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Park Avenue Revitalization and Gentrification: InCommon Focuses on Urban Neighborhood

February 25, 2018 1 comment

 

Park Avenue Revitalization & Gentrification: InCommon Focuses on Urban Neighborhood

Appears in March-April 2018 issue of Omaha Magazine (http://omahamagazine.com)

©Story by Leo Adam Biga

©Photos by Bill Sitzmann

 

As revitalization has come to diverse, densely-packed, Park Avenue, a tale of two neighborhoods has emerged. The north end, near 30th and Leavenworth and Midtown, finds a millennial haven of developer-renovated historic properties and shiny new projects on once vacant lots.. The south end, bordering Hanscom Park, is plagued by remnants of drug activity and prostitution. In place of chic urban digs are public housing towers. Amid this transience, reinvestment lags.

Meanwhile, nonprofit InCommon Community Development bridges unchecked development and vulnerable immigrant and refugee populations. Its proactive, grassroots approach to alleviate poverty invests in residents. As a gentrification buffer, InCommon’s purchased two apartment buildings with below market rents to maintain affordable housing options to preserve a mixed-income neighborhood.

“It’s crucial to really involve people in their own work of transformation,” executive director Christian Gray says. “We have a very specific assets-based community development process for doing that. It’s a methodology or mindset that says, we’re not going to do for others, and residents themselves are the experts.

“It’s slower, patient but sustainable work because then you have people with buy-in and trust collaborating together for that change. The iron rule is never do for others what they can do for themselves. We made a commitment when we moved in the neighborhood to set the right first impression. We said, ‘We’re not here to save you or to give away stuff for free. We’re here to listen – to get to know you. We want to hear your ideas about change and be the facilitators of that.’ I think that’s made the difference.”

The faith-based organization “starts with the idea people want to be able to provide for themselves and their families,” he says. “We help them build their own capacity and then start building relationships. Then comes leadership development. As we get to know people, we identify their talents-gifts. We talk about how they can apply those into developing and strengthening the neighborhood. The ultimate goal is neighborhood transformation. We want them to see themselves as the neighborhood change agents.”

A hub for InCommon’s work is the Park Avenue Commons community center opened in 2013. It hosts GED, ESL, literacy, citizenship, job readiness and financial education classes, first-time home-buying workshops, community health programs and zumba.

“If someone walks out of there with their GED, better English proficiency or better able to provide for their family, we’re pleased,” Gray says.

The center’s also where InCommon hosts neighborhood meetings and an after-school drop-in space, conducts listening sessions, identifies neighborhood concerns and interests and activates residents’ civic engagement.

“One of our shining examples is Arturo Mejia. He’s super passionate about the neighborhood. He started getting involved with the organization and eventually became a staff member. He leads our ESL and GED programming. He also does community organizing.”

 

Mejia, a Mexican immigrant, says what he’s found with InCommon mirrors other residents’ experiences.

“InCommon’s invested in me in many ways,” he says. “It’s helped me to use my full potential in my work for the Latino community of this neighborhood. InCommon has found the goodness this neighborhood has. When shown the assets, instead of the negatives, residents find encouragement and empowerment enough to keep reaching their goals.”

The community center resulted from feedback gathered from residents like Mejla. The zumba class was initiated by a woman living there.

“Adults come through the workforce channel. Kids come through the after-school channel,” Gray says.

At an InCommon community visioning process last fall, a group of young men shared the need for a new neighborhood soccer field and with InCommon’s guidance they’re working with the city on getting one. InCommon’s gala last fall recognized area superheroes like them and Mejia.

Besides the center, InCommon’s imprints include a pocket park, a community garden and artist Watie White’s mural of neighborhood leaders.

The first wave of redevelopment there, Gray says, “saw “empty buildings activated and populated and it actually brought an infusion of new people, energy and resources – the positive elements of gentrification.”

“It’s certainly cleaned up – but a lot of the problems remain here – they’re just beneath the surface now.”

As more development occurs, the concern is the people InCommon serves “will be displaced.” That’s where the low income housing come in. The Bristol, fully occupied and awaiting renovation, features 64 studio apartments. The Georgia Row, currently closed and undergoing repairs, will feature 10 or 11 multi-family units.

InCommon is investing $10 million in refurbishmentd. Local and state historic tax credits and tax increment financing monies, plus expected low income housing tax credits, are making it possible.

“As a landlord we’re not only able to preserve affordable housing. but we can integrate individual capacity building services directly on-site with residents,” Gray says.

He looks to solidify InCommon’s work in this and other “opportunity neighborhoods” poised for redevelopment.

“Right now, redevelopment is like a tidal wave people get drowned in. We are interested in getting people to withstand and actually surf that wave and leverage it. People have to have some wherewithal to be able to make their own decisions and not be co-opted into other people’s plans. We’ve started looking at how do we get residents more involved in directing how they want their neighborhoods to grow, so none of this happens in ad hoc form. In this more thoughtful approach to creating neighborhoods, there’d be a vision for what residents want Park Avenue or Walnut Hill to look like.

“The goal isn’t to come up with a plan for them, it’s to facilitate the process so neighbors and stakeholders come up with the plan together.”

Visit incommoncd.org.

