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Cool Cat Billy Melton and the Sportin’ Life

July 1, 2010 2 comments

Cropped screenshot of Count Basie and his band...

Image via Wikipedia

The late Billy Melton began as a source for my writing-reporting on aspects of African-American culture in Omaha and he ended up being a friend.   Like my late father, Billy was a World War II veteran.  Some 35 years my senior.  As a black man from an earlier generation Billy lived a very different life than I had as a white Baby Boomer, yet he never made those differences a barrier in our relationship.  Rather, he used his life experience as an instructional point of departure for sharing lessons he’d learned. There were many.

I quoted Billy in several stories I wrote over the years.  One of these stories, Omaha’s Sweet Sixteen, focused on the Quartermaster battalion he served in during the war.  You can find that article on this blog site under the Military and African American categories or by doing a search with the key words, “Sweet Sixteen” or “Billy Melton.”  The site also contains a piece, Puttin’ on the Ritz, that tells the story of the black owned and operated cab company Billy drove for, Ritz Cab. Search for the article by its title or in the African-American and Entrepreneurial categories.

The article presented here, Sportin’ Life, explores Billy’s passion and one might say magnificent obsession with music, and more specifically, with collecting it.  Through his friendship with the late jazz musician Preston Love, Billy got to meet several jazz legends, which resulted in signed photos of these icons.  He was in his early 80s when I did tise piece and he was much concerned about what would happen to his massive collection of records, tapes, and memorabilia when he was gone.  He tried finding an institution that would accept the many thousands of items meticulously shelved and displayed in his basement.  Though there was much interest, he could never secure a deal because he wanted compensation in return for the collection, and the museum officials he talked with didn’t have an acquisitions budget that could accommodate his demands.  He also wanted assurance his collection would be kept on view and made accessible for the the general public, which was another condition officials found hard to make any promises about given the size of Billy’s collection.

Billy passed before anything was done with his collection.  It still occupies the basement of the home he and his widow shared.  Martha would like nothing more than to carry out Billy’s wishes and find a permanent repository for the collection. I’ve also has the distinct pleasure of getting to know his granddaughter, Carleen Brice, a fine novelist you’ll find my blog posts about on this site.

photo

Dreamland Ballroom

 

Cool Cat Billy Melton and the Sportin’ Life

©by Leo Adam Biga

Originally appeared in The Reader (www.thereader.com)

 

The sportin’ life is what Billy Melton’s lived the better part of his 82 years. This party animal has haunted the best night clubs and after hours spots from here to Philadelphia. He’s seen the great entertainers perform. Wherever he’s gone, he’s hobnobbed with friends and stars. And, always, music — the subject of a lifetime collecting hobby — has been part of the action.

“I loved the social life. I had so many great friends out there. I was out roaming around the country, drinking, gambling, enjoying the single man’s life. All the time, adding to my collection and getting enjoyment out of music,” he said.

Even after settling down as a family man, music remained his overriding interest. But it’s more than that for this gregarious man. “Music’s a passion of mine. I love it. I love it all. And I’ve collected it all,” said Billy. No where is his ardor expressed more than in the distinctive musical notes detailing on his silver Chevy Caprice and in the showplace and archive he’s made his home. His modest Omaha residence houses a music collection of staggering size and breadth. He hopes it goes to a museum.

The music room in his basement is a glittering, overstuffed assemblage of music collectibles, novelties, instruments, records, tapes, eight-tracks, photos, posters, album covers and books. One of his two prized juke boxes sits there. Every inch of the floor, wall and ceiling is adorned with a musical motif, whether tiles decorated by music symbols or CDs hanging like Christmas ornaments. Another juke box shares space in an adjoining room with the washer and dryer. The bulk of the collection rests in a specially-built room just off the attached garage. Here, a maze of stacks, bins, trees and shelves hold tens of thousands of LPs, 45s, discs and tapes that encompass a world of musical styles, periods and performers, but with a special emphasis on jazz, blues, soul and Motown.

