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Alexander Payne: His Journey in Film

March 16, 2017 Leave a comment

Alexander Payne: His Journey in Film

If you are an Omaha native like me, then I am sure you agree our shared hometown boasts many leading lights of merit. In arts-entertainment, fellow Omaha native Alexander Payne is at the top of his profession. The two-time Oscar winner’s craftsmanship makes him one of the Hollywood film industry’s most acclaimed and sought after professionals. His reputation as a writer-director extends worldwide.

As Nebraska celebrates 150 years, Payne represents the best this state has to offer in terms of talent, output, loyalty and work ethic. I am privileged to be the author of a book – “Alexander Payne: His Journey in Film” – that takes the full measure of the man and his work. My comprehensive look at his career is newly released in an expanded second edition.

I am happy to say that “Alexander Payne: His Journey in Film” has many champions.

Leonard Maltin gives it a big thumbs up with:
“Alexander Payne is one of American cinema’s leading lights. How fortunate we are that Leo Biga has chronicled his rise to success so thoroughly.”

Thomas Schatz, (“The Genius of the System”) recommends it with:
“This is without question the single best study of Alexander Payne’s films, as well as the filmmaker himself and his filmmaking process. In charting the first two decades of Payne’s remarkable career, Leo Adam Biga pieces together an indelible portrait of an independent American artist, and one that’s conveyed largely in the filmmaker’s own words. This is an invaluable contribution to film history and criticism – and a sheer pleasure to read as well.”

The publisher is River Junction Press LLC in Omaha and its distributor is Independent Publishers Group (IPG). The book is a available at Barnes & Noble and other fine bookstores nationwide, as well as on Amazon and for Kindle. In Nebraska, you can find it at all Barnes & Noble stores as well as at The Bookworm and Our Bookstore in Omaha, Indigo Bridge Books in Lincoln and in select gift shops statewide.

The easiest way to purchase it is at–

You can order signed copies by emailing your request to leo32158@cox,net.

Just as it’s my pleasure to showcase one of Nebraska’s greatest natural resources in Alexander Payne, I hope it’s your pleasure to read about his journey in film. That journey is about to take a dramatic new turn with the December 2017 release of his long-awaited film “Downsizing” starring Matt Damon. Look for my new Reader story about it in the April 2017 issue.

 

Kevin Simonson on Interviewing Hunter S. Thompson and Kurt Vonnegut


Nebraska is full of folks with connections to cultural icons. Kevin Simonson of Omaha is such a person. At one time at least he boasted a mere single degree or less of separation from a pair of literary superstars – Hunter S. Thompson and Kurt Vonnegut. Now that those writers are gone, Simonson’s connnections to them are admittedly in the past tense but that doesn’t change the fact he personally knew the two men and he got some great stories out of the experiences. Thompson actually counted Simonson as a friend and that friendship earned the Omaha writer great access to the king of Gonzo journalism. Simonson’s interviews with Thompson informed several stories he wrote about him. Though Simonson only met Vonnegut once, it was a memorable encounter he also recorded for posterity. This is my Omaha Magazine (http://omahamagazine.com) profile of Kevin and his star literary relationships. 

 

Kevin Simonson

On Interviewing Hunter S. Thompson and Kurt Vonnegut

©Photography by Bill Sitzmann
Originally appeared in the March/April 2017 issue of Omaha Magazine (http://omahamagazine.com)

 

Kevin Simonson of Omaha realizes he occupies an unlikely position as a leading chronicler of that dark jester of American letters, the late Hunter S. Thompson.

Thompson, a New Journalism exponent, gained a Grateful Dead-like following for his irreverent, self-referential Gonzo-style reporting on America’s underbelly. During his lifetime, he was portrayed in film by Bill Murray (Where the Buffalo Roam) and Johnny Depp (Fear and Loathing in Las Vegas). A Doonesbury character was based on him.

He was already a counterculture icon when Simonson, a Wahoo native, got turned onto his work while a Doane College student. The enterprising Simonson and his brother Mark published an underground newspaper, The Great Red Shark, which evolved into The Reader. They booked Thompson to speak at the University of Nebraska, but the author reneged owing to legal troubles with a porno producer (Thompson once managed an X-rated theater). Simonson’s taped interviews with the producer became evidence in legal proceedings that saw felony weapons charges against Thompson dismissed. Leveraging Thompson’s gratitude, Simonson gained access to interview him several times over the years for such national pubs as the Village Voice, Hustler, Penthouse, and Rolling Stone.

