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Life Itself XVII: To All the Writers I’ve Loved Before – 25 Years of Stories About Writers and Writing

August 23, 2018 Leave a comment

Life Itself XVII:

 To All the Writers I’ve Loved Before – 25 Years of Stories About Writers and Writing

 

Noah Diaz making run for his dream at Yale School of Drama and theater companies nationwide

https://leoadambiga.com/2018/08/05/noah-diaz-making…anies-nationwide

Journalist-author Genoways takes micro and macro look at the U.S, food system

https://leoadambiga.com/2018/06/06/journalist-autho…u-s-food-syystem

Things coming full circle for Doug Marr, Phil’s Diner Series and Circle Theatre

https://leoadambiga.com/2018/04/24/things-coming-fu…d-circle-theatre/

 

 

Doug_Laura Marr

Doug Marr and wife Laura Marr

 

A book a day keeps the blues aways for avid reader and writer Ashley Xiques

https://leoadambiga.com/2017/03/03/a-book-a-day-kee…er-ashley-xiques

Voyager Bud Shaw gives up scalpel for pen

https://leoadambiga.com/2017/04/20/voyager-bud-shaw…-scalpel-for-pen

Kevin Simonson on Interviewing Hunter S. Thompson and Kurt Vonnegut

https://leoadambiga.com/2017/03/05/kevin-simonson-o…nd-kurt-vonnegut/

Literary star Ron Hansen revisits the Old West in new novel “The Kid”

https://leoadambiga.com/2016/08/25/literary-star-ro…ew-novel-the-kid/

 

Ron Hansen

 

 

Noah Diaz:

Metro theater’s man for all seasons and stages

https://leoadambiga.com/2016/07/19/noah-diaz-metro-…asons-and-stages

Old Hollywood hand living in Omaha comes out of the shadows: Screenwriter John Kaye scripted “American Hot Wax” and more

https://leoadambiga.com/2016/01/30/old-hollywood-ha…hot-wax-and-more

Bomb girl Zedeka Poindexter draws on family, food and angst for her poetry

https://leoadambiga.com/2015/03/11/zedeka-poindexte…t-for-her-poetry/

Playwright turned history detective Max Sparber turns identity search inward

https://leoadambiga.com/2015/02/07/playwright-turne…ty-search-inward/

Paul Johnsgard:

A birder’s road less traveled

https://leoadambiga.com/2016/06/24/paul-johnsgard-a…ad-less-traveled

Lew Hunter’s small town Nebraska boy made good in Hollywood story is a doozy

https://leoadambiga.com/2016/02/25/lew-hunters-smal…story-is-a-doozy

 

Hunter, Coppola B & W

Lew Hunter with Francis Ford Coppola

 

 

Alesia Lester: A Conversation in the Gossip Salon

https://leoadambiga.com/2016/03/09/alesia-lester-a-…the-gossip-salon/

Hardy’s one-man “A Christmas Carol” highlights Dickens-themed literary festival

https://leoadambiga.com/2015/11/03/hardys-one-man-a…iterary-festival/

Omaha World-Herald columnist Mike Kelly: 

A storyteller for all seasons

https://leoadambiga.com/2014/04/02/omaha-world-hera…-for-all-seasons/

 

 

Mike Kelly

Mike Kelly

 

 

Creative couple: Bob and Connie Spittler and their shared creative life 60 years in the making

https://leoadambiga.com/2015/12/23/bob-and-connie-s…rs-in-the-making/

A WASP’s racial tightrope resulted in enduring book partially set in 1960s Omaha

https://leoadambiga.com/2015/10/28/a-wasps-racial-t…t-in-1960s-omaha/

Alex Kava:

Bestselling mystery author still going strong

https://leoadambiga.com/2015/11/03/alex-kava-bestse…ill-going-strong/

Yolonda Ross adds writer-director to actress credits; In new movies by Mamet and Sayles as her own “Breaking Night” makes festival circuit

https://leoadambiga.com/2013/02/28/yolonda-ross-add…festival-circuit/

Omahans put spin on Stephen King’s “The Shining” – Jason Levering leads stage adaptation of horror classic to benefit Benson Theatre Project

https://leoadambiga.com/2014/03/17/omahans-put-thei…-theatre-project

Omaha author Timothy Schaffert delivers again with his new novel, “The Swan Gondola”

https://leoadambiga.com/2014/03/07/omaha-author-tim…the-swan-gondola/

Timothy Schaffert is seeking materials from the 1898 Trans-Mississippi Exposition for an online archive.

Timothy Schaffert

 

The Omaha Star celebrates 75 years of black woman legacy

https://leoadambiga.com/2013/04/11/the-omaha-star-c…ack-woman-legacy/

Ex-reporter Eileen Wirth pens book on Nebraska women in journalism and their leap from society page to front page

https://leoadambiga.com/2013/03/22/ex-reporter-eile…ge-to-front-page/

Bob Hoig’s unintended entree into journalism leads to career six decades strong

https://leoadambiga.com/2013/01/25/bob-hoigs-uninte…cades-strong-now/

Wounded Knee still battleground for some per new book by journalist-author Stew Magnuson

https://leoadambiga.com/2013/04/20/wounded-knee-sti…or-stew-magnuson/

Omaha native Steve Marantz looks back at city’s ’68 racial divide through prism of hoops in new book, “The Rhythm Boys of Omaha Central”

https://leoadambiga.com/2011/04/01/omaha-native-ste…of-omaha-central/

 

 

 

From the heart: Tunette Powell tells it like it is

https://leoadambiga.com/2015/03/10/from-the-heart-t…ls-it-like-it-is/

Finding her voice: Tunette Powell comes out of the dark and into the spotlight

https://leoadambiga.com/2013/01/24/finding-her-voic…to-the-spotlight/

Omowale Akintunde film “Wigger” deconstructs what race means in a faux post-racial world

https://leoadambiga.com/2010/05/21/deconstructing-w…ost-racial-world/

Beware the Singularity, singing the retribution blues: New works by Rick Dooling

https://leoadambiga.com/2010/10/10/beware-the-singu…-by-rick-dooling/

 

 

Richard Dooling's photo.

