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The fringe of it all: Omaha Fringe Festival fulfills founder Tamar Neumann’s dream


The fringe of it all: 

Omaha Fringe Festival fulfills founder Tamar Neumann’s dream

 

©by Leo Adam Biga

Originally appeared in the July 2019 edition of The Reader (thereader.com)

 

If fringe occupies the outer edge of things, then expect a grab-bag of eclectic stage work during the first Omaha Fringe Festival, July 24-27, at UNO.

Omaha Fringe founder Tamar Neumann’s inspiration for her open-access, unbound event is the Minnesota Fringe Festival. She got hooked on it working in Minneapolis as a theater critic and Chameleon Theatre Circle administrator.

She developed the event as part of her thesis work for her UNO Master of Arts in Theatre degree,

Neumann, who teaches writing, is a former playwright. She’s recently transitioned into being a dramaturge. Upon moving to Omaha in 2016 she was bummed to discover no fringe fest here and determined to start one.

“I really like fringe festivals,” she said. “I think they’re exciting and fun. They have a way of bringing all these people together that other theater festivals don’t. I think it’s because you don’t have that adjudication piece, so kind of anything goes. It’s kind of wild.”

Her fledgling Omaha fest netted 25 applications from area individuals and ensembles. Ten productions were chosen by lottery. The work ranges from performance art shows to narrative stage productions. There are no costs to the artists, who receive 75 percent of box office receipts. Neumann sees the event as a platform for encouraging and monetizing new work.

“I noticed there were a lot of works being created here by a lot of really great playwrights, but there wasn’t always a lot of room for people to get paid for their work.

It’s a community with a lot of volunteers and not a lot of professionals.”

 

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Naturally, her start-up is a fraction of the large, years-in-the-making Minnesota Fringe she’s modeled hers on.

“Theirs is smashing. It’s two weeks long with over 200 productions. It takes over the city (Minneapolis). It’s crazy, it’s huge, it’s super fun.”

The nearest fringe to Omaha is Kansas City.

it turns out, fringe is a real thing around the U.S. and the world that started in Edinburgh, Scotland after World War Ii and spread. Creighton University professor of theater Amy Lane has made a study of the scene and gives a run-down of what to expect.

“Fringe is like a choose-your-own-adventure experience for the audience with several shows playing at the same time – and the options are always adventurous,” Lane said. “Fringe artists embrace the new, the experimental, the weird, the avant garde, the cutting edge. It’s like a cultural sampler platter. And it’s fun. Theatre can have a reputation of being elitist, stodgy, inaccessible, but fringe is the opposite. Fringe is a carnival where you get to decide which rides you’d like to try.”

It’s these qualities Neumann’s strived to present here.

“The thing I love about fringe festivals is how diverse they can be,” Neumann said. “You have a wide range of theater and performance styles and I feel like we really got that. We’ve got full plays, short plays, a standup comic, dancers, one-man shows. I feel like we’ve got a really good mix of artists and themes.”

Each Omaha Fringe work will be performed multiple times over the four-day fest, with shows running from morning through evening.

An established outside-the-box arts organization, Omaha Under the Radar, has taken Fringe under its wing, sharing marketing and other resources with its young partner in edginess. Radar’s own fest runs concurrent with Omaha Fringe, only at different sites.

Neumann enlisted Radar’s Amanda DeBoer Bartlett and stalwart metro theater figures Amy Lane, Cindy Melby Phaneuf and Lara Marsh to learn the festival ropes.

When Neumann broached the idea with Phaneuf, who teaches at UNO, she was encouraged “to go for it.”

Bartlett saw it as an opportunity to pay forward the support her own organization’s received. “It’s so scary and exhausting to go out on a limb and build an event from scratch, and I admire Tamar for taking this on with such tireless sincerity. Her heart and mind are in the right place. She wants to make something beautiful and positive for Omaha – so really I couldn’t say no to helping her out.”

