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Lifelong fascination with history feeds Bill Gonzalez and his photo archival work at Durham Museum

December 26, 2018 Leave a comment

Lifelong fascination with history feeds Bill Gonzalez and his photo archival work at Durham Museum

©by Leo Adam Biga

Originally published in El Perico (el-perico.com)

A glass plate portrait loaded with family secrets and a chance exposure to a noted photographic collection foreshadowed the photo activist work Bill Gonzalez does today at Durham Museum.

He grew up in South Omaha the oldest of eight children of Mexican immigrant parents. An old image of his grandparents in Mexico intrigued him enough as a boy to ask questions. He discovered his maternal grandfather was a wealthy rancher who married multiple times to younger women. Then there was the tale of a great aunt in the family’s ancestral village who was hidden from marauding bandits in the lawless post-Mexican Revolution years.

“I found all that about my heritage really interesting,” he said. “The stories I heard provided me with a connection to that part of my family I never knew.”

A 1967 slideshow at South High School showing select photos of early Omaha from the Bostwick-Frohardt Collection motivated him to learn about the stories behind the people, places and events of his hometown.

“Those pictures made such a deep impression on me. Something that happened so far back led to something a lot greater in my life.”

Studying historical photos, he said, “is like looking through a window into the past.”

“You can see people as they were doing what they were doing at a certain period in time. You can’t travel into the past but you can look into it. That’s kind of neat.”

Gonzalez was always inquisitive and an avid reader.

“I mean, how many 11-year-olds do you know that read ‘The Illiad’? I was a nerdy kid. I wasn’t into playing baseball and things like that. I spent a lot of time in the South Omaha library.”

He’s the product of tough love.

“When I found out other kids got an allowance, I broached the subject with my dad. I said, ‘Popi, don’t you think I should get an allowance?’ He said, ‘Hijo, I allow you to live.’ So I started hustling – running errands for neighbors, cutting grass, shoveling snow. I got my social security card at 12. I’ve done everything – you name it.”

Nothing was as satisfying as his current Durham gig.

“The best part of my job is helping people find pictures they have personal connections to, like the neighborhood church, school, movie theater or park they used to go to. When I can find a picture that means something special to somebody, that is the best high I can get.

“Anytime I find pictures of South Omaha, they evoke memories in me, I know that part of town. South Omaha in its own right is very historic. It’s such an eclectic mixture of ethnic groups and nationalities. It’s contributed heavily to the prosperity of this town. Thousands upon thousands of people are living here today because an ancestor came to South Omaha to work in the packinghouses.”

He takes seriously the role the archive serves.

“We’re the keepers of the past. I really think what we have here and what we do here is very important. It provides a continuity of memory. Museums and archives really are the storehouses of memories of humanity.”

In searching for pictures in the Durham collections, he said, “it helps if you’re a native Omahan.”

“I know about places that used to be, things that happened. Not just pieces of memories, but history. I’ve got a mind like a black suit that picks up white lint or in this case little pieces of information. I am not an expert, but I know a little bit about a lot of things, and it’s all useful.”

Experience helps, too. “I’ve been here 13 years-plus, so by now I have a fairly good idea of what we have in the collections that might be pertinent. Sometimes I have to piece together information to figure out what I’m looking for and where to find it .Where to find it is the trick because we have so many collections. Usually I can narrow it down to one collection.”

 

From the Bostwick-Frohardt Collection, this 1911 image was taken on top of the Union Pacific Railroad Building at 14th & Dodge streets looking east.

 

He compares the searches he makes to a hunt.

“I go out and hunt pictures down for people. It’s a lot easier now than when I started because we didn’t have any of this stuff digitized in a searchable data base. There’s still a lot of hit and miss searching. I strike out a lot. I wish I could have a picture for everything everybody wants, but I don’t. But now you can go online and search for this stuff by keywords. It makes it more accessible to more people more of the time.”

He conducts searches for “a wide range of people with a wide range of interests from personal to professional.”

Educators, historians, journalists, students, laborers, and folks from other walks of life request his help.

He works with highly educated interns and staff but feels he has something to contribute they cannot.

“Here I am a high school graduate and yet I can sit and talk to them about things they don’t have any background on.”

Gonzalez might never have done this work if not for an injury on his previous job that forced early retirement.

“I was sitting at home trying to figure out what I was going to do with the rest of my life when this came along. It pulled me back into the world.”

He began as a volunteer before joining the paid staff.

“I couldn’t have found a better position for someone of my bent who enjoys history and loves the history of his town. I don’t really think of it as a job.”

He’s discovered “there’s a whole world of people out there that have the same interest” he does in history.

The Durham photo archive is a resource for the whole community, he emphasizes.

“It belongs to everybody.  It’s available for the public to use.”

For Gonzalez, there’s nothing better than sharing his passion with others.

“I love showing my pictures to people, telling them what they’re looking at.”

He’s grown a following for his Flashback Friday posts on the Durham’s Facebook page.

He makes occasional public presentations.

“I’d like to do more of that because that’s what got me hooked on this. I’d love to go out and talk to a group of kids and maybe have one of those kids study history or get involved with the museum because of what they saw. That would be a neat thing.

“It would be full circle.”

Contact the museum’s photo archive department at photoarchive@durhammuseum.org or by phone at 402-444-5071.

The archive can be searched online anytime at durhammuseum.contentdm.oclc.org.

Read more of Leo Adam Biga’s work at leoadambiga.com.


Image may contain: one or more people, tree and outdoor
No automatic alt text available.

Stereoscopic photo of 3rd Nebraska Volunteers in parade after their return from the Spamish-American War and the

viewfinder used to see this and other early 3D images.

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From the John Savage Collection. When Omaaha’s downtown sidewalks teemeed with people.
This is from circa 1967 outside J.L. Brandeis & Sons Department Store.

From Japanese-American Internment Camp to Boys Town: Christmas and Other Bittersweet Memories During World War II

November 13, 2018 Leave a comment

From Japanese-American Internment Camp to Boys Town

Christmas and Other Bittersweet Memories During World War II

Story by Leo Adam Biga

Photography provided by Boys Town

Originally appeared in the Nov-Dec 2018 issue of Omaha Magazine 

(http://omahamagazine.com/articles/from-japanese-americaninternmentcamp)

 

Xenophobic fears ran wild after the Empire of Japan’s attack on Pearl Harbor. The U.S. promptly entered World War II, and nearly 120,000 Japanese-Americans were relocated or incarcerated in internment camps across the country.

The Rev. Edward Flanagan, the founder of Boys Town, strived to calm the hysteria in part—while alleviating the trauma falling upon his fellow Americans—by sponsoring approximately 200 Japanese-Americans from internment camps to stay at his rural Nebraska campus for wayward and abandoned youths.

Among them were James and Margaret Takahashi and their three children.

They joined the individuals and families escaping to Boys Town from prison-like internment camps. Flanagan offered dozens of families a place to live and work until the war’s conclusion. Some remained in Nebraska long after the war. Many used Boys Town as a stopover before World War II military service or moving to other American cities and towns, says Boys Town historian Tom Lynch.

Few outsiders knew Boys Town was a safe harbor for Nisei (the Japanese word for North Americans whose parents were immigrants from Japan) who lost their homes, livelihoods, and civil rights in the fear-driven, government-mandated evacuation of Japanese-Americans from the West Coast.

The oldest Takahashi child, Marilyn, was almost 6 when her family was uprooted from their Los Angeles home and way of life. Her gardener father lost his agricultural nursery.

“It was a very disruptive thing,” she recalls. “I was very upset by all of this. I can remember being confused and wondering what was going on and where are we going. I couldn’t understand all of it.”

She and her family joined hundreds of others in a makeshift holding camp at the Santa Anita Assembly Center, surrounded by barbed wire and armed guards. Stables at the converted race track doubled as spare barracks. Food riots erupted.

By contrast, at Boys Town, the Takahashis were treated humanely and fairly, as the full citizens they were, with all the comforts and privileges of home.

“We felt welcomed and did not have fears about our environment. The German farmers nearby were friendly and kind,” remembers Marilyn Takahashi Fordney.

 

The Takahashis were provided their own house and garden within the incorporated village of Boys Town’s boundaries. James, father of the family, worked as the grounds supervisor. The children attended school. The family celebrated major holidays—including unforgettable, bittersweet Christmases—in freedom, but still far from home.

None of it might have happened if Maryknoll priest Hugh Lavery, at a Japanese-American Catholic parish in L.A., hadn’t written Flanagan advocating on behalf of his congregation then being relocated in camps. Flanagan recognized the injustice. He also knew the internees included working-age men who could fill his war-depleted employee ranks. He had the heart, the need, the facilities, and the clout to broker their release from the Civil Exclusions Order signed into law by President Franklin

Delano Roosevelt.

Helping identify “good fits for Boys Town” was Patrick Okura, who ended up there himself, Lynch says. “It sort of started a pipeline to help bring people out,” and Flanagan “eventually took people of all different faiths,” not just internees from the Catholic parish that started the effort. “People from that parish went to the camps, and they met other Japanese-Americans, and they started communicating about this opportunity at Boys Town to get out of the camps.”

During her family’s four-month camp confinement, Marilyn’s parents heard that the famous Irish priest in Nebraska needed workers. James sent a letter making the case for himself and his family to come.

“People could leave if they had somewhere to go,” Marilyn says. “Permission didn’t come right away. It took writing back and forth for several months. Then, when we were all about to be moved to Amache [Granada War Relocation Center] in Colorado, the head of our camp sent a telegram to the War Relocation Authority. He received a telegram back with the necessary permission. We were released to Boys Town Sept. 5, 1942.”

Boys Town became legal sponsor for the new arrivals.

“It was very radical helping these people,” Lynch says. “Father thought it was his duty because they were good American citizens who should be treated well. But it wasn’t universally accepted. What made Boys Town unique is that we were way out in the country, so we were our own little bubble. Visitors really wouldn’t see the internees much. The men worked the farm or grounds. The women tended house. The kids were in school. But they were there all throughout the village.”

A similar effort unfolded at the University of Nebraska-Lincoln, where 100-plus Nisei students continued their college studies after the rude interruption caused by the “evacuation.”

During her Boys Town sojourn, Marilyn first attended a nearby one-room public school. She later attended a school on campus for workers’ children taught by a Polish Franciscan nun. Besides the standard subjects, the kids learned traditional Polish folk dances and crafts.

The Takahashis started their new life in an old farmhouse they later shared with other arrivals. Then Boys Town built a compound of brick houses for the workers and their families. “Single men lived in a dormitory on campus,” Lynch says. “Boys Town didn’t host many single women because Father would find jobs for them in Omaha, where they would stay with families they worked for as domestics.”

From Santa Anita, the Takahashi patriarch was allowed to go to L.A. to retrieve his truck and what stored family belongings he could transport. James drove to Nebraska to meet Margaret and the kids, who went ahead by train.

Marilyn’s initial impression of Flanagan was of Santa Claus with a cleric’s collar: “Father came to meet us at the station. He had this big brown bag of candy. I will always remember that candy. It was so thoughtful of him to give us that special treat.”

According to the Takahashi family’s file in the archives of the Boys Town Hall of History, Margaret said she was taken by Flanagan’s humanity, that she “could feel this warmth. I’ve never felt that from another human being. He was so full of love that it radiated out of him.”

According to Lynch, Flanagan considered the newcomers “part of the family of Boys Town.” They could access the entire campus or go into town freely.

Leaving altogether, though possible, was not a realistic option.

“They could leave at any time, if they really wanted to, but there was nowhere to go [without authorization]. They would have been detained and returned,” he says.

Marilyn’s experience of losing her home and living in a camp was dreadful. Going halfway across the country to live at Boys Town was an adventure. Her fondest memories there involve Christmas.

“Christmas and midnight Mass was very special at Boys Town,” she says. “It was something we looked forward to. I will always remember getting bundled up to face the blizzard-like winds. My father would carry each one of us to the truck. We would head off in the dead of night in that blasted cold to get to the church, which was dark except for the altar lights. The boys would be in a long line in their white and black cassocks, with red bows, each holding a big lit candle. They would begin to sing and come down the main aisle. It was an awesome sight and a special experience. The choir was exceptional. There was always one singer with a high-pitched voice who did a solo. It was amazing.”

Father Flanagan and children during Christmastime

 

Flanagan is part of her holiday memories, she says, as “he always made a point to come to our Christmas plays, and we would always take a photograph with him.” For the resident boy population, Flanagan “played” Santa by visiting their apartments and handing out gifts.

“We were happy at Christmas,” Marilyn says. “In the farmhouse, my father would cut a pine tree and bring it in, and the decorations were handmade and hand-painted cones with popcorn strung. He always did the final placement of things so that it looked perfect. We had wonderful Christmas days even though it was difficult to get toys because many things were not available due to the war.”

She continues: “We built an ice rink and would skate in front of the farmhouse or in front of the brick house. We even made an igloo one time. It got so tall the adults came out to help us close the top with the snow blocks because we were too little to reach it.”

Weather always factored in.

“The summers were extremely hot and the winters so severely cold,” she says. “We had never experienced snow. That was a tremendous adjustment for my parents. But, as children, we delighted in it. We’d run out and eat the snow with jam and build snowmen.”

Marilyn recalls visiting Santa at J.L. Brandeis & Sons department store in downtown Omaha with its fabulous Christmas window displays and North Pole Toy Land.

The Takahashis were content enough in their new life that they arranged for family and friends to join them there. Marilyn and family remained in Omaha for two years after the war (and anti-Japanese hysteria) ended.

“Eventually, my parents decided they couldn’t withstand that cold, and we headed back to California in 1947,” she says.

They endured tragedy at Boys Town when Marilyn’s younger brother contracted measles and encephalitis, falling into a coma that caused severe brain damage. His constant care was a burden for the poor family.

Another motivating factor for the family to leave was the father’s desire to work for himself again.

Leaving Boys Town just shy of age 12 was hard for Marilyn.

“I was heartbroken because I loved the snow and cold and all my friends there,” she says. “I did not want to go to California and live three families to a house and struggle. I knew what was coming. I also had a pet cat I was sad to leave. My pet dog Spunky that Boys Town gave me had passed on.”

Her parents had also bonded with some of the resident boys, and with some adult workers and their families.

“We went by Father Flanagan’s residence to say farewell, and he came out to bless us and to bless the truck we drove to the West Coast,” she says.

As an adult, Marilyn shared her story with archivists just as her parents did earlier.

“We considered ourselves fortunate,” Margaret told interviewer Evelyn Taylor with the California State University Japanese American Digitization Project in 2003. (This article for Omaha Magazine merged excerpts from that oral history with original interviews conducted over the telephone and

e-mail correspondence.)

There are occasions when Marilyn’s internment past comes up in casual conversation. “It is amazing how few people know about this,” she says. “It is now mentioned in history books in schools, but it wasn’t for a long time.”

When she brings up her Boys Town interlude, she says, “It is always a surprise and I am asked many questions.”