There are collections within the larger collection, including extensive, if not complete, sets of recorded works by such artists as Count Basie, his No. 1 idol.

Where It All Began
The Omaha Technical High School graduate traces the spark of his passion to the Kansas Vocational School he attended two years in Topeka, Kansas. There, in the late 1930s, he first listened to the seductive sounds of great musical artists, black and white alike. In fact, his original collection began with a Bing Crosby platter. Back in Omaha, where Billy was born and raised, his family was too poor to afford a radio. In Topeka, he scrounged up enough scratch to buy himself, first, a crystal set and, then, a Philco radio, which he listened to late at night in his dorm room. Picking up broadcasts from as far away as Chicago and New York that featured the great swing, jazz and blues bands of the day, he was hooked. “We listened to that music every night,” he said. “It just sounded so good.”

The Metropolitan Hall in Topeka is where he first saw Basie. The experience made him a fan for life. “I loved his music and his dynamic personality. He just lit up the house. He took it to another level. If you don’t like his music…” Well, then, let’s just say you’re not copacetic in Billy’s eyes.

As a young hep cat, Billy immersed himself in the music of the day. He fell for Duke Ellington, Cab Calloway, Lionel Hampton, Nat King Cole, Ray Charles, Jimmy Rushing, Jimmy Lunceford, Gene Ammons, Billie Holiday, Ella Fitzgerald, Dinah Washington, Jackie Wilson, Billy Eckstein, The Inkspots and others. “So many great talents. After I set to collecting these artists, I made it a point to go see them,” he said.” That early taste of Basie whet his appetite for more. He caught Basie, Ellington, Calloway, Hampton, Cole, Charles, et all, performing live on Omaha’s then-jumping live music strip on North 24th Street and at its many downtown theaters.

“As far as the big bands,” he said, “we didn’t have to go to Kansas City. They were right here in Omaha. Twenty fourth and Lake was nothing but music. Did you hear what I said? This was a fun-loving, musical town. We knew how to party.”

In Omaha, Jimmy Jewell’s Dreamland Ballroom was the mecca. “Oh, you had to go to the Dreamland.” Ask who he saw there, and he retorts, “Who didn’t I see there?” In a scrapbook, he has ticket stubs from some of the countless nights he let his hair down there in the ‘50s. The names read: Ray Charles, Fats Domino, Johnny Otis, Wynonie Harris, the Orioles and the Nat Towles territory band. “Sometimes, I’d stand there with my mouth wide open watching those guys perform.”

Jewell, Billy said, “knew music,” and had connections to book whistlestop gigs by touring performers traveling between K.C. and Chicago. As often noted by the late jazz musician and author Preston Love, who was a close friend of Billy’s, Omaha was ideally situated to attract top entertainers due to its central location, the presence of five major booking agencies and a happening live music scene.

The music wasn’t just confined to the Dreamland, either. “Musicians got together and jammed…every night. Local musicians and out of town musicians. Even the big names — Lionel Hampton and all those guys. After they’d get done playing, they’d come out north to the bars and after hours places and jam,” Billy said. Those informal improv sessions unfolded at juke joints named the Apex, the Blue Room, the M & M, Bob and Mary’s Chicken Hut, the Showcase and the Backstreet. “The whites used to come out here and enjoy that,” he said.

Big Fat Swingin’ Fun
When not hitting night spots, Billy hosted them. He and the late Nate Mills ran a gambling emporium out of different North O sites. His partner had the bar and Billy the dice and card games. The illicit thing finally grew old. Too many raids. Too many knives and guns pulled on him. “I ran into some ticklish situations where it was life and death. Finally, it got to the point where I said, ‘I’m going to have to roll away. It’s not worth it.’ And I pulled out.” Besides, he’d married “a church lady,” the former Martha Hall, who only tolerated his hijinks so much. Together now 52 years, the couple entertained like nobody’s business. It was always open house at their place for the steady stream friends and relatives passing through town.

Native Omaha Days found the couple throwing an epic bash. Jukeboxes played outside, where partygoers danced, liquor flowed and laughter resounded. Stories grew embellished with each round. Martha’s home made soul food fed the throng.