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A series commemorating Black History Month – North Omaha stories Part II

February 8, 2018 Leave a comment

 
Commemorating Black History Month
Links to North Omaha stories from 1998 through 2018.
Articles on social justice, civil rights, race, history, faith, family, community, business, politics. education, art, music, theater, film, culture, et cetera
 
A weekly four-part series
This week: Part II –  Faith, family, community, business, politics

 

https://leoadambiga.com/2016/11/16/interfaith-journ…rfaith-walk-work/

Good Shepherds of North Omaha: Ministers and Churches Making a …

https://leoadambiga.com/…/the-shepherds-of-northomahaministers-and- churches-making-a-difference-in-area-of-great-need/

https://leoadambiga.com/2010/08/30/two-blended-hous…houses-unidvided

https://leoadambiga.com/2016/11/14/small-but-mighty…idst-differences

https://leoadambiga.com/2011/09/16/everyones-welcom…g-bread-together/

https://leoadambiga.com/2014/02/02/upon-this-rock-h…trinity-lutheran/

https://leoadambiga.com/2010/05/31/gimme-shelter-sa…en-for-searchers

https://leoadambiga.com/2011/01/09/an-open-invitati…-catholic-church

https://leoadambiga.com/2012/07/15/everything-old-i…-church-in-omaha/

https://leoadambiga.com/2015/03/10/the-sweet-sounds…ts-freedom-choir/

Sacred Heart Freedom Choir | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/sacred-heart-freedom-choir/‎

Salem’s Voices of Victory Gospel Choir Gets Justified with the Lord …

https://leoadambiga.com/…/salems-voices-of-victory-gospel-choir-gets- justified-with-the-lord/

https://leoadambiga.com/2010/07/11/the-myers-legacy…ng-and-community/

A Homecoming Like No Other – The Reader

http://thereader.com/news/a-homecoming-like-no-other/

Native Omaha Days: A Black is Beautiful Celebration, Now, and All …

https://leoadambiga.com/…/nativeomahadays-a-black-is-beautiful- celebration-now-and-all-the-days-gone-by/

https://leoadambiga.com/2011/06/11/back-in-the-day-…party-all-in-one

https://leoadambiga.com/2011/06/05/how-one-family-d…-during-the-days/

Bryant-Fisher | Omaha Magazine

http://omahamagazine.com/articles/tag/bryant-fisher/.

A Family Thing – The Reader | Omaha, Nebraska

http://thereader.com/news/a_family_thing/.

https://leoadambiga.com/2011/06/11/big-mama’s-keeps…ve-ins-and-dives/

Big Mama, Bigger Heart | Omaha Magazine

http://omahamagazine.com/articles/big-mama-bigger-heart/

Entrepreneur and craftsman John Hargiss invests in North Omaha …

http://thereader.com/visual-art/entrepreneur_and_craftsman_john_hargiss_invests_in_north_omaha/

https://leoadambiga.com/2016/06/30/creative-to-the-…s-handmade-world/

https://leoadambiga.com/2013/09/27/minne-lusa-house…on-and-community/

https://leoadambiga.com/2013/10/22/a-culinary-horti…ommunity-college/

https://leoadambiga.com/2012/08/28/revival-of-benso…estination-place

A Mentoring We Will Go | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2010/06/18/a-mentoring-we-will-go

https://leoadambiga.com/2018/01/08/tech-maven-lasho…past-stereotypes/

https://leoadambiga.com/2017/08/22/omaha-small-busi…rs-entrepreneurs

Omaha Northwest Radial Hwy | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/omaha-northwest-radial-hwy/

Isabel Wilkerson | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/isabel-wilkerson/

The Great Migration comes home – The Reader

http://thereader.com/visual-art/the_great_migration_comes_home/.

Goodwin’s Spencer Street Barber Shop – Leo Adam Biga’s My Inside …

https://leoadambiga.com/2010/04/29/goodwins-spencer-street-barbershop-we-cut-heads-and-broaden-minds-too/.

Free Radical Ernie ChambersThe Reader

http://www.thereader.com/post/free_radical_ernie_chambers

https://leoadambiga.com/2016/03/15/deadeye-marcus-m…t-shooter-at-100/

https://leoadambiga.com/2012/01/15/north-omaha-cham…s-the-good-fight

North’s Star: Gene Haynes builds legacy as education leader with …

https://leoadambiga.com/…/norths-star-gene-haynes-builds-legacy-as- education-leader-with-omaha-public-schools-and-north-high-school…

Brenda Council: A public servant’s life | Leo Adam Biga’s My Inside …

https://leoadambiga.com/…/brenda-council-a-public-servants-life/‎

https://leoadambiga.com/2012/04/17/carole-woods-har…ess-and-politics/

Radio One Queen Cathy Hughes Rules By Keeping It Real …

https://leoadambiga.com/2010/04/29/radio-one-queen-cathy-hughes…

Miss Leola Says Goodbye | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2011/09/01/miss-leola-says-goodbye/.

