell in love with movies growing up in Omaha. Many travels and studies later, he embarked on a filmmaking path at UCLA. His student thesis short “The Passion of Martin” was his ticket to Hollywood. Rated R.
MCC at Do Space
Tue. 09/26
5:45-8:45pm
$10

Alexander Payne: Citizen Ruth
Though Payne got a production deal with a major studio right out of college, several years passed before he made his feature debut with “Citizen Ruth” and emerged as a filmmaker to be watched. For his first film, he chose an audacious subject: abortion. Laura Dern stars as Ruth Stoops, an unlikely symbol of both abortion camps. Rated R.
MCC at Do Space
Tue. 10/03
5:45-8:45pm
$10

Alexander Payne: Election
Payne’s second feature “Election” established him as a sharp new voice on the world cinema scene and earned him his first Academy Award nomination for this satire about a teacher and student engaged in a war of principles that’s more about their own insecurities. Matthew Broderick and Reese Witherspoon star as the embattled teacher and student, respectively. Rated R.
MCC at Do Space
Tue. 10/10
5:45-8:45pm
$10

Alexander Payne: About Schmidt
Working with a big budget and superstar (Jack Nicholson) for the first time, Payne scored a critical and commercial hit with “About Schmidt.” In the story a man set adrift by life events hits the road in search of meaning. The film’s success brought Payne, Nicholson and the film much adulation. Rated R.
MCC at Do Space
Tue. 10/17
5:45-8:45pm
$10

Alexander Payne: Sideways
Shooting his first feature outside Nebraska, Payne’s “Sideways” became a surprise box-office smash and elicited the best reviews of any of his films to that point. The story follows two loser buddies on a road trip in lush California wine country that results in more than they bargained for. The script won Payne and co-writer Jim Taylor their first Oscars for Best Adapted Screenplay. Rated R.
MCC at Do Space
Tue. 10/24
5:45p-8:45p
$10

Bundle all five classes for a total of $40 ($8 per class)

%d bloggers like this: