Archive
Finicky Frank’s puts out good eats
Finicky Frank’s puts out good eats
©by Leo Adam Biga
Originally appeared in April 2018 issue of The Reader (www.thereader.com)
Finicky Frank’s stands apart from North Omaha restaurants with its farm-to-table commitment and casual-meets-fine dining balance. Chef-owner Kesa Kenny sticks with quality ingredients and keep things simple to create five-star comfort food.
The Salina, Kansas native worked the family farm growing up, gaining an appreciation for fresh-natural-local even though things often got overcooked by her elders. As a stay-at-home wife and mother, she raised the kids, maintained a home and made art (dried gourds became a medium). Then, almost on a dare, she poured her creativity and love of good food into cooking.
She stretched herself in the kitchen to the point she made her own cheese, butter, bread, noodles.
“I was awfully close to self-sufficient. I went to the library and researched. I just got into cooking. I guess I always had been, but didn’t realize how good it could be,” she said.
After moving to Omaha in the late 1990s, she worked factory line shifts and flipped houses, saving enough to open her first eatery, the soup-salad-sandwich Center Street Cafe. It was a hit but when she couldn’t swing buying the building to renovate, she looked elsewhere.
The first version of Finicky Frank’s – named for a persnickety Ponca Hills neighbor – folded at the Forgotten Store. Then she and husband Brian Kenny, who manages and tends the bar and repairs anything that breaks, opened in one small bay of their present 9520 Calhoun Road location.
They found kindred spirits among the local gourmands, small growers and urban farmers, thus making her farm-to-table practice a welcome fit.
“They are kind of foodies for the most part out this way.
The restaurant soon outgrew its snug confines and seven years ago the couple expanded into the adjacent bay – doing a total makeover. The result is a cozy spot with a not too heavy black and white tiled motif. The laid-back, curated ambience extends from the art on the walls to the music overhead to the soul satisfying, un-rushed food coming out of the kitchen.
The aesthetic is hers.
“Art flows in everything I do,” said the self-taught Kenny. “Anything creative is my realm. Anything I can get my hands on, found objects or ingredients, I repurpose. It just follows me.”
As time allows during service, the plain-talking Kenny engages diners about their meal or makes small talk. If there’s a snafu with a dish, she personally addresses it.
It’s a neighborhood place but both loyal followers and newbies come from near and far. Everyone’s treated the same: warmly.
The same confidence and drive that convinced Kenny to be a restauranteur infuses her cooking approach.
“I’m not afraid of anything.”
Years reading recipes and food books, finding new ingredients and ways to use them, fortify her culinary arsenal.
“You just change it up. That’s what keeps me fired up.”
She’s open to good ideas wherever she finds them. Like her fried chicken.
“I stole that recipe from a restaurant I waitressed at years ago in Kansas.”
She starts with fresh, never frozen, organic free-range chickens from the family farm. Salt, pepper and flour. Fried in a stainless skillet in pure vegetable oil.
Simple sums up her overall approach to cooking.
“Start with a good basic ingredient and keep it simple. If you mess that up, you have no business behind a skillet. Don’t overcook it, don’t over-stress it, don’t overwork it.
“It’s wise to keep it to good basic comfort foods people remember growing up. That’s why our Saturday night fried chicken is a huge success, Some of my fondest memories are passing platters of food at family dinners and having meatloaf or chicken night. It’s bringing those things back and just putting a little twist on them of my own and keeping it fun to where I can stay creative.”
The same ethos applies to her walleye Thursdays. Her meaty, slightly sweet catch come direct from Canada.
“It brings people from all over the place. I keep it as simple as can be with a light coating of homemade bread crumbs. Salt and pepper. Served with twice-cooked Yukon gold potatoes and fresh cole slaw. It’s just like the lakeside meals you make with fresh caught fish.”
For her succulent steaks, she uses teres major cuts (shoulder blade) from a local purveyor.
“That piece of meat is like a filet – a little more marbling but not much. The flavor’s really nice. It’s tender every time.”
People tell her her burger is “hands-down” the best in town. It’s all in the details. She hand forms full 8 ounce patties of 80 percent lean Angus beef accented with sea salt for a medium grill on the flat-top. Grilled red onions add a sweet, creamy bite. She serves it all on a buttered brioche bun with choice of add-ons and sides.
The moderately priced menu also includes crab cakes, a veggie stir fry, a seafood enchilada, a spinach-mushroom enchilada, a Reuben sandwich, a pork tenderloin sandwich, wood-fired pizzas, scratch soups, crafted salads and various wines, draft beers and cocktails.
A small patio offers an outdoor seasonal dining option.
She decides daily specials by whim, weather, season and what diners tell her they’re craving.
