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Native Omaha Days Story Compilation


Native Omaha Days Story Compilation

Native Omaha Days has been on my writing-reporting radar for more than two decades. With the 2019 Native Omaha Days underway, I thought it a good time to compile some of my work about this communty reunion and heritage celebration. My blog, Leo Adam Biga’s My Inside Stories at leoadambiga.com, contains hundreds of stories I have written over the years about Black Omaha people, places, events and occasions. If you are a Native Omahan back for this year’s festival, then I invite you to visit the blog, poke around and enter searches to  reconnect – through words, memories and photos – some of the very things you are reliving this week. You will find stories on dozens of notable Native Omahans, past and present, including Ernie Chambers, Cathy Hughes, Alfred Liggins, John Beasley, Rudy Smith, Bertha Calloway, Gene Haynes, Gabrielle Union, Yolonda Ross, Tommie Wilson, Bob Gibson, Bob Boozer, Gale Sayers, Ron Boone, Marlin Briscoe, Johnny Rodgers, Monty Ross, Charles Hall, Carol Rogers., Q Smith, Camille Metoyer Moten, Kathy Tyree, Ahman Green, Terence Crawford, Carleen Brice, Vanessa Ward, Billy Melton, Preston Love Sr.

Be sure to check out my Omaha Black Sports Legends Series: Out to Win – The Roots of Greatness.

If you like what you see, then please follow my blog as well as my companion Facebook page, My Inside Stories.

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Here is the Reader (www.thereader.com) story I did previewing Native Omaha Days 2017. From all reports, the celebration was a great success. Pam and I made it down to a few different Native Omaha Days events and we thoroughly enjoyed ourselves, too. If you’ve never been, you’ve got to sample this authentic slice of Omaha.

 

Native Omaha Days 2017: A homecoming like no other

©by Leo Adam Biga

Originally appeared in The Reader (thereader.com)

 

The African-American diaspora migration from the South helped populate Omaha in the 20th century. Railroad and packing house jobs were the lure. From the late 1960s on, a reverse trend has seen African-Americans leave here en mass for more progressive climes. A variant to these patterns finds thousands returning each odd-numbered August for a biennial community reunion known as Native Omaha Days.

The 21st reunion happens July 31 through August 7.

If you’ve not heard of it or partaken in it, you’re probably not black or some of your best friends are not black, because this culture-fest is in Omaha’s Afrocentric DNA. But organizers and participants emphasize everyone’s welcome to join this week-long party.

Featured events range from gospel and jazz concerts to talks and displays to a parade to a ball.

Nobody’s quite sure how many native Omahans living outside the state head home for it to rekindle relationships and visit old haunts.

There are as many takes on it as people engaging in it.

Thomas Warren, president-CEO of the Urban League of Nebraska, which this year hosts its 90 anniversary gala during Omaha Days, may put it best:

“People make it a purpose to come back.”

Reshon Dixon left Omaha for Atlanta 24 years ago and she’s been coming back ever since, except when military commitments prevented it. She hopes to free up her schedule for this year’s fest.

“I’m trying to. I usually plan a year ahead to come back.”

She said she brought her children for it when they were young because “that’s pretty much where our roots are from.” She’s delighted her now grown kids are “planning to come back this year.”

Serial nonprofit executive Viv Ewing said Omaha Days touches deep currents.

“People look at this event very fondly. In the off-year it’s not being held, people ask when is it happening again and why isn’t it every year because it’s such a great time bringing the community together with family and old friends. People look forward to it.

“There are people who have moved away who plan their vacations so that they come back to Omaha during this particular time, and that says a lot about what this event means to many people across the country.”

Even Omaha residents keep their calendars open for it.

“I’ve cut business trips as well as vacations short in order to make sure I was at home during this biennial celebration,” Warren said.

Sheila Jackson, vice president of the nonprofit that organizes it, said, “It’s one big reunion, one big family all coming together.”

Juanita Johnson, an Omaha transplant from Chicago, is impressed by the intentionality with which “people come together to embrace their commonality and their love of North Omaha.” She added, “It instills pride. It has a lot of excitement, high spirits, energy and enthusiasm.”

As president of the Long School Neighborhood Association and 24th Street Corridor Alliance, Johnson feels Omaha Days could play a greater role in community activation and empowerment.

“I think there’s an opportunity for unity to develop from it if it’s nurtured beyond just every two years.”

Empowerment Network director of operations Vicki Quaites-Ferris hopes it can contribute to a more cohesive community. “We don’t want the unity to just be for seven days. We want that to overflow so that when people leave we still feel that sense of pride coming from a community that really is seeing a rebirth.”

Ewing said even though it only happens every two years, the celebration is by now an Omaha tradition.

“It’s been around for four decades. It’s a huge thing.”

No one imagined it would endure.

“I never would have dreamt it’d be this big,” co-founder Bettie McDonald said. “I feel good knowing it got started, it’s still going and people are still excited about it.”

She said it’s little wonder though so many return given how powerful the draw of home is.

“They get emotional when they come back and see their people. It’s fun to see them greet each other. They hug and kiss and go on, hollering and screaming. It’s just a joyous thing to see.”

Dixon said even though she’s lived nearly as long in Atlanta as she did in Omaha, “I’m a Cornhusker first and a Peach second.”

Likewise for Paul Bryant, who also left Omaha for Atlanta, there’s no doubt where his allegiance lies.

“Omaha will always be home. I’m fifth generation. I’m proud of my family, I’m proud of Omaha. Native Omaha Days gives people another reason to come back.”

A little extra enticement doesn’t hurt either.

“We really plan things for them to make them want to come back home,” said McDonald. She drew from the fabled reunion her large family – the Bryant-Fishers – has held since 1917 as the model for Omaha Days. Thus, when her family convenes its centennial reunion picnic on Sunday, August 13, it will cap a week’s worth of events, including a parade and gala dinner-dance, that Omaha Days mirrors.

Bryant, a nephew of McDonald, is coming back for the family’s centennial. He’s done Omaha Days plenty of times before. He feels both Omaha Days and reunions like his family’s are ways “we pass on the legacies to the next generation.” He laments “some of the younger generations don’t understand it” and therefore “don’t respect the celebratory nature of what goes on – the passing of the torch, the knowing who-you-are, where-you-come-from. They just haven’t been taught.”

Sheila Jackson said it takes maturity to get it. “You don’t really appreciate Omaha Days until you get to be like in your 40s. That’s when you really get the hang of it. When you’re younger, it’s not a big thing to you. But when you get older. it seems to mean more.”

Sometime during the week, most celebrants end up at 24th and Lake Streets – the historic hub for the black community. There’s even a stroll down memory lane and tours. The crowd swells after hours.

“It’s almost Omaha’s equivalent of Mardi Gras, where you’ll have thousands people just converge on the intersection of 24th and Lake, with no real plans or organized activities,” Warren said. “But you know you can go to that area and see old friends, many of whom you may not have seen for several years. It gives you that real sense of community.”

Fair Deal Village Marketplace manager Terri Sanders, who said she’s bound to run into old Central High classmates, called it “a multigenerational celebration.”

Touchstone places abound, but that intersection is what Warren termed “the epicenter.”

“I’m always on 24th and Lake when I’m home,” said homegrown media mogul Cathy Hughes, who will be the grand marshall for this year’s parade. “I love standing there seeing who’s coming by and people saying, ‘Cathy, is that you?’ I always park at the Omaha Star and walk down to 24th and Lake.”

“I do end up at 24th and Lake where everybody else is,” Dixon said. “You just bump into so many people. I mean, people you went to kindergarten with. It’s so hilarious. So, yes, 24th and Lake, 24th Street period, is definitely iconic for North Omahans.”

That emerging art–culture district will be hopping between the Elks Club, Love’s Jazz & Arts Center, the Union for Contemporary Art, Omaha Rockets Kanteen, Jesse’s Place, the Fair Deal Cafe and, a bit southwest of there, the Stage II Lounge.

Omaha Days’ multi-faceted celebration is organized by the Native Omahans Club, which “promotes social and general welfare, common good, scholarships, cultural, social and recreational activities for the inner city and North Omaha community.” Omaha Days is its every-other-year vehicle for welcoming back those who left and for igniting reunions.

The week includes several big gatherings. One of the biggest, the Homecoming Parade on Saturday, August 6, on North 30th Street, will feature drill teams, floats and star entrepreneur Cathy Hughes, the founder-owner of two major networks – Radio One and TV One. She recently produced her first film, the aptly titled, Media.

Hughes is the latest in a long line of native and guest celebrities who’ve served as parade grand marshall: Terence Crawford, Dick Gregory, Gabrielle Union.

During the Days, Hughes will be honored at a Thursday, August 3 ceremony renaming a section of Paxton Blvd., where she grew up, after her. She finds it a bit surreal that signs will read Cathy Hughes Boulevard.

“I grew up in a time when black folks had to live in North Omaha. Never would I have assumed that as conservative as Omaha, Neb. is they would ever consider naming a street after a black woman who happened to grow up there. And not just a black woman, but a woman, period. When I was young. Omaha was totally male-dominated. So I’m just truly honored.”

“Omaha Days does not forget people that are from Omaha,” Reshon Dixon said. “They acknowledge them, and I think that’s great.”

During the Urban League’s Friday, August 4 gala concert featuring national recording artist Brian McKnight at the Holland Performing Arts Center, two community recognition awards will be presented. The Whitney M. Young Jr. Legacy Award will go to Omaha Economic Development Corporation president Michael Maroney. The Charles B. Washington Community Service Award will go to Empowerment Network president Willie Barney.

Maroney and Barney are key players in North Omaha redevelopment-revitalization. Warren said it’s fitting they’re being honored during Omaha Days, when so many gathering in North O will have “the opportunity to see some of those improvements.”

Quaites-Ferris said Omaha Days is a great platform.

“It’s an opportunity to celebrate North Omaha and also the people who came out of North Omaha. There are people who were born in North Omaha, grew up in North Omaha and have gone on to do some wonderful things locally and on a national level. We want to celebrate those individuals and we want to celebrate individuals who are engaged in community.

“It’s a really good time to celebrate our culture.”

“I really admire the families who are so highly accomplished but have never left, who have shared their talents and expertise with Omaha,” said Hughes. She echoes many when she expresses how much it means returning for Omaha Days.

“Every time I come, I feel renewed,” she said. “I feel the love, the kindred spirit I shared with so many of my classmates, friends, neighbors. I always leave feeling recharged. I can’t wait.”

The celebration evokes strong feelings.

“What’s most important to me about Omaha Days is reuniting with old friends, getting to see their progression in life, and getting to see my city and how it’s rebuilt and changed since I left,” Dixon said. “You do get to share with people you went to school with your success.”

“It’s a chance to catch up on what’s going in everybody’s life,” Quaites-Ferris said.

Juanita Johnson considers it. among other things,

“a networking opportunity.”

Paul Bryant likes the positive, carefree vibe. “There we are talking about old times. laughing at each other, who got fat and how many kids we have. It’s 1:30-2 o’clock in the morning in a street crowded with people.”

“By being native, many of these individuals you know your entire life, and so there’s no pretense,” Warren said.

Outside 24th and Lake, natives flock to other places special to them.

“When I come back,” Dixon said, “my major goal is to go to Joe Tess, get down to the Old Market, the zoo, go through Carter Lake and visit Salem Baptist Church, where I was raised. My absolute favorite is going to church on Sunday and seeing my Salem family.”

Some pay respects at local cemeteries. Dixon will visit Forest Lawn, where the majority of her family’s buried.

Omaha Days is also an activator for family reunions that blend right into the larger event. Yards, porches and streets are filled with people barbecuing, chilling, dancing. It’s one contiguous party.

“It’s almost like how these beach communities function, where you can just go from house to house,” Hughes said.

The Afro-centric nature of Omaha Days is undeniable. But participants want it understood it’s not exclusive.

“It just happens to be embedded in the African-American community, where it started,” Dixon said. “Anyone can come, anyone can participate. It has become a little bit of a multicultural thing – still primarily African-American.”

Some believe it needs to be a citywide event.

“It’s not like it’s part of the city,” Bryant said. “It’s like something that’s going on in North Omaha. But it’s really not city-accepted. And why not?”

Douglas Country Treasurer John Ewing agrees. “Throughout its history it’s been viewed as an African-American event when it really could be something for the whole community to embrace.”

His wife, Viv Ewing, proposes a bigger vision.

“I would like to see it grow into a citywide attraction where people from all parts come and participate the way they do for Cinco de Mayo. I’d like to see this event grow to that level of involvement from the community.”

Terri Sanders and others want to see this heritage event marketed by the city, with banners and ads, the way it does River City Roundup or the Summer Arts Festival.

“It’s not as big as the College World Seriesm but it’s significant because people return home and people return that are notable,” Sanders said.

