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Talking screenwriting with Hollywood heavyweight Hawk Ostby: Omaha Film Festival panelist counts “Children of Men” and “Iron Man” among credits


Another indication the Omaha Film Festival has arrived as a major regional film event is the high caliber of special guests and panelists it continues to attract.   The 2012 version counts actress-writer-director Jaime King (see story on this blog) and screenwriter Hawk Ostby, the subject of this story, among its featured attractions alongside the films themselves.  My Q&A with Ostby, who with Mark Fergus has written Children of Men and Iron Man, finds him talking about craft, of course, but also about the persistence it takes to make it as a screenwriter.  Go to http://www.omahafilmfestival.org for details about the March 7-11 festival and the appearances by King, Ostby, and others.  This blog, by the way, is full of more film stories that might interest you.

Hawk Ostby

 

 

Talking screenwriting with Hollywood heavyweight Hawk Ostby 

Omaha Film Festival panelist counts “Children of Men” and “Iron Man” among credits

©by Leo Adam Biga

Appeared in The Reader (www.thereader.com)

 

Hawk Ostby, one half of the scriptwriting team of Children of Men and Iron Man, will provide an insider’s take on the screenwriting trade at the Omaha Film Festival’s Filmmaking Conference.

Speaking by phone from his Vermont home, Ostby says a big part of making it in the industry is “perseverance and discipline.”

“You really get tested when you start off,” says Ostby, whose writing partner is Mark Fergus. “I was fortunate in that I knew somebody who had a foot in the door, and he said, ‘Look, if you really concentrate for three to five years you’ll be doing what you want to do,’ and I sort of had that tattooed behind my eyelids.

“Three to five years can be a really long time when you’re watching your friends go on to their careers, doing really well, and you’re still tapping away in a sweaty little band box, but then one day it happens. It doesn’t seem so weird or outlandish when somebody calls and says, ‘Hey, we read something of yours and we really like it and we want to try and make it.’ I think in your own mind you fantasize about that moment so often and then when it finally happens it feels right because you’ve done the work.”

Mark Fergus

 

 

Knowing your craft is essential.

“I just was so enamored with the idea of trying to make a living by writing, and I realized I enjoyed it so that it was going to be with me for the rest of my life anyway, so why not knuckle down and really try to learn what it is, what is a story?”

Hollywood seems unattainable but he says he and Fergus prove it’s not.

“Look, I’m not a genius by any means. I just love stories and I stuck with it. It was more like play, and I think if it’s that for you then you’ve got a shot. If you’re trying to get rich or famous, you can do it a lot easier than trying to make it in this business. It’s not really what it’s about. To learn storytelling and all those things it’s a long apprenticeship, at least it was for me. I know there are people who are way more natural who write two scripts and they’re smash hits and they go on to have long careers, but that certainly wasn’t my story, and not Mark’s.”

Collaborators 15 years, Ostby and Fergus play to their respective strengths.

“Mark is very analytical. He can look at a script and say right away, ‘Ah, page 7 is where it goes wrong.’ He’s very clever at those things and I’m not. I’m more instinctual. I’m not sure what’s wrong. I have to take it home to the cave and sort of chew on it. We don’t sit in the same room and fire dialogue back and forth, it’s more of a two-headed thing. We discuss at length the story and how to lay it down, and then Mark will go in, write the outline, sculpt it down to its essence, and then I will take that and do the first draft, and use that as guide for where we want to go. That draft is often written very maniacally and quickly. I don’t stop to edit myself. We used to write and edit at the same time and what happened was we never got the flow of it.”

children-of-men
Children of Men 

 

 

After each makes another pass, he says, “usually we’re left with a couple things he’s holding onto and I’m holding onto and we just sort of argue those out and whoever has the best argument or is able to convince the other is what we go with. Sometimes we find a better solution spitballing things.”