The retired medical assistant, educator, and author now runs family foundations supporting youth activities. She credits her many accomplishments to what the wartime years took away and bestowed.

“The internment made me an overachiever. Because I was the eldest and experienced so much, I have become actually the strongest of the siblings,” she says. “Nothing can stop me from reaching my goals.”

Her late parents also felt that the experience strengthened the family’s resilience. Margaret said, “I think from then on we were very strong. I don’t think anything could get us down.”

The kindness shown by Boys Town to relieve their plight made a deep impact.

“We are forever grateful Father Flanagan hired my father to take care of the grounds,” Marilyn says, “because it enabled us to get out of that internment situation.”

She came to view what Flanagan did for her family and others who had been interned as a humanitarian “rescue.”

Then there were the scholastic and life lessons learned.

“A Boys Town education gives you the tools needed to succeed in life,” she says.

Even though discrimination continued after the war, the lessons she learned during the internment and the Boys Town reprieve emboldened her.

“I am grateful that I went through the experience because it made me who I am today,” she adds.

Internees were granted reparations by the U.S. government under the Civil Liberties Act of 1988. Marilyn received $20,000, and she gave it all away.

She divided the reparations money into equal parts for four recipients: two younger siblings who also grew up in poverty (but did not experience the internment camps of World War II), to create the Fordney Foundation (for helping future generations of ballroom dancers), and Boys Town.

Forty-four years after the Takahashis left their safe haven in Nebraska, Marilyn returned to Boys Town in 1991. During the visit, she made her donation to the place that gave her family a temporary home and renewed faith in mankind.

Uchiyamada and Takahashi families with Father Flanagan in March 1944

 

James Takahashi’s Letter to Father Flanagan

Soon after arriving at Santa Anita Assembly Center, James Takahashi learned that Father Flanagan was hiring individuals with certain skills to work at Boys Town.

James hand-wrote an appeal to Flanagan asking to be considered. He provided references. The priest wrote Takahashi back requesting more information, including how many were in his family, and checked his references, all of whom spoke highly of “Jimmy,” as he was called, in letters they sent Flanagan.

Here is the text of the original letter James wrote (references excluded):

Dear Father Flanagan,

Today in camp I heard that you are asking for some Japanese gardeners. I am very interested as I have been a gardener and nurseryman in Los Angeles for the past five years.

Just before the evacuation, I was gardener at St. Mary’s Academy in Los Angeles. I re-landscaped the grounds and put in several lawns.

I am 30 years old of Japanese ancestry but was born and educated in this country. I was converted to the Catholic faith by my wife, who is half Irish and half Japanese.

I studied soil, plants, insect control, and landscape architecture at Los Angeles City College, and am confident that I would be able to handle any gardening problem.

I would be so grateful if you would consider me for this position.

Very sincerely,

James Takahashi

Visit csujad.com for more information about the California State University Japanese-American History Digitization Project.

Visit boystown.org for more information about Boys Town.

This article was printed in the November/December 2018 edition of 60Plus in Omaha Magazine. To receive the magazine, click here to subscribe.

 

Toshio “James” and Margaret Takahashi with their children at the Boys Town Farm, 1944

Life Itself XII: Omaha History Stories


Life Itself XII:

Omaha History Stories

Cathy Hughes proves you can come home again

https://leoadambiga.com/2018/06/28/cathy-hughes-pro…-come-home-again

Coming home is sweet for media giant Cathy Hughes

https://leoadambiga.com/2018/06/05/coming-home-is-s…ant-cathy-hughes

North Omaha rupture at center of PlayFest drama

https://leoadambiga.com/2018/04/30/north-omaha-rupt…f-playfest-drama/

John Knicely: A Broadcast Journalism Career Five Decades Strong

https://leoadambiga.com/2018/02/26/john-knicely-a-l…e-decades-strong/

Dundee Theater: Return engagement for the ages

https://leoadambiga.com/2017/10/28/dundee-theater-r…ent-for-the-ages

 

 

The Urban League movement lives strong in Omaha

https://leoadambiga.com/2017/11/17/the-urban-league…-strong-in-omaha/

Native Omaha Days: A Homecoming Like No Other

https://leoadambiga.com/2017/08/11/native-omaha-day…ng-like-no-other

Brenda Council: A public servant’s life

https://leoadambiga.com/2017/06/26/brenda-council-a…ic-servants-life

South Omaha Museum: A melting pot magic city gets its own museum

https://leoadambiga.com/2017/04/13/a-melting-pot-ma…s-its-own-museum

Mural project celebrates mosaic of South Omaha culture

https://leoadambiga.com/2016/07/19/mural-project-ce…th-omaha-culture/

 

One Hundred Years Strong: Bryant-Fisher Family Reunion

https://leoadambiga.com/2017/06/23/100-years-strong

Baseball and Soul Food at Omaha Rockets Kanteen

https://leoadambiga.com/2017/06/23/baseball-and-soul-food/

In their own words – The Greatest Generation on World War II

https://leoadambiga.com/2017/05/02/in-their-own-wor…-on-world-war-ii/

The tail-gunner’s grandson: Ben Drickey revisits World War II experiences on foot and film

https://leoadambiga.com/2017/05/02/the-tail-gunners…on-foot-and-film

Love affair with Afghanistan and international studies affords Tom Gouttierre world view like few others

https://leoadambiga.com/2017/02/21/love-affair-with…-like-few-others/

Father Ken Vavrina: Crossing Bridges

https://leoadambiga.com/2015/10/29/father-ken-vavri…e-serving-others/

Omaha Children’s Museum all grown up at 40: Celebrating four decades of letting children’s imagination run free

https://leoadambiga.com/2016/05/07/omaha-childrens-…ination-run-free/

Eighty years and counting:

History in the making at the Durham Museum

https://leoadambiga.com/2011/08/31/eighty-years-and…he-durham-museum

Durham Museum to celebrate 40-and-40: Forty years as train station and four decades as museum

https://leoadambiga.com/2015/03/04/durham-museum-to…ecades-as-museum

IMG_3842

 

“Nebraska Methodist College at 125: Scaling New Heights”

https://leoadambiga.com/2016/09/15/nebraska-methodi…ling-new-heights

Omaha history salvager Frank Horejsi:

Dream calls for warehouse to become a museum

https://leoadambiga.com/2015/03/11/omaha-history-sa…-become-a-museum

North’s Star: Gene Haynes builds legacy as education leader with Omaha Public Schools and North High School

https://leoadambiga.com/2014/12/02/norths-star-gene…orth-high-school/

Alone or together, Omaha power couple Vic Gutman and Roberta Wilhelm give back to the community

https://leoadambiga.com/2014/09/29/alone-or-togethe…to-the-community

Creative couple: Bob and Connie Spittler and their shared creative life 60 years in the making

https://leoadambiga.com/2015/12/23/bob-and-connie-s…rs-in-the-making/

David Corbin and Josie Metal-Corbin: Moving Right Along

https://leoadambiga.com/2015/07/03/moving-right-alo…wn-in-retirement/

Ben and Freddie Gray: North Omaha Power Couple

https://leoadambiga.com/2012/07/13/gray-matters-ben…hways-to-success/

Omaha’s old lion of philanthropy Dick Holland slowing down but still roaring and challenging the status quo

https://leoadambiga.com/2015/12/04/omahas-old-lion-…g-the-status-quo

Ed Poindexter and David Rice in 1970, North Omaha, Nebraska

 

Crime and punishment questions still surround 1970 killing that sent Omaha Two to life in prison

https://leoadambiga.com/2016/03/30/crime-and-punish…o-life-in-prison/

North Omaha: Voices and Visions for Change

https://leoadambiga.com/2016/02/29/north-omaha-voic…sions-for-change

Two Part Series:

After Decades of Walking Behind to Freedom, Omaha’s African-American Community Tries Picking Up the Pace Through Self-Empowered Networking

https://leoadambiga.com/2016/02/13/two-part-series-…wered-networking

Mike Green and Dick Davis: Lifetime Friends, Former Backfield Mates, Now Entrepreneurs

https://leoadambiga.com/2011/08/20/lifetime-friends…-black-citizenry/

Two families suffer Omaha’s segregation and waken the conscience of a nation

https://leoadambiga.com/2015/11/09/my-newest-cover-…ence-of-a-nation/

When New Horizons Dawned for African-Americans Seeking Homes in Omaha

https://leoadambiga.com/2013/01/17/when-new-horizon…ericans-in-omaha

South Omaha stories on tap for free PlayFest show; Great Plains Theatre Conference’s Neighborhood Tapestries returns to south side

https://leoadambiga.com/2015/05/06/south-omaha-stor…o-the-south-side/

Image result for omaha community playhouse

 

Celebrating 90 years, the Omaha Community Playhouse takes seriously its community theater mission

https://leoadambiga.com/2015/05/03/omaha-community-…-theater-mission

Playwright turned history detective Max Sparber turns identity search inward

https://leoadambiga.com/2015/02/07/playwright-turne…ty-search-inward

Jim Trebbien: Lifelong love affair with food led to distinguished culinary arts education career at Metropolitan Community College

https://leoadambiga.com/2015/03/02/culinary-artist-…ommunity-college

The Artist in the Mill: Linda Meigs brings agriculture, history and art together at Florence Mill

https://leoadambiga.com/2014/08/01/linda-meigs-brin…at-florence-mill

 

Patrick Drickey: Golf Shots

https://leoadambiga.com/2010/08/05/golf-shots-pat-d…eat-golf-courses/

Nancy Kirk: Fabric and Faith

https://leoadambiga.com/2011/10/21/nancy-kirk-arts-…erfaith-champion/

Edith Buis: A Life Immersed in Art

https://leoadambiga.com/2012/06/11/eddith-buis-a-life-immersed-in-art

Life comes full circle for singer Carol Rogers

https://leoadambiga.com/2015/08/28/life-comes-full-…ger-carol-rogers

Goin’ down the Lincoln Highway with Omaha music guru Nils Anders Erickson

https://leoadambiga.com/2013/10/01/goin-down-the-li…-anders-erickson

 

Omaha’s Old Market: 

History, stories, places, personalities, characters

https://leoadambiga.com/2016/06/19/omahas-old-marke…ities-characters/

The X-Men Weigh-In on Designing a New Omaha

https://leoadambiga.com/2010/08/25/the-x-men-weigh-…ning-a-new-omaha

Designing Woman: Connie Spellman Helps Shape a New Omaha Through Omaha By Design

https://leoadambiga.com/2011/12/13/designing-woman-…-omaha-by-design

Play considers Northside black history through eyes of Omaha Star publisher Mildred Bown

https://leoadambiga.com/2016/04/29/play-considers-n…-of-mildred-bown

Mike Saklar: Whatsoever You Do to the Least of My Brothers

https://leoadambiga.com/2010/08/01/whatsoever-you-d…t-you-do-unto-me/

Teela Mickles: Nurturing One Lost Soul at a Time

https://leoadambiga.com/2012/06/29/nurturing-one-lo…-back-to-society/

 

 

Kent Bellows: Soul in Motion

https://leoadambiga.com/2010/09/21/kent-bellows-soul-in-motion/

Kent Bellows legacy lives on

https://leoadambiga.com/2010/10/13/bellows-legacy-lives-on

Young artist steps out of the shadows of towering presence in his life

https://leoadambiga.com/2011/09/03/a-young-artist-s…ence-in-his-life

Exhibit by photographer Jim Krantz and his artist grandfather, the late David Bialac engages in art conversation through the generations

https://leoadambiga.com/2011/10/28/photographer-jim…-the-generations/

Book explores University of Nebraska at Omaha’s rich history

https://leoadambiga.com/2012/08/02/book-explores-un…has-rich-history/

 

 

 

 

 

 

 

 

A brief history of Omaha’s civil rights struggle distilled in black and white by photographer Rudy Smith

https://leoadambiga.com/2012/05/02/a-brief-history-…apher-rudy-smit

Rich music history long untold revealed and celebrated by Omaha Black Music Hall of Fame

https://leoadambiga.com/2011/07/02/a-rich-music-his…sic-hall-of-fame/

 

The History Man, Gary Kastrick, and his Project OMAHA lose home base

https://leoadambiga.com/2010/10/03/gary-kastricks-p…es-its-home-base

Omahans recall historic 1963 march on Washington

https://leoadambiga.com/2013/08/12/omahans-recall-h…ch-on-washington

Great Migration Stories: For African Americans who left the South for Omaha, the specter of down home is never far away

https://leoadambiga.com/2013/07/30/great-migration-…s-never-far-away

THE GREAT MIGRATION: WHEREVER PEOPLE MOVE, HOME IS WHERE THE HEART IS

https://leoadambiga.com/2015/05/07/the-great-migrat…ere-the-heart-is

CIVIL RIGHTS: STANDING UP FOR WHAT’S RIGHT TO MAKE A DIFFERENCE

https://leoadambiga.com/2015/05/07/civil-rights-sta…ake-a-difference/

The Omaha Star | by National Register

 

The Omaha Star celebrates 75 years of black woman legacy

https://leoadambiga.com/2013/04/11/the-omaha-star-c…ack-woman-legacy

Marguerita Washington:

The woman behind the Star that never sets

https://leoadambiga.com/2010/08/02/marguerita-washi…-that-never-sets

Omaha World-Herald columnist Mike Kelly:

A storyteller for all seasons

https://leoadambiga.com/2014/04/02/omaha-world-hera…-for-all-seasons

Bob Hoig’s unintended entree into journalism leads to career six decades strong

https://leoadambiga.com/2013/01/25/bob-hoigs-uninte…cades-strong-now

Omaha Fashion Past

https://leoadambiga.com/2012/02/04/omaha-fashion-past

Theater-Fashion Maven Elaine Jabenis

https://leoadambiga.com/2010/08/04/theater-fashion-…n-elaine-jabenis

Timeless Fashion Illustrator Mary Mitchell: Her Work Illustrating Three Decades of Style Now Subject of New Book and Exhibition

https://leoadambiga.com/2012/01/07/timeless-fashion…k-and-exhibition

 

From the Archives: Warren Francke – A passion for journalism, teaching and life

https://leoadambiga.com/2012/06/11/from-the-archive…eaching-and-life/

Documentary considers Omaha’s changing face since World War II

https://leoadambiga.com/2012/08/15/documentary-cons…nce-world-war-ii/

Omaha Community Foundation project assesses the Omaha landscape with the goal of affecting needed change

https://leoadambiga.com/2017/05/10/omaha-community-…ng-needed-change/

Omaha Community Foundation:

