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Expressionistic images by Elisa Morera Benn

December 26, 2018 Leave a comment

 

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Expressionistic images by Elisa Morera Benn

©by Leo Adam Biga

Originally published in El Perico (el-perico.com)

Costa Rica native Elisa Morera Benn of Omaha has been making art infused with the colors and passions of her tropical Central American homeland since childhood.

“All my life my surroundings have been full of contrasts. Shades of green, red, orange, a whole range of intensities and feelings. It is impossible to separate artists from their visual and emotional environment,” she said.

She’s one of four siblings born to a customs agent father and stay-at-home mother.

“My father worked hard to give his children a private education. He later managed to open his own business.”

Benn studied with masters. Each gave her something that grew her as an artist.

“With Francisco Alvarado Avella, I learned the eroticism that always covered his paintings. With Soraya Goicoechea the realism of the portrait. With Max Rojas, the use of expressionism. With Isabel Naranjo, realism. With Rodolfo Rocha, I learned how to mix all these techniques.”

Her work’s shown internationally at the Louvre Museum in Paris, France and at galleries and museums in Fabriano, Italy, Juarez, Mexico, Toronto, Canada and Houston, Texas.

Since moving to America with her husband, Dr. Douglas Benn, an adjunct professor at the Creighton University School of Dentistry, she’s consistently shown her work in Nebraska. She recent exhibited at the Artists Cooperative Gallery in the Old Market. She has work at the Burkholder Project in Lincoln. She’ll show some pieces at her studio during the Hot Shops open house in December.

She and her husband reside in a near downtown home accented by her own art and by artwork they’ve collected. The couple met five years ago in Costa Rica when he visited there. They married three years ago.

Benn was no stranger to America, where she traveled on school vacations and visited an aunt in Florida.

“Once I moved here, I fell in love with Omaha, which is full of art.”

As a girl in Costa Rica a school teacher and a newly arrived classmate from Cuba affirmed her talent.

“All my life I have painted and drawn,” said Benn, who found her voice in art.

“My formal studies were in architecture but I didn’t finish. But always the drawing was in my blood,”

Like any artist, she finds inspiration in many sources. The paintings of Austrian symbolist painter Gustav Klimt and his use of gold leaf foil are particularly influential.

“Klimt’s symbolism seems extraordinary to me – the way he uses symbolism and geometric patterns, which I always use in my work.”

Expressionism best describes her style, though she incorporates elements of surrealism as well.

“We live in anxiety about humanity’s increasingly discordant relationship with the world and accompanying lost feelings of authenticity and spirituality. I am an expressionist and as such support the rebellion to be free from academic restrictions. I want to be free in the way I express myself.”

The style fits her temperament and vision.

“These techniques were meant to convey the emotional state of my feelings and my art reacting to the anxieties of the modern world with all the problems of this particular period of time. This style allows me to have that freedom of expression.

“True art always causes an emotion in the spectator. When I succeed in transmitting the feeling I want to reflect in my painting to the viewer then I feel I have achieved my goal.””

She often deals with women’s emotional states in her work.

“Capturing the emotions and feelings reflected in a face is a challenge. I achieve feeling THROUGH a painting. Reflecting the model’s expression of joy, sadness, excitement, sensuality, for me is a challenge that I like.”

When dealing with women subjects she uses eroticism to capture mood and atmosphere.

“Why not? These feelings are part of human beings.”

After all, she said, seduction and mysticism are well known ways to captivate viewers.

“There are many ways to convey eroticism,” she said. “All of Georgia O’Keefe’s work is wrapped in eroticism and sensuality in a very subliminal way. Then there are the very criticized erotic drawings of (Gustave) Courbet’s realism, which is not my message, nor my style. I prefer the model of the painting have the expression and leave the rest to the imagination.

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Benn’s imagination sometimes supplies the human figures in her work. Other times she works from live models.

“The imaginary models are easier to work with. When one makes a painting of a live model, more is known by friends and family, so the level of accuracy has to be higher, which is more difficult. Normally everyone has a mental image of how we see ourselves, so to satisfy the model and also make the painting in your style, it’s quite a challenge.”

She makes her paintings directly on wood and enjoys the texture the surface gives her work.

“I really like how the lines of wood are mixed inside the face of my paintings. When I paint on canvas, the backgrounds go with the personality of the models. For example, I painted a friend who is a metal sculptor, so her surroundings have to be where she was born here in the USA and what she does.”

Visit http://www.artistamorera.com.

Read more of Leo Adam Biga’s work at leoadambiga.com.