Her own urban farm-garden at her 11-acre Hills home supplies kale, bok choy, peas, green beans, cucumbers. radishes, onions, peppers, tomatoes, fingerling potatoes, cilantro, basil, parsley, et cetera.
“It means getting up earlier in the morning to pick and wash, but it’s worth it. It doesn’t get any better than right out of the ground.”
The nearby Florence Mill Farmers Market is another fresh produce source.
“I bring it from there right over here. It’s so wonderful to have that and it supports them.”
She’s a vendor at the market, where she likes educating people’s palettes with homemade, garden-fresh salsa and guacamole and from-scratch roasted veggie broths.
At Frank’s, everything is prepped back of the house to arrive ready in the galley-style kitchen, which has the same black and white checkerboard tile as the rest of the place. About the tile, she said, “It’s fun, it’s vibrant, it keeps the kitchen a part of the whole and it cleans really well. Tile never wears out.”
She has anchors in her husband – “He will never let me give up on an idea” – and daughter-in-law Stephanie, who waitresses there – “We mesh like no other.”
The most satisfying thing for Kenny is seeing customers savor their meal by tipping back a bowl to drink the last of their soup or sopping up sauce with a dinner roll. Best of all is when they “clean” their plates.
“That is like the best compliment ever. There is something about me that always has to be loved and I figured out through cooking no one will never bite the hand that feeds you.”
She’s enthused by fellow North O good eats destinations (Alpine Inn, Enzo’s, Florence Mill, Fat Shack BBQ, Omaha Rockets Kanteen). Area options took recent hits when fire totaled Mouth of the South and Fair Deal Cafe closed.
Kenny said northeast Omaha is still “underutilized and under-seen.” She envisions a trolley tour hitting historic venues, scenic overlooks and area food spots.
She feels North O still suffers a stigma that sees business drop after high profile shootings – even if incidents occur a mile or more away. She wants folks to know about gems like hers and there’s nothing to fear unless you’re counting calories and carbs.
Lunch: Tuesday-Friday, 11 a.m to 2 p.m.
Dinner: Tuesday-Saturday, 5 pm. to close.
Visit finickyfranks.com or call 402-451-5555.
Pot Liquor Love: Anthony Kueper Dedicated to Creating Memories at Dolce
The Omaha fine dining scene features so many top chefs doing their versions of elevated American comfort that it’s not only hard keeping up but keeping them straight as well. One chef-owner doing his best to stand out from the pack is Anthony Kueper at Dolce in northwest Omaha. Here is my profile of him in the Fall 2017 issue of Food & Spirits Magazine.
Anthony Kueper Dedicated to Creating Memories at Dolce
In four-and-a-half years, Anthony Kueper has gone from sous chef to executive chef to chef-owner at fine dining Dolce in northwest Omaha.
Dolce is another of the city’s new crafted American food spots, but unlike the young, fresh-from-culinary-school phenoms running some of those other kitchens. Kueper is a 43 year-old veteran of the food wars.
From savoring fresh mussels in France at age six to taking cooking classes at 12 to preparing meals at home for his younger siblings and for friends, his life as a gastronome started early.
Born into a military family, he moved with his father’s U.S. Air Force assignments and everywhere he went he indulged in the indigenous food culture: street frites in Holland, Tex-Mex in the American southwest and paellas in the Philippines.
His father twice got posted to Offutt Air Force Base in Bellevue and it was that second, more permanent posting that saw Kueper finish school here and get his first professional training.
“I worked atJulio’sandJones Street Brewery. It was good food but it was basic stuff.”
Then there was fortuitous stint atThe Bistroin theOld Market.
“Two chefs there influenced me a little bit and actually got me to go to culinary school –Gene Cammarota and Kenneth Hughes,” said Kueper.
Being exposed to their high end techniques, he said, “gave me the idea there was more to just cooking.”
Along the way he bumped into future notables, includingPaul Kulik.
Kueper left Omaha for culinary school in Kansas City, Missouri in the early ’90s, but as with any chef it’s what came after that most shaped his aesthetic.
“I got a piece of paper from culinary school – the rest of it was learned in kitchens and from the people I rubbed elbows with and surrounded myself with. It’s who you choose to follow that’s important.”
He was in his early 20s when he landed a chef gig at the Ritz Carlton on the Plaza in K.C.
“My first chef position at the Ritz Carlton hit me hard. I almost didn’t recover. I was very talented at an early age. I had a lot of hype put behind me. I had a lot of powerful people around me.”
Under the Ritz Carlton brand he worked in Atlanta for the Olympics and in San Francisco opening a new venue. Then he felt it was time to do something else.