Her daughter Symone Sanders, who rose to fame as Bernie Sanders’ press secretary during his Democratic presidential bid, may return. So may Gabrielle Union.

Vicki Quaites-Ferris sees it as an opportunity “for people who don’t live in North Omaha to come down and see and experience North Omaha.” She said, “Sometimes you only get one peripheral view of North Omaha. For me, it’s an opportunity to showcase North Omaha. Eat great food, listen to some wonderful music, have great conversation and enjoy the arts, culture, business and great things that may be overlooked.”

John Ewing values the picture if offers to native returnees.

“It’s a great opportunity for people who live in other places to come back and see some of the progress happening in their hometown.”

Recently completed and in-progress North O redevelopment will present celebrants more tangible progress than at anytime since the event’s mid-1970s start. On 24th Street. there’s the new Fair Deal Village Marketplace, the renovated Blue Lion Center and the Omaha Rockets Kanteen. On 30th, three new buildings on the Metro Fort Omaha campus, the new mixed-use of the former Mister C’s site and the nearly finished Highlander Village development.

For some, like Paul Bryant, while the long awaited build-out is welcome, there are less tangible, yet no less concerning missing pieces.

“I think the development is good. But I truly wish in Omaha there was more opportunity for African-American people to be involved in the decision-making process and leadership process. But that takes a conscious decision,” Bryant said.

“What I’ve learned from Atlanta is that unlike other cites that wanted to start the integration process with children, where school kids were the guinea pigs, Atlanta started with the professions – they started integrating the jobs. Their slogan became “We’re a city too busy to hate.” So they started from the top down

and that just doesn’t happen in Omaha.”

He worked in Omaha’s for-profit and non-profit sectors.

“A lot of things happen in Omaha that are not inclusive. This isn’t new. Growing up, I can remember Charlie Washington, Mildred Brown, Al Goodwin, Bob Armstrong, Rodney S. Wead, talking about it. The story remains the same. We’re on the outside running nonprofits and we’ve got to do what we have to do to keep afloat. But leadership, ownership, equity opportunities to get involved with projects are few and far between. If you’re not able to share in the capital, if your piece of the equation is to be the person looking for a contribution, it’s hard to determine your own future.”

Perhaps Omaha Days could be a gateway for African-American self-determination. It’s indisputably a means by which natives stay connected or get reconnected.

“I think its’ critical,” said Cathy Hughes, who relies on the Omaha Star and her Omaha Days visits to stay abreast of happenings in her beloved North O.

She and John Ewing suggest the celebration could play other roles, too.

“I think it’s a good way to lure some natives back home,” Hughes said. “As they come back and see the progress, as they feel the hometown pride, it can help give them the thought of, ‘Maybe I should retire back home in Omaha.'”

“I think Omaha could do a better job of actually recruiting some of those people who left, who are talented and have a lot to offer, to come back to Omaha,” Ewing said, “and if they’re a business owner to expand or invest in Omaha. So there’s some economic opportunities we’ve missed by not embracing it more and making it bigger.”

Ewing, Sanders and others believe Omaha Days infuses major dollars in hotels, restaurants, bars and other venues. The Omaha Convention and Visitors Bureau does not track the celebration’s ripple effect, thus no hard data exists..

“I don’t think it’s accurately measured nor reflected in terms of the amount of revenue generated based on out-of-town visitors,” Warren said. “I suspect it has a huge impact on commerce and activity.”

Some speculate Omaha Days could activate or inspire homegrown businesses that plug into this migration,

“I think it can certainly be a spark or a catalyst,” Warren said. “You would like to see the momentum sustained.

You hope this series of events may stimulate an idea where a potential entrepreneur or small business owner sees an opportunity based on the activity that occurs during that time frame. Someone could launch a business venture. Certainly, I think there’s that potential.”

For Omaha Days history and event details, visit nativeomahacub.org.

Read more of Leo Adam Biga’s work at leoadambiga.com,

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With the 2011 Native Omaha Days, July 27-August 1, just around the corner I am posting stories I’ve written about this every two years African American heritage and homecoming event and how it serves a kind of litmus test for the black community here to take stock of itself in terms of where it’s been, where it is today, and where it’s heading. The following story appeared just as the 2009 Native Omaha Days concluded. I spoke to a number of individuals for their take on the state of Black Omaha at a time when there is both much despair and much promise for the predominantly African American northeast Omaha community. I interviewed folks who grew up here and stayed here and those who left here but who retain deep ties here and come back for events like the Days in order to get a cross-section of perspectives on what the past, present, and future holds for North Omaha. This much discussed community, where generational problems of poverty and underachievement are rampant but where many success stories have also been launched, is finally getting the kind of attention it’s long required. Initiatives like the African American Empowerment Network are helping drive a planned revitalization that seems much closer to reality today than it did even two years ago. The role of Native Omaha Days shouldn’t be overlooked because it does bring together thousands of current and former Omaha residents whose individual and collective vision and energy are helping fuel what is about to be a major North Omaha revival. That doesn’t mean all the challenges that face that community will be eradicated overnight. It took decades for those problems and wounds to become embedded and it will take decades to heal them, and events like Native Omaha Days help give a purpose and focus to affecting change.

Native Omahans Take Stock of the African-American Experience in Their Hometown 

©by Leo Adam Biga

Originally published in The Reader (thereader.com)

The 2009 African-American heritage celebration Native Omaha Days concluded Monday. Natives came from across America to indulge memories of this touchstone place. The biennial, week-long Days lends itself to gauging the African-American experience here — past, present, future.

Taking stock has added import with North Omaha at a tipping point. Ambitious new housing and commercial developments, job training programs, educational reform efforts and gang intervention initiatives are in the works. All in response to endemic problems of poverty and unemployment, low job readiness, poor academic performance, high dropout rates, epidemic-level STDs and ongoing drug traficking-gang violence. North O has a strong sense of identity and purpose yet struggles with scarce opportunities. The persistent challenges of segregation and inequality have led many natives over time to leave for better prospects elsewhere, but a sense of home and family keeps their ties to Omaha strong.

The Days brings thousands of natives back to meet up with friends and relatives for homecomings, large and small. Last week’s public events included: a mixer at the Native Omahans Club; a parade along North 30th Street; a dance at the Mid-America Center; appearances by NBA star Dwayne Wade and actress Gabrielle Union at North High School; and a picnic at Levi Carter Park.

Visitors helped swell the numbers at Jazz on the Green, at clubs and bars on the north side and at black church services. Celebrants were out in force too at school reunions. Then there were untold family reunions and block parties that unfolded in people’s homes and yards, in the streets, and in parks all over the city.

Northeast Omaha was jumping as visitors mixed with residents to sight-see or just kick it. Kountze Park, the Native Omahans Club, the Love’s Jazz & Arts Center, the Bryant Center, Skeets Barbecue and other haunts were popular gathering spots. Joe Tess on the south side was a popular stop. Streams of cars toured the black community’s historical corridors. Many made the rounds at post-card amenities like the riverfront, the Old Market, Lauritzen Gardend and Henry Doorly Zoo.

Nobody seems to know how many expatriates arrive for The Days. That’s a shame, as these visitors represent resources for a strapped city and state hurting from a brain drain and a small tax base. Many natives who come back are the same upwardly mobile blacks Omaha has trouble retaining, a costly decades-long trend. The city’s black population is small to begin with, so every talented native lost is felt acutely by a community with a paucity of black entrepreneurs and professionals for a city this size.

Hometown girl Felicia Webster has twice left for the East Coast but has since returned to live here with her young son. She wonders what would happen if residents collaborated with visitors on visioning new initiatives, ventures, projects, even start-up businesses aimed at reviving North Omaha.

“I feel Native Omaha Days right now is a good opportunity and a wonderful manifestation of African-American people coming together of one accord and building and talking and socializing. It would be nice to just have a really huge collective on what could actually happen with development here,” said Webster, a spoken word artist, “because, you know, people come from everywhere that are doing all kinds of things. They can bring their knowledge and tools with them to share something fresh, new and vital here. I personally would like to see that.”

Image result for felicia webster

Felecia Webster

What about The Days serving as a catalyst for brainstorming-networking forums that capitalize on the skill sets and entrepreneurial ideas and investment dollars of natives near and far? All geared toward building the kind of self-sufficiency that black leaders point to as the most sustainable path for black prosperity.

Nate Goldston III  left Omaha as a young man and went on to found Gourmet Services in Atlanta, Ga., one of the nation’s largest food service companies. He’s doing just what Webster advocates by working with locals on stimulating new development. The self-made millionaire has been advising the Omaha Chamber of Commerce and the North Omaha Development Project on the landscape for new North O investment. He’s bullish on the prospects for that long depressed district.

“I think it’s going to grow, but you’ve got to plant the seeds first and that’s what were interested in helping do with some business development there in the food service area,” Goldston said by phone from Atlanta.

He’s close to finalizing plans for a brick-and-mortar Gourmet Services backed project here to provide entrepreneurial opportunities for local African Americans.

“If we can bring this business opportunity there and put some young people in place and let them have a little piece of the action and begin to develop a franchise type operation, and then allow them to go on and grow it themselves, manage and own at the same time, that’ll bring that missing link and fill that gap in the economic development portion. At least a small portion of it,” he said.

He said it’s the kind of grassroots development that’s required. “It’s not the Chamber’s job to develop North Omaha. North Omaha needs to be developed by people from or attached to North Omaha, and the kinds of things that need to go in need to be done from within as opposed to from without.” Goldston’s impressed with the “pro-business, pro-development, pro-North Omaha” focus of the Chamber and city. “They just need the right teammates, they need the right partners to help them do it, and that’s the first time I’ve ever noticed that collaborative attitude in Omaha. I think there’s a real chance there.”

New Omaha City Planning Director Rick Cunningham, who most recently lived on the East Coast, is a native who hopes to implement Mayor Jim Suttle’s vision for a revitalized north side. “His agenda includes a strong commitment to North Omaha,” Cunningham said of Suttle. “He has a goal for 24th and Lake Street to become a new Dundee for Omaha.”

Cunningham knows first-hand Northeast Omaha’s prolonged decline. He also knows “there have been pockets of success,” including the Blue Lion Center at 24th and Lake he served as project manager for under Omaha architect and mentor Ambrose Jackson. He said most North O redevelopment has come from “investments in new rooftops, in new housing,” and while that needs to continue he said there must be a focus on creating more employable residents and attracting businesses and services that generate new jobs and commerce. “To bring Omaha into a very livable community with an environment that all residents and visitors can enjoy we’ve got to make sure we’ve got a diverse economy.”

He looks forward to being part of solutions that “return North 24 to the vibrancy it had, when 24th and Lake was the heart and soul. We will be engaged in that effort.” He looks forward to meeting with community partners from the public and private sectors to “build synergy in accomplishing those goals.” He said the city cannot afford to let North Omaha wallow. “If there is an area that suffers in Omaha than the entire city suffers,” he said. “It’s important we revitalize the core area. Those communities that are alive and thriving have inner cities that are alive.”

Nate Goldston III

Goldston vividly recalls when North O had a greater concentration of black-owned businesses than it does today, but he said even in its heyday Omaha’s black community had few major black entrepreneurs.

“Omaha’s African-American community has always been job-oriented as opposed to entrepreneurial-oriented,” he said. “I see great opportunity and I see opportunity that’s been missed only because I don’t know that we’ve been blessed with a lot of entrepreneurs that have had the path or the ability to develop businesses in the area. We had the model of the bars, the nightclubs, the pool halls.”

He could have added restaurants, barbershops, beauty salons, clothing stores and filling stations. There were also black professionals in private practice — doctors, dentists, attorneys, accountants, pharmacists, architects.

Their example “gave me inspiration and hope,” said attorney Vaughn Chatman, a native Omahan who made it back for The Days from Calif. North 24th Street was once a thriving hub of black and white-owned businesses. Few, however, survived the ‘60s riots and their aftermath. Urban renewal did in more. Once the packing house and railroad jobs that employed many blacks vanished, few good-paying  employment options surfaced. “My friends and I had no desire to leave Omaha until opportunities for us began to disappear,” said Chatman . “Most, if not all my friends, faced with lack of opportunity have left Omaha. My friends and relatives (still) there tell me the quality of life for them and their generation has not gotten any better despite the best efforts of a number of individuals and organizations.”

Several new businesses have popped up but many have come and gone over time. Despite some redevelopment North 24th is largely barren today.

“That positive feeling of inspiration and hope is what I miss the most about the North Omaha I grew up in,” said Chatman.

 An old-line exception is the Omaha Star, a black weekly now 70-plus years strong. Founder Mildred Brown was one of America’s few black women publishers. She earned a national reputation for her crusading work during the civil rights movement. Goldston learned valuable lessons working for the Star as a kid.