Richard Dooling

 

 

Lit Fest delves into what we fear, how we relate in extremis

https://leoadambiga.com/2015/10/09/lit-fest-delves-…late-in-extremis/

Omaha Lit Fest puts focus on Women Writers and Women in Publishing

https://leoadambiga.com/2012/10/06/omaha-lit-fest-p…en-in-publishing

Omaha Lit Fest Offers a Written Word Feast

https://leoadambiga.com/2013/10/18/omaha-lit-fest-o…itten-word-feast

Writing close to her heart: Author Joy Castro

https://leoadambiga.com/2012/11/23/author-joy-castr…in-two-new-books/

Ron Hull reviews his remarkable life in public television in new memoir

https://leoadambiga.com/2012/10/06/8945/

Ferial Pearson, award-winning educator dedicated to inclusion and social justice, helps students publish the stories of their lives

https://leoadambiga.com/2011/08/25/ferial-pearson-a…s-of-their-lives

Lit Fest brings author Carleen Brice back home flush with success of first novel, “Orange Mint and Honey”

https://leoadambiga.com/2011/07/02/lit-fest-brings-…e-mint-and-honey/

Novel’s mother-daughter thing makes it to the screen

https://leoadambiga.com/2010/10/26/novel’s-mother-d…it-to-the-screen

 

 

Carleen Brice

 

 

Sun reflection: Revisiting the Omaha Sun’s Pulitzer Prize-winning expose of Boys Town

https://leoadambiga.com/2011/04/28/sun-reflection-r…ose-on-boys-town

Alexander Payne and Kaui Hart Hemmings on the symbiosis behind his film and her novel “The Descendants” and how she helped get Hawaii right

https://leoadambiga.com/2012/01/23/alexander-payne-…get-hawaii-right/

Thy kingdom come: Richard Dooling’s TV teaming with Stephen King

https://leoadambiga.com/2012/08/16/thy-kingdom-come…ith-stephen-king/

Buffalo Bill’s Coming Out Party Courtesy Author-Balladeer Bobby Bridger

https://leoadambiga.com/2011/09/06/buffalo-bills-co…er-bobby-bridger/

 

 

 

The Worth of Things Explored by Sean Doolittle in his New Crime Novel “The Cleanup”

https://leoadambiga.com/2011/07/02/the-worth-of-thi…ovel-the-cleanup/

When Safe Isn’t Safe at All, Author Sean Doolittle Spins a Home Security Cautionary Tale

https://leoadambiga.com/2011/08/19/when-safe-isnt-s…-cautionary-tale/

Acclaimed Author and Nebraska New Wave Literary Leader Timothy Schaffert

https://leoadambiga.com/2010/05/18/nebraska-new-wav…imothy-schaffert/

A Man of His Words, Nebraska State Poet William Kloefkorn

https://leoadambiga.com/2010/07/07/a-man-of-his-wor…illiam-kloefkorn/

 

Bill and Eloise KloefkornJACOB HANNAH / Lincoln Journal Star

 

Kurt Andersen’s new novel “True Believers” revisits 1960s through reformed radical breaking her silence

https://leoadambiga.com/2012/07/28/kurt-andersens-n…king-her-silence/

Dissecting Jesse James

https://leoadambiga.com/2010/10/10/dissecting-jesse-james

Ron Hansen’s masterful outlaw blues novel about Jesse James and Robert Ford faithfully interpreted on screen

https://leoadambiga.com/2012/07/27/ron-hansens-mast…preted-on-screen

Playwright Carlos Murillo’s work explores personal mythmaking

https://leoadambiga.com/2012/07/26/playwright-carlo…sonal-mythmaking

The Many Worlds of Science Fiction Author Robert Reed

https://leoadambiga.com/2011/06/22/the-many-worlds-…thor-robert-reed

He knows it when he sees it: Journalist-social critic Robert Jensen finds patriarchy and white supremacy in porn

https://leoadambiga.com/2012/06/17/i-know-it-when-i…upremacy-in-porn

Litniks Unite! The Downtown Omaha Lit Fest brings writers, artists and readers together in celebration of the written word

Litniks Unite! The Downtown Omaha Lit Fest brings writers, artists and readers together in celebration of the written word

 

photo

Omaha Lit Fest: In praise of writers and their words: Jami Attenberg and Will Clarke among featured authors

https://leoadambiga.com/2012/06/19/omaha-lit-fest-i…featured-authors/

Omaha playwright Beaufield Berry comes into her own with original comedy “Psycho Ex Girlfriend”

https://leoadambiga.com/2013/04/20/omaha-playwright…iend-now-playing/

Omaha Lit Fest: “People who like this sort of thing will find this the sort of thing they like”

https://leoadambiga.com/2011/10/07/omaha-lit-fest-p…-thing-they-like/

Martin Landau and Nik Fackler discuss working together on “Lovely, Still” and why they believe so strongly in each other and in their new film

https://leoadambiga.com/2010/09/23/martin-landau-an…-in-the-new-film/

Martin Landau and Nik Fackler

 

 