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El Museo Latino: A Quarter Century Strong

September 23, 2018 Leave a comment

El Museo Latino: A Quarter Century Strong

©by Leo Adam Biga

Originally appeared in The Reader (www.thereader.com)

 

El Museo Latino

 

 

 

 

 

 

 

 

 

 

Omaha’s a livelier place today than 30 years ago because Individuals noted cultural voids and put their passion, reputation or money on the line to create iconic attractions. Blue Barn Theatre, The Waiting Room, Slowdown, Film Streams, Kaneko, Holland Performing Arts Center, Union for Contemporary Art and Gallery 1516 are prime examples.

Count El Museo Latino among the signature venues in this city’s cultural maturation. Founder-director Magdalena “Maggie” Garcia noted a paucity of Latino art-culture-history displays here. Like other place-makers, she didn’t wait for someone else to do something about it. Acting on her lifelong interest in Latino heritage, she left a business career to learn about museums and in 1993 she launched her nonprofit.

El Museo Latino got its humble start in a 3,000 square foot basement bay of the Livestock Exchange Building. The stockyards were still active, making pesky flies and foul smells a gritty nuisance. Volunteers transformed the grimy old print shop space in 34 days for El Museo Latino to open in time for Cinco de Mayo festivities.

Five years later she led the move from there to the present 18,000 square foot site at 4701 South 25th Street in the former Polish Home. Growth necessitated the relocation. As the museum consolidated its niche, it expanded its number of exhibits and education programs. It hosts events celebrating traditional art, dance, music, film and ethnic food.

The museum launched amidst the South Omaha business district’s decline. It prospered as the area enjoyed a resurgence of commerce – finding community and foundation support. From 1993 till now, Garcia’s nurtured a passionate dream turned fledgling reality turned established institution. In celebration of its 25th anniversary, El Museo Latino is hosting a Saturday, October 13 Open House from 11 a.m. to 2 p.m.

Visitors can view a special contemporary textiles exhibition by Mexican artist Marcela Diaz along with selections from the permanent collection.

A quarter century of presenting national-international traveling exhibits and bringing visiting artists, scholars and curators only happened because Garcia didn’t let anything stop her vision. She didn’t ask permission, She didn’t heed naysayers who said Omaha didn’t need another museum. She didn’t delay her dream for her board to find a more suitable space or to raise money.

“My attitude was, let’s get something established instead of waiting for funding, for a different space, for this or that. I just thought we needed to do it now – and so we went ahead, Besides, who’s going to give us the authority to say what we can have and not?”

Retired University of Nebraska at Omaha arts education administrator Shari Hofschire lays the museum’s very being at the feet of Garcia.

“Maggie Garcia’s passion is the building block of its 25 year history. She doggedly fundraised and programmed. She recognized the need for a community-cultural identity just as South Omaha was growing with new residents.”

Hofschire added the museum’s now “a catalyst for both the past traditions of Latino history and culture and future opportunities for the South Omaha community to express itself and expand its cultural narrative.”

As a founding board member, David Catalan has seen first-hand the transformation of Garcia’s idea into a full-fledged destination.

“Underlying the foundation of El Museo Latino’s success was Maggie’s leadership and outstanding credentials in the arts  Her outreach skills harvested financial support in the form of foundation grants and corporate sponsorships,” Catalan said. “Her organizational acumen created a governing board of directors, each with resources necessary for achieving strategic objectives. The museum’s programs and exhibits drew rapid membership growth as well.

“Today, El Museo Latino is a treasured anchor in the cultural and economic development of South Omaha. Another 25 years of sustainability is assured so long as Maggie Garcia continues to be the face of inspiration and guidance.”

Garcia spent years preparing herself for the job. She performed and taught traditional folk dance. She collected art. She met scholars, curators and artists on visits to Mexico. After earning an art history degree, she quit her human resources career to get a master’s in museum studies and to work in museums. Seeing no Latino art culture, history centers in the region, she created one celebrating the visual and performing arts heritage of her people.

She’s seen El Museo Latino gain national status by receiving traveling Smithsonian exhibits. One brought actor-activist Edward James Olmos for the Omaha opening. The museum’s earned direct National Endowment for the Arts support.

In 2016, Garcia realized a long-held goal of creating a yearly artist residency program for local Latino artists.

Her efforts have been widely recognized. In 2015 the Mexican Government honored her lifetime achievement in the arts.

With the museum now 25 years old and counting, Garcia’s excited to take it to new heights.

“I don’t want us to just coast. I don’t want it to get old for me. For me the excitement is learning and knowing about new things – even if it’s traditions hundreds of years old we can bring in a new way to our audiences.