A Giving Connection Serving Those Who Serve

https://leoadambiga.com/2013/09/30/omaha-community-…-those-who-serve

Everything old newly restored again at historic Sacred Heart Catholic Church in Omaha

https://leoadambiga.com/2012/07/15/everything-old-i…-church-in-omaha

photo

Remembering Omaha Old Market original, fruit and vegetable peddler Joe Vitale

https://leoadambiga.com/2012/06/19/in-memory-of-a-o…ddler-joe-vitale

From the Archives: Ode to the Omaha Stockyards

https://leoadambiga.com/2012/06/14/from-the-archive…omaha-stockyards

Last days and halcyon times of the Omaha Stockyards remembered

https://leoadambiga.com/2010/08/02/the-last-days-an…yards-remembered/

“Memories of the Jewish Midwest: Mom and Pop Grocery Stores, Omaha, Lincoln, Greater Nebraska and Southwest Iowa”

https://leoadambiga.com/2011/12/12/memories-of-the-…southwest-iowa-2/

 

Retired Omaha World-Herald military affairs newsman Howard Silber: War veteran, reporter, raconteur, bon vi vant, globetrotter

https://leoadambiga.com/2011/10/06/retired-omaha-wo…nt-globe-trotter

From the Archives: Former Omaha television photojournalist Don Chapman’s adventures in imagemaking keep him on the move

https://leoadambiga.com/2011/09/29/from-the-archive…-him-on-the-move

Omaha’s KVNO 90.7 FM turns 40: Commercial-free public radio station serves the community all classical music and local news

https://leoadambiga.com/2012/02/11/omahas-kvno-90-7…ent-set-it-apart

Nancy Bounds, Timeless Arbiter of Fashion Beauty, Glamour, Poise

http://leoadambiga.com/2012/02/04/nancy-bounds-a-t…ty-glamour-poise

Charles Jones: Looking Homeward

https://leoadambiga.com/2010/08/03/looking-homeward/

Back in the Day:

Native Omaha Days is reunion, homecoming, heritage celebration and party all in one

https://leoadambiga.com/2011/06/11/back-in-the-day-…party-all-in-one

Native Omaha Days: A Black is Beautiful celebration, now, and all the days gone by

https://leoadambiga.com/2011/07/04/native-omaha-day…the-days-gone-by

The Ties that Bind:

One family’s celebration of Native Omaha Days

https://leoadambiga.com/2011/06/11/the-ties-that-bi…ative-omaha-days

photo

photo by Cyclops-Optic (Jack David Hubbell)

My Brother’s Keeper, The competitive drive MLB Hall of Fame pitcher Bob Gibson’s older brother, Josh, instilled in him (from my Omaha Black Sports Legends series, Out to Win: The Roots of Greatness)

https://leoadambiga.com/2010/04/30/my-brothers-keep…instilled-in-him

Luigi’s Legacy, The Late Omaha Jazz Artist Luigi Waites Fondly Remembered

https://leoadambiga.com/2011/07/18/luigis-legacy-th…ondly-remembered/

Carole Woods Harris Makes a Habit of Breaking Barriers for Black Women in Business and Politics

https://leoadambiga.com/2012/04/17/carole-woods-har…ess-and-politics

By land, by sea, by air, Omaha Jewish veterans performed far-flung wartime duties

https://leoadambiga.com/2011/05/22/by-land-by-sea-b…g-wartime-duties

Omaha’s Tuskegee Airmen

https://leoadambiga.com/2010/06/18/the-tuskegee-airmen

Donovan Ketzler: Last of the Rough Riders

https://leoadambiga.com/2010/06/18/last-of-the-rough-riders/

AppleMark

Warren Buffett, left, and Stan Lipsey at the Omaha Sun in the 1970s.

 

An Omaha legacy ends, Wesley House Community Center shutters after 139 years — New use for site unknown

https://leoadambiga.com/2011/05/21/an-omaha-legacy-…for-site-unknown

Sun reflection: Revisiting the Omaha Sun’s Pulitzer Prize-winning expose of Boys Town

https://leoadambiga.com/2011/04/28/sun-reflection-r…ose-on-boys-town/

Burden of Dreams:

The trials of Omaha’s Black Museum

https://leoadambiga.com/2010/12/14/burden-of-dreams…a’s-black-museum

Long and winding saga of Great Plains Black History Museum takes new turn

https://leoadambiga.com/2010/12/14/long-and-winding…kes-a-new-turn-2/

Coloring History:

A long, hard road for UNO Black Studies

https://leoadambiga.com/2010/08/25/coloring-history…no-black-studies

 

Omaha’s Monty Ross talks about making history with Spike Lee

https://leoadambiga.com/2010/09/06/monty-ross-talks…-with-since-1981/

Radio One queen Cathy Hughes rules by keeping it real: Native Omahan created Urban Radio format

https://leoadambiga.com/2010/04/29/radio-one-queen-…-keeping-it-real/

Show goes on at Omaha Community Playhouse, where Henry Fonda and Dorothy McGuire got their start

https://leoadambiga.com/2010/08/04/the-show-goes-on

Omaha’s Grand Old Lady, The Orpheum Theater

https://leoadambiga.com/2010/08/02/omahas-grand-old…-orpheum-theater

Magical mystery tour of Omaha’s Magic Theatre, a Megan Terry and Jo Ann Schmidman production

https://leoadambiga.com/2010/05/19/the-magical-myst…idman-production

Nancy Duncan: Her final story

https://leoadambiga.com/2010/05/09/her-final-story

From the Archives: Nancy Duncan’s journey to storytelling took circuitous route

https://leoadambiga.com/2012/04/01/from-the-archive…circutious-route

Bertha’s Battle: Bertha Calloway, the Grand Lady of Lake Street, struggles to keep the Great Plains Black History Museum afloat

https://leoadambiga.com/2010/05/11/berthas-battle

Requiem for a Heavyweight, the Ron Stander Story

https://leoadambiga.com/2010/05/31/requiem-for-a-heavyweight

This version of Simon Says positions Omaha Steaks as food service juggernaut

https://leoadambiga.com/2010/06/15/this-version-of-…rvice-juggernaut

Bedrock values at core of four-generation All Makes Office Furniture Company

https://leoadambiga.com/2012/06/17/bedrock-values-a…urniture-company/

Customer-first philosophy makes family-owned Kohll’s Pharmacy and Homecare stand out from the crowd

https://leoadambiga.com/2012/06/18/customer-first-p…t-from-the-crowd

Altman on Altman: A look at the late American auteur Robert Altman through the eyes of his grandson, indie Omaha filmmaker Dana Altman, and other cinephiles

https://leoadambiga.com/2010/05/18/altman-on-altman

A Contrary Path to Social Justice: The De Porres Club and the fight for equality in Omaha

https://leoadambiga.com/2010/05/01/a-contrary-path-…quality-in-omaha

University of Nebraska at Omaha Wrestling dynasty built on tide of social change

https://leoadambiga.com/2010/04/30/uno-wrestling-dy…of-social-change

Academy Award-nominated documentary “A Time for Burning” captured church and community struggle with racism

https://leoadambiga.com/2010/12/15/a-time-for-burni…ggle-with-racism

When Omaha’s North 24th Street brought together Jews and Blacks in a melting pot marketplace

https://leoadambiga.com/2010/04/30/when-omahas-nort…-that-is-no-more

Filmmaker Alexander Payne and his father George remember the family’s Virginia Cafe

https://leoadambiga.com/2018/04/01/filmmaker-alexan…ys-virginia-cafe/

Cover of

Billy Melton served with Omaha’s “Sweet Sixteen” in the all black 530th Quartermaster Battalion

https://leoadambiga.com/2010/04/30/omahas-sweet-six…master-battalion

In her 101 years, ex-vaudeville dancer Maude Wangberg has lived a whirl of splendor

https://leoadambiga.com/2010/08/02/in-her-101-years…hirl-of-splendor/

The Brandeis Story:

Great Plains family-owned department store empire

https://leoadambiga.com/2010/06/07/the-brandeis-sto…the-great-plains

In Memoriam: George Eisenberg

https://leoadambiga.com/2018/03/27/in-memoriam-george-eisenberg

 

 

Charles Hall’s Fair Deal Cafe

https://leoadambiga.com/2016/05/11/charles-halls-fair-deal-cafe

Deadeye Marcus “Mac” McGee still a straight shooter at 100

https://leoadambiga.com/2016/03/15/deadeye-marcus-m…t-shooter-at-100

The series and the stadium: CWS and Rosenblatt are home to the Boys of Summer

https://leoadambiga.com/2016/06/25/the-series-and-t…e-boys-of-summer/

 

A Rosenblatt Tribute

https://leoadambiga.com/2010/06/19/a-rosenblatt-tribute

 

El Puente: Attempting to bridge divide between grassroots community and the system

https://leoadambiga.com/2012/07/22/el-puente-attemp…y-and-the-system/

Rabbi Azriel: Legacy as social progressive and interfaith champion secure

https://leoadambiga.com/2014/05/15/rabbi-azriel-leg…-champion-secure

Nebraska’s Changing Face; UNO’s Changing Face

https://leoadambiga.com/2014/03/18/nebraskas-changi…os-changing-face

Good Shepherds of North Omaha:

Ministers and Churches Making a Difference in Area of Great Need

https://leoadambiga.com/2011/07/04/the-shepherds-of…ea-of-great-need

When Rosenblatt was Municipal Stadium. At the first game, from left: Steve Rosenblatt; Rex Barney; Bob Hall, owner of the Omaha Cardinals; Duce Belford, Brooklyn Dodgers scout and Creighton athletic director; Richie Ashburn, a native of Tilden, Neb.; Johnny Rosenblatt; and Johnny Hopp of Hastings, Neb.:

©Omaha World-Herald

When Rosenblatt was Municipal Stadium. At the first game, from left: Steve Rosenblatt; Rex Barney; Bob Hall, owner of the Omaha Cardinals; Duce Belford, Brooklyn Dodgers scout and Creighton athletic director; Richie Ashburn, a native of Tilden, Neb.; Johnny Rosenblatt; and Johnny Hopp of Hastings, Neb.

 

Art imitates life for “Having Our Say” stars, sisters

Camille Metoyer Moten and Lanette Metoyer Moore, and their brother Ray Metoyer

https://leoadambiga.com/2014/02/05/art-imitates-lif…ther-ray-metoyer

Brenda Allen’s real life ccuntry music drama took her from Nebraska to Vietnam to Vegas

https://leoadambiga.com/2013/06/01/brenda-allens-re…vietnam-to-vegas

Ex-reporter Eileen Wirth pens book on Nebraska women in journalism and their leap from society page to front page

https://leoadambiga.com/2013/03/22/ex-reporter-eile…ge-to-front-page

Documentary shines light on civil rights powerbroker Whitney Young: Producer Bonnie Boswell to discuss film and Young

https://leoadambiga.com/2013/03/21/documentary-shin…e-film-and-young/

Free Radical Ernie Chambers subject of new biography by author Tekla Agbala Ali Johnson

https://leoadambiga.com/2012/12/05/free-radical-ern…bala-ali-johnson

Creighton College of Business anchored in pioneering entrepreneurial spirit and Jesuit philosophy

https://leoadambiga.com/2012/08/19/creighton-colleg…esuit-philosophy

Gender equity in sports has come a long way, baby; Title IX activists-advocates who fought for change see much progress and the need for more

https://leoadambiga.com/2012/06/11/gender-equity-in…he-need-for-more/

One Helluva Broad: Mary Galligan Cornett

https://leoadambiga.com/2012/06/09/one-helluva-broa…galligan-cornett

When a building isn’t just a building:

LaFern Willams South YMCA facelift reinvigorates community

https://leoadambiga.com/2012/08/03/when-a-building-…-just-a-buildin

 

 

Carolina Quezada leading rebound of Latino Center of the Midlands

https://leoadambiga.com/2012/05/03/carolina-quezada…-of-the-midlands

Allan Noddle’s food industry adventures show him the world

https://leoadambiga.com/2012/04/28/allan-noddles-ad…ow-him-the-world

Devotees hold fast to the Latin rite

https://leoadambiga.com/2010/06/15/devotees-hold-fa…o-the-latin-rite/ 

 

Steve Rosenblatt: A legacy of community service, political ambition and baseball adoration

https://leoadambiga.com/2012/04/27/steve-rosenblatt…seball-adoration

From the Archives:

Peony Park not just an amusement playground, but a multi-use events facility

https://leoadambiga.com/2012/04/08/from-the-archive…-events-facility

Making the case for a Nebraska Black Sports Hall of Fame

https://leoadambiga.com/2012/03/27/making-the-case-…rts-hall-of-fame

El Museo Latino opened as Midwest’s first Latino art and history museum-cultural center

https://leoadambiga.com/2011/06/14/el-museo-latino-…r-in-the-midwest/

The Garcia Girls

https://leoadambiga.com/2012/08/06/the-garcia-girls

South Omaha’s Jim Ramirez: A Man of the People

https://leoadambiga.com/2010/08/01/jim-ramirez-a-man-of-the-people

Community-builders Jose and Linda Garcia Devote Themselves to a Life Promoting Latino Art, Culture, History

https://leoadambiga.com/2012/09/30/community-builde…-culture-history/

Jose and Linda Garcia find new outlet for their magnificent obsession in the Mexican American Historical Society of the Midlands

https://leoadambiga.com/2012/03/25/jose-and-linda-g…-of-the-midlands/

Parween Arghandaywal pronounces words during English class at the University of Nebraska Omaha for visiting Afghan teachers in 2002. (Omaha World-Herald Photo by Bill Batson, used by permission)

Parween Arghandaywal pronounces words during English class at the University of Nebraska Omaha for visiting Afghan teachers in 2002. (©Omaha World-Herald Photo by Bill Batson)

Afghan women arrived in Omaha under the sponsorship of the University of Nebraska at Omaha. Saleemah, a teacher from Kabul and wearing a scarf is hugged by Masuma Basheer, an employee of America West Airlines in Omaha and a formerly from Afghanistan. (Omaha World-Herald photo by Bill Batson, used by permission)

Afghan women arrived in Omaha under the sponsorship of the University of Nebraska at Omaha. Saleemah, a teacher from Kabul and wearing a scarf is hugged by Masuma Basheer, an employee of America West Airlines in Omaha and a formerly from Afghanistan. (©Omaha World-Herald photo by Bill Batson)

tom-karzai-at-uno-reduced

Tom Gouttierre conferring UNO honorary status on Hamid Karzai during the then-Afghan president’s visit to Omaha

UNO Center for Afghanistan Studies plays role in multi-national efforts to restore Afghan educational system

https://leoadambiga.com/2011/12/25/uno-center-for-a…ucational-system

UNO Afghanistan Teacher Education Project trains women educators from the embattled nation

https://leoadambiga.com/2011/12/20/uno-afghanistan-…embattled-nation/

The enchanted life of Florence Taminosian Young, daughter of a whirling dervish

https://leoadambiga.com/2011/12/10/the-enchanted-li…whirling-dervish

Louise Abrahamson’s legacy of giving finds perfect fit at The Clothesline, the Boys Town thrift store the octogenarian founded and still runs

https://leoadambiga.com/2011/12/05/louise-abrahamso…uns-at-boys-town

Shirley Goldstein: Cream of the Crop – one woman’s remarkable journey in the Free Soviet Jewry movement

https://leoadambiga.com/2011/09/05/shirley-goldstei…t-jewry-movement

An Open Invitation: Rev. Tom Fangman Engages All Who Seek or Need at Sacred Heart Catholic Church

https://leoadambiga.com/2011/01/09/an-open-invitati…-catholic-church

The Sweet Sounds of Sacred Heart’s Freedom Choir

https://leoadambiga.com/2015/03/10/the-sweet-sounds…ts-freedom-choir

Salem’s Voices of Victory Gospel Choir Gets Justified with the Lord

https://leoadambiga.com/2010/06/07/salems-voices-of…ed-with-the-lord

Voices of Victory Mass Choir of the Salem Baptist Church CD

 

