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Life Itself XVII: To All the Writers I’ve Loved Before – 25 Years of Stories About Writers and Writing

August 23, 2018 Leave a comment

Life Itself XVII:

 To All the Writers I’ve Loved Before – 25 Years of Stories About Writers and Writing

 

Noah Diaz making run for his dream at Yale School of Drama and theater companies nationwide

https://leoadambiga.com/2018/08/05/noah-diaz-making…anies-nationwide

Journalist-author Genoways takes micro and macro look at the U.S, food system

https://leoadambiga.com/2018/06/06/journalist-autho…u-s-food-syystem

Things coming full circle for Doug Marr, Phil’s Diner Series and Circle Theatre

https://leoadambiga.com/2018/04/24/things-coming-fu…d-circle-theatre/

 

 

Doug_Laura Marr

Doug Marr and wife Laura Marr

 

A book a day keeps the blues aways for avid reader and writer Ashley Xiques

https://leoadambiga.com/2017/03/03/a-book-a-day-kee…er-ashley-xiques

Voyager Bud Shaw gives up scalpel for pen

https://leoadambiga.com/2017/04/20/voyager-bud-shaw…-scalpel-for-pen

Kevin Simonson on Interviewing Hunter S. Thompson and Kurt Vonnegut

https://leoadambiga.com/2017/03/05/kevin-simonson-o…nd-kurt-vonnegut/

Literary star Ron Hansen revisits the Old West in new novel “The Kid”

https://leoadambiga.com/2016/08/25/literary-star-ro…ew-novel-the-kid/

 

Ron Hansen

 

 

Noah Diaz:

Metro theater’s man for all seasons and stages

https://leoadambiga.com/2016/07/19/noah-diaz-metro-…asons-and-stages

Old Hollywood hand living in Omaha comes out of the shadows: Screenwriter John Kaye scripted “American Hot Wax” and more

https://leoadambiga.com/2016/01/30/old-hollywood-ha…hot-wax-and-more

Bomb girl Zedeka Poindexter draws on family, food and angst for her poetry

https://leoadambiga.com/2015/03/11/zedeka-poindexte…t-for-her-poetry/

Playwright turned history detective Max Sparber turns identity search inward

https://leoadambiga.com/2015/02/07/playwright-turne…ty-search-inward/

Paul Johnsgard:

A birder’s road less traveled

https://leoadambiga.com/2016/06/24/paul-johnsgard-a…ad-less-traveled

Lew Hunter’s small town Nebraska boy made good in Hollywood story is a doozy

https://leoadambiga.com/2016/02/25/lew-hunters-smal…story-is-a-doozy

 

Hunter, Coppola B & W

Lew Hunter with Francis Ford Coppola

 

 

Alesia Lester: A Conversation in the Gossip Salon

https://leoadambiga.com/2016/03/09/alesia-lester-a-…the-gossip-salon/

Hardy’s one-man “A Christmas Carol” highlights Dickens-themed literary festival

https://leoadambiga.com/2015/11/03/hardys-one-man-a…iterary-festival/

Omaha World-Herald columnist Mike Kelly: 

A storyteller for all seasons

https://leoadambiga.com/2014/04/02/omaha-world-hera…-for-all-seasons/

 

 

Mike Kelly

Mike Kelly

 

 

Creative couple: Bob and Connie Spittler and their shared creative life 60 years in the making

https://leoadambiga.com/2015/12/23/bob-and-connie-s…rs-in-the-making/

A WASP’s racial tightrope resulted in enduring book partially set in 1960s Omaha

https://leoadambiga.com/2015/10/28/a-wasps-racial-t…t-in-1960s-omaha/

Alex Kava:

Bestselling mystery author still going strong

https://leoadambiga.com/2015/11/03/alex-kava-bestse…ill-going-strong/

Yolonda Ross adds writer-director to actress credits; In new movies by Mamet and Sayles as her own “Breaking Night” makes festival circuit

https://leoadambiga.com/2013/02/28/yolonda-ross-add…festival-circuit/

Omahans put spin on Stephen King’s “The Shining” – Jason Levering leads stage adaptation of horror classic to benefit Benson Theatre Project

https://leoadambiga.com/2014/03/17/omahans-put-thei…-theatre-project

Omaha author Timothy Schaffert delivers again with his new novel, “The Swan Gondola”

https://leoadambiga.com/2014/03/07/omaha-author-tim…the-swan-gondola/

Timothy Schaffert is seeking materials from the 1898 Trans-Mississippi Exposition for an online archive.

Timothy Schaffert

 

The Omaha Star celebrates 75 years of black woman legacy

https://leoadambiga.com/2013/04/11/the-omaha-star-c…ack-woman-legacy/

Ex-reporter Eileen Wirth pens book on Nebraska women in journalism and their leap from society page to front page

https://leoadambiga.com/2013/03/22/ex-reporter-eile…ge-to-front-page/

Bob Hoig’s unintended entree into journalism leads to career six decades strong

https://leoadambiga.com/2013/01/25/bob-hoigs-uninte…cades-strong-now/

Wounded Knee still battleground for some per new book by journalist-author Stew Magnuson

https://leoadambiga.com/2013/04/20/wounded-knee-sti…or-stew-magnuson/

Omaha native Steve Marantz looks back at city’s ’68 racial divide through prism of hoops in new book, “The Rhythm Boys of Omaha Central”

https://leoadambiga.com/2011/04/01/omaha-native-ste…of-omaha-central/

 

 

 

From the heart: Tunette Powell tells it like it is

https://leoadambiga.com/2015/03/10/from-the-heart-t…ls-it-like-it-is/

Finding her voice: Tunette Powell comes out of the dark and into the spotlight

https://leoadambiga.com/2013/01/24/finding-her-voic…to-the-spotlight/

Omowale Akintunde film “Wigger” deconstructs what race means in a faux post-racial world

https://leoadambiga.com/2010/05/21/deconstructing-w…ost-racial-world/

Beware the Singularity, singing the retribution blues: New works by Rick Dooling

https://leoadambiga.com/2010/10/10/beware-the-singu…-by-rick-dooling/

 

 

Richard Dooling's photo.