“The Omaha Star was my entree to entrepreneurship,” he said. “That’s what taught me to create a marketing sense, the ability to be able to develop a customer base and customer service and the whole nine yards.”

Cathy Hughes is another Star veteran who credits her experience there and at Omaha black-owned radio station KOWH with helping give her the impetus to be a broadcast owner and eventually build her Radio One empire.

“It encouraged me to go ahead and to try to own my own radio station because I saw some folks in Omaha do it,” she said by phone from her Maryland home. “You lead by example. When you do something, you never know who you’re touching. you never know who you’re having an impact on. I saw Bob Gibson and Rodney Wead and Bob Boozer and Gale Sayers come together and buy a radio station, so I knew it was possible, and now I’m the largest black-owned broadcast corporation in America and the only African-American woman to head a publicly traded corporation. None of that would have been possible if I hadn’t seen the examples I saw in Omaha, if I hadn’t seen Mildred Brown keeping her newspaper not only afloat but providing her with a very comfortable existence for that day and time.”

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Cathy Hughes

Hughes, like Goldston, is pleased by gains that have been made via new housing developments, streetscape improvements and the Love’s Center, but is dismayed there aren’t more Mildred Brown figures in Omaha by now. In Hughes’ estimation Omaha should be much further along than it is in black entrepreneurship.

“It has a long ways to go,” she said.

Hughes is also concerned that strong community leaders like North O developer Al Goodwin, educator Katherine Fletcher and job training director Bernice Dodd are no longer on the scene. She’s warily watching the new generation of local black leadership to assess their commitment to redevelopment.

Goldston said black businesses in Omaha are not as visible as they once were.

“Those things have all gone away,” he said, adding that Omaha “is miles apart” from the dynamic black business culture found in Atlanta. “I think other opportunities were just not there (in Omaha) at that time to start and build a business.”

All these years later, he said, few if any Omaha businesses have made the Black Enterprise 100 list of the largest African-American owned businesses.

Most black-owned Omaha businesses of any size are not located on the north side today. Out of sight, out of mind. Hard to emulate what you don’t see. “I think we flourish when we see reflections of ourselves in the community where we live,” said Webster. “And when you don’t see that, what do you have to strive for?”

Introducing students to Omaha black achievers via school curricula is something Vaughn Chatman, founder of the Omaha Black Music Hall of Fame, advocates.

Webster presents programs in schools that attempt to expand kids’ vision. “I want them to see a bigger picture, a bigger view of the world than what they normally see, and I hope that by my being African-American young boys and girls are seeing reflections of themselves in me of what they possibly could attain,” she said.

Hughes and Goldston are concerned about the education gap that finds black students on average lagging behind whites. The truancy and drop-out rates for blacks are higher. The two are alarmed by how far Omaha’s inner city schools trail their suburban counterparts. “We’re going to have to really cure that before anybody can make any progress,” said Goldston, who’s challenged a national organization he once led, 100 Black Men, with making a difference in schools.

Webster said she was fortunate to have parents who stressed education and showed her “the world was bigger than Omaha.” Omaha’s segregation meant she would often frequent places and be the only black person there. Cathy Hughes had the same experience coming of age here. “That’s challenging,” said Webster. The first time Webster left, for Philadelphia, in the early ‘90s, Omaha was viewed as a dull place by many young people — black and white.

“A lot of my close friends did end up leaving and going to more heavily populated cities, and I think a lot of that had to do with not only wanting to explore the world but what opportunities they saw. For some, it was a larger African-American presence. For others, it was bigger metropolitan areas where you felt like you were getting paid what you were worth and could fulfill what you desired.

“Coming back this time I can see Omaha is really growing but I think Omaha is still a work in progress. I have friends with degrees who are still making $12 an hour, and I think that’s a challenge. They can’t find jobs with livable wages. And I find I’m still the only person that looks like me when I go certain places.”

Webster likes that Omaha has far more going on now than even five years ago, but she said she misses Philly’s constant slate of cultural activities and larger base of African-Americans to share them with. The big city scene “reignites” her.

Author Carleen Brice (Orange Mint and Honey, Children of the Waters) is a native living in Denver, Colo. with mixed feelings about Omaha.

“It’s always complex being from a small city and having big dreams,” said Brice. “I can’t speak for others, but I felt I needed to leave Omaha to achieve what I wanted to achieve. Part of that had to do with my specific family background. When my parents divorced, we went through some bad times and so I associate Omaha with those negative memories as well as with the positive ones.

 

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Carleen Brice

“What I sense the most in Omaha is a kind of small thinking, small dreaming. Strange since Omaha does have a lot going for it. But I also think every city is what you make of it. I live in Denver and think it’s great, but I have friends who grew up here and feel very much like it’s a tiny, backwards city. I’ve begun to think that if I moved back to Omaha I could experience it differently, without feeling so blinded by my past.”

Still, Brice said she senses North Omaha’s quality of life is worse today. “I know my grandmother is saddened by the decline of that part of the city. My friends don’t see much improvement in how people actually interact or how they are treated, which makes them feel depressed. Back to that word depressed again. It’s sad, but true, I think Omaha is depressed.”

Beaufield Berry is a playwright and actress who’s come and gone from her hometown several times. She’s here again. She feels a big part of what holds Omaha back is its “small town ideas” that don’t readily embrace diversity. She believes North Omaha will not reach its potential until the cycle of inequity and despair is broken.

“For Omaha’s black population to really thrive I think you’ve got to start at the poverty line. You have to start at where the people may not have the role models that other kids do. You have to make it so they can see a father figure or an older brother making the right decisions.”

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Beaufield Berry

But Berry sees much to be hopeful about, too. “On the flip side of that I see so many amazingly talented young people of all different races who are really working towards something, who can really make a difference, not only with their work but with their words, with their presence, and I want to see more of that. I think that’s how Omaha, black or white, will start to thrive citywide.”

Webster sees Omaha progressing but like many blacks she’d like to see more done.

“I think with a collective idea and voice from all kinds people that it could kind of put a faster spark into it happening. It could manifest into something where everybody that lives here really enjoys it. I think it would be amazing.”

 

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As the July 27-August 1 Native Omaha Days festival draws near I am posting articles I’ve written about this African-American heritage and homecoming event and about closely related topics. The following story for The Reader (www.thereader.com) appeared some years ago, at at time when predominantly African American North Omaha was experiencing a large increase in gun violence and media reports laid out the widespread poverty and achievement gaps affecting that community. In response to dire needs, the African American Empowerment Network was formed and a concerted process begun to to bring about a revitalized North Omaha. Native Omaha leaders and others expressed hope that events like Native Omaha Days and the Omaha Black Music and Community Hall of Fame might serve to unify, heal, and instill pride to help stem the tide of hopelessness and disrespect behind the violence. Things have improved recently and North O really does seen the verge of coming back, thanks in large part to efforts by the Empowerment Network, but the stabilizing role of events like Native Omaha Days shouldn’t be forgotten or dismissed.

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Native Omaha Club photo by lachance (Andrew Lachance)

Native Omaha Days: A Black is Beautiful celebration, now and all the days gone by

©by Leo Adam Biga

Originally published in The Reader (thereader.com)

Organizers of the 16th biennial Native Omaha Days call it the largest gathering of African-Americans in Nebraska. That in itself makes it a significant event. Thousands fill Salem Baptist Church for the gospel fest, spill into North 24th Street for the social mixer/registration and the homecoming parade, boogie at the Qwest Center dance and chow down on soul food at a Levi Carter Lake Park picnic.

This heritage celebration held every other summer is a great big reunion with many family-class reunions around it. Parties abound. Hotels, casinos, eateries, bars fill. Jam sessions unwind. Bus tours roll. North 24th cruising commences. Stories and lies get told. It’s people of a shared roots experience coming together as one.

Unity is on the minds of natives as their community is poised at a historic juncture. Will North 24th’s heyday be recaptured through new economic-education-empowerment plans? Or will generational patterns of poverty, underemployment, single parent homes, crime and lack of opportunity continue to hold back many? What happens if the cycle of despair that grips some young lives is not broken?

“The Native Omaha homecoming is very important, but a lot of young people don’t know what it’s all about, and that really bothers me,” said Hazel Kellogg, 74, president of the sponsoring nonprofit Native Omahans Club, Inc.. “They’re the future and what we’re trying to do is make them realize how important it is to hang in with your community and to keep your community pulling together for the betterment of our people. OUR people, you know?

“We have a big problem on the north side with violence and crime and all that, and I want to reach out to young people to let them know this homecoming is all about family and friends coming home to be together and enjoy a weekend of good clean fun. Eventually the young people are going to be heading up Native Omaha Days and they need to know what it’s all about.”

She said she hopes the event is a catalyst for ongoing efforts to build up the community again. After much neglect she’s encouraged by signs of revitalization. “I’ve been through it all. I’ve been through the riots. For a long time it moved in a negative direction. Now, I’m very hopeful. We need the whole community to come together with this. Together we stand.”

Vaughn Chatman, 58, shares the same concerns. He left Omaha years ago and the problems he saw on visits from Fair Oaks, Calif., where he now lives, motivated him to found the Omaha Black Music Hall of Fame. The Hall seeks to restore the sense of community pride he knew. An induction ceremony held during the Days honors area black artists, athletes, activists, entrepreneurs and leaders. He feels young blacks can only feel invested in the future if exposed to successful folks who look like they do. He works with the Omaha Public Schools to have local black achievers discussed in classroom curricula as a way to give kids positive models to aspire to.

“Back in the day” is an oft-heard phrase of the week-long fest. Good and bad times comprise those memories. Just as World War II-era Omaha saw an influx of blacks from the South seeking packinghouse-railroad jobs, the last 40 years has seen an exodus due to meager economic-job prospects.

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photo by Cyclops-Optic (Jack David Hubbell)

Centered in northeast Omaha, the black community hub became North 24th, where  Jewish and black-owned businesses catered to every good and service and a vital live music scene thrived. Hence, many Days activities revolve around 24th, which declined after the late ‘60s riots. A few blocks have seen improvements, but much of this former “Street of Dreams” is run down or empty. Gang violence in the district is a problem. It’s concerns like these now spurring coalitions of residents and expatriate natives like Chatman to craft sustainable solutions.

For a change, Karen Davis sees “substance” in the new initiatives targeting rebirth. Enough to make the Native Omahans Club officer feel the area “can be back to where it was or even more. Businesses have come down or moved back, and I think it’s a good thing for us,” she said.

The Native Omahans Club is quartered in a former lounge at 3819 North 24th. During the Days the building and street outside overflow with people reminiscing. Visitors mix with residents, exchanging handshakes, hugs, laughter, tears. Scenes like this unfold all over — anywhere neighborhood-school chums or relatives catch up with each other to relive old times.

“We haven’t seen each other in years, so it’s just a fellowship — what we used to do, what we used to look like…It’s just big fun,” said Davis.

Like countless Omahans, Davis and Kellogg each have friends and family arriving for the Days. No one’s sure just how many out-of-state natives return or the economic impact of their stays, but organizers guess 5,000 to 8,000 make it in and spend millions here. Those hefty numbers lead some to say the event doesn’t get its just due from the city. No matter, it’s a family thing anyway.

“People come in from all over for Native Omaha Days. My family comes from Colorado, Minnesota. It’s a time I can get together with them. I have a friend from Arizona coming I haven’t seen in 20 years. I’ll be so glad to see her. Those are the things that really just keep my heart pumping,” Kellogg said. “It’s just a gala affair.”

For details on the Days visit www.nativeomahans.com or call 457-5974.

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Even though I grew up in North Omaha and lived there until age 43 or so,  I didn’t experience my first Native Omaha Days until I had moved out of the area, and by then I was 45, and the only reason I did intersect with The Days then, and subsequently have since, is because I was reporting on it.  The fact that I didn’t connect with it before is not unusual because it is essentially though by no means exclusively an African American celebration, and as you can see by my picture I am a white guy. Then there’s the fact it is a highly social affair and I am anything but social, that is unless prevailed upon to be by circumstance or assignment. But I was aware of the event, admittedly vaguely so most of my life, and I eventually did press my editors at The Reader (www.thereader.com) to let me cover it. And so over the past eight years I have filed several stories related to Native Omaha Days, most of which you can now find on this blog in the run up to this year’s festival, which is July 27-August 1. The story below is my most extensive in terms of trying to capture the spirit and the tradition of The Days, which encompasses many activities and brings back thousands of native Omahans – nobody’s really sure how many – for a week or more of catching up family, friends, old haunts.

NOTE: The parade that is a highlight of The Days was traditionally held on North 24th Street but has more recently been moved to North 30th Street, where the parade pictures below were taken by Cyclops-Optic, Jack David Hubbell.

My blog also features many other stories related to Omaha’s African American community, past and present. Check out the stories, as I’m sure you’ll find several things that interest you, just as I have in pursuing these stories the last 20 years or so.