“When I left the Ritz Carlton and went to Colorado to try and do something on my own, it was a big challenge. It wasn’t a real niche for fine dining, so I ended up doing a lot of bar and grills – fun food – and tried to throw some of my technique into that. There’s only so much you can do.”
Colorado is where he grew personally and professionally and where he met his wife, Daniela. They have three children together.
“Yeah, I met a girl from Germany and she put hooks in my heart.”
After she returned to Germany, he sold most of his belongings and joined her there.
“I left my restaurant in Aspen and lived in Hamburg for two years.”
He joked that if it gets out he’s really a romantic at heart, he won’t be taken seriously as “a tyrant in the kitchen.” The couple returned to the States to start a family. Colorado became their home base.
He worked for some real characters there, including an eccentric Frenchman. Then there was ‘The Dude’ at a place called Toscanini. That led to Kueper joining VIN 48 in Avon. He was there from the end of 2008 to the beginning of 2012
“It was a good experience.”
Meanwhile, Daniela missed the flavors of home.
Fortunately, when they lived in Hamburg he schooled himself on the local cuisine.
“So she wouldn’t be homesick I learned how to cook German food. I learned how to make schnitzel at a two star Michelin restaurant.”
After all his travels, Kueper finally came back to Omaha. The decision to come here was all about family. One of his boys had respiratory issues in the high altitude of Colorado and Kueper wanted to be closer to his parents. But settling here was not the ultimate plan.
“I planned on spending a little time in Omaha before finding something in Chicago, Minneapolis or Kansas City. We weren’t going to put our roots down in Omaha.”
Besides, it was a rough go the first couple years back.
“It was difficult because I’m an older chef with a pedigreed resume. I’m not a 27-year-old kid that ran half the kitchens in town.”
Star chefs likeTim NicholsonatThe Boiler Roomweren’t even old enough to drink when he left here. Things had definitely changed.
To keep his fine dining skills honed he worked atV. Mertzfor nine months, but making $11 an hour wasn’t cutting it to support a family. That gig though led to Dolce.
“The V. Mertz name alone kicked open doors for me with the resume I had.”
Dolce’s original owner,Gina Sterns, discovered him there and brought him on board in 2013. He admired how she took what began as a pastry shop to a fine dining establishment. Health issues forced her to take a step back. In 2014 Lincoln restauranteursJason Kuhr and Tyler Mohr purchased it.
“We helped elevate this space to what it is because, I mean, it’s in a strip mall. You don’t know what to expect from the outside. It does surprise a lot of people that they can find this little gem of a place there. We’ve done a lot to improve the ambience. Jason had the financial strength to do the things that would have taken me a lot longer to do in terms of remodeling, revisiting and reinvigorating the space. My food and what he did made what Dolce’s standing on now.”
Meanwhle, Kueper helped the Mohrs openOllie and Hobbes in Omaha but found himself overextended.
“I wasn’t happy. I was working way too much, even Sundays, not seeing my family. I was pulling down a lot of money, but it wasn’t worth it.”
That’s when he decided to focus his energies on one venue and worked out the purchase of Dolce. He actually tried before, when Sterns still owned it, but he and a partner didn’t have the capital.
He had tried the chef-owner hat on in Colorado.
“It was an exciting thing to open a new restaurant, but it turned out to be a bad partnership, so I kind of wash it from my memory.”
This time around he’s flying solo and loving being his own boss. He’s taking the fresh-local upmarket comfort food thing to the next level.
“The whole local food movement – trying to get all your products from within a 120-mile radius – is the greenest way to go about it. I don’t want to be buying my pigs from New York. This is where food comes from. This is a huge farming community.
“Where it matters, we do buy organic – in our meat, in our dairy. About 50 percent of our produce is organic.”
If Kueper’s learned anything, he said, it’s “that people have to love what you do and how you do it,” adding, “That at the end of the day is what matters.”
“The people that come here like our food, they like what we’re doing with the food, they like our message.”
He’s all about providing an experience that touches deep reservoirs.
“Food is a memory. The bread pudding we do is based off my dad’s mother’s recipe. My dad says it’s the closest rendition he’s ever had, it’s just different. The thing that’s different is she saved up all the scrap bread from the bread she used to make. I’m using a different style bread. My dad generally tears through his food, but when he hits that bread pudding, he slows down, so he can savor everything.”
True to its comfort concept, Dolce keeps things simple.
“If you look at our menu, they’re simple things that people can identify with.”
But with that fine dining twist.
“We serve kale with our steak and I swear to God we go through more kale. And we’re not doing the kale chips or salads or anything like that, we actually use it as a good vegetable on our proteins and people are like, ‘You made me eat kale – and it was wonderful.’
