Archive for the ‘Health/Wellness’ Category

“Nebraska Methodist College at 125: Scaling New Heights”

September 15, 2016 Leave a comment

The evening of Friday, October 21, 2016  Pam and I attended the Nebraska Methodist College Reunion Dinner at the DC Center. It was my great honor to accept NMCs Honorary Alumnus Award in recognition of my work on the college’s just published history book “Nebraska Methodist College at 125: Scaling New Heights.” I co-authored the book with NMC President and CEO Dennis Joslin. It was a great project to be a part of and I am most grateful to everyone who contributed to it. Thst growing nursing and allied health college celebrates 125 years in 2016. NMC is known for its caring culture and I can attest to the fact that it is a community of warm, welcoming, nurturing faculty and staff deeply committed to educating, growing and mentoring health professionals. I came to the project with no healthcare or educational background and everyone I interacted with for the book went out of their way to make me feel at home and to catch me up to speed. That the college thought enough of my efforts to give me their highest award tells you something about how they practice mindfulness. The video that Peter Soby produced on me for the award presentation was very well done. The comments that Dennis Joslin made in introducing me were flattering. The whole evening was beautifully put together by Alumni Engagement Director Angela Heesacker Smith. Thanks to NMC marketing pros Elizabeth Billington and Marc Costanzo for their expert work on the book and for the great book display they set up in the lobby. The entire alumni reunion dinner felt like a family reunion. Indeed, I am told that an NMC Honory Alum is automatically a part of the college’s family for life. I am thrilled to have been adopted by this loving family and I look forward to many more reunions to come.

Happy to report that I have a new book being published this fall–

“Nebraska Methodist College at 125: Scaling New Heights”

It is the history of this highly respected and fast growing private college of nursing and allied heatlh located in Omaha. The book was written by NMC president and CEO Dennis Joslin and myself. We are proud to have told the story of the school’s remarkable ascent in a hardbound volume that we hope appeals not only to NMC alums, faculty, staff and donors but to the wider Methodist and Nebraska healthcare community as well.

The NMC story is one of vision, commitment, resiliency, courage amd innovation. Known for most of its history as Nebraska Methodist School of Nursing, the instution established itself early on as a leader in nursing education. From the start, its graduates have been highly sought-after. But as healthcare underwent great changes, schools of nursing conferring diplomas were losing standing and colleges of nursing granting degree were becoming the preferred model. The institution’s crucible test came in the 1980s. Many private nursing schools were closing their doors, either unable or unwilling to transition into colleges. NMC looked past the challenges of small enrollment, less than ideal facilities and the task of going from a school to a college to embark on the first of many ascents. The new heights scaled these past few decades have dramatically grown the student body, added many programs and degrees, built a new campus and positioned NMC as a leader in community engagement.




Now, a century and a quarter after its founding, NMC has arrived at an historical peak that affords a grand view of the college’s rich past, dynamic present and  promising future. “Nebraska Methodist College at 125” charts the course of this persistent journey in excellence. Just as its partner Nebraska Methodist Hospital delivers the meaning of care, Nebraska Methodist College teaches the meaning of care. NMC graduates practice their nursing and allied health professions near, far amd wide. They are part of a rich legacy of students, facult, staff and alums who have contributed to the college’s success. Their voices and stories comprise a good share of the book.

To order “Nebraska Methodist College at 125,” contact:

Angela Heesacker Smith
Director of Alumni Engagement, Nebraska Methodist college
402-354-7256 or>


You know, it’s a funny thing about writing. There was a time when I could never have imagined myself writing books – this despite the fact that for many years I was one of the principal practitioners of long form journalism in this town. As I have come to find out, if you can write a compelling narrative in a 4000 to 6000 word newspaper or magazine article, then it’s really not much of a stretch to do the same in a 75,000 to 100,000 word manuscript.

Book projects are an increasing part of my writing life and career. The book projects I have done thus far have come to me in a variety of ways. I have colleague David Bristow to thank for recommending me to NMC for what became “Nebraska Methodist College at 125.” Some of my other books came as a result of journalism assignments I did.

“Nebraska Methodist College at 125” marks my fifth book. The others are:

“Open Wide: Dr. Mark Manhart’s Journey in Dentistry, Theatre, Education, Family, and Life”

“Memories of the Jewish Midwest: Mom and Pop Grocery Stores”

“Alexander Payne: His Journey in Film”

“Crossing Bridges: A Priest’s Uplifting Life Among the Downtrodden”

I have a new edition of the Alexander Payne book out right now.

Visit my Amazon author’s page at:

If there is a nonfiction book you want written about yourself, your family, your business, your creative work, then drop me a line here or via email at or by calling 402-445-4666.

A Whirling Dervish Named Jane: Riding RAGBRAI

August 2, 2016 Leave a comment

Jane Reuss is a human perpetual motion machine. Anything that gets her moving and keeps her fit, she’s on it. She loves notihng more than getting on her bicycle and going for dozens of mile. She’s been doing it most of her life. A 60-70 mile roundtritp is routine for her. More challenging is the annual RAGBRAI ride across Iowa she makes. We were fortunate to catch her at rest for an interview before she raced off another of her jaunts. This is my Omaha Magazine ( profile of her.


A Whirling Dervish Named Jane


©Story by 
©Photography by Bill Sitzmann

Originally appeared in the May/June 2016 issue of Omaha Magazine (

When the Register’s Annual Great Bicycle Ride Across Iowa (RAGBRAI) rolls around in July, Omahan Jane Reuss will saddle up with her Team Angry mates for the 15th consecutive year.

Reuss has cycled since childhood. Back then she would traverse the Interstate to Council Bluffs to get her Gitano serviced. Nowadays, she treks 80 miles on a single ride. She and her husband, Jerry, a retired Omaha firefighter, keep a getaway cabin in North Bend, Nebraska. The ride there takes four-and-a-half hours, but Reuss says it’s a breeze.

Getting on a bike and going somewhere, anywhere, is her therapy.


“I just love it. It’s like my time. Nobody can ask me anything,” Reuss says. “I don’t have to do anything except ride my bike, listen to music, or a book on tape. It’s time off from my normal routine.”

Reuss also golfs, swims, skis, and works out at the gym. Jerry joins her on shorter rides, and the pair play sand volleyball together.

“There are some mornings when I think I should just sleep in,” she says. “But I don’t know who I am if I can’t be active.”

Though she used to run, rollerblade, and even compete in women’s triathlons, she prefers cycling now.

“It’s a great, stress-free activity for any age, especially as you get older,” Reuss says. “I’m seriously more comfortable on my bike than anywhere else.”

For years she’s commanded the road atop a Greg LeMond road model bicycle she’s affectionately dubbed “Old Blue.”

Reuss can’t wait to do the week-long RAGBRAI again with riders she considers family.

“We do feel a real camaraderie. We do a lot of bike rides during the year away from RAGBRAI. We’ve gotten to be good friends,” Reuss says.

Then there’s the folks she encounters along the way.

“I love meeting people. The townsfolk are great,” Reuss says. “It’s a big party for them. They love us because we spend money.”

She and fellow team members stay with host families while completing the 460-plus mile route.

Beyond the social aspects, Reuss enjoys testing her limits.


“I love the physicality of it. I love that I can do that,” Reuss says. “I love the sense of community and accomplishment.”

Not everything’s ideal. She’s waited out tornados in barns, slept in tight quarters on hard floors, and taken communal showers in school gyms. On one ride she took a hard fall that left her with a broken rib and punctured lung. After treatment, Reuss kept riding.

Reuss says she relishes challenges. Projects fill her garage and house.