“The hardest thing was just getting him to commit. With him, it wasn’t a sit-down interview. It was like, click-on-the-recorder and he’d go crank up some music for a half-hour, to where you couldn’t hear anything. He couldn’t sit still very long. I’d get a few questions in here and there, then he’d take a phone call or go outside and shoot his guns off. It would stretch on for hours.”

Interviewing Thompson could be a real trip.

Deciphering his low, quiet, gravelly voice—near unintelligible when stoned—required asking Thompson to recreate what he said.

Simonson entered Thompson’s trusted inner circle. Several times he visited the author at his infamous Owl Creek Farm in Aspen, Colorado, a scene of odd characters and goings-on. He ascribes losing his former fiancee to getting her a job as Thompson’s assistant. The assorted weirdness freaked her out, and she and Simonson split.

He was so deeply immersed in Thompson lore, he says, “Anything he talked about, I could talk about. I sort of knew him inside-out. The first time I walked into his house, it was like walking into a museum. I looked around and recognized things from certain books or stories.”

Simonson finally did get Thompson to speak in Lincoln (in the spring of 1990, a month after the original booking date). Typical for Thompson, he ran hours late and took the stage, presumably under the influence. People were variously delighted or outraged.

“I grew up with Spy Magazine, National Lampoon, and Saturday Night Live, and I thought his writing was the funniest stuff ever done. You could turn to any page and there was something laugh-out-loud funny about it. That’s what attracted me to it,” Simonson says.

Thompson, too, represented a refreshing, unfiltered, unapologetic voice and uninhibited, nonconformist lifestyle. “It was his bad- boy attitude and the way he would do things in public and not be even remotely self-conscious about the repercussions,” he says.

Simonson’s widely published work includes authoring and co-editing Conversations with Hunter S. Thompson  He’s helped build the cult of personality around the writer. Even in death, Thompson’s mystique grows larger with every new book and film out on him.

“It’s kind of crazy,” says Simonson, who has also managed bars and done marketing and promotions work for Boston University (during a few years on the East Coast) and KFAB and Clear Channel Radio in Omaha. He was the original managing editor of The Reader, where some of his Thompson work has appeared.

As Thompson’s health declined, he talked suicide, but Simonson and others were surprised when he fatally shot himself in 2005. Simonson was among 250 invited guests at a surreal Owl Creek memorial celebration. In the shadow of a towering Gonzo statue, Thompson’s ashes were shot out of a cannon. Booze ran freely. A film crew captured it all.

When not chasing literary dreams, Simonson manages a golf course in Fremont, where he directs a 5K mud run. He possesses much Thompson memorabilia (taped interviews, faxes, photos, keepsakes). His “most prized possession” is a Fear and Loathing first edition inscribed with a personal note by Thompson and an original caricature by illustrator and frequent Thompson collaborator Ralph Steadman.

Simonson feels fortunate he got close to Thompson and rues his loss.

“I feel really lucky. There’s definitely a void in the literary and even entertainment community with him gone. He definitely made a huge mark on the whole pop culture scene. I miss talking to him. It was always an event when he had a new release out.”

Thompson was not the only late literary giant with whom Simonson was acquainted.

The Simonson brothers, Kevin and Mark, brought literary star Kurt Vonnegut to lecture at the University of Nebraska-Lincoln in 1991. To their surprise, he readily agreed to an interview in a local strip club.

“Compared with Hunter, he [Vonnegut] was like hanging out with Mark Twain. He was funny and so easy to talk to,” Simonson says. His Vonnegut interview ran in the December 2016 issue of Hustler.

Visit facebook.com/conversationswithhuntersthompson to learn more about Simonson’s book. Visit5kthehardway.com to learn about his (non-literary) work with Nebraska’s Mud Run.

This article was printed in the March/April 2017 edition of Omaha Magazine.