“It was a music thing,” he said. “Everybody just wanted to hear music.”

His memories of these high times always include “the people we shared them with” and the music they digged together. Music is associated with virtually all the fun in Billy’s life. By the time he and Martha were hitched, they began traveling the country, by car, for vacations that lasted three to six weeks at a time. Their itinerary might include such hot spots as Chicago, Detroit, Philadelphia and Atlantic City. Wherever they went, they had friends, and whenever they could, they caught music acts at swank clubs or partied the nights away at after hours joints.

Sports, another spectator’s-collector’s passion of Billy’s, was usually part of the mix, as the couple took in a pro baseball or football game here. Billy saw play, in their prime, such major league baseball greats as Willie Mays, Hank Aaron, Ernie Banks and Willie McCovey. He saw National Football League legend Johnny Unitas quarterback the Baltimore Colts versus the Detroit Lions. In his own expansive backyard, where a hoop was set up, athletic prodigies — from Gale Sayers to Marlin Briscoe to Johnny Rodgers — strutted their stuff in pick up games. Bob Boozer and Oscar Robertson visited.

But Billy wasn’t home long. When not working two jobs, as a Union Station janitor by day and Ritz cabbie by night, he prowled the night — indulging in games of chance. He was also a shoe shiner, messenger, mail handler, waiter and bell hop. The extra dough supported his wife and three kids and underwrote his fun. “You can’t smoke cigars, drink, gamble, travel, raise three kids and help grandkids through college on an ordinary salary. Working two jobs still wasn’t enough for the life I wanted to live,” said Billy, whose gambling earnings made up the difference. “I could always hustle some money. God gave me that energy to fulfill my dreams.”

He was also fortunate to have a friend, John Goodwin, and brother-in-law, Charles Hall, whose Fair Deal Cafe was a fixture on North 24th, he could go to for loans.

Doin’ the Town
Traveling’s no luxury, but a lifestyle component for Billy, who “just can’t sit at home.” He and Martha drove old Highway 6, en route to Chicago, via Des Moines, where they got down with friends. In ChiTown, they hooked up for a ball game at Wrigley Field before a night on the town. “They knew when we got there we were ready to have fun. That’s what it was all about,” he said. One north side spot they hit was the Archway Lounge, owned by “Killer” Johnson. “We’d almost spend all our money in Chicago before we got to Detroit.”

Doin’ it up right, he, Martha and Co. dressed to the nines for pricey outings. “Once, we went to the most exclusive place in Chicago — the Blue Note. Lionel Hampton was playing. By the time we paid the cover, ordered a round of drinks and had our pictures taken, we’d spent $80. It takes money to live.” At his irrepressible best, Billy sauntered over to Hampton to request a favorite tune, “On the Sunny Side of the Street.” During a break in his set, Hampton joined the Meltons’ table, which Billy has a picture of, before returning to the band stand. After recognizing the Omaha party, he proceeded to play a jumpin’ rendition of the song.

Ebullient Billy has never been shy approaching celebrities. After shows, Basie  (“regular”), Calloway (“jovial”) and Hampton (“nice”) joined Billy and his bunch into the wee hours. Comedian turned-activist Dick Gregory “stayed up all night” with Billy’s crew. Billy cozied up to boxing legends Joe Louis, Sugar Ray Robinson and Joe Frazier. He’s got autographs of countless stars from the worlds of entertainment and athletics, with most of the signatures scrawled on $1 bills.

Native Omaha Club, photo by Lachance (Andrew Lachance)

 

Once, at a surprise birthday bash for his wife, he got comedian Red Foxx, then appearing in Omaha, to stop by. “He was the life of the party,” Billy said. “Down and dirty.” Billy’s penchant for music gained him entree into some privileged ranks. Preston Love arranged for Billy and Martha to attend private parties headlined by Count Basie and Fats Domino on the same night. “That was the most exhilirating night.” On one occasion, Love, a sideman with Basie in the ‘40s, brought Basie over Billy’s house. A photograph recording the visit hangs in Billy’s music room. Another time, Love had Billy join he and the Count on stage at the Orpheum Theater.