 

 

 

 

 

 

 

 

 

 

After steep decline, the Wesley House rises under Paul Bryant to become youth academy of excellence in the inner city

https://leoadambiga.com/2011/08/27/after-a-steep-de…n-the-inner-city

Song girl Ann Ronell

https://leoadambiga.com/2011/08/19/song-girl-ann-ronell/

A Family Thing: Bryant-Fisher Family Reunion

https://leoadambiga.com/2011/08/04/a-family-thing-b…r-family-reunion

Rev. Everett Reynolds Gave Voice to the Voiceless

https://leoadambiga.com/2011/07/18/rev-everett-reyn…to-the-voiceless

From the Archives: Minister makes no concession to retirement, plans busy travel, filmmaking schedule

https://leoadambiga.com/2012/04/01/from-the-archive…mmaking-schedule

From the Archives: Golden Boy Dick Mueller of Omaha leads Firehouse Theatre revival

https://leoadambiga.com/2011/09/23/from-the-archive…-theatre-revival/

 

Requiem for a Dynasty: UNO Wrestling

https://leoadambiga.com/2011/07/28/requiem-for-a-dy…ville-university/

UNO wrestling dynasty built on tide of social change

https://leoadambiga.com/2011/03/17/uno-wrestling-dy…-social-change-2/

Image result for don benning omaha uno

 

Magazine and mission founded on spirit of giving: Metro Magazine publisher Andy Hoig celebrates philanthropy

https://leoadambiga.com/2011/03/06/a-magazine-and-a…tes-philanthropy/

Lucile’s Old Market, Mother Hubbard magnificent obsession: From one eccentric to another – Mary Thompson on her late mother Lucile Schaaf

https://leoadambiga.com/2010/11/28/luciles-old-market/

Finding Forefathers: Lincoln Motion Picture Company Film Festival gives nod to past and offers glimpse of future

https://leoadambiga.com/2010/11/20/finding-forefath…limpse-of-future

Freedom riders: A get on the bus inauguration diary

https://leoadambiga.com/2010/10/21/get-on-the-bus-a…-ride-to-freedom

Joan Micklin Silver: Maverick filmmaker helped shape American independent film scene and opened doors for women directors

https://leoadambiga.com/2010/10/10/joan-micklin-sil…-women-directors

Joan Micklin Silver: Shattering cinema’s glass ceiling

https://leoadambiga.com/2010/05/18/shattering-cinemas-glass-ceiling

Sam Cooper’s freedom road

https://leoadambiga.com/2010/09/07/sam-cooper’s-freedom-road/

Man on fire: Activist Ben Gray’s flame burns bright

https://leoadambiga.com/2010/09/02/ben-gray-man-on-fire

Two blended houses of worship desegregate Sunday: Episcopal Church of the Resurrection and New Life Presbyterian are houses undivided

https://leoadambiga.com/2010/08/30/two-blended-hous…houses-unidvided

Hidden In plain view: Rudy Smith’s camera and memory fix on critical time in struggle for equality

https://leoadambiga.com/2010/08/29/hidden-in-plain-…gle-for-equality/

Isabella Threlkeld’s lifetime pursuit of art and ideas yields an uncommon life

https://leoadambiga.com/2010/08/04/isabella-threlke…an-uncommon-life/

Men of Science

https://leoadambiga.com/2010/08/02/men-of-science/

Blacks of Distinction

https://leoadambiga.com/2016/02/18/blacks-of-distinction-2

The Myers Legacy of Caring and Community

https://leoadambiga.com/2010/07/11/the-myers-legacy…ng-and-community

Cool Cat Billy and the Sportin’ Life

https://leoadambiga.com/2010/07/01/sportin-life

Art Missionaries, Bob and Roberta Rogers and their Gallery 72

https://leoadambiga.com/2010/06/19/art-missionaries

Get your jitney on: August Wilson play “Jitney” at the John Beasley Theater resonates with cast and crew

https://leoadambiga.com/2010/06/18/get-your-jitney-on

Puttin’ On the Ritz: Billy Melton and the crew Rrcall the Ritz Cab Co.

https://leoadambiga.com/2010/06/18/puttin-on-the-ritz

A force of nature named Evie:

Still a maverick social justice advocate at 100

https://leoadambiga.com/2010/06/16/a-force-of-natur…e-advocate-at-99

The Storz Brewery
The building at 1807 N. 16th St., which housed the operation until it closed in 1972. It included a hospitality room patterned after a brew house called “The Frontier Room” and a hunting lodge-style room adorned with the stuffed heads of big game called “The Trophy Room.”
THE WORLD-HERALD

 

 

The Storz Saga: A Family Dynasty – Their Mansion, the Brewery that Built It, the Man Who Loved It, a Legacy of Giving, the Loss of a Dream

https://leoadambiga.com/2010/06/15/the-storz-saga-a…-loss-of-a-dream

The Magnificent Obsession of Art Storz Jr., the Old Man and the Mansion

https://leoadambiga.com/2010/06/15/the-magnificent-…-and-the-mansion

Gospel playwright Llana Smith enjoys her Big Mama’s time

https://leoadambiga.com/2010/06/07/gospel-playwrigh…r-big-mamas-time

Doug Marr, Diner Theater and keeping the faith

https://leoadambiga.com/2010/06/06/doug-marr-keeping-the-faith

When We Were Kings: A Vintage Pro Wrestling Story

https://leoadambiga.com/2010/06/04/when-we-were-kin…-wrestling-story

RIP Preston Love Sr., 1921-2004. He Played at Everything

https://leoadambiga.com/2010/06/03/preston-love-192…ed-at-everything/

Preston Love: His voice will not be stilled

https://leoadambiga.com/2010/06/03/preston-love-his…l-not-be-stilled

The Smooth Jazz Stylings of Mr. Saturday Night, Preston Love Sr.

https://leoadambiga.com/2010/06/03/mr-saturday-night/

North Omaha champion Frank Brown fights the good fight

https://leoadambiga.com/2012/01/15/north-omaha-cham…s-the-good-fight

John and Pegge Hlavacek’s globe-trotting adventures as foreign correspondents

https://leoadambiga.com/2010/06/02/john-and-pegge-h…n-correspondents

 

 

When Boys Town became the center of the film world

https://leoadambiga.com/2010/05/31/when-boys-town-b…f-the-film-world/

Flanagan-Monsky example of social justice and interfaith harmony still shows the way seven decades later

https://leoadambiga.com/2010/05/31/flanagan-monsky-…y-60-years-later

Rich Boys Town sports legacy recalled

https://leoadambiga.com/2010/05/31/rich-boys-town-s…-legacy-recalled/

Winners Circle: Couple’s journey of self-discovery ends up helping thousands of at-risk kids through early intervention educational program

https://leoadambiga.com/2010/05/31/couples-journey-…-of-at-risk-kids

Otis Twelve’s Radio Days

https://leoadambiga.com/2010/05/31/otis-twelves-radio-days/

Thomas Gouttierre: In Search of a Lost Dream, An American’s Afghan Odyssey

https://leoadambiga.com/2010/05/19/in-search-of-a-l…s-afghan-odyssey

Goodwin’s Spencer Street Barber Shop:

We Cut Heads and Broaden Minds, Too

https://leoadambiga.com/2010/04/29/goodwins-spencer…roaden-minds-too/

Now Wasn’t That a Time? Helen Jones Woods and the International Sweethearts of Rhythm

https://leoadambiga.com/2010/04/29/17

Black Women in Music

https://leoadambiga.com/2010/07/11/black-women-in-music

Life Itself V: Jewish-themed and related stories from 1998-2018


Life Itself V:
Jewish-themed and related stories from 1998-2018
Holocaust/War
Milton Kleinberg: Omaha resident who survived little-known chapter of Holocaust history releases new edition of memoir
Art trumps hate: 
‘Brundinar’ children’s opera survives as defiant testament from the Holocaust
Leo Adam Biga’s survivor-rescuer stories featured on Institute for Holocaust Education website
A not-so-average Joe tells his Holocaust story of survival
Holocaust rescue mission undertaken by immigrant Nebraskan comes to light: 
How David Kaufmann saved hundreds of family members from Nazi Germany  

Holocaust Survivor's Personal Story

 
Kitty Williams finally tells her Holocaust survivor tale
The Artful Dodger: Lou Leviticus survived the Holocaust as an escape artist
Walter Reed:
Former hidden child survives Holocaust to fight Nazis as American GI
Piecing together a lost past: The Fred Kader story
The Hidden Child revealed: 
Marcel Frydman, Fred Kader, Tom Jaeger share childhood survival stories in gathering like no other
Sisters of the Shoah:
Three survivor tales, three golden fates, three iron wills
Lola’s story: Out of the ashes, destined to live
Holocaust survivor Helena Tichauer: Destiny’s child
Bea Karp: Holocaust survivor feels obligation to share painful memories
Rescuer curriculum gives students new perspective on the Holocaust
Ben Nachman remembered heroes of the Holocaust
Bringing to light hidden heroes of the Holocaust 
Ben Nachman’s mission
Ben Nachman:
At work in the fields of the righteous
By land, by sea, by air, Omaha Jewish veterans  performed far-flung wartime duties

Jewish Life in Omaha and Lincoln: A Photographic History

Social Justice/Community
Abe Sass: A mensch for all seasons
Norman Krivosha’s life in law
Steve Rosenblatt: 
A legacy of community service, political ambition and baseball adoration
Leo Greenbaum is collector of collectors ofJewishArtifacts at YIVO Institute 
Louise Abrahamson’s legacy of giving finds perfect fit at The Clothesline, the Boys Town thrift store the octogenarian founded and still runs
The life and times of scientist, soldier and Zionist Sol Bloom
Shirley Goldstein: Cream of the Crop
One woman’s remarkable journey in the Free Soviet Jewry movement
Sam Cooper’s freedom road
Retired Omaha World-Herald military Affairs newsman Howard Silber: 
War veteran, reporter, raconteur, bon vi vant, globetrotter
Howard Rosenberg’s much-traveled news career
Flanagan-Monsky example of social justice and interfaith harmony still shows the way seven decades later
Winners Circle: 
Couple’s journey of self-discovery ends up helping thousands of at-risk kids through early intervention educational program
Alone or together, Omaha power couple Vic Gutman and Roberta Wilhelm give back to the community
A force of nature named Evie: 
Still a maverick social justice advocate at 100

Faith/Religion
A matter of faith: Beth Katz and Project Interfaith find bridges to religious beliefs
Identity gets a new platform through RavelUnravel
Rabbi Azriel’s neighborhood welcomes all, unlike what he saw on recent Middle East trip; 
Social justice activist and interfaith advocate optimistic about Tri-Faith campus
Rabbi Azriel: Legacy as social progressive and interfaith champion secure
Temple Israel Omaha embraces new home and new era
History in the making: $65M Tri-Faith Initiative bridges religious, social, political gaps
Omaha Tri-Faith pioneers seeing fruits of interfaith collaborative take shape

photo

Business/Development
Master developer Jay Noddle and his Noddle Companies transform Omaha
Urban planner Marty Shukert takes long view of Omaha development
Customer-first philosophy makes family-owned Kohll’s Pharmacy and Homecare stand out from the crowd
Bedrock values at core of four-generation All Makes Office Furniture Company
This version of Simon Says positions Omaha Steaks as food service juggernaut
Allan Noddle’s food industry adventures show him the world
The much anticipated return of the Bagel Bin

 
Omaha History
The Brandeis Story:
Great Plains family-owned department store empire
“Memories of the Jewish Midwest: Mom and Pop Grocery Stores, Omaha, Lincoln, Greater Nebraska and Southwest Iowa”
Once upon a time an urban dead end became Omaha’s lively Old Market
Omaha’s Old Market: 
History, stories, places, personalities, characters
In Memoriam: George Eisenberg
A man intimate with the Old Market’s origins is gone, but his legacy lives on
George Eisenberg’s love for Omaha’s Old Market never grows old
Buffett’s newspaper man, Stanford Lipsey
Sun Reflection: Revisiting the Omaha Sun’s Pulitzer Prize-winning expose of Boys Town
When Omaha’s North 24th Street brought together Jews and Blacks in a melting pot marketplace
Omaha native Steve Marantz looks back at city’s ’68 racial divide through prism of hoops in new book, “The Rhythm Boys of Omaha Central”
Rich Boys Town sports legacy recalled
Roaenblatt-College World Series

6141-borsheim-s-fine-jewelry-and-gifts-remodel-7631

Arts/Culture/Entertainment
Potash Twins making waves in jazz:
Teen brothers count jazz greats as mentors
Identical twin horn players set to lead Omaha jazz revival
Author Scott Muskin – What’s a nice Jewish boy like you doing writing about all this mishigas? 
Author Rachel Shukert: 
A nice Jewish girl gone wild and other regrettable stories
Rachel Shukert’s anything but a travel agent’s recommended guide to a European grand tour
Omaha Lit Fest: 
In praise of writers and their words: Jami Attenberg and Will Clarke among featured authors 
Being Jack Moskovitz:
Grizzled former civil servant and DJ, now actor and fiction author, still waiting to be discovered
Playwright turned history detective Max Sparber turns identity search inward
The magical mystery tour of Omaha’s Magic Theatre, a Megan Terry and Jo Ann Schmidman production
Theater-Fashion Maven Elaine Jabenis
Old Hollywood hand living in Omaha comes out of the shadows: Screenwriter John Kaye scripted “American Hot Wax” and more
Murder He Wrote: 
Reporter-Author David Krajicek finds niche as true crime storyteller

Living the dream: 
Cinema maven Rachel Jacobson – the woman behind Film Streams
Film Streams at Five: Art cinema contributes to transformed Omaha through community focus on film and discussion
Omaha’s film reckoning arrives in form of Film Streams, the City’s first full-fledged art cinema
Joan Micklin Silver: 
Shattering cinema’s glass ceiling
“The Bagel: An Immigrant’s Story”
Joan Micklin Silver and Matthew Goodman team up for new documentary
Joan Micklin Silver’s Classic “Hester Street” Included in National Film Registry
Women’s and indie feature film pioneer Joan Micklin Silver’s journey in cinema
Carol Kane Interview
Actor Peter Riegert makes fine feature directorial debut with ‘King of the Corner”

Prodigal filmmaker comes home again to screen new picture at Omaha Film Fest
Dan Mirvish strikes again: Indie filmmaker back with new feature “Between Us”
Crazy like a fox indie fimmaker Dan Mirvish makes going his own way work
In Memoriam:
Filmmaker Gail Levin followed her passion
Filmmaker Gail Levin followed her passion
Forever Marilyn:
Gail Levin’s new film frames the “Monroe doctrine”
A filming we will go: Gail Levin follows her passion 
Gail Levin takes on American Master James Dean
Dena Krupinsky makes Hollywood dreams reality as Turner Classic Movies producer
Bill Maher Gets Real
The wonderful world of entertainment talent broker Manya Nogg
Entertainment attorney Ira Epstein: Counsel to the stars
For artist Terry Rosenberg, the moving human body offers canvas like no other
Rebecca Herskovitz forges an art family at Kent Bellows Studio and Center for Visual Arts
Song Girl Ann Ronell
Radio Day: “Michael Feldman’s Whad’Ya Know?” Live from Omaha 
Radio DJ-Actor-Singer Dave Wingert, In the Spotlight
Wild about chocolate

Harvesting food and friends at Florence Mill Farmers Market, where agriculture, history and art meet

June 6, 2018 1 comment

 

Harvesting food and friends at Florence Mill Farmers Market, where agriculture, history and art meet

©by Leo Adam Biga, Originally published in the Summer 2018 issue of Food & Spirits Magazine (http://fsmomaha.com)

The Mill Lady is hard to miss at the Florence Mill Farmers Market on summer Sundays. She’s the beaming, bespectacled woman wearing the straw hat adorned by sprays of plastic fruit and vegetables.