The pair have adapted Philip K.Dick (A Scanner Darkly), a comic book (Iron Man) and an animated film (the forthcoming Akira) but their adaptation of the P.D. James novel Children of Men may have been most instructive.

“If there’s one thing we learned, especially on Children of Men, you can’t always follow the book. It’s just a totally different experience. But if you can capture the feeling of the book then that’s what you’re really aiming for. The book just wasn’t working as a film. What broke it for us is when we came up with this idea that it’s really Casablanca set in a dystopian future, complete with a spiritually bankrupt protagonist who has nothing to live for and then finds something and sacrifices    himself for something greater.”

The writers are trying to get a television series and two original feature scripts off the ground this year. One feature puts a twist on the heist genre and the other dramatizes a manhunt in the wilderness.

For details on Ostby’s OFF Filmmaking Conference panels, visit http://www.omahafilmfestival.org.

Iron Man 

Ron Boone, still an Iron Man after all these years (from my Omaha Black Sports Legends series, Out to Win: The Roots of Greatness)

August 18, 2010 Leave a comment

 

Ron Boone
Ron Boone

 

 

I never saw Ron Boone play ball, but I didn’t need to in order to write this story about his magnificent commitment to the game, one made manifest by his sheer doggedness.  His commitment and toughness ran so deep that he earned the nickname “Iron Man” for never missing a single game during a very long and grueling 13-year professional basketball career in the ABA and NBA. More than a body you could count on to suit up and get on the court, Boone was a consummate player who ranked among the best guards of his era.  He could do it all: score, handle the ball, pass, rebound, defend, you name it.  He was a key cog on a championship team.  He played alongside and against many legends, always holding his own.  He’s another of the Omaha born and raised figures who went from the ghetto and projects here to become a sports legend.  His devotion to the game has remained intact many years after his retirement as a player.

 

 

 

 

Ron Boone, still an Iron Man after all these years (from my Omaha Black Sports Legends series, Out to Win: The Roots of Greatness)

©by Leo Adam Biga

Originally published in The Reader (www.thereader.com) as part of my Omaha Black Sports Legends series, Out to Win: The Roots of Greatness)

 

During a 13-year professional basketball career that spanned two leagues and six teams, Omaha native and Tech High grad Ron Boone became an “iron man” of legendary proportions.

A chiseled 6’2” guard known for his toughness, Boone saw action in each and every one of the 1,041 regular season contests his clubs played. His consecutive games-played streak set a record for pro hoops unbroken until years later. In fact, Boone said he doesn’t recall ever missing a game — preseason, regular season, post season — in a playing career that included elementary school, high school, college and the pros.

This feat is important to Boone. Since his 1981 retirement from the Utah Jazz, he has worked as a color commentator on Jazz radio and television broadcasts. Since 1988 Boone has been a full-time resident of Salt Lake City, the site of his greatest triumphs, where he is active in private business and community efforts.

“The longer I’m out of the game, the prouder I am of it,” said Boone, who at age 58 is buff and just over his peak playing weight of 205 pounds. “I know how very difficult it is to get through an entire season without getting hurt, not to mention 13 seasons or 1,041 consecutive games.”

Of course, he sustained the game’s usual bumps and bruises, ankle sprains and worse, but he never sat out a single game because of them. There was the shoulder separation he suffered in a collision with another player during a regular season game. On that occasion, a reluctant Boone followed the team doctor’s advice to undergo acupuncture the next day and by the following night he was able to shoot and play through the pain. The only other injury that set him back, if only momentarily, was the broken nose he suffered in a playoff series. He simply got the broken bone set, taped and protected by a mask he wore the rest of the series.

“Other than those two injuries, there was never a remote chance I was not going to play,” he said.

Fortitude and ferociousness came to be Boone’s signature qualities as an athlete, for which he credits several people. Hailing from a family of athletes — he and his five siblings all won college basketball scholarships — Boone was first schooled by his older brother Don. Two of his early coaches, Josh Gibson and Neal Mosser, are remembered for their old-school emphasis on fundamentals, discipline and, above all else, winning.