“Everybody knew I loved music,” Billy said, “and it led to lots of connections.” He even carried some of his music along with him on road trips in response to friends asking that he bring certain recordings they liked.

A Collector’s Dream
His collecting began in 1939. By the time he went off to serve in the all-black 530th Quartermaster Battalion in World War II, his holdings were significant. After tours of duty in North Africa, Italy — where he and his GI buddies enjoyed operas — and the Pacific, he returned home, only to find his albums warped from lying flat. Undaunted, he began collecting anew. “I really got serious after the war. I started buying records 90 miles a minute. Forty or fifty at a time,” said Billy, who spent a third of his $7 a week salary on music.

He purchased so many records at one music store, Lyon and Healey, that shop owner Bill McKenzie advised him to invest in a reel-to-reel recorder and tape player. It set him back $600 and took him five years to pay off. Then, from one music lover to another, McKenzie told Billy he could have his pick of any records in the store to transfer over to tape — for free. Over six or seven years, Billy estimates he brought home thousands of records that he put on tape. He “knows what’s on every tape” and cartridge, too, thanks to a catalog he’s prepared.

Hard-pressed to choose any aspect of his collection over another, he’s proudest of “the magnitude of it” and the fact it’s “not just one kind of music.” Despite not playing an instrument,he professes “an ear for music.” He even calls the best of rap “genius,” though it’s not his idea of music. Wife Martha Melton can attest to Billy’s wide-ranging tastes. “There is no form of music he does not love. He just loves music, period.” Indeed, his collection encompasses big band, jazz, blues, soul, gospel, spiritual, pop, rock, funk, classical, opera, international. She says he’s well-deserving of his self-proclaimed Doctor of Music degree. Eclecticism aside, it’s still “the black music” he “turns to” for personal pleasure. He favors “the old timers,” by which he means the big bands and vocalists of his youth. “They could do it all. Their charisma made them stand out above the rest.” And, for Billy, Basie’s in a league of his own. “If you feel down, his music will lift you up. Just that rhythm and beat in unison.” Play Basie’s “One O’clock Jump,” and he’s in heaven.

Like many music devotees, he prefers old wax records to CDs. “It’s the real thing. It takes you back. I like the scratches and the noise. You can almost see the guys.”

Billy wishes he could properly display his wares. “The only disappointment I have is I don’t have enough space to have everything in the same room, where I could appreciate it.” He’s looking for the right venue to preserve his treasures and use them as educational resources for the public. Dealers have tendered offers. He hopes a local museum, preferrably one with a black emphasis, makes him a deal. So far, he’s had preliminary talks with officials from one center about it being the home for his stuff. A potential hangup is the matter of compensation. “My life is in here,” he said. “I just can’t give away my life.”

Like the music of his life, Billy’s a swingin’ cat with few regrets. “My wife and I have done everything. There’s nothing we haven’t enjoyed from the fruits of our labor. The only sad part is we’ve lost so many of our friends that enjoyed life, too.”

Billy, who fashions himself a homespun philosopher, has one more thing to say about music. “If people could get along and blend together in harmony like these musicians do, oh, man, would this be a great world to live in.”

Puttin’ On the Ritz, Billy Melton and the crew Rrcall the Ritz Cab Co.

June 18, 2010 3 comments

This is another of the many stories I’ve filed on aspects of Omaha‘s African-American culture, in this case a retrospective piece on a long defunct black owned and operated taxi company, Ritz Cab.  An old of age but young in spirit gentleman by the name of Billy Melton, who’s now gone, drove for Ritz, and one evening I interviewed Billy and some of his old Ritz cronies for the story.  I enjoyed the way they swapped tales in a mood of sweet nostalgia.  The story originally appeared in the New Horizons. Look for a related post in which I write about an Omaha theater company‘s production of August Wilson‘s play Jitney, which refers to the gypsy or illegal cabs that were and still are a presence in many inner cities.