Besides, Bartlett said, her group and Fringe share the same “zeitgeist” and “crossover appeal”as showcases for “creative risks” and “independent thought:” and in “uplifting the voices of local artists.”

“UNO Theatre sees it as part of its mission to connect with the community,” Phaneuf  said.

In addition to mentoring from arts veterans and support by the host University of Nebraska at Omaha Theatre Program, Neumann credits operations manager Aaron David Wrigley for making it a reality.

“He joined me in the middle of our Kickstarter campaign and I literally would not be running this festival without him. He does all the technical and logistics stuff. We’re a team of two in the trenches.”

The process of organizing the event, Nuemann said, has rekindled a passion for theater that had waned.

“In high school I discovered in theater a group of people who welcomed me and understood me. I enjoyed the community theater created and the freedom inhabiting another role created. As I grew older and became more of an audience member than a creator, I found joy in theater because of its immediacy.

“Fringe has reinvigorated me. When I first moved down here I didn’t go to much theater, but in this past year I’ve seen so much and I’ve been able to embrace it again. I feel like I’ve reinvented myself by finding something I’m truly passionate about. I’ve always loved theater, but it kind of disappeared for a time, and creating this festival  has helped me find that passion again.”

Along the way, she said, “I’ve learned so much about the Omaha theater community. I connected with so many people. It’s really empowering to know that I created this – that this is happening.”

She fully intends making Fringe “an annual thing.” That depends, she acknowledged, on “the community supporting and embracing it.” After this first fest wraps, she said, “I’ll take a step back and evaluate what worked and what didn’t work and how I want to move forward.”

 
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The Lineup:

Improv Art by Big Canvas

Artists will create original pieces of art inspired by the antics of Big Canvas improv comedians and audience members’ own creativity. This in-the-moment. interactive art experience will culminate in an unveiling.

Celebration: A Belly Dance Show

Della Bynum and the ladies from her Chrysalis Studio will perform this ancient midriff dance that celebrates the feminine and the cycles of life. Onlookers may be invited to join in as the rhythm moves them.

Hummingbird – A Theatrical Tribute to Robin Williams

Playwright Jason Levering directs his own script in this love letter to Robin Williams that imagines the comic’s last hours of existential angst. This Crook Factor Productions show has a free form befitting its subject.

Secondhand Love

Standup comic Andrew Morton riffs on some of his life journeys of the physical, hiking variety and of the mental health what-is-fantasy-versus-reality variety.

MOABIRTHC

Playwright and actress Colleen O’Doherty is joined by other performers in her celebration of physicality in theater, comedic and otherwise. Bodies in motion through space and time lead to interesting possibilities.

TBA: Tired, Barren and Alone

Jean-Paul Zuhur performs this one-man show he’s also written that is a contemporary take on Dante’s Inferno.

20 Questions

Doug Hayko pushes the limits of discourse and vulnerability in this exploration of the moments right before and after his HIV-positive diagnosis and coming out. The conceptual piece lives in the intense emotions between theater and reality. For mature audiences only.

Carnival

Tim Barr’s one-man show from his own Jungle Productions 2 revolves around deep research he’s done into the life of carneys and the subculture of carnivals. It’s Carousel meets Nightmare Alley.

Darkness Like a Dream

Anna Jordan and her new Found Ensemble present this full production retelling of A Midsummer Night’s Dream set in In the forest of ancient Athens. Lovers run from persecution and tyranny. The gods rage. Tragedians rehearse an ill-fated play. Monsters are born and mortals are magicked. A sinister thread weaves everyone’s stories together – revealing a darkness in the forest and in themselves.

Little Wars

The festival’s star entry may be this UNO Studio Theatre production from Jeremy Stoll and fellow grad students that addresses homo sapiens’ hard-wired desire to “make war. From armed warfare to schoolyard beefs, this work of devised physical theatre explores the nature of human conflict by imagining it as ritual.

The play’s toured Nebraska. Its cast and production team will next bring Little Wars to the mother of all fringe festivals – Edinburgh Festival Fringe in August.