“Thank goodness Jerry doesn’t mind,” she says. “He’s very supportive.”

In addition to bicycling, Reuss creates sculptures, often bicycle-themed, and works part-time at the Saddlebrook Branch of the Omaha Public Library. She sells her art at the Garden Gallery in Elkhorn, and even has a new commission to make a metal eagle for Eagle Run Golf Course.

In July, Reuss will be all geared up in jersey and gloves with a headband reading, “Not a sagger.” Once again she will ride from sunrise to sundown atop “Old Blue,” passing more than 400 miles of the Grant Wood landscapes called Iowa.

“I’m determined to do all the miles.”



BRAVO! Sing for the Cure

I recently found a trove of stories I have written and had publshed in pint but that I had never gotten around to posting on my social media platforms – until now. This is one. It is about a charitable Opera Omaha concert from 2010 that was staged as a fundraiser in support of breast cancer awareness and research. The moving personal stories of survivors were integrated into the concert. The program was called Sing for the Cure. I wrote about it for Metro Magazine.(


BRAVO! Sing for the Cure

It used to be the mere mention of cancer connoted a fatal prognosis.Thanks to medical science advances, however, many forms of the disease are highly treatable and survivable today. While it’s true the “Big C” doesn’t mean a sure death sentence anymore, it’s still a scary, serious, and often life-threatening condition. Indeed, cancer is so prevalent in America that almost everyone at some point is affected by it directly or indirectly. The diagnosis, even the word, still conjures feelings of anxiety, fear, resentment and other intense emotions.

Genetic and lifestyle factors play a role, but cancer is largely indiscriminate in who it attacks. Everyone close to a cancer patient is impacted in one way or another. Behind every cancer case is a human story of life, pain, hope, and healing.

Art is a powerful medium for honoring life and death experiences, which is why Opera Omaha and the Nebraska Affiliate of Susan G. Komen for the Cure have partnered to present Sing for the Cure: A Proclamation of Hope.

Sing for the Cure concerts, like the Opera for the Cure, help raise awareness and funds for breast cancer care and research. Five dollars of each purchased ticket benefits Nebraska Komen. The performances, which kick off Opera Omaha’s 53rd season, coincide with National Breast Cancer Awareness Month.

The dramatic, multimedia Opera for the Cure concerts are Omaha’s version of the Sing for the Cure programs. Sing for the Cure is a national program that has worked with the Komen foundation since 2000. “Opera for the Cure represents a great example of how two organizations, with completely different missions, can come together on a project that will have a powerful impact,” said Nebraska Komen Executive Director Lynette Farhart.

“While I have seen only a few of the pieces from the production, I am positive anyone who experiences Opera for the Cure will walk away inspired. It is a unique opportunity to further educate people about breast cancer as the production takes you through one woman’s journey. The production encapsulates the emotions experienced from diagnosis to treatment and recovery, and ends with a message of hope. You will walk away wanting to make a difference.”

“Throughout this emotional performance Opera Omaha will pay tribute to survivors and their families, as well as to those we have lost, through music, singing, photography and stories,” said Opera Omaha general director John Wehrle. “The performance itself is a journey, and it’s the journey of life that counts. This proclamation of hope will be uplifting and will leave the audience inspired.”

“Ultimately the message is: What are we going to do about this, and who is going to do it? It’s the community that’s going to make the difference and help each person get through it,” said Farhart.

This is why the public was invited to participate by submitting survivor and co-survivor stories and photos online at The special website displays these inspirational tales and images through October 17. A few of the testimonies and snapshots will be variously projected on stage, exhibited in the Orpheum lobby and featured in concert promotional materials. What Angels in America did for AIDS, Sing for the Cure has done for cancer. Just as Angels used dramatic musical theater to express the searing emotions and experiences of AIDS, Sing for the Cure uses music and testimony as the prism for its cathartic look at cancer.



The concert program features classical and concert music by leading contemporary composers, including Joseph M. Martin and Michael Cox. The libretto speaks to the personal, family and communal impact of cancer, drawing on real-life stories in some cases. Professional and nonprofessional actors on stage will share various cancer stories. Dancers will help interpret the spoken and sung narrative.

Guest conductor Richard Buckley leads the Omaha Symphony, joined by the Opera Omaha Chorus and the Opera Omaha Valmont Voices in Residence, featuring: American baritone Kyle Albertson, tenor Neil Darling, mezzo soprano Jennifer Forte and soprano Alyssa Nance. Collaborating with Buckley are visiting artists Helena Binder, who directs, and Opera Omaha Chorus Master/Resident Music Director J. Gawf.

Dramatic lighting and an array of screens projecting video images will key music, words, emotions, and meanings. Musically, audiences can expect “a very accessible oratorio that speaks to the emotions of having cancer, dealing with it, how it affects all around you and the knowledge that many are there to support you in your personal journey,” said Buckley.

“The style of the music is quite popular and deals with ten different moments of a woman’s journey with breast cancer. But it is not all dark, because life isn’t. There is humor, compassion, farewells to loved ones. The music has full chorus numbers, solos both legit and jazzy.” Stage director Helena Binder worked hard to ensure the concert has a narrative flow, complete with peaks and valleys and a mix of poignancy and humor.

“I feel it’s my job to bring it to the audience in a way they can feel that range of emotions,” she said. The many expressive facets she has to play with remind her of working on operas. “It’s kind of the same thing where all these different artistic elements come together to tell a story to give an overall experience,” she said. “It’s really exciting to me because you have so many pieces and yet the idea is to weave it into a whole. It’s like a tapestry.”

She said the evening will conclude in a spirited way. “It has to be something that people walk away from with a feeling of urgency, of commitment, of hope.”

Performances are October 15th at 7:30 p.m. and October 17th at 2 p.m. For ticket information visit or call 345-0606.



Moving right along: Educators, dancers, advocates, activists Josie Metal-Corbin and David E. Corbin not slowing down in retirement

For all of us there are people in our lives, even if tangentially, who we admire for the way they, well, live.  Josie Metal-Corbin and David E. Corbin are two of those people for me.  This married couple just knows how to do life right.  At least that’s the distinct impression I get whenever I’m around them, which is rarely and then only for brief visits, but my instincts about people are good and all evidence suggests my perception about them is right on.  There’s a joyous spirit to them and their pursuits, both personal and professional, that largely remains elusive to those of us, like me, who fall on the depressive, anxious side of the spectrum.  Oh, I’m sure they have their dark, down moments and struggles like anyone else but I suspect they are far more positive than negative in the balance of things.  I also know for a fact they intentionally, consistently keep themselves healthy in mind, body, spirit by virtue of their degreed disciplines, specializations, and passions having to do with physical education, recreation, healthy aging, and dance.  They are active people and in retirement they’re still moving right along, just as the headline for my New Horizons profile about them says.


 Cover Photo

Moving right along: Educators, dancers, advocates, activists Josie Metal-Corbin and David E. Corbin still on the move in retirement

©by Leo Adam Biga

Now appearing in the New Horizons


Josie Metal-Corbin and David E. Corbin are aware not everyone is as fortunate as they are in following their passion work. Their magnificent obsession happens to be health, physical education, dance and, more broadly speaking, the humanities.

They were already married and established in their respective fields when they joined the University of Nebraska at Omaha staff in 1980, where the next four decades they pursued their professional lives. Today, they look back fondly on distinguished educational careers that often intersected with one another.

A soon to be retired dance educator and choreographer, Josie led UNO’s award-winning resident dance troupe, The Moving Company, whose concerts explore myriad subjects in diverse spaces. David’s an emeritus professor of health education and public health who led many community health initiatives and is now an environmental activist.