https://leoadambiga.com/2011/09/02/leola-keeps-the-…-side-music-shop/

Aisha Okudi’s story of inspiration and transformation …

http://thereader.com/news/aisha_okudis_story_of_inspiration_and_transformation/

Alesia Lester: A Conversation in the Gossip Salon | Leo …

https://leoadambiga.com/2016/03/09/alesia-lester-a-conversation-in…

Viv Ewing | Omaha Magazine

http://omahamagazine.com/articles/tag/viv-ewing/

https://leoadambiga.com/2015/02/11/sex-talk-comes-w…rri-nared-brooks/

https://leoadambiga.com/2010/08/29/strong-smart-and…-girls-inc-story/

https://leoadambiga.com/2015/10/13/omaha-couple-exp…ica-in-many-ways

Parenting the Second Time Around Holds Challenges and …

https://leoadambiga.com/2012/11/25/parenting-the-second-time…

Pamela Jo Berry brings art fest to North Omaha – The Reader

http://thereader.com/visual-art/pamela_jo_berry_brings_art_fest_to_north_omaha/

https://leoadambiga.com/2010/06/06/its-a-hoops-cult…asketball-league/

Tunette Powell | Omaha Magazine

http://omahamagazine.com/articles/tag/tunette-powell/

Finding Her Voice: Tunette Powell Comes Out of the Dark …

https://leoadambiga.com/2013/01/24/finding-her-voice-tunette..

Shonna Dorsey | Omaha Magazine

http://omahamagazine.com/articles/tag/shonna-dorsey/

Finding Normal: Schalisha Walker’s journey finding normal …

https://leoadambiga.com/2014/07/18/finding-normal-schalisha-walker..

Patique Collins | Omaha Magazine

http://omahamagazine.com/articles/tag/patique-collins/

Finding home: David Catalan finds community service niche in adopted hometown of Omaha

February 1, 2018 Leave a comment

Finding home: David Catalan finds community service niche in adopted hometown of Omaha

©by Leo Adam Biga

Soon appearing in El Perico

David Catalan long searched for a place to call home before finding it in Omaha four decades ago.

Born in San Diego, Calif. and raised in Arizona, the former business executive turned consultant has served on many nonprofit boards. It’s hard to imagine this sophisticate who is so adroit in corporate and art circles once labored in the migrant fields with his Mexican immigrant parents. It’s surprising, too, someone so involved in community affairs once lived a rootless life.

“My whole life had been like a gypsy. I was a vagabond because traveling from place to place and never really having a fixed home – until I came to Omaha with Union Pacific in 1980.. I chose to stay even after I left U.P. because I really felt at home here and still do after all those years wandering around.”

Vagabundo, a book of his own free-style verse, describes his coming-of-age.

Catalan, 76, grew up in a Tucson barrio immediately after World War II. His father worked in the copper mines. When Catalan was about 13, his family began making the migrant worker circuit, leaving each spring-summer for Calif, to pick tomatoes, figs, peaches and grapes and then returning home for the fall-winter.

“I didn’t really feel I wanted to get stuck in that kind of a destiny,” he said. “Maybe escape is too rough a word, but I had to get away from that environment if I was going to do anything differently, and so I left and went to live with a sister in the Merced (Calif.) area.”

He finished high school there and received a scholarship to UCLA,

“I was the only one in the family that actually completed high school, let alone college.”

He’d long before fallen in love with books.

“That led me to realize there was more I could accomplish.”

While at UCLA, a U.S. Army recruiter sensed his wanderlust and got him to enlist. He served in Germany and France. He stayed-on two years in Paris, where an American couple introduced him to the arts.

“It was a big awakening for me,” he said.

Back in the U.S., he settled in Salt Lake City, where he was briefly married. Then he joined U.P., which paid for his MBA  studies at Pepperdine University. Then U.P. transferred him from Los Angeles to Omaha.

“I never had a sense of knowing my neighbors, having some continuity in terms of schools and experiences, so I felt like I had missed out by not having had that identity with place and community. When I came to Omaha, I loved it, and U.P. really promoted employees getting involved in community service.

“Doing community service, being on nonprofit boards  became an identity for myself.”

Upon taking early retirement, he worked at Metropolitan Community College, in the cabinet of Mayor Hal Daub and as executive director of the Omaha Press Club and the Nonprofit Association of the Midlands.

“I threw myself into the nonprofit world.”

He’s served on the Opera Omaha, Omaha Symphony and Nebraska Arts Council boards.

He cofounded SNAP! Productions, a small but mighty theater company originally formed to support the Nebraska AIDS Project.

“Omaha was the first place I saw a couple friends die of AIDS and that was a real revelation for me. That got me working to do some fundraising.”

SNAP! emerged from that work.

“I was the producer for almost every production the first few seasons. The audience base for SNAP! is a very accepting part of the community. It was gratifying. It’s been very successful.”

His interests led him to South Omaha, where he helped found El Museo Latino. More recently, he helped get the South Omaha Museum started. He also served as president of the South Omaha Business Association.

“I got involved with a lot of economic development.”

He wrote and published Rule of Thumb: A Guide to Small Business Marketing.

He’s “very proud” both SNAP! and El Museo Latino, whose vision of Magdalena Garcia he caught, “are still going strong and still serving the community.”

Each time he gets involved, he said, “it isn’t planned – the need arises and I’m there willing to help work to make it happen.”

“Doing all this work helps me feel I am a part of a dynamic community. That’s what really drives me, motivates me and makes me feel very positive.”

He’s involved in a new project that dreams of building a 300-foot tall Nebraska landmark destination to be called “Tower of Courage” at the intersection of 13th and I-80 across from the Henry Doorly Zoo.

“We’re in the process of trying to acquire the land. It’ll be a place for culture-history exhibits all focused on the rich cultural and historical history of Neb. and the region.”

Meanwhile Catalan has his own consulting company helping nonprofit and small business clients with strategic planning and grant-writing.

