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FREELANCE WRITING ACADEMY SEMINAR – Now Taking Bookings


FREELANCE WRITING ACADEMY SEMINAR – Now Taking Bookings
Presented by Leo Adam Biga

Author of “Alexander Payne: His Journey in Film,” “Crossing Bridges: A Priest’s Uplifting Life Among the Downtrodden,” “Nebraska Methodist College at 125: Scaling New Heights”

Contributing writer to The Reader, Omaha Magazine, Metro Magazine. New Horizons, Food & Spirits Magazine

Blogger at Leo Adam Biga’s My Inside Stories and My Inside Stories
“I write stories about people, their passions and their magnificent obsessions”

For all you emerging and aspiring writers out there, I offer a 3-hpur Freelance Writing Academy Seminar at a reasonable group rate.

Perhaps your rotary or sororiety or other community organization would like to have me present. Or perhaps your local public library branch, book store. school, church or book club would like to schedule me.

The seminar is based on what I have done and learned as a full-time author-journalist-blogger and how it might apply to your own writing goals.

Now taking bookings.

My presentation will cover:
•Preparing yourself to be a writer
•Finding your writer’s voice
•Cultivating story ideas
•Pitching and marketing your work
•Developing and maintaining a client base
•Getting published
•Supplementing your income and even making a living as a freelancer

I leave plenty of time for queations and discussion.

Together, let’s activate and maximize your writing life.

For details, price and bookings, Inbox me or email me at leo32158@cox.net or call me at 402-445-4666.

Kevin Simonson on Interviewing Hunter S. Thompson and Kurt Vonnegut


Nebraska is full of folks with connections to cultural icons. Kevin Simonson of Omaha is such a person. At one time at least he boasted a mere single degree or less of separation from a pair of literary superstars – Hunter S. Thompson and Kurt Vonnegut. Now that those writers are gone, Simonson’s connnections to them are admittedly in the past tense but that doesn’t change the fact he personally knew the two men and he got some great stories out of the experiences. Thompson actually counted Simonson as a friend and that friendship earned the Omaha writer great access to the king of Gonzo journalism. Simonson’s interviews with Thompson informed several stories he wrote about him. Though Simonson only met Vonnegut once, it was a memorable encounter he also recorded for posterity. This is my Omaha Magazine (http://omahamagazine.com) profile of Kevin and his star literary relationships. 

 

Kevin Simonson

On Interviewing Hunter S. Thompson and Kurt Vonnegut

©Photography by Bill Sitzmann
Originally appeared in the March/April 2017 issue of Omaha Magazine (http://omahamagazine.com)

 

Kevin Simonson of Omaha realizes he occupies an unlikely position as a leading chronicler of that dark jester of American letters, the late Hunter S. Thompson.

Thompson, a New Journalism exponent, gained a Grateful Dead-like following for his irreverent, self-referential Gonzo-style reporting on America’s underbelly. During his lifetime, he was portrayed in film by Bill Murray (Where the Buffalo Roam) and Johnny Depp (Fear and Loathing in Las Vegas). A Doonesbury character was based on him.

He was already a counterculture icon when Simonson, a Wahoo native, got turned onto his work while a Doane College student. The enterprising Simonson and his brother Mark published an underground newspaper, The Great Red Shark, which evolved into The Reader. They booked Thompson to speak at the University of Nebraska, but the author reneged owing to legal troubles with a porno producer (Thompson once managed an X-rated theater). Simonson’s taped interviews with the producer became evidence in legal proceedings that saw felony weapons charges against Thompson dismissed. Leveraging Thompson’s gratitude, Simonson gained access to interview him several times over the years for such national pubs as the Village Voice, Hustler, Penthouse, and Rolling Stone.

“The hardest thing was just getting him to commit. With him, it wasn’t a sit-down interview. It was like, click-on-the-recorder and he’d go crank up some music for a half-hour, to where you couldn’t hear anything. He couldn’t sit still very long. I’d get a few questions in here and there, then he’d take a phone call or go outside and shoot his guns off. It would stretch on for hours.”

Interviewing Thompson could be a real trip.

Deciphering his low, quiet, gravelly voice—near unintelligible when stoned—required asking Thompson to recreate what he said.

Simonson entered Thompson’s trusted inner circle. Several times he visited the author at his infamous Owl Creek Farm in Aspen, Colorado, a scene of odd characters and goings-on. He ascribes losing his former fiancee to getting her a job as Thompson’s assistant. The assorted weirdness freaked her out, and she and Simonson split.