Fringe unfurls at UNO’s Weber Fine Arts Building (Dodge Street campus).

For Fringe schedule and tickets, visit www.facebook.com/omahafringefest.

Read more of Leo Adam Biga’s work at leoadambiga.com.

Free Gospel Concert in the Park Kicks Off North Omaha Summer Arts


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Free Gospel Concert in the Park Kicks Off North Omaha Summer Arts

 

North Omaha Summer Arts is back for year nine with:

A Gospel Concert in the Park

Saturday, June 15 at Miller Park, 5 to 7:30 p.m., Free

OMAHA, NE––North Omaha Summer Arts (NOSA) celebrates nearly a decade of free arts programming in 2019. The summer-long festival kicks off its ninth year on Saturday, June 15 with the annual A Gospel Concert in the Park.

Omaha-based-soloists and ensembles. led by the Church of the Resurrection and Trinity Lutheran Church choirs, will raise their voices to the sky in praise. Music of the soul and spirit takes center stage at this grassroots, no-frills, family-friendly gospel concert in Miller Park.

There is no admission charge.

The 5 to 7:30 p.m. concert happens in the southeast section of the park, at approximately 24th and Kansas Avenue, right across from the ball-field.

Whether you get comfy on a blanket or a lawn chair, you are invited to sit back and let the sounds of inspiration wash over you. And if the spirit so moves, then raise your hands or get up and dance. Somebody, though, remember to say amen.

Hot dogs and refreshments (or bring your own picnic dinner).will feed the body along with the soul.

Look for more NOSA events, including writing workshops, art pop-ups and the annual August Arts Crawl.

Visit https://www.facebook.com/NorthOmahaSummerArts.

Free North Omaha Summer Arts Crawl features variety of art forms – Friday, August 10 at select North 30th Street Corridor venues

July 25, 2018 1 comment

Free North Omaha Summer Arts Crawl features variety of art forms 

Friday, August 10 at select North 30th Street Corridor venues

When Pamela Jo Berry decided her Miller Park neighborhood needed more art options, she created the presenting organization North Omaha Summer Arts in 2011. Nonprofit NOSA is still going strong in 2018 and its annual culminating event, An Arts Crawl, takes place Friday, August 10 from 6 to 9 p.m. at several venues in and around the North 30th Street Corridor.

Berry, a writer, photographer and mixed media artist herself, calls the free Arts Crawl “a community celebration of visual, performing and culinary arts.”

In addition to the Arts Crawl, NOSA annually features women’s writing workshops and retreats, a gospel concert in the park and pop-up events.

Free eats and refreshments prepared by Omaha foodies and chefs are part of every event.

For the Arts Crawl, NOSA invites patrons to take a stroll or drive from Metropolitan Community College’s Fort Omaha campus to venues down North 30th Street to experience beautiful art and great food by visual, performing and culinary artists.

Al reception kicks things off at the Charles B. Washington Branch Library, 2888 Ames Avenue, from 5:30 to 6:30 p.m. Area quilters will display their handiwork at the library.

All other locations are open from 6 to 9 p.m.

The Arts Crawl route:

Begins at MCC Fort Omaha’s Mule Barn (Building #21)

Proceeds north to Church of the Resurrection, at 3004 Belvedere Blvd.

Continues onto Nelson Mandela School at 6316 North 30th St.

Ends at Trinity Lutheran Church at 6340 North 30th St.

The venues will present a wide range of work.

A one-man show entitled Shapes and Shadows by the late printmaker Galen Brown is at the Mule Barn Arts Center, The U.S. Marine Corps veteran and Purple Heart recipient served two tours of duty as a sniper in Vietnam. After returning home from war, he began making art as a way of emotionally healing himself. His images reflect the shapes and shadows of what he observed: war and peace, justice and injustice, landscapes, other artists’ work and his own cancer.