 

A book a day keeps the blues aways for avid reader and writer Ashley Xiques


If you’re like me, sitting down with a good book is a distinct pleasure and there have been times in my life when I would plow through a fair number of books in the course of a year. It’s been a long time since that was true. As a writer, I’m not proud of that. But even at the height of my reading habit I was never into books the way Ashley Xiques is. She’s not sure how many she’s read but she’s virtually never without without a new book to read, which means as soon as she finishes one, she’s onto another. She’s into young adult fantasy and other genres of fiction. She just can’t get enough. It’s been like this for her since her early teens. I wouldn’t be surprised that at age 20 she’s already surpassed my lifetime account of books read. Like most good readers she’s also a good writer. She’s shared her writng online via different platforms, including Odyssey. The twin passions of reading and writng merged a couple years ago when as an Elkhorn South student she won the national Letters About Literature contest for Nebraska for the letter she penned to author Leigh Bardugo. She’s now a sophomore at UNO. Since she works and attends school full-time, she doesn’t have much time to write these days, but she always makes time for reading. Still undecided on a major, she doesn’t plan to study writng but she does expect to write a novel one day. I don’t doubt she will and if she does I will add her work to my long neglected reading list.

 

Image result for Ashley Xiques odyssey

Ashley Xiques

Self-described “full-time book addict” who’s “overly enthusiastic about fictional people.”

 

A book a day keeps the blues aways for avid reader and writer

©by Leo Adam Biga

Originally appeared in El Perico

 

There are book lovers and then there’s Ashley Xiques, an Elkhorn South graduate and UNO sophomore.

The 20-year-old caught the bug after being swept away by a Young Readers fantasy series in her early teens. Countless books later, she’s now a self-described “full-time book addict.”

“I can’t go like even two days without reading a book – it drives me crazy,” she said.

Her habit’s filled several book shelves at home and finds her often hunting new reads at bookstores and in online reading communities.

“I go around taking pictures of books and post them and I talk to other people about books online. I’ve found so many recommendations on Goodreads through people from all across the United States and the world. It’s just a way of connecting through books.”

Her Facebook timeline, Pinterest page and Instagram page brim with book chatter.

“There’s so many ways of finding good books. I’m on those sites. too, for inspiration about characters and stories. Whenever I read new books I want other people to find out about them, especially if they’re not popular. I want people to find them so we can talk about them together.”

She’s also shares her literary musings with fellow bibliophiles on Odyssey.

 

The Perfect Books To Read This Fall

 

Her admiration for the Grisha series by New York Times best-selling author Leigh Bardugo led Xiques to enter the national Letters About Literature contest through a high school creative writing class. Ashley’s letter won her age category in Nebraska.

As soon as she came across her first Bardugo book, she was hooked.

“It was one of the very first fantasy books I read. Fantasy’s still my favorite genre.”

She calls herself “a fantasy nerd” online.

The Grisha trilogy captured her imagination.

“It was very addictive. Leigh’s a really good author. I like her writing style and her storytelling.”

Ashley’s letter draws parallels between themes in the series and her own life. For sample. the series deals with what it’s like to feel adrift. She related to that as her large family – she’s one of eight siblings – moved several times following her now retired Air Force father’s military base assignments.

“We moved around a lot. We moved all around Texas (where she was born), then to Virginia, back to Texas and then to Nebraska eight or nine years ago. I don’t mind moving – it’s nice to see new things and meet new people. But, yeah, it’s nice to be settled, stable and have a set group of friends and not have to leave them.

“Sometimes it’s difficult to readjust your life again.”

I need a home. Not a house, I’ve known a plethora of those.

-from Ashley’s letter

Like a series character, she doesn’t like being labeled things she’s not. She took offense at being called spoiled and selfish by other kids.

“I’ve never been like that. I’ve never been someone that things are just given to. I’ve always been a person who’s worked for what I want. My parents don’t buy me everything. I work for myself, I work for my grades, I work for my money. But people want to put labels and stereotypes on you. People judge before they understand the situation and the person and who they actually are.”

Before anyone actually knew the person I was, society had already placed a label on my shoulders. Time to prove them wrong. 

I could. I would. I did.

-from Ashely’s letter

Xiques also identified with an outsider character because she sometimes felt like the odd sibling out as the third oldest sibling and then having to try and fit in as the new kid on the block.

Writing the letter helped her express things she couldn’t always verbalize. She went through several drafts. Two days before the deadline, she rewrote it in a single sitting.

“I do good under pressure. I didn’t edit it or anything. I just said, ‘OK, this is what I’m feeling and that’s what it’s going to be.’ That’s why I was kind of shocked when it won. It’s cool though.