He’s also active in the Optimist Club.

“I’ve lived a full life. I’ve met so many wonderful people. I can navigate around many communities because of the the work I’ve done and the people I’ve met.”

He’s doing research for what may be his third book: weaving the story of a pioneering Jesuit priest from the same Sonora. Mexico hometown Catalan’s mother was born in and near where his father was from, with the history of area Indian tribes and his own family.

He’s traveling this winter to Sonora – not to escape his roots but to discover more about them.

He’s written about his family in Vagabundo and in poems published in the literary journal, Fine Lines.

“I think I’m creating a David Catalan space of my own I never had growing up.”

Omaha Community Foundation project assesses the Omaha landscape with the goal of affecting needed change


The Landscape is a data-driven project by the Omaha Community Foundation that tries reconciling cold hard facts with warm personal stories in order to get a better, more intimate grasp of how the city’s doing in key quality of life areas. Ultimately, the foundation hopes the project gives it and the organizations that donate through it and the nonprofits it partners with a more measurable appreciation for the community’s chronic and emerging needs  and ways to impact positive change in addressing those needs through philanthropic giving. This is my story about The Landscape for the May-June-July 2017 issue of Metro Magazine (https://issuu.com/metmago/docs/thegivingguideandeventbook2017).

 

Omaha Community Foundation project assesses the Omaha landscape with the goal of affecting needed change

©by Leo Adam Biga

Appears in the May-June-July 2017 issue of Metro Magazine (https://issuu.com/metmago/docs/thegivingguideandeventbook2017)

 

 

 

Listening and learning at core of project

Seeking a more equitable Omaha for all 

Data points measuring quality of life factors and stories telling people’s actual lived experiences behind the statistics converge in a new Omaha Community Foundation project.

Launched in 2016, The Landscape is a data-driven look at how the metro’s doing in such key focus areas as health, neighborhoods, safety, transportation, workforce and education. Implicit in the project is a reality-check that finds Omaha’s high Best Place to Live rankings  tempered by issues of chronic poverty, gang violence, sexually transmitted diseases, underemployment, educational achievement gaps and other disparities among underserved populations. The project website connects community stakeholders to content that provides snapshot glimpses of where Omaha stands, for better or worse, in these areas.

Though it went live in 2016, the project hallmarks of using date plus stories was conceived in 2014. Even before that, in 2010, the foundation committed to using data and indicators as part of its strategic plan. The Landscape culls together metrics from various sources to create a free, online public access base whose information is not just for academic or public information purposes but to guide the foundation’s donor, knowledge and nonprofit partners to activate positive change.

“We’re not interested in collecting information for information’s sake. We care about what we can act upon and what we can really do to potentially drive results,” said Omaha Community Foundation President and CEO Sara Boyd. “There’s a lot of discourse not only in this community but across many communities in this country around issues of inequity, poverty, race. For us this isn’t a fad or a trend. We care about this community. We believe the real power to change some of these issues is at the community level.”

At its heart are people’s voices that illustrate and intersect the very challenges and opportunities illuminated by The Landscape.

Boyd said, “We’re spending the vast majority of 2017 really being out in the community and with partner organizations to further connect people with the information about The Landscape and to gain the benefit of more personal experiences from people who live with some of the issues highlighted in the project. We’re really interested in the collaboration and alignment opportunities to be in relationship and conversation with people who do experience these things.”

The Landscape is only as compelling as the information fed into it.

“We really rely on organizations in this community who do this on a more regular basis and already have a vast amount of information or a process ongoing for having these kinds of conversations. We are looking at how this project plugs into, intersects and highlights some of that work and the data available in our areas of focus.”

 

 

Keeping it real, keeping it human

Boyd said the goal is to keep people, not numbers, at the forefront since data only tells part of the story. The real essence and nuance about a situation comes not from stats but from people describing their own experiences with everything from domestic violence to unemployment to homelessness.

“We’re trying to balance the data with the voice of people and ground in greater understanding the humanity of what we’re talking about. Looking at the data in isolation, there may be things missed in that study and interpretation that a conversation with somebody who is living in a specific circumstance for some time could help really inform and enlighten.”

The project website, http://www.thelandscapeomaha.org, highlighted the focus areas of health, neighborhoods, safety and transportation to start with. Workforce and education focus areas get rolled out this spring.

A public service media campaign is putting the project’s data-driven descriptor out there. The site tag line reads: “Let’s make our city a great place to call home – no matter who you are or where you live.”

Boyd said the next step is explaining “what this project is all about” and how people can interface with it. The website includes lists of nonprofits to engage, an action kit with specific ways to connect, collaborate and respond and a resources guide for social services and supports. There’s also a page where folks can share their stories. The site is getting traffic and the foundation is fielding calls and emails.

 

Image result for the landscape project omaha community foundation

 

Identifying disparities and gaps

“I think there’s a lot of intrigue,” Boyd said. “There’s certainly questions around what this information really does mean for us. So part of 2017 is also about having conversations about what our intentions are and how we as a community might be able to utilize this information as a place of power to really help us coalesce around issues at potentially greater levels.

“Some of the data is gut-reinforcing because it confirms our sense for how we’re doing as a community in things like healthcare, where people in poverty naturally do not have healthcare coverage at a high rate. Other pieces of information are more surprising because it runs a little counter to the broader narrative of how we talk about things like poverty. For example, there’s a real housing disparity with black Omahans. Black home ownership here is 8 percent lower than the national average.