At Church of the Resurrection Fort Calhoun-based artist Cheri Oelke will demonstrate her acrylic painting and talk about her creative process and artist’s life. The church’s sanctuary is also home to a signature triptych, “Crucifixion,” by the late artist Leonard Thiessen, which visitors can view.

Children and adults will display their art at Nelson Mandela School.

Art created by Omaha refugee communities and other area artists will be showcased at Trinity Lutheran Church.

Live music performances will occur at select sites.

“All of us at North Omaha Summer Arts want the public to come sample and savor the many forms and faces of art,” Berry said. “This celebration of the human spirit through art expression also supports local artists.”

NOSA is in its eighth year of presenting family-friendly, community-based art opportunities and events.

For more information, call NOSA at 402-502-4669.

Follow at http://www.facebook.com/NorthOmahaSummerArts.

 

North Omaha: Where for art thou?


North Omaha: Where for art thou?

©by Leo Adam Biga

 

Our fair city has a curious case of tunnel vision when it comes to North Omaha.

What constitutes North Omaha is different depending on who you talk to. Officially or technically speaking, it is one of four geographic quadrants. North O itself is made up of a diverse number of neighborhoods, many of which are not generally considered part of it. For example. most of us don’t include the Dundee business district and surrounding neighborhood around Underwood Avenue as North O when in fact it is. The same for Happy Hollow, Country Club, Benson, Cathedral, Gold Coast, Florence and many others well north of Dodge that have their own stand-alone names, designations, associations and identities. When North O is referenced by many individuals and organizations, what they’re really referring to is Northeast Omaha. For many, North O has come to mean one narrow set of characteristics and conditions when in reality it is much more diverse geographically, socio-economically, racially and every other way than any tunnel vision prism does justice to. Why does this happen so persistently to North O? Well, there are many agendas at work when defining or designating North O as one thing or another. When viewed in a racialized way, North O is suddenly a black-centric district. When viewed as prime development territory. North O’s either a distressed area or a great investment opportunit. When viewed in historical terms, North O’s variously a military outpost, a Mormon encampment, a bustling Street of Dreams or the site of riots and urban renewal disruption and the downward spiral that followed. When measured statistically and comparatively, North O often comes out as the epicenter of poverty, underemployment, educational disparity, STDs, gang violence and other disproportionately occuring ills when in fact in totality, taking into account all its neighborhoods, North O is doing well. When viewed in redevelopment terms, North O is s collection of revitalized commercial and residential areas and of pockets still in need of redos. How you see it doing and where you see it going, what you count as part it or not, the amount of monies that flow in or out and the types of projects, initatives and developments that happen and dont have to do with what people are predisposed to think about it and expect from it. When it comes to North O, your perception of it and engagement with it conforms to your own ideas, attitudes, beliefs, visions, plans, experiences. For some, it represents an avenue of opportunity and for others a plaee of stagnation. Some see it and treat it as a social services mission district, while others see it as a wellspring of commerce, entrepreneurship and possibility. People living there surely have very different takes on it as a community, even on what makes North O, North O. Certainly, people living outside the area have very different takes on it than the people residing there. If there is an essential North O identity it is one of diversity and aspiration, hard work, no frills and pride. North O never has been and never will be just one thing or another. You can reduce to it a tag or a headline and to a segment or a section if you want but that will never reflect the large, complex mosaic of cultures and influences, assets and resources that comprise it. North O ha for too long been stereotyped and compartmentalized, stigmatized and marginalized. It has too long been misunderstood. Instead of only seeing it in its parts, what if we began looking at it as a whole? Maybe if we started thinking in terms of how everything that happens in one neighborhood affects everything else, then perhaps future quality of life development can be more organic and inclusive.

 

St. Cecilia Cathedral - breath taking - 701 N. 40th St. - wonderful concerts held here including the annual Omaha Symphonic Chorus' Christmas in the Cathedral early to mid December.:

 

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"A Beauty Spot, Miller Park, Omaha, Neb."