Richard Dooling

 

 

Lit Fest delves into what we fear, how we relate in extremis

https://leoadambiga.com/2015/10/09/lit-fest-delves-…late-in-extremis/

Omaha Lit Fest puts focus on Women Writers and Women in Publishing

https://leoadambiga.com/2012/10/06/omaha-lit-fest-p…en-in-publishing

Omaha Lit Fest Offers a Written Word Feast

https://leoadambiga.com/2013/10/18/omaha-lit-fest-o…itten-word-feast

Writing close to her heart: Author Joy Castro

https://leoadambiga.com/2012/11/23/author-joy-castr…in-two-new-books/

Ron Hull reviews his remarkable life in public television in new memoir

https://leoadambiga.com/2012/10/06/8945/

Ferial Pearson, award-winning educator dedicated to inclusion and social justice, helps students publish the stories of their lives

https://leoadambiga.com/2011/08/25/ferial-pearson-a…s-of-their-lives

Lit Fest brings author Carleen Brice back home flush with success of first novel, “Orange Mint and Honey”

https://leoadambiga.com/2011/07/02/lit-fest-brings-…e-mint-and-honey/

Novel’s mother-daughter thing makes it to the screen

https://leoadambiga.com/2010/10/26/novel’s-mother-d…it-to-the-screen

 

 

Carleen Brice

 

 

Sun reflection: Revisiting the Omaha Sun’s Pulitzer Prize-winning expose of Boys Town

https://leoadambiga.com/2011/04/28/sun-reflection-r…ose-on-boys-town

Alexander Payne and Kaui Hart Hemmings on the symbiosis behind his film and her novel “The Descendants” and how she helped get Hawaii right

https://leoadambiga.com/2012/01/23/alexander-payne-…get-hawaii-right/

Thy kingdom come: Richard Dooling’s TV teaming with Stephen King

https://leoadambiga.com/2012/08/16/thy-kingdom-come…ith-stephen-king/

Buffalo Bill’s Coming Out Party Courtesy Author-Balladeer Bobby Bridger

https://leoadambiga.com/2011/09/06/buffalo-bills-co…er-bobby-bridger/

 

 

 

The Worth of Things Explored by Sean Doolittle in his New Crime Novel “The Cleanup”

https://leoadambiga.com/2011/07/02/the-worth-of-thi…ovel-the-cleanup/

When Safe Isn’t Safe at All, Author Sean Doolittle Spins a Home Security Cautionary Tale

https://leoadambiga.com/2011/08/19/when-safe-isnt-s…-cautionary-tale/

Acclaimed Author and Nebraska New Wave Literary Leader Timothy Schaffert

https://leoadambiga.com/2010/05/18/nebraska-new-wav…imothy-schaffert/

A Man of His Words, Nebraska State Poet William Kloefkorn

https://leoadambiga.com/2010/07/07/a-man-of-his-wor…illiam-kloefkorn/

 

Bill and Eloise KloefkornJACOB HANNAH / Lincoln Journal Star

 

Kurt Andersen’s new novel “True Believers” revisits 1960s through reformed radical breaking her silence

https://leoadambiga.com/2012/07/28/kurt-andersens-n…king-her-silence/

Dissecting Jesse James

https://leoadambiga.com/2010/10/10/dissecting-jesse-james

Ron Hansen’s masterful outlaw blues novel about Jesse James and Robert Ford faithfully interpreted on screen

https://leoadambiga.com/2012/07/27/ron-hansens-mast…preted-on-screen

Playwright Carlos Murillo’s work explores personal mythmaking

https://leoadambiga.com/2012/07/26/playwright-carlo…sonal-mythmaking

The Many Worlds of Science Fiction Author Robert Reed

https://leoadambiga.com/2011/06/22/the-many-worlds-…thor-robert-reed

He knows it when he sees it: Journalist-social critic Robert Jensen finds patriarchy and white supremacy in porn

https://leoadambiga.com/2012/06/17/i-know-it-when-i…upremacy-in-porn

Litniks Unite! The Downtown Omaha Lit Fest brings writers, artists and readers together in celebration of the written word

Litniks Unite! The Downtown Omaha Lit Fest brings writers, artists and readers together in celebration of the written word

 

photo

Omaha Lit Fest: In praise of writers and their words: Jami Attenberg and Will Clarke among featured authors

https://leoadambiga.com/2012/06/19/omaha-lit-fest-i…featured-authors/

Omaha playwright Beaufield Berry comes into her own with original comedy “Psycho Ex Girlfriend”

https://leoadambiga.com/2013/04/20/omaha-playwright…iend-now-playing/

Omaha Lit Fest: “People who like this sort of thing will find this the sort of thing they like”

https://leoadambiga.com/2011/10/07/omaha-lit-fest-p…-thing-they-like/

Martin Landau and Nik Fackler discuss working together on “Lovely, Still” and why they believe so strongly in each other and in their new film

https://leoadambiga.com/2010/09/23/martin-landau-an…-in-the-new-film/

Martin Landau and Nik Fackler

 

 