“Generally, I think we regard the quality of life and cost of living here as being very affordable but when you actually look at what it costs to raise a family and have a home in our community compared with wages earned, it is affordable for some of us, but not for all of us.”

She said The Landscape’s broad scope provides an accurate picture of Omaha across many sectors.

“If you put everything in a bucket and average it all out it might look really good and it does in many areas for Omaha. Many people, myself included, have a very high quality of life here. But what’s the quality of life for the least well-off community member and how do we use that as a barometer for how we’re doing and how do we raise the levels of those circumstances? If we look at it that way, then I think we’re all going to be better off.”

Boyd said foundation staff and board members acknowledge “these are difficult subjects” that greater Omaha needs to focus on. She makes clear the foundation doesn’t pretend “to know all the answers for what are difficult, entrenched challenges.”

“We don’t know everything,” she said, “and we are grateful for the partnership of so many organizations and people who already contribute to our knowledge, and that will continue. The information on the website today isn’t necessarily perfect. I’m sure somebody might be able to find an insight or add a different perspective to some of these things. It’s a work in progress. We expect this project continues to iterate as we work more in the community.”

 

 

No easy answers or quick fixes

The Landscape. she noted, is a resource for the community by the community.

“It takes the community to really wrap around some of these issues to see if we can do better in certain areas. That’s part of the driving force behind this project.”

Boyd emphasized that problems generations in the making will take time to reverse and that the foundation is in it for the long haul.

“We’re not suggesting we throw information out and there’s a tight and tidy solution in six months or even a year from now where we report things have moved remarkably. But it matters. These are large and very consequential issues that require significant attention and persistent focus in order to really get underneath all of the underlying factors and to look at where you might look at drivers of change. Then you have to stick with it as a community to try and make progress. That’s years in the making.”

The reality behind The Landscape’s data sometimes overturns the image of a thriving Omaha and touches on sensitive issues such as race. The truth hurts.

“We don’t want to ignore the fact we see poverty increasing in our community,” Boyd said. “Even if you control for socio-economic status factors there are other points of disparity. If you want to take in the full conversation you have to own that issues of race do present real challenges. Structural issues that have led to poverty or disparity for segments of the African-American, African, Latino-Hispanic communities.

“We have to work to get underneath these issues as a community overall. There is no simple solution. There is no one factor driving this. That’s why we embarked on this so long ago. It just so happens other organizations and communities have been working on these issues and are starting to surface some of the harder conversations. There’s real merit in these discussions.”

 

 

Building on each other

Boyd said The Landscape’s efforts are not meant to compete but rather complement work others do in addressing such matters.

“This isn’t meant to take the place of these amazing things that have already been put in motion. If anything, what we’re trying to do is further reinforce some great work already happening and that we’ve tied together in the Landscape. If we can coalesce with these, add additional momentum to where there’s already momentum and continue to bolster progress in others, then we’re all going to benefit as a result.

“Lots of things have been put in motion and this is a piece of a broader puzzle.”

She said The Landscape is poised to aggregate and extend data others gather to reach new audiences and share more information than otherwise possible..

“We may be able to help amplify the voice of groups and their priorities to potentially different constituencies and find areas we can drive at together and row in the same direction on.”

The hope is that the Landscape serves as a catalyst for Omaha’s giving community to take action.

“We’ve got such generosity, will, ambition and competitive spirit that when we look at how we fare versus other communities, we hope it does get underneath somebody’s skin for donors to say, ‘That’s not right, we can be better,’ and we get after that.”

Getting involved

The Landscape invites people to be a part of the change by getting involved, whether serving on a board, working with their neighborhood association, participating in community forums, running for elected office, voting, donating, volunteering.

“There are opportunities at various levels to consider what you bring to the table individually that can help play a role in driving the change and that’s different for different people. We do work with donors and so investment in some of these areas is certainly a possibility. But investment alone isn’t going to accomplish it either.

“We’re also cultivating a group of people who have agreed to be community listeners. These are individuals already engaged in the community who are interested in this journey we’re on with The Landscape. They’ve made a commitment to make decisions in how they engage with the community going forward based upon what they learn through the project.”

Community listeners are among the change agents The Landscape aims to activate.

“They’ve all said, ‘I’m in, I’m interested enough in where this is headed that I’ll refine or change or add thinking to my own community engagement.’ That could include philanthropic investment, business practices, policy work, leadership, creating connections with social capital. There’s any number of things it could influence. What we want is for community listeners to find where they feel personally they can take the most out of the project in terms of their own activation on these issues. It’s going to be different for different community members and what they care about and where they want to place their time and energy.”

_ _ _

 

 

FROM THE LANDSCAPE WEBSITE:

 

_ _ _

 

Going with the flow

The Landscape’s designed to be adaptive and to reflect new facts and best practices as they emerge.

“So much of this project has not been linear. It’s been anything but a straight line,” said Boyd, “and we recognize it’s not going to be a straight line path from here to there.”

With dozens of knowledge and nonprofit partners, combined with so many moving parts – meetings, forums, studies – covering such a broad swatch of the community, she said it’s little wonder the project has been “in process for a long time.” She added, “We wanted to be really diligent with this. In order to do this as thoughtfully as we intend to it really requires a lot of conversations with lots of different people and organizations and understanding their priorities and the work they already have ongoing and where there’s alignment and how we can come together.