 

North Omaha contains some of the metro’s oldest, most compelling history. Long established neighborhoods, parks, boulevards, buildings and other public spaces have roots in diverse peoples and events that helped shape the city. Despite this rich heritage, mass media depictions tend to emphasize a narrow, negative view of North O as a problematic place of despair and neglect.

Problems exist, but North O has been a place of great aspirations and successes. One of its historic main drags, North 24th Street, has inspired many names. Jews called it the Miracle Mile. African-Americans dubbed it the Street of Dreams. More informally, it went by the Deuce or the Deuce Four. Other districts within North O, such as Florence, Benson and Dundee, each have their own vibrant histories. These neighborhoods, along with the North 24th and North 30th Street corridors, are undergoing major revivals.

North O’s history extends way back:

A  Great Plains army installation, Fort Omaha, was the site of an historic ruling about the nature of man was rendered in the Trial of Chief Standing Bear. The fort’s grounds are now the main campus for Omaha’s fastest growing higher education institution, Metropolitan Community College, and for the Great Plains Theatre Conference. An annual pow wow is held there.

 

 

The Trans-Mississippi and International Exposition brought the nation and world to this once frontier outpost turned fledgling city. The Trans-Miss site is where Kountze Park and many stately homes stand.

Pioneering Mormon families trekked to and encamped in what is now North O. They later disembarked there for far western travels to the Great Salt Lake. Area Mormon artifacts and historic sites abound.

Diversity may not be the first thing you think of when it comes to North O, but it is a blend of many different peoples and places. A wide range of immigrants and migrants have settled there over time. Jews, Italians, Germans, Irish, Africa-Americans, Africans, Asians, Hispanics.

 

 

Its strong faith community includes a wide variety of Christian churches, Some of the churches have rich histories dating back to the early 20th century. Many older worship places have undergone restoration. Several buildings in North O own national historic preservation status, including the Webster Telephone Exchange that later saw use as a community center and the home of Greater Omaha Community Action until James and Bertha Calloway used grant money to convert it into the Great Plains Black History Museum.

Among the historic spots to visit in North O are Prospect Hill Cemetery where many city founders are buried, and the Malcolm X Memorial Birthsite where slain social activist Malcolm X was born Malcolm Little.

African-Americans built a strong community through their toil as railroad porters and packinghouse workers and through their education in all black schools. North O encompassed a leading vocational school, Technical High. The district continues to support quality public and private elementary schools and public secondary schools. It is home to one of the Midwest’s top post-secondary institutions in Creighton University and to a thriving community college in Metro.

 

 

 

North O is also home to some of the city’s oldest, most distinguished neighborhoods, including Dundee, Benson, Bemis, Gold Coast, Cathedral, Walnut Hill, Kountze Place, Minne Lusa and Florence. Blacks were denied the opportunity to live in many of those neighborhoods until discriminatory housing practices ended.

Bounded by the Missouri River on the east. 72nd Street on the west, Cuming-Dodge Streets on the south and Interstate 680 on the north, North O is a varied landscape of attractive flatlands, hills, woods, parks and tree-lined boulevards. There are promontories and overlooks with stunning views of the bluffs across the river and of downtown.

The area’s fertile soil has produced notables in film (Monty Ross), television (Gabrielle Union), theater (John Beasley), music (Buddy Miles), literature (Wallace Thurman, Tillie Olsen), media (Cathy Hughes), sports (Bob Gibson), finance (Warren Buffett), politics (George Wells Parker) and social activism (Malcolm X). It is where the interracial social action organization the De Porres Club made equality stands a decade before the civil rights movement. Black plaintiffs later forced school integration in the public schools.

North O hosts long-lived and proud chapters of the NAACP and the Urban League as well as dynamic local affiliates of the Boys and Girls Club, YMCA, Campfire and Girl Inc.

The area does have high poverty pockets but it’s home to hard-working people, many with higher education and vocational training. It encompasses blue collar and white collar professionals, laborers, entrepreneurs and grassroots activists. It is a community of families, neighborhoods, small businesses and major manufacturers.