“Lovely, Still,” that rare film depicting seniors in all their humanity, earns writer-director Nik Fackler Independent Spirit Award nomination for Best First Screenplay

https://leoadambiga.com/2010/12/03/lovely-still-tha…first-screenplay/

Filmmaker Nik Fackler’s magic realism reaches the big screen in “Lovely, Still”

https://leoadambiga.com/2010/05/18/when-dreams-that…neath-do-surface

Nik Fackler, the Film Dude Establishes Himself a Major New Cinema Figure with “Lovely, Still”

https://leoadambiga.com/2010/05/18/the-film-dude-es…ew-cinema-figure/

Writers Joy Castro and Amelia Maria de la Luz Montes explore being women of color who go from poverty to privilege

https://leoadambiga.com/2011/05/12/writers-joy-cast…rty-to-privilege/

Being Jack Moskovitz: Grizzled former civil servant and DJ, now actor and fiction author, still waiting to be discovered

https://leoadambiga.com/2011/09/05/being-jack-mosko…to-be-discovered/

 

With his new novel, “The Coffins of Little Hope,” Timothy Schaffert’s back delighting in the curiosities of American Gothic

https://leoadambiga.com/2011/04/13/with-his-new-nov…-american-gothic/

Timothy Schaffert Gets Down and Dirty with his New Novel “Devils in the Sugar Shop”

https://leoadambiga.com/2010/08/29/timothy-schaffer…n-the-sugar-shop/

Rachel Shukert’s anything but a travel agent’s recommended guide to a European grand tour

https://leoadambiga.com/2011/09/05/rachel-shukerts-…opean-grand-tour/

Author Rachel Shukert: A nice Jewish girl gone wild and other regrettable stories

https://leoadambiga.com/2011/09/05/author-rachel-sh…rettable-stories/

 

Rachel Shukert

 

 

After whirlwind tenure as Poet Laureate, Ted Kooser goes gently back to the prairie, to where the wild plums grow

https://leoadambiga.com/2010/06/19/after-a-whirlwin…-wild-plums-grow/

Keeper of the Flame: Poet Laureate and Pulitzer Prize winner Ted Kooser

https://leoadambiga.com/2010/06/19/keeper-of-the-fl…inner-ted-kooser

 

ted-kooser.jpg

Ted Kooser

 

 

Being Dick Cavett

https://leoadambiga.com/2010/12/04/being-dick-cavett-2/

Homecoming always sweet for Dick Cavett, the entertainment legend whose dreams of show biz Success were fired in Nebraska

https://leoadambiga.com/2010/12/04/homecoming-is-al…ed-in-nebraska-2/

 

Dick Cavett

 

 

Dream catcher Lew Hunter: Screenwriting guru of the Great Plains

http://leoadambiga.com/2010/05/09/dream-catcher-lew-hunter/

Q & A with playwright Caridad Svich, featured artist at Great Plains Theatre Conference

https://leoadambiga.com/2011/06/02/a-q-a-with-playw…eatre-conference/

Featured Great Plains Theatre Conference playwright Caridad Svich explores bicultural themes

https://leoadambiga.com/2011/05/29/featured-great-p…icultural-themes

Playwright-screenwriter John Guare talks shop on Omaha visit celebrating his acclaimed “Six Degrees of Separation”

https://leoadambiga.com/2011/06/02/playwright-john-…es-of-separation/

Attention must be paid: Arthur Kopit invokes Arthur Miller to describe Great Plains Theatre Conference focus on the work of playwrights

https://leoadambiga.com/2011/05/29/attention-must-b…s-and-their-work/

Q & A with Edward Albee: His thoughts on the Great Plains Theatre Conference, Jo Ann McDowell, Omaha and preparing a new generation of playwrights

https://leoadambiga.com/2011/05/29/a-q-a-with-edwar…n-of-playwrights/

Great Plains Theatre Conference ushers in new era of Omaha theater

https://leoadambiga.com/2011/05/28/great-plains-the…of-omaha-theater/

 

John Guare

 

 

Hard times ring sweet in the soulful words of singer-songwriter-author Laura Love, daughter of the late jazz man, Preston Love Sr.

https://leoadambiga.com/2010/05/01/hard-times-ring-…uthor-laura-love

Gospel playwright Llana Smith enjoys her Big Mama’s time

https://leoadambiga.com/2010/06/07/gospel-playwrigh…r-big-mamas-time

Blizzard Voices:

Stories from the Great White Shroud

https://leoadambiga.com/2018/07/27/blizzard-voices-…eat-white-shroud

Click Westin, back in the screenwriting game again at age 83

https://leoadambiga.com/2010/07/11/click-westin-bac…-again-at-age-83/

“The Bagel: An Immigrant’s Story” – Joan Micklin Silver and Matthew Goodman team up for new documentary

https://leoadambiga.com/2012/03/16/the-bagel-an-imm…documentary-film

Actor Peter Riegert makes fine feature directorial debut with “King of the Corner”

https://leoadambiga.com/2011/05/12/actor-peter-rieg…ng-of-the-corner/

Talking screenwriting with Hollywood heavyweight Hawk Ostby: Omaha Film Festival panelist counts “Children of Men” and “Iron Man” among credits

https://leoadambiga.com/2012/03/02/talking-screenwr…mong-his-credits/

 

Hawk Ostby

 

 

Tempting fate: Patrick Coyle film “Into Temptation” delivers gritty tale of working girl and idealistic priest in search of redemption

https://leoadambiga.com/2012/04/09/tempting-fate-pa…ch-of-redemption/

Otis Twelve’s Radio Days

https://leoadambiga.com/2010/05/31/otis-twelves-radio-days/

Three old wise men of journalism – Hlavacek, Michaels and Desfor – recall their foreign correspondent careers and reflect on the world today

https://leoadambiga.com/2010/05/18/three-old-wise-men-of-journalism/

John and Pegge Hlavacek’s globe-trotting adventures as foreign correspondents

https://leoadambiga.com/2010/06/02/john-and-pegge-h…n-correspondents/

 

 

John Hlavacek

 

 

Preston Love: His voice will not be stilled

https://leoadambiga.com/2010/06/03/preston-love-his…l-not-be-stilled/ 

 