The late older brother of Hall of Fame pitcher Bob Gibson, Josh Gibson, was a former jock who shaped many fine athletes as a youth sports coach in northeast Omaha. Boone, whose first love was baseball, played ball under Gibson, whose fiery demeanor — he was known to physically challenge cheating officials and abusive fans  — taught him to never back down.

The strict Mosser coached many greats while head basketball coach at Omaha Technical High School. Boone recalls Mosser as being “a very fine coach, but a very tough coach,” whose formidable presence and insistence on perfection ensured “you did what he said.” Quitting on a play or sitting out to pamper a boo-boo were unacceptable.

But the real story is how this late-bloomer became a professional all-star and record holder at all after an unheralded prep career at Tech, where he didn’t start until his final year. As a kid, he had some serious game, but he was small and came up when Tech was a talent-laden powerhouse. As late as his junior year he rode the bench on the fabled 1963 Tech squad led by the great Fred Hare, a phenom Boone and others call “the best basketball player to come out of the state.”

When Boone became a starter, he helped keep Tech a contender, but was thought unlikely to play major college ball due to his height — even on tip-toes, about 5’8” — and his 140-pound frame. Yet he still harbored big-time hoop dreams. He wouldn’t let anything stop him from achieving them either, even if he had to will himself to grow, which perhaps he did. Then there was his secret motivation.

“I remember playing in a league down at the local YMCA and just having a good time — scoring points — and this friend of mine asked one of the officials if he thought I could play major college basketball and the guy said, ‘No way,’ Boone recalled. “That was always in the back of my mind because I thought I could. If there was anything in my life that I can say inspired me, it was those comments.”

 

Ron Boone

Ron Boone

 

The short, scrawny Boone yearned to follow in the footsteps of near north side athletic greats like Bob Gibson, Bob Boozer and Gale Sayers. The youngster showcased his playing abilities at Kountze Park and in the rough-and-tumble leagues at Bryant Center, the mecca of north Omaha hoops, where he went head-to-head with Omaha’s finest players.

Yet his dreams seem stalled. There was, of course, his nagging lack of size, as well as the absence of interest from college recruiters. Boone, who grew up poor in the Logan Fontenelle housing project, knew an athletic scholarship was his only sure ticket to college. Then two things happened to give him a chance.

First, he and a Tech High teammate were offered a package deal to Clarinda Community College. These days, junior college ball in Clarinda, Iowa, a rural town whose white-bread, slow-paced life was “a culture shock,” is as far from major college hoops as you get. But Boone made the most of his only season there by averaging about 26 points a game. In a matchup versus the University of Nebraska junior varsity squad, which included future star Stu Lantz, Boone burned the Huskers. But a hoped-for invitation to join Nebraska never came from then-head coach Joe Cipriano.

Second, a sudden, dramatic growth spurt at season’s end turned Boone into a strapping physical specimen, but with the quickness he had as a smaller player. He finally had the look of a major college prospect.

“As I started to grow, I started to inch up and to get bigger and stronger. I started to get muscles naturally, without lifting weights,” Boone said.

Just as Boone got some feelers from Iowa’s two state universities, Mosser pointed him out to Idaho State University head coach Claude Retherford, a roommate and teammate of Mosser’s at Nebraska. Retherford took Mosser’s word that Boone was a diamond-in-the-rough and signed him unseen. Boone headed to Boise, Idaho, little realizing it would be the start of a long and fruitful association with the Rocky Mountain West that continues to this day.

Playing in a full-court running scheme that complemented his coast-to-coast style, Boone soon developed into a bona fide pro prospect. In addition to being able to run the floor and dog opponents all night long, his strength and fierce competitiveness added intimidating dimensions to his all-around game.

