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El Museo Latino: A Quarter Century Strong

September 23, 2018 Leave a comment

El Museo Latino: A Quarter Century Strong

©by Leo Adam Biga

Originally appeared in The Reader (www.thereader.com)

 

El Museo Latino

 

 

 

 

 

 

 

 

 

 

Omaha’s a livelier place today than 30 years ago because Individuals noted cultural voids and put their passion, reputation or money on the line to create iconic attractions. Blue Barn Theatre, The Waiting Room, Slowdown, Film Streams, Kaneko, Holland Performing Arts Center, Union for Contemporary Art and Gallery 1516 are prime examples.

Count El Museo Latino among the signature venues in this city’s cultural maturation. Founder-director Magdalena “Maggie” Garcia noted a paucity of Latino art-culture-history displays here. Like other place-makers, she didn’t wait for someone else to do something about it. Acting on her lifelong interest in Latino heritage, she left a business career to learn about museums and in 1993 she launched her nonprofit.

El Museo Latino got its humble start in a 3,000 square foot basement bay of the Livestock Exchange Building. The stockyards were still active, making pesky flies and foul smells a gritty nuisance. Volunteers transformed the grimy old print shop space in 34 days for El Museo Latino to open in time for Cinco de Mayo festivities.

Five years later she led the move from there to the present 18,000 square foot site at 4701 South 25th Street in the former Polish Home. Growth necessitated the relocation. As the museum consolidated its niche, it expanded its number of exhibits and education programs. It hosts events celebrating traditional art, dance, music, film and ethnic food.

The museum launched amidst the South Omaha business district’s decline. It prospered as the area enjoyed a resurgence of commerce – finding community and foundation support. From 1993 till now, Garcia’s nurtured a passionate dream turned fledgling reality turned established institution. In celebration of its 25th anniversary, El Museo Latino is hosting a Saturday, October 13 Open House from 11 a.m. to 2 p.m.

Visitors can view a special contemporary textiles exhibition by Mexican artist Marcela Diaz along with selections from the permanent collection.

A quarter century of presenting national-international traveling exhibits and bringing visiting artists, scholars and curators only happened because Garcia didn’t let anything stop her vision. She didn’t ask permission, She didn’t heed naysayers who said Omaha didn’t need another museum. She didn’t delay her dream for her board to find a more suitable space or to raise money.

“My attitude was, let’s get something established instead of waiting for funding, for a different space, for this or that. I just thought we needed to do it now – and so we went ahead, Besides, who’s going to give us the authority to say what we can have and not?”

Retired University of Nebraska at Omaha arts education administrator Shari Hofschire lays the museum’s very being at the feet of Garcia.

“Maggie Garcia’s passion is the building block of its 25 year history. She doggedly fundraised and programmed. She recognized the need for a community-cultural identity just as South Omaha was growing with new residents.”

Hofschire added the museum’s now “a catalyst for both the past traditions of Latino history and culture and future opportunities for the South Omaha community to express itself and expand its cultural narrative.”

As a founding board member, David Catalan has seen first-hand the transformation of Garcia’s idea into a full-fledged destination.

“Underlying the foundation of El Museo Latino’s success was Maggie’s leadership and outstanding credentials in the arts  Her outreach skills harvested financial support in the form of foundation grants and corporate sponsorships,” Catalan said. “Her organizational acumen created a governing board of directors, each with resources necessary for achieving strategic objectives. The museum’s programs and exhibits drew rapid membership growth as well.

“Today, El Museo Latino is a treasured anchor in the cultural and economic development of South Omaha. Another 25 years of sustainability is assured so long as Maggie Garcia continues to be the face of inspiration and guidance.”

Garcia spent years preparing herself for the job. She performed and taught traditional folk dance. She collected art. She met scholars, curators and artists on visits to Mexico. After earning an art history degree, she quit her human resources career to get a master’s in museum studies and to work in museums. Seeing no Latino art culture, history centers in the region, she created one celebrating the visual and performing arts heritage of her people.

She’s seen El Museo Latino gain national status by receiving traveling Smithsonian exhibits. One brought actor-activist Edward James Olmos for the Omaha opening. The museum’s earned direct National Endowment for the Arts support.

In 2016, Garcia realized a long-held goal of creating a yearly artist residency program for local Latino artists.

Her efforts have been widely recognized. In 2015 the Mexican Government honored her lifetime achievement in the arts.

With the museum now 25 years old and counting, Garcia’s excited to take it to new heights.

“I don’t want us to just coast. I don’t want it to get old for me. For me the excitement is learning and knowing about new things – even if it’s traditions hundreds of years old we can bring in a new way to our audiences.

“We want to continue to challenge ourselves and to always be relevant by finding what else is out there, where there is a need, where do we see other things happening. Hopefully that’s still going to be the driving force. It has to be exciting for us. We have to be passionate about it. Then how do we bring that interest, love and passion to do what we said we’re going to do and to make it grow and fulfill needs in the community.”

She cultivates exchanges with Mexican art centers and artists to enrich the museum’s offerings. A key figure in these exchanges is artist-curator Humberto Chavez.

“We have connections with artists and centers in different parts of Mexico because of him,” she said. “He’s a professor of art in Mexico City and he was head of all the art centers throughout the country. He’s very well connected. That’s a huge window of opportunity for our artists here and a real plus with our residency.

“We’re not just giving artists a place and time to work and a stipend, but trying to provide them some other opportunities they wouldn’t necessarily be able to get.”

She said she hopes “to expand our network of working with other institutions as well as other artists “

Besides exposing artists and patrons to new things, Maggie’s most pleased when art connects with youth.

“I had a group of elementary students come in to see an exhibition of traditional shawls, Some of the boys and girls said, ‘What are those things doing here?’ Then as I talked about the different fabrics and colors, how the shawls are worn, what they mean, how they’re created, all of a sudden the kids were oohing and aahing at the rainbow of materials and history..

“When we came to a map of Mexico showing where the shawls were made, the kids were asking each other, ‘Where are you from?’ One said, ‘I don’t know where I’m from, but I’m going to go home and ask.’ Another pointed at the map and said, ‘Well, I’m from that state.’ Suddenly, it was accepted by their peers and so it was okay to value who they are.

“I see that all the time here. It’s very satisfying.”

Satisfying, too, is seeing the fruition of her dream reach 25 years.

“The journey has been an adventure. It hasn’t been easy. There’ve been challenges, but I thrive on challenges. If someone says, this is the way it’s been done forever, all the more reason to say, why not make a difference.”

Visit http://www.elmuseolatino.org.

Read more of Leo Adam Biga’s work at leoadambiga.com.

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Magdalena Garcia’s dream of a museum still thriving at 25

August 27, 2018 Leave a comment

Magdalena Garcia’s dream of a museum still thriving at 25

©by Leo Adam Biga

Appearing in the September 2018 issue of New Horizons

 

Magdalena Garcia

 

Magdalena “Maggie” Garcia has the rare opportunity this year to celebrate 25 years of a dream coming true and still going strong.

The founder-executive director of El Museo Latino in Omaha, the first Latino-Hispanic art, culture and history museum in the Great Plains, opened in 1993 because Garcia wouldn’t relinquish an idea. That idea to create a museum celebrating Latino heritage was emboldened by the empowering message conveyed by her father.

Garcia, 64, is the oldest of six sisters all born in Mexico City to Jesus and Beatriz Garcia. She did part of her growing up in Mexico, where she was exposed to fine and performing arts that inspired her.

“We returned every summer, sometimes for weeks and other times for the summer months,” she said. “Growing up I loved art and I was proud to be who I am.”

Her interest continued after she and her family moved to Omaha when Garcia was 9. She participated in traditional folk dancing from early childhood, even teaching fellow elementary school students to perform for the Our Lady of Guadalupe parish festival. She learned to make clothes from her seamstress mother. She admired her carpenter father’s handiwork restoring antique furniture. She dabbled in watercolor painting.

She comes from a family of art appreciators and creatives who all display some artistic talent.

As a young woman her life became more focused on education and employment.

“I come from a working class family. I never felt I needed anything because we had everything we needed. Always you worked toward something. It was that immigrant American Dream of if you work hard and you have a dream, it will come true,” she said.

She’s never forgotten the family patriarch’s words.

“I remember my father telling me. ‘My job is to provide everything you need – food, shelter, transportation, tuition. Your job is to do the best you can.’ He never said you have to get all As. That was never a pressure. It was just do the best you can – no skipping school, no playing hooky – that’s my expectation of you.’ Education was always very important to my parents. I don’t know how they put six girls through Catholic grade school and high school.”

Her father’s advice also drove her to follow her heart.

“When I was older, he sat me down and said, ‘You have to work, you need to be able to take care of yourself, so find something that makes you happy, that you love, that you have passion for – and go for it.’ I know that conversation happened with my sisters, too.”

