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Hot Movie Takes Saturday – FIVE CAME BACK


Hot Movie Takes Saturday – FIVE CAME BACK

©by Leo Adam Biga, Author of “Alexander Payne: His Journey in Film”

 

Five Legendary Filmmakers went to war:

John Ford

William Wyler

Frank Capra

George Stevens

John Huston

Five Contemporary Filmmakers take their measure:

Paul Greengrass

Steven Spielberg

Guillermo del Toro

Lawrence Kasdan

Francis Ford Coppola

 

When the United States entered World War II these five great Hollywood filmmakers were asked by the government to apply their cinema tools to aid the war effort. They put their lucrative careers on hold to make very different documentaries covering various aspects and theaters of the war. They were all masters of the moving picture medium before their experiences in uniform capturing the war for home-front audiences, but arguably they all came out of this service even better, and certainly more mature, filmmakers than before. Their understanding of the world and of human nature grew as they encountered the best and worst angels of mankind on display.

The story of their individual odysseys making these U.S, government films is told in a new documentary series, “Five Came Back,” now showing on Netflix. The series is adapted from a book by the same title authored by Mark Harris. The documentary is structured so that five contemporary filmmakers tell the stories of the legendary filmmakers’ war work. The five contemporary filmmakers are all great admirers of their subjects. Paul Greengrass kneels at the altar of John Ford; Steven Spielberg expresses his awe of William Wyler; Guillermo del Toro rhapsodizes on Frank Capra; Lawrence Kasdan gushes about George Stevens; and Francis Ford Coppola shares his man crush on John Huston. More than admiration though, the filmmaker narrators educate us so that we can have more context for these late filmmakers and appreciate more fully where they came from, what informed their work and why they were such important artists and storytellers.

 

 

The Mission Begins

As World War II begins, five of Hollywood’s top directors leave success and homes behind to join the armed forces and make films for the war effort.

Watch The Mission Begins. Episode 1 of Season 1.
 

Combat Zones

Now in active service, each director learns his cinematic vision isn’t always attainable within government bureaucracy and the variables of war.

Watch Combat Zones. Episode 2 of Season 1.
 

The Price of Victory

At the war’s end, the five come back to Hollywood to re-establish their careers, but what they’ve seen will haunt and change them forever.

Watch The Price of Victory. Episode 3 of Season 1.

 

Ford was a patriot first and foremost  and his “The Battle of Midway” doc fit right into his work portraying the American experience. For Wyler, a European Jew, the Nazi menace was all too personal for his family and he was eager to do his part with propaganda. For Capra, an Italian emigre, the Axis threat was another example of powerful forces repressing the liberty of people. The “Why He Fight” series he produced and directed gave him a forum to sound the alarm. A searcher yearning to break free from the constraints of light entertainment, Stevens used the searing things he documented during the war, including the liberation of death camps, as his evolution into becoming a dramatist. Huston made perhaps the most artful of the documentaries. His “Let There Be Light” captured in stark terms the debilitating effects of PTSD or what was called shell shock then. His “Report from the Aleutians” portrays the harsh conditions and isolation of the troops stationed in Arctic. And his “The Battle of San Pietro” is a visceral, cinema verite masterpiece of ground war.

The most cantankerous of the bunch, John Ford, was a conservative who held dear his dark Irish moods and anti-authoritarian sentiments. Yet, he also loved anything to do with the military and rather fancied being an officer. He could be a real SOB on his sets and famously picked on certain cast and crew members to receive the brunt of his withering sarcasm and pure cussedness. His greatest star John Wayne was not immune from this mean-spiritedness and even got the brunt of it, in part because Wayne didn’t serve during the war when Ford and many of his screen peers did.

Decades before he was enlisted to make films during the Second World War, he made a film, “Four Sons,” about the First World War, in which he did not serve.

Following his WWII stint, Ford made several great films, one of which, “They Were Expendable,” stands as one of the best war films ever made. His deepest, richest Westerns also followed in this post-war era, including “Rio Grande,” “Fort Apache,” “She Wore a Yellow Ribbon,” “The Searchers,” “The Horse Soldiers” and “The Man Who Shot Liberty Valance.” Another war film he made in this period, “The Wings of Eagles,” is another powerful work singular for its focus on a real-life character (played by Wayne) who endures great sacrifices and disappointments to serve his country in war.