Besides their mutual interest in health education and recreation, they share in common a passion for performance – she’s a dancer and he’s a musician – along with art, activism and advocacy. In addition to being each other’s favorite dance partner, he’s often accompanied, on guitar, performances she’s danced in or directed-choreographed. He’s even danced with The Moving Company himself.

The two actually met over dance – at a Brigham Young University social ballroom dance workshop in Provo, Utah. He came to the workshop from Saskatchewan, Canada, where he was teaching at the University of Regina and she traveled there from back East, where she was teaching at Robert Morris University in her native Pittsburgh.

They both actively promote healthy aging through activities like dance and Tai Chi and they use their expertise to support progressive, humanist causes.

Married 38 years and residing in the same Dundee house they’ve always lived in, they are parents to a daughter, Quinn Corbin. She describes her folks as “an incredibly inspiring couple,” adding, “They always follow their passion and work incredibly hard while still taking the time to meditate every day as well as view life through a positive yet realistic lens. They both care for so many others and are heavily involved in the community.”

Her parents are friends, colleagues and collaborators with a large circle of fellow creatives and concerned citizens.



©photo vt David Conway



Putting down roots

These Omaha transplants were both teaching in Pittsburgh when they accepted offers from UNO. He was completing his Ph.D. and she was following him wherever he landed. He weighed options in Boston and Indiana when jobs serendipitously opened for each at UNO.

Before Omaha David Corbin never lived anywhere longer than eight years. His educator parents moved the family from Ohio to New Mexico when he was young and he came into his adolescence in that sun-swept and desert land, living on a ranch in a small Sandia Mountains town. His folks taught at a two-room schoolhouse. He attended a school 18 miles from home. He often rode into town on one of the family’s horses. Before his senior year his parents accepted positions at an American school on a U.S, military base, Fort Buchanan, in Puerto Rico. That’s where he graduated and after getting his teaching degree in the States at the University of New Mexico he returned to Puerto Rico to make his living as a teacher and musician.

Music’s been a big part of his life since age 12. As a young man his father played bass in touring bands. When David got struck by the folk and rock explosion, his father gave him his first guitar lessons. David headed up a band during high school in New Mexico. A popular song then, “El Matador,” by the Kingston Trio was naturally adopted as the fight song for his school, nicknamed the Matadors. David’s group performed the tune before basketball games.

His band’s gigs extended to ski resorts.

“We didn’t get paid. We got room and board and free lift tickets. We didn’t care,” he recalls of those free-spirited adventures.

He led a band all through college at UNM.

“After college I became solo in Puerto Rico. i worked on cruise ships and I was teaching by day and playing by night in bars.”

A tee-totaler, he never imbibed at those night spots, but he was burning the candle at both ends.

“Looking back, I wonder why in the world was I doing that. After working a full school day I’d get home at 4 p.m,, take a nap, go to work at 10 to sing and play guitar, get off at 2 a.m. and then have to be back at school at 7:30.”

Even though his parents were educators, he says it was really his older brother Charles “Chuck” Corbin, a noted fitness-wellness educator and author, who influenced him to pursue a physical education track.

After Puerto Rico, David’s roaming began again. He studied at the University of Oslo (Norway), he taught in Fort Worth, Texas, he earned his master’s from the University of Ohio, he taught in Maryland, he lectured in Canada, he attended an intensive course on human sexuality at the Kinsey Institute at Indiana University,

Josie, meanwhile, rarely left Penn. before he came into her life.

Her father was a coal miner turned hobo hell-bent on being a lumberjack before contracting tuberculosis. He then learned the craft of fine motor watchmaking and clockmaking. Her father and mother raised the family in an undeveloped Pittsburgh suburb that was more like the country. The eldest of three, Josie led adventures in “these great woods behind our house.”

But it was work, not play, combined with a self-sufficient attitude that was most impressed upon Josie by her folks.

“Work, work and work. We were the Metal girls and we could do anything – this was the philosophy. We went hunting and fishing, we skinned rabbits, we chopped off cement from bricks so my father could salvage brick.”

Running parallel to that blue collar, tomboy lifestyle were the dance lessons she took from age 3 on.

“This Metal girl had an unbelievable opportunity. The Carnegie Museum of Art had this wonderful program called the Tam O’Shanters. Kids from the public schools were selected to come every Saturday for free. I did that from third grade through high school, by which time we were going to the Carnegie Mellon Institute of Art. So I had free art lessons, I saw different exhibitions. It introduced me to this whole other world. It was really amazing.”

That experience is so ingrained in her, she says, “when I go to museums or older institutions to get a drink from the old brass fountains it just all floods back.”

“One of the highlights of my life came when the Durham Museum (Omaha) asked me to be a scholar in residence,” she says.

Fine art and higher ed were not part of her parents’ experience and she appreciates that these things became a vital part of her life.

“I was first generation college,” she says. “I went to Slippery Rock Sate College  (Penn.). I actually played soccer on a sheep field there. I was always in dance, Dance then was part of physical education. Now you go to study dance. Then I went to the University of Pittsburgh (for her masters). I taught three years in the public schools – health and physical education – and did dance and choreography. Then I went to Robert Morris, where I founded Orchesis (the greek word for dance).”

UNO’s company was originally called Orchesis after a nationwide modern dance  movement and honorary society.

Metal-Corbin stretched herself while at Robert Morris.

“Not only did I found the dance company, I joined folk dancers from Duquesne University as an itinerant grad school teacher for Penn State University. I coached varsity basketball for women, I was the softball director, I was the cheerleader sponsor. I did a million things there.”




Sculpture by Jamie Burmeister; ©photo by Quinn M. Corbin



Dance as life

Once at UNO she contributed to The Moving Company’s long legacy.

“I’ve been involved in the work of carrying on a tradition of modern dance at UNO that goes back to 1935. We’re in our 80th year of continued existence, which makes us one of the oldest modern dance university companies on the planet.”

There have been four directors – Ruth Diamond Levinson, Aileene Lockhart, Vera Lundhahl and Josie Metal-Corbin.

Bringing dance to people and places that don’t often see it is one of Josie’s passions. She’s done that as a Nebraska Arts Council Artist in Schools and Communities and via the Moving Company, whose mission, she says, is community oriented. “We were doing community engagement before it became the byword of institutions.”

Indoors or outdoors, kids to seniors, she’s made dance accessible everywhere, for everyone.

“We invite the community. When i came to UNO I wanted to see the dancers and the audience reflect north, south, east and west Omaha. I worked for a very long time to get diversity of audience and performers and today we are diverse in age, religion, language, race. you name it That is I think my biggest accomplishment.”

She’s been intentional doing outreach work with the Omaha International Folk Dancers and the African Culture Connection. She’s worked with a local ballroom dance group. She formed Reach for It, a dance class for people with Parkinson’s disease.

Her interest in dance as cultural rite, symbol and storytelling device found full expression in a native Bosnian dance-inspired piece she choreographed. The performance was accompanied by authentic music and projected images of the Bosnian-Serb War. Among the dancers and musicians were Bosnian refugees living in Omaha.

“I love collaborations, I thrive on collaborations, I always have from day one in my teaching career. You see, dance is very ecumenical. Dance is physics, dance is force, gravity, weight, flow and time, so connecting it to science in any way is a natural connection. We’ve done the water cycle dance, the spider dance…There’s an easy connection to math with patterns and forms and shapes. There’s most definitely a connection to fine art, to music, to language arts.”

She says “dance is very universal” but American culture doesn’t readily see its broad integration until someone like her choreographs a site specific work where you least expect it.