Vera Johnson, Native Omahans Club founder, (Photo by Robyn Wisch)

Back in the Day: Native Omaha Days is reunion, homecoming, heritage celebration and party all in one

©by Leo Adam Biga

Originally published in The Reader (thereader.com)

A homecoming. That’s what Native Omaha Days, a warm, rousing, week-long black heritage reunion, means to the thousands of native sons and daughters coming back in town for this biennial summer celebration. Although the spree, which unfolded July 30 through August 4 this year, features an official itinerary of activities, including a gospel night, a drill team competition, a parade, a dance and a picnic, a far larger slate of underground doings goes on between the many family and class reunions, live concerts and parties that fill out the Days. Some revelers arrive before the merriment begins, others join the fun in progress and a few stay over well after it’s done. A revival and carnival in one, the Days is a refreshing, relaxing antidote to mainstream Omaha’s uptight ways.

North Omaha bars, clubs and restaurants bustle with the influx of out-of-towners mixing with family and old friends. North 24th Street is a river of traffic as people drive the drag to see old sites and relive old times. Neighborhoods jump to the beat of hip-hop, R&B and soul resounding from house parties and family gatherings under way. Even staid Joslyn Art Museum and its stodgy Jazz on the Green take on a new earthy, urban vibe from the added black presence. As one member of the sponsoring Native Omahans Club said of the festival, “this is our Mardi Gras.”

Shirley Stapleton-Odems is typical of those making the pilgrimage. Born and raised in Omaha — a graduate of Howard Kennedy Elementary School and Technical High School — Stapleton-Odems is a small business owner in Milwaukee who wouldn’t miss the Days for anything. “Every two years I come back…and it’s hard sometimes for me to do, but no matter what I make it happen,” she said. “I have friends who come from all over the country to this, and I see some people I haven’t seen in years. We all meet here. We’re so happy to see each other. It’s a reunion thing. It’s like no matter how long you’re gone, this is still home to us.”

As Omaha jazz-blues guru Preston Love, a former Basie sideman and Motown band leader and the author of the acclaimed book A Thousand Honey Creeks Later, observed, “Omahans are clannish” by nature. “There’s a certain kindredness. Once you’re Omaha, you’re Omaha.” Or, as David Deal, whose Skeets Ribs & Chicken has been a fixture on 24th Street since 1952, puts it, “People that moved away, they’re not out-of-towners, they’re still Omahans — they just live someplace else.” Deal sees many benefits from the summer migration. “It’s an opportunity for people to come back to see who’s still here and who’s passed on. It’s an economic boost to businesses in North Omaha.”

Homecoming returnees like Stapleton-Odems feel as if they are taking part in something unique. She said, “I don’t know of any place in the country where they have something like this where so many people over so many generations come together.” Ironically, the fest’ was inspired by long-standing Los Angeles and Chicago galas where transplanted black Nebraskans celebrate their roots. Locals who’ve attended the L.A. gig say it doesn’t compare with Omaha’s, which goes to the hilt in welcoming back natives.

Perhaps the most symbolic event of the week is the mammoth Saturday parade that courses down historic North 24th Street. It is an impressionistic scene of commerce and culture straight out of a Spike Lee film. On a hot August day, thousands of spectators line either side of the street, everyone insinuating their bodies into whatever patch of shade they can find. Hand-held fans provide the only breeze.

Vendors, selling everything from paintings to CDs to jewelry to hot foods and cold beverages to fresh fruits and vegetables, pitch their products under tents staked out in parking lots and grassy knolls. Grills and smokers work overtime, wafting the hickory-scented aroma of barbecue through the air. Interspersed at regular intervals between the caravan of decorated floats festooned with signs hawking various local car dealerships, beauty shops, fraternal associations and family trees are the funky drill teams, whose dancers shake their booties and grind their hips to the precise, rhythmic snaring of whirling dervish drummers. Paraders variously hand-out or toss everything from beads to suckers to grab-bags full of goodies.

A miked DJ “narrates” the action from an abandoned gas station, at one point mimicking the staccato sound of the drilling. A man bedecked in Civil War-era Union garb marches with a giant placard held overhead emblazoned with freedom slogans, barking into a bullhorn his diatribe against war mongers. A woman hands out spiritual messages.

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Long the crux of the black community, 24th Street or “Deuce Four” as denizens know it, is where spectators not only take in the parade as it passes familiar landmarks but where they greet familiar figures with How ya’ all doin’? embraces and engage in free-flowing reminiscences about days gone by. Everywhere, a reunion of some sort unfolds around you. Love is in the air.

The parade had a celebrity this time — Omaha native actress Gabrielle Union (Deliver Us From Eva). Looking fabulous in a cap, blouse and shorts, she sat atop the back seat of a convertible sedan sponsored by her father’s family, the Abrams, whose reunion concided with the fest’. “This is just all about the people of north Omaha showing pride for the community and reaching out to each other and committing to a sense of togetherness,” said Union, also a member of the Bryant-Fisher family, which has a large stake in and presence at the Days. “It’s basically like a renewal. Each generation comes down and everyone sits around and talks. It’s like a passing of oral history, which is…a staple of our community and our culture. It’s kind of cool being part of it.”

She said being back in the hood evokes many memories. “It’s funny because I see the same faces I used to hang out with here, so a lot of mischievous memories are coming back. It’s like, Do you remember the time? So, a lot of good times. A lot of times we probably shouldn’t of been having as young kids. But basically it’s just a lot of good memories and a lot of lessons learned right here on 24th.”

The three-mile parade is aptly launched at 24th and Burdette. There, Charles Hall’s now closed Fair Deal Cafe, once called “the black city hall,” provided a forum for community leaders to debate pressing issues and to map-out social action plans. Back in the day, Hall was known to give away food during the parade, which ends at Kountze Park, long a popular gathering spot in north Omaha. Across the street is Skeets, one of many soul food eateries in the area. Just down the road a piece is the Omaha Star, where legendary publisher Mildred Brown held court from the offices of her crusading black newspaper. Across the street is the Jewell Building, where James Jewell’s Dreamland Ballroom hosted black music greats from Armstrong to Basie to Ellington to Holiday, and a little further north, at 24th and Lake, is where hep cat juke joints like the M & M Lounge and McGill’s Blue Room made hay, hosting red hot jam sessions.

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Recalling when, as one brother put it, “it was real,” is part and parcel of the Days. It’s all about “remembering how 24th and Lake was…the hot spot for the black community,” said Native Omahans Club member Ann Ventry. “We had everything out here,” added NOC member Vera Johnson, who along with Bettie McDonald is credited with forming the club and originating the festival. “We had cleaners, barber shops, beauty parlors, bakeries, grocery stores, ice cream stores, restaurants, theaters, clothing stores, taxi companies, doctors’ offices. You name it, we had it. We really didn’t have to go out of the neighborhood for anything,” Johnson said. Many businesses were black-owned, too. North O was, as lifelong resident Charles Carter describes it, “it’s own entity. That was the lifestyle.”

For James Wightman, a 1973 North High and 1978 UNL grad, the homecoming is more than a chance to rejoin old friends, it’s a matter of paying homage to a legacy. “Another reason we come back and go down 24th Street is to honor where we grew up. I grew up at the Omaha Boys Club and I played ball at the Bryant Center. There was so much to do down on the north side and your parents let you walk there. Kids can’t do that anymore.” Noting its rich history of jazz and athletics, Wightman alluded to some of the notables produced by north Omaha, including major league baseball Hall of Famer Bob Gibson, Heisman winner Johnny Rodgers, jazzman Preston Love, social activist Malcolm X, actor John Beasley and Radio One founder and CEO Catherine Liggins Hughes.

For Helen McMillan Caraway, an Omaha native living in Los Angeles, sauntering down 24th Street brings back memories of the music lessons she took from Florentine Kingston, whose apartment was above a bakery on the strip. “After my music lesson I’d go downstairs and get a brownie or something,” she said. “I had to steer clear of the other side of the street, where there was a bar called McGill’s that my father, Dr. Aaron McMillan, told me, ‘Don’t go near.’” Being in Omaha again makes the Central High graduate think of “the good times we used to have at Carter Lake and all the football games. I loved that. I had a good time growing up here.”

For native Omahan Terry Goodwin Miller, now residing in Dallas, being back on 24th Street or “out on the stem,” as natives refer to it, means remembering where she and her best girlfriend from Omaha, Jonice Houston Isom, also of Dallas, got their first hair cut. It was at the old Tuxedo Barbershop, whose nattily attired proprietors, Marcus “Mac” McGee and James Bailey, ran a tight ship in the street level shop they ran in the Jewell Building, right next to a pool hall and directly below the Dreamland. Being in Omaha means stopping at favorite haunts, like Time Out Foods, Joe Tess Place and Bronco’s or having a last drink at the now closed Backstreet Lounge. It means, Goodwin Miller said, “renewing friendships…and talking about our lives and seeing family.” It means dressing to the nines and flashing bling-bling at the big dance and, when it’s over, feeling like “we don’t want to go home and grabbing something to eat and coming back to 24th Street to sit around and wait for people to come by that we know.”

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Goodwin Miller said the allure of renewing Omaha relationships is so strong that despite the fact she and Houston Isom live in Dallas now, “we don’t see each other there, but when we come here we’re together the whole time.”

Skeets’ David Deal knows the territory well. From his restaurant, which serves till 2 a.m., he sees native Omahans drawn, at all hours, to their old stomping grounds. He’s no different. “We’re just coming down here to have a good time and seeing people we haven’t seen in years.” Sometimes, it’s as simple as “sitting around and watching the cars go by, just like we used to back in the good old days.”

North Omaha. More than a geographic sector, it is the traditional, cultural heart of the local black community encompassing the social-historical reality of the African-American experience. Despite four decades of federally-mandated civil rights, equal opportunity, fair housing and affirmative action measures the black community here is still a largely separate, unequal minority in both economic and political terms and suffers a lingering perception problem — born out of racism — that unfairly paints the entire near northside as a crime and poverty-ridden ghetto. Pockets of despair do exist, but in fact north Omaha is a mostly stable area undergoing regentrification. There is the 24-square block Miami Heights housing-commercial development going up between 30th and 36th Streets and Miami and Lake Streets, near the new Salem Baptist Church. There is the now under construction North Omaha Love’s Jazz, Cultural Arts and Humanities Complex, named for Preston Love, on the northwest corner of 24th and Lake. The same sense of community infusing Native Omaha Days seems to be driving this latest surge of progress, which finds black professionals like attorney Brenda Council moving back to their roots.

Former NU football player James Wightman (1975-1978) has been coming back for the Days the past eight years, first from Seattle and now L.A., and he said, “I’m pretty pleased with what’s going on now in terms of the development. When I lived here there was a stampede of everybody getting out of Omaha because there weren’t as many opportunities. I look at Omaha’s growth and I see we’re a rich, thriving community now.” During the Days he stays, as many do, with family and hooks up with ex-jocks like Dennis Forrest (Central High) and Bobby Bass (Omaha Benson) to just kick it around. “We’re spread out in different locations now but we all come back and it’s like we never missed a beat.” The idea of a black pride week generating goodwill and dollars in the black community appeals to Wightman, who said, “I came to spend my money on the north side. And I’ll be back in two years.”

Wightman feels the Days can serve as a beacon of hope to today’s disenfranchised inner city youth. “I think it sends a message to the youth that there are good things happening. That people still come back because they feel a sense of family, friendship and connection that a lot of young people don’t have today. All my friends are in town for their school-family reunions and we all love each other. There’s none of this rival Bloods-Crips stuff. We talk about making a difference. It’s not just about a party, it’s a statement that we can all get along with each other.”

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“It just shows there’s a lot of good around here,” said Omaha City Councilman Frank Brown, who represents largely black District 2, “but unfortunately it’s not told by the news media.” Scanning the jam-packed parade route, a beaming Brown said, “This is a four-hour event and there’s thousands of people of all ages here and they’re smiling and enjoying themselves and there’s no problems. When you walk around you see people hugging each other. There’s tears in some of their eyes because they haven’t seen their friends, who’ve become their family.”

Family is a recurring theme of the Days. “My family all lives here.” said John Welchen, a 1973 Tech High grad now living in Inglewood, Calif. For him, the event also “means family” in the larger sense. “To me, all of the friends I grew up with and everyone I’ve become acquainted with over the years is my extended family. It’s getting a chance to just see some great friends from the past and hear a lot of old stories and enjoy a lot of laughter.”

Native Omahans living in the rush-rush-rush of impersonal big cities look forward to getting back to the slower pace and gentler ways of the Midwest. “From the time I get off the plane here I notice a difference,” said Houston Odems, who flies into Omaha from Dallas. “People are polite…kind. To me, you just can’t beat it. I tell people all the time it’s a wonderful place to have grown-up. I mean, I still know the people who sold me my first car and the people who dry-cleaned my clothes.”