Puttin’ On the Ritz, Billy Melton and the crew recall the Ritz Cab Co.

©by Leo Adam Biga

Originally appeared in the New Horizons

 

With his snappy uniform cap, neatly pressed shirt, swank leather jacket and polished silver badge, Ritz Cab Company driver Billy O. Melton cut a jaunty figure behind the steering wheel of his gleaming new Chevrolet Bel Air sedan in the 1950s. Gliding down North 24th Street, he either raced to his next call or else coasted along knowing he could have his pick of fares from the throng of people shopping, strolling or spilling out of the district’s many night spots in search of a good time.

In an area teeming with activity, Ritz cabs always seemed to be where the action was and customers could always hail one with a wave, a whistle, a shout or a knock on the cab’s side window. Or, you could always call to order one. In what were heady times then, the North 24th strip jumped from dusk to dawn and Ritz Cab did a hopping business as the largest black owned and operated taxi line in Omaha.

Dedicated to providing speedy, polite service, Ritz cabbies carried themselves with a certain swagger. It had to do with their pride in being part of a brotherhood of black men (although some women and non-blacks were included among their ranks) banding together to forge a successful business on their own terms.

When Ritz Cab shut down in 1969 after 30 years of running hacks, it marked the end of an important but little known African-American enterprise in Nebraska. At the company’s peak in the 1950s, it was reputedly the largest black employer in north Omaha, boasting a crew of several dozen full and part-time drivers for a fleet of 30-plus taxis. Additionally, it employed a full-time mechanic and several operators and dispatchers. At a time when segregation still ruled, the company covered not only the north side but all parts of Omaha and the surrounding metro area as well.

Recently, some Ritz veterans, led by the irrepressible Melton, reunited to recall their days tearing up the streets around town as taxi men. Each spoke of a fierce devotion to his fellow drivers, to the job, to the company and to the brothers who started it all, the late Reuben and Chesley Pierce.

The Pierces, including a third brother named Claude, hailed from Jonesville, Texas. Facing hard times, they followed the great black migration up north around the time the Great Depression began. Reuben and Claude came first, followed by Chesley. It was Chesley who founded the family cab company in 1940 and, after serving in the U.S. Navy during the war, he continued as owner-operator of the business, which was located at 24th and Patrick, with his brothers. In Ritz’s final years, ownership passed to Chesley’s son, the late Chesley Pierce, Jr., under whose aegis it finally closed.

During Ritz’s heyday, Reuben and Chesley managed the business on a day to day basis and, like true entrepeneurs, “they put everything they had into it,” said Elgie Woods, one of Chesley’s daughters. “They were very dedicated to it. When they put their mind to something, they did it,” added Kathleen Pierce Greer, whose father was Reuben.

Those who knew them say the brothers were country folks with a penchant for wearing overalls and for abiding by down home principles. They possessed strong but opposite demeanors, with Reuben the loud, formidable enforcer and Chesley the quiet, mild-mannered appeaser. “Daddy had a rumbling, deep voice. It was a commanding voice,” said Pierce Greer. Freddie Judson, who began driving for Ritz in 1954, said, “Reuben would slap you down with a harsh word and Chesley would pick you up with a soft word.” Or, as longtime Ritz cabby John Butler put it, “Reuben would set you straight and then Chesley would make peace. There was a certain atmosphere set by those two that kept us all in line. Those two personalities made the system.”

Men being men, Ritz drivers needed some disciplining too. Judson tells of the time the cabbies disobeyed orders by breakfasting en mass at a local eatery where the coffee was hot, the food filling and the jukebox played all day long. While the men unwound inside, their cabs were parked around the joint — out of service, costing the Pierce brothers money. When Reuben found out where the men were holed-up, he taught the guys a lesson by going to the diner and driving, one-by-one, each cab back to the Ritz garage, forcing the embarrassed drivers to walk back to the garage to fetch their vehicles. The ringleaders behind the breakfast brigade were suspended for three days. Then, Judson said, there were those occasions when a cabby had celebrated too much the night before and was in no condition to drive, leaving Reuben to lay down the law with a simple but effective edict — “park it” — meaning you were off the streets until you sobered up.

