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Expressionistic images by Elisa Morera Benn

December 26, 2018 Leave a comment

 

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Expressionistic images by Elisa Morera Benn

©by Leo Adam Biga

Originally published in El Perico (el-perico.com)

Costa Rica native Elisa Morera Benn of Omaha has been making art infused with the colors and passions of her tropical Central American homeland since childhood.

“All my life my surroundings have been full of contrasts. Shades of green, red, orange, a whole range of intensities and feelings. It is impossible to separate artists from their visual and emotional environment,” she said.

She’s one of four siblings born to a customs agent father and stay-at-home mother.

“My father worked hard to give his children a private education. He later managed to open his own business.”

Benn studied with masters. Each gave her something that grew her as an artist.

“With Francisco Alvarado Avella, I learned the eroticism that always covered his paintings. With Soraya Goicoechea the realism of the portrait. With Max Rojas, the use of expressionism. With Isabel Naranjo, realism. With Rodolfo Rocha, I learned how to mix all these techniques.”

Her work’s shown internationally at the Louvre Museum in Paris, France and at galleries and museums in Fabriano, Italy, Juarez, Mexico, Toronto, Canada and Houston, Texas.

Since moving to America with her husband, Dr. Douglas Benn, an adjunct professor at the Creighton University School of Dentistry, she’s consistently shown her work in Nebraska. She recent exhibited at the Artists Cooperative Gallery in the Old Market. She has work at the Burkholder Project in Lincoln. She’ll show some pieces at her studio during the Hot Shops open house in December.

She and her husband reside in a near downtown home accented by her own art and by artwork they’ve collected. The couple met five years ago in Costa Rica when he visited there. They married three years ago.

Benn was no stranger to America, where she traveled on school vacations and visited an aunt in Florida.

“Once I moved here, I fell in love with Omaha, which is full of art.”

As a girl in Costa Rica a school teacher and a newly arrived classmate from Cuba affirmed her talent.

“All my life I have painted and drawn,” said Benn, who found her voice in art.

“My formal studies were in architecture but I didn’t finish. But always the drawing was in my blood,”

Like any artist, she finds inspiration in many sources. The paintings of Austrian symbolist painter Gustav Klimt and his use of gold leaf foil are particularly influential.

“Klimt’s symbolism seems extraordinary to me – the way he uses symbolism and geometric patterns, which I always use in my work.”

Expressionism best describes her style, though she incorporates elements of surrealism as well.

“We live in anxiety about humanity’s increasingly discordant relationship with the world and accompanying lost feelings of authenticity and spirituality. I am an expressionist and as such support the rebellion to be free from academic restrictions. I want to be free in the way I express myself.”

The style fits her temperament and vision.

“These techniques were meant to convey the emotional state of my feelings and my art reacting to the anxieties of the modern world with all the problems of this particular period of time. This style allows me to have that freedom of expression.

“True art always causes an emotion in the spectator. When I succeed in transmitting the feeling I want to reflect in my painting to the viewer then I feel I have achieved my goal.””

She often deals with women’s emotional states in her work.

“Capturing the emotions and feelings reflected in a face is a challenge. I achieve feeling THROUGH a painting. Reflecting the model’s expression of joy, sadness, excitement, sensuality, for me is a challenge that I like.”

When dealing with women subjects she uses eroticism to capture mood and atmosphere.

“Why not? These feelings are part of human beings.”

After all, she said, seduction and mysticism are well known ways to captivate viewers.

“There are many ways to convey eroticism,” she said. “All of Georgia O’Keefe’s work is wrapped in eroticism and sensuality in a very subliminal way. Then there are the very criticized erotic drawings of (Gustave) Courbet’s realism, which is not my message, nor my style. I prefer the model of the painting have the expression and leave the rest to the imagination.

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Benn’s imagination sometimes supplies the human figures in her work. Other times she works from live models.

“The imaginary models are easier to work with. When one makes a painting of a live model, more is known by friends and family, so the level of accuracy has to be higher, which is more difficult. Normally everyone has a mental image of how we see ourselves, so to satisfy the model and also make the painting in your style, it’s quite a challenge.”

She makes her paintings directly on wood and enjoys the texture the surface gives her work.

“I really like how the lines of wood are mixed inside the face of my paintings. When I paint on canvas, the backgrounds go with the personality of the models. For example, I painted a friend who is a metal sculptor, so her surroundings have to be where she was born here in the USA and what she does.”

Visit http://www.artistamorera.com.

Read more of Leo Adam Biga’s work at leoadambiga.com.