“We want to continue to challenge ourselves and to always be relevant by finding what else is out there, where there is a need, where do we see other things happening. Hopefully that’s still going to be the driving force. It has to be exciting for us. We have to be passionate about it. Then how do we bring that interest, love and passion to do what we said we’re going to do and to make it grow and fulfill needs in the community.”

She cultivates exchanges with Mexican art centers and artists to enrich the museum’s offerings. A key figure in these exchanges is artist-curator Humberto Chavez.

“We have connections with artists and centers in different parts of Mexico because of him,” she said. “He’s a professor of art in Mexico City and he was head of all the art centers throughout the country. He’s very well connected. That’s a huge window of opportunity for our artists here and a real plus with our residency.

“We’re not just giving artists a place and time to work and a stipend, but trying to provide them some other opportunities they wouldn’t necessarily be able to get.”

She said she hopes “to expand our network of working with other institutions as well as other artists “

Besides exposing artists and patrons to new things, Maggie’s most pleased when art connects with youth.

“I had a group of elementary students come in to see an exhibition of traditional shawls, Some of the boys and girls said, ‘What are those things doing here?’ Then as I talked about the different fabrics and colors, how the shawls are worn, what they mean, how they’re created, all of a sudden the kids were oohing and aahing at the rainbow of materials and history..

“When we came to a map of Mexico showing where the shawls were made, the kids were asking each other, ‘Where are you from?’ One said, ‘I don’t know where I’m from, but I’m going to go home and ask.’ Another pointed at the map and said, ‘Well, I’m from that state.’ Suddenly, it was accepted by their peers and so it was okay to value who they are.

“I see that all the time here. It’s very satisfying.”

Satisfying, too, is seeing the fruition of her dream reach 25 years.

“The journey has been an adventure. It hasn’t been easy. There’ve been challenges, but I thrive on challenges. If someone says, this is the way it’s been done forever, all the more reason to say, why not make a difference.”

Visit http://www.elmuseolatino.org.

Read more of Leo Adam Biga’s work at leoadambiga.com.

Life Itself XIV: Art stories through the years

August 4, 2018 Leave a comment

Life Itself XIV: Art stories through the years

Brigitte McQueen Shew

 

 

Free North Omaha Summer Arts Crawl features variety of art forms – Friday, August 10 at select North 30th Street Corridor venues

https://leoadambiga.com/2018/07/25/free-north-omaha…-corridor-venues

Process equals passion for migrant Bemis resident artist Trevor Amery

https://leoadambiga.com/2018/03/08/process-equals-p…ist-trevor-amery

Sculptor Benjamin Victor gives shape to Ponca Chief Standing Bear’s enduring voice

https://leoadambiga.com/2018/05/01/sculptor-benjami…s-enduring-voice

Mural Man – Artist Mike Giron captures heart of South Omaha

https://leoadambiga.com/2017/05/02/mural-man-artist…t-of-south-omaha

A Fluid Life: Dana Oltman Goes With the Flow

https://leoadambiga.com/2018/08/03/a-fluid-life-dan…es-with-the-flow

New Artist Residency Program at El Museo Latino supports the practice of local Latino artists

https://leoadambiga.com/2016/06/10/new-artist-resid…l-latino-artists/

Art in the heart of South Omaha

https://leoadambiga.com/2017/09/22/art-in-the-heart-of-south-omaha

 

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©“Crucifixion”  triptych by Leonard Thiessen

 

 

 

Brigitte McQueen Shew’s Union of art and community uses new Blue Lion digs to expand community engagement

https://leoadambiga.com/2017/06/26/brigitte-mcqueen…unity-engagement/

South Omaha Museum: A melting pot magic city gets its own museum

https://leoadambiga.com/2017/04/13/a-melting-pot-ma…s-its-own-museum

Artist Erin Blayney: The Great Reveal

https://leoadambiga.com/2018/08/03/artist-erin-blay…the-great-reveal/

Omaha Fashion Week & SAC Federal Credit Union: Building the fashion eco-system via business focus

https://leoadambiga.com/2015/08/05/omaha-fashion-we…a-business-focus

Leonard Thiessen social justice triptych deserves wider audience

https://leoadambiga.com/2017/01/21/leonard-thiessen…s-wider-audience

 

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img_4248 ©Crosses and prayer stations by Pamela Jo Berry and pottery by Katie Cramer

 

 