“Within that framework we have the flexibility and thinking to say some opportunities may appear along the way we want to be open to.”

Getting to this point has been an education.

“I’ve learned so much on this journey and I know I’m not done in my own personal learning. My colleagues would say the same. Members of our board of directors and others we’re talking with feel that way, too. I think a big part of this project is learning together where we are to have a shared understanding. If we can come together with a shared understanding of an issue, then it’s a jumping off point to work on it.”

Data defines the project but an improved Omaha, not an archive, is the end goal.

“We’re going to stay connected to the data on this project. so three to five years from now we’ll want to see how things are going. But we’re not agnostic, we want to see change in the right direction on these indicators. We very much care these things move in the right direction. When we think about our own strategy and the work of the Omaha Community Foundation, we’re going to continue to be thoughtful about the piece of the puzzle we can be in trying to help affect that.

“We also want to be mindful about where the information goes and how it potentially helps our public servants in the decision-making process at the local and state level.”

Putting a human voice-face to the data

Programs and policies are often shaped by individuals’ personal stories. The men and women profiled on The Landscape website offer intimate stories that have the power to influence and inspire change.

“The storytelling is so important to this project,” Boyd said. “The storytelling really gives life and depth and perspective to this data. There’s making the data accessible and then giving the data meaning. That’s going to be an important part of our work going forward.

“We’re trying to help the community and the people who live here make progress together. We’re trying to set a stage for us to work together.”

In The Landscape, everyone has a story, everyone has a say.

Visit http://www.thelandscapeomaha.org.

Read more of Leo Adam Biga’s work at leoadambiga.com.

 

“We’re not interested in collecting information for information’s sake. We care about what we can act upon and what we can really do to potentially drive results.”

“Generally, I think we regard the quality of life and cost of living here as being very affordable but when you actually look at what it costs to raise a family and have a home in our community compared with wages earned, it is affordable for some of us, but not for all of us.”

“It takes the community to really wrap around some of these issues to see if we can do better in certain areas. That’s part of the driving force behind this project.”

“We may be able to help amplify the voice of groups and their priorities to potentially different constituencies and find areas we can drive at together and row in the same direction on.”

“We very much care these things move in the right direction. When we think about our own strategy and the work of the Omaha Community Foundation, we’re going to continue to be thoughtful about the piece of the puzzle we can be in trying to help affect that.”

“We’re trying to help the community and the people who live here make progress together. We’re trying to set a stage for us to work together.”

(Quotes by Sara Boyd)

 

Mural Man – Artist Mike Giron captures heart of South Omaha


Murals are the great mash-up the art world. Their size and themes lend themselves to big, bold visions landing somewhere between paintings, posters and frozen film images characterized by dynamic swirls of figures, places, events and symobls. Mike Giron is one of Omaha’s busiest muralists and he’s the subject of an Omaha Magazine  (http://omahamagazine.comprofile I wrote that appears in the May-June 2017 issue. Giron’s work for the ongoing South Omaha Mural Project has taken him and his partner artists deep inside that district and its ethnic neighborhoods. But he does more than murals. He makes studio art and he also teaches art at Metropolitan Community College. And he helped design the exhibition spaces for the recently opened South Omaha Museum. 

 

 

Mural Man

Artist Mike Giron captures heart of South Omaha

©Photography by Bill Sitzmann
Appearing in the May-June 2017 issue of Omaha Magazine  (http://omahamagazine.com

Visual artist Mike Giron’s creative life spans studio practice, teaching, and working with A Midsummer’s Mural and South Omaha Mural Project teams.

“In my studio work, I have no idea what’s going to happen—I just go. I’m not forcing or insisting on anything. The work creates itself in some crazy way,” Giron says. “When it comes to murals, it’s a lot more deliberate. You have to propose a design before you begin. So, I live in these two different worlds, and I think it’s keeping me balanced.”

The New Orleans native came to Omaha in the early 1990s by way of Colorado, where he met his ex-wife, an Omaha native. After her father died, the couple moved here with the intent of restoring her family home, selling it, and returning to Colorado. But Omaha proved a good place to raise their two children, so they stayed.

Giron, 45, taught art at Bellevue University and ran the campus gallery. Today, he’s a Metropolitan Community College adjunct instructor.

Without knowing it, he prepared to be a muralist through his experience painting Mardi Gras floats in New Orleans. Walls are not so different from float structures—they’re big and imperfect. And just as he used cut-out panels on floats, he does the same with murals.

“The Polish mural is the clearest example,” he says. “There was a downspout, a chimney, and a fence around an air conditioning unit, and we used cut-outs to hide those things. It gave a 3D pop-up look effect. It also breaks the frame to extend beyond the box of the building.”

Patience is a virtue for a muralist.

“Murals take a long time—maybe two months,” he says. “Unless you really practice your Zen, you’ve got to make it enjoyable to keep on doing it every day.”

The social contract of public art and the collaborative nature of murals means you’d better like people. He does. You’d better like working big, too.

“Once you experience large-scale production, it’s hard to go back to small paintings,” he says. “Although I still consider myself a studio painter, there’s also something about doing large work. You can’t help but see a wall and go, ‘Oh, that would be perfect for this statement.’ And then the physicality of the work feels good. You’re carrying stuff all the time; you’re up and down ladders. The brush strokes are not just a flick of the wrist.”