“For our roast chicken we start with good local chickens that we brine in-house. A seven herb emulsion goes on it – it’s oregano, chives, parsley, thyme, rosemary, spinach and we add some roasted garlic. A lot of people can’t put their finger on it because it’s such a blend. We make a tomato marmalade by cooking tomatoes down with a little bit of sherry vinegar, sugar, salt and pepper. We serve the dish with simple gnocchi and broccolini.”
Kueper draws inspiration from the past.
“I’m really a traditionalist when it comes to the history of things. I cook with historical background. I try to do it the way it was done years ago before there were microwaves and preservatives. We dry-age some of our own meats here. I’d like to do more, but we don’t have the facility space.”
The day this reporter visited, a Mangalista hybrid hog got delivered. It’s an old breed valued for its high fat content that keeps the meat succulent when roasted.
Many myths attend fine dining that Kueper’s eager to overturn.
“People think it’s unhealthy – it’s not. We don’t use tons of butter. We use herbs salt, acidity, just the right amount of balance in things.”
Flavors are carefully curated.
“We don’t try to overpower flavors. There might be one thing that’s going to knock your socks off but then everything else is going to be subdued.”
Today’s Omaha food scene is quite different than the one he left two decades ago.
“Omaha has come a long way. The cooks and the kitchens in Omaha are there. The diners still need to be educated. You constantly have people tell you, ‘You know what you should do?’ Like put a crab cake on a salad. It’s very classic, it’s very nice. I’m not saying that’s not a good idea, but it’s just not my expression. It’s not the type of food I look to put forward.
“I like to push people out of their comfort zone just a little. It’s all driven by technique. And if I can win you over on one of those things, I will build a customer for life. It’s kind of cool that way. I have people that don’t like duck who love the duck that we do. I’ve had people tell me they hate salmon but ours was the best salmon they ever had.”
His Margarita Mussels is another example.
“That’s one of my signature dishes. I think I’m bringing it back this fall. The tequila is added to a citrus broth. It hits all the right notes.”
He said its creation came about “from just being playful.”
Experimenting with ingredients is a lifelong process.
“You’re never done learning. I’ll work with an ingredient until I think I’ve figured it out. I will try stuff and really shoot from the hip.”
A couple years ago he taught himself to make ramen noodles from scratch. “They seem so simple and basic, but when done right,” he said, they’re oh so delicious.
More recently, he concocted a translucent omelet made from just egg yolks.
Baking is something he’s mastered in recent years.
“I wasn’t much of a baker, but now I’ve become quite an advanced baker. I’ve learned a lot teaching myself.
“It’s all time and temperature. It’s just basic chemistry and all the laws can be changed in different applications to make things happen. It’s just how you approach it and if you’re willing to take a chance. I have a lot of failures, but I have a lot of successes, too. I don’t serve my failures – I eat them.”
Two things Dolce’s known for – ‘Taste of the Moment’ and ‘Date Night’ – continue. Taste of the Moment specials change every day according to his mood and shopping finds. On a late August visit it was herb goat cheese ravioli with red pepper pasta.
“We roast off sweet red peppers, remove the skin, and blend them up with the eggs. It’s served with smoked chicken broth with Shiitake mushrooms, spinach and truffle oil.”
More than ever, he can follow inspirations as they occur.
“Now that I’m not working for somebody else, I can do it my way. I don’t have to ask somebody if it’s okay to do a ‘weird’ dish. I’m doing my artichoke creme brulee this fall. It’s something I learned how to make in Germany. It’s artichoke and parmesan in a creme brulee, so it’s savory. It’s served with asparagus wrapped in our house-made prosciutto.”
Freedom to do your own thing is nice, but not everyone’s going to like everything you do. His five-course tasting menu usually has one dish that challenges diners. When he first took over as chef at Dolce four years ago, a local reviewer openly questioned his execution on some dishes. He took exception with the digs though he acknowledges he wasn’t at his best then.
“That was a long time ago. At the time, I had a young crew. I was just getting established here under new ownership. I was trying to feel them out. I wasn’t cooking to my potential – not like what we’re doing now. It was good food, but I wasn’t putting it all out there. I was sparing some of myself inside.”
The vagaries and demands of his field can drain all but the heartiest souls.
“As a chef you can throw yourself out there and it’ll end up burning you up. It’s hard to keep stable mental health in this industry, it really is.”
With all his experience, he perhaps feels less compelled to prove himself and more inclined to bask in the glow of doing what he loves. It’s why on a recent vacation to his old stomping grounds in Colorado he made a point of catching up with buddies from VIN 48 so they could cook together again.
Before leaving for the trip, he said, “I haven’t seen them in five years. I’m doing it because I miss them. Two of the guys I trained are running the place.”