 

 

The ties that bind run deep there. For decades Native Omaha Days has brought together thousands from around the country for a week-long slate of events reuniting former and current residents who share North O as their birthplace and coming of age place.

The infrastructure of this inner city does have its challenges. There is still a disproportionate number of substandard houses, abandoned homes. vacant lots and food deserts. But an influx of projects is adding new residential units and commercial properties that are putting in place stable, sustainable improved quality of life features.

North O is the wellspring and nexus of strong community revitalization efforts such as those of the Empowerment Network, Omaha Economic Development Corporation, Family Housing Advisory Services and Omaha Small Business Network working to strengthen the community.

Redevelopment underway in northeast Omaha is in direct response to decades of economic inertia that set in after civil disturbances laid waste to the historic North 24th Street.hub. Urban renewal also severed the community, thus disrupting neighborhoods, creating isolated segments and diverting commercial development.

 

 

There was a time when North O possessed all the amenities it needed. Back in the day the dynamic entertainment scene acted as a launching pad for talented local musicians and a stopover for top touring artists. It was a destination place with its clubs, bars and restaurants featuring live music. Some of that same spirit and activity is being recaptured again. Harder to get back might be all the professional services that could be had within a few blocks but as more people move back to North O and set up shop, that could change, too.

Today’s revitalized North 24th mirrors similar community building endeavors on North 30th, North 16th, the Radial Highway, Ames Avenue, Hamilton Street, Lake Street, Maple Street and elsewhere. Business thoroughfares and residential blocks pockmarked by neglect are starting to sprout new roots and roofs.

An anchor through it all has been the Omaha Star. It continues a long legacy as a black woman owned and operated newspaper that gives African-Americans a platform for calling out wrongdoers in the face of injustice and celebrating positive events.

Decades before the Black Lives Matter movement, vital voices for self-determination were raised by North O leaders, including Mildred Brown, Whitney Young, Charlie Washington, Ray Metoyer, Dorothy Eure and Ernie Chambers. No one’s spoken out against injustice more than Chambers. He’s been a constant force in his role as a legislator and enduring watchdog for the underdog. His mantel is being taken up by dynamic new leaders such as Sharif Liwaru and Ean Mikale.

 

Fair Deal Village MarketPlace, N. 24th and Burdette Streets, North Omaha, Nebraska

Book about Alexander Payne a must for film buffs, film critics, film students, film instructors, film programmers, filmmakers


Book about Alexander Payne a must for film buffs, film critics, film students, film instructors, film programmers, filmmakers

New edition of ‘Alexander Payne: His Journey in Film’ to feature Discussion Guide and Index

 

From the world’s foremost expert on the Oscar-winning Payne

Releasing September 1 from River Junction Press

 

Alexander Payne cover new version 3

The new edition of my book “Alexander Payne: His Journey in Film” will include significant content additions related to “Nebraska” and “Downsizing” as well as more photos. a redesigned cover and a comprehensive Discussion Guide with Index. Below are the topics that will guide readers in finding key insights into and quotes by and about this world-acclaimed filmmaker. The new edition releases September 1.
The Guide and Index greatly enhance the educational value of what is already a must-have book for film buffs, film critics, film students, film instructors, film programmers and filmmakers.
Discussion Guide with Index topics–
1. Getting Started and Family
2. Sense of Place
3. Realism and Humanism
4. Comic/Tragic
5. Meaning and Morality
6. Characters
7. Personal Films/Filmmaking
8. Directing
9. Editing and Sound
10. Writing
11. Jim Taylor, Writing Partner
12. Photography
13. Casting and Auditions
14. Actors and Acting
15. Producers and Production Company
16. Film Team
17. Audiences and Film Festivals
18. Work for Hire and Work for Friends
19. Studios, Financing, Budgets
20. Films and Filmmakers Payne Admires