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A Fluid Life: Dana Oltman Goes With the Flow

August 3, 2018 1 comment

A Fluid Life

Dana Oltman Goes With the Flow

Originally published in November-December 2017 issue of Omaha Encounter magazine

Story by Leo Adam Biga

Photography by Bill Sitzmann

 

 

 

 

Fluid.

That’s how digital graphic designer and fine art painter Dana Oltman describes her aesthetic.

As art director for Identity Marketing Group (she was previously at Rebel Interactive) she fulfills client project wishes. She says her branding design work consistently features “minimal, simple, clean” looks that, well, flow.

“Fluid is what I love,” she says. “Fluid is where I’m at now.”

Her abstract expressionistic fine art, especially her poured art work, is all about the swirls and natural organic fades of liquid flows.

“Most of the paints I use are acrylics,” she says. “which have as their base water, and so they’re very fluid.”

She invariably listens to music when painting in order to activate or induce that state of flow.

“What I do is based on whatever mood I’m in,” she says. “While design is very rigid—I like to have a plan and justify everything I do—painting is exactly the opposite. I like to work with the medium, just pick a paint, pick some colors, and basically put it on a surface and see what it does. It’s very much working with my medium to get random results, trying to affect it minimally as I go, letting gravity and fluid dynamics do the rest. It’s all very in the moment.”

If she does manipulate the image, she says, it’s for texture, and in those cases she may apply etching materials, resin, linoleum carvers, and even a culinary blow torch.

The images she creates on masonry board or wood panels and, occasionally, on canvas are often expressions of things found in nature–everything from nebulas in outer space to severe storm skies.

Her favorite skies appear after a storm at sunset. “The clouds are stacking up to the east after they’ve already moved through and the sun is shining from the west and you have orange, yellow, purple, red—which is my favorite color palette,” she says.

Her natural hair color is red, and she often sports highlights in different shades from her favorite palette.

In August, she drove to Beatrice, Nebraska, to catch the total solar eclipse, and she knows it’s only a matter of time before it shows up in one of her paintings.

Music is another source of inspiration for Oltman, 26, who loves going to local live shows and festivals.

Occasionally, her work is featured at local concerts and entertainment events. She did a live painting of a musician at an Omaha Entertainment and Arts Awards showcase.

She’s also taken on art projects for local bands, including an album cover for The Big Deep.

Some of her paintings can be seen at Curb Appeal Salon & Spa in the Old Market. A broad sampling of her work is available on her website, danaoltman.com.

Additionally, she draws and makes photographs, which she shares on her Instagram page.

Other influences and inspirations range from high fashion to poetry. She did a multi-week study abroad in Japan learning that country’s visual culture. The Japan immersion naturally showed up in her work, and she intends returning one day.

She’s also a Francophile who’s visited Quebec, Canada, and France. She expects taking ever deeper dives into French culture and returning to France—the home base for her favorite art movement: Impressionism.

Oltman grew up in Bennington, Nebraska, and graduated with a fine arts degree from the University of Nebraska-Lincoln. She draws a clear distinction between graphic design and art activities. She loves both, but one’s her job and the other’s purely for pleasure. She likes the balance of producing on a schedule as part of an office team and creating art alone when she feels like it.

“Since I don’t have art hooked to a vocation, it’s in my court totally. I don’t have to rely on anyone,” she says. “If I don’t want to make stuff, I don’t make stuff. If I do, I do. It’s just totally free.”

On the design side, she’s finding her most satisfaction working on websites.

“It”s such an advancing field,” she says. “Websites are so versatile, and you can do so many things. And it’s just so nuanced. It’s a really pretty time for web design.”

Motion graphics and animation are two new areas she’s learning fast. Coding is another.

“I enjoy learning new things,” she says.
“I’m a learner.”

Oltman enjoys the meet-ups that the local American Institute of Graphic Arts chapter puts on, including BarCamp.

She also stays connected to the design community via social media.

As a self-identified millennial, she admits, “I definitely fit the label in respect to being super connected online, being liberal, wanting a meaningful career that isn’t too constricting and gives me creative output, focusing on experience over material things in life, etc.”

A couple years ago when legalizing same-sex marriage was struck down in Nebraska, Oltman made a graphic of the Husker “N” with the Human Rights Campaign logo imposed in it. “I’m for causes that focus on equal human rights,”
she says.

At UNL she was one of several art students who created a mural portrait of George Flippin, the first African-American athlete of note at the university. The mural adorns the campus multicultural center.

When not doing pro bono work for things she believes in, she donates to the American Civil Liberties Union and to disaster relief funds.

In whatever she does, she follows her passion. Her personal credo-tagline says it all:

“Doin’ me a life.”

This article appears in the November/December 2017 issue of Encounter.

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