The trip served as a reminder to keep it simple, stupid.
“I’ve cooked some of the best meals with no running water. I was an avid backpacker and camper. I had tortillas, Fantastic Foods hummus (a dehydrated product) and fresh caught trout that I smoked over a live fire using a little orange juice and soy sauce.”
Food is what you make of it and Kueper’s all about giving diners a memorable experience in his warm-toned, intimately-scaled Dolce, where maybe you’ll meet your new best friends while dining.
“There are these two couples that come in to dine together at least once a month. They met each other here. Their love and passion was food and our restaurant brought them together, and I think that’s cool.”
How dolce (sweet) too.
Located at 12317 West Maple Road. Open for lunch Monday through Friday, 11 a.m. to 1:30 p.m, and for dinner Monday through Saturday, 5 p.m. to close.
For menu and reservations, vista http://www.dolceomaha.org, or call 402-964-2122.
Tacos and tequila take center stage at Hook & Lime
Tacos and tequila take center stage at Hook & Lime
by Leo Adam Biga
The high concept behind Hook & Lime Tacos + Tequila is a small plate nirvana paired with crafted margaritas for a fine dining-meets-street food experience.
The changing menu is anchored by tacos and tortas, family-style meals and appetizers. Seafood, pork, beef and chicken proteins predominate but some veggie dishes are available, too. The tortillas are made fresh on the premises every day. The extensive bar program is highlighted by homemade syrups and infusions and fresh-squeezed juices to complement the many varieties of tequila (140) and mescals (25).
Owner-manager Robbie Malm is vying for a North Downtown niche after making a success of Dudley’s Pizza in Ak-Sar-Ben Village. He’s confident Hook & Lime is reeling in the discerning diners it needs.
“I think we are starting to find our audience,” he said.
“When I drop food off at the table, people are just wowed by the presentation. They’re eating with their eyes first. They’re pleasantly surprised. It’s a lot tastier and more beautiful than they thought it would be. It’s fun to see because it feels like we’re over-delivering.”
He looked at other locations before fixing on NoDo,where a development boom is underway.
“I am very glad we ended up settling here. I like the idea of being part of an emerging neighborhood. I like being one of the anchors as the place builds up around us. It’s really exciting seeing everything going up. Right across the street we’ve got people that will be working here, staying here, living here.
“And obviously I’ve got a giant baseball stadium (TD Ameritrade Park) right behind me, which doesn’t hurt.”
Not to mention the CenturyLink arena-convention center. Then there are Slowdown and Film Streams on the same block and the Omaha Design Center and Hot Shops Art Center within easy walking distance.
“We get a lot of traffic from the Slowdown and Film Streams events and we’re starting to get a lot of neighborhood regulars,” Malm said.
Whoever ventures there is sure to note Hook & Lime is not your mainstream Mexican restaurant.
“We try to stay as far away from Tex Mex as possible and that is something we still have to explain to people,” said head chef Brandon Kalfut, He was chef de cuisine under Alex Sorens at the start-up before Sorens left. Kalfut previously worked in Denver and with Dario Schicke at Avoli Osteria and Clayton Chapman at The Grey Plume.
“If diners order a dish and they seem a little hesitant on it,” Kalfut said, “our servers are very well-trained on what goes into it and getting people set into a comfort zone on the menu. There are familiar things and adventurous things on the menu, and that’s kind of what we try to strike a balance between.”
Familiar include’s a battered cod fried fish taco. On the more adventurous side is the Yellow Tail Escabeche.
“But you don’t have to dive all into something that’s totally unfamiliar,” Malm said. “You can get one of each. That’s kind of what we want to promote. For people who are just dipping their toes in the water, that’s fine – start here, and then come back next week.”
With some authentic offerings, such as the Salsa Flight, certain notes have been toned down while remaining true to the original.
“Some of these traditional sauces tend to be bitter and very layered in flavor and sometimes that’s a hard sell because people aren’t expecting that,” Kalfut said.
Two signature dishes – the Chorizo Torta and the Bone-in Barbacora – represent the pains taken to do things right. The house-made sausage is made with select cuts from the whole hog used head-to-tail in the kitchen and the shank is prepared over several days.
“A lot of technique and time is dedicated into making our chorizo,” Kalfut said. “It’s a double grind. For every one pound of meat, it takes about 17 ingredients. We grind anywhere from 80 to a hundred pounds, so multiply those 17 ingredients by 80 or a hundred. It’s one day literally just creating all the seasoning for it. A thousand peppers go into a hundred-pound batch. We soak and char off the peppers. Somebody physically stands in front of the grill to lightly char each pepper individually.
“The second day you grind the meat and marinate it. On the third day you do a secondary grind. We do all this before it’s even capable of going on the menu.”