The Garcia Girls are all accomplished college graduates.

“There weren’t any limitations placed on us. Starting with that belief of who you are and where you come from and that support from family was key for all of us.”

Preparing for her dream

It took her awhile to put into practice her father’s advice about heeding her heart after she was hired at Northern Natural Gas Co. through an affirmative action program

“That opened a door but that didn’t guarantee you were going to stay or advance in a career. I always felt it was important I prepare myself for any position I wanted. I checked off the requirements for education and training to make myself more qualified.”

She climbed the corporate ladder.

“My last position was as a human resources manager.”

Her passion for art still burned but was muted by the grind of a 9 to 5 workday and taking University of Nebraska at Omaah business classes at night. Still, art was as near to her office as Joslyn Art Museum across the street. An experience there rekindled her flame.

Her company made a permanent loan of its Maximilian-Bodmer Collection to the Joslyn, which in 1984 developed a national touring exhibition of these important Western art-history holdings. Garcia and some fellow employees trained as docents for the Views of a Vanishing Frontier exhibit.

“Marsha Gallagher, then-chief curator at Joslyn, welcomed us. She took us to one of the (storage) vaults. Watercolor was my passion and here were the Bodmer watercolors laying out in preparation for the exhibit. That was the moment I wanted to change careers. I said to myself, I know I need to find a way to be in a museum.'”

Garcia changed her major from business to art history.

In pursuit of her dream, she paved the way for her sisters’ higher education

“Maggie was working full-time and married when she started at UNO. I remember her taking me when she registered for classes. She wanted to expose me to that environment, to that other world,” said her sister Maria Vazquez, who went on to earn degrees from Metropolitan Community College and UNO. She’s now Vice President for Student Affairs at MCC.

When Northern merged with Enron, Garcia made the move to its corporate headquarters in Houston, Texas. However, the lure of working in a museum was too great and she left to embark on a two-year museum studies graduate degree at Syracuse University in New York.

To supplement her studies, she immersed herself in museums.

“I did volunteer work in a number of museums in my journey, including the Joslyn, the Museum of Fine Arts in Houston and the Erie Canal Museum in Syracuse.”

All of it was preparation for creating El Museo Latino.

Her journey coincided with an explosion in America’s Latino population. She observed institutions seeking to reach that demographic through programming.

“I saw where Latino art collections were located. It made me aware for the first time there were only four Latino museums (then) in the whole United States: New York City, Chicago, Austin and San Francisco.

“It made me stop and think, why not one here in the Great Plains? Why not Omaha?”

Thus, the seed for El Museo Latino was planted.

She applied for a paid internship at the Guggenheim Museum in NYC but was surprised by a full-time job offer. Though flattered, she wanted to fast-track her master’s, so she did a part-time paid internship instead at the Los Angeles County Museum, which was preparing to host a traveling Mexican art show.

“I worked in the education department putting together some of the programming and training, writing materials, teaching docents.”

That experience further stoked her desire to make a Latino museum happen here. Reinforcing that desire were state mandates to bring multiculturalism into school curricula. Nebraska put it into effect in 1993.

“All those things were on my mind,” said Garcia, who was ready to take the best art opportunity afforded her.

“I was at a time in my life when I was going to pick up and go wherever. But this was still home.”

 

An art class/workshop at El Museo Latino

 

 

Realizing the dream

She decided to share her dream with community leaders. She’d already “drafted what mission and focus such a museum would have and what it would need in terms of 501c3 status and a board.”

She approached activist-educator Jim Ramirez with her vision. He organized a meeting with other movers and shakers including then-Omaha Mayor P.J. Morgan and arts enthusiast David Catalan. She made a presentation. The group toured the site she’d fixed on – a former print shop in the Livestock Exchange Building.

Where others were cautious, she was determined.

“The expectation was we’re going to do it. Who wants to help and be part of it. I signed the first contract with the Lund Company for that Livestock Exchange space.”

She didn’t let objections to the rough shape of that 3,000 square foot space stop her.

“There were holes in the wall. There were pools of grease and ink.”

Some thought it couldn’t be a museum.

“But I thought it could be. It wasn’t much, but it was a good start.”

All the work to get it secured and cleaned happened with sweat equity. There was no budget.

South Omaha was undergoing a major transition. The South 24th Street business district was dead and the immigrant-refugee resurgence just beginning. The Big Four packing houses were long gone. The stockyards on their last legs.

“We had to put a screen door on the entrance to our museum to keep out the flies.”

It took a big effort to repurpose the old print shop.

“Everybody we could pull in pitched in. Family, friends, their friends. We’d come in in shifts.”

It was an all-day, every day push for Garcia. “I’d go home, get a shower, take a quick nap and back I went.”

Her father helped restore the huge, beautiful windows that featured oak trim and copper fixtures.

“About a week before we were scheduled to open, I get a phone call from the owner of Designer Blinds in Omaha. He asked, ‘What are you going to do about the windows?'”

Though gorgeous, the windows let in excess sunlight not safe or conducive for the display of artwork. She’d thought of painting over or covering them but it was a week before the opening and they were still exposed.

The owner wanted to send a salesman with samples but Maggie kept begging off, saying she had no budget. She finally agreed to a visit and selected a style just to be rid of him. Later that day the owner called to point out she picked a non-energy efficient model. She repeated it didn’t matter since she couldn’t afford them anyway. Then the owner revealed he was donating the blinds and their delivery and installation for free.

The blinds went up opening day. They went with the museum when it moved to its current building in 1998.

Carpeting was donated by the Nebraska Furniture Mart.

Garcia also got her former employer to donate desks, panels and partitions.

“Some we’re still using.”

To assemble the opening exhibits Garcia called on local artists and tapped her own collection of Mexican textiles cultivated on her travels.

“We opened with two exhibits. One with local art, including painting and sculpture, and the other with textiles from my travels. That was the beginning.”

The museum got the space in April and opened May 5, which is the Cinco de Mayo observance of Mexican independence. The renovation took 34 days from start to finish. Each year, El Museo Latino co-celebrates its opening with Cinco de Mayo.

The museum might have located elsewhere. Area colleges courted it for their campuses, Some pressed for an Old Market or suburban site. But she insisted it  operate independently and be situated near its base.

“We needed to be autonomous and we needed be in the Latino community of South Omaha. It should be in the community it represents and belongs to. The neighborhood doesn’t depend on the museum but there’s that support and connection, even if its just visual. The purpose of a museum is to serve its community, but I think ethnic museums have even one more connection with their community.”

The state multicultural mandate gave fledgling El Museo Latino an in with student tours. Founding board member Jim Ramirez proved a powerful ally and networker.

“He was very instrumental in getting the museum in front of superintendents and principals,” she said. “We’ve always worked with schools to get students here.”

Shes adamant about focusing on Latino art, culture, history year-round – not just for Cinco de Mayo. There’s an inexhaustible reservoir of rich material to draw on.

“If you live to be a thousand, you’ll never see everything that’s available or that you could see here.”

The museum’s built support by selling memberships and attracting grant support and donations. The Nebraska Arts Council, Humanities Nebraska and the National Endowment for the Arts are among its funders.

 

Se exhibe Arte Plumaria de docente nicolaita en Estados Unidos

El Museo Latino

 

Making the museum international

Garcia’s been intentional establishing international ties with art scholars, curators and artists in Mexico.

“That had been taking place before the museum opened. I would travel to different places to feed my interest in art. In my two years of graduate work I spent part of the summers in Mexico City at universities there meeting department heads and artists.

“In Houston, waiting to get into grad school, I took some classes at Rice University, whose gallery showed a photography exhibition curated by several artists. One of them was Cristina Kahlo (great niece of Frieda Kahlo). “That’s when i met Cristina. We corresponded and anytime I was in Mexico City we would meet. She introduced me to artists. The artists there knew what I wanted to do and were aware when the museum opened. They knew it mean exhibition opportunities.

“I did research on Mexican muralists. Over time I continued to build those connections.”

Garcia’s parlayed those connections by having Mexican artists and scholars visit. Cristina Khalo’s had several exhibits there. A frequent visitor is educator, photographer, mixed-media and installation artist Humberto Chavez. Garcia feels fortunate having a friend of the museum as well-versed and connected as Chavez is in Mexican art circles. His extensive travels and work expose him to diverse artists and art communities.

“We’ve worked with professor Chavez since ’95. Over the years we’ve had his work in a number of exhibitions. We’ve worked with artists and art organizations he’s been associated with in different parts of the country.”

Chavez said the work he’s brings to Omaha highlights different art strains in Mexico.

“We have different centers of art in different states of Mexico. I am trying to show the production of each center.”

Several years ago at El Museo Latino he curated work from the graphic workshop, La Parota, in Colima.

“It’s become very known in Mexico. In this space a lot of very important national and international artists have emerged or come there to produce different projects of graphic arts.”