“Lovely, Still,” that rare film depicting seniors in all their humanity, earns writer-director Nik Fackler Independent Spirit Award nomination for Best First Screenplay

https://leoadambiga.com/2010/12/03/lovely-still-tha…first-screenplay/

Filmmaker Nik Fackler’s magic realism reaches the big screen in “Lovely, Still”

https://leoadambiga.com/2010/05/18/when-dreams-that…neath-do-surface

Nik Fackler, the Film Dude Establishes Himself a Major New Cinema Figure with “Lovely, Still”

https://leoadambiga.com/2010/05/18/the-film-dude-es…ew-cinema-figure/

Writers Joy Castro and Amelia Maria de la Luz Montes explore being women of color who go from poverty to privilege

https://leoadambiga.com/2011/05/12/writers-joy-cast…rty-to-privilege/

Being Jack Moskovitz: Grizzled former civil servant and DJ, now actor and fiction author, still waiting to be discovered

https://leoadambiga.com/2011/09/05/being-jack-mosko…to-be-discovered/

 

With his new novel, “The Coffins of Little Hope,” Timothy Schaffert’s back delighting in the curiosities of American Gothic

https://leoadambiga.com/2011/04/13/with-his-new-nov…-american-gothic/

Timothy Schaffert Gets Down and Dirty with his New Novel “Devils in the Sugar Shop”

https://leoadambiga.com/2010/08/29/timothy-schaffer…n-the-sugar-shop/

Rachel Shukert’s anything but a travel agent’s recommended guide to a European grand tour

https://leoadambiga.com/2011/09/05/rachel-shukerts-…opean-grand-tour/

Author Rachel Shukert: A nice Jewish girl gone wild and other regrettable stories

https://leoadambiga.com/2011/09/05/author-rachel-sh…rettable-stories/

 

Rachel Shukert

 

 

After whirlwind tenure as Poet Laureate, Ted Kooser goes gently back to the prairie, to where the wild plums grow

https://leoadambiga.com/2010/06/19/after-a-whirlwin…-wild-plums-grow/

Keeper of the Flame: Poet Laureate and Pulitzer Prize winner Ted Kooser

https://leoadambiga.com/2010/06/19/keeper-of-the-fl…inner-ted-kooser

 

ted-kooser.jpg

Ted Kooser

 

 

Being Dick Cavett

https://leoadambiga.com/2010/12/04/being-dick-cavett-2/

Homecoming always sweet for Dick Cavett, the entertainment legend whose dreams of show biz Success were fired in Nebraska

https://leoadambiga.com/2010/12/04/homecoming-is-al…ed-in-nebraska-2/

 

Dick Cavett

 

 

Dream catcher Lew Hunter: Screenwriting guru of the Great Plains

http://leoadambiga.com/2010/05/09/dream-catcher-lew-hunter/

Q & A with playwright Caridad Svich, featured artist at Great Plains Theatre Conference

https://leoadambiga.com/2011/06/02/a-q-a-with-playw…eatre-conference/

Featured Great Plains Theatre Conference playwright Caridad Svich explores bicultural themes

https://leoadambiga.com/2011/05/29/featured-great-p…icultural-themes

Playwright-screenwriter John Guare talks shop on Omaha visit celebrating his acclaimed “Six Degrees of Separation”

https://leoadambiga.com/2011/06/02/playwright-john-…es-of-separation/

Attention must be paid: Arthur Kopit invokes Arthur Miller to describe Great Plains Theatre Conference focus on the work of playwrights

https://leoadambiga.com/2011/05/29/attention-must-b…s-and-their-work/

Q & A with Edward Albee: His thoughts on the Great Plains Theatre Conference, Jo Ann McDowell, Omaha and preparing a new generation of playwrights

https://leoadambiga.com/2011/05/29/a-q-a-with-edwar…n-of-playwrights/

Great Plains Theatre Conference ushers in new era of Omaha theater

https://leoadambiga.com/2011/05/28/great-plains-the…of-omaha-theater/

 

John Guare

 

 

Hard times ring sweet in the soulful words of singer-songwriter-author Laura Love, daughter of the late jazz man, Preston Love Sr.

https://leoadambiga.com/2010/05/01/hard-times-ring-…uthor-laura-love

Gospel playwright Llana Smith enjoys her Big Mama’s time

https://leoadambiga.com/2010/06/07/gospel-playwrigh…r-big-mamas-time

Blizzard Voices:

Stories from the Great White Shroud

https://leoadambiga.com/2018/07/27/blizzard-voices-…eat-white-shroud

Click Westin, back in the screenwriting game again at age 83

https://leoadambiga.com/2010/07/11/click-westin-bac…-again-at-age-83/

“The Bagel: An Immigrant’s Story” – Joan Micklin Silver and Matthew Goodman team up for new documentary

https://leoadambiga.com/2012/03/16/the-bagel-an-imm…documentary-film

Actor Peter Riegert makes fine feature directorial debut with “King of the Corner”

https://leoadambiga.com/2011/05/12/actor-peter-rieg…ng-of-the-corner/

Talking screenwriting with Hollywood heavyweight Hawk Ostby: Omaha Film Festival panelist counts “Children of Men” and “Iron Man” among credits

https://leoadambiga.com/2012/03/02/talking-screenwr…mong-his-credits/

 

Hawk Ostby

 

 

Tempting fate: Patrick Coyle film “Into Temptation” delivers gritty tale of working girl and idealistic priest in search of redemption

https://leoadambiga.com/2012/04/09/tempting-fate-pa…ch-of-redemption/

Otis Twelve’s Radio Days

https://leoadambiga.com/2010/05/31/otis-twelves-radio-days/

Three old wise men of journalism – Hlavacek, Michaels and Desfor – recall their foreign correspondent careers and reflect on the world today

https://leoadambiga.com/2010/05/18/three-old-wise-men-of-journalism/

John and Pegge Hlavacek’s globe-trotting adventures as foreign correspondents

https://leoadambiga.com/2010/06/02/john-and-pegge-h…n-correspondents/

 

 

John Hlavacek

 