Market vendors include local farmers, urban ag growers, gardeners and food truck purveyors. It’s been going strong since 2009 thanks to Linda Meigs, aka The Mill Lady. As director of the historic mill, located at 9102 North 30th Street, she’s transformed a derelict site into a National Register of Historic Places cultural attraction “connecting agriculture, history and art.”

She “wears” many hats beyond the fun one. As market manager, she books vendors. She organizes exhibits at the Art Loft Gallery on the mill’s top floor. She curates the history museum on the main level. She schedules and hosts special events. She writes grants to fund operations. Supervising the mid-19th century structure’s maintenance and repairs is a job in itself.

 

 

 

Ever since she and her late husband John acquired the abandoned mill in 1997. Meigs has been its face and heart. An artist by nature and trade, she also has an abiding appreciation for history.

“Omaha would be such a beautiful city with some of the architecture we’ve torn down. This is not the most beautiful architecture in Omaha, but it is the oldest historic business site and the only still-standing building in the state that bridges the historic eras of the overland pioneer trails of the 1840s with the territorial settlement of the 1850s. That’s a very small niche – but what a cool one. And it has this Mormon heritage and connection to Brigham Young, who supervised its construction.”

It took her awhile to arrive at the ag-history-art combo she now brands it with.

“I had very vague, artsy ideas about what to do. But that first summer (1998) I was in here just cleaning, which was the first thing that needed to be done, and I had a thousand visitors and the building wasn’t even open. A thousand people found their way here and they were all coming to see those 1846 Mormon hand-hewed timbers

“It was like those timbers told me it needed to be open as an historic site after that experience.. This is my 20th summer with the mill.”

She made the guts of the mill into the Winter Quarters Mill Museum with intact original equipment and period tools on view. Interpretive displays present in words and images the site’s history, including the western-bound  pioneers who built it. She converted the top floor into the ArtLoft Gallery that shows work by local-regional artists. Then she added the farmers market.

“It was not really until after it happened I realized what I had. Then I could stand back and appreciate the integrity of it. I felt like it was a natural fit for that building because it was an ag industrial site and an historic site. The pioneer trails is certainly a significant historical  passage of our country.

“Then, too, I’m an artist and a foodie. I think supporting local is good for both personal health and for conservation of resources. It promotes individual health and the health of the local farm economy. It has less impact on the environment with trucking when you bring things in from close by as opposed to far away.

“I’m into fresh, locally-produced food. In the summer I pretty much live on local vegetables. I am a gardener myself and i do support my farmers market folks, too.”

Farmers markets are ubiquitous today in the metro. Hers owns the distinction of being the farthest north within the city limits. It proved popular from the jump.

“That first farmers market started with six vendors. Hundreds of people showed. It was a crush of people for those vendors. And then every week that summer the number of vendors increased. I think we ended up with about 40 vendors. I was pleased.

“Really, 30 is about the perfect number. It’s the most manageable with the space I have. I’m not trying to compete with the maddening crowd market.”

 

 

Finding the right mix is a challenge.

“You want to have enough variety to choose from, but you also have to have the customers that will support those vendors or they wont come back. If the community doesn’t support it, it’s hard to keep it going.”

Other markets may have more vendors, but few can match her setting.

“This one is quite unique. It’s in a field. It’s inside and    outside an historic ag building. And it feels like an authentic place for a market.”

She cultivates an intimate, upbeat atmosphere.

“It’s like a country fair. I have live music. Dale Thornton’s always there with his country soft pop ballads in the morning. The afternoon varies from a group called Ring of Flutes to old-time country bluegrass circle jams. Second Sundays is kind of a surprise. One time I had harpists show up. Lutist Kenneth Be has played here several times. I’ve had dueling banjos. Just whatever.”

A massage therapist is usually there plying her healing art. Livestock handlers variously bring in lamas, ponies and chickens for petting-feeding.

A main attraction for many vendors is Meigs.

“Oh, she’s beautiful. Nice lady, yeah,” said Lawrence Gatewood, who has the market cornered with barbecue with his T.L.C. Down Home Food stall.

Jared Uecker, owner of O’tille Pork and Pantry, said, “Linda’s exceptional to work with and really cares about the market and its vendors. She’s passionate about local food and is a frequent customer of ours.”

Jim and Sylvia Thomas of Thomas Farms in Decatur, Nebraska are among the produce vendors who’ve been there from near the start and they’re not going anywhere as long as Meigs is around.

“Everybody loves Linda. She’s what makes it,” Jim Thomas said. “She’s really doing a good job and she’s pretty much doing it for free. I mean, we pay her a little stall fee but for what we get its a deal.”

“Jim and Sylvia Thomas came in the middle of that first season and they’ve come back every year,” Meigs said.

“We kind of grew along with it,” Thomas said. “It’s a really nice friendly little market. We’re also down at the Haymarket in Lincoln, but it’s touristy, This (Florence Mill) is more of a real, live food market.”

Thomas is the third-generation operator of his family farm but now that he and his wife are nearing retirement they’re backing off full-scale farming “to do more of this.” “I like the interchange with the people. I guess you’d say its our social because out in the boondocks you never see anybody. The thing about Florence is that you get everybody. It’s really varied.”

That variation extends to fellow vendors, including Mai Thao and her husband. The immigrants from Thailand grow exquisite vegetables and herbs

“They came towards end of the first season and they’ve always been there since,” Meigs said.

Then there’s Gatewood’s “down home” Mississippi-style barbecue. He learned to cook from his mother. He makes his own sausage and head-cheese. He grows and cooks some mean collard greens.

Gatewood said, “I make my own everything.”

“I call him “Sir Lawrence,” Meigs said. “He’s come for the last three years. He smokes his meats and beans right there. He grills corn on the cob.”

Gatewood gets his grill and smoker going early in the morning. By lunchtime, the sweet, smokey aroma is hard for public patrons and fellow vendors to resist.

“He’s a real character and he puts out a real good product,” said Thomas.

Kesa Kenny, chef-owner of Finicky Frank’s Cafe, “does tailgate food at the market,” said Meigs. “She goes around and buys vegetables from the vendors and then makes things right on the spot. She makes her own salsa and guacamole and things. You never know what she’s going to make or bring. She’s very creative.”

Kenny’s sampler market dishes have also included a fresh radish salad, a roasted vegetable stock topped, pho-style, with chopped fresh vegetables, and a creamy butter bean spread. She said she wants people “to see how simple it is” to create scrumptious, nutritious dishes from familiar, fresh ingredients on hand.

“From a farmers market you could eat all summer long for pennies,” Kenny said.

More than a vendor, Kenny’s a buyer.

“She’s very supportive,” Meigs said. “For years, she’s bought her vegetables for her restaurant from the market.”

“It’s so wonderful to have that available,” Kenny said.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Meigs said that Kenny embodies the market’s sense of community.

“She comes down to the market and does this cooking without advertising her own restaurant. I told her, ‘You need to tell people you’re Kesa of Finicky Franks,’ and she said, ‘No, I’m not doing this to advertise my restaurant, I’m doing this to support the market and to be part of the fun.’ That’s a pretty unique attitude.”

“Kesa’s also an artist. She I knew each other back at the Artists Cooperative Gallery in the Old Market. She quit to open a cafe-coffee shop and I quit to do an art project and then got the mill instead. It’s funny that we have reconnected in Florence.”

Jim Thomas likes that the market coincides with exhibits at the ArtLoft Gallery, which he said provides exposure to the art scene he and his wife otherwise don’t get.

“I really enjoy the artsy people and the crafts people. They’re so creative. I guess what I’m saying is for us it isn’t about the food as much as it is about the people.”

Being part of a site with such a rich past as a jumping off point to the West is neat, too.

“That’s some big history,” said Thomas.

He added that the variety and camaraderie keep them coming back. “It’s really diverse and we’ve developed a lot of friendships down there.”

“It’s a great mingling of different nationalities and cultures.” Sylvia Thomas confirmed. “All the vendors help each other out, which is very unique. At a lot of markets, they don’t do that. Here, if you don’t have something that someone’s looking for, we’ll refer you to who has it. After you’ve been there long enough like we have, vendors and customers become kind of a family. Our regular customers introduce us to their kids and grandkids and keep us posted on what’s going on, and they ask how our family’s doing.

“We kind of intertwine each other.”

The couple traditionally occupy the market’s northeast corner, where gregarious Jim Thomas holds court.

“Linda (Meigs) tells us, ‘You’re our welcoming committee.’ It’s very fun, we enjoy it a lot,” Sylvia Thomas said.

Lawrence Gatewood echoes the family-community vibe found there.

“It’s real nice there. Wonderful people.”

Even though business isn’t always brisk, Gatewood’s found a sweet spot on the market’s southeast side.

“Not every Sunday’s good, but I still like being out there mingling with the people.”

But food, not frivolity, is what most patrons are after.

“Our big deal in the summer is peppers and tomatoes,” Jim Thomas said. “We also have onions,p ottos,  cucumbers, eggplants. We do sweet corn but sweet corn is really secondary. Early this year, if we get lucky, we might have some morels down there. Morels sell like crazy. We can sell just as many as we’ve got.”

In the fall, Thomas pumpkins rule.

The veggies and herbs that Mai Thao features at her family stall pop with color. There are variously green beans, peas, bok choy, radishes, fingerling potatoes, cucumbers, kale, cilantro and basil.

Makers of pies, cakes and other sweets are also frequent vendors at the market.

The farmers market is not the only way the mill intersects with food. Meigs has found a kindred spirit in No More Empty Pots (NMEP) head Nancy Williams, whose nonprofit’s Food Hub is mere blocks away.

“We both have an interest in food and health,” Meigs said as it relates to creating sustainable food system solutions. “Nancy is also into cultivating entrepreneurs and I guess I am too in a way.”

Jared Uecker found the market “a wonderful starting point” for his start-up O’tillie Pork & Pantry last year.

“It was the perfect home for us to begin selling our meat products. I really enjoyed its small-size, especially for businesses new to the market such as ourselves. It gave us a great opportunity to have a consistent spot to showcase our products and bring in revenue for the business. I particularly enjoyed the small-town family feel to it. It’s filled with really great local people using it for their weekly shopping as opposed to some other bigger markets which can feel more like people are there more to browse.”

The mill and NMEP have organized Blues and Barbecue Harvest Party joint fundraisers at the mill.

Meigs has welcomed other events involving food there.

“I’ve hosted a lot of different things. Every year is kind of different. In 2014 the mill was the setting for a Great Plains Theatre Conference PlayFest performance of Wood Music. The piece immersed the audience in reenactments of the mill’s early history, complete with actors in costume and atmospheric lighting. A traditional hoedown, complete with good eats and live bluegrass music, followed the play.

Kesa Kenny catered a lunch there featuring Darrell Draper in-character as Teddy Roosevelt. A group held an herb festival at the mill. Another year, crates of Colorado peaches starred.

“I occasionally do flour sack lunches for bus tour groups that come,” Meigs said. “I make flour sacks and stuff them with grain sampler sandwiches that I have made to my specifications by one of the local restaurants. It’s like an old-fashioned picnic lunch we have on the hay bales in the Faribanks Scale.”

The mill is part of the North Omaha Hills Pottery Tour the first full weekend of October each year. The Czech Notre Dame sisters hold a homemade kolache sale there that weekend.

Visit http://www.theflorencemill.org.

Read more of Leo Adam Biga’s work at https://leoadambiga.com.

 

 

Sculptor Benjamin Victor gives shape to Ponca Chief Standing Bear’s enduring voice

May 1, 2018 1 comment

Sculptor Benjamin Victor gives shape to Ponca Chief Standing Bear’s enduring voice

 

©Story by Leo Adam Biga

©Photography by Sarah Lemke

Appearing in the May’June 2018 issue of Omaha Magazine (http://omahamagazine.com)

 

In creating the larger-than-life likeness of Chief Standing Bear for the Nebraska state capitol’s Centennial Mall, sculptor Benjamin Victor felt communion with the late Native American icon. Victor was “captivated” by the principled ways of the Ponca leader, whose eloquent advocacy for his people led to a historic federal court ruling at Fort Omaha that declared the nation’s indigenous peoples to be legally “human” for the first time on May 12, 1879.

“He was a true servant-leader,” Victor says of his subject. “The things he wanted were very basic, inalienable human rights everyone should be afforded. He carried himself with dignity even through demeaning treatment. He had a higher moral code of ethics during a time when the laws were not moral. He had the courage to stand up for right through many injustices.”

Based in Idaho, the Boise State University professor and resident artist felt connected to Standing Bear through every stage of his artistic process—from preparatory research into the famous Nebraskan, through molding his clay form, to casting the Ponca leader in bronze.

“His story and spirit definitely were speaking to me,” Victor says. “As an artist, you try to get that voice through your artwork to speak to viewers who see it. I felt humbled to be working on it. In the sculpture itself, I tried to keep the spirit of Standing Bear alive as much as I tried for an accurate portrait. An accurate portrait is important, but to me a spiritual portrait is just as important. I hope it really inspires other people to study his life. If my work does that, then it’s a success.”

The Nebraska Commission on Indian Affairs and Donald Miller Campbell Family Foundation commissioned the 11-foot-tall sculpture, unveiled Oct. 15, 2017. Then, over the winter, a pair of Nebraska state senators (including Sen. Burke Harr of Omaha) introduced a bill to replace the state’s two sculptures—of J. Sterling Morton and William Jennings Bryan—in the U.S. Capitol’s National Statuary Hall with those of Willa Cather and Standing Bear. A donor, Donald Miller Campbell, pledged funds for a copy to be made of Victor’s Standing Bear work.