Ashley soon after winning the Letters About Literature contest

She’s an old hand at writing: reviews, essays, poems. She once started her own spy novel. Fifty thousand words worth. She sent friends each new chapter. Then she decided it wasn’t good enough and abandoned the project. She laid out the plot and characters for a new book before putting it aside, too, but she’s hatched new ideas for it.

“I’ve spinned the original idea into something completely different. If I were to do it now, I’d be torn between writing a fantasy book or a realistic modern fiction book. I think I will eventually write a book if I come up with a good (enough) idea.”

It will have to wait though. She’s too busy now working a job and carrying 17 credit hours at the University of Nebraska at Omaha. At her parents urging Xiques long ago set her sights on college. She credits reading with her excelling in school. She made the UNO Dean’s List.

“I know reading helped a lot with that. It boosted my comprehension skills in all different subjects.”

To The Book I'll Never Forget

 

As glad as she is to be settled, she anticipates one day returning to  Texas to live. Wherever she ends up, books will be part of her life.

Meanwhile, she’s cultivating new readers in her family.

“My two younger brothers like to read. They go with me to bookstores when I’m out looking for new titles. They view it as an adventure.”

Follow Ashley’s literary adventures at http://www.theodysseyonline.com/@ashleyxiques.

 
 

Catch me talking ‘Alexander Payne: His Journey in Film’ on the podcast – ‘The Dustin Dales Show’

February 12, 2017 Leave a comment

THANKS, DUSTIN, FOR HAVING ME ON…

HERE’S DUSTIN’S POST ABOUT THE PODCAST EPISODE FEATURING THE SEGMENT WHERE I TALK ABOUT MY BOOK “ALEXANDER PAYNE: HIS JOURNEY IN FILM” (YOU CAN LINK BELOW TO THE BOOK’S AMAZON PAGE AND TO THE SHOW):

I want to send special thanks to Leo Adam Biga for stopping by to chat his book on Alexander Payne!

 

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Author & Journalist Leo Adam Biga of My Inside Stories stops by the show to chat film and his book ‘Alexander Payne: His Journey In Film,’ plus my reviews of #ADogsPurpose & #TheComedian

You can check out his book on Amazon here.
https://www.amazon.com/Alexander-Payne-His-Jou…/…/0997266708

 

Download past episodes or subscribe to future episodes of The Dustin Dales Show by Dustin Dales for free.
ITUNES.APPLE.COM

 

A Tribute to Father Ken Vavrina – Sunday, Feb. 12 at St. Benedict’s

February 10, 2017 Leave a comment

Father Ken #1 (for Leo)

 

A Tribute to Father Ken Vavrina

Sunday, February 12

St. Benedict the Moor Catholic Church, 2423 Grant Street

Mass at 9 a.m. followed by special presentation and a reception downstairs

Fr. Ken will also be signing copies of his book “Crossing Bridges: A Priest’s Uplifting Life Among the Downtrodden”

Details about the book at–

 

 

I helped Fr. Ken write the book and you can be sure that I will be on hand as well. Hope to see you at this special celebration of a gentle soul who has lived a full life and served his fellow man well.

Read my New Horizons cover profile of Father Ken at

https://leoadambiga.com/2015/10/29/father-ken-vavrinas-new-book-crossing-bridges-charts-his-life-serving-others/

 

 

 

 

 

Lisa Haselton’s interview with writer Leo Adam Biga

January 27, 2017 Leave a comment

Thanks to author Lisa Haselton for featuring this interview with me on her popular blog Lisa Haselton’s Reviews and Interviews. Be sure to visit her site and support it. She has a wealth of rich content related to authors, books and other writing things.

Lisa Haselton’s Reviews and Interviews

Award-winning blog for book reviews, author interviews, and anything writing-related.

Interview with writer Leo Adam Biga

Writer Leo Adam Biga joins me to chat about his film book–

Alexander Payne: His Journey in Film”:

 

 

Bio:

Author-journalist-blogger Leo Adam Biga resides in his hometown of Omaha, Nebraska. His articles appear in various newspapers and magazines as well as on his popular blog, leoadambiga.com, and Facebook page, My Inside Stories. His work has been recognized by his peers at the local, regional and national levels. He was the 2015 recipient of the Andy Award for international journalism from his alma mater, the University of Nebraska at Omaha. That grant supported his reporting mission to Uganda and Rwanda, Africa in the company of professional world boxing Terence Crawford of Omaha and Pipeline Worldwide director Jamie Nollette.