The brothers were also known for being fair.

“They’d give anybody a job,” said Billy Melton, who drove for Ritz from 1948 until its demise. Melton said where Chesley was willing to tolerate the men dipping into the day’s take or collecting fares off the meter– as long as they eventually made good — Reuben was not so inclined. The way it was supposed to work was drivers got 40 cents out of every dollar, with the rest going to the brothers, but cabbies often helped themselves to more. “It was his (Chesley’s) money, but it was yours too because you had first count. Invariably, we’d check in short, but we tried to make it up before payday,” Melton said. But, when it came to Reuben, he added, “You didn’t mess with his money. He was looking for his money every morning. None of the guys would drive for him because they knew they had to turn in all their cash. But those brothers never fired anybody. They just took it out of your salary. A lot of times payday would come and a lot of drivers didn’t have anything coming.”

That’s because “they’d already got theirs,” said Stanley Pierce, whose father was Claude.

 

 

The lure of fast and easy bucks is why many of the men kept coming back year after year. “Fresh money every night. That was the bottom line. You came to work broke and you knew you’re going to make some money. On the first drive you’re going to make some money,” Melton said. Because most runs were short, fares usually ranged from as little as 35 to 55 cents. Therefore, men depended on tips to get by. Getting a dollar bill for a 35 cent fare and hearing the words “Keep the change” was music to their ears. “It all added up,” Melton said. “If you ran $20 (in tips) you had a spectacular day.” He and his cabby cohorts said the best tippers included packinghouse workers and railroaders. But there was a downside to handling all that loose change. As fast as it came in, it went out just as fast too. “It’s hard to save money when you’re making money every night,” Melton said.

For many years Ritz enjoyed a steady cash flow by nearly cornering the north Omaha taxi market. The big cab concerns — Yellow, Checker, Safeway — catered primarily to a white clientele. Ritz’s main competition on its home turf was United Cab Co., another black owned and operated firm, and the large number of unlicensed jitney or gypsy cab services then operating. According to Pierce family members and former Ritz drivers, it was the illegal jitneys, which operated off the books and outside state insurance, transportation and tax regulations, that eroded Ritz’s market share and eventually forced it out of business.

When it was still a thriving district, just the North 24th Street corridor alone provided Ritz with all the traffic it needed. “On Friday-Saturday nights we couldn’t handle the business right here in north Omaha. We had to run and hide from people. We were that busy,” Melton said. “Ninety-nine percent of our business was black.” Even Sundays brought a steady flow of customers. “On Sunday mornings, when we took people to church, we were booming,” said Butler, whose wife Juanita is one of Chesley Pierce’s daughters. “We were zip, zap, zip…I mean, we never stopped until church was over. You might carry 50 people.”

But it was Friday-Saturday nights when things really exploded. The district’s sidewalks and streets overflowed with patrons of its many theaters, clubs, bars, restaurants, pool halls, gambling dens, rooming houses and more unmentionable hangouts. The traffic continued all through the night and, unlike today, pedestrians and drivers felt safe. “We’d sit and park with the window down  — with a pocketful of money — and go to sleep, and nobody would bother us,” Melton said.

Half the battle for any cabby, he said, is being well-acquainted with the city and its various virtues and vices. “To be a cab driver, you have to know the city. When a guy got in your cab and said, ‘I’m new in town, where can I get a good meal? or Where can I get a drink? or Where can I have some fun?’ — you had to know. As cab drivers you got around. You saw the whole town.” As Butler said, “We knew every place. There was nothing we didn’t know about. If you were a cab driver and they wanted to know where something was going on, we could tell you.”

Evenings brought out a special breed of merrymakers. “Some people just don’t want to go to bed. Those are night people. All they want to do is drink, eat, hang out and have fun. There were a lot of temptations out there,” Melton said. Whether it was wine or women or barbecue these night owls sought, Ritz cabs transported people back and forth to venues that stayed open all night long.