“To have him as a towering icon in the U.S. Capitol would be important. His story should be on the national scale. He should be known in every school,” Victor says.

The artist already has two works in the Hall. One is of Northern Paiute activist Sarah Winnemucca on behalf of the state of Nevada. Anything Native holds profound meaning for Victor, as his late step-grandfather was a member of the Juaneño—a coastal California tribe engulfed by Spanish missions.
“It’s always a big deal to me whenever I do a Native American piece that it’s done right and with purpose. I always think of my grandpa when I do them. He liked the images I created of Native Americans with a strong stance and with dignity. That really meant a lot to him. If he’s looking down, he’s really proud of this one.”

Victor’s second sculpture in the U.S. Capitol represents Iowa—Norman Borlaug, the father of modern agriculture’s “Green Revolution.”

Working from photos, Victor “modified” Standing Bear’s pose “to capture a hint of motion,” as if the chief were moving forward slightly. In an attempt to “capture every detail,” he created folds and the look of heaviness in the blanket draped about his subject. Ornamental details included intricate beadwork, a bear claw necklace, and peace medals. Victor symbolized the chief’s dual roles as warrior and ambassador by having him holding an ax-peace pipe.

The bronze is positioned in front of a wall carved with the eloquent words of Standing Bear on trial (as translated by Omaha Native Susette “Bright Eyes” LaFlesche): “That hand is not the color of yours, but if I pierce it, I shall feel pain. If you pierce your hand, you also feel pain. The blood that will flow from mine will be the same color as yours. I am a man. The same God made us both.”

The project selection committee for the state capitol’s Centennial Mall learned about Victor from George Neubert (director of the Flatwater Folk Art Museum in Brownville, Nebraska), who befriended the artist when he did a commission for Peru State College, where his bronze of a hulking football player adorns the Oak Bowl.

Although Victor originally hails from California, he developed deep roots in the Great Plains while attending Northern State University in Aberdeen, South Dakota, where he discovered his love of sculpture.

“When I picked up clay the first time in college, the medium just clicked for me,” he says. “I felt like the concepts I was trying to get across were very readily expressed in sculpture. I really like the physicality of sculpture, how you move the clay with your hands and manipulate it. I like everything about it. I also work in marble—so I do the subtractive process of carving, the additive process of clay work, and the replacement process of bronze.”

He was still in school when he landed his first big commission—for the Aberdeen airport.

“I had a family to support,” he says. “I worked at the YMCA part-time, took odd jobs, and went to school full time. I was on food stamps and rental assistance. We had nothing. To get the commission was really amazing because you can struggle your whole life as an artist and never get a commission like that.”

Soon thereafter came the Winnemucca project. Demand for his work has never ceased.

“I never thought I’d get the opportunity to make it on my own in my dream field and career,” he says. “It’s a true American success story. I still don’t take it for granted. Every day I get to do this, I feel very blessed. And then to do something inspiring like Standing Bear. What a dream commission to commemorate him and everything he stood for.”

Upon graduating, Victor was a Northern State teacher and resident artist before Boise State courted him.

“They gave me a beautiful studio space and gallery. It’s been a great home,” he says, adding that he maintains close ties with his former colleagues in South Dakota. “I’ve got so many friends there that are just like family.”

Back at his Boise studio, his studio life intersects with students, patrons, and his three children. Meanwhile, he continues to always keep his ears open to the spirits of his subjects.

Visit benjaminvictor.com for more information.

This article was printed in the May/June 2018 edition of Omaha Magazine.

 

Piecing together a lost past: The Fred Kader story

March 27, 2018 1 comment

Piecing together a lost past: The Fred Kader story

©By Leo Adam Biga

Originally appeared in the Jewish Press

 

For the first 52 years of his life Fred Kader lived everyday in the shadow of a lost past. An orphaned child of the Holocaust, Kader’s early years remained an unfathomable mystery that he hoped one day to solve so that he might finally come to know how he survived the Shoah as a small boy in his native Belgium.

That he had been one of an estimated 4,500 hidden children in his homeland during World War II he already knew. That he was the lone surviving member of his immediate family he was certain. That he ended up in an orphanage reserved for Jewish children he definitely recalled. That an uncle found him after the war and took him in to live with his family he also remembered. But precisely how he came to be hidden, where he was protected and by whom were details frustratingly outside his memory’s reach. After all, when the events that eventually, tragically separated Kader from his family first transpired he was about 4 years old — an age when distinct memories are rare in even the best of circumstances. Given the trauma he endured during the four years he was in hiding, he no doubt buried memories that he might otherwise have retained. Adding to his dilemma was the sad fact that the few members of his extended family who were left could provide only partial answers to the questions that dogged him all these years later.

For Kader, a pediatric neurologist with his own private practice in Omaha, the strain of not knowing his own life history left an ever-present void he could not fill and with the disturbing sense that pieces of this puzzling odyssey lay just beyond his grasp. Kader, a soft-spoken man with sensitive eyes, described what it is like to be burdened with such a gulf inside.

“It’s like a big box of unknown,” he said in his delicately-accented voice. “It’s a big box that’s empty, yet it isn’t empty. You know it’s full of things but there’s no way of getting into it. When you have a chance to talk about it, you remember so little that it takes just a few minutes to put in words what you can say about it because the rest of you just represses it all. The pieces you know fill just a small corner of the box and the rest of the box is empty and yet you know it isn’t. And you know whatever is in there certainly affected you and influenced you and has a direct relationship to who you are and what you do. It’s a strange kind of void. It’s part of you and yet it’s separate from you. You must keep going in spite of it and just try and accept it.”

Fragments and snatches of memories from war-torn Europe haunted him, but he could never make sense of them or be sure they were not fabrications of his imagination. Besides, the images in his head were obscured — like shadows filtered through a screen. For example, he recalled resting his head in someone’s lap and crying during a noisy, nighttime road trip, but could not remember who consoled him or why or where he was traveling. Then there was the image of him wandering the streets as a little boy lost and somehow being whisked away to safety by someone. Why he was alone and who rescued him he did not know.

“It was all bits and pieces. Some of it I knew was facts, some of may have come from something I remembered and other parts of it may have come from something I read and incorporated. After a while, things kind of merge and run together and it’s hard to tell what is factual, what’s a memory and what’s a nightmare.”

Striking an uneasy truce with his seemingly irretrievable and intractable past, Kader got to the point of never expecting to fully know what caused him to be spared amid the Holocaust. Then, at the urging of a fellow hidden child from Belgium who, amazingly enough, had also wound up as a pediatric specialist practicing in Omaha— child psychiatrist Tom Jaeger — Kader joined his friend at the First International Gathering of Children Hidden During World War II in a shared search for clues to their missing stories. Heading into the 1991 conference in New York City, the then-52-year-old Kader adopted a decidedly guarded attitude about what he might find, so as not to be disappointed if his questions turned up no real answers. “Emotionally, I was trying to stay pretty calm, cool and collected because I didn’t want to build up any kind of false hopes of being able to find something out,” he said. “I mean, who was going to know anything about this one little Jewish boy in the middle of this immense devastation that went on in Europe?”

 

 

Much to his astonishment, however, he discovered a wealth of information that, for the first time, gave him a near complete picture of how his own hidden child story played out and revealed the identities of those individuals whose actions shielded him from almost certain death. These revelations came about as the result of Kader meeting people at the conference who knew his story either as researchers or as first-hand participants who aided his survival.

First, he met writer Sylvain Brachfeld, the author of a book chronicling the hidden children of Europe, including those in Belgium, and who upon hearing Kader’s original name — Jeruzalski — immediately placed him and his story. “It was really meeting Brachfeld that just sort of put the key in the lock and unlocked the door,” Kader said. “I mean, he just pinned me. He said, ‘I know who you are and I know exactly what page you’re on in my book. I know exactly what you looked like as a kid.’ And the door just swung open and from there I met all these people who knew me and knew what had happened to me. I didn’t know them, but they recognized me. They were actually able to corroborate some of the things I had in my memory. They dated it, they placed it, and a timeline started, so to speak, and my early years sort of got sorted out. It was like catching up with my life story. It was overwhelming.”

Perhaps the most powerful corroboration came from Marcel Chojnacki, who informed Kader that it was his lap the then-4 year-old Kader rested on during that mysterious and road trip at night. It turned out Chojnacki actually discovered Kader and some other orphaned children waiting to be transported to Auschwitz. He put them in the hands of a rescuer, Madam Marie Albert Blum, a nurse who arranged for the waifs to be transported by truck back to safekeeping. At the time, Chojnacki was a fellow hidden child, although older than Kader, in the charge of Blum, who operated the Home of Wezembeek, a former sanatorium-turned shelter for Jewish children that was part of an underground network of safe houses throughout Belgium. The child-saving network that Blum participated in was known and somewhat tolerated by the Nazis and was sanctioned and partially protected by high levels of the Belgium ruling class, including Queen Elizabeth of Belgium.

Before Marcel Chojnacki and Madam Blum intervened on his behalf, Kader had already been rescued twice. His story of loss and survival began in September, 1942. The mass deportation of Jews in Belgium was already well under way. His father had been rounded up with other Jewish men and sent to a forced labor camp in France. His older brothers were already on their way to death camps. One day, Kader found himself with his mother at the Antwerp rail station, where trains were transporting Jews to various way stations en route to Auschwitz. A surviving aunt, who was also at the station that day, later told him that his mother made the heart wrenching decision to try and save her lone remaining son by ordering him to walk away from her. His mother knew he stood a chance because of his Aryan-like features — namely, blond hair and blue eyes. Like a good little boy, Kader obeyed his mother and wandered away, never to see her again. He does not remember his mother’s face or voice or smell or manner. No photographs of her or any member of his family exist. Of that fateful day, he recalls only aimlessly walking the streets of Antwerp and being swept up and carried away by some unknown good angel.

In recent years Kader has learned his rescuer that day was a nun who escorted him to a house near Antwerp set-up for hiding Jewish children. Called the Home of the Good Angels, Kader was there with five other children only a short while before the house was raided. Kader and the other children were sent to Malines, a major train terminal and deportation site for Auschwitz. Meanwhile, the Wezembeek orphanage was also shut down by the Nazis, who forced Madam Blum and the dozens of children in her protection to move to Malines. It was in Malines where the paths of Kader, Blum and Chojnacki intersected. After being thrown out of their hiding place, Kader and his fellow young vagabonds, suffering from lack of food and sleep, were holed up in one corner of a former army barracks in Malines. Soon, Blum and her caravan of orphans arrived, too — unaware of the presence of Kader’s group. All of the children were slated for transport to Auschwitz. A convoy of trains carrying Jews from France were to be their passage. Civilian trains were being employed at this time in the transport of Jews. That day, the trains were late arriving, Kader has learned, because some captives kept jumping off, causing repeated delays as the guards recaptured the fleeing prisoners or shot them on sight. In an ironic and tragic twist, it turns out Kader’s father and uncle were on one of the trains en route to Malines. Neither Kader nor his father could have known the other was so near. And, as fate would have it, Kader’s uncle — his father’s brother — escaped into the countryside during one of the train convoy’s unscheduled stops, but his father did not.

 

 

During the better part of a day and night, the enterprising Blum took advantage of the delayed trains to negotiate with German army officials, some of whom could be bought with bribes, for the release of the children to her care and for a guarantee of their safe transit back to Wezembeek. As the day drew on, some of the older children with Blum, including Chojnacki, wandered off to investigate the barracks compound around Malines. And it was while nosing around one barracks that Chojnacki and his mates came upon the huddled, ragtag forms of Kader and the others, who were brought to Blum’s attention and added to her protective custody. Malines proved to be a crossroads of hearts and fates. While Kader, his uncle, Madam Blum and her wards were spared the horror of Auschwitz, the brutally efficient Gestapo were so intent on meeting their deportation quota that they dragged patients out of hospitals and onto the trains to take the place of the children. It is presumed Kader’s father went to his death in Auschwitz too.

When, in 1991, Kader met up again with Marcel Chojnacki and learned how he came to be with him under Blum’s protection, it was like coming face to face with his long “lost brother” and finding the once closed door to his unknown past opened wide. Kader said, “He knew how I came to be saved. How I survived. Meeting Marcel, the door didn’t just swing open, it came off the hinges. It was just a flood of information. It couldn’t come fast enough. It grew exponentially. I was trying to keep my feet on the ground to make sense of all this.” He and Chojnacki have become close friends in the ensuing years. As part of his attempt to reclaim his past, Kader has traveled to Belgium to visit many of the sites he spent his hidden childhood in and to thank Chojnacki, Blum and other individuals who played a role in his survival. For Kader, the term hero only begins to describe how he feels about Blum, a Jewish woman who risked her life over and over to aid helpless children like himself. Blum has been recognized in her own country and around the world for her rescue efforts.

Kader’s immediate post-war life, like that of many hidden children, was an unsettled affair. He stayed at a convent for a time and for two years he and other children fended for themselves at the by-then vacated Wezembeek facility and grounds. He developed street smarts during this time. “You had to mature fast if you were going to survive,” he said. His uncle found him — purely by accident — and brought him to live with his family. Kader said his uncle rarely spoke about the war or the personal losses endured. “It was too painful to talk about it. He survived and my father didn’t. He was the sole survivor of the family. And here I was reminding him of the family that he lost.” He said his uncle’s family treated him well, but his orphan’s sense of abandonment and wariness made him resist their kindness. “As a kid, you realize there’s nobody there for you. You’re it. You’re on your own. You don’t know what’s going to happen tomorrow. Whether you’re safe or not. You lived through the war. You ended up in an orphanage. Then, you’re at your uncle’s place. They tried very hard to make a family life for me, but I don’t think I let them because everywhere you go, you wonder, How long am I going to be here?” Kader’s mistrust and alienation only intensified when, at age 11, he was sent to live with a great aunt and her family in Montreal, Canada. “And then all of a sudden you’re transported to a different place. To a different country. With a different family. So, again, you’re left wondering How long” How come? and What’s going to happen next? I looked at it as the next step in being alone and traveling on an ongoing basis. It took me years and years to make sense of my existence.”

Finally, with time, he came to feel he did have a home and a family, after all. “It took a while to accept that there was no more wondering about whether I belonged somewhere. As you get a little older you stop wondering what’s going to happen and you realize this is not just another temporary stopping place, but that this is it. This is the end of the line. This is where you’re going to become part of a new family and this is where you’re going to plant roots.”