“A recent book I published a chapter in is about site specific dance. I illustrate how you can have dance on bridges, in the middle of water, on mountaintops. There’s vertical dancing now where people are hooked up on rigs and they do the mountain or climbing wall.”

Some of her favorite site specific work has intersected with some of the area’s most sublime spots.

“The first meaningful site specific piece I did here was with artist Catherine Ferguson, storyteller Nancy Duncan and musician Michael Fitzsimmons. We did it in a Joslyn Art Museum gallery with words, music and dance within a Catherine Ferguson installation of slate and rope. Then we did something through the galleries at the Sheldon Art Museum in Lincoln with works by artist Jamie Burmeister.”

She recalls another Joslyn performance that brought nontraditional dancers together for a piece that took some improvising.

“In 2005 The Moving Company was commissioned to respond to an exhibition, Renaissance to Rococo. I wanted the dance performed in the galleries among the works of art but was denied permission due to security issues. Our performance was relegated to the Witherspoon Concert Hall. I was disappointed but richly rewarded with the premiere of a piece I made for five physical education majors. They were future teacher candidates learning ways of integrating dance, language arts and sign language into the physical education setting.

“A quarterback, a coach, an assistant at Boys Town and two K-12 physical education majors made their dancing debut, much to the amazement of their peers. Although the site was a traditional stage to our Moving Company dancers, it was a very unexplored place to these newcomers. In this new environment they learned to navigate space, time, effort and relationships on a stage versus on a playing field.”

A few years earlier she assembled dancers at UNO to serve as models for sculptor John Lajba and his commission to create what became the “The Road to Omaha” bronze sculpture for the College World Series.

“Lajba and a photographer came to the UNO Dance Lab and worked with dancers as they performed combinations of running, jumping and lifting. Lajba used photos of the dancers as departure points for maquettes and ultimately some dancers sat for wax casts.”

Then there’s her work for the great outdoors.

“Two times we did a dance on the Glacier Creek Preserve,” she notes.

Northwest of Omaha, this topographically diverse nature preserve is dedicated to the study and appreciation of the tall grass prairie and associated ecosystems of Eastern Nebraska.

“The first prairie dance was based on a poem. It came out of an environmental presentation I did at Kaneko. Then when the preserve’s barn was dedicated we performed in the loft. David played music for it.”

She describes how a public byway became a medium for dance.

“Last year we did a dance along the full length of the Bob Kerresy Pedestrian Bridge. The theme was the fragility of U.S. waterways and our performance was synched with performances by dancers across the nation at 3 o’clock on April 6 to bring attention to the issue.”


Now that she’s retired, she’s pleased the university “is going to carry on the dance company” with an interim director.

Metal-Corbin says while she’s stepping out of the field, she’ll always remain a part of dance.

“I don’t want to say that I’m through. I am a dancer, I’ll be dancing in my kitchen, I’ll be on the highways and byways dancing, but it’s not going to be these huge events. I am setting boundaries. There are other people that can do this now. I’ve done it and it takes a lot of energy. I now want to take my energy and put it somewhere else.

“I’m not fading away. I am leaping and stepping out and landing – I don’t know where. We will see what kind of a landing it will be. I’m OCD, and so it’s unlike me not to know what the next step is.”

There are still bound to be those whimsical moments, at home or in public, when the mood strikes and she, and sometimes David, too, trip the light fantastic, not giving a hang what people think.

“Once while visiting a shop in Quebec City,” Josie recalls. “I became engaged in conversation with the hat maker at a millenary store concerning the art of modern dance. She was intrigued I was a dancer-choreographer. Before I knew it, she suggested a ‘trade.’ She asked me to create a dance within the store, and in turn, I would receive a discount on the beautiful hat I had been admiring and trying on. She locked the front door and for a few minutes I improvised dancing through the aisles and around the displays.

“She got her dance and I walked out with the hat.”

Quinn Corbin grew up expecting the unexpected with her parents.

“At times them dancing in the aisles of the supermarket or singing loudly on the street corners in New York City was embarrassing but I’ve always pretty much embraced it as have my friends.”

Retired or not, Josie’s spontaneity to break out in dance will never go away as long as she can still move.

Always a teacher, always of service

Even when she stopped concert dancing more than a decade ago, teaching still brought out the performer in her.

“When I’m teaching I also am performing. Every teacher who is a good educator is looking for a performance level. So every time I go into that classroom or studio I humbly feel I have a captive audience and I’m pulling out all the tricks in the book to engage people. Even though I stopped performing in formal concert at age 56 I was still directing, choreographing and teaching.”

She says the passion she expresses for her work is contagious.

“My (teacher) evaluations have always said, ‘She’s energetic, she’s enthusiastic,’ and the truth is it’s a quid pro quo. I get my energy because there’s people there, so they reflect things back to me. Or if they don’t, I have a genre to get them to move or to respond.”

Her ability to connect with students and to be a leader in her profession earned her National Scholar-Artist recognition from the National Dance Association in 2012, one of many awards recognizing her work in the studio and in the classroom.

All in all, she’s content with how her career evolved.

“I have worked very hard to create a body of work on the academic side and on the artistic side that’s been very rewarding. I’ve had the chance to work with so many different people I’ve given to but that in turn have given back. That quid pro quo is what I always try to do.”



©photo by Josie Metal-Corbin



Alone and together

David has his own recognized body of work separate from Josie. They respect that they are their own persons, professionally and otherwise.

“We’re two independent people,” Josie says. “We don’t speak for each other and people have honored that because I think we’ve kind of insisted on it. I’m not Mrs, Corbin. I have a hyphenated last name. I have my own professional title. He has his own professional title. David has his teaching, his writing and all these other initiatives that retirement allowed him to expand.”

He confirms he’s a man of varied interests, saying, “I have many passions. Certainly teaching and advocacy are among them. But I also enjoy music, nature, travel and reading.” Writing, too. He’s authored or co-authored many books in his field, including a pair of high school textbooks he worked on shortly after retiring. His brother Charles, whom he considers a mentor, was a co-author on those projects.

An earlier book the brothers did, Homemade Play Equipment, landed David on The Late Show with David Letterman Show. He’d sent a copy to the show. Years passed when a staffer called to request a video of what he’d demonstrate if he were a guest. Thus, he ended up showing Dave reuses of bicycle inner tubes, milk jugs, panty hose and other throwaways as resistance and strength training tools. Corbin utilizes some in an exercise program he conducts at deFreese Manor. He even gives Green Fitness workshops that emphasize getting in shape using fun, repurposed, low environmental impact devices.

He’s traveled extensively for his work, once serving as a consultant in Romania. He and Josie taught a stress management workshop in China. She says she’s grateful for the support he’s shown her to go after certain professional opportunities.

The couple have merged their interests and expertise to do many projects together. For years he’s taught, with Josie assisting, exercise classes and workshops for older adults, many of them for the Eastern Nebraska Office on Aging (ENOA). The pair ended up writing a book together, Reach for It, that grew out of their shared interest and experience in getting older adults moving to improve their health. David says, “The subtitle of that book is A Handbook of Health, Exercise and Dance Activities for Older Adults. I was teaching healthy aspects of aging at UNO at the time. Part of it was at that time there were no decent textbooks around, so it was kind of meant to be background information on aging, plus activities that people could do.”

David says introducing exercise to older adults may meet with resistance at first but once people participate they’re hooked.

“We were giving a workshop for ENOA and it was pretty obvious the group was very reticent to get involved. Some people had canes.

We actually had a parachute canopy (a tool to stimulate perceptual, cognitive and motor skills) and we said, ‘OK, we’re going to try this,’ and finally everyone was up. Then we got the activity going and one person took his cane, threw it down, and started dancing. We felt like Oral Roberts or someone,” he’s says, laughing at the memory. “So it turned completely around. It went from people rolling their eyes and I don’t want any part of it to active joyful engagement and movement.”