Just as Garcia values this ongoing association, Chavez appreciates his Omaha ties.

“Having this new connection with artists was very important to me.”

In Omaha, he said, he’s found a kindred art family 1,500 miles from Mexico City. He looks forward to the relationship continuing.

“For all my life, I hope. Yes, I like to come, I like the artistic life in Omaha. I like for Omaha artists to come.”

El Museo Latino now operates an artist residency program that benefits form these cultural exchanges..

Chavez came from Mexico to do an extended artist-in-residence program but also to mentor to local artists.

“We also brought Carlos Tortolero, president and founder of the National Museum of Mexican Art in Chicago. If you’re a Latino artist, that would be one place you would want to exhibit your work. It’s an opportunity to bring our resident artists to their attention.

“These experiences expose our artists to another point of view and provide opportunities for them to grow. We’re opening windows or doors for our resident artists because of our connections in Mexico and there might be opportunities to have residencies down there.”

By sharing work, ideas, contacts, she said, “we’re helping each other,”

Connections sometimes happen in unexpected ways.

“A dance group from the University of Chihuahua traveled here under the auspices of the Mexican Consulate. They ended up coming to do a performance. Over the years that university and other universities have sent us professors to do residencies. It’s also a great opportunity for our students to go there to study. It goes both ways. Many families that have students in our programs travel back to Mexico during their vacations.

“There have been people who’ve really believed in what we’re doing and want to find ways to help us and open up doors, not only for us but for artists of whatever age and level.”

Setting down roots and growing

El Museo Latino soon outgrew its space in the Livestock Exchange Building and in 1998 moved to its current site at 4701 South 25th Street.

“We looked for about a year at different buildings,” Garcia said.

The former Polish Home became the top choice for its size (18,000 square feet), proximity and historical significance (it’s now on the National Register of Historic Places).

“I had never been in this building before,” Garcia noted.

The brick walls, red tile roof and manicured courtyard reminded her of a Mexican hacienda.

El Museo Latino at first leased only the north wing with an option to purchase the entire building. Then, “in July ’98,” Garcia said, “we exercised our option and took over the rest of the building.”

What had been the ballroom-reception hall became the main galleries. The bar became a classroom.

The museum presented a centennial anniversary look back at the 1898 Trans-Mississippi and International Exposition. That 19th century fair likely included the state’s earliest public display of Hispanic heritage. In doing research for the museum’s commemoration of the event, Garcia discovered Mexico sent a cultural exhibition and official delegation.

“The exhibit was installed in the International Building. It included Aztec things and samples of products, such as beans and gold. In addition to Mexico, other Latin countries sent things. Panama, for example, sent a replica of the canal.

“It was nice to make that connection. I’ve often wondered if everything got sent back to Mexico or if it’s sitting somewhere here in Omaha.”

 

Family Fun Day

 

Exhibitions-programs express art, culture, history

Each El Museo Latino exhibit has its own life. Whenever possible, Garcia tries having featured artists at their exhibit openings. “That’s important,” she said.

For Garcia, “a new exhibit is an opportunity to research and learn about an art form or perhaps a new approach.” Part of her role is to bring to light an exhibit’s social, cultural, historical context. “I think if you can bring more aspects of that culture, it’s richer and it becomes more aligned and true.”

Former UNO Center for Innovation in Arts Education director Shari Hofschier said the museum “provides a showcase for rich Latino heritage and traditions,” adding, “It is a regional gem in the quality of its programs and exhibitions.”

Founding board member David Catalan said the museum’s “enriched our community.” Hofschire said it not only provides a cultural background to the Latino community but to the wider community. They refer to Maggie as “the building block” and “foundation,” respectively, of the museum. Both credit her passion and leadership for its success.

Recognition has come to Garcia from various quarters. In 2015 the Mexican Government honored her lifetime achievement in the arts with an award presented locally by the Mexican Consul.

The museum’s permanent collection is mostly photographs, prints and textiles, with some sculpture. “We do have a lot of folk art,” Garcia said.

A history of Latinos in Omaha is on permanent display. Humberto Chavez made the exhibit’s photo portraits.

“He was at the end of a Bemis Center residency. I loved his work and I shared with him I wanted somehow to document Latino presence. He decided it had to be in black and white (with accompanying bios). We worked up a set of questions, many having to do with why and how immigrants came here. We made contact with people in the community. I accompanied him to the sessions.”

The project prompted Garcia to reflect on the immigrant story of her own family and other families.

“I know we ended up here because I had an aunt who moved here many years before us. Many times families will go where there’s a relative. You’re not going to be totally alone, you’re at least going to know somebody who can help you get started.”

The prevalence of meatpacking and railroad jobs here was a big draw the first two thirds of the 20th century.Many folks came escaping poverty or civil unrest.

“Some people we documented heard Omaha had jobs.Some talked about first coming to Kansas City or Chicago before settling in Omaha.”

She said Omaha came to be known as a good place to find work and to raise a family. It didn’t have the overcrowded slums of other major metropolitan areas.

“Ninety-nine percent of those who fled come for a better life – to make money, to send back or to go back.”

Some elders described the Mexican revolution. When rebels Pancho Villa or Emiliano Zapata went through a village, they took boys as soldiers to fight in the war. The guerilla armies then were similar to the ones that preceded or followed them in history.

Where home is

Something she means to document is the length of time it takes for an immigrant family to consider their new surroundings home.

“You move to America, but you always think, we’re going to go back. It’s home, but it’s home temporarily.”

She said that way station attitude was her family’s, too, “until we moved back to Mexico for a year and realized we didn’t fit there.”

“Things didn’t work out.”

When she was in her late teens she and her family made that aborted move – she completed her junior year of high school in Mexico – before deciding to return to America.

“It’s a different way of life down there. Once we came back, this was home. It’s a different mindset. We can always go back to visit – but this is home.”

 

Edward James Olmos

 

 

Always something new

El Museo annually hosts six or seven traveling exhibits.

“My new favorite is whatever I have up now,” Garcia said. “Over the years there’s been some really special ones and we’ve featured some major artists.”

The 2001 Smithsonian exhibit, Americanos: Latino Life in the United States, featured 120 photographs depicting the diversity of Latino life.

To promote the exhibit, Garcia selected “an image of this peasant man posed against a field of flowers.”

“He’s holding these beautiful yellow tulips in his huge hands. It was the most beautiful representation of who our working people are out in the fields.”

The size of the show maxed out the museum.

“We used every inch of space in our galleries. We even used the stage.”

A special added attraction with the show was the participation of actor-activist Edward James Olmos, who helped organize and promote the exhibit and appeared at each opening on its national tour.

“He was here for the opening,” Garcia said. “I got to pick him up at the airport. He was like, ‘Mija!’ – just like you saw him in Selena. It was wonderful to meet him. He spent two days here. He wanted to talk to our youth, so we contacted the Boys Club and they brought several vans full of kids. We filled a big room.”

Other notables who’ve visited include network television journalist John Quiñones and civil rights leader and former president of the National Council of La Raza (NCLR) Raul H. Izaguirre. Nebraska community leaders and elected officials have also visited.

Another Smithsonian exhibit, Our journeys, Our Stories: Portraits of Latino Achievement, showed at El Museo in December 2006 through January 2007. Two of the portrait subjects attended the opening.

With whatever exhibition is up, the museum programs related workshops and events around it. For this past summer’s contemporary textiles exhibit by artist Marcela Diaz, whose work represents the traditional textile fiber art of the Yucatan Region using natural fibers of cactus and coconut, the Yucataz artist came to present a fiber art workshop. Other artists did subsequent workshops.

The Diaz textiles show continues through December 16.

The annual Day of the Dead exhibit will run from October 13 through November 17. It will be complemented by traditional paper-cut workshops,

Also showing this fall is a photo exhibit by Garcia’s old friend and colleague, Humberto Chavez, titled TESTIGOES. from October 20 through December 1.

In January, the museum presents Tintes Naturales, an exhibit of natural tints textiles from Mexico.

Whenever there’s a show related to the Mexican Revolution, dance program students learn the dances of the period and perform them to live music.

“They research how people dressed, they create costumes. It’s almost like the men and women frozen in time in photographs jump from the wall as you see the dances and hear the music of the period,” Garcia said. “All of a sudden it comes alive through several art forms. Combining them is fantastic.”

El Museo’s dance program and troupe are among ongoing activities that happen year-round.

“It has a life of its own, It’s youth and adults. When the museum opened that was one of the first programs we started with. It’s been a standing program ever since.”

 

EML

Taking stock

Institutionally, Garcia said, “we continue to grow –

maybe not as fast as we should.” “Programmatically,” she said, “there’s more requests coming in, so I’m trying to find a way to grow to the next level where we can be reaching out to the community to many more people. I want it to grow. That’s what I want.”

More staff’s needed and that means more funding.