 

Preston Love: His voice will not be stilled

https://leoadambiga.com/2010/06/03/preston-love-his…l-not-be-stilled/ 

 

Marguerita Washington: The woman behind the Star that never sets

https://leoadambiga.com/2010/08/02/marguerita-washi…-that-never-sets

“Walking Behind to Freedom” – A musical theater examination of race

https://leoadambiga.com/2011/06/21/walking-behind-t…mination-of-race

Sacred Trust, Author Ron Hansen’s Fiction Explores Moral Struggles

https://leoadambiga.com/2010/07/06/sacred-trust

Jim Taylor, the other half of Hollywood’s top screenwriting team, talks about his work with Alexander Payne

https://leoadambiga.com/2016/06/30/jim-taylor-the-o…lexander-payne-2/

Author, humorist, folklorist Roger Welsch tells the stories of the American soul and soil

https://leoadambiga.com/2010/06/19/author-humorist-…he-american-soul/

 

From the Archives: Warren Francke – A passion for journalism, teaching and life

https://leoadambiga.com/2012/06/11/from-the-archive…eaching-and-life

Author Scott Muskin – What’s a nice Jewish boy like you doing writing about all this mishigas?

https://leoadambiga.com/2011/12/05/author-scott-mus…ll-this-mishigas/

Vincent Alston’s indie film debut, “For Love of Amy,” is black and white and love all over

https://leoadambiga.com/2011/11/29/vincent-alstons-…nd-love-all-over

Screenwriting adventures of Nebraska native Jon Bokenkamp, author of the scripts “Perfect Stranger” and “Taking Lives'”

https://leoadambiga.com/2011/11/28/screenwriting-ad…ve-jon-bokenkamp/

 Taking Lives

Murder He Wrote: Reporter-author David Krajicek finds niche as true crime storyteller

https://leoadambiga.com/2011/10/28/murder-he-wrote-…rime-storyteller/

Bobby Bridger’s Rendezvous

https://leoadambiga.com/2010/05/11/bobby-bridgers-rendezvous/

Nancy Duncan: Her final story

https://leoadambiga.com/2010/05/09/her-final-story/

Nancy Duncan: Storyteller

https://leoadambiga.com/2010/08/02/nancy-duncan-storyteller/

From the Archives:

Nancy Duncan’s journey to storytelling took circuitous route

https://leoadambiga.com/2012/04/01/from-the-archive…circutious-route

Joan Micklin Silver: Maverick filmmaker helped shape American independent film scene and opened doors for women directors

https://leoadambiga.com/2010/10/10/joan-micklin-sil…-women-directors/

Joan Micklin Silver: Shattering cinema’s glass ceiling

https://leoadambiga.com/2010/05/18/shattering-cinemas-glass-ceiling/

Joan Micklin Silver

 

 

Doug Marr, Diner Theater and keeping the faith

https://leoadambiga.com/2010/06/06/doug-marr-keeping-the-faith/

Short story writer James Reed at work in the literary fields of the imagination

https://leoadambiga.com/2011/09/03/short-story-writ…-the-imagination

Culturalist Kurt Andersen wryly observes the American scene as author, essayist, radio talk show host

https://leoadambiga.com/2010/05/18/culturalist-kurt-andersen/

Slaying dragons: Author Richard Dooling’s sharp satire cuts deep and quick

https://leoadambiga.com/2010/05/18/slaying-dragons-rick-dooling/

 

K

Kurt Andersen

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Life Itself VII: 25-plus years of Omaha theater stories


 

Life Itself VII:
25-plus years of Omaha theater stories

New plays are discovered at Omaha’s own Great Plains Theatre Conference

https://leoadambiga.com/2018/06/06/new-plays-are-di…eatre-conference/

 
North Omaha rupture at center of PlayFest drama
Niche theater for classics still going strong in 25th year
Finding home: David Catalan finds community service niche in adopted hometown of Omaha
Roni Shelley Perez staking her claim as Nebraska’s next “Broadway baby” 
Noah Diaz: 
Metro theater’s man for all seasons and stages
Art in the heart of South Omaha
Things coming full circle for Doug Marr, Phil’s Diner Series and Circle Theatre