Although the Days traces its start back to 1977, when the Native Omahans Club threw the first event, celebrations commemorating the ties that bind black Omahans go back well before then. As a young girl in the ‘50s, Stapleton-Odems was a majorette in an Elks drill team that strutted their stuff during 24th Street parades. “It’s a gathering that’s been gong on since I can remember,” she said.

Old-timers say the first few Native Omaha Days featured more of a 24/7, open-air, street-party atmosphere. “We were out in the middle of the street all night long just enjoying each other,” said Billy Melton, a lifelong Omahan and self-styled authority on the north side. “There was live entertainment — bands playing — every six blocks. Guys set up tents in the parks to just get with liquor. After the dances let out people would go up and down the streets till six in the morning. Everybody dressed. Everybody looking like a star. It was a party town and we knew how to party. It was something to see. No crime…nothing. Oh, yeah…there was a time when we were like that, and I’m glad to have lived in that era.”

According to Melton, an original member of the Native Omahans Club, “some people would come a week early to start bar hopping. They didn’t wait for Native Omaha Days. If certain people didn’t come here, there was no party.”

Charles Carter is no old-timer, but he recalls the stroll down memory lane that was part of past fests. “They used to have a walk with a continuous stream of people on either side of the street. What they were doing was reenacting the old days when at nighttime 24th Street was alive. There were so many people you couldn’t find a place to walk, much less park. It was unbelievable. A lot of people are like me and hold onto the thought this is the way north Omaha was at one time and it’s unfortunate our children can’t see it because there’s so much rich history there.”

Then there was the huge bash Billy Melton and his wife Martha threw at their house. “It started early in the morning and lasted all night. It was quite a thing. Music, liquor, all kinds of food. It was a big affair,” Melton said. “I had my jukebox in the backyard and we’d have dancing on the basketball court. Endless conversations. That’s what it’s all about.”

Since the emergence of gang street violence in the mid-80s, observers like Melton and Carter say the fest is more subdued, with nighttime doings confined to formal, scheduled events like the gospel night at Salem and the dance at Mancuso Hall and the 24th Street rag relegated to the North Omahans Club or other indoor venues.

A reunion ultimately means saying goodbye, hence the close of the Days is dubbed Blue Monday. Most out-of-towners have left by then, but the few stalwarts that remain mix with die-hard residents for a final round or two at various drinking holes, toasting fat times together and getting high to make the parting less painful. After a week of carousing, out-of-town revelers wear their exhaustion like a badge of honor. “You’re supposed to be tired from all this,” Houston Isom said. “There’s no such thing as sleeping during this week. I can’t even take a nap because I’ll be worried I might be missing something.” Goodwin Miller builds in recovery time, saying, “When I go home I take a day off before I go back to work.” She and the others can’t wait to do it all over again two years from now.

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One of  my favorite events to write about is something called Native Omaha Days, which is really a bunch of events over the course of a week or two in mid to late summer, held every two years and in essence serving as a great big celebration of Omaha’s African American culture and heritage. There’s a public parade and picnic and a whole string of concerts, dances, and other activities, but at the root of it all is the dozens, perhaps hundreds of family and school reunions and various get togethers, large and small, that happen all over the city, but most especially in the traditional heart of the black community here – North Omaha. I’ve done a number of stories over the years about the Native Omaha Days itself or riffing off it to explore different aspects of Omaha’s black community.   The story below for The Reader (www.thereader.comI is from a few years ago and focuses on one extended family’s celebration of The Days. as I like to refer to the event, via a reunion party they throw.

Native Omaha Days

The Ties that Bind: One family’s celebration of Native Omaha Days

©by Leo Adam Biga

Originally published in The Reader (thereader.com)

The warm, communal homecoming known as Native Omaha Days expresses the deep ties that bind the city’s African-American community. It’s a time when natives long moved away return to roll with family and friends.

Beyond the cultural activities marking the festival, which officially concluded this week with the traditional “Blue Monday” farewells at northside watering holes, it’s an occasion when many families and high schools hold reunions. Whether visiting or residing here, it’s not unusual for someone to attend multiple public and private gatherings in the space of a week. The reunions embody the theme of reconnecting folks, separated by miles and years, that permeates The Days, whose activities began well before the prescribed Aug. 3 start and end well past the Aug. 8 close.

No singular experience can fully capture the flavor of this biennial love-in, but the Evergreen Family Reunion — a rendezvous of many families in one — comes close. Evergreen’s not the name of a people, but of the rural Alabama hamlet where families sharing a common origin/lineage, including the Nareds, Likelys, Olivers, Unions, Holts, Butlers, Turners and Ammons, can trace their roots.

For older kin reared there, Evergreen holds bitter memories as an inhospitable place for blacks. Those who got out, said Evergreen-born and Omaha-raised Richard Nared, were forced to leave. “Most of us came here because we had to,” he said. “A lot of my relatives had to leave the South in the middle of the night. I was little, but I did see some of the things we were confronted with, like the Ku Klux Klan.” The Nareds migrated north, as countless others did, to escape oppression and to find, as New York-raised Clinton Nared said, “a new freedom” and “a better life.”

Celebrating a fresh start and keeping track of an ever-expanding legacy is what compelled the family to start the reunion in the first place, said Rev. Robert Holt, who came in for the affair from California. The reunion can be traced to Moses Union and Georgia Ewing, who, in around 1928, “decided they would bring the family together so there would be no intermarriage. It started out with about 10 people and it grew. We’ve had as many as 2,000 attend. I don’t care where it is, I go.”

As Rev. Frank Likely of Gethsemane Church of God in Christ said in his invocation before the family fish fry on Friday, the reunion is, in part, a forum for discovering “family members we didn’t even know we had.” Then there’s “the chance to meet people I haven’t seen in 40 or 50 years,” said Rev. E.C. Oliver, pastor of Eden Baptist Church. “That’s what it means to me. A lot of them, I’ve wondered, ‘Were they still alive? What were they doing?’ It’s a good time for catching up and for fellowship,” said Oliver, who arrived from Evergreen without “a dime in my pocket.”

Clinton Nared‘s taken it upon himself to chart the family tree. Reunions, he said, reveal much. “Each year I come, I get more information and I meet people I never met before,” he said. “There’s so much history here.” Niece and fellow New Yorker Heather Nared said, “Every year I find out something different about the family.”

Of Richard Nared’s three daughters — Debra, Dina and Dawn — Dina’s been inspired to delve into the family’s past. “I needed to meet my people and to know our history,” she said. “I’ve been to more reunions than the rest of them. I even went to Evergreen. I thought it was beautiful. I loved the South. Before my oldest relatives died off, I got to sit and talk to them. It was fun. We had a good time.”

Over generations the family line spread, and offshoots can be found today across the U.S. and the world. But in the South, where some relatives remain, the multi-branched tree first sprouted in America. “We live all over. Now and then we come back together,” Richard Nared said. “But Evegreen’s where it all began. They used to call it Big Meeting.”

Gabrielle Union Is Teaching Dwyane Wade Basic Life Skills

Gabrielle Union

Held variously in Detroit, Nashville, Evergreen and other locales, the reunion enjoys a run nearly rivaling that of the Bryant-Fisher clan, an old, noted area black family related by marriage to an Evergreen branch, the Unions, whose profile has increased due to the fame of one of its own, film/TV actress Gabrielle Union. A native Omahan hot off The Honeymooners remake and an Ebony cover and co-star of the upcoming ABC drama Night Stalker, she made the rounds at The Days and reunion, causing a stir wherever she went — “You seen Gabrielle? Is she here yet? We’re so proud of her.”

A display of how interconnected Omaha’s black community remains were the hundreds that greeted the star at Adams Park on Friday afternoon, when a public ceremony naming the park pond after her turned into — what else? — a reunion. Her mother, Theresa Union, said of the appreciative throng, “Most of these people, believe it or not, are her relatives, either on my side or on her father’s side. We are a very big part of North Omaha’s population.” Gabrielle’s father, Sylvester Union, said his famous daughter comes to the family galas for the same reason everyone does: “It’s a legacy we’re trying to keep going,” he said. “It’s an opportunity to communicate and share and stay in touch. To me, that’s what it’s about — bonding and rebonding.”

The actress wasn’t the only celebrity around, either. Pro football Hall of Famer Gale Sayers and Radio One founder Catherine Liggins Hughes were out and about, meeting and greeting, giving props to their hometown, family and fellow natives. This tight black community is small enough that Sayers and Hughes grew up with the Unions, the Nareds and many other families taking part. They were among a mix of current and former Omahans who gave it up for the good vibes and careers of 40 musicians inducted into the Omaha Black Music Hall of Fame at an Aug. 4 banquet. The Days is all about paying homage to Omaha’s great black heritage. As Sayers said, “People in Chicago and different places I go ask me where I’m from and when I say, ‘Omaha, Nebraska.,’ they look at me like I’m crazy. ‘You mean there’s blacks in Omaha?’ I explain how there’s a very rich tradition of African-Americans here, how we helped develop the city, how there’s a lot of talent that’s come out of here, and how proud of the fact I am to be from Omaha, Nebraska.”

Gale Sayers

This outpouring of pride and affection links not only individual families, but an entire community. “Family ties is one of the most powerful things in black history. It runs deep with us,” Richard Nared said. During The Days, everyone is a brother and a sister. “We’re all one big family,” Omahan John Butler said.

Helping host the 2005 Evergreen affair were the Nareds, whose sprawling Pee Wee’s Palace daycare at 3650 Crown Point Avenue served as the reunion registration center and fish-fry/social-mixer site. Born in Evergreen with his two brothers, William and John, Richard Nared is patriarch of a family that’s a pillar in the local black community. The Nareds were instrumental in starting the Bryant Center, once Omaha’s premier outdoor basketball facility now enjoying a revival. Richard helped form and run the Midwest Striders track club. William was a cop. John, a rec center director. Richard’s sister-in-law, Bernice Nared, is Northwest High’s principal. Daughter-in-law Sherrie Nared is Douglas County’s HIV Prevention Specialist.

The Friday fry event broke the ice with help from the jamming funk band R-Style. Some 300 souls boogied the night away. “More than we expected,” Debra Nared said. About 50 folks were still living it up on the edge of dawn. As adults conversed, danced and played cards, kids tumbled on the playground.

The family made its presence known in the Native O parade the next morning with a mini-caravan consisting of a bus and two caddies, adorned with banners flying the family colors. T-shirts proclaimed the family’s Evergreen roots. A soul-food picnic that afternoon at Fontenelle Park offered more chances for fellowship. Gabrielle and her entourage showed up to press the flesh and partake in ribs, beans, potato salad and peach cobbler. She posed for pictures with aunties, uncles, cousins. A weekend limo tour showed out-of-towners the sights. A coterie of relatives strutted their stuff at the big dance at Omaha’s Qwest Center that night. A Sunday church service and dinner at Pilgrim’s Baptist, whose founders were family members from Evergreen, brought the story full circle.

Heard repeatedly during the reunion: “Hey, cuz, how ya’ doin’?” and “You my cuz, too?” and “Is that my cuz over there?”

Annette Nared said, “There’s a lot of people here I don’t know, but by the time the night’s over, I’ll meet a whole lot of new relatives.” Looking around at all the family surrounding her, wide-eyed Dawn Nared said, “I didn’t know I had this many cousins. It’s interesting.” Omahan Sharon Turner, who married into the family, summed up the weekend by saying, it’s “lots of camaraderie. It’s a real good time to reconnect and find out what other folks are doing.”

For Richard Nared, it’s all about continuity. “Young people don’t know the family tree. They don’t know their family history unless someone old enlightens them,” he said. “Kids need to know about their history. If they don’t know their history, they’re lost anyway.”

It’s why he called out a challenge to the young bloods to keep it going. “This is a family affair,” he said. “I want the young people here to carry things on. Let’s come together. Let’s make this something special from now on.”

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Positively, no negativity: Nick Hernandez


 

Positively, no negativity: Nick Hernandez

©by Leo Adam Biga

Appearing in the July 5, 2018 issue of El Perico (el-perico.com)

Some call it bliss. Others, serenity. For Nick Hernandez of Lincoln, Nebraska, the study and practice of positive psychology is both way of life and career.

The 41-year-old couldn’t have imagined this two decades ago. Back then, the Olathe, Kansas native was a married post-graduate student who looked at people and life critically. Now he’s co-founder and evangelist for an organization called Posiivity Matters, He hosts Community Matters on KZUM 89.3 FM, conducts coaching-team building workshops, makes presentations and organizes activities – all around the notion that individuals and communities thrive when engaged in nurturing activities.

He’s convened regional and citywide summits (Happiness Lincoln) and contributed to events (Cameron Effect and Seeds of Kindness) on the subject.