©photo by Quinn M. Corbin


Performance of “Thriller” at the Durham Museum; ©photo by Debra S. Kaplan



Parkinson’s program

Josie borrowed the book’s title for a dance program at UNO she started for persons with Parkinson’s.

“There are inherent therapeutic benefits of dance no matter whether you’re ill or you’re well,” she says. “The joy of movement, being with other people in a community of learners, sharing in the rhythm and the music – that’s the therapeutic part of it. You have a chance to be creative, sometimes to do problem solving. You’re moving in the kinesthetic domain, so if you’re under stress your body gets a chance to get rid of some of the stress products.”

She says the Parkinson’s program’s been well-received.

“It’s a very sound program. It’s based on one I studied in New York that is worldwide. At Reach for It we do 10-week sessions. This last semester we had speech, language and hearing students come – that’s really important because with Parkinson’s you have to exercise your voice as well as your body. We let in free the caretakers or drivers of the persons with Parkinson’s. So we have usually a nice circle of maybe 20 people at the UNO Dance Lab.. We always have live music.

“We’re in our fifth year. The Nebraska chapter of the American Parkinson Disease Association and The Moving Company are the sponsors. We just got a grant to carry it forward, which I feel good about because I’m leaving and at least the funding’s in place. The person leading them now is Danielle Laurion, who is a dance therapist and a choreographer.”

David says the benefits of dance for Parkinson’s are well documented.

“Part of the philosophy behind it is that the rhythm of the music helps with the tremors and things like that. Music is part of it and rhythm is part of it. People will usually report they have an after-effect, too – they feel better for a couple of hours.”

“When you’re losing some of your physical movements in your flow, to get it back even for a short while is reassuring,” Josie says. “It’s well known in the Parkinson’s community that dance is beneficial. This is all about the healing powers of dance. Participants are moving in all ranges of motion and the thing is they’re with other people. You have a community of learners and these people want to have music and dance in their life. Instead of going to play bingo maybe or going to a book club, they’re going to a dance class.”

Last year she directed an impromptu private performance in the backyard of a longtime Moving Company supporter battling a terminal illness. Josie says the patron’s daughter shared that her mother seemed like her old self for the first time in awhile during the dance.

David says whatever your age, the best advice he can offer is “keep moving and exercising” and “emphasize what you can do and not what you can’t do.” After a 23-year gap, he did Bike Ride Across Nebraska last year and found it much tougher this time. But he did it.



©Cover photo by Bill Sitzmann



Public health

With that same can-do attitude he’s taken on public health issues and affected change. He helped get the smoking ban in Omaha and statewide. He helped get funding from the Master Tobacco Settlement to establish new public health departments in Neb. so that for the first every county’s covered by a local or district public health department.

“Both of these were collaborative initiatives, but I am proud to have played a role in each of them.”

His mission to connect people with public health issues is ongoing.

“I am still educating about the relationships between public health and climate change. If you ask people whether or not they support public health or taking steps to reduce the consequences of climate change you get somewhat tepid support. If you ask people if they support clean air and water and safe and healthy foods, you get very high support. Good public health programs and slowing or mitigating the consequences of climate change are essential to clean air and water and safe and healthy foods.”

He wishes Obamacare had gone much further.

“It baffles me the U.S. is one of only a few so-called developed countries that does not have universal health care. I think we should.”

He’s not shy expressing his views in public forums.

“I’ve certainly been active in writing letters to editors and op-eds for as long as I can remember. I’ve had the opportunity to be involved in kind of major things. Sometimes they’re little. For example, I’m trying to get something going for a plastic bag ban here in Omaha, not because it’s the biggest issue in the world but it’s a way to get people talking about recycling in general – to get the argument going.

“The average person uses 500 single-use plastic bags a year and most of them get used for less than 20 minutes and then they’re tossed. We did a trash day at Prospect Hill Cemetery. I put all the trash on display – there were over 70 plastic bags. Of all the times I’ve been in the newspaper more people remember me for picking up trash. I still pick up the trash every day when I walk.”

He even produced videos about the evils of plastic bag proliferation. In one, he does a dance he choreographed himself.

He’s focused on environmental issues these days. He’s on the Sierra Club board. He’s president of Nebraskans for Solar. He’s on the Public Health Association of Nebraska board. He’s also a self-appointed watchdog at all Omaha Public Power District open board meetings.

“I think we’ve been pretty successful in getting them to have more wind power and less coal,” he says of his and other activists’ pressure on OPPD. “I follow a lot of the legislation.”

Environmental events he attended in 2014 included Earth Day Omaha, the People’s Climate March and the Harvest the Hope Concert in opposition to the Keystone XL Pipeline.



©photo by Josie Metal-Corbin



©photo by Josie Metal-Corbin



Happy trails

Just like Josie, he’s never at a loss for what to do. She says upon announcing her retirement “the first thing people said was, ‘Oh, you and David will get to spend more time together.'” She’s quick to point out, “We don’t need more time – we have good time. We’ve managed to figure out our own space. We’re not a couple that has to do everything together. But we do a lot together. We travel. We’ve done a lot of very good trips together.” They celebrate wedding anniversaries trekking to exotic locales.

“For our 30th we did Argentina and Patagonia,” she says. “In Buenos Aires we took tango lessons at an Armenian social club late at night. Then we took a little plane down to Patagonia and stayed on this sheep ranch. To me, it was what the creation of Earth must have looked like because we were on the water, no lights. Beautiful.”

“For our 35th we went to Iceland,” she says. “It was the best. Beautiful.

Little hamlets, horses, black and white sheep on the hillsides, no telephone poles, geothermic.”

David marveled at Iceland’s “one hundred percent renewable energy.”

They both like that Iceland’s tech savvy enough to have wi-fi in the most remote regions yet protects its pristine, lush, green environment.

On another trip they enjoyed the vistas of Vancouver, British Columbia, at one point staying in a tree house with all the amenities. They got around by sea-plane, kayak, tandem bicycle, hiking, bus, car and ferry.

In 1998 she made her New York City dance debut and has also performed in Lisbon, Portugal, Paris, France and Italy. In 2001 she led a large group of Moving Company dancers to Cesena, Italy to compete in the international Dance Grand Prix Italia. The UNO team won second place in Theatre Dance. David made the trip, too.

For their own personal travels, the couple often do self-guided tours she extensively researches, though their itineraries leave plenty of room for unexpected discoveries and adventures. Like taking tango in the wee hours of the night or suddenly dancing when the spirit moves them, wherever they happen to be.

A miniature sculpture by artist Jamie Burmeister, who was a graduate student of David’s, captures the effervescent couple in, what else, a dance pose that reflects their embrace of life.

“Their commitment to making the world a better place through their activities really inspires me,” says Burmeister, who simply titled the piece, “David and Josie.”

When it comes to living and relating, the couple answer a resounding yes to the question: May I have this dance? Their life is a living metaphor for the symbiotic give and take and affirmation that is dance.