Kevin Lawler, ©photo by Debra S. Kaplan

 
PlayFest broadens theater possibilities: Great Plains Theatre Conference events feature community-based, site-specific works
Camille Metoyer Moten: With a song in her heart
Stephanie Kurtzuba: From bowling alley to Broadway and back
Creative to the core: 
John Hargiss and his handmade world
BRAVO! Sing for the Cure
“The Bystanders” by Kim Louise takes searing, moving look at domestic violence as a public health issue
South Omaha stories on tap for free PlayFest show; Great Plains Theatre Conference’s Neighborhood Tapestries returns to south side
Play considers Northside black history through eyes of Omaha Star publisher Mildred Bown
Celebrating 90 years, the Omaha Community Playhouse takes seriously its community theater mission
Omaha theater gypsy Gordon Cantiello back with new show
Tapestries to celebrate Omaha neighborhoods; Theater by any other name
Kevin Lawler guides ever evolving theater conference to put more focus on fewer plays and playwrights and to connect deeper with community
Matched set: Susan Baer Collins and Carl Beck share life and career based in theater at Omaha Community Playhouse
Beasely #1 by Eric Antoniou (LEO)
John Beasley has it all going on with new TV series, feature film in development, plans for new theater and possible New York stage debut; Co-stars with Cedric the Entertainer and Niecy Nash in TVLand’s “The Soul Man”
Journeyman actor John Beasley discusses life in film-television-theater and striving for in-the-moment believability
Theater-Fashion Maven Elaine Jabenis
John Beasley: Living his dream
Family of creatives: Rudy Smith,  Llana Smith,  Q (Quiana) Smith
Omaha’s black sirens of song and spoken word
Hardy’s one-man “A Christmas Carol” highlights Dickens-themed literary festival
Joslyn Castle Literary Festival makes it all about Dickens
Artist facing life-altering disease makes “Dracula” subject of literary festival: Jill Anderson and friends explore Bram Stoker’s dark vision
Tiffany White-Welchen delivers memorable performance in “Lady Day”
Blue Barn Theatre
NEW BLUE:
Blue Barn Theatre putting down new roots
FINDING HOME: With its own home, the Blue Barn completes a long road to creating edgy theater
Paul Williams: Alive and well, sober and serene, making memorable music again
Opera Omaha re-imagines the gala with “A Flowering Tree”
Playwright turned history detective Max Sparber turns identity search inward 
Breaking the mold: 
Opera Omaha re-imagines the gala
Alone or together, Omaha power couple Vic Gutman and Roberta Wilhelm give back to the community
Omahans put spin on Stephen King’s “The Shining’ – Jason Levering leads stage adaptation of horror classic to benefit Benson Theatre Project
Sisters of song: Kathy Tyree connects with Ella Fitzgerald; Omaha singer feels kinship to her stage alter ego
Art imitates life for “Having Our Say” stars, sisters Camille Metoyer Moten and Lanette Metoyer Moore, and their brother Ray Metoyer
Shirley Jones Interview: Classic Hollywood star to appear at Omaha screening of “Carousel”
Omaha playwright Beaufield Berry comes into her own with original comedy “Psycho Ex Girlfriend”
Beaty’s one-man dramatization of the diaspora considers what freedom looks like for African Americans
Opera Omaha enlists Jun Kaneko for new Ttke on “The Magic Flute” –  co-production of Mozart masterpiece features stunning designs setting the opera world abuzz
Playwright Carlos Murillo’s work explores personal mythmaking
A Theater Twinning
photo
Doing time on death row: Creighton University theater gives life to “Dead Man Walking”
Tyler Perry’s brand of gospel play coming soon to theater near you
Tired of being tired leads to new start at John Beasley Theater
Native American survival strategies shared through theater and testimony
“Walking Behind to Freedom” – A musical theater examination of race
What happens to a dream deferred? John Beasley Theater revisits Lorraine Hansberry’s “A Raisin in the Sun”
Anthony Chisholm is in the house at the John Beasley Theater in Omaha
Polishing Gem: Behind the scenes of John Beasley Theater & Workshop’s staging of August Wilson’s “Gem of the Ocean “
Homage to the bootstrappers by the Grande Olde Players
Omaha theater as insurrection, social commentary and corporate training tool Playwright
Actor Kelcey Watson fills role of a lifetime on short notice in Blue Barn production of “Six Degrees of Separation”
Lara Marsh’s breath of life
The wonderful world of entertainment talent broker Manya Nogg
Nancy Duncan’s journey to storytelling took circuitous route 
Art trumps hate: “Brundinar” children’s opera survives as defiant testament from the Holocaust
A queen gets his day in the sun: Music director Jim Boggess let’s it all out in “Jurassic Queen” cabaret
Dick Boyd as Scrooge in 2005, ©photo by Mikki K. Harris, USA TODAY

Dick Boyd found role of his life, as Scrooge, in Omaha Community Playhouse production of Charles Dickens classic “A Christmas Carol”
Preston Love Jr. channels Adam Clayton Powell Jr. in one-man chautauqua
Get your jitney on: August Wilson play “Jitney” at the John Beasley Theater resonates with cast and crew
The enchanted life of Florence Taminosian Young, daughter of a whirling dervish
Being Jack Moskovitz: Grizzled former civil servant and DJ, now actor and fiction author, still waiting to be discovered
John Beasley and sons make acting a family thing
Crowns: Black women and their hats
Camille Metoyer Moten: A singer for all seasons
Shakespeare on the Green: 
A summertime staple in Omaha
Learning from a Broadway actor

Kevyn Morrow

 
Kevyn Morrow’s homecoming 
Vincent Alston’s indie film debut, “For Love of Amy,” is black and white and love all over
Change is gonna come: GBT Academy in Omaha undergoes revival in wake of fire
Great Plains Theater Conference ushers in new era of Omaha theater  
Jo Ann McDowell’s theater passion leads to adventure of her life as friend, confidante, champion of leading stage artists and organizer of festivals-conferences
Playwright-director Glyn O’Malley, measuring the heartbeat of the American theater
Q&A with theater director Marshall Mason, who discusses the process of creating life on stage

John Guare

Playwright-screenwriter John Guare talks shop on Omaha visit celebrating his acclaimed “Six Degrees of Separation”
Q&A with playwright Caridad Svich, featured artist at Great Plains Theatre Conference
Featured Great Plains Theatre Conference playwright Caridad Svich explores bicultural themes
Attention must be paid: Arthur Kopit invokes Arthur Miller to describe Great Plains Theatre Conference focus on the work of playwrights
Q&A with Edward Albee: His thoughts on the Great Plains Theatre Conference, Jo Ann McDowell, Omaha and preparing a new generation of playwrights   
Great Plains Theatre Conference grows in new directions
Unforgettable Patricia Neal
More than Buddy: Billy McGuigan expands on Buddy Holly shtick to collaborate with his brothers and band in Beatles tribute
 
 
Hey, you, get off of my cloud! Doug Paterson – acolyte of Theatre of the Oppressed founder Augusto Boal and advocate of art as social action
Radio DJ-actor-singer Dave Wingert, in the spotlight
Quiana Smith’s dream time takes her to regional, off-Broadway and Great White Way theater success
Show goes on at Omaha Community Playhouse, where Henry Fonda and Dorothy McGuire got their start
Charles Jones: Looking Homeward
In her 101 years, ex-vaudeville dancer Maude Wangberg has lived a whirl of splendor
Nancy Duncan: Storyteller
A Woman Under the Influence
Anyone for classics? 
Brigit Saint Brigit Theater stages the canon
Gospel playwright Llana Smith enjoys her Big Mama’s time
John Beasley: Making his stand