Before finding his niche, he got divorced and entered recovery for a problem drinking habit. The seeds of his “community-building” were planted earlier through Hispanic leadership opportunity and Midwest Center for Nonprofit Leadership programs he completed in Kansas City, Missouri.

He earned a bachelor’s degree from liberal arts Benedictine College in Atchison, Kansas and did graduate studies in economics at the University of Texas at Austin.

When he lost his job as an economist with the Texas Department of Labor, he found a matching job with the Nebraska Department of Labor in 2002. When his unit took the Gallup organization’s Strengths Finder test, he learned a new way of thinking and being. “It was a very meaningful experience,” he said. “I then  discovered there is a field called positive psychology.” In reading up on it, he became convinced he found the holistic pathway he’d been missing.

“It was a shift in mindset. I had a real critical mindset that wasn’t focused on strengths before. It opened up new territory for how how I saw myself and others.”

Newly aware he was by nature and nurture a convener, a leader, an affirmer and an appreciator, he embraced “hooking up with good in ourselves” and became “an encourager for others to grow into potential you see in them that they may not be aware of.”

“I found it really fulfilling to be in that role for others.”

Meanwhile, he sounded out experts who further encouraged his interest in the philosophy and science of positive psychology, well-being and human flourishing.

“That deepened my sense that maybe I’m onto something here.”

He then broadened his reach of influence.

“I started getting involved more in the community.”Nick

Nick Hernandez

 

Upon completing the Great Neighborhoods program offered by Neighbor Works Lincoln, he said, “I found myself feeling a sense of purpose to see if it could be put into action at the neighborhood association level.”

In 2007 he restarted the dormant Havelock Neighborhood Association and revived its fall festival.

“It was quite an enriching experience to create an occasion for people from different places in the neighborhood to get together. I enjoy coming up with activities that make mindfulness fun and accessible.”

He helped lead kindness campaigns in Lincoln that inspired participation by adults and youth.

“Kindness hopefully has a double effect. The stories we tell ourselves when we volunteer or do random acts of kindness are self-affirming. We think, ‘I’m the kind of person that practices generosity, kindness and compassion.’ That alters the story of who we are in our identity.’

Hernandez’s journey has been far more than academic.

“It was spurred by my own experiences in recovery and then getting involved in service work. What I found eventually was a profound sense of fulfillment by volunteering to take a recovery meeting into the Lancaster County adult detention center.

“That’s where I really felt I started taking this idea of practicing generosity as a way of life and really committed myself to doing it in a systematic way.”

His recovery has paralleled his well-being quest.

“Once I got into recovery I realized I felt a deep sense of loneliness. I know there were people around me who loved and cared for me, but for some reason I wasn’t letting it connect. Through being in recovery and getting in service, I finally felt that sense of connectedness.”

Since humans are genetically wired to be on high alert, he said, we must consciously choose positive thoughts. He’s convinced our basic desire and need for well-being is achieved “when we’re able to share our sense of self, our core ideas with others in a positive relationship, whether friendship or romantic, who really care about us growing into that.”

“That’s the direction I’m trying to take this habit of kindness and generosity. I am exploring if this can be something fostered through small group conversation grounded in the philosophy and science of well-being.”

He’s long organized discussion groups promoting positive psychology research and the benefits of practicing mindfulness. His 2015 Happiness Lincoln summit at the University of Nebraska-Lincoln featured scholars on the 15th anniversary of America’s first national positive psychology conference held in Lincoln, a community that ranks high in well-being measures.

His Community Matters radio show facilitates discussions with well-being experts from around world, including a recent guest he Skyped-in from Israel.

On May 20 he organized a community conversation on collaboration at Lincoln’s Constellation Studios with fiber artist Karen Kunc, a philosophy professor and a public health advocate.

His speaking, coaching, team building doesn’t pay all the bills, thus he makes money other ways, including teaching social dance – swing, salsa, tango, ballroom.

“That’s personally an extremely fun, positive psychology intervention – cognitive, social, physical well-being all in one.”

He’s now actively pursuing work in the human resources field.

Follow him on Facebook and YouTube. His show broadcasts Mondays from 11:30 a.m. to Noon and streams at http://kzum.org.

Read more of Leo Adam Biga’s work at leoadambiga.com.

Park Avenue Revitalization and Gentrification: InCommon Focuses on Urban Neighborhood

February 25, 2018 2 comments

 

Park Avenue Revitalization & Gentrification: InCommon Focuses on Urban Neighborhood

Appears in March-April 2018 issue of Omaha Magazine (http://omahamagazine.com)

©Story by Leo Adam Biga

©Photos by Bill Sitzmann

 

As revitalization has come to diverse, densely-packed, Park Avenue, a tale of two neighborhoods has emerged. The north end, near 30th and Leavenworth and Midtown, finds a millennial haven of developer-renovated historic properties and shiny new projects on once vacant lots.. The south end, bordering Hanscom Park, is plagued by remnants of drug activity and prostitution. In place of chic urban digs are public housing towers. Amid this transience, reinvestment lags.

Meanwhile, nonprofit InCommon Community Development bridges unchecked development and vulnerable immigrant and refugee populations. Its proactive, grassroots approach to alleviate poverty invests in residents. As a gentrification buffer, InCommon’s purchased two apartment buildings with below market rents to maintain affordable housing options to preserve a mixed-income neighborhood.

“It’s crucial to really involve people in their own work of transformation,” executive director Christian Gray says. “We have a very specific assets-based community development process for doing that. It’s a methodology or mindset that says, we’re not going to do for others, and residents themselves are the experts.

“It’s slower, patient but sustainable work because then you have people with buy-in and trust collaborating together for that change. The iron rule is never do for others what they can do for themselves. We made a commitment when we moved in the neighborhood to set the right first impression. We said, ‘We’re not here to save you or to give away stuff for free. We’re here to listen – to get to know you. We want to hear your ideas about change and be the facilitators of that.’ I think that’s made the difference.”

The faith-based organization “starts with the idea people want to be able to provide for themselves and their families,” he says. “We help them build their own capacity and then start building relationships. Then comes leadership development. As we get to know people, we identify their talents-gifts. We talk about how they can apply those into developing and strengthening the neighborhood. The ultimate goal is neighborhood transformation. We want them to see themselves as the neighborhood change agents.”

A hub for InCommon’s work is the Park Avenue Commons community center opened in 2013. It hosts GED, ESL, literacy, citizenship, job readiness and financial education classes, first-time home-buying workshops, community health programs and zumba.

“If someone walks out of there with their GED, better English proficiency or better able to provide for their family, we’re pleased,” Gray says.

The center’s also where InCommon hosts neighborhood meetings and an after-school drop-in space, conducts listening sessions, identifies neighborhood concerns and interests and activates residents’ civic engagement.

“One of our shining examples is Arturo Mejia. He’s super passionate about the neighborhood. He started getting involved with the organization and eventually became a staff member. He leads our ESL and GED programming. He also does community organizing.”

 

Mejia, a Mexican immigrant, says what he’s found with InCommon mirrors other residents’ experiences.

“InCommon’s invested in me in many ways,” he says. “It’s helped me to use my full potential in my work for the Latino community of this neighborhood. InCommon has found the goodness this neighborhood has. When shown the assets, instead of the negatives, residents find encouragement and empowerment enough to keep reaching their goals.”

The community center resulted from feedback gathered from residents like Mejla. The zumba class was initiated by a woman living there.

“Adults come through the workforce channel. Kids come through the after-school channel,” Gray says.

At an InCommon community visioning process last fall, a group of young men shared the need for a new neighborhood soccer field and with InCommon’s guidance they’re working with the city on getting one. InCommon’s gala last fall recognized area superheroes like them and Mejia.

Besides the center, InCommon’s imprints include a pocket park, a community garden and artist Watie White’s mural of neighborhood leaders.

The first wave of redevelopment there, Gray says, “saw “empty buildings activated and populated and it actually brought an infusion of new people, energy and resources – the positive elements of gentrification.”

“It’s certainly cleaned up – but a lot of the problems remain here – they’re just beneath the surface now.”

As more development occurs, the concern is the people InCommon serves “will be displaced.” That’s where the low income housing come in. The Bristol, fully occupied and awaiting renovation, features 64 studio apartments. The Georgia Row, currently closed and undergoing repairs, will feature 10 or 11 multi-family units.

InCommon is investing $10 million in refurbishmentd. Local and state historic tax credits and tax increment financing monies, plus expected low income housing tax credits, are making it possible.

“As a landlord we’re not only able to preserve affordable housing. but we can integrate individual capacity building services directly on-site with residents,” Gray says.

He looks to solidify InCommon’s work in this and other “opportunity neighborhoods” poised for redevelopment.

“Right now, redevelopment is like a tidal wave people get drowned in. We are interested in getting people to withstand and actually surf that wave and leverage it. People have to have some wherewithal to be able to make their own decisions and not be co-opted into other people’s plans. We’ve started looking at how do we get residents more involved in directing how they want their neighborhoods to grow, so none of this happens in ad hoc form. In this more thoughtful approach to creating neighborhoods, there’d be a vision for what residents want Park Avenue or Walnut Hill to look like.

“The goal isn’t to come up with a plan for them, it’s to facilitate the process so neighbors and stakeholders come up with the plan together.”

Visit incommoncd.org.

A series commemorating Black History Month – North Omaha stories Part II

February 8, 2018 Leave a comment

 
Commemorating Black History Month
Links to North Omaha stories from 1998 through 2018.
Articles on social justice, civil rights, race, history, faith, family, community, business, politics. education, art, music, theater, film, culture, et cetera
 
A weekly four-part series
This week: Part II –  Faith, family, community, business, politics

 

https://leoadambiga.com/2016/11/16/interfaith-journ…rfaith-walk-work/

Good Shepherds of North Omaha: Ministers and Churches Making a …

https://leoadambiga.com/…/the-shepherds-of-northomahaministers-and- churches-making-a-difference-in-area-of-great-need/

https://leoadambiga.com/2010/08/30/two-blended-hous…houses-unidvided

https://leoadambiga.com/2016/11/14/small-but-mighty…idst-differences

https://leoadambiga.com/2011/09/16/everyones-welcom…g-bread-together/

https://leoadambiga.com/2014/02/02/upon-this-rock-h…trinity-lutheran/

https://leoadambiga.com/2010/05/31/gimme-shelter-sa…en-for-searchers

https://leoadambiga.com/2011/01/09/an-open-invitati…-catholic-church

https://leoadambiga.com/2012/07/15/everything-old-i…-church-in-omaha/

https://leoadambiga.com/2015/03/10/the-sweet-sounds…ts-freedom-choir/

Sacred Heart Freedom Choir | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/sacred-heart-freedom-choir/‎

Salem’s Voices of Victory Gospel Choir Gets Justified with the Lord …

https://leoadambiga.com/…/salems-voices-of-victory-gospel-choir-gets- justified-with-the-lord/

https://leoadambiga.com/2010/07/11/the-myers-legacy…ng-and-community/

A Homecoming Like No Other – The Reader

http://thereader.com/news/a-homecoming-like-no-other/

Native Omaha Days: A Black is Beautiful Celebration, Now, and All …

https://leoadambiga.com/…/nativeomahadays-a-black-is-beautiful- celebration-now-and-all-the-days-gone-by/

https://leoadambiga.com/2011/06/11/back-in-the-day-…party-all-in-one

https://leoadambiga.com/2011/06/05/how-one-family-d…-during-the-days/

Bryant-Fisher | Omaha Magazine

http://omahamagazine.com/articles/tag/bryant-fisher/.

A Family Thing – The Reader | Omaha, Nebraska

http://thereader.com/news/a_family_thing/.

https://leoadambiga.com/2011/06/11/big-mama’s-keeps…ve-ins-and-dives/

Big Mama, Bigger Heart | Omaha Magazine

http://omahamagazine.com/articles/big-mama-bigger-heart/

Entrepreneur and craftsman John Hargiss invests in North Omaha …

http://thereader.com/visual-art/entrepreneur_and_craftsman_john_hargiss_invests_in_north_omaha/

https://leoadambiga.com/2016/06/30/creative-to-the-…s-handmade-world/

https://leoadambiga.com/2013/09/27/minne-lusa-house…on-and-community/

https://leoadambiga.com/2013/10/22/a-culinary-horti…ommunity-college/

https://leoadambiga.com/2012/08/28/revival-of-benso…estination-place

A Mentoring We Will Go | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2010/06/18/a-mentoring-we-will-go

https://leoadambiga.com/2018/01/08/tech-maven-lasho…past-stereotypes/

https://leoadambiga.com/2017/08/22/omaha-small-busi…rs-entrepreneurs

Omaha Northwest Radial Hwy | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/omaha-northwest-radial-hwy/

Isabel Wilkerson | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/isabel-wilkerson/

The Great Migration comes home – The Reader

http://thereader.com/visual-art/the_great_migration_comes_home/.