Marguerita Washington: The woman behind the Star that never sets

https://leoadambiga.com/2010/08/02/marguerita-washi…-that-never-sets

“Walking Behind to Freedom” – A musical theater examination of race

https://leoadambiga.com/2011/06/21/walking-behind-t…mination-of-race

Sacred Trust, Author Ron Hansen’s Fiction Explores Moral Struggles

https://leoadambiga.com/2010/07/06/sacred-trust

Jim Taylor, the other half of Hollywood’s top screenwriting team, talks about his work with Alexander Payne

https://leoadambiga.com/2016/06/30/jim-taylor-the-o…lexander-payne-2/

Author, humorist, folklorist Roger Welsch tells the stories of the American soul and soil

https://leoadambiga.com/2010/06/19/author-humorist-…he-american-soul/

 

From the Archives: Warren Francke – A passion for journalism, teaching and life

https://leoadambiga.com/2012/06/11/from-the-archive…eaching-and-life

Author Scott Muskin – What’s a nice Jewish boy like you doing writing about all this mishigas?

https://leoadambiga.com/2011/12/05/author-scott-mus…ll-this-mishigas/

Vincent Alston’s indie film debut, “For Love of Amy,” is black and white and love all over

https://leoadambiga.com/2011/11/29/vincent-alstons-…nd-love-all-over

Screenwriting adventures of Nebraska native Jon Bokenkamp, author of the scripts “Perfect Stranger” and “Taking Lives'”

https://leoadambiga.com/2011/11/28/screenwriting-ad…ve-jon-bokenkamp/

 Taking Lives

Murder He Wrote: Reporter-author David Krajicek finds niche as true crime storyteller

https://leoadambiga.com/2011/10/28/murder-he-wrote-…rime-storyteller/

Bobby Bridger’s Rendezvous

https://leoadambiga.com/2010/05/11/bobby-bridgers-rendezvous/

Nancy Duncan: Her final story

https://leoadambiga.com/2010/05/09/her-final-story/

Nancy Duncan: Storyteller

https://leoadambiga.com/2010/08/02/nancy-duncan-storyteller/

From the Archives:

Nancy Duncan’s journey to storytelling took circuitous route

https://leoadambiga.com/2012/04/01/from-the-archive…circutious-route

Joan Micklin Silver: Maverick filmmaker helped shape American independent film scene and opened doors for women directors

https://leoadambiga.com/2010/10/10/joan-micklin-sil…-women-directors/

Joan Micklin Silver: Shattering cinema’s glass ceiling

https://leoadambiga.com/2010/05/18/shattering-cinemas-glass-ceiling/

Joan Micklin Silver

 

 

Doug Marr, Diner Theater and keeping the faith

https://leoadambiga.com/2010/06/06/doug-marr-keeping-the-faith/

Short story writer James Reed at work in the literary fields of the imagination

https://leoadambiga.com/2011/09/03/short-story-writ…-the-imagination

Culturalist Kurt Andersen wryly observes the American scene as author, essayist, radio talk show host

https://leoadambiga.com/2010/05/18/culturalist-kurt-andersen/

Slaying dragons: Author Richard Dooling’s sharp satire cuts deep and quick

https://leoadambiga.com/2010/05/18/slaying-dragons-rick-dooling/

 

K

Kurt Andersen

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Hispanic Authors-Artists Part of Omaha Lit Fest Experience

August 8, 2018 Leave a comment

Hispanic Authors-Artists Part of Omaha Lit Fest Experience

©by Leo Adam Biga

Originally published in El Perico (el-pericp.com)

 

The September 10-11, 2010 (downtown) Omaha Lit Fest gathers authors and artists to investigate the theme Curiouser & Curiouser: The Book in Flux.

Some guests, like University of Nebraska-Lincoln Ph.D. candidate Sarah Chavez, are Hispanic, Others, like first-time festival panelist Peter Kuper of Manhattan, New York, are not, but explore Hispanic themes.

Nebraska native Belinda Acosta, the Latina author of two Quinceanera Club novels, was a panelist last year and the Austin, Texas resident would like to come back again.

Chavez, a Fresno, Calif. native poet, has completed a chapbook she’s expanding into a full-length volume. This will be her first Omaha Lit Fest. She read some of her original work at an August 26 preview. She looks forward to the fest, saying she’s “impressed” by the supportive literary community here and by the diversity and quality of writers presenting at area lit events.

In her poetry Chavez explores the working class character of Fresno. She also explores borders and boundaries of identity. Her father is a first generation Mexican-American migrant worker. As a girl she joined her father laboring in the fields. Her Irish-American mother comes from upper middle class roots.

Chavez said by phone, “I was always sort of aware of this transferring back and forth between cultures. My parents divorced fairly early on, so I was always going back and forth, crossing like city and cultural borders, learning you act like this in this environment but then you can act like this in this other environment.

“So I was always aware of this mobility and the tenuous nature of environment. I was also aware of being, like my sister and I joke, ‘half breeds.’ Because of that mix we’re able to pass in different areas. I go to minority programs and have cultural cachet as a Mexican there but then people don’t automatically assume I am of that heritage. I don’t quite fit, I don’t look like this but I don’t feel like this other group.”

She considers different cultural expectations attending Latinas or African-American women and white women. She examines what it means for women of color to move away from traditional domestic duties to inhabit professional and academic roles.

Curiouser and curiouser.

Political cartoonist and illustrator.Kuper anticipated a two-year siesta in Oaxaca, Mexico with his wife and daughter, but when a teachers’ strike there was violently put down by government forces, he went from casual tourist to engaged reporter. His visceral Diario de Oaxaca journal sketches and commentaries capture how nature and civilization, history and modernity, bounty and deprivation are intertwined there.