“We can’t now go to very many schools to bring programs there. We need somebody to manage contracting and developing more outreach. It’s still a small group managing all that now.”

Things may not be as far along as she’d like, but 25 years educating and entertaining the public is no small feat. All she has to do to know the museum’s making a difference is to look at who’s enjoying it.

“This summer we had an outdoor screening of Coco and the courtyard was full of families. To plan something and then see the reaction of people is satisfying.”

Seeing visitors, especially children, walk through the galleries and respond to the work, she said, “makes the exhibit worthwhile and makes the museum worthwhile.”

“If we can only touch one student, it’s worth it.”

When school groups arrive she knows kids are not yet sold on being there. “But once you start talking to them and sharing information and they start asking questions, you’ve got them engaged, and that’s fantastic,” she said.

Tour groups are the museum’s lifeblood. Some 50,000

patrons visit the museum yearly.

“We know people are coming from all over the metropolitan area,” Garcia said. “A lot of them are coming from outside Omaha,”

Harvesting heritage

El Museo Latino is a direct expression of Garcia sharing her love of heritage with others.

“It is paying tribute, it is focusing on our culture, our traditions. It is satisfying.”

It’s also a reminder of how she never abandoned her roots. She said relatives from Mexico who’ve visited the museum told her, “When you left for the United States we thought you were going to forget about everything. How can you so far away have come full circle to have a passion for who you are and your roots when there are many of our own kids that don’t care or value it?”

Garcia is familiar with the pattern of people distancing themselves from their past.

“You see it there, you see it here,” she said. “They view it as something they left behind –  we don’t want to know anymore about it because we want to become mainstream Americans.”

But Maggie and her museum celebrate the totality of what it means to be human.

“The whole idea of this is that you can be whoever you are without forgetting where you come from and without denying this rich culture that we have. That doesn’t mean you have to choose either loving your county or loving your roots. You do both. You can be all of that.

“I’ve always been proud of my heritage. I’ve never denied coming from Mexico. At the same time, America is home.”

Her whole family’s volunteered there. Her sister Silvia Wells is managing director. As each Garcia Girl’s found success, the whole family’s shared in it. Their legacy lives on in part through the museum. 

The museum’s commemorating its 25th anniversary throughout the year, including an Open House on Saturday, October 13 from 11 a.m. to 2 p.m.

Visit http://www.elmuseolatino.org.

Read more of Leo Adam Biga’s work at leoadambiga.com.

Life Itself XIV: Art stories through the years

August 4, 2018 Leave a comment

Life Itself XIV: Art stories through the years

Brigitte McQueen Shew

 

 

Free North Omaha Summer Arts Crawl features variety of art forms – Friday, August 10 at select North 30th Street Corridor venues

https://leoadambiga.com/2018/07/25/free-north-omaha…-corridor-venues

Process equals passion for migrant Bemis resident artist Trevor Amery

https://leoadambiga.com/2018/03/08/process-equals-p…ist-trevor-amery

Sculptor Benjamin Victor gives shape to Ponca Chief Standing Bear’s enduring voice

https://leoadambiga.com/2018/05/01/sculptor-benjami…s-enduring-voice

Mural Man – Artist Mike Giron captures heart of South Omaha

https://leoadambiga.com/2017/05/02/mural-man-artist…t-of-south-omaha

A Fluid Life: Dana Oltman Goes With the Flow

https://leoadambiga.com/2018/08/03/a-fluid-life-dan…es-with-the-flow

New Artist Residency Program at El Museo Latino supports the practice of local Latino artists

https://leoadambiga.com/2016/06/10/new-artist-resid…l-latino-artists/

Art in the heart of South Omaha

https://leoadambiga.com/2017/09/22/art-in-the-heart-of-south-omaha

 

triptych2

©“Crucifixion”  triptych by Leonard Thiessen

 

 

 

Brigitte McQueen Shew’s Union of art and community uses new Blue Lion digs to expand community engagement

https://leoadambiga.com/2017/06/26/brigitte-mcqueen…unity-engagement/

South Omaha Museum: A melting pot magic city gets its own museum

https://leoadambiga.com/2017/04/13/a-melting-pot-ma…s-its-own-museum

Artist Erin Blayney: The Great Reveal

https://leoadambiga.com/2018/08/03/artist-erin-blay…the-great-reveal/

Omaha Fashion Week & SAC Federal Credit Union: Building the fashion eco-system via business focus

https://leoadambiga.com/2015/08/05/omaha-fashion-we…a-business-focus

Leonard Thiessen social justice triptych deserves wider audience

https://leoadambiga.com/2017/01/21/leonard-thiessen…s-wider-audience

 

img_4249

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img_4248 ©Crosses and prayer stations by Pamela Jo Berry and pottery by Katie Cramer

 

 

Harmonious, luminescent pairing of art – “Prayer” and “Share” – on exhibit at Florence Mill ArtLoft Gallery

https://leoadambiga.com/2016/09/12/harmonious-lumin…-artloft-gallery

Mural project celebrates mosaic of South Omaha culture

https://leoadambiga.com/2016/07/19/mural-project-ce…th-omaha-culture/

 

 

Los Dias de Los Muertos festival offers three weeks of exhibits and events

https://leoadambiga.com/2015/10/16/los-dias-de-los-…ibits-and-events

My Joslyn Art Museum Community Pick is Thomas Hart Benton’s “The Hailstorm”

https://leoadambiga.com/2015/08/03/my-joslyn-commun…s-picked-and-why

Bright Lights: Teen designer Ciara Fortun mines Filipino heritage in Omaha Fashion Week collection

https://leoadambiga.com/2016/07/29/bright-lights-te…-week-collection

 

Yolanda Diaz success story with Little Miss Fashion nets her new recognition

https://leoadambiga.com/2016/05/05/yolanda-diaz-suc…-new-recognition

Yolanda Diaz works on a skirt in her Little Miss Fashion shop in Omaha. (©Photo by Mike Tobias, NET News)

 

 

The Designers: Omaha’s Emerging Fashion Culture

https://leoadambiga.com/2014/02/02/the-designers-om…-fashion-culture

A Passion for Fashion: Omaha Fashion Week emerges as major cultural happening

https://leoadambiga.com/2010/09/21/a-passion-for-fashion

Coming Home: Watie White’s public art installation tells stories of North Omaha home and family

https://leoadambiga.com/2013/02/07/coming-home-wati…-home-and-family

Art and community meet-up in artist’s public projects; Watie White mines urban tales

https://leoadambiga.com/2014/09/24/art-and-communit…ines-urban-tales

 

Home exterior art installation by Watie White

 

 

The Artist in the Mill: Linda Meigs brings agriculture, history and art together at Florence Mill

https://leoadambiga.com/2014/08/01/linda-meigs-brin…at-florence-mill/

Opera Omaha enlists Jun Kaneko for new take on “The Magic Flute” –  co-production of Mozart masterpiece features stunning designs setting the opera world abuzz

https://leoadambiga.com/2013/02/01/opera-omaha-enli…pera-world-abuzz

Isabella Threlkeld’s lifetime pursuit of art and Ideas yields an uncommon life

https://leoadambiga.com/2010/08/04/isabella-threlke…an-uncommon-life

 

Isabella (Byrne) Threlkeld

Isabella Threlkeld

 

 

Omaha arts-culture scene all grown up and looking fabulous

https://leoadambiga.com/2011/03/06/omaha-arts-culture-scene-grows-up

Artists running with opportunity to go to the next level; Carver Bank resident artists bring new life to area

https://leoadambiga.com/2013/05/20/artists-running-…new-life-to-area

Carver Building rebirthed as arts-culture haven; Theaster Gates, Rebuild and Bemis reimagine North Omaha

https://leoadambiga.com/2012/12/05/carver-building-…gine-north-omaha

North Omaha synergy harkens new arts-culture district for the city

https://leoadambiga.com/2012/06/26/a-synergy-in-nor…ict-for-the-city

 

Inaugural group of Carver Bank resident artists

 

 

Change is gonna come: GBT Academy in Omaha undergoes revival in wake of fire

https://leoadambiga.com/2011/06/14/a-change-is-gonn…the-wake-of-fire

Community-builders Jose and Linda Garcia devote themselves to a life promoting Latino art, culture, history

https://leoadambiga.com/2012/09/30/community-builde…-culture-history

The Wonderful World of Artist and Social Entrepreneur Jeffrey Owen Hanson

https://leoadambiga.com/2013/01/01/the-wonderful-wo…frey-owen-hanson

Matter of the heart: Pamela Jo Berry’s love for community brings art fest to North Omaha

https://leoadambiga.com/2013/08/08/pamela-jo-berry-…-in-diverse-work

Old Market Pioneer Roger duRand

https://leoadambiga.com/2012/12/26/old-market-pioneer-roger-durand

 

©Work by Wanda Ewing

 

 