Biga is the author of several books, including “Alexander Payne: His Journey in Film” and “Crossing Bridges: A Priest’s Uplifting Life Among the Downtrodden”. Biga’s reporting and writing about Payne has made him a recognized expert on the Oscar-winning filmmaker (“Sideways“, “Nebraska”) from Omaha. His latest book is “Nebraska Methodist College at 125: Scaling New Heights” – a history of the Omaha-base college of nursing and allied health celebrating 125 years.

The writer is developing the Nebraska Screen Heritage Project as a multimedia celebration of native Nebraskans in the film and television industry. He is also developing a book about Omaha’s Black Sports Legends.

Welcome, Leo. Please tell us about your current release.

Articles and essays take you deep inside Alexander Payne’s creative process. This second edition includes significant new material related to his last film “Nebraska” and his highly anticipated new film “Downsizing,” It also features the addition of a Discussion Guide with Index.

Payne fans will appreciate the extensive interviews-stories that follow the arc of the writer-director’s career from brash upstart to consummate filmmaker at the head of the Indiewood movement.

Film historian Thomas Schatz (“The Genius of the System”):

“This is without question the single best study of Alexander Payne’s films, as well as the filmmaker himself and his filmmaking process. In charting the first two decades of Payne’s remarkable career, Leo Adam Biga pieces together an indelible portrait of an independent American artist, and one that’s conveyed largely in the filmmaker’s own words.”

Leonard Maltin:

“Alexander Payne is one of American cinema’s leading lights. How fortunate we are that Leo Biga has chronicled his rise to success so thoroughly.”

Alexander Payne:

“Throughout many years of being interviewed, I find Mr. Biga’s articles about me to be the most complete and perceptive of any journalist’s anywhere. They ring true to me, even in critique, in a way that reveals the depth of his talent in observation, understanding and expression.”

What inspired you to write this book?

In covering Alexander Payne more than a decade and a half I accumulated a large body of work about someone I saw go from a promising newcomer few heard of and whose first two films were not much seen to an accomplished filmmaker recognized around the world. The book collects my journalism about Payne and his journey in film, thereby preserving my work about him in an enduring, hard-bound fashion and thereby contributing my take on this important film artist.

Excerpt from “Alexander Payne: His Journey in Film”:

Even though Alexander Payne demonstrates time and again that commercial considerations mean very little to him, following the breakaway success of The Descendants (2011) there was every reasonable expectation he might lean a bit more again in the direction of mainstream with his next film. I say again because I count The Descendants as a conventional, even mainstream work even though its protagonist rails against his comatose wife and sets out to wreck the life of the man she was cheating with, all the while trying not to lose it with his two grieving daughters in tow.

Payne soon quashed any notion of playing it safe when he announced the small, insular back roads comedy-drama Nebraska (2013) as his new feature project. It did not help its bottom line chances that the film is set in rural Nebraska, which for most filmgoers may as well be the dark side of the moon for its unfamiliarity, remoteness, and perceived barrenness. Indeed, if Nebraska conjures any image at all it is of endless cornfields, cows, and monotonously flat, uninspired scenery. When the story laid over such a setting features a confused, depressed old cuss alienated from family and friends and wandering around in a bleak wasteland made even bleaker by black and white photography and desolate late fall, post-harvest locations, it does not exactly engender excitement. The prospect of a dour, feel-bad experience devoid of life and color does not get tongues a-wagging to generate the all important buzz that sells tickets.

Of course, anyone who has seen Nebraska knows the film is not the downer it may appear to be from glimpsing a thirty second trailer or hearing a thirty second sound bite, but that it is ultimately a sweet, deeply affecting film filled with familiar truths amid its very Nebraskaesque yet also quite universal archetypes.

Payne’s insistence on shooting in black and white was a completely legitimate aesthetic choice given the storyline and tone of this stark, autumnal mood piece about an old man having his last hurrah. But it also meant a definite disadvantage in appealing to average or general movie fans, many of whom automatically pass on any non-color film.