But Giron says the real reason he and his fellow muralists do it is because “we’re channeling the voices of people who can’t do this, and we take pride in that.” He says, “We feel good about delivering something that people feel does express them.”

The process for the South Omaha murals involves deep community immersion.

“The more you immerse and personally connect with the people on a street level, the more you’re going to be trusted by that community, and the more they’ll open up and allow you in,” he says.

The South O murals feature diverse looks.

“Some fall into naturalism, and others go into some other place,” he says, “That’s interesting to me because it’s not the same. Rather than a signature style, I would prefer they look like they were done by different people.”

They are. Giron works with Richard Harrison, Rebecca Van Orman, and Hugo Zamorano. Neighbors contribute stories and ideas at community meetings. Residents and students participate in paint days and attend unveiling celebrations.

The works are an extension of the new South Omaha Museum, whose director, historian Gary Kastrick, conceived the murals project. Giron serves on the museum board. He enjoys digging through Kastrick’s artifact collection and preparing exhibits, including a replica of an Omaha Stockyards pen.

The idea is for the museum, the murals, and Kastrick’s history tours to spark a South O renaissance keying off the district’s rich heritage and culture. Muralists like Giron share a bigger goal to “make Omaha a destination for public art.” He says murals are a great way to enhance the city’s visual aesthetic and to engage the community. Besides, he says, murals “demonstrate to the public there is an arts community here” in a visible way galleries cannot.

Giron is impressed by the Omaha arts explosion. “There’s so much going on and so many young artists hitting the scene making a big impact,” he says.

Meanwhile, he continues to create studio art. His series On the Brighter Side of Post-Apocalyptic Minimalism employed fire-singed materials to make their satirical marks.

“With the process-oriented stuff I’m doing now, there’s a huge amount of variety, even though I’m just using grids,” he says, explaining that his personal artworks have moved away from rules of perspective and representational dictates of realism.

“When you don’t use any of that, all you have is the process and the visual reality of things—line, shape, value, color, texture, and space,” he says. “When you start playing in that area, where there’s no limits in terms of defining what things should be or should look like, you find it’s actually inexhaustible.”

He intends to follow “the course of my curiosity,” adding, “If you are really free as an artist, then you just follow whatever’s interesting to you.”

New murals keep beckoning, though. “I get pulled into all this work. You set yourself up for a fall, but the fall is where all the good stuff happens,” he says.

Having completed Czech, Lithuanian, Polish, Mexican, Metropolitan Community College, and Magic City murals for the South O project, Giron and company are now working on a Croatian mural. Irish, Italian, African-American, and Stockyards murals are still to come.

Visit amidsummersmural.com for more information.

This article was published in the May/June 2017 edition of Omaha Magazine.

Mural project celebrates mosaic of South Omaha culture

July 19, 2016 1 comment

Historically, South Omaha is the city’s receiving community for new immigrants and refugees, though North Omaha plays some of that role, too. Blue collar jobs in the commerical, industrial labor sector have provided the livelihood for succeeding waves and generations of ethnic groups to have settled there. South O once had and to some extent still does have neighborhoods with distinct concentrations of ethnic groups. Traditionally, these ethnic enclaves become communities within the larger community. At one time, there were neighborhoods where Poles, Czechs, Lithuanians, Croats and other peoples of Eastern European origin established their own enclaves. There were also strong Italian, Irish and Mexican contingents. And the Great Migration brought many African Americans from the Deep South here as well. The railroads and packing houses were the main employers for many of these new arrivals. World War II-era manufacturing jobs were lures as well. The residents living in the various ethnic neighborhoods that took shape were bound by their shared birthplace, language, customs, religious affiliation and so on. They had their own churches and  community centers that reinfoced their tight-knit connections. Festivals celebrated their hertiage and traditions. Having long ago assimilated and with second-third generation descendants moving to other other sections of the city and with the wartime, railroad and packing house jobs disappearing, those once ethnic-centric areas in South Omaha became more homogenized over time. Today, only trace elements of their once ethnic identities remain. The last three decades have seen the emergence of new emigrees from Latin and Central America, Asia and Africa, thus repeating the patterns that happened with earlier groups in the late 19th century through the late 1920s. All of this is context for an art project now underway in South Omaha that celebrates the different heritages that have made it such a melting pot over time. The South Omaha Mural Project is creating a mural for each of the major ethnic groups that have populated the area. A future mural may also commemorate the stockyards-packing plant epoch that dominated the South Omaha landscape for decades with that industry’s acres of buildings and structures that emplpyed thousands of people and with all the ancilliary businesses that served those workers.

 

 

Mural project celebrates mosaic of South Omaha culture

©by Leo Adam Biga

Appearing in El Perico

 

What began as a one-off neighborhood mural by Richard Harrison and his daughter Rebecca Van Ornam has morphed into a project with several artists depicting historical South Omaha ethnic groups and landmarks.

When historian Gary Kastrick saw the South 13th Street mural Harrison and Van Ornam did illustrating the area’s Czech heritage, it sparked an idea for a mural culture series celebrating South Omaha’s role as a gateway for ethnic immigrant and refugee assimilation.

More murals followed through the help of the South Omaha Business Association (SOBA), who secured grants for a history mural at the Metropolitan Community College south campus and a Magic City Mural at 24th and N. Thus, the South Omaha Mural Project was born.