©photo by Quinn M. Corbin


UNMC makes international eye care a priority through Global Blindness Prevention work: Giving the gift of sight to the world

March 17, 2015 Leave a comment

There was a chance of me going to Nepal in February to accompany Omaha ophthalmologist Dr. Michael Feilmeir and a team of doctors and residents who perform hundreds of eye surgeries there, mostly to remove cataracts.  I met the good doctor preparing this story for Metro Magazine ( and when I informed him of my interest in doing some international reporting he and his wife Jessica, who does development work for the Global Blindness Prevention Division he heads up at the University of Nebraska Medical Center, encouraged me to join the winter trip he was leading to that Himalyan land.  In  applying for an international journalism grant offered by my alma mater, the University of Nebraska at Omaha, I proposed making one or the other of two trips: traveling with that medical mission team to Nepal or going to Africa with world lightweight boxing champion Terence Crawford of Omaha.  I had no real expectation of getting the grant, which goes by the name The Andy Award.  As it turned out, I did get it but it was awarded too late for me to join the group going to Nepal.  However, I will be traveling to Rwanda and Uganda, Africa in June.  Much more to come on that.  For now, read about the good works of Feilmeier and Co. in giving the gift of sight to people who otherwise would either remain blind or go blind.


UNMC makes international eye care a priority through Global Blindness Prevention Work

Giving the gift of sight to the world

Global medical missions and fellowships making a difference

©by Leo Adam Biga

Originally appeared in Metro Magazine (


It is no play on words to say the leaders of the University of Nebraska Medical Center’s Global Blindness Prevention Division and its professional home, the Stanley M. Truhlsen Eye Institute, share a big vision.

The personnel behind these endeavors want nothing less than to create an army of well-trained international eye physicians to retain addressing preventable blindness around the world.

This cadre of care is already providing international ophthalmology training and surgical opportunities to a next generation of eye physicians. Teams of medical students, residents and physicians are going to remote places and giving the gift of sight to hundreds of patients during weeks-long medical mission trips to developing nations on different continents. Global Blindness Prevention Fellows are spending a year or more overseas learning how to deal with complex vision problems, training local eye medical professionals and performing life-altering procedures.

In some instances eye physicians from the developing world are coming to Omaha for advanced training and clinical research unavailable in their home countries.

Taken together, this international focus is extending its reach wherever people are in need.


picture disc.

Returning sight and much more

For the Omaha ophthalmologists leading this charge, making a difference beyond borders brings personal and professional satisfaction. Dr. Michael Feilmeier, medical director of the Global Blindness Prevention Division, was a fourth year medical student at UNMC when he got his first international ophthalmology experience. He’d already had his eyes opened to the “incredible need throughout the world for well-trained health care providers” on trips to Nicaragua and Belize. But his passion for global blindness prevention was stoked when he joined the Himalayan Cataract Project of Dr. Geoffrey Tabin.

He spent several weeks in Nepal assisting Tabin and his team give sight to people who’d hiked in from long distances. Over and over again he witnessed people’s lives changed by a short, inexpensive procedure that saw people come in blind and walk out sighted.
The impact of it all, Feilmeier says, “hit me like a lightning bolt.”

“When you take the patient’s patch off after surgery they just kind of light up,” he says. “This person who was previously maybe an empty shell of themselves kind of fills up and comes back to life. So for me it was like, This is it, this is how I want to spend a major part of my career.”

There and on subsequent trips to Haiti he’s observed parents regain sight and thus be able to see their children for the first time and he’s witnessed children’s lives turned around by sight restoring surgery.

“Being a parent I understand that joy of parents seeing their child or having their child get the health care they need. Those are the stories that resonate most with me. You could put together an amazing book of stories of the life changing transformations of people undergoing cataract surgery. We always ask patients the question, ‘What are you going to do now that your sight’s restored?’ It’s amazing the way people respond. The overwhelming majority say, ‘I want to work, I want to contribute.'”

Gaining a new perpspective
The experiences, Feilmeier says, “changed me a great deal,” adding, “We all have these pivotal moments in our lives and going to Nepal was one. It really changed the course of my life forever. It changed the trajectory of my life at a very young age and I’m grateful for that. It changed my perspective in a lot of ways.

“Obviously it makes you appreciative of what you have. It makes you realize your problems are so small relatively speaking to the problems of the majority of people who live in the world.”

Feilmeier’s wife Jessica accompanied him on trips to Nepal, Ghana, Haiti and the Dominican Republic and their experiences overseas compelled them to form the Division in 2011 with the help of donations. She’s development director for the Division.

“I was struck by here’s this major component of human suffering that we haven’t cured that costs about 20 dollars and can be done in about 5 minutes and can be taken anywhere in the world,” Michael Feilmeier says.

“I always knew I was fortunate to grow up in the U.S., but never realized how truly blessed I was compared to the rest of the world,” Jessica says. “I never knew the conditions that individuals living needlessly blind faced each day and the knowledge I gained from witnessing their struggles to complete the simple tasks we take for granted: walk unassisted to a bathroom, navigate across a busy street or meet the gaze of a laughing child changed me in the most profound way. I came to understand my true capacity in terms of what I could be doing personally and professionally to see that as few people as possible lived their lives in needless darkness.”

A broadened perspective is exactly what Dr. Quan Nguyen, professor and chair of opthalmology and director of the Truhlsen Eye Institute, endorses. He and his physician wife, Diana Do, came here from Johns Hopkins University with years of international medical travel behind them. Do serves as vice chair for education at the Institute.

Nguyen says, “We as physicians should recognize when we treat patients the care of the patient not only depends on the surgical-medical skills of the physician but also on the ability to incorporate the social-economic needs of the patient in order to achieve a successful outcome. I think that is the most valuable lesson for our residents, trainees and fellows when they travel like this. I truly believe the most important experience of traveling like this is to be able to gain additional perspective of what other people need so we can serve them.

“Yes, they will also have opportunities to operate on a number of patients and to enhance their own surgical skills but I think the most important aspect, which I hope is a lifetime experience for them, is to recognize and remember what the people there value and need. Then when they return home they can be advocates to help these people.”

Global reach
The ongoing program aligned perfectly with the arrival of Nguyen and his expanded vision for the Department of Opthalmology by way of the international mission he’s put in place at the Truhlsen Eye Institute, which opened last year. A large photographic mural entitled “The Gift of Sight” in the center’s lobby dramatically expresses that global reach and the work being done by entities and individuals to prevent blindness. It pictures patients whose sight was restored and physicians who performed the surgeries.

“In the past. global eye care has never been a focus of the department,” Nguyen says. “The Truhlsen Eye Institute was founded on the basis of not only serving the citizens of Neb. but patients from every corner of the world with the best possible eye care. To do so we must first demonstrate our expertise and our mission in education to bring people over and to train them.

“We would like to make it a place that serves patients wherever they live in the world. Whether it’s global or local, our goal is to preserve vision, prevent blindness and restore sight to people of different economic and social backgrounds.”

UNMC is doing that in several ways, One is by sending teams to high-need areas where they can directly benefit individual patients through what Feilmeier’s calls “blitzes” of intense, concentrated surgical visits.

Nguyen says, “We are at the same time training eye physicians and surgeons who can continue with our mission long after we have left a specific country because we know it is not possible for just a group of physicians and surgeons from Omaha to be able to prevent blindness across the globe or even in one country, So we know that as part of our mission teaching is very important to be able to train the next generation of surgeons and eye physicians to carry on the work.

“We look for how do we spread the disciples from the Truhlsen Eye Institute in Omaha across the globe.”

A blitz may also impact underserved populations right in our own backyard. For example, the Division regularly provides eye services to Native Americans in Omaha.

Collaboration with local partners is key to ensure high quality eye care continues after visiting teams leave. Before a team ever arrives, locals get the word out about their coming and do screenings.

“Your success in a country depends not upon how much you want to do there and how much money you have, it’s who your local partners are,” Michael Feilmeier says. “So we continue to search for good in-country local partners – young, motivated people who work together as a team and who have good skill sets. We’ve found those in all of the places we’ve worked so far. We’re really fortunate.”