Goodwin’s Spencer Street Barber Shop – Leo Adam Biga’s My Inside …

https://leoadambiga.com/2010/04/29/goodwins-spencer-street-barbershop-we-cut-heads-and-broaden-minds-too/.

Free Radical Ernie ChambersThe Reader

http://www.thereader.com/post/free_radical_ernie_chambers

https://leoadambiga.com/2016/03/15/deadeye-marcus-m…t-shooter-at-100/

https://leoadambiga.com/2012/01/15/north-omaha-cham…s-the-good-fight

North’s Star: Gene Haynes builds legacy as education leader with …

https://leoadambiga.com/…/norths-star-gene-haynes-builds-legacy-as- education-leader-with-omaha-public-schools-and-north-high-school…

Brenda Council: A public servant’s life | Leo Adam Biga’s My Inside …

https://leoadambiga.com/…/brenda-council-a-public-servants-life/‎

https://leoadambiga.com/2012/04/17/carole-woods-har…ess-and-politics/

Radio One Queen Cathy Hughes Rules By Keeping It Real …

https://leoadambiga.com/2010/04/29/radio-one-queen-cathy-hughes…

Miss Leola Says Goodbye | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2011/09/01/miss-leola-says-goodbye/.

https://leoadambiga.com/2011/09/02/leola-keeps-the-…-side-music-shop/

Aisha Okudi’s story of inspiration and transformation …

http://thereader.com/news/aisha_okudis_story_of_inspiration_and_transformation/

Alesia Lester: A Conversation in the Gossip Salon | Leo …

https://leoadambiga.com/2016/03/09/alesia-lester-a-conversation-in…

Viv Ewing | Omaha Magazine

http://omahamagazine.com/articles/tag/viv-ewing/

https://leoadambiga.com/2015/02/11/sex-talk-comes-w…rri-nared-brooks/

https://leoadambiga.com/2010/08/29/strong-smart-and…-girls-inc-story/

https://leoadambiga.com/2015/10/13/omaha-couple-exp…ica-in-many-ways

Parenting the Second Time Around Holds Challenges and …

https://leoadambiga.com/2012/11/25/parenting-the-second-time…

Pamela Jo Berry brings art fest to North Omaha – The Reader

http://thereader.com/visual-art/pamela_jo_berry_brings_art_fest_to_north_omaha/

https://leoadambiga.com/2010/06/06/its-a-hoops-cult…asketball-league/

Tunette Powell | Omaha Magazine

http://omahamagazine.com/articles/tag/tunette-powell/

Finding Her Voice: Tunette Powell Comes Out of the Dark …

https://leoadambiga.com/2013/01/24/finding-her-voice-tunette..

Shonna Dorsey | Omaha Magazine

http://omahamagazine.com/articles/tag/shonna-dorsey/

Finding Normal: Schalisha Walker’s journey finding normal …

https://leoadambiga.com/2014/07/18/finding-normal-schalisha-walker..

Patique Collins | Omaha Magazine

http://omahamagazine.com/articles/tag/patique-collins/

Finding home: David Catalan finds community service niche in adopted hometown of Omaha

February 1, 2018 2 comments

Finding home: David Catalan finds community service niche in adopted hometown of Omaha

©by Leo Adam Biga

Soon appearing in El Perico

David Catalan long searched for a place to call home before finding it in Omaha four decades ago.

Born in San Diego, Calif. and raised in Arizona, the former business executive turned consultant has served on many nonprofit boards. It’s hard to imagine this sophisticate who is so adroit in corporate and art circles once labored in the migrant fields with his Mexican immigrant parents. It’s surprising, too, someone so involved in community affairs once lived a rootless life.

“My whole life had been like a gypsy. I was a vagabond because traveling from place to place and never really having a fixed home – until I came to Omaha with Union Pacific in 1980.. I chose to stay even after I left U.P. because I really felt at home here and still do after all those years wandering around.”

Vagabundo, a book of his own free-style verse, describes his coming-of-age.

Catalan, 76, grew up in a Tucson barrio immediately after World War II. His father worked in the copper mines. When Catalan was about 13, his family began making the migrant worker circuit, leaving each spring-summer for Calif, to pick tomatoes, figs, peaches and grapes and then returning home for the fall-winter.

“I didn’t really feel I wanted to get stuck in that kind of a destiny,” he said. “Maybe escape is too rough a word, but I had to get away from that environment if I was going to do anything differently, and so I left and went to live with a sister in the Merced (Calif.) area.”

He finished high school there and received a scholarship to UCLA,

“I was the only one in the family that actually completed high school, let alone college.”

He’d long before fallen in love with books.

“That led me to realize there was more I could accomplish.”

While at UCLA, a U.S. Army recruiter sensed his wanderlust and got him to enlist. He served in Germany and France. He stayed-on two years in Paris, where an American couple introduced him to the arts.

“It was a big awakening for me,” he said.

Back in the U.S., he settled in Salt Lake City, where he was briefly married. Then he joined U.P., which paid for his MBA  studies at Pepperdine University. Then U.P. transferred him from Los Angeles to Omaha.

“I never had a sense of knowing my neighbors, having some continuity in terms of schools and experiences, so I felt like I had missed out by not having had that identity with place and community. When I came to Omaha, I loved it, and U.P. really promoted employees getting involved in community service.

“Doing community service, being on nonprofit boards  became an identity for myself.”

Upon taking early retirement, he worked at Metropolitan Community College, in the cabinet of Mayor Hal Daub and as executive director of the Omaha Press Club and the Nonprofit Association of the Midlands.

“I threw myself into the nonprofit world.”

He’s served on the Opera Omaha, Omaha Symphony and Nebraska Arts Council boards.

He cofounded SNAP! Productions, a small but mighty theater company originally formed to support the Nebraska AIDS Project.

“Omaha was the first place I saw a couple friends die of AIDS and that was a real revelation for me. That got me working to do some fundraising.”

SNAP! emerged from that work.

“I was the producer for almost every production the first few seasons. The audience base for SNAP! is a very accepting part of the community. It was gratifying. It’s been very successful.”

His interests led him to South Omaha, where he helped found El Museo Latino. More recently, he helped get the South Omaha Museum started. He also served as president of the South Omaha Business Association.

“I got involved with a lot of economic development.”

He wrote and published Rule of Thumb: A Guide to Small Business Marketing.

He’s “very proud” both SNAP! and El Museo Latino, whose vision of Magdalena Garcia he caught, “are still going strong and still serving the community.”

Each time he gets involved, he said, “it isn’t planned – the need arises and I’m there willing to help work to make it happen.”

“Doing all this work helps me feel I am a part of a dynamic community. That’s what really drives me, motivates me and makes me feel very positive.”

He’s involved in a new project that dreams of building a 300-foot tall Nebraska landmark destination to be called “Tower of Courage” at the intersection of 13th and I-80 across from the Henry Doorly Zoo.

“We’re in the process of trying to acquire the land. It’ll be a place for culture-history exhibits all focused on the rich cultural and historical history of Neb. and the region.”

Meanwhile Catalan has his own consulting company helping nonprofit and small business clients with strategic planning and grant-writing.

He’s also active in the Optimist Club.

“I’ve lived a full life. I’ve met so many wonderful people. I can navigate around many communities because of the the work I’ve done and the people I’ve met.”

He’s doing research for what may be his third book: weaving the story of a pioneering Jesuit priest from the same Sonora. Mexico hometown Catalan’s mother was born in and near where his father was from, with the history of area Indian tribes and his own family.

He’s traveling this winter to Sonora – not to escape his roots but to discover more about them.

He’s written about his family in Vagabundo and in poems published in the literary journal, Fine Lines.

“I think I’m creating a David Catalan space of my own I never had growing up.”

Omaha Community Foundation project assesses the Omaha landscape with the goal of affecting needed change

May 10, 2017 1 comment

The Landscape is a data-driven project by the Omaha Community Foundation that tries reconciling cold hard facts with warm personal stories in order to get a better, more intimate grasp of how the city’s doing in key quality of life areas. Ultimately, the foundation hopes the project gives it and the organizations that donate through it and the nonprofits it partners with a more measurable appreciation for the community’s chronic and emerging needs  and ways to impact positive change in addressing those needs through philanthropic giving. This is my story about The Landscape for the May-June-July 2017 issue of Metro Magazine (https://issuu.com/metmago/docs/thegivingguideandeventbook2017).

 

Omaha Community Foundation project assesses the Omaha landscape with the goal of affecting needed change

©by Leo Adam Biga

Appeared in the May-June-July 2017 issue of Metro Magazine (https://issuu.com/metmago/docs/thegivingguideandeventbook2017)

 

Listening and learning at core of project

Seeking a more equitable Omaha for all 

Data points measuring quality of life factors and stories telling people’s actual lived experiences behind the statistics converge in a new Omaha Community Foundation project.

Launched in 2016, The Landscape is a data-driven look at how the metro’s doing in such key focus areas as health, neighborhoods, safety, transportation, workforce and education. Implicit in the project is a reality-check that finds Omaha’s high Best Place to Live rankings  tempered by issues of chronic poverty, gang violence, sexually transmitted diseases, underemployment, educational achievement gaps and other disparities among underserved populations. The project website connects community stakeholders to content that provides snapshot glimpses of where Omaha stands, for better or worse, in these areas.

Though it went live in 2016, the project hallmarks of using date plus stories was conceived in 2014. Even before that, in 2010, the foundation committed to using data and indicators as part of its strategic plan. The Landscape culls together metrics from various sources to create a free, online public access base whose information is not just for academic or public information purposes but to guide the foundation’s donor, knowledge and nonprofit partners to activate positive change.

“We’re not interested in collecting information for information’s sake. We care about what we can act upon and what we can really do to potentially drive results,” said Omaha Community Foundation President and CEO Sara Boyd. “There’s a lot of discourse not only in this community but across many communities in this country around issues of inequity, poverty, race. For us this isn’t a fad or a trend. We care about this community. We believe the real power to change some of these issues is at the community level.”

At its heart are people’s voices that illustrate and intersect the very challenges and opportunities illuminated by The Landscape.

Boyd said, “We’re spending the vast majority of 2017 really being out in the community and with partner organizations to further connect people with the information about The Landscape and to gain the benefit of more personal experiences from people who live with some of the issues highlighted in the project. We’re really interested in the collaboration and alignment opportunities to be in relationship and conversation with people who do experience these things.”

The Landscape is only as compelling as the information fed into it.

“We really rely on organizations in this community who do this on a more regular basis and already have a vast amount of information or a process ongoing for having these kinds of conversations. We are looking at how this project plugs into, intersects and highlights some of that work and the data available in our areas of focus.”

 

 

Keeping it real, keeping it human

Boyd said the goal is to keep people, not numbers, at the forefront since data only tells part of the story. The real essence and nuance about a situation comes not from stats but from people describing their own experiences with everything from domestic violence to unemployment to homelessness.

“We’re trying to balance the data with the voice of people and ground in greater understanding the humanity of what we’re talking about. Looking at the data in isolation, there may be things missed in that study and interpretation that a conversation with somebody who is living in a specific circumstance for some time could help really inform and enlighten.”

The project website, http://www.thelandscapeomaha.org, highlighted the focus areas of health, neighborhoods, safety and transportation to start with. Workforce and education focus areas get rolled out this spring.

A public service media campaign is putting the project’s data-driven descriptor out there. The site tag line reads: “Let’s make our city a great place to call home – no matter who you are or where you live.”

Boyd said the next step is explaining “what this project is all about” and how people can interface with it. The website includes lists of nonprofits to engage, an action kit with specific ways to connect, collaborate and respond and a resources guide for social services and supports. There’s also a page where folks can share their stories. The site is getting traffic and the foundation is fielding calls and emails.

 

Image result for the landscape project omaha community foundation

 

Identifying disparities and gaps

“I think there’s a lot of intrigue,” Boyd said. “There’s certainly questions around what this information really does mean for us. So part of 2017 is also about having conversations about what our intentions are and how we as a community might be able to utilize this information as a place of power to really help us coalesce around issues at potentially greater levels.

“Some of the data is gut-reinforcing because it confirms our sense for how we’re doing as a community in things like healthcare, where people in poverty naturally do not have healthcare coverage at a high rate. Other pieces of information are more surprising because it runs a little counter to the broader narrative of how we talk about things like poverty. For example, there’s a real housing disparity with black Omahans. Black home ownership here is 8 percent lower than the national average.

“Generally, I think we regard the quality of life and cost of living here as being very affordable but when you actually look at what it costs to raise a family and have a home in our community compared with wages earned, it is affordable for some of us, but not for all of us.”

She said The Landscape’s broad scope provides an accurate picture of Omaha across many sectors.