Wanda Ewing Exhibit: Bougie is as Bougie Does 

https://leoadambiga.com/2013/12/08/wanda-ewing-exhi…s-as-bougie-does

Color Me Black, Artist Francoise Duresse Explores Racial Implications 

https://leoadambiga.com/2012/06/17/color-me-black-a…ications-of-race

Artist-Author-Educator Faith Ringgold, A Faithful Conjurer of Stories, Dreams, Memories and History

https://leoadambiga.com/2012/04/18/artist-author-ed…ries-and-history

Old Market-based artist Sora Kimberlain: A life in art

https://leoadambiga.com/2012/07/20/old-market-based…in-a-life-in-art

Artist Claudia Alvarez’s new exhibition considers immigration

https://leoadambiga.com/2012/03/23/artist-claudia-a…ders-immigration

For artist Terry Rosenberg, the moving human body offers canvas like no other

https://leoadambiga.com/2012/03/23/for-artist-terry…as-like-no-other

 

 

©Works by Terry Rosenberg

 

 

Fine art photographer Vera Mercer’s coming out party

https://leoadambiga.com/2012/02/18/artist-vera-merc…coming-out-party

Exhibit by photographer Jim Krantz and his artist grandfather, the late David Bialac engages in an art conversation through the generations

https://leoadambiga.com/2011/10/28/photographer-jim…-the-generations/

 

A very young Jim Krantz with iconic mentor, Ansel Adams, ©photo Jim Krantz

 

Touched by Tokyo: Hairstylist to the Stars Tokyo Stylez

https://leoadambiga.com/2016/08/27/touched-by-tokyo…ars-tokyo-stylez/

The Troy Davis Story: From Beyond the Fringe to Fringes Salon

https://leoadambiga.com/2012/12/27/the-troy-davis-s…to-fringes-salon/

Hair stylist-makeup artist Omar Rodriguez views himself as artisan

https://leoadambiga.com/2015/05/13/hair-stylist-mak…mself-as-artisan/

Young artist steps out of the shadows of towering presence in his life

https://leoadambiga.com/2011/09/03/a-young-artist-s…ence-in-his-life/

Eddith Buis, A Life Immersed in Art

https://leoadambiga.com/2012/06/11/eddith-buis-a-life-immersed-in-art/

Artist Bernard Stanley Hoyes explores the lamentations and celebrations of Jamaican revival worship

https://leoadambiga.com/2011/08/28/artist-bernard-s…-revival-worship

 

Flow with the Rhythm, ©Bernard Stanley Hoyes (the Lamentations and Celebrations of Jamaican Revival Worship) -“The intention is to show where we gather our strength in all the trials and tribulations we have to endure. The strength comes from the commonality of our spiritual seeking. That’s one of the reasons I group the figures together and put them kind of like solid. They feel like one. You need all these bodies together to evoke the strength of what it takes to have a spiritual community.":

©”Flow with the Rhythm” by Bernard Stanley Hoyes

 

 

Catherine Ferguson’s exploration takes her to Verdi’s “Aida” and beyond

https://leoadambiga.com/2010/08/01/artist-catherine…-aida-and-beyond

Therman Statom works with children to create glass houses and more

https://leoadambiga.com/2010/05/31/glass-artist-the…kids-art-brigade

Blizzard Voices: Stories from the Great White Shroud

https://leoadambiga.com/2018/07/27/blizzard-voices-…eat-white-shroud

African presence in Spanish America explored in three presentations

https://leoadambiga.com/2012/03/25/african-presence…ee-presentations

Jose and Linda Garcia find new outlet for their magnificent obsession in the Mexican American Historical Society of the Midlands

https://leoadambiga.com/2012/03/25/jose-and-linda-g…-of-the-midlands

Timeless Fashion Illustrator Mary Mitchell: Her Work Illustrating Three Decades of Style Now Subject of New Book and Exhibition

https://leoadambiga.com/2012/01/07/timeless-fashion…k-and-exhibition/

 

Mary Mitchell in her studio, @photo Jim Scholz

 

 

A Passion for Conservation: Tara Kennedy

https://leoadambiga.com/2011/11/25/a-passion-for-co…ion-tara-kennedy

Nancy Kirk: Arts maven, author, communicator, entrepreneur, interfaith champion

https://leoadambiga.com/2011/10/21/nancy-kirk-arts-…erfaith-champion

Art as revolution: Brigitte McQueen’s Union for Contemporary Art reimagines what’s possible in North Omaha

https://leoadambiga.com/2011/10/25/art-as-revolutio…e-in-north-omaha

“Portals” opens new dimensions in performance art – Multimedia concert comes home for Midwest premiere

https://leoadambiga.com/2011/10/06/portals-opens-ne…midwest-premiere

Open Minds: “Portals” explores human longing in the digital age

https://leoadambiga.com/2011/04/15/open-minds-porta…-the-digital-age

 

©Triptych designed and painted by Bro. William Woeger

 

 

Soon Come: Neville Murray’s passion for Loves Jazz & Arts Center and its role in rebirthing North Omaha

https://leoadambiga.com/2011/08/28/soon-come-nevill…hing-north-omaha

Inner City Art Exhibition Tells Wide Range of Stories

https://leoadambiga.com/2011/09/01/an-inner-city-ex…range-of-stories

Art from the Streets

https://leoadambiga.com/2011/09/01/art-from-the-streets

Manifest Beauty: Christian Bro. William Woeger devotes his life to Church as artist and creative-cultural-liturgical expert

https://leoadambiga.com/2011/08/27/manifest-beauty-…-cultural-center

Photographer Larry Ferguson’s work is meditation on the nature of views and viewing

https://leoadambiga.com/2011/08/21/photographer-lar…iews-and-viewing/

Frederick Brown’s journey through art: Passage across form and passing on legacy

https://leoadambiga.com/2011/06/22/frederick-browns…ing-on-of-legacy

 

 

 

 

Jazz and blues artist Frederick J. Brown displays his painting “Stagger Lee,” in Kansas City, Mo.

 

 

A stitch in time builds world-class quilt collection and center-museum

https://leoadambiga.com/2011/06/21/a-stitch-in-time…nd-center-museum

Once More With Feeling: Loves Jazz & Arts Center back from hiatus 

https://leoadambiga.com/2011/05/05/once-more-with-f…back-from-hiatus

Adventurer-collector Kam-Ching Leung’s Indonesian art reveals spirits of the islands

https://leoadambiga.com/2011/06/14/adventurercollec…s-of-the-islands

 

 

©Indonesian art piece, collection of Kam-Chieng Leung

 

 

Kent Bellows Legacy Lives On

https://leoadambiga.com/2010/10/13/bellows-legacy-lives-on/

Kent Bellows: Soul in Motion

https://leoadambiga.com/2010/09/21/kent-bellows-soul-in-motion

Rebecca Herskovitz forges an art family at Kent Bellows Studio and Center for Visual Arts

https://leoadambiga.com/2010/10/13/rebecca-herskovi…-for-visual-arts/

 

 

 

 

 

 

 

©Self-portraits by Kent Bellows

 

 

Art for Art’s Sake: Bemis Center for Contemporary Arts

https://leoadambiga.com/2010/09/21/art-for-arts-sak…ontemporary-arts

Combat sniper-turned-art photographer Jim Hendrickson on his vagabond life and enigmatic work

https://leoadambiga.com/2010/08/30/combat-sniper-tu…d-enigmatic-work

Naturalist-artist John Lokke – In pursuit of the Timber Rattlesnake and In the footsteps of Karl Bodmer

https://leoadambiga.com/2010/09/02/naturalist-artis…s-of-karl-bodmer

 

©Painting by John Lokke

 

 

Art Missionaries, Bob and Roberta Rogers and their Gallery 72

https://leoadambiga.com/2010/06/19/art-missionaries

Photographer Monte Kruse pushes boundaries

https://leoadambiga.com/2010/08/22/photographer-mon…ushes-boundaries

From the Archives: Photographer Monte Kruse works close to the edge

https://leoadambiga.com/2011/10/13/from-the-archive…lose-to-the-edge

Omaha blues man Hector Anchondo riding high

August 1, 2018 Leave a comment

Omaha blues man Hector Anchondo riding high

©by Leo Adam Biga

Appearing in the August 2018 Reader (www.thereader.com)

Blues singer-songwriter-guitarist Hector Anchondo has paid the price to live the dream. Calling Omaha home for two decades, he led his Hector Anchondo Band to the 2016 International Blues Challenge finals in Memphis after reaching the semis a year earlier.

In 2017, their Roll the Dice album charted worldwide and the group won Omaha Entertainment and Arts Awards recognition for Best Blues.

After years working odd jobs to supplement his music earnings, Anchondo, 38, now supports his family doing what he loves  He also gives back to the adopted hometown that nurtured him as founder of In the Market for Blues festival. Twenty-eight bands will gig at eight Old Market venues Saturday, August 4. His band hits the stage at midnight at T. Henrey’s Pub. A jam session follows.

