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Washington Garcia’s international music career finds perfect balance in Omaha

December 26, 2018 Leave a comment

 

Washington Garcia’s international music career finds perfect balance in Omaha

©by Leo Adam Biga

Originally published in El Perico (el-perico.com)

UNO School of Music Director Washington Garcia’s destiny was set the first time he tickled the keys of his grandmother’s piano at age 4 in his native Ecuador.

“I’ve always considered myself blessed to know my purpose in life from very early on,” Garcia said. “That’s a gift not many people have. My family knew my mission was to come to the United States one day. They trained me from a young age to prepare for it. They had me learn English. They mentored me so I would mature to be in a leadership position.”

Though born into a musical family, he’s the only one to have made music a career. His father’s a retired neurosurgeon. His mother, a retired accountant.

His talent was so evident that by 6 he enrolled in Ecuador’s National Conservatory of Music. His first public performance came at 7. Recognizing the prodigy in their midst, conservatory leaders created a program for him. He advanced quickly enough to debut with the Ecuadorian National Symphony Orchestra at only 15.

He won several prestigious piano competitions. He made his international debut in Chile. He’s since performed all over Europe as well as in Canada, Israel, Mexico, Colombia, Japan and China.

Whatever he’s done and wherever he’s gone, he’s felt his parents’ support.

“They knew instinctively music was going to be my tool to connect Ecuador with the world. My parents opened many doors for me because of their perseverance.”

He enjoys national hero status in his native land as a recipient of the Outstanding Cultural Achievement medal – the highest recognition the Ecuadorian National Assembly awards an individual for artistic excellence.

Getting this far has meant sacrifice.

“I didn’t really have a normal childhood practicing piano five or six hours a day in addition to going to private piano and English lessons, doing regular school courses and homework and attending the National Conservatory.

“These were highly intensive academic and artistic activities I invested all of myself into. I don’t regret it. I would do exactly the same thing again.”

He feels in music he’s found the great common ground.

“Music has the power to connect us all,” he said. “When I travel abroad, language is a barrier, but the moment I perform music it connects us. Music is the language of the soul. I’ve created so many relationships and associations with people who don’t speak a word of English. They understand immediately that music is a bridge between cultures.”

The University of Nebraska at Omaha School of Music he leads is all about making connections.

Said Garcia, “Music has so many angles that impact community. We place music teachers in the schools. Our faculty tour the nation and world. We host an international music festival and visiting teaching artists.”

“We have been able to enhance our visibility on a national and international level. It allows us to bring the world to Omaha. We’re like an ambassador for the city.”

Coming to Omaha culminated a love affair with America. He first came to the U.S. in the late 1990s as a Kennedy Center Fellow in Washington D.C. That led him to the Peabody Institute at Johns Hopkins University in Baltimore, where he earned his master’s and doctorate.

“I was the institute”s youngest Latin American graduate in piano performance.”

He taught there before being hired by Texas State University. He became assistant director of TSU’s music school. Then “the right opportunity” appeared at UNO. A national search for the founding director of UNO’s newly established school of music led recruiters to Garcia. He and his wife Valeria moved to Omaha in December 2015. He assumed the post the following January.

In addition to administrative duties, he’s a full tenured professor of piano at UNO.

“I run my life based on mission and one of my missions is to teach and give to others what I have received in terms of artistic and academic knowledge.”

He arrived in the middle of the school year during an accreditation review.

“It was a challenge,” he said, “but I’ve always loved challenges as opportunities to learn and grow from. Still, it almost felt like somebody dropped me from a plane and I had no idea if I had a parachute or not. I pulled the plug on what looked like a parachute. It opened and then I looked for the safest place to land. I landed and  started running and I haven’t stopped since.

“It’s been a really fast pace. We’ve accomplished a lot of initiatives and collaborations. We would like to establish the School of Music as one of the top academic and artistic institutions in Nebraska and the nation. We have    everything it takes – a great faculty and support from the community and the university – to make this happen.”

Like his faculty, he also performs. He’s played with the Omaha Symphony and he does special engagements nationally and internationally.

Every performance is an opportunity to serve.

“I pray every time before I perform that God will help me inspire those who hear me with the gift of music. I want to be for young people who desire a career in music but may not have the means what my parents were for me.”

He feels fortunate.

“The U.S. gave me a free education, a job and continues giving me the opportunity to serve others. That is why this is my home. When I go to Ecuador or anywhere abroad  I feel like a visitor. After a week I’m ready to go back home.

“My wife and I know we have a mission to complete here in Omaha. This is our family.”

He and Valeria have a 2-year-old child and are expecting their second child in December.

Visit washingtongarcia.com.

Read more of Leo Adam Biga’s work at leoadambiga.com.