Harmonious, luminescent pairing of art – “Prayer” and “Share” – on exhibit at Florence Mill ArtLoft Gallery

https://leoadambiga.com/2016/09/12/harmonious-lumin…-artloft-gallery

Mural project celebrates mosaic of South Omaha culture

https://leoadambiga.com/2016/07/19/mural-project-ce…th-omaha-culture/

 

 

Los Dias de Los Muertos festival offers three weeks of exhibits and events

https://leoadambiga.com/2015/10/16/los-dias-de-los-…ibits-and-events

My Joslyn Art Museum Community Pick is Thomas Hart Benton’s “The Hailstorm”

https://leoadambiga.com/2015/08/03/my-joslyn-commun…s-picked-and-why

Bright Lights: Teen designer Ciara Fortun mines Filipino heritage in Omaha Fashion Week collection

https://leoadambiga.com/2016/07/29/bright-lights-te…-week-collection

 

Yolanda Diaz success story with Little Miss Fashion nets her new recognition

https://leoadambiga.com/2016/05/05/yolanda-diaz-suc…-new-recognition

Yolanda Diaz works on a skirt in her Little Miss Fashion shop in Omaha. (©Photo by Mike Tobias, NET News)

 

 

The Designers: Omaha’s Emerging Fashion Culture

https://leoadambiga.com/2014/02/02/the-designers-om…-fashion-culture

A Passion for Fashion: Omaha Fashion Week emerges as major cultural happening

https://leoadambiga.com/2010/09/21/a-passion-for-fashion

Coming Home: Watie White’s public art installation tells stories of North Omaha home and family

https://leoadambiga.com/2013/02/07/coming-home-wati…-home-and-family

Art and community meet-up in artist’s public projects; Watie White mines urban tales

https://leoadambiga.com/2014/09/24/art-and-communit…ines-urban-tales

 

Home exterior art installation by Watie White

 

 

The Artist in the Mill: Linda Meigs brings agriculture, history and art together at Florence Mill

https://leoadambiga.com/2014/08/01/linda-meigs-brin…at-florence-mill/

Opera Omaha enlists Jun Kaneko for new take on “The Magic Flute” –  co-production of Mozart masterpiece features stunning designs setting the opera world abuzz

https://leoadambiga.com/2013/02/01/opera-omaha-enli…pera-world-abuzz

Isabella Threlkeld’s lifetime pursuit of art and Ideas yields an uncommon life

https://leoadambiga.com/2010/08/04/isabella-threlke…an-uncommon-life

 

Isabella (Byrne) Threlkeld

Isabella Threlkeld

 

 

Omaha arts-culture scene all grown up and looking fabulous

https://leoadambiga.com/2011/03/06/omaha-arts-culture-scene-grows-up

Artists running with opportunity to go to the next level; Carver Bank resident artists bring new life to area

https://leoadambiga.com/2013/05/20/artists-running-…new-life-to-area

Carver Building rebirthed as arts-culture haven; Theaster Gates, Rebuild and Bemis reimagine North Omaha

https://leoadambiga.com/2012/12/05/carver-building-…gine-north-omaha

North Omaha synergy harkens new arts-culture district for the city

https://leoadambiga.com/2012/06/26/a-synergy-in-nor…ict-for-the-city

 

Inaugural group of Carver Bank resident artists

 

 

Change is gonna come: GBT Academy in Omaha undergoes revival in wake of fire

https://leoadambiga.com/2011/06/14/a-change-is-gonn…the-wake-of-fire

Community-builders Jose and Linda Garcia devote themselves to a life promoting Latino art, culture, history

https://leoadambiga.com/2012/09/30/community-builde…-culture-history

The Wonderful World of Artist and Social Entrepreneur Jeffrey Owen Hanson

https://leoadambiga.com/2013/01/01/the-wonderful-wo…frey-owen-hanson

Matter of the heart: Pamela Jo Berry’s love for community brings art fest to North Omaha

https://leoadambiga.com/2013/08/08/pamela-jo-berry-…-in-diverse-work

Old Market Pioneer Roger duRand

https://leoadambiga.com/2012/12/26/old-market-pioneer-roger-durand

 

©Work by Wanda Ewing

 

 

Wanda Ewing Exhibit: Bougie is as Bougie Does 

https://leoadambiga.com/2013/12/08/wanda-ewing-exhi…s-as-bougie-does

Color Me Black, Artist Francoise Duresse Explores Racial Implications 

https://leoadambiga.com/2012/06/17/color-me-black-a…ications-of-race

Artist-Author-Educator Faith Ringgold, A Faithful Conjurer of Stories, Dreams, Memories and History

https://leoadambiga.com/2012/04/18/artist-author-ed…ries-and-history

Old Market-based artist Sora Kimberlain: A life in art

https://leoadambiga.com/2012/07/20/old-market-based…in-a-life-in-art

Artist Claudia Alvarez’s new exhibition considers immigration

https://leoadambiga.com/2012/03/23/artist-claudia-a…ders-immigration

For artist Terry Rosenberg, the moving human body offers canvas like no other

https://leoadambiga.com/2012/03/23/for-artist-terry…as-like-no-other

 