Things are golden for Anchondo. He’s getting married, He’s becoming a father a second time. He’s written songs for a new album (his eighth). His tour rides are in a 2016 Ford Transit 350 XLT, not the beaters he used to drive. But he was reminded of the fragility of it all last April when the night before a tour was to commence, severe stomach pains landed him at University Hospital. Surgeons removed his gallbladder.

Once through the health crisis, there were crushing medical care costs for which he had no insurance, Anchondo could see it all slipping away. But the Omaha Blues Society held a fundraiser concert at Chrome Lounge and friends launched a YouCaring campaign. He’s healed now and can pay his bills.

Speaking to The Reader from Aspen, Colorado, where he solo toured last month, Anchondo reflected on the journey that’s taken him from his Missouri Ozark hill country origins to this Great Plains base and beyond.

He took up guitar at 16 while living on his family’s farm. He’d never played an instrument before, though he did sing in choir. It was passion at first lick.

“It was like a flip switched on. I took it very serious from the start. I’ve always been about the craft of it,” he said.

He recalls a guitar solo in a Guns N’ Roses video sealing the deal.

“I was like, That is what I’m going to do, and that’s what I’ve been doing ever since.”

He grew up influenced by Los Tigres del Norte, traditional American roots sounds, soaring Jimi Hendrix blues riffs and ’90s grunge-hip hop beats.

“I always liked the blues. It’s the emotional expression when you’re on stage – the personality part of it. You can really be yourself.”

Carlos Santana was another “big influence.”

“I had an immediate connection through our Hispanic background. His Latin grooves caught me right away and I’ve been hooked ever since.

“Eric Clapton was also a big influence. especially his acoustic MTV unplugged album. I could not stop listening to it. Learning the songs was a complete joy.”

He gigged in Missouri before moving to Omaha, where he had family, to try making it in a bigger market.

“There was a lot of not playing music out live because I was starting from scratch. I didn’t know where to begin. Then I started hitting every open mic in town. I would go to those every week without fail. I started meeting other musicians. It was a real tight-knit community.”

 

Stage Right became a second home.

“It was a lot of fun. It was a very nice, accepting, open atmosphere. I also started my own weekly gig at Caffeine Dreams.”

He slept on couches and floors and worked McDonald’s to get by. On stage, veteran players noticed his talent.

“A lot of older musicians came up to me and told me to never stop – that I had a good thing going, I was very fortunate to have lots of encouragement.”

The natural worked to hone his intuitive gifts.

“Sometimes I would practice the same riff or part for hours upon hours until I got it right.”

His pursuit of mastery attracted other artists and he formed a popular band, Anchondo, with some of them. Live performing gigs beckoned and local stations gave their music airplay, especially “She Devil.”

“We were doing a lot of great touring and getting festivals, playing some auditoriums in the Midwest – but barely making any money. We were living dirt poor. Any money I’ve ever made I’ve always invested back into music.”

He’s spared no expense with guitars. Despite having a Fender Strat and a Dobro Resonator (anonymously left on his doorstep), his go-to is a Delaney Austin.

“It was hand-made special for me. The sound quality, the playability, the jumbo frets, the sustain, I could go on and on. Plus, it feels good to be a Delaney-endorsed artist.”

Things were looking up. Then the recession hit and bookings fizzled.

“it just killed us. We stopped playing. I had to do a lot of soul searching, like, Is this when I hang it up?”

Tired of dishwasher, check-out clerk and construction jobs to make ends meet, he recommitted to his dream.

“I just couldn’t stop being a musician.”

He formed a new band, wrote dozens of songs and released the well-received EPs Kicking Up Dust and Young Guns with blues as his new calling card.

He strategically entered his band in the Nebraska Blues Challenge. After losing the first two years, they won the next two, thus qualifying for the international event down South. He describes that hyped stage in the nation’s blues mecca “a game-changer.”

“It meant getting in front of the blues worlds eye. It was a huge learning experience, too, watching other bands that competed.”

He entered “uncharted waters” by hiring L.A.-based radio promoter-record publicist Frank Roszak to get Roll the Dice heard.

“I knew that was the right move to make,” Anchondo said. “I knew I had to strike while the iron was still hot. It was a complete success. I finally had an album being played all over the world. We got some serious exposure out of that. It was a dream come true and something I’d been working for my entire career.”

Meanwhile. he’s trying to enrichen the area blues scene with the In the Market fest – now in year four.

“Every year it’s grown and this year is going to kick a lot of ass,” he said. “All the bands are outstanding.”

He credits E3 Entertainment and the Blues Society for “doing the majority of the work to make the festival happen.”

He said the Blues Society and its BluesEd program “have really grown the Omaha music scene.” His drummer, Khaugman Winfield, is a BluesEd alum.

Anchondo appreciates the Blues Society coming to his aid last spring following emergency surgery.

“It was absolutely wonderful of them. So many people rallied together and helped out. My mind is still blown by all the love and support.”

He’s performing again in Omaha at Baxter Arena September 14 and The Waiting Room November 21.

“I anticipate continuing to be based out of Omaha and keep going with business as usual. Omaha has been such a great and wonderful springboard for my music career.”

He’s been down this road too long to know that “making it” doesn’t ever mean being home free.

“There’s still lots of struggles and sacrificing, but I have a very full life with my family and getting to play music professionally. It’s my full-time job. I couldn’t ask for anything more.”

Except maybe time.

“I’m trying to set this next album up to where I have a lot more time to perfect certain things and to invest more in my guitar and my vocals.”

Follow at hectoranchondo.com.

Visit http://www.InTheMarketForBlues.com.

Read more of Leo Adam Biga’s work at leoadambiga.com.

 

Life Itself XIII: Music stories through the years


Life Itself XIII:

Music stories through the years

 

 

Omaha blues man Hector Anchondo riding high

https://leoadambiga.com/2018/08/01/omaha-blues-man-…ondo-riding-high/

Paul Serrato finds balance as musician and educator

https://leoadambiga.com/2018/06/01/paul-serrato-fin…an-and-educator 

Stage-screen star Vanessa Williams in concert with the Omaha Symphony

https://leoadambiga.com/2018/04/24/stage-screen-sta…e-omaha-symphony

Roni Shelley Perez staking her claim as Nebraska’s next “Broadway baby”

https://leoadambiga.com/2018/02/01/roni-shelley-per…xt-broadway-baby

 

Screen Shot 2018-04-11 at 11.16.01 AM.png

 

 

Glen Campbell’s sweet goodbye

https://leoadambiga.com/2017/02/06/glen-campbells-sweet-goodbye

Camille Metoyer Moten: With a song in her heart

https://leoadambiga.com/2016/12/26/camille-metoyer-…ong-in-her-heart/

Creative to the core: 

John Hargiss and his handmade world

https://leoadambiga.com/2016/06/30/creative-to-the-…s-handmade-world/

Entrepreneur and craftsman John Hargiss invests in North Omaha: Stringed instrument maker envisions ambitious plans for his new Hargissville digs

https://leoadambiga.com/2012/12/26/entrepreneur-and…argissville-digs

 

 

A MOTHER’S DAY TRIBUTE Mother-Daughter Music Legacy and Inheritance: Jeanne and Carol Rogers

https://leoadambiga.com/2016/05/08/a-mother-daughte…and-carol-rogers

Music-Culture Mixologist Brent Crampton: Rhythmic anthropology and pure love of human bodies moving

https://leoadambiga.com/2015/07/04/brent-cramptons-…an-bodies-moving

Stephanie Kurtzuba: From bowling alley to Broadway and back

https://leoadambiga.com/2016/08/27/stephanie-kurtzu…roadway-and-back

Making the cut: 

Music video editor Taylor Tracy

https://leoadambiga.com/2015/05/08/making-the-cut-m…tor-taylor-tracy

Paul Williams: Alive and well, sober and serene, making memorable music again

https://leoadambiga.com/2015/05/01/paul-williams-al…usic-again-at-74

 

 

Charles Ahovissi brings West African culture to the Heartland: African Culture Connection uses dance, music to tell indigenous yet universal stories

https://leoadambiga.com/2014/12/12/charles-ahovissi…niversal-stories/

Rock photographer Janette Beckman keeps it real: Her hip-hop and biker images showing at Carver Bank as part of Bemis residency

https://leoadambiga.com/2014/09/19/rock-photographe…-bemis-residency

Goin’ down the Lincoln Highway with Omaha music guru Nils Anders Erickson

https://leoadambiga.com/2013/10/01/goin-down-the-li…-anders-erickson

Omaha Songstress Mary Carrick Takes Flight in New CD  

https://leoadambiga.com/2014/07/14/omaha-songstress…flight-in-new-cd/

Omaha performer Brenda Allen recalls her friendship with Johnny Cash: “Ring of Fir”e pays tribute to iconic singer-songwriter

https://leoadambiga.com/2014/08/08/omaha-performer-…inger-songwriter/

Brenda Allen’s real life country music drama took her from Nebraska to Vietnam to Vegas

https://leoadambiga.com/2013/06/01/brenda-allens-re…vietnam-to-vegas

Life comes full circle for singer Carol Rogers

https://leoadambiga.com/2015/08/28/life-comes-full-…ger-carol-rogers

Rogers cover (reduced)