Even before the war Ford injected dark stirrings of world events in “The Long Voyage Home.”

 

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William Wyler had already established himself as a great interpreter of literature and stage works prior to the war. His subjects were steeped in high drama. Before the U.S. went to war but was already aiding our ally Great Britain, he made an important film about the conflict, “Mrs. Miniver,” that brought the high stakes involved down to a very intimate level. The drama portrays the war’s effects on one British family in quite personal terms. After WWII, Wyler took this same closely observed human approach to his masterpiece, “The Best Years of Our Lives,” which makes its focus the hard adjustment that returning servicemen faced in resuming civilian life after having seen combat. This same humanism informs Wyler’s subsequent films, including “The Heiress,” “Roman Holiday,” “Carrie,” “The Big Country” and “Ben-Hur.”

Wyler, famous for his many takes and inability to articulate what he wanted (he knew it when he saw it), was revered for extracting great performances. He didn’t much work with Method actors and I think some of his later films would have benefited from the likes of Brando and Dean and all the rest. One of the few times he did work with a Method player resulted in a great supporting performance in a great film – Montgomery Clift in “The Heiress.” Indeed, it’s Clift we remember more than the stars, Olivia de Havilland and Ralph Richardson.

 

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Frank Capra was the great populist director of the Five Who Came Back and while he became most famous for making what are now called dramedies. he took a darker path entering and exiting WWII, first with “Meet John Doe” in 1941 and then with “It’s a Wonderful Life” in 1946 and “State of the Union” in 1948. While serious satire was a big part of his work before these, Capra’s bite was even sharper and his cautionary tales of personal and societal corruption even bleaker than before. Then he seemed to lose his touch with the times in his final handful of films. But for sheer entertainment and impact, his best works rank with anyone’s and for my tastes anyway those three feature films from ’41 through ’48 are unmatched for social-emotional import.

Before the war George Stevens made his name directing romantic and screwball comedies, even an Astaire-Rogers musical, and he came out of the war a socially conscious driven filmmaker. His great post-war films all tackle universal human desires and big ideas: “A Place in the Sun,” “Shane,” “Giant,” “The Diary of Anne Frank.” For my tastes anyway his films mostly lack the really nuanced writing and acting of his Five Came Back peers, and that’s why I don’t see him in the same category as the others. In my opinion Stevens was a very good but not great director. He reminds me a lot of Robert Wise in that way.

That brings us to John Huston. He was the youngest and most unheralded of the five directors who went off to war. After years of being a top screenwriter, he had only just started directing before the U.S. joined the conflict. His one big critical and commercial success before he made his war-effort documentaries was “The Maltese Falcon.” But in my opinion he ended up being the best of the Five Who Came Back directors. Let this list of films he made from the conclusion of WWII through his death sink in to get a grasp of just what a significant body of work he produced:

The Treasure of the Sierra Madre

The Asphalt Jungle

Key Largo

The Red Badge of Courage

Heaven Knows Mr. Allison

Beat the Devil

Moby Dick

The Unforgiven

The Misfits

Freud

The List of Adrian Messenger

The Night of the Iguana

Reflections in a Golden Eye

Fat City

The Man Who Would Be King

Wiseblood

Under the Volcano

Prizzi’s Honor

The Dead

That list includes two war films, “The Red Badge of Courage” and “Heaven Knows Mr. Allison,” that are intensely personal perspectives on the struggle to survive when danger and death are all around you. Many of his other films are dark, sarcastic ruminations on how human frailties and the fates sabotage our desires, schemes and quests.

I believe Huston made the most intelligent, literate and best-acted films of the five directors who went to war. At least in terms of their post-war films. The others may have made films with more feeling, but not with more insight. Huston also took more risks than they did both in terms of subject matter and techniques. Since the other directors’ careers started a full decade or more before his, they only had a couple decades left of work in them while Huston went on making really good films through the 1970s and ’80s.

Clearly, all five directors were changed by what they saw and did during the war and their work reflected it. We are the ultimate beneficiaries of what they put themselves on the line for because those experiences led them to inject their post-war work with greater truth and fidelity about the world we live in. And that’s really all we can ask for from any filmmaker.