The dish then is ready to be composed.
“Our Chorizo Torta is a classic,” Kalfut said. “We complement the chorizo with a local wild arugula, marinated white onions, house-made creme and a fried egg. A lot goes into something that eats really well, yet it’s simple and a hundred percent approachable.”
So is the Bone-in Barbacoa.
“It’s a five-pound bone-in beef shank. We actually have people call-up to make reservations just to reserve one because we can only do so many per week. It’s a cut of the cattle (femur) rarely used whole. We do a 24-hour salt cure and a three-day sous-vide (precision cook in a water bath). Then it rests one day before we even let it go on the menu.
“We do table-side service where I hand-shred the shank, tilt the bone up and pour all the bone marrow juices on it. We finish it with Kampala sea salt.”
“It’s an experience,” Malm said.
“It comes with our rice and Anasazi beans and we send out a bunch of accouterments,” Kalfut said. “Part of the bone-in presentation is an explanation of all these specialty components that don’t exist anywhere else on our menu because it’s all just infused into this one dish.”
For Malm, the care that goes into this single menu item is “a good example of our approach to everything, where we like to say nothing is an after-thought here. Rice and beans is the easiest thing to make an after-thought, but we have that same level of attention to detail for it.”
It all matters.
“And that extends to the bar program,” he said. “We make our own syrups. With our margaritas, instead of using Grand Marnier, we make our own orange brandy. That’s a collaboration between the chef and the bar manager. It’s always fresh-squeezed juice. We’re not using any kind of corn syrup, sour mix garbage. I would say these are the best margaritas in town.”
Bar manager Brian van Egmond, who learned his trade working at various Omaha spots and in Monterrey, Calif., said, “This is my first full cocktail menu and I am very excited being able to take our margaritas and give people a craft experience. Everything here is handmade in-house. We’re not carrying any liqueurs, we’re actually building them in-house. It’s something to really round the experience and we’re doing it at a great price point.”
Using his alchemy with flavors and Kalfut’s food science savvy, he said, “we’re able to take a 30-day infusion and crash it down into a five-hour process, which is hugely significant in keeping costs down.”
Details make magic of what could be mundane.
“The house margarita is a lot of times the after-thought
cocktail on the bar menu at Mexican restaurants,” Malm said. “We start with Exotico Blanco – a citrus zest infused tequila. We use the orange brandy – pulling that citrus essence into the mix, and our in-house made Turbinado syrup. All those things combined make a damn tasty margarita – and that’s the house margarita.
“That’s what sets us apart.”
Kalfut and van Egmond work closely on food-drink pairings.
“Finding the nice subtle differences between two or three Blancos to complement two or three fish dishes,” van Egmond said, “means one is going to have a grassier note and another one’s going to be a little sweeter and pull through to complement a more savory dish. You’re trying to get two completely different items to work together in a sort of harmony.”
Having someone with Kalfut’s experience, van Egan said, is an advantage.
“Brandon’s been a great source to learn from during this whole process.”
Collaboration “makes the pairings a lot more fun,” Kalfut said. “From the chef’s side of it, I’m like, ‘These are tasting notes for the dish,’ and then Brian reads them, spends time thinking about it and starts pulling stuff off the shelf and matching key points from the food’s flavor profile with key points from tequila or mescal profiles.
“Brian’s very open to us saying, ‘No, that won’t work with that dish.’ Then he grabs another bottle down. With his knowledge and palette, he has the ability to find what will complement the dish.”
It helps, Kalfut said, that “we take the criticisms of the food and the tastings very well from each other” and from customers, too. “We do take guest feedback very strongly, so if there’s something that needs to be tweaked, we evolve to what diners are looking for.
Getting it out of our heads and onto a plate is the first step and then after that it’s just feedback, feedback, feedback, until you get it to that perfect little bite.”
Hook & Lime is also a reflection of its chef’s and owner’s
personal cuisine adventures. A trip to Mexico made Malm a tequila convert and fired his passion for tortillas.
“One of my favorite dining experiences there was this giant market with food vendors making the tortillas right in front of you. An old Mexican woman would roll up a ball of masa in her hand and put it right on the grill. Seeing and smelling that fresh cooked tortilla was one of the main inspirations.”
As for Kalfut, “I go down to Austin, Texas a lot and try to hit up as many of the authentic restaurants as I can. My (culinary) background is very much French-Asian, so I would say a lot of the stuff I do is influenced by the places I’ve eaten, the places I’ve gone to.
“Ten years ago I didn’t think this (Mexican cuisine) was something I’d be doing. But I am very strongly influenced by outside sources and putting my own little love on it. I mean, I put own love on every dish, but you’ve got to start from somewhere.”