He was so deeply immersed in Thompson lore, he says, “Anything he talked about, I could talk about. I sort of knew him inside-out. The first time I walked into his house, it was like walking into a museum. I looked around and recognized things from certain books or stories.”

Simonson finally did get Thompson to speak in Lincoln (in the spring of 1990, a month after the original booking date). Typical for Thompson, he ran hours late and took the stage, presumably under the influence. People were variously delighted or outraged.

“I grew up with Spy Magazine, National Lampoon, and Saturday Night Live, and I thought his writing was the funniest stuff ever done. You could turn to any page and there was something laugh-out-loud funny about it. That’s what attracted me to it,” Simonson says.

Thompson, too, represented a refreshing, unfiltered, unapologetic voice and uninhibited, nonconformist lifestyle. “It was his bad- boy attitude and the way he would do things in public and not be even remotely self-conscious about the repercussions,” he says.

Simonson’s widely published work includes authoring and co-editing Conversations with Hunter S. Thompson  He’s helped build the cult of personality around the writer. Even in death, Thompson’s mystique grows larger with every new book and film out on him.

“It’s kind of crazy,” says Simonson, who has also managed bars and done marketing and promotions work for Boston University (during a few years on the East Coast) and KFAB and Clear Channel Radio in Omaha. He was the original managing editor of The Reader, where some of his Thompson work has appeared.

As Thompson’s health declined, he talked suicide, but Simonson and others were surprised when he fatally shot himself in 2005. Simonson was among 250 invited guests at a surreal Owl Creek memorial celebration. In the shadow of a towering Gonzo statue, Thompson’s ashes were shot out of a cannon. Booze ran freely. A film crew captured it all.

When not chasing literary dreams, Simonson manages a golf course in Fremont, where he directs a 5K mud run. He possesses much Thompson memorabilia (taped interviews, faxes, photos, keepsakes). His “most prized possession” is a Fear and Loathing first edition inscribed with a personal note by Thompson and an original caricature by illustrator and frequent Thompson collaborator Ralph Steadman.

Simonson feels fortunate he got close to Thompson and rues his loss.

“I feel really lucky. There’s definitely a void in the literary and even entertainment community with him gone. He definitely made a huge mark on the whole pop culture scene. I miss talking to him. It was always an event when he had a new release out.”

Thompson was not the only late literary giant with whom Simonson was acquainted.

The Simonson brothers, Kevin and Mark, brought literary star Kurt Vonnegut to lecture at the University of Nebraska-Lincoln in 1991. To their surprise, he readily agreed to an interview in a local strip club.

“Compared with Hunter, he [Vonnegut] was like hanging out with Mark Twain. He was funny and so easy to talk to,” Simonson says. His Vonnegut interview ran in the December 2016 issue of Hustler.

Visit facebook.com/conversationswithhuntersthompson to learn more about Simonson’s book. Visit5kthehardway.com to learn about his (non-literary) work with Nebraska’s Mud Run.

This article was printed in the March/April 2017 edition of Omaha Magazine.

 

Lisa Haselton’s interview with writer Leo Adam Biga

January 27, 2017 Leave a comment

Thanks to author Lisa Haselton for featuring this interview with me on her popular blog Lisa Haselton’s Reviews and Interviews. Be sure to visit her site and support it. She has a wealth of rich content related to authors, books and other writing things.

Lisa Haselton’s Reviews and Interviews

Award-winning blog for book reviews, author interviews, and anything writing-related.

Interview with writer Leo Adam Biga

Writer Leo Adam Biga joins me to chat about his film book–

Alexander Payne: His Journey in Film”:

 

 

Bio:

Author-journalist-blogger Leo Adam Biga resides in his hometown of Omaha, Nebraska. His articles appear in various newspapers and magazines as well as on his popular blog, leoadambiga.com, and Facebook page, My Inside Stories. His work has been recognized by his peers at the local, regional and national levels. He was the 2015 recipient of the Andy Award for international journalism from his alma mater, the University of Nebraska at Omaha. That grant supported his reporting mission to Uganda and Rwanda, Africa in the company of professional world boxing Terence Crawford of Omaha and Pipeline Worldwide director Jamie Nollette.