Brian O’Bryne and Swoosie Kurtz in Frozen

Kooky Swoosie: Actress Swoosie Kurtz conquers Broadway, film, television
Lauro play “A Piece of My Heart” dramatizes role of women in war zones
Magical mystery tour of Omaha’s Magic Theatre, a Megan Terry and Jo Ann Schmidman production
Bobby Bridger’s Rendezvous
Doug Marr, Diner Theater and keeping the faith
War and peace: Bosnian refugees purge war’s horrors in song and dance that make plea for harmony
Golden Boy Dick Mueller of Omaha leads Firehouse Theatre revival
Opera comes alive behind the scenes at Opera Omaha staging of Donizetti’s “Maria Padilla” starring Renee Fleming

New plays are discovered at Omaha’s own Great Plains Theatre Conference

June 6, 2018 1 comment

New plays are discovered at Omaha’s own Great Plains Theatre Conference

©by Leo Adam Biga

Originally published in the June 2018 issue of The Reader (www.thereader.com)

The Great Plains Theatre Conference is more than a collaborative around craft. It’s also a source of plays for theaters, whose productions give GPTC playwrights a platform for their words to take shape.

The May 27-June 2 2018 GPTC included a Blue Barn Theatre mounting of Matthew Capodicasa’s In the City, In the City, In the City. Artistic director Susan C. Toberer booked it after a 2017 PlayLab reading. The piece opened a regular run May 17, Then came a PlayFest performance. The show continues through June 17 to cap Blue Barn’s 29th season.

Toberer said the conference is “a good source” for new material, adding, “I wouldn’t have been aware of City if not for GPTC and it became perhaps the show we most looked forward to this season.”

 

Susan C. Toberer, ©photo by Debra S. Kaplan

 

Staging new works from the conference expands the relationship between theaters and playwrights.

“The incredible openness of the process is one of the many joys of working with a script and a playwright with such generosity of spirit. Not only were we able to bring Matthew into the process early and often to offer guidance and support,” she said, “but he invited the artists involved to imagine almost infinite possibilities. We are thrilled to bring his play to life for the first time.”

GPTC producing artistic director Kevin Lawler couldn’t be more pleased.

“This is part of my dream. It’s not really a dream anymore, it’s reality, that local theaters can garner and grab productions, including premiere productions of plays from the scripts that come here to Great Plains. City is a great example of that,” he said.

“Another example is UNO now designating the third slot in their season to fully produce a Great Plains Theatre Conference PlayLab from the previous year.”

“The GPTC-UNO connection goes way back,” said University of Nebraska at Omaha theater professor Cindy Phaneuf. She’s developed alliances with conference guests, even bringing some back to produce their work or to give workshops.

Since conference founder and former Metropolitan Community College president Jo Ann McDowell shared her vision with community and academia theater professionals in 2006, It’s been a cooperative venture, Theater pros serve as directors, stage managers, actors, dramaturges and respondents. Students attend free and fill various roles onstage and off.

The Young Dramatists Fellowship Program is a guided experiential ed immersion for high school students during the conference. It affords opportunities to interact with theater pros.

“The participation of our local theater artists and students is a key sustaining factor of the conference,” Lawler said. “Our national and international guest artists are won over by the talent, generosity and insight of our local theater community and that helps the conference rise to a higher level of engagement and creativity.”

Besides honing craft at the MCC-based conference, programming extends to mainstage and PlayFest works produced around town. Then there are those GPTC plays local theaters incorporate into their seasons.

“We’ve always done plays touched by Great Plains.” Phaneuf said. “Now it’s taking another step up where we’re committing sight unseen to do one of the plays selected for play reading in our season next year. That happens to be a season of all women, so we’re reading the plays by women to decide what fits into our season.”

It will happen as part of UNO’s new Connections series.

“The idea is that UNO will connect with another organization to do work that matters to both of us. This coming year that connection is with the Great Plains.”

Phaneuf added, “We’re also doing The Wolves by Sarah DeLappe. It also started at Great Plains and has gotten wonderful national exposure.”

Additional GPTC works account for some graduate student studio productions in the spring.

This fall Creighton University is producing the world premiere of Handled by CU alum Shayne Kennedy, who’s had previous works read at GPTC.

 

Elizabeth Thompson, ©photo by Debra S. Kaplan

 

The Shelterbelt’ Theater has produced a dozen GPTC-sourced plays since 2006, including three since 2014: Mickey and Sage by Sara Farrington, The Singularity by Crystal Jackson and The Feast by Celine Song. It will present another in 2018-2019.

As artistic director since 2014, Elizabeth Thompson said she’s nurtured “a stronger bond with Great Plains, especially since GPTC associate artistic director Scott Working is one of our founders – it’s a no-brainer.”

Omaha playwright Ellen Struve has seen several of her works find productions, including three at Shelterbelt, thanks to Great Plains exposure and networking.

“Some of the greatest advocates of my work have been other writers at GPTC. I’ve helped get GPTC writers productions and they’ve helped me get productions. We are always fighting on behalf of each other’s work,” Struve said. “My first play Mrs Jennings’ Sitter was selected as a mainstage reading in 2008. (Director) Marshall Mason asked me to send the play to companies he worked with on the east coast. Frequent GPTC playwright Kenley Smith helped secure a production in his home theater in West Virginia.