Compounding the aversion that many moviegoers have with black and white is the fact that most studio executives, distributors, and theater bookers share this aversion, not on aesthetic grounds, but based on the long-held, much repeated argument that black and white films fare poorly at the box office. Of course, there is a self- fulfilling prophecy at work here that starts with studio resistance and reluctance to greenlight black and white features and even when a studio does approve the rare black and white entry executives seem to half-heartedly market and release these pics. It is almost as if the bean counters are out to perversely prove a point, even at the risk of injuring the chances of one of their own pictures at finding a sizable audience. Then when the picture lags, it gives the powerbrokers the platform to say, I told you so. No wonder then – and this is assuming the argument is true – most black and white flicks don’t perform well compared with their color counterparts. Except, how does one arrive at anything like a fair comparison of films based on color versus black and white? Even if the films under review are of the same genre and released in the same period, each is individually, intrinsically its own experience and any comparison inevitably ends up being a futile apples and oranges debate. Besides, there are exceptions to the supposed rule that all black and white films struggle. From the 1970s on The Last Picture Show, Paper Moon, Young Frankenstein, Manhattan, Raging Bull, Schindler’s List, Ed Wood, and The Artist are among the black and white films to have found wide success. It is admittedly a short list but it does prove black and white need not be a death sentence.

To no one’s surprise Paramount did what practically any studio would have done in the same situation, which was to fight Payne on the black and white decision. In no uncertain terms Payne wanted to make Nebraska in black and white and just as adamantly the studio wanted no part of it. He pushed and they pushed back. He would not compromise his vision because from the moment he first read Bob Nelson’s screenplay he clearly saw in his mind’s eye the world of this story play out in in shades of black and white. It just fit. It fit the characters and the settings and the emotions and as far as he was concerned that was that. No questions asked. No concessions made.

What exciting story are you working on next?

At any given time there are interesting journalism and other narrative-based projects that arise. Much of my work as a journalist entails writing about various arts-culture subjects. I also write a fair amount on social justice issues. On occasion I travel for my work. I once went to North Dakota to research a set of stories about a campus serving developmentally disabled individuals. I participated in a baseball tour of the Midwest that resulted in a first-person story I wrote about the tour group’s visits to various baseball shrines and stadiums in a five-state region. I spent a week on the set of Alexander Payne’s Sideways in the Santa Barbara region and wrote a series of stories from that experience. I traveled with a group of folks from Omaha to the first Obama inauguration in D.C. and filed a story about that. I have been out to Los Angeles a number of times related to my reporting on Payne and his films. In 2015 I received a grant for international journalism that funded my reporting mission to Uganda and Rwanda, Africa with world boxing champion Terence Crawford. This past summer I made my first visits to the American South and I wrote a number of posts about the experiences on my blog and Facebook page.  In 2017 I hope to travel to New York or Toronto for the North American premiere of Payne’s new film Downsizing starring Matt Damon.

When did you first consider yourself a writer?

I suppose I began thinking that way in college, though I didn’t do all that much writing then. it really wasn’t until some years after college, having worked in public relations and then beginning to freelance as a journalist, that I identified as a writer. But it still took me a few years to say the words “I am a writer” without stumbling over them.

Do you write full-time? If so, what’s your work day like? If not, what do you do other than write and how do you find time to write?

Yes, I do write full-time. Like most writers, much of my time is not taken up with writing per  se, but rather with the different things that prepare me to write (interviews, research) and sustain my writing (pitching, marketing). There’s a fair amount of correspondence and phone conversation that takes place between myself and editors.

My writing schedule depends on what else I have going on in terms of interviews and such. It also depends on what kind of writing I’m doing . If it’s a book, I try to plan writing on certain days and even during certain times of the day when I know I’ll be able to devote some undivided attention to the project. If it’s an article, then it’s a bit more haphazard and directed in part by deadlines. If it’s a blog or Facebook post, then it’s much more in the moment and as the spirit moves me. With any of these forms of writing though, I might be at the keyboard in the morning, afternoon or evening.

What would you say is your interesting writing quirk?

As a nonfiction writer I depend on primary interviews for my source material and I am a stickler for recording all my interviews and transcribing them myself.

As a child, what did you want to be when you grew up?

I don’t recall ever really thinking in those terms as a child. I am also sure I would never have considered being a writer if not for some teachers in elementary and high school who encouraged me. There were a couple professors in college who also influenced me to follow this path.

Anything additional you want to share with the readers?

Most of my original writing these days is actually done for my blog and Facebook page. But those sites also serve as an archive and new platform for my previously published work. If your readers want a real sense for who I am as a person and as a writer, I encourage them to visit those sites.