“If you put everything in a bucket and average it all out it might look really good and it does in many areas for Omaha. Many people, myself included, have a very high quality of life here. But what’s the quality of life for the least well-off community member and how do we use that as a barometer for how we’re doing and how do we raise the levels of those circumstances? If we look at it that way, then I think we’re all going to be better off.”

Boyd said foundation staff and board members acknowledge “these are difficult subjects” that greater Omaha needs to focus on. She makes clear the foundation doesn’t pretend “to know all the answers for what are difficult, entrenched challenges.”

“We don’t know everything,” she said, “and we are grateful for the partnership of so many organizations and people who already contribute to our knowledge, and that will continue. The information on the website today isn’t necessarily perfect. I’m sure somebody might be able to find an insight or add a different perspective to some of these things. It’s a work in progress. We expect this project continues to iterate as we work more in the community.”

 

 

No easy answers or quick fixes

The Landscape. she noted, is a resource for the community by the community.

“It takes the community to really wrap around some of these issues to see if we can do better in certain areas. That’s part of the driving force behind this project.”

Boyd emphasized that problems generations in the making will take time to reverse and that the foundation is in it for the long haul.

“We’re not suggesting we throw information out and there’s a tight and tidy solution in six months or even a year from now where we report things have moved remarkably. But it matters. These are large and very consequential issues that require significant attention and persistent focus in order to really get underneath all of the underlying factors and to look at where you might look at drivers of change. Then you have to stick with it as a community to try and make progress. That’s years in the making.”

The reality behind The Landscape’s data sometimes overturns the image of a thriving Omaha and touches on sensitive issues such as race. The truth hurts.

“We don’t want to ignore the fact we see poverty increasing in our community,” Boyd said. “Even if you control for socio-economic status factors there are other points of disparity. If you want to take in the full conversation you have to own that issues of race do present real challenges. Structural issues that have led to poverty or disparity for segments of the African-American, African, Latino-Hispanic communities.

“We have to work to get underneath these issues as a community overall. There is no simple solution. There is no one factor driving this. That’s why we embarked on this so long ago. It just so happens other organizations and communities have been working on these issues and are starting to surface some of the harder conversations. There’s real merit in these discussions.”

 

 

Building on each other

Boyd said The Landscape’s efforts are not meant to compete but rather complement work others do in addressing such matters.

“This isn’t meant to take the place of these amazing things that have already been put in motion. If anything, what we’re trying to do is further reinforce some great work already happening and that we’ve tied together in the Landscape. If we can coalesce with these, add additional momentum to where there’s already momentum and continue to bolster progress in others, then we’re all going to benefit as a result.

“Lots of things have been put in motion and this is a piece of a broader puzzle.”

She said The Landscape is poised to aggregate and extend data others gather to reach new audiences and share more information than otherwise possible..

“We may be able to help amplify the voice of groups and their priorities to potentially different constituencies and find areas we can drive at together and row in the same direction on.”

The hope is that the Landscape serves as a catalyst for Omaha’s giving community to take action.

“We’ve got such generosity, will, ambition and competitive spirit that when we look at how we fare versus other communities, we hope it does get underneath somebody’s skin for donors to say, ‘That’s not right, we can be better,’ and we get after that.”

Getting involved

The Landscape invites people to be a part of the change by getting involved, whether serving on a board, working with their neighborhood association, participating in community forums, running for elected office, voting, donating, volunteering.

“There are opportunities at various levels to consider what you bring to the table individually that can help play a role in driving the change and that’s different for different people. We do work with donors and so investment in some of these areas is certainly a possibility. But investment alone isn’t going to accomplish it either.

“We’re also cultivating a group of people who have agreed to be community listeners. These are individuals already engaged in the community who are interested in this journey we’re on with The Landscape. They’ve made a commitment to make decisions in how they engage with the community going forward based upon what they learn through the project.”

Community listeners are among the change agents The Landscape aims to activate.

“They’ve all said, ‘I’m in, I’m interested enough in where this is headed that I’ll refine or change or add thinking to my own community engagement.’ That could include philanthropic investment, business practices, policy work, leadership, creating connections with social capital. There’s any number of things it could influence. What we want is for community listeners to find where they feel personally they can take the most out of the project in terms of their own activation on these issues. It’s going to be different for different community members and what they care about and where they want to place their time and energy.”

_ _ _

 

 

FROM THE LANDSCAPE WEBSITE:

 

_ _ _

 

Going with the flow

The Landscape’s designed to be adaptive and to reflect new facts and best practices as they emerge.

“So much of this project has not been linear. It’s been anything but a straight line,” said Boyd, “and we recognize it’s not going to be a straight line path from here to there.”

With dozens of knowledge and nonprofit partners, combined with so many moving parts – meetings, forums, studies – covering such a broad swatch of the community, she said it’s little wonder the project has been “in process for a long time.” She added, “We wanted to be really diligent with this. In order to do this as thoughtfully as we intend to it really requires a lot of conversations with lots of different people and organizations and understanding their priorities and the work they already have ongoing and where there’s alignment and how we can come together.

“Within that framework we have the flexibility and thinking to say some opportunities may appear along the way we want to be open to.”

Getting to this point has been an education.

“I’ve learned so much on this journey and I know I’m not done in my own personal learning. My colleagues would say the same. Members of our board of directors and others we’re talking with feel that way, too. I think a big part of this project is learning together where we are to have a shared understanding. If we can come together with a shared understanding of an issue, then it’s a jumping off point to work on it.”

Data defines the project but an improved Omaha, not an archive, is the end goal.

“We’re going to stay connected to the data on this project. so three to five years from now we’ll want to see how things are going. But we’re not agnostic, we want to see change in the right direction on these indicators. We very much care these things move in the right direction. When we think about our own strategy and the work of the Omaha Community Foundation, we’re going to continue to be thoughtful about the piece of the puzzle we can be in trying to help affect that.

“We also want to be mindful about where the information goes and how it potentially helps our public servants in the decision-making process at the local and state level.”

Putting a human voice-face to the data

Programs and policies are often shaped by individuals’ personal stories. The men and women profiled on The Landscape website offer intimate stories that have the power to influence and inspire change.

“The storytelling is so important to this project,” Boyd said. “The storytelling really gives life and depth and perspective to this data. There’s making the data accessible and then giving the data meaning. That’s going to be an important part of our work going forward.

“We’re trying to help the community and the people who live here make progress together. We’re trying to set a stage for us to work together.”

In The Landscape, everyone has a story, everyone has a say.

Visit http://www.thelandscapeomaha.org.

Read more of Leo Adam Biga’s work at leoadambiga.com.

 

“We’re not interested in collecting information for information’s sake. We care about what we can act upon and what we can really do to potentially drive results.”

“Generally, I think we regard the quality of life and cost of living here as being very affordable but when you actually look at what it costs to raise a family and have a home in our community compared with wages earned, it is affordable for some of us, but not for all of us.”

“It takes the community to really wrap around some of these issues to see if we can do better in certain areas. That’s part of the driving force behind this project.”

“We may be able to help amplify the voice of groups and their priorities to potentially different constituencies and find areas we can drive at together and row in the same direction on.”

“We very much care these things move in the right direction. When we think about our own strategy and the work of the Omaha Community Foundation, we’re going to continue to be thoughtful about the piece of the puzzle we can be in trying to help affect that.”

“We’re trying to help the community and the people who live here make progress together. We’re trying to set a stage for us to work together.”

(Quotes by Sara Boyd)

 

Mural Man – Artist Mike Giron captures heart of South Omaha

May 2, 2017 1 comment

Murals are the great mash-up the art world. Their size and themes lend themselves to big, bold visions landing somewhere between paintings, posters and frozen film images characterized by dynamic swirls of figures, places, events and symobls. Mike Giron is one of Omaha’s busiest muralists and he’s the subject of an Omaha Magazine  (http://omahamagazine.comprofile I wrote that appears in the May-June 2017 issue. Giron’s work for the ongoing South Omaha Mural Project has taken him and his partner artists deep inside that district and its ethnic neighborhoods. But he does more than murals. He makes studio art and he also teaches art at Metropolitan Community College. And he helped design the exhibition spaces for the recently opened South Omaha Museum. 

 

 

Mural Man

Artist Mike Giron captures heart of South Omaha

©Photography by Bill Sitzmann
Appearing in the May-June 2017 issue of Omaha Magazine  (http://omahamagazine.com

Visual artist Mike Giron’s creative life spans studio practice, teaching, and working with A Midsummer’s Mural and South Omaha Mural Project teams.

“In my studio work, I have no idea what’s going to happen—I just go. I’m not forcing or insisting on anything. The work creates itself in some crazy way,” Giron says. “When it comes to murals, it’s a lot more deliberate. You have to propose a design before you begin. So, I live in these two different worlds, and I think it’s keeping me balanced.”

The New Orleans native came to Omaha in the early 1990s by way of Colorado, where he met his ex-wife, an Omaha native. After her father died, the couple moved here with the intent of restoring her family home, selling it, and returning to Colorado. But Omaha proved a good place to raise their two children, so they stayed.

Giron, 45, taught art at Bellevue University and ran the campus gallery. Today, he’s a Metropolitan Community College adjunct instructor.

Without knowing it, he prepared to be a muralist through his experience painting Mardi Gras floats in New Orleans. Walls are not so different from float structures—they’re big and imperfect. And just as he used cut-out panels on floats, he does the same with murals.

“The Polish mural is the clearest example,” he says. “There was a downspout, a chimney, and a fence around an air conditioning unit, and we used cut-outs to hide those things. It gave a 3D pop-up look effect. It also breaks the frame to extend beyond the box of the building.”

Patience is a virtue for a muralist.

“Murals take a long time—maybe two months,” he says. “Unless you really practice your Zen, you’ve got to make it enjoyable to keep on doing it every day.”

The social contract of public art and the collaborative nature of murals means you’d better like people. He does. You’d better like working big, too.

“Once you experience large-scale production, it’s hard to go back to small paintings,” he says. “Although I still consider myself a studio painter, there’s also something about doing large work. You can’t help but see a wall and go, ‘Oh, that would be perfect for this statement.’ And then the physicality of the work feels good. You’re carrying stuff all the time; you’re up and down ladders. The brush strokes are not just a flick of the wrist.”

But Giron says the real reason he and his fellow muralists do it is because “we’re channeling the voices of people who can’t do this, and we take pride in that.” He says, “We feel good about delivering something that people feel does express them.”

The process for the South Omaha murals involves deep community immersion.

“The more you immerse and personally connect with the people on a street level, the more you’re going to be trusted by that community, and the more they’ll open up and allow you in,” he says.

The South O murals feature diverse looks.

“Some fall into naturalism, and others go into some other place,” he says, “That’s interesting to me because it’s not the same. Rather than a signature style, I would prefer they look like they were done by different people.”

They are. Giron works with Richard Harrison, Rebecca Van Orman, and Hugo Zamorano. Neighbors contribute stories and ideas at community meetings. Residents and students participate in paint days and attend unveiling celebrations.

The works are an extension of the new South Omaha Museum, whose director, historian Gary Kastrick, conceived the murals project. Giron serves on the museum board. He enjoys digging through Kastrick’s artifact collection and preparing exhibits, including a replica of an Omaha Stockyards pen.

The idea is for the museum, the murals, and Kastrick’s history tours to spark a South O renaissance keying off the district’s rich heritage and culture. Muralists like Giron share a bigger goal to “make Omaha a destination for public art.” He says murals are a great way to enhance the city’s visual aesthetic and to engage the community. Besides, he says, murals “demonstrate to the public there is an arts community here” in a visible way galleries cannot.

Giron is impressed by the Omaha arts explosion. “There’s so much going on and so many young artists hitting the scene making a big impact,” he says.

Meanwhile, he continues to create studio art. His series On the Brighter Side of Post-Apocalyptic Minimalism employed fire-singed materials to make their satirical marks.

“With the process-oriented stuff I’m doing now, there’s a huge amount of variety, even though I’m just using grids,” he says, explaining that his personal artworks have moved away from rules of perspective and representational dictates of realism.

“When you don’t use any of that, all you have is the process and the visual reality of things—line, shape, value, color, texture, and space,” he says. “When you start playing in that area, where there’s no limits in terms of defining what things should be or should look like, you find it’s actually inexhaustible.”

He intends to follow “the course of my curiosity,” adding, “If you are really free as an artist, then you just follow whatever’s interesting to you.”

New murals keep beckoning, though. “I get pulled into all this work. You set yourself up for a fall, but the fall is where all the good stuff happens,” he says.

Having completed Czech, Lithuanian, Polish, Mexican, Metropolitan Community College, and Magic City murals for the South O project, Giron and company are now working on a Croatian mural. Irish, Italian, African-American, and Stockyards murals are still to come.

Visit amidsummersmural.com for more information.

This article was published in the May/June 2017 edition of Omaha Magazine.

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