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Keiko Matsui: Music of the heart

December 9, 2018 Leave a comment

Keiko Matsui: Music of the heart

©by Leo Adam Biga,

Appearing in the December 2018 issue of The Reader (www/thereader.com)

Keiko Matsui

 

When the Dave Koz and Friends Christmas tour wends its way to Omaha’s Orpheum Theatre on Monday, December 10, Keiko Matsui will be among the guest artists.

 

A native of Japan, Matsui is a composer and pianist whose music defies easy categorization. The industry labels her ethereal, emotive, rhapsodic sounds as smooth jazz, new age or adult contemporary. She burst on the scene by earning Billboard’s Contemporary Jazz Artist of the Year nod i 1996.

After 30-plus years of global recording and touring, she identifies as a world citizen. She won’t be the only international artist at the 7:30 p.m. Omaha show though, as South African guitarist-singer Jonathan Butler will join American saxophonists Koz and Mindi Abair and American vocalist Shelea.

Each artist on the bill has followed an independent path.

Matsui’s journey has seen her break down barriers. Born in Tokyo, the classically trained Matsui draws on jazz, rock, pop and other forms in a blend of Western and Eastern influences that transcends boxes, For Matsui. making music is a direct expression of her innermost being that intimately connects to people.

“Maybe the music business people need to categorize – but not me,” she said by phone from her Southern California home. “It is just my music and I express myself through it. Of course, you might find some influences in it from different genres, but I really hope my melodies touch the human heart.”

This mantra informed the title of her last album, “Journey to the Heart.” Now she’s doing the final mix on a new album set to release in February. As usual, this new work will feature all original compositions.

“Each album is like a mirror whose music is reflecting me – my thoughts, my experiences and my emotions at that time. For me, it’s not just an album. It is a statement expressing myself – how I am,, how I want to be.”

Always open to discovery, on “Journey to the Heart” she collaborated with noted Cuban musicians who toured with her. For her new album and forthcoming tour she’s exploring a hybrid of acoustic and electric sounds with musicians she goes back with a long time.

“It’s like a reunion,” she said.

Matsui sincerely believes in the ability of music to heal and to unite. She feels its salve is more important than ever in a world of great hurt and division.

“There are so many problems on this Earth. Everyone has a reason and a theory. Whatever it is, music will affect it some way,” she said. “I feel music has magical power to change something on this Earth. I really feel this is my mission. I receive the melodies and I create the albums and I deliver my music by traveling to different places. I travel across the U.S., Europe, Africa and Asia, so I see many different audiences.

“At every concert in every country I really feel the experience that my music unites – no matter people’s nationality or ethnic  background. Music goes beyond those things. Music has no borders.”

She often hears from fans who use her music as a soothing, meditative aid. Some physicians report using it in operating and birthing rooms. Artists tell her they create to it. Matsui appreciates its many applications.

“I’ve learned through these experiences that my music really touches people and connects to their lives very deeply. I feel honored and grateful my music is living with someone else.”

But the composer-instrumentalist doesn’t consciously try to conjure a tune. It just happens.

“I never intentionally set out to write a single song. They just come to me. I hear the melody and I catch the melody and I go where the melody goes. I have pure freedom to create anything. I can draw on a blank canvas. I feel there is infinite possibility.

“It is not like me trying to compose melodies. It is like a very mystical thing I receive. Sometimes I hear it in my dreams. When I wake up and the melody’s still there, then that’s it – this has a special bond. Sometimes a song is really speaking to me in my head. It’s ringing all the time. Then I’m like, I’ve got it, I will record you.”

Her creative method is about quiet, stillness and receptivity.

“When I am composing I am not thinking anything and I am not forming any words because I just want to have the freedom. By listening, my music can go anywhere I sit down at the piano waiting to hear something from   somewhere. I feel I am touching notes from the silence in this magical ceremony and time. It’s very spiritual.

“Once I start hearing it then I catch the melodies of the piece and I write it down on music sheets or I record it on my iphone. I collect about 100 or so motifs before I start really narrowing down to the 10 best songs. I go through the same process for every album. There are all these things happening when I am  in the creative mode and this upcoming album was mostly like that. That for me is a good sign.”

Music is her livelihood, but so much more.

“Of course. I am making a living with my music,” Matsui said, “but for me music is not a business, it’s not just a job. For me this is a special opportunity to connect to other souls. Some of my really loyal fans who have been living with my music for over 30 years are really spiritual and they really dig into the elements. I really feel we have a special bond.”

Devoted Matsui fans will no doubt be out in force for her rare Omaha appearance, where she’ll likely win new fans, too. The communion she feels she and her music makes with audiences extends on-stage.

“During the show I am pouring my heart and soul into it. I’m using lots of energy and expressing lots of emotion and I am receiving the same from my fans. It is like exchanging energy together. We share an emotional experience together.”

Visit TicketOmaha.com or call 402.345.0606 for tickets and details.

Follow the artist at http://www.keikomatsui.com.

Read more of Leo Adam Biga’s work at leoadambiga.com.

 

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