Paying it forward
Feilmeier wanted to create a vehicle for aspiring or emerging eye care physicians to have the same experiences he did overseas and thus the Global Blindness Prevention Division came about.

“We work with people at different levels in their training,” Feilmeier says. “For medical students we’ve developed a one-month rotation similar to what I did. We arrange everything for them for their experience in Nepal. They spend a month in Kathmandu. They’re mostly observing and feeding off the experience.

“In residency we take the third-year residents for one or two weeks abroad to actually engage in screening the patients, doing the surgery and being part of the whole process. Our two fellowship programs are for people who have graduated from residency. They spend a full year or a full two years working abroad. So at different points in the training process we can engage people.”

For Feilmeier, it’s paying forward his own eye-opening experiences.

“I look at the opportunity someone gave me to engage in this kind of work and how it changed my life forever. My main focus is becoming more about engaging other people and making it easy for them to have an opportunity like that themselves because it will have the same impact on everybody who gets a chance to experience it. It will influence their life and career.

“I’ve never met a single person who did a medical mission who didn’t want to do another one. Then you think about the ripple effect that those people have and all of a sudden you have this army of people who are aware of this problem and who care about this problem and who are actively engaged in dealing with it and finding solutions.”

Count Dr. Shane Havens a member of that army. As a senior resident he went to Cap-Hatien, Haiti in 2013 as part of a team led by Feilmeier.

He had one “touching experience” after another with patients overjoyed at getting their sight. back.

“A lot of times it gives them their life back.”

Feilmeier says, “It’s just really remarkable the amount of faith the patients put in the whole process and the emotional transition and transformation of patients and their family – seeing people laugh and dance and cry.”

Or in the case of one young man who regained his sight at the hands of Feilmeier and Havens, picking up his two surgeons in celebration.

Aside from the emotions elicited, Haven says a mission “offers you invaluable, unparalleled training experiences in the operating room and clinic you just cant get from a textbook or any training program,” adding, “I think the skill set it takes to manage the mature or complex cataract we see there really benefits the patients we treat back here.”

On these trips, Feilmeier says, “you really get out of your comfort zone in a new environment and you really test the limits of your abilities. You learn to have a new set of tools in your tool box. The most beneficial surgical training I have is when I’m sort of tested and I don’t have everything I’m used to having.” It means adapting to rough conditions, even operating by flashlight when electricity and generators go out.

Havens says opthalmology is “a ready-made speciality” for international medical service “because it’s one of the few where you can go for a trip of a week or two weeks and maximize your clinical experience and leave a lasting impact.”

Feilmeier feels the earlier people have these international experiences the better.

“We want to make a difference early on in careers. I think that’s probably the most impact we can have. I could sit at the scope 13 hours a day and do thousands of cataracts but ultimately I think it’s far more impactful when you engage young people. It’s about having that experience and feeling it in your heart and soul.”



Fellows and funders
The Global Blindness Prevention Fellowships are unique. The newest is in partnership with Orbis International, an NGO dedicated to saving sight worldwide.

“There’s been two Fellows thus far,” he says. “Starting next year we’ll hopefully have two per year, maybe even three per year, all working full-time in developing nations. The two-year fellowship with Orbis will be started July 2015. With that one we’re trying to groom some of the next generation of leaders in public health and global eye care. Fellows get a certificate in public health after completing it. They spend five months with us and seven months on the Orbis Flying Hospital – a fully functional, state-of-the-art operating theater – and they travel around the world for a year. It’s just sort of the next level of being involved from a global standpoint

“We want the Fellows to see things they’ve never read about, they’ve never dreamed of seeing. We want them to expand their skill sets and to experience things they would never see here in the U.S.”

Nguyen says it’s the only fellowship of its kind in the world. He and Feilmeier say there’s strong interest in both fellowships from applicants around the country.

Sustaining these international efforts requires financial support. The Global Division is an unfunded arm of UNMC, therefore the Feilmeiers work hard to find donors. Two fundraisers help. The annual Bike for Sight charity ride in April is growing in popularity. A Night for Sight celebrates the life-changing work of these global initiatives. The Oct. 25 event staged a Masquerade Ball for guests.

The Feilmeiers volunteer their time with the Division, covering all their own hard costs (food, travel, lodging) in order to give 100 percent of donated funds to curing blindness.

“We’ve made a pledge that for every $20 we receive, the cost of the consumables, we will give one free surgery to someone living needlessly blind and fortunately the community of Omaha has supported us and donated generously, which has allowed us to perform 1,000 free surgeries to date,” Jessica Feilmeier says.

“Our overall goal would be some type of endowment with naming rights to the Division,” Michael Feilmeier says. “If we could come up with a million to a million and a half dollars in endowment that would secure what we want to do over the course of time. We want to provide eye care to people who desperately need it, assist in training opportunities for international ophthalmologists in sub-Saharan Africa or Asia or Haiti to enhance their skills. And we want to provide these opportunities to medical students, residents and fellows because it’s expensive to get involved in this type of work and you never want that to be a limiting factor.”

The next Bike for Sight is April 25. Follow UNMC’s global eye care efforts and events at

Sex talk comes with the job for Douglas County (Neb.) Health Department HIV-STD specialist Sherri Nared-Brooks

February 11, 2015 Leave a comment

Talking sex is what Sherri Nared-Brooks does for a living.  As the Douglas County (Neb.) Health Department HIV-STD Prevention Specialist she makes it her business to find out what risky behaviors people are engaging in and to get them tested and informed to help prevent them from becoming new casualties in the epidemic of sexually transmitted diseases impacting urban Omaha, particularly the Africa-American community. My profile of her and her work is in the February 2015 issue of The Reader (


Bridge Church

Sherri Nared-Brooks and her mobile sex ed-STD testing clinic, ©Debra S. Kaplan



Sex talk comes with the job for county HIV-STD specialist Sherri Nared-Brooks: Telling it like it is no problem for this veteran on the sexual health frontlines

©by Leo Adam Biga

Now appearing in The Reader (


America’s schizophrenic about sex. Images and hookups abound, yet in this information age many folks don’t know, follow or discuss safe practices. That incongruity explains why sexually transmitted diseases are at epidemic levels and why things never slow down for Sherri Nared-Brooks in her role as Douglas County Health Department HIV-STD Prevention Specialist.

Her main focus is North Omaha, where the epidemic’s acute among African-Americans. Her deep ties there, along with her straight talk and personal mission, give her street cred making the rounds at barber shops and clubs.

“I believe in keeping it real, so I talk in the vernacular they understand,” she says of young men and women she encounters at her office or out and about.

She knows urban sex slang and doesn’t make moral judgments.

“It’s about accepting people where they’re at and reminding them the things they’re doing are putting them at risk, so whether it’s at the jail or at a barbershop or I’m walking down 24th Street, I pass out condoms. They may not know my name, but they know me as the Condom Lady or the STD Lady.”

She addresses the topic, too, at prisons, hospitals, schools, churches, community centers, health fairs. Always looking for nontraditional sites, she has eight public libraries holding screenings.

In her experience young people are cool talkng sex but what kids get at school, home, worship center or doctor’s office is often woefully inadequate. That leaves teens gleaning often wrong or insufficient info where they can. Denial and magical thinking – “it happens to other people, not me” – run rampant. She fills gaps, dispels myths and emphasizes anyone not using protection or practicing abstinence is at risk, period. It’s about education and testing, but it starts with self-worth.

“It’s just about loving them and wanting them to love themselves. It’s getting people to understand they’re important and they need to take responsibility for their own health. I teach women they’re the prize. When you know you’re the prize you’re not going to just give yourself to anybody, because once he gets it from you he wants it from your friend, your cousin. If you keep yourself, he doesn’t have a choice but to respect you because you’re respecting you.