He and Malm, who both advocate sustainable practices.
“We’re as close to zero waste as we can be on all of our proteins,” Kalfut said, “Everything we bring in is head-to- tail and we find a way to use every component. Same with our produce. Every single day we only have about one Slim Jim trash can worth of food waste.”
The team takes it one step farther by recycling its oil, cardboard and glass.
Local sourcing is also important to Hook & Lime. Its local purveyors are listed right on the menu.
When the restaurant first opened Malm was strictly focused on the business side but he’s gotten more involved on the food side.
“To the point that he expos now,” said Kalfut. “He does all the final touches on a lot of the plates that go out. The first two months he was like, ‘Nope, don’t bother me with it,’ and now he’s the final touch on a lot of plates and he does it just as fast and as god as I can do it.”
“”Maybe not just as good, but I’m coming close,” Malm said.
Those last-minute touches complete the dish and plate.
“Like our Caesar salad needs to get some olive oil as well as fresh black pepper,” Kalfut said. “Our chicken taco gets Espelette french pepper as well as micro cilantro, olive oil and finishing salt.
“Sometimes it’s tweezer work where we literally use micro tweezers to place these things directly on each individual taco, for example.”
Malm enjoys it all, but “what really jazzes me,” he said,
is “the creation part” of turning concept into reality.
“Figuring out how it’s going to look, getting samples of plates and figuring out how they’re going to go together, piecing the menu together little by little – I really like that part of it. At Dudley’s, once that was done, there wasn’t a lot of opportunity for reinvention and that was one of the main reasons I wanted to do something smaller. I wanted to find a little more of a niche where the menu could be reinvented on a regular basis.
“The idea was always an elevated tacos and small plates concept restaurant. It’s a little more elevated than I originally had in mind. It’s evolved a lot, like every idea does. You tweak some things and little by little you find out what it wants to be.”
“We’re on our 12th menu adaptation,” Kalfut said. “I think we’re finding our stride. We’re continuously pushing.”
He’s happy to have an owner equally motivated by quality.
“Robbie’s never once said, ‘No, don’t buy that, it’s too expensive, no don’t bring that in, it’s too foreign.’ It’s always, ‘Yeah, bring it in, we’ll try it, we’ll see if it makes sense, we’ll see if it works, and if it doesn’t, we’ll try something else.’ That, from a chef’s perspective, is a dream come true.”
A by-request-only tasting menu is available on a select basis.
Open 11 a.m. to 3 p.m. for lunch and 5 p.m. to close for dinner, Tuesday through Sunday. Closed Monday.
Visit http://www.hookandlime.com.
Pot Liquor Love: A Real Food Find: Finicky Frank’s
Pot Liquor Love:
A Real Food Find: Finicky Frank’s
©by Leo Adam Biga
Upon discovering a great restaurant like Pam and I did last night at Finicky Frank’s, I am immediately thrown into conflict. Part of me wants to share the find with the world and part of me wants to keep it our little secret. Obviously, the former insitnct won out over the latter and with this post I am gladly spilling the beans and sharing the love about this charming place that serves up real food at the foot of Ponca Hills. I had heard some good things about Finicky Frank’s but being somewhat finicky myself, I wasn’t prepared to believe the hype, especially after being disappointed more times than not by supposedly good dining spots. This one though really does live up to the glowing reviews and recommendations. Mind you, I’ve only eaten there once, but the experience – from the food to the service to the decor to the vibe – was well above average and among the best I’ve had in Omaha. I rate the experience highly enough that it makes me confident and eager to go back and try more things on the menu. Before I get to what we ate there, I will tell you it features a small but well curated menu of burgers, sandwiches, pizzas, seafood dishes, pasta dishes and salads. This is New American Comfort Food. It’s not highly refined but it is prepared with love and passion. It is a made from scratch place that equally prides itself on fresh and whenever possible locally sourced ingredients. The proof is in the food and the flavor. For my dinner I actually ordered the lump meat crab cakes off the appetizer’s list and a house salad. The crab cakes were among the best I’ve ever had. Meaty, moist, luscious, flavorful. Quite good-sized too. More than filling enough for a dinner entree. One can also get a crab cake sandwich (served on a Broiche bun) with a choice of hand-cut fries or hand-battered onion rings on the side. But I wanted the crab to stand out, and it did. The salad I had was a nice mix of greens and veggies accented by a well balanced not too tart or sweet vinaigrette. Pam ordered the seafood enchilada. The idea was for us to sample each other’s dishes but we were so busy devouring our respective meals that neither of us got around to try the other’s. All I can say about hers is that it looked delicious and she raved about its generous filling of salmon, shrimp and crab and the homemade Alfredo sauce that topped the whole works, all of it baked to a yummy crusty gooey goodness. It’s a mid-ranged price restaurant where you can dine alone for $10 to $20 bucks and as a couple for $35 to $45. The couple that run the place – she’s the chef and he runs the bar and the front of the house – show a real commitment to excellence in every aspect of the operation. Real food, spot on service, a super clean evirronment, good art on the walls, a carefully considered design. All of it works well in concert together. There’s just a good flow and energy about it. But at the end of the day it’s all about the food, and this right here is the real thing. No pale, fake imitations or substitutions will do at Finicky Frank’s. If you’re looking for authentic, this is the place to go. It’s located at 9520 Calhoun Road just north of where McKinley Street intesects North 30th Street.