 

©Works by Terry Rosenberg

 

 

Fine art photographer Vera Mercer’s coming out party

https://leoadambiga.com/2012/02/18/artist-vera-merc…coming-out-party

Exhibit by photographer Jim Krantz and his artist grandfather, the late David Bialac engages in an art conversation through the generations

https://leoadambiga.com/2011/10/28/photographer-jim…-the-generations/

 

A very young Jim Krantz with iconic mentor, Ansel Adams, ©photo Jim Krantz

 

Touched by Tokyo: Hairstylist to the Stars Tokyo Stylez

https://leoadambiga.com/2016/08/27/touched-by-tokyo…ars-tokyo-stylez/

The Troy Davis Story: From Beyond the Fringe to Fringes Salon

https://leoadambiga.com/2012/12/27/the-troy-davis-s…to-fringes-salon/

Hair stylist-makeup artist Omar Rodriguez views himself as artisan

https://leoadambiga.com/2015/05/13/hair-stylist-mak…mself-as-artisan/

Young artist steps out of the shadows of towering presence in his life

https://leoadambiga.com/2011/09/03/a-young-artist-s…ence-in-his-life/

Eddith Buis, A Life Immersed in Art

https://leoadambiga.com/2012/06/11/eddith-buis-a-life-immersed-in-art/

Artist Bernard Stanley Hoyes explores the lamentations and celebrations of Jamaican revival worship

https://leoadambiga.com/2011/08/28/artist-bernard-s…-revival-worship

 

Flow with the Rhythm, ©Bernard Stanley Hoyes (the Lamentations and Celebrations of Jamaican Revival Worship) -“The intention is to show where we gather our strength in all the trials and tribulations we have to endure. The strength comes from the commonality of our spiritual seeking. That’s one of the reasons I group the figures together and put them kind of like solid. They feel like one. You need all these bodies together to evoke the strength of what it takes to have a spiritual community.":

©”Flow with the Rhythm” by Bernard Stanley Hoyes

 

 

Catherine Ferguson’s exploration takes her to Verdi’s “Aida” and beyond

https://leoadambiga.com/2010/08/01/artist-catherine…-aida-and-beyond

Therman Statom works with children to create glass houses and more

https://leoadambiga.com/2010/05/31/glass-artist-the…kids-art-brigade

Blizzard Voices: Stories from the Great White Shroud

https://leoadambiga.com/2018/07/27/blizzard-voices-…eat-white-shroud

African presence in Spanish America explored in three presentations

https://leoadambiga.com/2012/03/25/african-presence…ee-presentations

Jose and Linda Garcia find new outlet for their magnificent obsession in the Mexican American Historical Society of the Midlands

https://leoadambiga.com/2012/03/25/jose-and-linda-g…-of-the-midlands

Timeless Fashion Illustrator Mary Mitchell: Her Work Illustrating Three Decades of Style Now Subject of New Book and Exhibition

https://leoadambiga.com/2012/01/07/timeless-fashion…k-and-exhibition/

 

Mary Mitchell in her studio, @photo Jim Scholz

 

 

A Passion for Conservation: Tara Kennedy

https://leoadambiga.com/2011/11/25/a-passion-for-co…ion-tara-kennedy

Nancy Kirk: Arts maven, author, communicator, entrepreneur, interfaith champion

https://leoadambiga.com/2011/10/21/nancy-kirk-arts-…erfaith-champion

Art as revolution: Brigitte McQueen’s Union for Contemporary Art reimagines what’s possible in North Omaha

https://leoadambiga.com/2011/10/25/art-as-revolutio…e-in-north-omaha

“Portals” opens new dimensions in performance art – Multimedia concert comes home for Midwest premiere

https://leoadambiga.com/2011/10/06/portals-opens-ne…midwest-premiere

Open Minds: “Portals” explores human longing in the digital age

https://leoadambiga.com/2011/04/15/open-minds-porta…-the-digital-age

 

©Triptych designed and painted by Bro. William Woeger

 

 