“The things I teach I had to learn over my own lifetime,” she says.

Raising five kids helped prepare her.

Then there’s the fellas.

“I tell guys, if she’s having sex with you that easy, you need to be afraid because she’s giving it to everybody else, too, and if she’s saying she doesn’t want to use a condom you really need to be afraid.”

When you have sex with someone, she stresses, you essentially have sex with everyone they’ve been with. It’s all about exposure. She imparts the same message to folks engaging in same-sex relations.

She enlists business owners as foot soldiers in the fight to reduce STDs. Alesia Lester at Gossip Salon, 5625 Ames Ave., is glad to help the cause. “Sherri comes in and educates us and that allows us to educate the client. She makes people aware. She’s very passionate about it and it’s so needed. I had a child at 15. I didn’t understand myself, so I definitely didn’t understand my body. I wish I’d had someone that could have sat me down and talked to me without me being afraid my mom would know. Sherri makes it plain and people respect her.”

“To me, they’re champions in helping get the word out to educate people,” Nared-Brooks says of community partners like Lester.

Nared-Brooks targets barbers, stylists, bartenders on the theory people open up about their sex lives to them. “You may not tell your doctor, but you’re going to tell your barber. They know who’s doing what.” She schools owners on the basics, leaving condoms, fact packs and kits for on-site testing. Lester welcomes it all. Both women say confidentiality is maintained throughout.

With so many places to hit and so many people at risk, Nared-Brooks ends up doing much work on her own time.
“It needs to be done.”

She calls her personal SUV “the STD truck” for all the supplies it carries. She trains others to do prevention-education work and she’d like to train more.”There’s only one of me,” she says.

She’s encouraged her strategy’s working when proprietors take the lead. Lester and her salon colleagues all tested and customers often ask for kits. Confirmation comes, too, when people seek the STD Lady’s advice about behaviors or symptoms and come in for testing.

“That makes me know I’ve done my job. Until we look at getting tested for STDs as a regular checkup and take away the stigma of it, the numbers are going to stay high. We need to give the message it’s OK to get tested and it’s kind of crazy to not get tested. You need to do it for yourself before you start sharing with someone else. And show each other your test results. Before my husband and I got married we showed each other our paperwork.

“It’s about loving me.”

Her husband, Walter Brooks, joins her on the front-lines of sexual health. They earned the Nebraska AIDS Project’s Shining Star Award for their awareness-prevention efforts. It wasn’t their first recognition. He covered prevention as a University of Nebraska Medical Center public relations specialist and still does for the Omaha Star. They met when he interviewed her.

She accepted his invitation to speak at his church. They’ve been a team ever since.

“My husband is awesome. He’s like my biggest fan, my biggest advocate. We do this community service together. He knows it’s not just something I do as a job. Right now, it seems like for me it’s life.

“When I stand before God and give an account of my life I want to know I used all my talents.”

Faith, Friends and Facebook: The Journey of Camille Metoyer Moten

December 13, 2014 1 comment

Here’s my Omaha Magazine ( piece about how beloved Omaha performing artist Camille Metoyer Moten used social media as a communnication and connection point to share her odyssey with cancer and her reliance on faith for getting through the illness. On my blog you can find other stories I’ve done on Camille, who is an inspiration through her work and her life.


Faith, Friends and Facebook

The Journey of Camille Metoyer Moten

When cancer struck beloved Omaha performer Camille Metoyer Moten, she shared her odyssey and faith on Facebook

January 7, 2015
©Photography by Bill Sitzmann                                                                                                                                                                                                                      Now appearing in Omaha Magazine (
Popular singer-actress Camille Metoyer Moten is a fun-loving, free-spirited soldier of faith.

That faith got tested starting with an April 2012 breast cancer diagnosis. After treatments and surgeries over two years she gratefully proclaims, “I am healed.” Anyone unfamiliar with her spiritual side before discovered it once she began posting positive, faith-filled Facebook messages about her odyssey and ultimate healing, which she attributes to a Higher Power.

Her frequent “Fabulous Cancer-Free Babe” posts gained a loyal following. Many “Facebook Prayer Warriors” commented on her at-once intimate, inspirational, and humorous musings. One follower quipped, “Your posts are like going to church at the Funny Bone.”

Metoyer Moten decided cancer was an experience she couldn’t deny.

“When you perform, your whole thing is pulling people into this artistic moment with you,” she says. “When I got the cancer and started posting about it I thought, ‘Well, this is my song, this is the song I have right now and I want people to feel everything I’m feeling, the good parts and the bad parts.’ And at the end I want them to see the glory of God in it.”

The humor, too. She described the asymmetry of her reconstructed breasts. While losing and regaining hair she called her bald head “Nicki MiNoggin.” Once patches of growth came back it was “Chia Rivera.” She’s since dubbed her swept-back scraggle, “Frederick Douglass.”

“I wrote it as I saw it, Metoyer Moten adds. “If it struck me funny, that’s what it was. I will talk about anything, I just will. I’m just like this open book.”

That extended to shares about weight gain and radiation burns.

Mainly, she was a vehicle for loving affirmations in a communal space.

What support most touched her?

“Probably just the amount of prayer,” says Metoyer Moten, whose husband, Michael Moten, heads One Way Ministry. “Every time I said, ‘Please pray,’ there were people right there, and sometimes they would put their prayer right on the post, which was awesome. Some of the encouraging things they would say were really special. The Facebook people really did help to keep me lifted and encouraged and they said I did the same for them.

“It almost never failed that there were things I read I needed to hear. We had this beautiful circle going of building each other up.”

The sharing didn’t stop at social media exchanges.

“The thing I loved were the personal notes I got from people asking me to write to loved ones going through something, and I wrote to them just to encourage them because that was the whole purpose—to tell people who you go to in time of trouble.”

She’s now writing a book from her Facebook posts.

“My goal is to encourage people and to glorify God and to talk about how social media can be a meaningful thing.”

Camille, being Camille, went beyond virtual sharing to invite Facebook friends, all 2,000-plus of them, to “chemo parties” at Methodist Estabrook Cancer Center. “I usually had about 12 to 15 people. The nurses were very sweet because sometimes we’d get too loud. Other patients sometimes joined the party, which was kind of my point, to liven it up. We just had a ball.”

It wasn’t all frivolity.

“We would pray on the chemo machine that the chemo would affect only the cancer cells and leave the good cells alone. Once, a woman rolled her machine over for us to lay hands on hers as well. It was just a beautiful testimony.”

Cancer didn’t stop Metoyer Moten from cabaret singing or acting

“Even though I had a little harder time every now and again,” she says, “it didn’t stop me from doing anything.”

She even believes she came out of it a better performer.

“I’m not a very emotional person,” she continues, “but sometimes to connect spiritually you have to have a little more emotion involved. I think now the stuff I’m doing on stage is better because I think I’ve connected to myself better emotionally. I think I had stuffed things down a long time ago. This made me realize it’s okay to have some emotions.”

Fellow performers David Murphy and Jill Anderson walked with her on her journey. Now that they’re battling their own health crises (Murphy’s vision problems and Anderson’s MS), Metoyer Moten is there for them.

She’s glad her saga helps others but doesn’t want cancer to define her.

“A long time ago I decided there’s no one thing that’s the sum total of your entire life,” she says. “I’m happy to talk about what God did for me during this experience, but I’m not going to dwell on the cancer bit forever. I don’t want people to look at me and say, ‘Cancer.’ I want them to look at me and say, ‘Healthy…healed.’”



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