Then there were those occasional lusty passengers who could not resist giving into passion while the meter was still running. “A lot of cab drivers didn’t want that, but those people paid well. Sometimes you were in a position where you didn’t know it was happening. And then, when you did, what were you going to do? You couldn’t put ‘em out. They hadn’t paid yet. So, you pulled into an alley or somewhere to be discreet,” Melton said.

Sometimes, cabbies were put in the indelicate position of ferrying mates who, unbeknownst to the other, were stepping out for a night on the town with someone else.

“You’d be surprised how many times I took a man to a spot and his wife to the same spot, but with someone different. I’d have to rig it so I took one back and picked the other one up without them running into each other,” Freddie Judson recalled. Melton recalled that “the worst scenario you got into was when a good friend of yours would ask, ‘Hey Billy, I notice my wife called a cab — where did you take her?’ Right away I would say, ‘Look, you’re a friend of mine. Now, suppose your wife called me and said, ‘Where did you take my husband?’ You know, what’s good for the gander, is good for the goose.”

Like bartenders and barbers, cabbies are privy to people’s private intrigues. The Ritz drivers heard a litany of heartache tales from folks fighting the blues.

“They told you all their problems,” Judson said. “Sometimes, you’d pick up a man and he wouldn’t be goin’ no particular place. He just wanted to ride and somebody to talk to about his woman troubles. Nine times out of ten he had a bottle back there. ‘C’mon, take a drink with me,” he’d say. And I might take a little sip, just to satisfy him. He just wanted somebody to listen to him.” Melton said he sometimes had no choice but to imbibe if he wanted his money. “I had guys who wouldn’t pay me unless I drank with them. Hey, that was all right.”

 

 

 

 

 

Because a cabby is a kind of amateur counselor whom people let their hair down around and pour their souls out to, they are entrusted with secrets they are wise not to reveal.

“A cab driver has got to keep his mouth shut. He knows too much,” Melton said.

Butler credits Melton with taking “me under his wing” and showing “me the ropes” when it came to maintaining confidentiality.

“One of the important things Billy said was, ‘Now, if you want to make money in this business you’ve got to learn how to take care of your customers, and whatever they tell you — don’t repeat it to anyone else.’ I got more customers that way, too, because I would never repeat what I heard. I got customers personally calling for me because I kept my mouth shut. I never forgot that.”

In a business where service was and still is the name of the game, virtually every Ritz driver cultivated their own stable of customers who, when needing a cab ride, specifically requested them. The better service you provided, the more personal calls you got. “I had so much business that when I came to work in the morning I would have 10 personal calls I had to make before I even took a call from the dispatcher,” Butler said. “We’d have customers call back for us every time,” Stanley Pierce added.

Melton said enough trust developed between cabbies and their frequent fares that payment was often deferred until they scraped up enough cash. “We had regular fares we took to work every morning, and sometimes they’d be short of cash until the weekend. They paid us when they got paid,” he said.

Ritz drivers prided themselves on going the extra mile. “We gave good service. We knew how to treat the public,” said Butler. “It was just known we were going to get out of the cab and carry your groceries or your luggage for you. People would tip you when you did that.” Stanley Pierce said, “We’d even carry your groceries in the house and put ‘em on the counter too.”

In what Melton said was an often “thankless job” devoid of health insurance benefits and looked down on as a kind of last resort for undesirables, the men of the Ritz Cab Company never forgot they were, in fact, “public servants.” The dignity they felt for themselves and the job they performed was reflected in the slick appearance they came to be known for.

“The image you projected helped a lot,” Melton said, “and we were always clean and well-dressed. We had uniforms, but not all of us could afford them. You could wear your own clothes, as long as they were neat and clean, but we all wore the cap and our badge. One of our drivers, Bill Smith, would come to work every day with a white shirt and black tie. And I don’t care how many orders were waiting, he would take a rag and wipe his cab off and sweep it out.”