 

 

Sisters of song: Kathy Tyree connects with Ella Fitzgerald; Omaha singer feels kinship to her stage alter ego

https://leoadambiga.com/2014/03/12/sisters-of-song-…-stage-alter-ego/

Tiffany White-Welchen delivers memorable performance in “Lady Day”

https://leoadambiga.com/2015/10/14/tiffany-white-we…s-left-oct-23-24

Faith, Friends and Facebook: The Healing Journey of Camille Metoyer Moten

https://leoadambiga.com/2014/12/13/when-cancer-stru…aith-on-facebook

Camille Metoyer Moten: A singer for all seasons

https://leoadambiga.com/2011/06/22/camille-metoyer-…-for-all-seasons

 

 

Omaha’s black sirens of song and spoken word

https://leoadambiga.com/2016/02/15/omahas-black-sir…-and-spoken-word/

Omaha theater gypsy Gordon Cantiello back with new show

https://leoadambiga.com/2013/08/09/omaha-theater-gy…ck-with-new-show

 

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Jocelyn and Deven Muhammad: Creative Siblings Move Past Labels to Make Their Marks

https://leoadambiga.com/2015/09/15/jocelyn-and-deve…make-their-marks

Passion Power: Dominique Morgan’s voice will not be stilled

https://leoadambiga.com/2015/04/07/passion-power-do…l-not-be-stilled

After decades in NYC, Omaha native jazz pianist Paul Serrato proves you can come home again

https://leoadambiga.com/2013/06/06/jazz-pianist-pau…in-new-york-city

 

 

Opera Omaha re-imagines the gala with “A Flowering Tree”

https://leoadambiga.com/2015/03/24/opera-omaha-re-i…a-flowering-tree

Breaking the mold: 

Opera Omaha re-imagines the gala

https://leoadambiga.com/2014/12/11/breaking-the-mol…gines-the-gala-2/

BRAVO! Sing for the Cure

https://leoadambiga.com/2016/05/22/14215

Jazz-Plena fusion artist Miguel Zenon bridges worlds of music

https://leoadambiga.com/2012/07/21/jazz-plena-fusio…-worlds-of-music

 

Identical twin horn players set to lead Omaha jazz revival

https://leoadambiga.com/2018/03/27/identical-twin-h…aha-jazz-revival

Potash Twins making waves in jazz: Teen brothers count jazz greats as mentors

https://leoadambiga.com/2013/06/05/potash-twins-mak…reats-as-mentors

Indigenous music celebrated in Omaha Conservatory of Music Nebraska Roots concert

https://leoadambiga.com/2012/03/25/indigenous-music…ka-roots-concert/ 

Omaha’s KVNO 90.7 FM turns 40: Commercial-free public radio station serves the community all classical music and local news

https://leoadambiga.com/2012/02/11/omahas-kvno-90-7…ent-set-it-apart

20130928_bs_4919

 

Artists running with opportunity to go to the next level; Carver Bank resident artists bring new life to area

https://leoadambiga.com/2013/05/20/artists-running-…new-life-to-area

Shirley Jones Interview: Classic Hollywood star to appear at Omaha screening of “Carousel”

https://leoadambiga.com/2013/05/01/shirley-jones-in…ning-of-carousel

Hollywood legend Debbie Reynolds and classic film “Singin’ in the Rain” to be saluted

https://leoadambiga.com/2010/10/31/hollywood-legend…d-at-nov-5-event

Jill Scott Interview

https://leoadambiga.com/2012/08/08/interview-with-jill-scott

Oklahoma!, Gordon MacRae, Shirley Jones, 1955 Photo

 

Life is a Cabaret, the Anne Marie Kenny Story: From Omaha to Paris to Prague and Back to Omaha, with Love

https://leoadambiga.com/2011/05/28/life-is-a-cabare…-omaha-with-love

From Omaha to Paris to Omaha, with Love, Anne-Marie Kenny’s Journey in Song and Spirit 

https://leoadambiga.com/2012/06/21/from-omaha-to-pa…-song-and-spirit

A queen gets his day in the sun: Music director Jim Boggess let’s it all out in “Jurassic Queen” cabaret

https://leoadambiga.com/2012/01/04/a-queen-gets-his…ic-queen-cabaret

Martinez Music Legacy: 311’s SA Martinez takes music tradition laid down by father and grandfather in new direction

https://leoadambiga.com/2011/12/19/a-martinez-music…-a-new-direction

Tito Munoz: Rising young conductor leads Omaha Symphony Chamber concert

https://leoadambiga.com/2012/07/22/rising-young-con…-chamber-concert

Peter Buffett completes circle of life furthering Kent Bellows legacy

https://leoadambiga.com/2012/07/21/peter-buffett-co…-of-kent-bellows

Heart Strings: World-renowned cellist Alisa Weilerstein refuses to let chronic illness slow her down and she encourages others to pursue their dreams, too

https://leoadambiga.com/2012/02/19/heart-strings-wo…their-dreams-too

 

Miss Leola Says Goodbye

https://leoadambiga.com/2011/09/01/miss-leola-says-goodbye/

Leola keeps the faith at her North Side music shop

https://leoadambiga.com/2011/09/02/leola-keeps-the-…-side-music-shop

Laura Love: Omaha’s High Yaller Gal Comes Home

https://leoadambiga.com/2013/04/27/laura-love-omaha…r-gal-comes-home/

Hard Times Ring Sweet in the Soulful Words of Singer-Songwriter-Author Laura Love, Daughter of the Late Jazz Man, Preston Love Sr.

https://leoadambiga.com/2010/05/01/hard-times-ring-…uthor-laura-love

 

 

Omaha Symphony Maestro Thomas Wilkins and His Ever-Seeking Musical Journey

https://leoadambiga.com/2011/01/12/omaha-symphony-m…-musical-journey

House of Loom weaves a new cultural-social dynamic for Omaha

https://leoadambiga.com/2012/02/02/house-of-loom-we…ynamic-for-omaha/

The Sweet Sounds of Sacred Heart’s Freedom Choir

https://leoadambiga.com/2015/03/10/the-sweet-sounds…ts-freedom-choir/

Blizzard Voices: 

Stories from the Great White Shroud

https://leoadambiga.com/2011/12/24/blizzard-voices-…eat-white-shroud

 

 

 

 

Bobby Bridger: Singing America’s Heart Song

https://leoadambiga.com/2011/12/09/bobby-bridger-si…ricas-heart-song/

Bobby Bridger’s Rendezvous

https://leoadambiga.com/2010/05/11/bobby-bridgers-rendezvous

 

 

 

Open Minds: “Portals” explores human longing in the digital age

https://leoadambiga.com/2011/04/15/open-minds-porta…-the-digital-age

“Portals” opens new dimensions in performance art – Multimedia concert comes home for Midwest premiere

https://leoadambiga.com/2011/10/06/portals-opens-ne…midwest-premiere

More than Buddy: Billy McGuigan expands on Buddy Holly shtick to collaborate with his brothers and band in Beatles tribute

https://leoadambiga.com/2011/03/06/more-than-buddy-…les-tribute-show

 

 

Tyler Owen: Man of MAHA

https://leoadambiga.com/2011/03/20/tyler-owen-man-of-maha

Quiana Smith’s dream time takes her to regional, off-Broadway and Great White Way theater success

https://leoadambiga.com/2011/01/23/quiana-smiths-dream-time-2

Quiana Smith’s Dream Time

https://leoadambiga.com/2010/08/22/quiana-smiths-dream-time

High Res Can't get enough of Q. Smith. Photo by David Wells.