 

Ben Nachman Remembered the Heroes of the Holocaust

September 2, 2010 2 comments

Starved prisoners, nearly dead from hunger, po...

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A dear friend of mine passed away recently, and as a way of paying homage to him and his legacy I am posting some stories I wrote about him and his mission.  My late friend, Ben Nachman, dedicated a good part of his adult life to researching aspects of the Holocaust, which claimed most of his extended family in Europe.  Ben became a self-taught historian who focused on collecting the testimonies of survivors and rescuers. It became such a big part of his life that he accumulate a vast library of materials and a large network of contacts from around the world.  Ben’s mission was to help develop and disseminate Holocaust history for the purpose of educating the general public, especially youth, and he did this through a variety of means, including videotaped interviews he conducted, sponsoring the development of curriculum for schools, and hosting visiting scholars.  He also led this journalist to many stories about Holocaust survivors, rescuers, and educational efforts.  Because of Ben I have been privileged to tell something like two dozen Holocaust stories, some of which ended up winning recognition from my peers.  I have met some remarkable individuals thanks to Ben.  Several of the stories he led me to and that I ended up writing are posted on this blog site under the Holocaust and History categories.

His interests ranged far beyond the Holocaust and therefore his work to preserve history extended to many oral histories he collected from Jewish individuals from all walks of life and speaking to different aspects of Jewish culture.  He got me involved in some of these non-Holocaust projects as well through the Nebraska Jewish Historical Society, including a documentary on the Brandeis family of Nebraska and their J.L. Brandeis & Sons department store empire (see my Brandeis story on this blog site) and an in-progress book on Jewish grocers. Ben’s passion for history and his generous spirit for sharing it will be missed.  Rest in peace my friend, you were truly one of the righteous.

Ben Nachman Remembered the Heroes of the Holocaust

©by Leo Adam Biga

Originally appeared in New Horizons

What began as a hobby for retired Omaha dentist Ben Nachman has become his life’s work. For 30-plus years now Nachman, 70, has dedicated himself to researching the Holocaust. It is a subject this second generation Jewish American has personal ties to, as 23 members of his extended family perished at the hands of the Nazis in the former Ukraine.

For the past seven years this Creighton University graduate has documented the never-before-told stories of Holocaust survivors, including several transplanted Nebraskans, as well as the heroic efforts of European diplomats in rescuing Jews. As he has dug deeper into the Shoah, his work has brought him on close terms with survivors, rescuers and scholars and made him an authority on the subject, one he began probing in a quest to understand how his grandparents, uncles, aunts and cousins became victims of genocide.

His inquiries in this area have led him to establish an international network of contacts in Holocaust research circles and to participate in and serve as a catalyst for various projects seeking to shed light on the subject.

“It really is a tremendous network and it just came about over the years through exchanging letters, e-mails and faxes and visiting people and it just kind of opened up the floodgates,” he said.

He reads voraciously on the Holocaust, having accumulated a home library of thousands of books, and corresponds with some of the authors of those books. Only last September he and his wife Elaine hosted Belgian psychologist Marcel Frydman, the author of a book on the lifelong trauma faced by hidden children.

The first large-scale research undertaking he took part in was in conjunction with the Survivors of the Shoah Visual History Foundation (now called the USC Shoah Foundation Institute for Visual History and Education) and its five-year endeavor videotaping survivor testimonies. From 1995 to 1998 he was an official interviewer for the Los Angeles-based Foundation, which filmmaker Steven Spielberg started after completing Schindler’s List, the Oscar-winning film credited with sparking a revival of interest in the Holocaust.

For the Shoah project Nachman conducted exhaustive interviews with 70 survivors residing in the Midwest. Videographers captured the sessions on tape. His work introduced him to individuals who, despite immeasurable loss, have continued embracing life. He feels privileged to have been in the presence of men and women who have borne the burden of a lost generation with such grace.

“I built-up a tremendous love affair with the survivors,” Nachman said. “They’re a wonderful bunch of people. They’ve endured a great deal. They live with what happened every day of their lives, yet hatred is not there — and they’ve got every reason in the world to hate. They’re the most morally correct people I’ve ever found. They’re my heroes.”

Among the survivors Nachman interviewed is Lou Leviticus, a Lincoln, Neb. resident who as a hidden child in The Netherlands escaped the Nazis but lost virtually his entire family. Before the interview Leviticus, a former agricultural engineering professor at the University of Nebraska-Lincoln, had never before spoken of his ordeal.