“When my play Mountain Lion was selected (in 2009), Shelterbelt offered to produce the plays together in a summer festival. Then in 2010, (playwright) Kari Mote remembered Mrs. Jennings’ Sitter and asked if she could produce it in New York City.”

In 2011, Struve’s Recommended Reading for Girls was championed to go to the Omaha Community Playhouse, where Amy Lane directed it.

“This kind of peer promotion-support happens every year at Great Plains,” Struve said. “It has been a transformative partner for me.”

Kevin Lawler confirms “a strong history” of “artists supporting each other’s work well beyond the conference.”

Plays come to theaters’ attention in various ways.

“A lot of directors will send me the piece they’re working on at Great Plains and say, ‘I see this at the Shelterbelt and I would love to stay involved if possible.’ That’s definitely something we look at,” Thompson said. “The writer already has a relationship with them and that can make the process a little easier.

“Actors involved in a reading of a script we produce often want to come audition for it. They’re excited about seeing something they were involved with in a small way get fully realized.”

Capodicasa’s City was brought to Blue Barn by actress Kim Gambino, who was in its GPTC reading. She studied theater in New York with Toberer.

Capodicasa is glad “the script made its way to the folks at Blue Barn,” adding, “I’m so honored the Blue Barn is doing the play.” He’s enjoyed collaborating with the team for his play’s first full production and is happy “to “share it with the Omaha community.”

“When I served on the Shelterbelt’s reading committee, I was charged with helping find scripts that could possibly fill a gap in the season,” said playwright-director Noah Diaz. “I remembered The Feast – its humor and beauty and terror – and suggested it. Frankly, I didn’t think it would win anyone over. To my surprise, Beth Thompson decided to program it — something I still consider to be deeply courageous. An even bigger surprise came when Beth suggested I direct it.

“The GPTC is providing an opportunity for the community at large to develop relationships with new plays from the ground up. My hope is by having direct connection to these writers, Omaha-based companies will begin shepherding new works onto their stages.”

“Because we’re a theater that only produces new work,” Thompson said, “these plays have a much better chance of being produced with us than they do with anyone else in Omaha.”

Doing new work is risky business since its unfamiliar to audiences, but Thompson said an advantage to GPTC scripts is that some Shelterbelt patrons “already know about them a little bit because they’re developed with Omaha actors and directors – that helps.”

Twenty plays are selected for GPTC from a blind draw of 1,000 submissions. Thus, local theaters have a rich list of finely curated works to draw from.

“These playwrights are going places,” UNO’s Phaneuf said. “You can be in the room with some of the best playwrights in the country and beyond and you can get to know those writers and their work. It’s wonderful to see them when they’re just ready to be discovered by a lot of people and to feel a part of what they’re doing.”

Whether plays are scouted by GPTC insiders or submitted by playwrights themselves, it means more quality options.

“It just opens up our gate as to what we consider local, and while we have amazing writers that are local, they’re not writing all the time, so it gives us a bigger pool to pick from,” Thompson said.

When theaters elect to produce the work of GPTC playwrights, a collaboration ensues. “They’re definitely involved,” Thompson said. The GPTC playwrights she’s produced at Shelterbelt all reside outside Nebraska.

“Their input is just as valuable as if they were living here and able to come to every rehearsal. We Face-time, Skype, text, email because they do have the opportunity to make some changes throughout the process.”

For Lawler, it’s about growing the theater culture.

“I love that our local theaters are being able to take different scripts from the conference and throw them into their seasons – many times giving a premiere for the play. A lot of productions and relationships are born at the conference.”

Ellen Struve has been a beneficiary of both.

“GPTC has given me access to some of the greatest playwrights alive. It’s a community. Local, national and international. It has invigorated the Omaha writing scene. Every year we get to see what’s possible and imagine what we’ll do next.”

Visit http://www.gptcplays.com.

Read more of Leo Adam Biga’s work at https://leoadambiga.com.

To all the writers I’ve loved before…

October 10, 2016 1 comment

Being Jack Moskovitz, Grizzled Former Civil Servant and DJ, Now Actor and Fiction Author, Still Waiting to be Discovered

 

To all the writers I’ve loved before…
If you’re a longtime follower, then you know by now I like making lists. It’s not that I don’t have anything better to do, it’s just that it helps give my mind a focused distraction from whatever the real task at hand is, which is usually a writing project or two or three or four…Oh, well, you get the idea.

So, the other day I began listing out as many of the writers I’ve written about over the years that I could recall. I knew it would be a long list, but it turned out longer than I expected. I mean, it’s a very broad and impressive group of writers, some of whom don’t make their living as writers, But in any case they are variously journalists, essayists, poets, novelists, biographers, memoirists and in many instances combinations of these things. I interviewed them all and in most cases wrote profile of them as well. In some cases I quoted them as part of more general features related to their work or project or program. I enjoy speaking to and writing about fellow soldiers of the craft. Read their names below and see how many you recognize and if you’ve read anything by them. Most are Nebraska native or transplant authors but a fair number are not from here.

There are some Pulitzer, National Book Award, Oscar, Emmy, Tony, Poet Laureate and other writing prize nominees and winners among their ranks.