Biga is the author of several books, including “Alexander Payne: His Journey in Film” and “Crossing Bridges: A Priest’s Uplifting Life Among the Downtrodden”. Biga’s reporting and writing about Payne has made him a recognized expert on the Oscar-winning filmmaker (“Sideways“, “Nebraska”) from Omaha. His latest book is “Nebraska Methodist College at 125: Scaling New Heights” – a history of the Omaha-base college of nursing and allied health celebrating 125 years.

The writer is developing the Nebraska Screen Heritage Project as a multimedia celebration of native Nebraskans in the film and television industry. He is also developing a book about Omaha’s Black Sports Legends.

Welcome, Leo. Please tell us about your current release.

Articles and essays take you deep inside Alexander Payne’s creative process. This second edition includes significant new material related to his last film “Nebraska” and his highly anticipated new film “Downsizing,” It also features the addition of a Discussion Guide with Index.

Payne fans will appreciate the extensive interviews-stories that follow the arc of the writer-director’s career from brash upstart to consummate filmmaker at the head of the Indiewood movement.

Film historian Thomas Schatz (“The Genius of the System”):

“This is without question the single best study of Alexander Payne’s films, as well as the filmmaker himself and his filmmaking process. In charting the first two decades of Payne’s remarkable career, Leo Adam Biga pieces together an indelible portrait of an independent American artist, and one that’s conveyed largely in the filmmaker’s own words.”

Leonard Maltin:

“Alexander Payne is one of American cinema’s leading lights. How fortunate we are that Leo Biga has chronicled his rise to success so thoroughly.”

Alexander Payne:

“Throughout many years of being interviewed, I find Mr. Biga’s articles about me to be the most complete and perceptive of any journalist’s anywhere. They ring true to me, even in critique, in a way that reveals the depth of his talent in observation, understanding and expression.”

What inspired you to write this book?

In covering Alexander Payne more than a decade and a half I accumulated a large body of work about someone I saw go from a promising newcomer few heard of and whose first two films were not much seen to an accomplished filmmaker recognized around the world. The book collects my journalism about Payne and his journey in film, thereby preserving my work about him in an enduring, hard-bound fashion and thereby contributing my take on this important film artist.

Excerpt from “Alexander Payne: His Journey in Film”:

Even though Alexander Payne demonstrates time and again that commercial considerations mean very little to him, following the breakaway success of The Descendants (2011) there was every reasonable expectation he might lean a bit more again in the direction of mainstream with his next film. I say again because I count The Descendants as a conventional, even mainstream work even though its protagonist rails against his comatose wife and sets out to wreck the life of the man she was cheating with, all the while trying not to lose it with his two grieving daughters in tow.

Payne soon quashed any notion of playing it safe when he announced the small, insular back roads comedy-drama Nebraska (2013) as his new feature project. It did not help its bottom line chances that the film is set in rural Nebraska, which for most filmgoers may as well be the dark side of the moon for its unfamiliarity, remoteness, and perceived barrenness. Indeed, if Nebraska conjures any image at all it is of endless cornfields, cows, and monotonously flat, uninspired scenery. When the story laid over such a setting features a confused, depressed old cuss alienated from family and friends and wandering around in a bleak wasteland made even bleaker by black and white photography and desolate late fall, post-harvest locations, it does not exactly engender excitement. The prospect of a dour, feel-bad experience devoid of life and color does not get tongues a-wagging to generate the all important buzz that sells tickets.

Of course, anyone who has seen Nebraska knows the film is not the downer it may appear to be from glimpsing a thirty second trailer or hearing a thirty second sound bite, but that it is ultimately a sweet, deeply affecting film filled with familiar truths amid its very Nebraskaesque yet also quite universal archetypes.

Payne’s insistence on shooting in black and white was a completely legitimate aesthetic choice given the storyline and tone of this stark, autumnal mood piece about an old man having his last hurrah. But it also meant a definite disadvantage in appealing to average or general movie fans, many of whom automatically pass on any non-color film.