Remaining silent about one’s own Holocaust history is a common refrain among survivors, especially hidden children, because the events are too painful to relive and the opportunity to speak too rarely afforded. Nachman also interviewed Omaha pediatric physicians Fred Kader and Tom Jaeger, whose survival as hidden children in their native Belgium was only made possible by the remarkable sacrifices and hazards undergone by their own families and by total strangers. Leviticus, Kader and Jaeger were among 50,000 or so people worldwide interviewed for the Shoah project, whose data is available to educators, historians and authors. In getting survivors to recount their stories in intimate detail, Nachman was unprepared for the impact the experience would have on him or his subjects.

“It was a very exacting interview we did with each survivor. We went into every little detail of exactly what happened to them during the war — whether they were in a concentration camp or a ghetto or in hiding. All the interviews lasted in excess of two hours. Many survivors were reluctant to talk about their lives, but we managed to get them to really open up. We had times when some startling things were said.

“A lady in Chicago told me about being raped. That’s a really shattering thing to sit and listen to. The trauma was still fresh in her mind. At times like that the survivor would break down. When we finished an interview the survivor and I were spent. It was an emotionally draining experience.”

A new project that has arisen from Nachman’s extensive contacts is the Hidden Heroes of the Holocaust Foundation, an Omaha-based organization whose aims are “to promote specific Holocaust education efforts and to promote the good deeds of hidden heroes,” Nachman said. “

Most people are aware of only a handful of individuals, like Oscar Schindler or Raoul Wallenburg, who rescued Jews but there were many more rescuers who risked their lives to save others. Our mission is to bring to light the stories of these dynamic people and organizations and their little known activities. We hear enough about the bad things that went on. We want to tell the story of the good things and so our focus is on life rather than on death.”

As an example of its educational mission, the foundation sponsored Marcel Frydman’s recent visit to Nebraska, where the author discussed what it means to have been separated from family as a hidden child, where survival depended on the good graces of ordinary citizens doing extraordinary things, and to deal with the lasting repercussions of that experience.

For his book, Frydman interviewed and studied dozens of former hidden children. Nachman said Frydman’s work is “the first to reveal that hidden children face trauma throughout their lives. It is an experience they are traumatized by forever. Their whole life is kind of governed by what happened to them.” In his role as a facilitator, Nachman arranged a meeting between Frydman, a former hidden child in Belgium, and Drs. Kader and Jaeger — who like Frydman were also hidden during the war in Belgium. The ensuing discussion at Nachman’s home proved emotional. “I knew if any of them opened up it was really going to be quite a dramatic evening and it did become that.”

Meanwhile, the foundation is underwriting research into rescue campaigns that went on in several European nations, with Nachman investigating Belgium and Hungary and collaborators examining Holland, France and Switzerland. Their results will inform articles, books, exhibits, films and other educational projects sponsored by the foundation.

Among these projects is an international committee Nachman serves on working to bring worldwide recognition to the humanitarian work of the late Portuguese diplomat, Aristides de Souza Mendes, and two documentary films — one profiling survivors who resettled in Nebraska to forge successful lives here and the other charting Swiss diplomat Carl Lutz’s defiant rescue of Hungarian Jews.

It is ironic Nachman has come to know the stories of hundreds of Holocaust heroes because his initial search was purely personal, as he followed what few leads there were of his ill-fated family in Europe.

His parents, who came to the U.S. in the early part of the last century, were from the former Ukrainian town of Kolomyja, which prior to the German invasion was part of Poland. Except for two uncles who survived in camps, all his relatives abroad perished. According to Nachman, Kolomyja was once home to 40,000 citizens, including 20,000 Jews. At the time of the Nazi occupation Jews from outlying areas were rounded-up and forced to live in two overcrowded ghettos within the town. He said some 55,000 Jews were interred there and “as best we can find there are only 200 survivors” today.