He prized playing the role of first-hand witness and participant. In a phone interview he said this active, intimate experience “made it feel we were inside of Mexico rather than standing on the edge regarding it from a slight distance.” He said when he first arrived he made up for his “lousy” Spanish by using his sketches to communicate with people, adding that his habit of walking the streets offered interactions that drew him deeper into local rituals and customs.

His work expresses the surreal-like quality of nature run riot amid a busy tourist trade, an oppressive regime, crushing poverty and citizen protests.

“It’s fascinating. I kept on feeling I was walking through a metaphor.”

Perhaps most striking to him is how people risk everything to oppose an unjust ruling class. He’s quite taken by the politicized street art there. He’s also impressed by how every day people make art an expressive part of their life, whether arranging flower and candle homages for Day of the Dead festivities or painting murals.

“There’s so much creating of art that goes on in daily life as a natural thing to do,” he said. “It really gives me a sense of art having purpose, enriching and playing a role.”

He said the whole experience shook him up artistically, putting him on a different track once he returned home.

“It challenged and opened me up to trying different approaches. I had to sort of reinvent myself with the new information.”

Acosta grew up in Lincoln. She was active in Omaha theater, helping found the Center Stage Theatre and touring a one-woman show on Midwestern Latinas, before attending the University of Texas at Austin to focus on writing.

A freelance journalist by trade, she’s a contributing writer for the Austin Chronicle and Texas Observer. Her books Damas, Dramas, and Ana Ruiz and Sisters, Strangers, and Starting Over chart family relationships within the backdrop of the quinceanera, which she finds ironic since she never had a quince herself. But she said she researched the coming-of-age celebration in preparation for her books.

She’s presently working on a new book set in Nebraska.

For event details, visit www.omahalitfest.com.

Noah Diaz making run for his dream at Yale School of Drama and theater companies nationwide

August 5, 2018 1 comment

Noah Diaz making run for his dream at Yale School of Drama and theater companies nationwide

©by Leo Adam Biga

Appearing in the August 2018 issue of The Reader (www.thereader.com)

 

Noah Diaz proves there’s no prescribed way to follow your passion. In 2017, the Council Bluffs native and Omaha theater darling received a full ride scholarship to the prestigious Yale School of Drama without majoring or even minoring in theater as a UNO undergrad.

He’s already a rising star in Yale’s vaunted graduate playwrighting program after winning accolades for acting and directing here. Though he didn’t formally train locally, he said, “I’ve received so much second-hand training from the people I’ve worked with over the years. I’ve worked with a staggeringly high number of talented people on stage and off. I have mentors, big and small,” said Diaz, who’s been home over the summer.

“In many ways I was raised by my mentors from whom I received theatrical and life lessons.”

Feeling he already had theater covered, he studied special education and communication disorder and creative writing at the University of Nebraska at Omaha.

Meanwhile, his play The Motherhood Almanac opened theater doors for him here and outside Nebraska. The Sheltebelt staged it. He did a residency with it at the Seven Devils Playwrights Conference in Idaho. Two New York City theater companies workshopped it. Encouraged by fellow playwright Ellen Struve, he applied to name graduate theater programs. Like a feel-good turn in a play, the one school he assumed he had no real chance at accepted him into its illustrious ranks.

“I thought it was never really going to happen for me,” he said. “It was hard not to recognize what kind of capital ‘I’ institution Yale was and how impenetrable it appeared. But there actually seemed space for me there and then it was space I was heartily welcomed into.”

He learned of his acceptance on his mother’s birthday.

“We had already planned having a dinner that night with the extended family. My mom said. ‘The only gift I want is to share the news myself with everyone.'”

His first year in New Haven has been “astounding” and “profoundly rewarding.”

“It’s a really intense program. We don’t have many breaks. It functions as a conservatory. We are often in classes six days a week from 8 a.m. until about 2:30 p.m. and then we’re in rehearsals from 2:30 to 11 p.m. It’s similar to how medical students are in classes and then go on their hospital rotations.

“I’m busy every day. I’m very tired. My mind was prepared but my body wasn’t. It’s a matter of gritting yourself and barreling through. In so many ways it was the longest year of my life and yet the shortest. It requires such exertion of energy, not just creatively, mentally or emotionally but physically as well. I wrote five plays over the year, one of which went up to a workshop production in the spring, in addition to many others I started and abandoned.”

His apartment is close to the venerable campus, which he said “reminds me of Hogwarts in Harry Potter.”

As an arts and letters Ivy Leaguer, his life is consumed by studies, rehearsals, writing and craft analysis.

“I live alone which is smart because I do a lot of writing and I need a lot of quiet. A huge challenge for me personally in this program is generating work so quickly and so frequently. I’m learning themes that constantly keep reoccurring in my work, what that’s telling me about myself, why I’m interested in exploring these things and what dramatic structures I keep leaning on.

“I have a lot of conversations with my colleagues about knowing the difference between what is a playwright’s voice and what is a playwright’s schtick. The difference, at least for me, is honing my artistic voice and not simply relying on the same bag of tricks. I’m proud of this first year body of work because I’ve tried things –    somewhat reinventing myself or at least challenging myself in new ways. That’s intentional.”

The work doesn’t all just stay on the page either.

“This particular playwriting program is a little unusual in that we are offered a production each year.”

He’s written three new scripts over the summer.

“My second year production starts rehearsal the first day of classes or shortly thereafter, so I have to prepare options to present.”

There’s no shortage of stimulation.

“I’m working with incredible people in my cohort. They are so talented and smart. My faculty – Sarah Ruhl, Tarell Alvin McCraney, Amy Herzog, Robert O’hara, Jackie Sibblies Dreary, Young Jun Lee – are all luminaries still working in the field. It enriches my learning experience,”

With notable alums on stage and screen, the school is a recognized talent pool that industry producers, directors and agents scout. Diaz has already heard from some.