Besides their spiffy appearance and super service, Ritz cabbies were known for one more thing — their fast driving. This was particularly true before two-way radios were installed when, after completing each run, a cabby had to return to Ritz headquarters to get his next order, meaning he was racing the clock and his mates. “We had to drive fast to get back and get another order. We drove fast to make some bucks,” Butler said. Between their careening through town, overturning an occasional cab and causing some accidents, Ritz cabs came to be jokingly called “death wagons,” Butler said. “People got out of the way when we were coming.”

 

 

 

 

Outside their lead feet and their various high jinks, drivers were expected to follow a rigid code of conduct, which the more experienced hands imparted to newcomers. It was all part of the esprit de corps the men say they felt and this tight bond saw them through many rough spots.

“The cab drivers were together with one another, they helped one another, they taught one another and they looked after one another,” Butler said. “That was the bottom line — the unity we had together.”

For Melton, “it was a family thing…a brotherhood.” Judson described it this way: “If something happened to one of us, it happened to all of us. If one Ritz cab got in a problem, you would have every other Ritz cab there in 10 minutes.”

Butler can attest to that: “I remember one time in about 1956 I ran into a car at 24th and Clark and the other driver…a big guy…jumped on me,” he said. “I’ll bet we weren’t there 10 minutes fighting and fussing before half the cab stand was there. I don’t know how they knew it, because we didn’t have radios then, but they stopped the fight.”

Melton recalls how once two-way radios were installed many altercations were averted by drivers radioing their comrades for aid. “A lot of times people had been drinking and they gave you a bad time. They didn’t want to pay or they wanted to fight. And we’d just get on the horn and say, ‘Hey, we’ve got a problem,’ and they’d all come. We were protective of each other. It was a family affair.”

The predominately black Ritz drivers say they were subjected to name calling and other slights because of the color of their skin. Although by law Ritz was constrained to operate on the north side, the company routinely ignored those boundaries to taxi fares all around town. It was a common practice and usually the authorities looked the other way. But sometimes drivers found themselves unwelcome outside some of Omaha’s posher hotels or restaurants, and police might show up “to bother us,” Butler said.

The Ritz men were also persona non grata with the major cab lines, which for a long time were segregated outfits. Where the Yellow, Checker and Safeway lines had reserved spaces in cab stands outside the train and bus stations and airport terminal, Ritz did not, but the enterprising Ritz men still found a way to snare their share of fares, which upset the competition. Ritz veterans say that as time wore on and attitudes changed, they finally got their due.

“Finally, the other cab companies gained respect for us,” Melton said, “because so many people gave us their business. They didn’t bother us anymore.” For Butler, it meant “the barriers started breaking down.”

Perhaps the biggest drawback to driving for Ritz was the long hours, as the men generally worked 12 hour shifts. “I think the worst part about driving a cab is you’re away from your family a lot,” Melton said. According to Butler, many relationships suffered under the strain, adding that he and Melton and Judson were lucky enough to have understanding wives. “The only reason any of us stayed married is we had a good woman who tolerated us.”

If there is one thing the men miss about their days behind the wheel it is the interaction they had with all kinds of people. As Melton said, “You never knew who was going to get in your cab.” Once, Butler said he found himself carting around Fats Domino. Judson said he gave Dean Martin a tour of Omaha during a stopover the crooner-actor had here. Celebrities aside, Butler said, “I liked the chance it gave me to meet new people all the time.” He used the contacts he made driving hacks to forge a career as an insurance agent. “I enjoyed meeting different people,” echoed Stanley Pierce. “We had fun.” Amen, the others chimed in.

Finally, the men feel it is important their story and the story of the Ritz Cab Co. be remembered. Why?

“Because it’s history,” Billy Melton said. “We laid the groundwork for young people today. We did a good job too. It’s a shame, but a lot of young people don’t even know what came before them.”

To put it in perspective, John Butler recalled a Pierce family reunion three years ago at which family members dressed-up a car to look like a Ritz cab and drove it in the Native Omaha Days parade along the very North 24th Street strip the taxi line served. “You  should have seen the response that got. When people learned about there having been a black cab company here, they were amazed.”