 

 

Gradually, Kader began to flourish in his new life. He did well in school, especially upon discovering that education was an opportunity to make something of himself and, in a way, to make up for some of what he had lost. From the time he arrived in Montreal he felt compelled to serve others. “I knew I wanted to do something to help people.” He couldn’t fully understand it then but he has since come to believe his wartime experiences are what drove him to be a physician focusing on children. “It’s no accident I found myself working in medicine with kids. My past was a means to an end. Obviously, knowing what happened to me the first seven years of my life does give you a basis to realize how you got to this point and how you got be who you are. It makes you more whole when you can understand what you’re doing and why you’re doing it.”

After training in Canada and the United States, Kader settled in Omaha in 1974, where he worked at the University of Nebraska Medical Center before entering private practice. He and his wife of 36 years, Sarah, are parents to three grown children (two of whom are professionals working with children) and are grandparents to three.

Since discovering his past, Kader, now 62, has spoken publicly about his experience as well as about the horrors and the lessons of the Holocaust. He feels it is the obligation of all survivors to do so. “We have to tell our story because it’s the only way we can teach people what happened. You hope people will listen and you hope people will learn. If you know about it, then when you see bigotry in front of your eyes you’ll recognize it and then maybe you’ll try to put a stop to it.”

Meanwhile, Kader’s search for more details about his family’s exact fate may never fully be completed. For example, his investigations have not been able to determine what happened to his only sister. “There’s still little pieces missing,” he said. “Things that I’ll probably never know. You never quite get to the end. So there’s still a sense of not totally putting closure to it.”

In Memoriam: George Eisenberg

March 27, 2018 2 comments

In Memoriam: George Eisenberg 

A man intimate with the Old Market’s origins is gone, but his legacy lives on.

©Story by Leo Adam Biga
©Photography by Nebraska Jewish Historical Society
Originally published in Omaha Magazine

 

The late George Eisenberg, 88, appreciated the historic Old Market the way few people do because of his many relationships to it. His experience encompassed the Market’s life as a wholesale produce center and eventual transformation into an arts-culture destination and trendy neighborhood.

He began working in the Old Market as a peddler’s son, manning a fruit stall alongside his father, Ben, and brother, Hymie, in what was then the Omaha City Market. Later, he founded and ran a successful niche business with Hymie supplying national food manufacturers’ thrown-away bits of onions and potatoes. The brothers, known as “the potato and onion kings of the U.S.,” officed in adjoining warehouses their father kept for storage and distribution. Eisenberg held onto the building even after the produce market disbanded and the area fell into decline. As the area transitioned and property rates skyrocketed, he became a well-positioned landlord and active Old Market Business Association and Omaha Downtown Improvement District member.

“He went to the meetings and spoke his mind,” son Steve Eisenberg says. More than speak his mind, Eisenberg oversaw the careful renovation of his building and secured many of the lamp posts that adorn the Old Market.

The Eisenberg property at 414-418 South 10th Street housed many tenants over the years, and today is home to J.D. Tucker’s and Stadium View sports bars.

Eisenberg-on-truck-copy_2

Eisenberg was half of the wholesaler Eisenberg and Rothstein Co.

As the Old Market grew, he became one of its biggest advocates and enjoyed playing the role of unofficial historian. He’s remembered as a gentle lion who proudly shared the district’s past with business owners, visitors, media, and anyone interested in its history. He loved telling stories of what used to be a teeming Old World marketplace where Jewish, Italian, and other ethnic merchants dickered with customers over the price of fruit and vegetables.

“Something he really enjoyed doing, especially in his retirement, was going down there and letting people know where the Old Market came from and where it’s going. Up till his last days, he saw such a bright future for the Old Market and was very proud of what all was going on down there,” says Steve.

“George was just terrific, a real gentleman, also a wonderful character with a great sense of humor and compassion. He was revered as an ‘elder statesman,’” says Old Market Business Association member Angela Barry. “He was very sharp and knowledgeable about the neighborhood’s history. Even in his later years, he lovingly and passionately cared about the business of the Old Market.

“He really was something special. When I heard of his passing, it was a sad day.”

Nouvelle Eve owner Kat Moser will remember Eisenberg for his wise and generous business counsel.

Steve Eisenberg will remember his father as “a very hard worker who, even in retirement, kept busy promoting other people’s businesses and the Old Market area itself.”

The Eisenberg presence will live on there. “My siblings and I promised him we’re never selling the building,” says Steve. “It’s staying in the family, and we’re going to run it like he did.”

With Eisenberg’s passing and his peddler pal, Joe Vitale, preceding him in death a year earlier, the last sources with first-hand knowledge of the Omaha City Market are gone. But they leave behind an Old Market legacy not soon forgotten.

Her mother’s daughter:  Charlene Butts Ligon carries on civil rights legacy of her late mother Evelyn Thomas Butts

January 28, 2018 2 comments

Her mother’s daughter: 

Charlene Butts Ligon carries on civil rights legacy of her late mother Evelyn Thomas Butts

©by Leo Adam Biga

Appearing in February 2018 issue of the New Horizons

 

Chances are, you’ve never heard of the late Evelyn T. Butts. But you should know this grassroots warrior who made a difference at the height of the civil rights movement in the Jim Crow American South.

A new book, Fearless: How a poor Virginia seamstress took on Jim Crow, beat the poll tax and changed her city forever, written by her youngest daughter, Charlene Butts Ligon of Bellevue, Neb. preserves the legacy of this champion for the underserved and underrepresented.

Defying odds to become civil rights champion

Evelyn (Thomas) Butts grew up with few advantages in Depression Era Virginia. She lost her mother at 10. She didn’t finish high school. Her husband Charlie Butts came home from World War II one hundred percent disabled. To support their three daughters, Butts, a skilled seamstress, took in day work. She made most of her girls’ clothes.

When not cooking, cleaning, caring for the family, she volunteered her time fighting for equal rights, She became an unlikely force in Virginia politics wielding influence in her hometown of Norfolk and beyond. Both elected officials and candidates curried her favor.

She fought for integrated schools, equal city services and fair housing. Her biggest fight legally challenged the poll tax, a registration fee that posed enough of a financial burden to keep many poor blacks from  exercising their right to cast a ballot. The Twenty-fourth Amendment to the U.S. Constitution had ruled poll taxes illegal in federal elections but the practice continued in southern state elections as a way to disenfranchise blacks. Butts’ case, combined with others. made it all the way to the U.S. Supreme Court. in 1966, Thurgood Marshall argued for the plaintiffs. In a 6-3 decision, the court abolished the poll tax in state elections and Butts went right to work registering thousands of voters.

Devoted daughter documents mom’s legacy in book

More than 50 years since that decision and 25 years since her mother’ death in 1993, Ligon has written and published a book that chronicles Evelyn Butts’ life of public service that inspired her and countless others.

Ligon and her husband Robert are retired U.S. Air Force officers. The last station of their well-traveled military careers was at Offutt Air Force Base from 1992 to 1995. When they retired, the couple opted to make Nebraska their permanent home. They are parents to three grown children and five grandchildren.

By nature and nurture, Ligon, inherited her “mama’s” love of organized politics, community affairs and public service. She’s chair of the Sarpy County Democrats and secretary of the Nebraska State Democratic Party. As the party’s state caucus chair, she led a nationally recognized effort that set up caucuses in all 93 counties and developed an interactive voting info website.

Former Nebraska Democratic Party executive director Hadley Richters knows a good egg when she sees one.

“In politics, you learn quickly the people who will actually do the work are few, and even fewer are those who strive to do it even better than before. Charlene Ligon is definitely a part of that very few. I have also learned those few, like Charlene, are who truly uphold our democracy. Charlene works tirelessly to further participation in the process, selflessly driven by rare and deep understanding of what’s at stake. She is a champion for voices to be heard, and when it comes to protecting the democratic process, defending fairness, demanding access, and advocating for what is right, I can promise you Charlene will be present, consistent, hard-working and fearless.”

Ligon is a charter member of Black Women for Positive Change, a national policy-focused network whose goals are to strengthen and expand the American middle-working class and change the culture of violence.

Besides her mother, she counts as role models: Barbara Jordan, Shirley Chisholm and Dorothy Height.

In addition to participating in lots of political rallies, she’s an annual Omaha Women’s March participant.

Like her mother before her. she’s been a Democratic National Convention delegate, she’s met party powerbrokers and she’s made voting rights her mission.

“It all goes back to that – access and fairness. That’s how I see it.”

Even today, measures such as redistricting and extreme voter ID requirements can be used to suppress votes. She still finds it shocking the lengths Virginia and other states went to in order to suppress the black vote.

“Virginia’s really shameful in the way it did voting,” she said. “At one time, they had what they called a blank sheet for registration. When you went to register to vote you had to know ahead of time what identifying information you needed to put on there. It wasn’t a literacy test. By law, the registrar could not help people, so people got disqualified. Well, the black community got together and started having classes to educate folks what they needed to know when they went to register.”

The blank sheet was on top of the poll tax. An unintended effect was the disqualification of poor and elderly whites, too. In a majority white state, that could not hold and so a referendum was organized and the practice discontinued.

“The history books tell you they did it because of white backlash, not because of black backlash,” Ligon said.

Virginia’s regerettable record of segregation extended to entire school districts postponing school and some schools closing rather than complying with integration

“It always amazes me they did that,” she said.

 

Speaking her mind and giving others a voice

As a Norfolk public housing commissioner, Butts broke ranks with fellow board members to publicly oppose private and public redevelopment plans whose resulting gentrification would threaten displacing black residents.

“She really gave them a fit because they weren’t doing what they should have been doing for poor neighborhoods and she told them about it. They weren’t really ready for her to bring this out,” Ligon said of her mother’s outspoken independence.

“Mama could be stubborn, too. She was authoritarian sometimes.”

Butts became the voice for people needing an advocate.

“They called her for all kinds of things. They called her when they needed a house, when they were having problems with their landlord. They called her and called her. They knew to call Mrs. Butts and that if you call Mrs. Butts, she’ll help you. Nine times out of ten she could get something for them. She had that reputation as a mover and shaker and they knew she wasn’t going to sell them out because it wasn’t about money for her.”

Ligon fights the good fight herself in a different climate than the one her mother operated in. It makes her appreciate even more how her mom took on social issues when it was dangerous for an African-American to speak out. She admires the courage her mother showed and the feminist spirit she embodied.

“My mama always spoke up. She didn’t cow. She talked kind of loud. I got that from her. She looked them in the eye and said, ‘Yeah, this is the way it needs to be.’ They didn’t always pay attention to her, but she just always was ready to say what needed to be said.  Of course, the establishment didn’t want to hear it. But she actually won most people’s respect.”

Growing up, Ligon realized having such a bigger-than-life mother was not the norm.

“She stood out in my life. I started to understand that my mom was different than most people’s moms. She was always doing something for the neighborhood. There were so many things going on in the 1950s through the early 1960s that really got her going.”

Her mother was at the famous 1963 March on Washington, where Martin Luther King Jr. delivered his “I Have a Dream” speech. Charlene wanted to go but her mother forbade it out of concern there might be violence. Being there marked a milestone for Evelyn – surpassed only by the later Supreme Court victory.

“It meant a lot to her. That was the movement. That was what she believed,” Ligon said. “And it was historic.”

Long before the march, Butts saw MLK speak in Petersburg, Virginia. He became her personal hero.

“She was already moving forward, but he inspired her to move further forward.”

Decades later, Ligon attended both of Obama’s presidential inaugurations. She has no doubt her mother would have been there if she’d been alive.

“I wish my mom could have been around to see that, although electing the nation’s first black president didn’t have the intended effect on America I thought it would. It gave me faith though when he was elected that the process works, that it could happen. He could not have won with just black votes, so we know a lot of white people voted for him. We should never forget that.

“It just really made me proud.”

Ligon shook hands with President Obama when he visited the metro. She’s met other notable Democrats, such as Joe Biden, Hilary Clinton, Bill Clinton, Jim Clybern, Doug Wilder, Ben Nelson and Bob Kerrey.

The day the Supreme Court struck down the poll tax, her mother got to meet Thurgood Marshall – the man who headed up the Brown vs. Board of Education legal team that successfully argued for school desegregation.

“She was really thrilled to meet him.”

Then-U.S. Attorney General Robert Kennedy was in the courtroom for the poll tax ruling and Evelyn got to meet the future presidential candidate that day as well.

Butts was vociferous in her pursuit of justice but not everyone in the movement could afford to be like her.

“As I look back on the other prominent people in the movement,” Ligon said, “they had their ways of contributing but there were a lot of people who had what they considered something to lose. For instance, teachers just wouldn’t say a word because they were afraid for their jobs. There were lots of people that wouldn’t say anything.”

Her mother exuded charisma that drew people to her.

“People liked her. Mama was an organizer. She was the person that got them all together and she was inspirational to them, I’m sure. She had a group of ladies who followed her. They were like, “Okay. Mrs. Butts, what are we going to do today? Are we going to register voters? Are we going to picket?”

Evelyn Butts formed an organization called Concerned Citizens for Political Education that sought to empower blacks and their own self-determination. It achieved two key victories in the late 1960s with the election of Joseph A. Jordan as Norfolk’s first black city council member since Reconstruction and electing William P. Robinson as the city’s first African-American member of the state House of Delegates.

Charlene marveled at her mother’s energy and industriousness.

“I was always proud of her.”

Having such a high profile parent wasn’t a problem.

“I never felt uncomfortable or had a negative feeling about it.”

Even when telling others what she felt needed to be done, Ligon said her mother “treated everybody with respect,” adding “The Golden Rule has always been my thing and I’m sure my mom taught me the Golden Rule.”

Telling the story from archives and memories

As big a feat as it was to end the poll tax, Ligon felt her mother’s accomplishments went far beyond that and that only a book could do them justice. So, in 2007, she and her late sister Jeanette, embarked on the project.

“We thought people needed lo know the whole story.”

Ligon’s research led her to acclaimed journalist-author Earl Swift, a former Virginian Pilot reporter who wrote about her mother. He ended up editing the book. He insisted she make it more specific and full of descriptive details. Poring through archives, Ligon found much of her mother’s activities covered in print stories published by the Pilot as well as by Norfolk’s black newspaper, the New Journal and Guide. Ligon also interviewed several people who knew her mother or her work.

Writer Kietryn Zychal helped Ligon pen the book.

Much of the content is from Charlene and her sister’s vivid memories growing up with their mom’s activism. As a girl, Charlene often accompanied her to events.

“She took me a lot of places. I was exposed.”

Those experiences included picketing a local grocery store that didn’t hire blacks and a university whose athletics stadium restricted blacks to certain sections

“The first time i remember attending a political-social activism meeting with Mama was the Oakwood Civic League about 1955 during the same time the area was under annexation by the city of Norfolk. My next memory is attending the NAACP meeting at the church on the corner from our house concerning testing to attend integrated schools. I have vivid memories of attending the court proceedings of a school desegregation case. Mama took me to court every day. She was called to testify by the NAACP lawyers.”

Charlene joined other black teenage girls as campaign workers under the name the Jordanettes, for candidate Joe Jordan. Her mom made their matching outfits.