“I’ve been really fortunate that a lot of people have been reaching out. I’ve been taking meetings, I’ve been in touch with fantastic companies. This summer alone I’ll be at three different theater companies across the country developing my work.”

He was in Chicago for the Latinx Theatre Commons (LTC) Carnaval of New Latinx Work in July. This month his Richard & Jane & Dick & Sally is part of the Two River Theater Latinx festival in Red Bank, New Jersey and a workshop at The Lark in New York City.

Diaz said the example of other Omaha playwrights has emboldened him to forge ahead with his own career.

“Our community of playwrights inspire me. Because of all the people who’ve come before me, it never really crossed my mind that I couldn’t. I saw people doing it and I just always kind of had that feeling, Oh, when it’s my time, I will do it, too.”

He’s excited that two more Omaha theater nerds, actresses Roni Shelley Perez and Bailey Carlson, recently made the big move to NYC.

“I hope that line continues.”

He’s not forgetting where it all started for him.

“I thank Omaha in so many ways for having prepared me and supported me. It’s really great to know they have my back. I plan to be back every summer for the Great Plains Theatre Conference.”

He was back for this year’s GPTC, where his star Yale prof, Sara Ruhl, was the honored playwright. He also had a reading of his You Will Get Sick at the Shelterbelt.

He wishes playwrights had more showcases here.

“There are not many places for playwrights to go and yet these playwrights continually write and persevere to tell the stories they need to tell. That tenacity and initiative to write in a town that isn’t always ready to hear the stories they do write is exciting to me.

“What I love about the playwrights in our community is that so often it’s not about accolades or attention but rather generating and creating pieces of art important to them. That’s something I try to do. I try to tap into whatever it is I personally need to tap into.”

One of his Yale plays, The Guadalupes, cuts closer to his life than anything he’s written. It explores questions he has about his own racial identity and his relationship with the Hispanic side of his family.

“It’s about my grandmother, my grandfather and my father and mother. It’s this deeply personal play about being both white and Hispanic and the irreconcilable differences between the two. It deeply affected me. It was well received, which was great.

“I think for any writer of any form the history that you carry will always seep into the work. But this one was directly about my family, so that was a first for me. I don’t know if l’ll be doing that again anytime soon, but I did get that one out of my system.”

As things continue moving fast for him, he takes comfort in the surety his Yale degree will mean something.

“We’re told that regardless of what you think your personal career trajectory will look like, you will be working in your chosen field. They’re not promising us Tony Awards or Pulitzer Prizes, but having gone to this university and through this program, I will be able to live and work and pay my bills as a writer.”

“That (prospect) is so fulfilling and rewarding to me.”

Follow him on Facebook (www.facebook.com/public/Noah-Diaz) and Twitter (twitter.com/diaz_noah).

Read more of Leo Adam Biga’s work atleoadambiga.com.

2017 Nebraska Book Festival: Saturday, July 15 in Lincoln


Source: Announcing the Nebraska Book Festival

I am proud to be a part of the 2017 Nebraska Book Festival this weekend in Lincoln’s Union Plaza. The Saturday, July 15 event is an all-day (9 a.m. to 6 p.m.) celebration of the written word featuring presentations by several Nebraska authors, including yours truly. As the following description explains, I will share my writer’s life as an author-journalist-blogger. Since the figure and subject of Alexander Payne plays a prominent part in my career, I will discuss my book “Alexander Payne: His Journey in Film” and sign copies of it.

2:15-3:15 p.m.
Jane Snyder Trails Center
“My Adventures as a Nonfiction Book Author, Freelance Journalist and Compulsive Blogger” with Leo Adam Biga

Sponsored by Nebraska Writers Guild

Veteran Omaha writer Leo Adam Biga has done a little of everything in his career. He started in public relations in the arts and athletics fields, then became a freelance journalist for business and health publications. His work today as a contributing writer for newspapers, magazines and online sites ranges across many topics – from boxing to books and movies to food to social justice issues. His extensive work on Oscar-winning filmmaker Alexander Payne is the basis of his book Alexander Payne: His Journey in Film, one of a handful of books that Biga has written. He will share insights into what the life of a full-time writer entails, including its challenges, rewards and opportunities.

Click links for the complete schedule of author presentations and festival events and activities.

I hope to see some of my Lincoln friends there. And if any of you from Omaha can make it, so much the better.

Wish I could make it to the festival kick-off party the evening of Friday, July 14, but my schedule won’t allow it. Hope to see you there on Saturday.

NBF_Flyer_Final2

FREELANCE WRITING ACADEMY SEMINAR – Now Taking Bookings


FREELANCE WRITING ACADEMY SEMINAR – Now Taking Bookings
Presented by Leo Adam Biga

Author of “Alexander Payne: His Journey in Film,” “Crossing Bridges: A Priest’s Uplifting Life Among the Downtrodden,” “Nebraska Methodist College at 125: Scaling New Heights”

Contributing writer to The Reader, Omaha Magazine, Metro Magazine. New Horizons, Food & Spirits Magazine

Blogger at Leo Adam Biga’s My Inside Stories and My Inside Stories
“I write stories about people, their passions and their magnificent obsessions”

For all you emerging and aspiring writers out there, I offer a 3-hpur Freelance Writing Academy Seminar at a reasonable group rate.

Perhaps your rotary or sororiety or other community organization would like to have me present. Or perhaps your local public library branch, book store. school, church or book club would like to schedule me.

The seminar is based on what I have done and learned as a full-time author-journalist-blogger and how it might apply to your own writing goals.

Now taking bookings.

My presentation will cover:
•Preparing yourself to be a writer
•Finding your writer’s voice
•Cultivating story ideas
•Pitching and marketing your work
•Developing and maintaining a client base
•Getting published
•Supplementing your income and even making a living as a freelancer

I leave plenty of time for queations and discussion.