Artist Hugo Zamorano joined the team for a Lithuanian mural on the Lithuanian Bakery at 5217 South 33rd Avenue. A Mexican mural in the Plaza de la Raza was unveiled July 10. New murals are planned for the Polish, Irish, Croatian, Italian, Jewish, African-American ethnic enclaves that traditionally called South Omaha home. The more recently arrived Honduran, Guatemalan and El Salvadoran communities will get murals, too. There’s talk of one celebrating South O’s stockyards-meatpacking legacy as well.

The Polish mural will adorn a wall of Dinker’s Bar at 2368 South 29th Street. The Irish mural will grace another popular hangout, Donohue’s Pub, at 3232 L Street.

“We’re looking for walls that have good visibility in relationship to the neighborhood,” Harrison said. “Size is a good thing.”

Every wall poses its own challenges.

“When a wall is rough and covered with obstacles like water meters and things we are coming up with solutions of putting up profile cut sign boards with characters and symbols on them, so the wall has sort of a pop-up book, three-dimensional feeling to it,” Harrison said.

Project funding comes from SOBA, the Nebraska Arts Council, the Mayor’s Neighborhood Grants Program, the City of Omaha’s Historical Grant initiative and various community sources.

David Catalan served as SOBA president when the organization decided to support the mural project. He said the project aligns well with SOBA’s mission of “preserving the diversity and heritage of South Omaha.”

Some ethnic organizations hold fundraisers to help underwrite their individual murals. The South Omaha Neighborhood Alliance is a new partner.

Harrison is a project facilitator and a supporting artist. Michael Giron and Zamorano trade-off as lead artist. Kastrick serves as the history consultant. Catalan is an advisor and liaison.

 

 

This labor of love entails extensive community engagement and input for each mural. Multiple public meetings elicit information and ideas. The public can view the final sketch projected on a wall and can join community paint days.

“We are connecting with a lot of people in each successive community we focus on,” Harrison said. “We’re happy how fast this connects with people and how much it matters to them. They come to the meetings and share their stories and memories. Everybody we talk to finds it meaningful to them.”

He believes the community taking ownership of the murals explains why none have suffered graffiti.

After the communal paint days, Harrison, Giron, Zamorano and other artists paint for a month or two – working in acrylics to sharpen images and to apply shading and highlights. A clear protective sealer is added at the end.

When a mural’s finished, a public celebration is held.

This community-based approach is much more involved than the private commissions Harrison does under his A Midsummer’s Mural business but he said it’s all worth it.

“What’s really special is bringing the community together to talk about what’s important to them and what memories they have.”

 

Image may contain: 1 person, text
 Gary Kastrick

 

Kastrick, a retired Omaha South High history teacher who leads South Omaha history tours, hopes the murals educate and entertain about South O’s long, unfolding melting pot story.

“It’s about rekindling South Omaha roots in people who moved away and reestablishing those roots with their children and grandchildren. I envision people coming to see the murals and talking about the people and the history they see on them.”

He and Harrison believe the murals can be destination attraction urban maps for residents and visitors wanting to learn about the area’s cultural history.

None of the primary artists working on the project are originally from Omaha and for these transplants each mural is an education.

“There is a lot that I did not know before this project and still more to learn.,” said Zamorano.

The Mexican mural he took the lead on is a perfect example.

“Almost everything I learned was new information to me. I learned about some of the different waves of Mexicans that moved to Omaha, why they moved, and where they came from.  I never knew how much the Catholic church and Lutheran church were involved in the community helping people move forward in education and empowerment. The list goes on. I never knew how much history there is in South Omaha alone.”

Fostering appreciation for place is what the project team wants every mural to encourage. Zamorano said Mexican mural images represent “topics and themes about unity, struggle, education, work, identity, education and celebration.” A working couple eats dinner with their family. A “Dreamer” graduates high school. Community anchors, such as the American GI Forum and Chicano Awareness Center, loom large. “In the center,” he said “an ancient Aztec god and two children share a history book to symbolize the past and future.”

Follow the project’s progress at http://www.amidsummersmural.com/for-communities/south-omaha-mural-project/.

Real talk about community matters from your friendly neighborhood thought-leader – Omaha author-journalist-blogger Leo Adam Biga


 

 

Real talk about community matters from your friendly neighborhood thought-leader – Omaha author-journalist-blogger Leo Adam Biga

Nick Hernandez recently interviewed me on his “Community Matters” show for Lincoln’s KZUM. Listen to this far-ranging interview about culture, well-being, Alexander Payne, “Sideways”, friendship, love, community and why I write about people, their passions and their magnificent obsessions at–

Mauro Fiore: Writing with Light

Someone recently called me “a thought-leader” and it truly is a description and a skill set I identify with and own.

As a writer I am expert at creating narratives that frame issues, ideas, trends, events, achievements and history in whatever context you need in order to tell your story and to deliver the message and image you want to convey.

I am available on a per project or by retainer basis.

Sample my work at leoadambiga.com.

Send your project specs to me at leo32158@cox.net.

Looking forward to being the lightning rod that activates, animates and illuminates a whole new level of engagement with your organization. With my help, the story of who you are and what you do will shine bright.

–Leo Adam Biga, Author-Journalist-Blogger, Omaha, Nebraska

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