Soon Come: Neville Murray’s passion for Loves Jazz & Arts Center and its role in rebirthing North Omaha

https://leoadambiga.com/2011/08/28/soon-come-nevill…hing-north-omaha

Inner City Art Exhibition Tells Wide Range of Stories

https://leoadambiga.com/2011/09/01/an-inner-city-ex…range-of-stories

Art from the Streets

https://leoadambiga.com/2011/09/01/art-from-the-streets

Manifest Beauty: Christian Bro. William Woeger devotes his life to Church as artist and creative-cultural-liturgical expert

https://leoadambiga.com/2011/08/27/manifest-beauty-…-cultural-center

Photographer Larry Ferguson’s work is meditation on the nature of views and viewing

https://leoadambiga.com/2011/08/21/photographer-lar…iews-and-viewing/

Frederick Brown’s journey through art: Passage across form and passing on legacy

https://leoadambiga.com/2011/06/22/frederick-browns…ing-on-of-legacy

 

 

 

 

Jazz and blues artist Frederick J. Brown displays his painting “Stagger Lee,” in Kansas City, Mo.

 

 

A stitch in time builds world-class quilt collection and center-museum

https://leoadambiga.com/2011/06/21/a-stitch-in-time…nd-center-museum

Once More With Feeling: Loves Jazz & Arts Center back from hiatus 

https://leoadambiga.com/2011/05/05/once-more-with-f…back-from-hiatus

Adventurer-collector Kam-Ching Leung’s Indonesian art reveals spirits of the islands

https://leoadambiga.com/2011/06/14/adventurercollec…s-of-the-islands

 

 

©Indonesian art piece, collection of Kam-Chieng Leung

 

 

Kent Bellows Legacy Lives On

https://leoadambiga.com/2010/10/13/bellows-legacy-lives-on/

Kent Bellows: Soul in Motion

https://leoadambiga.com/2010/09/21/kent-bellows-soul-in-motion

Rebecca Herskovitz forges an art family at Kent Bellows Studio and Center for Visual Arts

https://leoadambiga.com/2010/10/13/rebecca-herskovi…-for-visual-arts/

 

 

 

 

 

 

 

©Self-portraits by Kent Bellows

 

 

Art for Art’s Sake: Bemis Center for Contemporary Arts

https://leoadambiga.com/2010/09/21/art-for-arts-sak…ontemporary-arts

Combat sniper-turned-art photographer Jim Hendrickson on his vagabond life and enigmatic work

https://leoadambiga.com/2010/08/30/combat-sniper-tu…d-enigmatic-work

Naturalist-artist John Lokke – In pursuit of the Timber Rattlesnake and In the footsteps of Karl Bodmer

https://leoadambiga.com/2010/09/02/naturalist-artis…s-of-karl-bodmer

 

©Painting by John Lokke

 

 

Art Missionaries, Bob and Roberta Rogers and their Gallery 72

https://leoadambiga.com/2010/06/19/art-missionaries

Photographer Monte Kruse pushes boundaries

https://leoadambiga.com/2010/08/22/photographer-mon…ushes-boundaries

From the Archives: Photographer Monte Kruse works close to the edge

https://leoadambiga.com/2011/10/13/from-the-archive…lose-to-the-edge

Artist Erin Blayney: The Great Reveal

August 3, 2018 1 comment

Artist Erin Blayney

The Great Reveal

Originally published in September-October 2016 issue

of Omaha Encounter magazine

Story by Leo Adam Biga

Photography by Bill Sitzmann

 

For visual artist Erin Blayney, who grew up in the great outdoors, it’s all about light and space. She has plenty of both at her Old Market apartment that doubles as her studio.

Natural light from six large, south-facing windows cascades over her easel and houseplants. “Not only is that perfect for the type of lighting I need to do my best work, it’s healthy for my overall well-being,” says Blayney.

erinblayney2Exposed brickwork, high ceilings, and an open floor plan contribute to a sense of spaciousness. Extra-wide windowsills provide great perches for her collection of succulents.

“I love nature and the outdoors,” she says. “This apartment allows me to integrate that love into my living quarters, and not feel cramped or experience cabin fever.”

Her spot above Urban Abbey in the historic Windsor Hotel building puts her right in the thick of things. “The Old Market for me is very welcoming, unique, and nourishes a diverse group of people of all ages and backgrounds,” she says. “It’s urban yet has some aspect of a small neighborhood as well.”

A Florida transplant and Art Institute of Chicago graduate, Blayney creates figurative drawings and paintings. She previously worked as an art preparator for California museums.

Her mother preceded her to Omaha to be near a sister, and Erin followed. “My mom lives three blocks away from me, so it’s wonderful to conveniently meet for coffee or go for a bike ride together,” she says.