Together, let’s activate and maximize your writing life.

For details, price and bookings, Inbox me or email me at leo32158@cox.net or call me at 402-445-4666.

North Omaha Summer Arts – Women’s Writing 7


Our 7th summer of North Omaha Summer Arts (NOSA) is just around the corner and we cannot wait to serve you all.

Our first class is Women’s Writing 7 – “A further journey into Being Published”
Held weekly on Wednesdays, beginning June 7th and running through July 26th.

All events are free and open to the entire community.

See details by clicking the poster below.

 

Lisa Haselton’s interview with writer Leo Adam Biga

January 27, 2017 Leave a comment

Thanks to author Lisa Haselton for featuring this interview with me on her popular blog Lisa Haselton’s Reviews and Interviews. Be sure to visit her site and support it. She has a wealth of rich content related to authors, books and other writing things.

Lisa Haselton’s Reviews and Interviews

Award-winning blog for book reviews, author interviews, and anything writing-related.

Interview with writer Leo Adam Biga

Writer Leo Adam Biga joins me to chat about his film book–

Alexander Payne: His Journey in Film”:

 

 

Bio:

Author-journalist-blogger Leo Adam Biga resides in his hometown of Omaha, Nebraska. His articles appear in various newspapers and magazines as well as on his popular blog, leoadambiga.com, and Facebook page, My Inside Stories. His work has been recognized by his peers at the local, regional and national levels. He was the 2015 recipient of the Andy Award for international journalism from his alma mater, the University of Nebraska at Omaha. That grant supported his reporting mission to Uganda and Rwanda, Africa in the company of professional world boxing Terence Crawford of Omaha and Pipeline Worldwide director Jamie Nollette.

Biga is the author of several books, including “Alexander Payne: His Journey in Film” and “Crossing Bridges: A Priest’s Uplifting Life Among the Downtrodden”. Biga’s reporting and writing about Payne has made him a recognized expert on the Oscar-winning filmmaker (“Sideways“, “Nebraska”) from Omaha. His latest book is “Nebraska Methodist College at 125: Scaling New Heights” – a history of the Omaha-base college of nursing and allied health celebrating 125 years.

The writer is developing the Nebraska Screen Heritage Project as a multimedia celebration of native Nebraskans in the film and television industry. He is also developing a book about Omaha’s Black Sports Legends.

Welcome, Leo. Please tell us about your current release.

Articles and essays take you deep inside Alexander Payne’s creative process. This second edition includes significant new material related to his last film “Nebraska” and his highly anticipated new film “Downsizing,” It also features the addition of a Discussion Guide with Index.

Payne fans will appreciate the extensive interviews-stories that follow the arc of the writer-director’s career from brash upstart to consummate filmmaker at the head of the Indiewood movement.

Film historian Thomas Schatz (“The Genius of the System”):

“This is without question the single best study of Alexander Payne’s films, as well as the filmmaker himself and his filmmaking process. In charting the first two decades of Payne’s remarkable career, Leo Adam Biga pieces together an indelible portrait of an independent American artist, and one that’s conveyed largely in the filmmaker’s own words.”

Leonard Maltin:

“Alexander Payne is one of American cinema’s leading lights. How fortunate we are that Leo Biga has chronicled his rise to success so thoroughly.”

Alexander Payne:

“Throughout many years of being interviewed, I find Mr. Biga’s articles about me to be the most complete and perceptive of any journalist’s anywhere. They ring true to me, even in critique, in a way that reveals the depth of his talent in observation, understanding and expression.”

What inspired you to write this book?

In covering Alexander Payne more than a decade and a half I accumulated a large body of work about someone I saw go from a promising newcomer few heard of and whose first two films were not much seen to an accomplished filmmaker recognized around the world. The book collects my journalism about Payne and his journey in film, thereby preserving my work about him in an enduring, hard-bound fashion and thereby contributing my take on this important film artist.

Excerpt from “Alexander Payne: His Journey in Film”:

Even though Alexander Payne demonstrates time and again that commercial considerations mean very little to him, following the breakaway success of The Descendants (2011) there was every reasonable expectation he might lean a bit more again in the direction of mainstream with his next film. I say again because I count The Descendants as a conventional, even mainstream work even though its protagonist rails against his comatose wife and sets out to wreck the life of the man she was cheating with, all the while trying not to lose it with his two grieving daughters in tow.

Payne soon quashed any notion of playing it safe when he announced the small, insular back roads comedy-drama Nebraska (2013) as his new feature project. It did not help its bottom line chances that the film is set in rural Nebraska, which for most filmgoers may as well be the dark side of the moon for its unfamiliarity, remoteness, and perceived barrenness. Indeed, if Nebraska conjures any image at all it is of endless cornfields, cows, and monotonously flat, uninspired scenery. When the story laid over such a setting features a confused, depressed old cuss alienated from family and friends and wandering around in a bleak wasteland made even bleaker by black and white photography and desolate late fall, post-harvest locations, it does not exactly engender excitement. The prospect of a dour, feel-bad experience devoid of life and color does not get tongues a-wagging to generate the all important buzz that sells tickets.

Of course, anyone who has seen Nebraska knows the film is not the downer it may appear to be from glimpsing a thirty second trailer or hearing a thirty second sound bite, but that it is ultimately a sweet, deeply affecting film filled with familiar truths amid its very Nebraskaesque yet also quite universal archetypes.

Payne’s insistence on shooting in black and white was a completely legitimate aesthetic choice given the storyline and tone of this stark, autumnal mood piece about an old man having his last hurrah. But it also meant a definite disadvantage in appealing to average or general movie fans, many of whom automatically pass on any non-color film.