“We passed out literature, campaign buttons, bumper stickers at picnics, rallies and meetings. Hanging out with my mom and doing the campaign stuff definitely had an influence. I was always excited to tag along.”

At home, politics dominated family discussions.

“My mom did what she did all the time and she talked about it all the time, and so I always knew what was going on, She involved us. She would update my dad. We were always in earshot of the conversation. My sisters and I were expected to be aware of what was happening in our community. We were encouraged to read the newspaper. We participated in some picketing.”

Always having Evelyn’s back was the man of the house.

“He was behind her a hundred percent,” Ligon said of her father, who unlike Evelyn was quiet and reserved. He didn’t like the limelight but, Charlene said, “he never fussed about that – he was in her corner.”

“He might not have done that (activism) personally himself but yeah he was proud she was out there doing that. As long as she cooked his dinner.”

Because Evelyn Butts was churched, she saw part of her fighting the good fight as the Christian thing to do.

“We attended church but my mama wasn’t really a church lady. She just always believed in what the right thing to do would be. I guess that inner thing was in all of us as far as social justice.

“She taught me there wasn’t anything I couldn’t do if I put my mind to it. She taught me not to be afraid of people because I was different.”

When it came time for Ligon to title her book, the word fearless jumped out.

“That’s what she was.”

Where did that fearless spirit come from?

After her mother died, she was raised by her politically engaged aunt Roz. But headstrong Evelyn took her activism to a whole other level.

“I remember Roz telling mama to be careful. She said, ‘Evelyn, you better watch out, they’re going to kill you.'”

The threat of violence, whether implied or stated, was ever present.

“That’s just the way it was. In Virginia, we had some bad things happen, but it wasn’t like Mississippi and the civil rights workers getting killed. We had a few bombings and cross burnings. It still amazes me how she was able to put up with what she did. A lot of people were frightened. Not far from where we lived. racists were bombing houses near where she was picketing. She wasn’t frightened about that and she always made us feel comfortable that things were going to be okay.”

Butts drew the ire of those with whom she differed, white and black. For example, she called out the Virginia chapter of the NAACP for moving too slowly and timidly.

“My mom was considered militant back in the day, but she was also pragmatic about it. There was so much ground to cover. There’s still a lot of ground to cover.”

 

Progress won and lost in a never-ending struggle

Ligon rues that today’s youth may not appreciate how fragile civil rights are, especially with Donald Trump in office and the Republicans in control of Congress.

“I don’t think young people realize we’re losing ground. They aren’t paying attention. They take things for granted, I’m old enough to remember when everything was segregated and how restrictive it was. I may not want to go anywhere then someplace where all the people look like me, but I need to have that choice.

“We’ve lost almost all the ground we made when Barack Obama was president. People who wanted change said we don’t need the status quo and I would say, yes we do, we need to hold it a little bit.”

She’s upset Obama executive orders are under assail. Protections for DACA recipients are set to end pending a compromise plan. Obamacare is being undone. Sentences for nonviolent drug offenders are being toughened and lengthened.

Perhaps it’s only natural the nation’s eyes were taken off the prize once civil rights lost an identifiable movement or leader. But Ligon chose a Corretta Scott King quotation at the front of her book as a reminder that when it comes to preserving rights, vigilance is needed.

Struggle is a never ending process. Freedom is never really won –you earn it in every generation.

“I think the struggle is always going to be there for us minorities, specifically for African-Americans,” Ligon said. “It’s my belief we’re always going to have it. Each generation has to continue to move forward. You can’t just say, ‘We have it now.'”

She’s concerned some African-Americans have grown disillusioned by the overt racism that’s surfaced since Trump emerged as a serious presidential candidate and then won the White House.

“With the change that’s happened in the United States, I think a lot of them have lost faith. They seem to have given up. They say America is white people’s country. I remind them it’s our country. Do you know how much blood sweat and tears African-Americans have invested in America? Somewhere down the line we did not instill that this is our country. It’s okay to be patriotic and call them out every day. You can do both.”

How might America be different had MLK lived?

“Hopefully, we would be a little bit further along in having a more organized movement,” said Ligon.

She’s distressed a segment of whites feel the gains made by blacks have come at their expense.

“Some white people feel something has been taken from them and given to the minorities, which is sad, because it’s not really so. But they feel that way.”

She feels the election of Trump represented “a backlash” to the Obama presidency and his legacy as a progressive black man in power.

If her mother were around today, Charlene is sure she would be out registering voters and getting them to the polls to ensure Trump and those like him don’t get reelected or elected in the first place.

In her book’s epilogue, Charlene suggests people stay home from the polls because they believe politics is corrupt and dirty but she asserts Mama Butts would have something to say about that.

If my mother could, I know she’d say this: If you don’t vote, you can be assured that corrupt politicians will be elected.

“And that’s the truth,” Ligon said.

Drawing strength from a deep well

Just where did her mother get the strength to publicly resist oppression?

“It probably came from a long line of strong women. My grandmother’s sisters, including Roz, who raised my mom, and women from the generation before. The men, I suspect, were pretty strong too. You just had to know my mom and the other family ladies, and the conclusion would be something was in the genes that made them fighters. They were fighters, no doubt. They all were civic-minded, too.”

Going back even earlier in the family tree reveals a burning desire for freedom and justice.

“My great-great-grandfather Smallwood Ackiss was a slave who ran away from the plantation during the Civil War after the Emancipation Proclamation in 1863 and went to Norfolk. He went on to fight for the Union for two years,” Ligon said. “In 1865, he came back to the plantation. John Ackiss II, who was the plantation owner and his owner, had been fighting for the Confederacy at the same time. We do know Smallwood was given 30 acres of land. He lost the property, but we still have a family cemetery there that’s now on a country club in a real exclusive area of Virginia Beach.”

From Smallwood right on down to her mother and herself, Charlene is part of a heritage that embraces freedom and full participation in the democratic process.

“I guess I was always interested and Mom always took me with her. I always saw it. Even in the military, when stationed in South Dakota, I chaired the NAACP Freedom Fund in Rapid City.

“It’s always been there.”

She feels her time in the service prepared her to take charge of things.

“The military strengthens leadership. It’s geared for you to get promoted to become a leader.”

Then there’s the fact she is her mother’s daughter.

Entering the service in the first place – as a 26-year-old single mother of two young children – illustrated her own strong-willed independence. It was 1975 and the newly initiated all-volunteer military was opening long-denied opportunities for women.

“I was divorced, had two kids and I needed child care and a regular salary. I didn’t want to have to depend on anyone else for it but me. It was difficult entering the military as a single parent, but I saw it as security for me and my kids. I was really fortunate I met a great guy whom I married and we managed to finish out our careers together.”

Ligon made master sergeant. She worked as a meteorologist.

“I didn’t want a traditional job. I didn’t want to be an administrative clerk in an office.”

She ended her career as a data base programmer and since her retirement she’s done web development work. She also had her own lingerie boutique, Intimate Creations, at Southroads Mall. Democratic Party business takes up most of her time these days.

Charlene’s military veteran father died in 1979. He supported her decision to serve her country.

Bittersweet end and redemption 

While off in the military, Charlene wasn’t around to witness her mother falling out of favor with a new regime of leaders who distanced themselves from her. Mama Butts lost bids for public office and was even voted out of the Concerned Citizens group she founded. This, after having received community service awards and being accorded much attention.

Personality conflicts and turf wars come with the territory in politics.

“For a long time, my mom didn’t let those things stop her.”

Then it got to be too much and Evelyn dropped out.

Upon her death, Earl Swift wrote:

Evelyn Butts’ life had become a Shakespearean tragedy. She’d dived from the heights of power to something very close to irrelevance. This is someone who should have finished life celebrated, rather than forgotten. History better be kind to this woman. Evelyn Butts was important.

The family agreed her important legacy needed rescue from the political power grabs that tarnished it.

“The Democratic Party really was not nice to my mom. That was another reason I wrote the book – because I wanted that to be known,” Charlene said. “I didn’t know all that had gone on until 1993 when she died. I wanted to present who she was. how she came to be that way and the lessons you can learn from her life. I think those lessons are really important for young people because we need to move forward, we need to stay focused and know that we can’t give up – the struggle is still there.

“People need to vote. That’s what they really need to do. They need to participate. Voting is their force and they don’t realize it, and that’s really disheartening. Even in Norfolk, my hometown, the registered voter numbers  and turnout for elections among blacks is horrible – just like it is here. In north and south Omaha, they don’t turn out the way they could – 10 to 15 percent less than the rest of the city. That should not be.

“When John Ewing ran for Congress he lost by one and a half points. A little bit of extra turnout in North Omaha would have put him over the top. The same thing happened when Brenda Council ran for mayor of the City of Omaha. If they had turned out for Brenda, Brenda would have been elected. That discourages me because they feel like they’re only a small percentage of the population. Yes, it’s true, but you can still make a difference and when you make that difference that gives you a voice. When you can swing an election, candidates and elected officials pay attention. When black voters say ‘they don’t care about us,’ well I guess not, if you don’t have a voice.”

If anything, the work of Evelyn Butts proved what a difference one person can make in building a collective of activated citizens to make positive change.

To Ligon’s delight, her mother is fondly remembered and people want to promote her legacy. A street and community center are named after her. A church houses a tribute display. Endorsements for the book came from former Virginia governor and senator Chuck Robb and current Norfolk mayor Kenneth Cooper Alexander, who wrote the foreword.

Ligon was back home in Norfolk in January for a book signing in conjunction with MLK Day. She’s back there again for more book signings in February for Black History Month.

In Omaha, Fearless is available at The Bookworm, other fine bookstores and select libraries.

Fittingly, the book has been warmly received by diverse audiences. Long before intersectionality became a thing, Ligon writes in her book, her mother practiced it.

She was black. She was a woman. She was poor. She had dropped out of high school. She was overweight and she spoke loudly with confidence in her opinions in a voice that disclosed her working-class, almost rural upbringing. But this large, black poor woman was in the room with politically powerful white people, making policy and advocating for the poor, and it drove some suit-wearing, educated, well-heeled, middle-class male ministers nuts. Some wanted her place. Or, they believed her place should be subservient to a man.

When her public career ended, my mother retreated to private life … She occupied her time by being a mother, a grandmother, a caregiver, a homemaker and a fantastic cook. To say that her post-political years were tragic is to miss how much strength and satisfaction she drew from those roles. She may have retreated, but she was not defeated.

We will never come to consensus on why Evelyn Butts lost her political power. There will always be people in Norfolk who thought her ‘style’ made her unelectable, that she brought about her own demise … Whatever her failings, her legacy is not in dispute. She will always exist in the pages of the U.S. Supreme Court case, in brick and mortar buildings that she helped to create, and in the memories of people …

For me, her last surviving daughter, Evelyn Butts will always be a great American hero.

If there’s a final lesson Charlene said she’s taken from her mother it’s that “there are things bigger than yourself to fight for – and so I do what I do for my kids and grandkids.”

She’s sure her mom would be proud she followed in her footsteps to become a much decorated Democratic Party stalwart and voting rights champion.

“I haven’t thought about a legacy for myself. I hope people will remember me as a hard worker and as a pragmatic, fair fighter for social justice and civil rights.”

Visit evelyntbutts.com or http://www.facebook.com/evelyntbutts.

 

In their own words – The Greatest Generation on World War II

May 2, 2017 2 comments

Omaha Magazine remembers World War II in its May-June 2017 issue. This is the second of two stories I wrote for that issue that I’m posting on my social media. Omahans Shawn Schmidt and Jill Anderson are putting aside their divergent political beliefs to collaborate on a documentary, “48 Stars,” that tells personal stories of World War II through the words and eyes of veterans and others who lived through that epoch. 

 

In their own words

The Greatest Generation on World War II

©Photography by Bill Sitzmann
Appearing in the May-June 2017 issue of Omaha Magazine (http://omahamagazine.com

Members of the Greatest Generation tell their own stories in a locally produced documentary, 48 Stars. The in-progress film features personal testimonies from World War II veterans.

War buff Shawn Schmidt conceived the project. His co-director is Jill Anderson. The Omaha filmmakers are unlikely collaborators. He’s a holistic health care provider and former race car owner-driver. She’s a singer-actress. He’s unabashedly patriotic. She’s not. But they’re both committed to telling authentic stories of resilience.

They met while she was a patient under his care. After sharing CDs of her Celtic music, he was taken by her rendition of “Fare Thee Well.”

“It was not just the music, but Jill’s voice. That song fits everything this film has to say about that generation,” Schmidt says. “They’re disappearing, and the interviews we did are like their final swan song. It gave them a final chance to have their say about their country, their life, where America is today, where America is going.”

Originally hired as music director, Anderson’s role expanded. Filmmaker Aaron Zavitz joined the team as editor and creative consultant.

Forty-plus interviews were captured nationwide, mostly with veterans ranging across different military branches and racial-ethnic backgrounds. Some saw combat. Some didn’t. Civilians were also interviewed about their contributions and sacrifices, including women who lost spouses in the war. Even stories of conscientious objectors were cultivated. Subjects shared stories not only of the war, but of surviving the Great Depression that preceded World War II.

With principal photography completed, editing the many hours of footage is underway. The filmmakers are still seeking funding to finish the post-production process.

The film’s title refers to the number of stars—representing states—displayed on the American flag during World War II. Each interviewee is framed with or near a particular 48-starred flag that inspired the project. Schmidt rescued it from a junk store. On a visit to Pearl Harbor’s war memorials, he had the flag raised on the USS Arizona and USS Missouri.

He grew up respecting veterans like his late father, Richard W. Schmidt—a Navy Seabee in the Pacific theater. His father died without telling his story for posterity.

“It dawned on me I could interview other veterans and have them hold this flag, almost like a testimonial to what this piece of fabric is about,” Schmidt says.

He added that combat veterans’ accounts of warfare teem with emotion.

“There’s a distinct difference in energy, pain, and identification with their country and flag from the ones who did not have to kill. The ones who did kill are still hurting, and they’ll hurt till the day they die,” he says.

Whatever their job during the war, Anderson says, “There were discoveries with every new person we talked to. It’s humbling that people trust you with some of their most soulful experiences and memories.”

Schmidt says, “They opened up with stories sometimes they’d never shared with their family. I think, for a lot of them, it’s a catharsis.”

There are tales of love and loss, heroism and hate, improbable meetings, close calls, intersections with infamy, history, and fate.

Not all the attitudes expressed are sunny. Some folks became anti-war activists. Others returned home to endure Jim Crow bigotry.

Anderson says the film intentionally depoliticizes the flag: “It can’t be about God and country or honoring glory because that doesn’t match with the testimony.”

Schmidt feels an urgency to finish the project. “The generation that has the most to teach us is leaving,” he says.

He won’t rush it though.

“It’s a serious responsibility,” Schmidt says. “[The film] needs to honor these individuals who gave their time, and it’ll be done when it’s exactly right.”

Visit 48stars.org for more information.

This article appears in the May/June 2017 edition of Sixty-Plus, a periodical within Omaha Magazine.