Nachman has ascertained few details about what happened. The skimpy facts he does know came from an uncle who survived a Siberian labor camp. “

I know only my grandfather was murdered in a forest outside of that town (Kolomyja) and my grandmother was murdered in her bed. I spent about a year trying to find some of the 200 survivors and I finally did. I phoned them. I wrote them letters. I did everything I could to try and piece together a story. But I’ve never really pieced together much of one. In all my contacts I’ve only had one occasion when someone remembered a member of my family. It was a man in Chicago, and when I showed him a picture of my grandfather he said, ‘Joseph Nachman, The Parquetnik,’ which referred to the fact my grandfather laid parquet floors” in the Old Country.

Determined to visit Kolomyja in the hope of unearthing more clues, Nachman pestered the Cultural Attache at the then-Soviet Embassy in Washington, D.C. to seek entry into what was a Soviet-controlled and, therefore, restricted region. In 1988 he and his wife were granted permission to visit, but only allowed a few hours on-site.

“We got to the Jewish cemetery there. It was in the most disastrous condition. Some graves were open clear down to the caskets. Some caskets were decayed to the point you could see bones within them. There was a huge mound in the middle of this cemetery, and that’s where several hundred people had been killed on the spot and put into a mass grave. I looked up, and there was a lady with a few goats feeding in the cemetery. She put her hand on the side of her face and shook her head as if she realized how terrible this must have been to me,” he said.

Dissatisfied by the brief visit he was accorded, he vowed to return one day. After the Soviet Union fell, he did return in 1992, accompanied by his daughter, and enjoyed freer access.

“We found the cemetery had been totally dug up. Any Jewish records in this town had been destroyed. At our escort’s suggestion we went to the local Catholic church, where she thought there might be duplicate records. We were able to find the birth certificate of a cousin born in November 1940 and murdered late in ‘41 or early in ‘42. I got a copy of the certificate and had it translated. That’s the only remnant I’ve ever been able to find of my family.”

His attempts at tracing the tragedy brought him face to face with the bleak reality of a terrible past now largely buried or forgotten. “My daughter and I walked into the forest where my grandfather was forced to dig his own grave and we saw several mounds of earth that I’m sure represented thousands of people. There were no markers. The survivors and their families were finally given permission to put up a memorial in 1993. I was asked to go back, but I didn’t. I didn’t want to.

“An uncle once told me, ‘You should never go back. There is nothing to see.’ And after having been back twice, I agree. The memorial erected there was originally inscribed with the words: ‘Here in this spot, several thousand Jews were murdered by the Nazis.’ After several months the Ukrainians took that inscription down and changed it to read: ‘Several thousand Ukrainians were killed here.’ So, you see, they really managed to erase any traces of what happened.”

His trip did yield one bonus when he and Sen. Jim Exon (D-Neb.) aided 10 Russian-Jews in obtaining long-refused exit visas that let them emigrate to America.

More recently, Nachman has turned his attention to a segment of survivors whose lives were spared only by the intervention of individuals who, at great risk, helped them evade capture, deportation and almost certain death in the camps.

“I got very interested in the rescuers of Jews. I was interested in knowing what made these rescuers do what they did,” he noted. “I think most of them did it because of their own personal convictions rather than out of some government mandate. For them, it was the only thing to do. They were very, very special people.”

One rescuer in particular captured his imagination — the late Carl Lutz. “In my reading I ran across Lutz. And in writing, searching and chasing around the world I found his step-daughter, Agnes Hirschi, a writer in Bern, Switzerland. We started corresponding regularly. She introduced me to the man who is the biographer of Lutz — the Rev. Theo Tschuy — a Methodist minister living outside Geneva. He has done tremendous research into the rescuers and he particularly knows the story of Lutz. He and I have become about as close as two people can be.”

Nachman has completed interviews with Hirschi and Tschuy for a documentary film now in development focusing on the massive rescue of Jews Lutz accomplished amid the Nazi regime in Budapest. The film, Carl Lutz: Dangerous Diplomacy, is intended as the first in a series on rescuers. The film, which the Hidden Heroes of the Holocaust Foundation is helping fund, is being made by New Destiny Films, a production company with offices in Omaha and Sarasota, Fla.

Carl Lutz

Nachman and New Destiny’s Mike Moehring have traveled to Europe to conduct interviews and pore over archives. The Swiss Consulate in Chicago has taken an interest in the film, providing financial (defraying airfare expenses) and logistical (cutting red-tape) support. Upon the film’s completion, American Public Television is set to distribute it. In her filmed interview, Hirschi describes her step-father as “almost obsessed by the idea of having to save these people.”