 

Hadley Heavin’s Idiosyncratic Journey as a Real Rootin-Tootin, Classical Guitar Playing Cowboy

https://leoadambiga.com/2010/05/01/a-real-rootin-to…r-playing-cowboy

From the Archives: Hadley Heavin sees no incongruity in being rodeo cowboy, concert classical guitarist, music educator and Vietnam combat vet

https://leoadambiga.com/2011/10/17/from-the-archive…etnam-combat-vet/

 

Luigi’s Legacy: 

Omaha jazz artist Luigi Waites fondly remembered

https://leoadambiga.com/2011/07/18/luigis-legacy-th…ondly-remembered

Get Crackin’

https://leoadambiga.com/2011/06/21/get-crackin/

Arno Lucas, Serious Sidekick

https://leoadambiga.com/2011/06/21/arno-lucas-serious-sidekick/

Big Bad Buddy Miles

https://leoadambiga.com/2011/06/21/big-bad-buddy-miles

Enchantress “LadyMac” Gets Down

https://leoadambiga.com/2011/06/21/enchantress-ladymac-gets-down

 

Rich music history long untold revealed and celebrated by Omaha Black Music Hall of Fame

https://leoadambiga.com/2011/07/02/a-rich-music-his…sic-hall-of-fame

Black Women in Music

https://leoadambiga.com/2010/07/11/black-women-in-music/

“Walking Behind to Freedom” – A musical theater examination of race

https://leoadambiga.com/2011/06/21/walking-behind-t…mination-of-race/

Tiempo Libre kicks off Jazz on the Green at Midtown Crossing in Omaha

https://leoadambiga.com/2011/07/04/tiempo-libre-kic…rossing-in-omaha

Home Girl Karrin Allyson Gets Her Jazz Thing On

https://leoadambiga.com/2011/06/22/home-girl-karrin…er-jazz-thing-on

 

Song girl Ann Ronell

https://leoadambiga.com/2011/08/19/song-girl-ann-ronell/

Kevyn Morrow’s homecoming

https://leoadambiga.com/2011/06/14/kevyn-morrows-homecoming

Frederick Brown’s journey through art: Passage across form and passing on legacy

https://leoadambiga.com/2011/06/22/frederick-browns…ing-on-of-legacy

Marcia Hinkle and Bill Sprague are the Omaha Symphony Orchestra’s Golden Anniversary Players

https://leoadambiga.com/2010/08/03/marcia-hinkle-an…iversary-players

Playing to the beat of a distant violin

https://leoadambiga.com/2010/07/06/playing-to-the-b…istant-violinist

A Woman Under the Influence: 

Robinlyn Sayers as Hattie McDaniel

https://leoadambiga.com/2010/07/05/a-woman-under-the-influence/

Cool Cat Billy Melton and the Sportin’ Life

https://leoadambiga.com/2010/07/01/sportin-life/

Salem’s Voices of Victory Gospel Choir Gets Justified with the Lord

https://leoadambiga.com/2010/06/07/salems-voices-of…ed-with-the-lord

 

Voices of Victory Mass Choir of the Salem Baptist Church CD

 

 

 

 

 

 

 

 

 

 

 

 

 

Radio One queen Cathy Hughes rules by keeping it real: Native Omahan created Urban Radio format

https://leoadambiga.com/2010/04/29/radio-one-queen-…-keeping-it-real/

Now Wasn’t That a Time? Helen Jones Woods and the International Sweethearts of Rhythm

https://leoadambiga.com/2010/04/29/17

Omaha Music Legend Preston Love

Preston Love: A Tribute to Omaha’s Late Hepcat King

https://leoadambiga.com/2016/05/05/preston-love-a-t…late-hepcat-king

The Smooth Jazz Stylings of Mr. Saturday Night, Preston Love Sr.

https://leoadambiga.com/2010/06/03/mr-saturday-night

RIP Preston Love Sr., 1921-2004, He Played at Everything

https://leoadambiga.com/2010/06/03/preston-love-192…ed-at-everything

Preston Love: His voice will not be stilled

https://leoadambiga.com/2010/06/03/preston-love-his…l-not-be-stilled/

“Omaha Blues” and “Preston Love’s Omaha Bar-B-Q’”: Two scorching instrumental blues journeys by Omaha music legend Preston Love

https://leoadambiga.com/2010/06/03/omaha-blues-and-…end-preston-love

 

 

 

 

War and peace: Bosnian refugees purge war’s horrors in song and dance that make plea for harmony

https://leoadambiga.com/2011/08/18/war-and-peace

From the Archives: Opera comes alive behind the scenes at Opera Omaha staging of Donizetti’s “Maria Padilla” starring Renee Fleming

https://leoadambiga.com/2011/09/26/from-the-archive…ing-rene-fleming

100 cool things that have made Omaha a better place to live in

July 23, 2018 1 comment

 

100 cool things that have made Omaha a better place to live in

 

Old Market

North Downtown redevelopment

Riverfront revitalization

Downtown Convention Center and Arena

Improved Omaha concert scene

Omaha hosting NCAA basketball regionals and U.S. Swim Trials

Creighton basketball becoming a major thing

Omaha Lancers turning into hot ticket attraction

Omaha Mavericks hockey

Omaha becoming Kansas City Royals’ Triple A club

Henry Doorly Zoo growth

Omaha Outdoor Recreational additions

 

 

South 24th Street Business District revitalization

Razing stockyards-Big Four packinghouses and redeveloping properties

Improved fine dining, ethnic eatery and street food scene

Saving Union Station and creating Durham Museum

Omaha Botanical Center

10th Street Corridor

Saving, restoring, expanding the Orpheum Theater

Omaha hosting touring Broadway shows

 

 

Holland Performing Arts Center

Joslyn Art Museum addition

Tri-Faith Initiative

UNO expansion

Metro Community College expansion

Creighton University expansion

UNMC expansion

Midtown Crossing

 

2013-10-01-TGradyPhotocrop.jpg

 

Aksarben Village

Film Streams

The Slowdown

The Waiting Room

Sokol Auditorium as rock and arts space

Saddle Creek Records

Institute for the Culinary Arts

Bemis Center

 

Bemis Center for Contemporary Arts, 12th & Lea...

 

Philanthropic Community

Sherwood Foundation

Omaha Community Foundation

Kiewit Foundation

Holland Foundation

Nebraska Arts Council

Nebraska Humanities

KVNO

KIOS

Berkshire Hathaway Shareholders Convention

College World Series growth

 

 

UNO Center for Afghanistan Studies

Omaha Community Playhouse renovation-addition

Opera Omaha growth

Omaha Symphony growth

Omaha Children’s Museum

Great Plains Black History Museum

El Museo Latino

Omaha Theatre Company for Young People growth

Saving what’s now called The Rose Theatre

 

 

Mutual of Omaha branding

Omaha Steaks branding

Empowerment Network

Great Plains Theatre Conference

Blackstone District revival

Benson Business District revival

Blackstone District revival

Vinton Street Business District revival

Park Avenue redevelopment

Makerhood District

First National Bank Tower

Metro Fort Omaha Campus growth

Highlander Village

 

 

Native Omaha Days

La Festa Italiana

Omaha Summer Arts Festival

Omaha Farmers Market

Florence Mill

Taste of Omaha

Jazz on the Green

Memorial Park Concert

Shakespeare on the Green

Cathedral Arts Project

Cathedral Flower Festival

 

 

Omaha Fashion Week

Big Omaha

Omaha Film Festival

Blue Barn Theatre

Homer’s Music

Joslyn Castle Trust

Omaha Writers Collective

Omaha Creative Institute

Omaha Conservatory of Music

WHY? Arts

MAHA Music Festival

 

 

UNO Department of Black Studies

Blue Barn Theatre

The Kaneko

South Omaha Museum

Omaha Design Center

Omaha Community Engagement Center

The Reader

Omaha Magazine

1516 Gallery

Baxter Arena

Plus:

Alexander Payne making movies-bringing stars here

Terence Crawford fighting world championships here

Warren Buffett bringing Bill Gates, Bono and the world here

Conor Oberst putting Omaha on the music map

 

Terence_Crawford_mediaday_pose2 (600x720)

 

More cool places and things that sprang up in the same period but that are now defunct

Stone Soul Picnic

KOWH

Omaha Lit Fest

Ranch Bowl as rock venue

Riverfront Jazz and Blues Festival

Rosenblatt Stadium renovationa-expansiona

Center Stage Theatre

John Beasley Theatre

Firehouse Dinner Theatrer

New Cinema Cooperative

Kansas City-Omaha Kings

North Omaha Summer Arts (NOSA) presents: An Arts Crawl 7


North Omaha Summer Arts (NOSA) presents:

An Arts Crawl 7

Friday, August 10

6 to 9 p.m.

Join us for the 7th Arts Crawl

Take a stroll or drive from Metropolitan Community College Fort Omaha campus down North 30th Street, ending at Trinity Lutheran Church, to experience beautiful art and great food by North O visual, performing and culinary artists.

A free event.

 

 

An Arts Crawl reception kicks things off at the

Washington Branch Library, 2888 Ames Avenue, from 5:30 to 6:30 p.m.

All other locations open 6 to 9 p.m.

Arts Crawl route Begins at–

MCC at Fort Omaha

Mule Barn (Building #21)

Church of the Resurrection

3004 Belvedere Blvd. (just northwest of 30th and Kansas)

Nelson Mandela School

6316 North 30th Street

Ends at–

Trinity Lutheran Church

6340 North 30th Street

For more info (artists and patrons), call Pamela Jo Berry at 402-445-4666

 

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