“I was a very strong player. I was a guy who even though I was only 6’2”, could go up and play forward, and I did on a number of occasions because of the strong physical style I had. I didn’t back down. I didn’t take any shit from anyone. I would fight,” Boone said.

 

 

 

 

Far more than an enforcer on the court, he was also a capable scorer, an excellent free-throw shooter, passer and rebounder.

By his senior season he was being courted by both the Dallas Chaparrals of the fledgling ABA and the NBA’s expansion Phoenix Suns. On Retherford’s advice, Boone opted for the ABA, a league renowned then and fondly remembered for its free, open, playground style of fast-breaks and flamboyant dunks. That attitude extended to its innovative rules, including the 3-point shot and the use of a red, white and blue ball. After being traded to the ABA’s Utah Stars, Boone enjoyed his best seasons, leading his Salt Lake City-based club to the 1971 ABA title. Teaming with fellow ABA legends Willie Wise and Zelmo Beaty, Boone sparked the Stars to the championship, a feat he ranks as the “greatest accomplishment” of his career.

“That’s the ultimate thing you can achieve in a team sport, regardless of all the individual accomplishments you had as a player,” he said. “Very few teams get there.”

While he will forever be associated with The Streak, he is quick to point out he was fundamentally sound. Boone, the third leading scorer in ABA history, owns career league averages of 18.4 points, 5.0 rebounds and 3.9 assists a game. His lifetime field goal percentage is 46 percent and his lifetime free throw percentage is 84 percent.

As a starter his first two years in the NBA, Boone continued his dominant play, posting 20 points a game in two seasons with the Kansas City Kings before spending his last three years as a valuable reserve and role player, first with the Los Angeles Lakers and then the Utah Jazz.

While gaining NBA validation was important to Boone, his years in the wild and woolly ABA are the ones he remembers most fondly. After all, it was in the circus-like, street-ball atmosphere of the upstart league where the thing he is best remembered for — The Streak — began.

“It was a fun league. It was a very attractive league and fun to watch because it was so wide open. The league was different from the NBA. The style of play was run and gun. I think that approach right there is the reason we ended up with your Julius Ervings and George Gervins right out of college and why guys like Rick Barry jumped leagues (early in his career, going from the NBA to the ABA),” Boone said. “Even today, if you talk to people who grew up in it, they’ll tell you we had the most popular brand of basketball you’d ever want to see.”

Before the leagues merged in 1976, a red-hot rivalry existed between the ABA and NBA, and debate raged over which featured the better players. As Boone saw it, the ABA had a decided talent advantage except in one category. “We had all the best guards and forwards and the NBA had the big men. I thought the NBA was a little afraid of us.”

Other than the occasional player defection or draft coup, it was a rivalry existing in people’s minds, not on the basketball court. The exceptions were hotly contested inter-league exhibition games staged in the years leading up to the merger. For the ABA, it was a chance to gain respect. For the NBA, an opportunity to put the brash young pretenders in their place.

“We took it as a challenge,” Boone said, “because not only were we looked at as a minor league, guys like Red Auerbach (the Boston Celtics’s famed former coach and general manager) had the attitude that we would just go away. I think we took pride in beating them.”

In the overall interleague rivalry, the ABA edged the NBA 79 wins to 76. In particular, Boone recalls the throttling his Utah Stars dealt the NBA’s Kansas City Kings, a team he joined only a year later after the merger made him the third player selected in the NBA dispersal draft.

In the spirit of fairness, however, Boone acknowledges that in a much-hyped 1972 meeting between the two leagues‚ defending champions — his Utah Stars and the NBA’s Milwaukee Bucks — his Stars got whipped by the Kareem Abdul-Jabbar-led Bucks. Jabbar dropped his trademark shot, the “sky hook,” on them all night.

Early in Boone’s career his consecutive games played streak was something he was largely unaware of. It only assumed bigger-than-life dimensions when the number of games played reached into the hundreds, and club officials and media types brought it to his attention. “The longer it continued the more you started to think about it,” he said.