Compounding the aversion that many moviegoers have with black and white is the fact that most studio executives, distributors, and theater bookers share this aversion, not on aesthetic grounds, but based on the long-held, much repeated argument that black and white films fare poorly at the box office. Of course, there is a self- fulfilling prophecy at work here that starts with studio resistance and reluctance to greenlight black and white features and even when a studio does approve the rare black and white entry executives seem to half-heartedly market and release these pics. It is almost as if the bean counters are out to perversely prove a point, even at the risk of injuring the chances of one of their own pictures at finding a sizable audience. Then when the picture lags, it gives the powerbrokers the platform to say, I told you so. No wonder then – and this is assuming the argument is true – most black and white flicks don’t perform well compared with their color counterparts. Except, how does one arrive at anything like a fair comparison of films based on color versus black and white? Even if the films under review are of the same genre and released in the same period, each is individually, intrinsically its own experience and any comparison inevitably ends up being a futile apples and oranges debate. Besides, there are exceptions to the supposed rule that all black and white films struggle. From the 1970s on The Last Picture Show, Paper Moon, Young Frankenstein, Manhattan, Raging Bull, Schindler’s List, Ed Wood, and The Artist are among the black and white films to have found wide success. It is admittedly a short list but it does prove black and white need not be a death sentence.

To no one’s surprise Paramount did what practically any studio would have done in the same situation, which was to fight Payne on the black and white decision. In no uncertain terms Payne wanted to make Nebraska in black and white and just as adamantly the studio wanted no part of it. He pushed and they pushed back. He would not compromise his vision because from the moment he first read Bob Nelson’s screenplay he clearly saw in his mind’s eye the world of this story play out in in shades of black and white. It just fit. It fit the characters and the settings and the emotions and as far as he was concerned that was that. No questions asked. No concessions made.

What exciting story are you working on next?

At any given time there are interesting journalism and other narrative-based projects that arise. Much of my work as a journalist entails writing about various arts-culture subjects. I also write a fair amount on social justice issues. On occasion I travel for my work. I once went to North Dakota to research a set of stories about a campus serving developmentally disabled individuals. I participated in a baseball tour of the Midwest that resulted in a first-person story I wrote about the tour group’s visits to various baseball shrines and stadiums in a five-state region. I spent a week on the set of Alexander Payne’s Sideways in the Santa Barbara region and wrote a series of stories from that experience. I traveled with a group of folks from Omaha to the first Obama inauguration in D.C. and filed a story about that. I have been out to Los Angeles a number of times related to my reporting on Payne and his films. In 2015 I received a grant for international journalism that funded my reporting mission to Uganda and Rwanda, Africa with world boxing champion Terence Crawford. This past summer I made my first visits to the American South and I wrote a number of posts about the experiences on my blog and Facebook page.  In 2017 I hope to travel to New York or Toronto for the North American premiere of Payne’s new film Downsizing starring Matt Damon.

When did you first consider yourself a writer?

I suppose I began thinking that way in college, though I didn’t do all that much writing then. it really wasn’t until some years after college, having worked in public relations and then beginning to freelance as a journalist, that I identified as a writer. But it still took me a few years to say the words “I am a writer” without stumbling over them.

Do you write full-time? If so, what’s your work day like? If not, what do you do other than write and how do you find time to write?

Yes, I do write full-time. Like most writers, much of my time is not taken up with writing per  se, but rather with the different things that prepare me to write (interviews, research) and sustain my writing (pitching, marketing). There’s a fair amount of correspondence and phone conversation that takes place between myself and editors.

My writing schedule depends on what else I have going on in terms of interviews and such. It also depends on what kind of writing I’m doing . If it’s a book, I try to plan writing on certain days and even during certain times of the day when I know I’ll be able to devote some undivided attention to the project. If it’s an article, then it’s a bit more haphazard and directed in part by deadlines. If it’s a blog or Facebook post, then it’s much more in the moment and as the spirit moves me. With any of these forms of writing though, I might be at the keyboard in the morning, afternoon or evening.

What would you say is your interesting writing quirk?

As a nonfiction writer I depend on primary interviews for my source material and I am a stickler for recording all my interviews and transcribing them myself.

As a child, what did you want to be when you grew up?

I don’t recall ever really thinking in those terms as a child. I am also sure I would never have considered being a writer if not for some teachers in elementary and high school who encouraged me. There were a couple professors in college who also influenced me to follow this path.

Anything additional you want to share with the readers?

Most of my original writing these days is actually done for my blog and Facebook page. But those sites also serve as an archive and new platform for my previously published work. If your readers want a real sense for who I am as a person and as a writer, I encourage them to visit those sites.

Links:

Blog | Facebook | Amazon

Thank you for being here today, Leo.

Posted by Lisa Haselton at 12:02 AM

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Labels: Alexander Payne: His Journey in FilmArtsauthor interview,EntertainmentFilmLeo Adam Biga

About Lisa

Lisa Haselton
I’m a NH native and love New England. I love writing about the region, exploring it on foot, on my bicycle, and in my car. There are so many small communities and fun and interesting people in this area, that I could be here a lifetime and not do all it is I want to do. 🙂

I’m a writer because I have a passion for words. I write YA and adult fiction, favoring all flavors of mysteries and I enjoy dark fiction. I belong to Sisters in Crime and Sisters in Crime – New England (SinCNE) and I’m a regular contributor to the SinCNE blog. My favorite mystery writing conference is the annual New England Crime Bakeheld each November in Boston.

I interview authors at Lisa Haselton’s Reviews and Interviews. All reviews are my own opinion. For interviews, you can contact me at ReviewsAndInterviews (at) gmail (dot) com.

I’m a moderator at The Writer’s Chatroom that hosts live chats with guest authors on Sunday nights 7-9PM EST. Join the e-mail list to get notifications of upcoming guests, then stop in and join the conversation!

View my complete profile

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