Follow my Pot Liquor Love food blogging at leoadambiga.com and on Facebook at My Inside Stories. And since food and movies are such a good pair, remember to follow my Hot Movie Takes on the same two social media platforms.
Requiem for the Bohemian Cafe
Requiem for the Bohemian Cafe
©by Leo Adam Biga
News that the Bohemian Cafe will close in September leaves me with mixed feelings. Don’t get me wrong, I love the place and all its high-caloric staple dishes, faux motherland decor, kitsch Czech knickknacks, waitresses from another era, and old-line customers who waddle in and out in the haze of an oncoming food coma, I am one of those customers. I was introduced to the place when I was a child. It was a go-to venue for extended family celebrations on my Polish side, which is the Biga side. Like many of you, I grew up hearing its radio ad jingle on KFAB, “Dumplings and kraut today, at Bohemian Café, draft beer that’s sparkling, plenty of parking, see you at lunch, okay?” and I am certain I will never be able to get it out of my head.
The other side of me is Italian (Pietramale) and of course Omaha’s Little Bohemia enclave is only a dumpling’s throw away from the Little Italy district.
More than once a gathering of Bigas occupied the party room at the Bohemian Cafe when I was growing up. It always seemed like a culturally excotic immersion experience. As the years passed, I continued going. It was one of my late parents’ favorite places to dine at. When they finally moved from North Omaha to South 9th Street right across from Grace University, I actually ended up eating more than ever before at the Bohemian. Usually with both of them or one of them. My brothers long since moved away to Colorado and as far as they were concerned the Bohemian was a must stop.
The owner of the cafe had it right when he told the World-Herald that a restaurant like his is more than just about the food, it is an emotional experience. Emotions easily rule out reasoning. There’s nothing wrong with the food there. For what it is, it is very good indeed. Unique among eateries here, too. But let’s just say it’s highly doubtful more than, say. 10 percent of its menu items are anywhere in the vicinity of heart healthy and maybe 10 percent of its ingredients are fresh, locally sourced, organic. It’s not the kind of place, I dare say, that has relationships with area small famers and purveyors. That’s just not what it does. That’s just not part of its DNA or character. It is all about doing things the same way. That’s both good and bad, of course.
The local restaurant scene has a few old independent holdovers left around who also remain unchanged. I expect they will all soon be gone, too. Not necessarily because the mass of us are choosing or demanding healthier, fresher options, though more and more of us clearly are, but in fact because there are so many more good restaurants to choose from today than 5, 10, 15 years ago, and each with its own indvidual take on cuisine. The options are staggering. And they simply do things at a higher level. Their food may not always taste as good as the Bohemian’s but it’s comfort good done at a fine dining or gourment level. For about the same price.
The Cafe’s owner acknowledged he and his staff are out of touch with the times, including the need for 24/7 social media branding. If I could make it happen, i would choose to keep the Bohemian going, but with some updates and other changes, while keeping the integrity of what sets it apart. The owner has said he would embrace someone taking it over, It’s possible, I suppose, but I don’t see that occurring. I will miss it. You can be sure i will enjoy at least one more authentic Czech meal there, probably one of its veal dishes, soaking up the delectable richness of that pot liqoured gravy, and happily stagger out in the midst of a diabetic onset episode. if you come upon me in the throes of that delirium, please don’t interfere – it is all part of the experience. And so, South 13th and environs loses another anchor amenity (I miss you Marino’s and St. Wenceslaus and Angies and all the rest). But we do have new amenities in the House of Loom and the Blue Barn. We have reactivated amenities in the Burlington Station becoming the home to KETV. Change happens. You lose things, you get new things.
I just don’t know what I’m going to do to feed my kolache fix come this fall. Oh, I know I can find kolaches elsewhere, but the point is they will never be the same. Same with the sweet and sour cabbage and the bread dumplings. Now, kindly join me in a tribute, nostalgic singalong of “Dumplings and kraut today…” while we knock back a cold dark stout.