The streak is a remarkable feat considering Boone’s bruising style of play and the wear and tear anyone accumulates over the course of each 80-game regular season. Basketball is, after all, a running, jumping sport filled with contact on rebounds, picks, screens and post-up moves, and by head-first dives for loose balls on an unforgiving hard court. “It’s a blessing I was able to do that,” he said.

Besides an iron will and gritty attitude, Boone attributes the streak to the care he took in preparing for games and in staying fit.

“I never had a pulled muscle, hamstring, groin or anything like that and I attribute that to my old high school coach, Neal Mosser, who always had us stretch and take care of ourselves like that. Conditioning is something I took a lot of pride in. It was very difficult for me to work out with someone because it just seemed like they didn’t work out as hard as I did, and so it would set me back,” Boone said.

“My workouts were always basketball drills and road running, but more sprints. The key was my weight never fluctuated. Unlike a lot of guys who had to play themselves into shape and were two to three weeks behind, whenever I got to camp I was ready to go.”

Like other old-school warriors, Boone looks at his iron man streak as a badge of honor and derides the trend among modern athletes to coddle themselves and their injuries by “sitting out with everything from a hang-nail to a bad attitude.”

 

 

 

 

After a storied 13-year ride as a pro, Boone retired at age 35. Like many retired athletes, Boone struggled to find an outlet for his competitiveness.

“Very, very tough, especially if you want to continue playing basketball,” he said of the recreational leagues he participated in. “The NBA is physical and after retiring I found myself having to go back to high school rules. A tough adjustment. I tried it, but stopped because again I was a physical player.”

Boone’s aggressiveness was not appreciated. He wasn’t out to be a bully, he said, it’s just that’s the only way he knew how to play.

“It’s basic. Sports for the most part is muscle-memory. A lot of things just naturally happen out there, especially if you’ve been doing it for a number of years, and it’s awfully difficult to stop it.”

He next tried fast-pitch softball but after competing for several years in local leagues he lost interest when he realized the friends who’d talked him into playing in the first place had all quit. And so at age 41 he came to the sport that’s his new passion — golf.

“The greatest game I found for an ex-athlete who is so competitive and such a perfectionist is golf. It’s an individual sport. If you screw up you kick yourself in the butt. It’s so challenging that you want to beat the game and only Tiger Woods and the other guys on the tour can beat this game.”

He gets in some golf when he returns for the annual Bob Gibson Classic, an event he enjoys because of the opportunity it affords to hang out with other sports legends. He feels camaraderie among his fellow old lions.

“There’s so many stories. We all recognize each other for what we did. Even though there may be a guy you didn’t care for, you have respect for him for what he was able to do on the field or on the court,” he said. “The older you get, there’s more respect and a lot of the things you disliked about a person go away. It’s like a reunion. You wouldn’t believe the ribbing guys take. It’s a lot of fun.”

While Boone still gets back to Omaha, where he has family, Salt Lake City is his home.

“Salt Lake City is where I had my best years and where I have a lot of respect. When I retired I moved back to Omaha for about six years before going back to Salt Lake City. Yes, I’m from Omaha, but even though people talk about me being from here — it wasn‚t like I was ever a star here. I was a star in Salt Lake City. Being who I am there I can get things done. It makes a difference.”

Boone rues the disappearance of the Omaha he once knew.

“I just know the areas I grew up proud of and patronizing on North 24th Street are no longer there.”

Like the in-progress Loves Jazz & Arts Center to pay homage to North Omaha’s rich musical heritage, Boone would like to see something done to commemorate its great athletes. There is talk about plans for a north Omaha athletic museum or hall of fame.

“So many athletes came out of Omaha that were not only great college players but ended up being great professional players,” he said.

Whether or not such a showcase ever is built, Boone plans to add to his newest streak — since starting as the Jazz color commentator 15 years ago, he hasn’t missed a single game. An “iron man” to the end.

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