A full accounting of what Lutz did has been largely ignored. By the late spring of 1944, the Nazi occupation of Hungary was complete, the borders closed, emigration halted and the mass deportation of Jews under way. The situation was desperate. That is when a man of rare courage and insight — Lutz — then Swiss vice consul to Hungary, began a campaign to thwart the Final Solution.

By all accounts, Lutz embodied the fiercely independent nature of his homeland — specifically, the Appenzell region of Switzerland. A fervent Methodist, Lutz was American-educated. An early diplomatic tour in Palestine well-acquainted him with the Jews’ displaced status. In Hungary, he had already assisted the Budapest-based Jewish Agency of Palestine (JAP) in finding safe passage for 10,000 orphaned children. By April 1944 there were still 8,000 children under his protection waiting to leave for Palestine, but their passage was blocked.

Lutz negotiated with German and Hungarian officials to keep the group under his protection. When refused more exit permits, he took matters into his own hands. Overceding his authority and defying the wishes of his timid government, he made Swiss neutrality and the power of diplomatic immunity his weapons in taking assertive steps to safeguard Jews.

First, he granted hundreds of asylum seekers sanctuary in the American legation building. Next, he transformed the Budapest JAP into the Emigration Department of the Swiss Legation, thus securing a measure of protection for its workers and its aims. Then he began issuing Swiss Schutzbriefe or safety passes (which declared their holders to be under the protection of the Swiss) to thousands of Jews (men, women and children) beyond the original quota of 8,000. Thousands more Schutzbriefe were forged and distributed by Zionists.

Next, he established 76 Schutzhauser or safe houses where thousands of Jews took refuge. And, finally, he worked closely with the Hechalutz/Chalutzim (Jewish pioneers) to provide security for the safe houses and communication with the Jewish populace and he cultivated sympathetic members of the Hungarian police and parliament to alert him to any Nazi movements directed at the people in his charge.

Nachman said the protective measures Lutz instituted became models for other diplomatic rescuers, including Wallenburg, who came to Budapest months after these measures were implemented. He said scholars estimate Lutz’s actions saved as many as 62,000 Jews, a number far outstripping that attributed to higher-profile rescuers. Nachman and filmmaker Mike Moehring have interviewed recipients of the Schutzbriefe and visited safe houses, many of which survive.

According to Nachman, Lutz persisted in his rescue efforts in spite of repeated orders by authorities to stop, constant threats to his life and continued resistance from his superiors in Switzerland. His defiance even extended to Adolf Eichmann, whom he confronted on many occasions.

At one point, as a way of pressuring Lutz, the Nazis made him identify authentic Schutzbriefe from forgeries held by a group of Jews — thus forcing him to condemn some of the safe passage holders to death. Despite such pressure, he persevered. “He was just an obstinate, stubborn man who felt right was the only way to go. Lutz was a very devout man and he felt he wanted to be on the side of God, not man,” Nachman said.

The more he has studied him, the more Nachman has come to admire Lutz, who died in 1975 — long before international acclaim caught up to him. What does he admire most about him? “Probably the fact he acted as a man of conviction rather than as a diplomat. He used the office of Swiss consul to shield a lot of what he was doing, but he did things he didn’t have to do. This is one of the most wonderful men I’ve ever known of.”

Before his death, Lutz was honored by Yad Vashem in Israel as “a righteous among the nations.” He was posthumously nominated for the Nobel Peace Prize. Switzerland issued a stamp with his likeness on it. A touring exhibition, Visas for Life: The Righteous and Honorable Diplomats, includes a Lutz display.

Last year, Nachman was an invited guest at a United Nations program honoring the diplomatic rescuers and their families. An English language edition of Theo Tschuy’s biography on Lutz (Dangerous Diplomacy: The Story of Carl Lutz) came out last fall from Eerdmans Publishing Co. in Grand Rapids, Michigan. Early next year, Nachman will host a visit by Tschuy and will appear at public speaking engagements with him.

For Nachman, a modest man who dislikes publicity about his work, the investigation into the past goes on. There are more interviews, more archives, more stories to cultivate. “It has been the most exciting time of my life,” he said. “There’s nothing I’ve ever done that’s had more meaning and made more of an impact on me.”

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