This self-described “people person” is drawn to the human form. She variously works from live models or photographs.

“Drawing and painting people, mostly gestural, seems to be pretty consistent for me,” she says. “It’s capturing the physicality of a person expressed through facial expression or movement. I love capturing the realness of their character, even if it’s subtle.”

Recently, Omaha restaurant mogul Willy Theisen commissioned her portrait of his granddaughter for his new Paragon eatery in Dundee.

When approaching a new work, she says, “I never know how it’s going to look, so it’s a little adventurous. If I stop thinking about what I’m doing and just let it flow, it comes out naturally. That ‘diving into it’ mindset is what I have to be in for the work to really evolve. It’s mysterious.”

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Blayney’s work is not all figurative. “Occasionally, I’ll do still life,” she says, gesturing to an in-progress oyster shell rendered in a swirl of pastels. She is contemplating an oceanic-themed series motivated by her love of the water, marine life, and nature.

“I was brought up on water. I swam in the Gulf of Mexico. So that’s in my bones.”

In Omaha, she has twice worked at Jun Kaneko’s studio (most recently in 2006 as a painting assistant). Of the celebrated artist, she says, “We had a good connection. He’s very quiet, polite, observant, receptive. He was very trusting of me. Like when I did some mixing of colors, pigments—he trusted my instincts. I’m not a ceramicist, but I felt in my natural element.”

She feels at home in Omaha, where she says, “The connections I’ve made are so important.” The same for her day job at Alley Poyner Macchietto, where she curates art shows. She admires the local art-culture scene.

“I feel the creative community in Omaha is very supportive rather than super competitive. The friends I’ve made here are very authentic, genuine, and loyal.”

She enjoys what the Bemis and Joslyn offer as well as how “smaller, contemporary, progressive galleries like Project Project and Darger HQ are pushing the envelope. I’m a huge fan of Garden of the Zodiac. 1516 Gallery is just gorgeous.”

In the spring of 2016, Petshop Gallery in Benson exhibited her portraiture work. She regularly shows in the Bemis Benefit Art Auction and had a piece in the October 28 show (she described the colorful abstract portrait as “a little mysterious looking”).

Blayney also contributed to the Old Market Art Project; hers was one of 37 banners selected (from nearly 300 submissions) to be displayed outside the Mercer Building as renovations followed the M’s Pub fire.

“It’s an abstract painting that took forever,” she says. “There’s a lot going on in it. Finally, it just came together. I collaborated with another artist in the process of painting it, and then I finished it.”

She sees many opportunities for local artists in Omaha, but there is room for improvement, too. “There’s definitely room to grow—I’d like to see even more galleries because there’s so much talent here,” she says.

Going into the fall, several commission projects were “consuming” Blayney’s time. Her projects come from anywhere and everywhere. “Lately, it’s been more people coming to me and asking either for a portrait of themselves or of a family member. I can be surprised. I’ve given my card to someone and then a year later gotten a commission. It’s unpredictable.”

Visit erinblayney.com for more information.

Encounter

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A Fluid Life: Dana Oltman Goes With the Flow

August 3, 2018 1 comment

A Fluid Life

Dana Oltman Goes With the Flow

Originally published in November-December 2017 issue of Omaha Encounter magazine

Story by Leo Adam Biga

Photography by Bill Sitzmann

 

 

 

 

Fluid.

That’s how digital graphic designer and fine art painter Dana Oltman describes her aesthetic.

As art director for Identity Marketing Group (she was previously at Rebel Interactive) she fulfills client project wishes. She says her branding design work consistently features “minimal, simple, clean” looks that, well, flow.

“Fluid is what I love,” she says. “Fluid is where I’m at now.”

Her abstract expressionistic fine art, especially her poured art work, is all about the swirls and natural organic fades of liquid flows.

“Most of the paints I use are acrylics,” she says. “which have as their base water, and so they’re very fluid.”

She invariably listens to music when painting in order to activate or induce that state of flow.

“What I do is based on whatever mood I’m in,” she says. “While design is very rigid—I like to have a plan and justify everything I do—painting is exactly the opposite. I like to work with the medium, just pick a paint, pick some colors, and basically put it on a surface and see what it does. It’s very much working with my medium to get random results, trying to affect it minimally as I go, letting gravity and fluid dynamics do the rest. It’s all very in the moment.”

If she does manipulate the image, she says, it’s for texture, and in those cases she may apply etching materials, resin, linoleum carvers, and even a culinary blow torch.

The images she creates on masonry board or wood panels and, occasionally, on canvas are often expressions of things found in nature–everything from nebulas in outer space to severe storm skies.