Before I release you to the list, please note that the names are not listed in any particular order – just when their occurred to me. And you can find what they spoke to me about and what I wrote about them and their work by visiting my blog, https://leoadambiga.com/:

Ron Hansen
Richard Dooling
Timothy Schaffert
Rachel Shukert
Beaufield Berry
Ellen Struve
Max Sparber
Summer Miller
Denise Chapman
Scott Working
Kevin Lawler
Doug Marr
James Reed
Robert Reed
Bobby Bridger
Ted Kooser
William Kloefkorn
Roger Welsch
Dick Cavett
Milton Kleinberg
Jack Moskovitz
Joy Castro
Zedeka Poindexter
John Hardy
Stew Magnuson
Colleen Reilly
Warren Francke
Sean Doolittle
Alex Kava
David Krajicek
Michael Kelly
Lew Hunter
Alexander Payne
Jim Taylor
Carleen Brice
Tekla Ali Johnson
Jami Attenberg
Scott Muskin
Will Clarke
Faith Ringold
Isabel Wilkerson
Jon Bokenkamp
Nik Fackler
Eileen Wirth
Kurt Andersen
Edward Albee
Arthur Kopit
Mac Wellman
John Guare
Caridad Savich
Kia Corthron
Megan Terry
Jo Ann Schmidman
Larry Williams
John Nagl
Howard Silber
Robert Jensen
Otis Wesselman
Preston Love Sr.
Laura Love
Robert Nelson
Joan Micklin Silver
Howard Rosenberg
Thom Sibbitt
John Kaye
Lou Leviticus
Dan Mirvish
James Marshall Crotty
Matt Mason
Nancy Rips
Bill Ramsey
Betty Dineen Shrier
David O. Russell
Jason Levering
Hawk Ostby
Bob Hoig
Ron Hull
Patrick Jones
Rebecca Rotert

Kevin Lawler guides ever evolving theater conference to put more focus on fewer plays and playwrights and to connect deeper with community

April 27, 2013 2 comments

I’ve been writing about the Great Plains Theatre Conference since its start eight years ago and while I don’t get the chance to write at length about it and its guest artists the way I used to, I still manage an assignment like this one, which is an interview with producing artistic director Kevin Lawler.  He’s been moving the event in some different directions that put more focus on fewer plays and playwrights and that connect the conference more deeply with the community.  My story appears in Omaha Magazine.

The 2013 Great Plains conference is May 25 through June 1.  It’s a wide mix of readings, productions, and special events, all of it geared to celebrating plays and playwrights and the theater.

On this blog you can find the many other stories I’ve filed over the years about the conference and some of its guest artists, including interviews with Edward Albee, Arthur Kopit, John Guare, and Patricia Neal.  In fact, you’ll find here many other theater pieces I’ve written over time.  Enjoy.

 

 

Kevin Lawler

 

 

Kevin Lawler guides ever evolving theater conference to put more focus on fewer plays and playwrights and to  connect deeper with community

©by Leo Adam Biga

Now appearing in Omaha Magazine

 

Plays and playwrights remain “the heart” of the May 25-June 1 Great Plains Theatre Conference, which is now in its eighth year, says producing artistic director Kevin Lawler. But since assuming leadership over this Metropolitan Community College-hosted stagecraft confab four years ago he’s brought more focus to a smaller selection of plays and playwrights and deepened the conference’s community connections.

The conference revolves around readings or performances of new plays by emerging playwrights from around the nation and master theater artists responding to the work in group and one-one-one feedback sessions.

“We used to bring somewhere around 70 plays out and we didn’t have time to read the full play, which was unfair to the playwright,” says Lawler, who writes and directs plays himself. “And 70 plays meant 70 directors and 70 casts, which our local theater community wasn’t quite able to properly support, so there was always kind of a heightened energy of struggle trying to fulfill all those roles and spots.

“We’ve reduced that number to about 30 plays, so now were able to really find great directors, great casts, and we’re able to have a performance of the full script.”

Playwrights find a nurturing environment during the event.

“They’re getting a lot of great attention. It can be a very transformative experience for playwrights who come here. The feedback they give us is that it’s moving them forward as theater artists.”

Omaha playwright Ellen Struve says, “It’s been phenomenal. Going to the Great Plains reaffirmed this was something I was capable of and finding a playwriting community was very important.” She and others who participate there formed the Omaha Playwrights Group and two of her own plays read at the conference have  been produced, including Recommended Reading for Girls at the Omaha Community Playhouse this spring. As interim artistic director of the Shelterbelt Theatre Struve regularly draws on conference scripts for productions.

“Ellen’s a shining example of somebody who was really able to find their feet at the Great Plains and really go from there and grow and take off.” says Lawler.

He adds that other local theaters also source plays and contacts at the conference.

“There’s an aspect of community building that occurs here,” Lawler says. “We try to foster that. There are many folks who leave here who stay in very close contact with others they meet here, supporting each other, sharing work, working on each other’s projects, helping get their work made. A national network is starting now.

“Theres a great exchange that happens.”

Featured plays are selected from 500-plus submissions. Guest artists who serve as responders also teach workshops. These artists are nationally known playwrights and educators who lead “various new movements in theater  expanding what theater might be, widening the horizons a bit,” says Lawler.

Works by featured guests are performed, including a water rights drama by 2013 honored playwright Constance Congdon slated for the edge of the Missouri River.

The conference’s PlayFest is a free festival that happens citywide. This year “neighborhood tapestries” in North and South Omaha will celebrate the stories, music, dance, art and food of those communities.

“We’re trying to be more rooted in the community,” Lawler says. “It’s kind of a lifelong quest I have to keep looking at the art form and saying, ‘What are we doing that’s not working very well?’ That’s part of the reason the whole PlayFest is free. Theater is just priced out of society’s ability to go. That doesn’t work.”

StageWrite is a conference initiative to nurture women playwrights and their work in response to the disproportionally small percentage of plays by women that get produced in America. A writing retreat for women playwrights is offered and funding’s being sought for year-round women’s programs.

Another way the Great Plains supports playwrights is by publishing an anthology of select scripts to get those works more widely read and hopefully produced.

Lawler says Omaha’s embrace of the conference has “allowed it to grow.” Actors, directors and technicians from the theater community help put in on. Donors like Todd and Betiana Simon and Paul and Annette Smith help bring in guest artists.

For the conference schedule, visit http://www.mccneb.edu/gptc.

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