Links:

Blog | Facebook | Amazon

Thank you for being here today, Leo.

Posted by Lisa Haselton at 12:02 AM

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Labels: Alexander Payne: His Journey in FilmArtsauthor interview,EntertainmentFilmLeo Adam Biga

About Lisa

Lisa Haselton
I’m a NH native and love New England. I love writing about the region, exploring it on foot, on my bicycle, and in my car. There are so many small communities and fun and interesting people in this area, that I could be here a lifetime and not do all it is I want to do. 🙂

I’m a writer because I have a passion for words. I write YA and adult fiction, favoring all flavors of mysteries and I enjoy dark fiction. I belong to Sisters in Crime and Sisters in Crime – New England (SinCNE) and I’m a regular contributor to the SinCNE blog. My favorite mystery writing conference is the annual New England Crime Bakeheld each November in Boston.

I interview authors at Lisa Haselton’s Reviews and Interviews. All reviews are my own opinion. For interviews, you can contact me at ReviewsAndInterviews (at) gmail (dot) com.

I’m a moderator at The Writer’s Chatroom that hosts live chats with guest authors on Sunday nights 7-9PM EST. Join the e-mail list to get notifications of upcoming guests, then stop in and join the conversation!

View my complete profile

Links to check out

Alexander Payne: His Journey in Film

January 11, 2017 Leave a comment

FINAL FRONT COVER 6-28-16

 

Author Leo Adam Biga is pleased to present the new edition of his acclaimed book “Alexander Payne: His Journey in Film”about one of cinema’s great artists (“”About Schmidt,” Sideways,” “The Descendants,” “Nebraska”). This second edition features expanded and enhanced content.

This is the time to get the book, too, because it recaps the Oscar-winner’s last film “Nebraska” and anticipates his new film “Downsizing.” Once “Downsizing” opens, his career’s likely to reach even new heights.

The book charts the Oscar-winning filmmaker’s rise to the elite ranks of his industry. It explores the arc of Payne’s career from brash new indie filmmaker to mature, consummate world cinema artist. Articles and essays take you deep inside the artist’s creative process. It is the most comprehensive look at Payne and his work to be found anywhere. This new edition includes significant new material related to “Nebraska” and “Downsizing” and the addition of a Discussion Guide with Index for all you film buffs, critics, filmmakers, educators and students. The book is also a great resource for more casual film fans who want a handy Payne primer and trivia goldmine.

Biga’s book explores the arc of Payne’s career from brash new indie filmmaker to mature, consummate world cinema artist.

The book has received strong praise and positioned Biga as an expert on Payne:

“This is without question the single best study of Alexander Payne’s films, as well as the filmmaker himself and his filmmaking process. In charting the first two decades of Payne’s remarkable career, Leo Adam Biga pieces together an indelible portrait of an independent American artist, and one that’s conveyed largely in the filmmaker’s own words. This is an invaluable contribution to film history and criticism – and a sheer pleasure to read as well.” –Thomas Schatz, Film scholar and author (“The Genius of the System”)

National film critic and best-selling author Leonard Maltin included “Alexander Payne: His Journey in Film” in his end of year movie book survey. He wrote, “In this revised edition of his book about one of today’s most gifted writer-directors, Biga brings the narrative up to date with a chapter on ‘Nebraska’ and Payne’s long-awaited ‘Downsizing,’ which has recently completed production. With the filmmaker’s participation and cooperation, this is certainly the definitive guide and companion to the works of Alexander Payne, who has given us such modern gems as ‘Citizen Ruth,’ ‘Election,’ ‘About Schmidt,’ ‘Sideways,’ and ‘The Descendants.’”

Leonard earlier wrote, “Alexander Payne is one of American cinema’s leading lights. How fortunate we are that Leo Biga has chronicled his rise to success so thoroughly.”

The new edition is from River Junction Press in Omaha, NE and sells for $25.95.

The book is a available at Barnes & Noble and other fine booktores nationwide, as well as on Amazon and for Kindle. In Nebraska, you can find it at all Barnes & Noble stores, The Bookworm and Our Bookstore in Omaha, Indigo Bridge Books in Lincoln and in select gift shops statewide. You can also order signed copies through the author’s blog leoadambiga.com or via www.facebook.com/LeoAdamBiga or by emailing the author at leo32158@cox,net. You can also call 402-445-4666.

Purchase the book at–

 

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