Her favorite skies appear after a storm at sunset. “The clouds are stacking up to the east after they’ve already moved through and the sun is shining from the west and you have orange, yellow, purple, red—which is my favorite color palette,” she says.

Her natural hair color is red, and she often sports highlights in different shades from her favorite palette.

In August, she drove to Beatrice, Nebraska, to catch the total solar eclipse, and she knows it’s only a matter of time before it shows up in one of her paintings.

Music is another source of inspiration for Oltman, 26, who loves going to local live shows and festivals.

Occasionally, her work is featured at local concerts and entertainment events. She did a live painting of a musician at an Omaha Entertainment and Arts Awards showcase.

She’s also taken on art projects for local bands, including an album cover for The Big Deep.

Some of her paintings can be seen at Curb Appeal Salon & Spa in the Old Market. A broad sampling of her work is available on her website, danaoltman.com.

Additionally, she draws and makes photographs, which she shares on her Instagram page.

Other influences and inspirations range from high fashion to poetry. She did a multi-week study abroad in Japan learning that country’s visual culture. The Japan immersion naturally showed up in her work, and she intends returning one day.

She’s also a Francophile who’s visited Quebec, Canada, and France. She expects taking ever deeper dives into French culture and returning to France—the home base for her favorite art movement: Impressionism.

Oltman grew up in Bennington, Nebraska, and graduated with a fine arts degree from the University of Nebraska-Lincoln. She draws a clear distinction between graphic design and art activities. She loves both, but one’s her job and the other’s purely for pleasure. She likes the balance of producing on a schedule as part of an office team and creating art alone when she feels like it.

“Since I don’t have art hooked to a vocation, it’s in my court totally. I don’t have to rely on anyone,” she says. “If I don’t want to make stuff, I don’t make stuff. If I do, I do. It’s just totally free.”

On the design side, she’s finding her most satisfaction working on websites.

“It”s such an advancing field,” she says. “Websites are so versatile, and you can do so many things. And it’s just so nuanced. It’s a really pretty time for web design.”

Motion graphics and animation are two new areas she’s learning fast. Coding is another.

“I enjoy learning new things,” she says.
“I’m a learner.”

Oltman enjoys the meet-ups that the local American Institute of Graphic Arts chapter puts on, including BarCamp.

She also stays connected to the design community via social media.

As a self-identified millennial, she admits, “I definitely fit the label in respect to being super connected online, being liberal, wanting a meaningful career that isn’t too constricting and gives me creative output, focusing on experience over material things in life, etc.”

A couple years ago when legalizing same-sex marriage was struck down in Nebraska, Oltman made a graphic of the Husker “N” with the Human Rights Campaign logo imposed in it. “I’m for causes that focus on equal human rights,”
she says.

At UNL she was one of several art students who created a mural portrait of George Flippin, the first African-American athlete of note at the university. The mural adorns the campus multicultural center.

When not doing pro bono work for things she believes in, she donates to the American Civil Liberties Union and to disaster relief funds.

In whatever she does, she follows her passion. Her personal credo-tagline says it all:

“Doin’ me a life.”

This article appears in the November/December 2017 issue of Encounter.

North Omaha Summer Arts (NOSA) presents: An Arts Crawl 7


North Omaha Summer Arts (NOSA) presents:

An Arts Crawl 7

Friday, August 10

6 to 9 p.m.

Join us for the 7th Arts Crawl

Take a stroll or drive from Metropolitan Community College Fort Omaha campus down North 30th Street, ending at Trinity Lutheran Church, to experience beautiful art and great food by North O visual, performing and culinary artists.

A free event.

 

 

An Arts Crawl reception kicks things off at the

Washington Branch Library, 2888 Ames Avenue, from 5:30 to 6:30 p.m.

All other locations open 6 to 9 p.m.

Arts Crawl route Begins at–

MCC at Fort Omaha

Mule Barn (Building #21)

Church of the Resurrection

3004 Belvedere Blvd. (just northwest of 30th and Kansas)

Nelson Mandela School

6316 North 30th Street

Ends at–

Trinity Lutheran Church

6340 North 30th Street

For more info (artists and patrons), call Pamela Jo Berry at 402-445-4666

 

North Omaha Summer Arts presents: Art and Gardening – Saturday, July 7


North Omaha Summer Arts presents: 

Art and Gardening

Join facilitator Cheri Oelke for a day of planting flowers and painting clay pots.

Saturday, July 7 @ Florence Branch Library

10:30 a.m. – 1 p.m.

Free

No art experience necessary

 

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