Compounding the aversion that many moviegoers have with black and white is the fact that most studio executives, distributors, and theater bookers share this aversion, not on aesthetic grounds, but based on the long-held, much repeated argument that black and white films fare poorly at the box office. Of course, there is a self- fulfilling prophecy at work here that starts with studio resistance and reluctance to greenlight black and white features and even when a studio does approve the rare black and white entry executives seem to half-heartedly market and release these pics. It is almost as if the bean counters are out to perversely prove a point, even at the risk of injuring the chances of one of their own pictures at finding a sizable audience. Then when the picture lags, it gives the powerbrokers the platform to say, I told you so. No wonder then – and this is assuming the argument is true – most black and white flicks don’t perform well compared with their color counterparts. Except, how does one arrive at anything like a fair comparison of films based on color versus black and white? Even if the films under review are of the same genre and released in the same period, each is individually, intrinsically its own experience and any comparison inevitably ends up being a futile apples and oranges debate. Besides, there are exceptions to the supposed rule that all black and white films struggle. From the 1970s on The Last Picture Show, Paper Moon, Young Frankenstein, Manhattan, Raging Bull, Schindler’s List, Ed Wood, and The Artist are among the black and white films to have found wide success. It is admittedly a short list but it does prove black and white need not be a death sentence.

To no one’s surprise Paramount did what practically any studio would have done in the same situation, which was to fight Payne on the black and white decision. In no uncertain terms Payne wanted to make Nebraska in black and white and just as adamantly the studio wanted no part of it. He pushed and they pushed back. He would not compromise his vision because from the moment he first read Bob Nelson’s screenplay he clearly saw in his mind’s eye the world of this story play out in in shades of black and white. It just fit. It fit the characters and the settings and the emotions and as far as he was concerned that was that. No questions asked. No concessions made.

What exciting story are you working on next?

At any given time there are interesting journalism and other narrative-based projects that arise. Much of my work as a journalist entails writing about various arts-culture subjects. I also write a fair amount on social justice issues. On occasion I travel for my work. I once went to North Dakota to research a set of stories about a campus serving developmentally disabled individuals. I participated in a baseball tour of the Midwest that resulted in a first-person story I wrote about the tour group’s visits to various baseball shrines and stadiums in a five-state region. I spent a week on the set of Alexander Payne’s Sideways in the Santa Barbara region and wrote a series of stories from that experience. I traveled with a group of folks from Omaha to the first Obama inauguration in D.C. and filed a story about that. I have been out to Los Angeles a number of times related to my reporting on Payne and his films. In 2015 I received a grant for international journalism that funded my reporting mission to Uganda and Rwanda, Africa with world boxing champion Terence Crawford. This past summer I made my first visits to the American South and I wrote a number of posts about the experiences on my blog and Facebook page.  In 2017 I hope to travel to New York or Toronto for the North American premiere of Payne’s new film Downsizing starring Matt Damon.

When did you first consider yourself a writer?

I suppose I began thinking that way in college, though I didn’t do all that much writing then. it really wasn’t until some years after college, having worked in public relations and then beginning to freelance as a journalist, that I identified as a writer. But it still took me a few years to say the words “I am a writer” without stumbling over them.

Do you write full-time? If so, what’s your work day like? If not, what do you do other than write and how do you find time to write?

Yes, I do write full-time. Like most writers, much of my time is not taken up with writing per  se, but rather with the different things that prepare me to write (interviews, research) and sustain my writing (pitching, marketing). There’s a fair amount of correspondence and phone conversation that takes place between myself and editors.

My writing schedule depends on what else I have going on in terms of interviews and such. It also depends on what kind of writing I’m doing . If it’s a book, I try to plan writing on certain days and even during certain times of the day when I know I’ll be able to devote some undivided attention to the project. If it’s an article, then it’s a bit more haphazard and directed in part by deadlines. If it’s a blog or Facebook post, then it’s much more in the moment and as the spirit moves me. With any of these forms of writing though, I might be at the keyboard in the morning, afternoon or evening.

What would you say is your interesting writing quirk?

As a nonfiction writer I depend on primary interviews for my source material and I am a stickler for recording all my interviews and transcribing them myself.

As a child, what did you want to be when you grew up?

I don’t recall ever really thinking in those terms as a child. I am also sure I would never have considered being a writer if not for some teachers in elementary and high school who encouraged me. There were a couple professors in college who also influenced me to follow this path.

Anything additional you want to share with the readers?

Most of my original writing these days is actually done for my blog and Facebook page. But those sites also serve as an archive and new platform for my previously published work. If your readers want a real sense for who I am as a person and as a writer, I encourage them to visit those sites.

Links:

Blog | Facebook | Amazon

Thank you for being here today, Leo.

Posted by Lisa Haselton at 12:02 AM

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Labels: Alexander Payne: His Journey in FilmArtsauthor interview,EntertainmentFilmLeo Adam Biga

About Lisa

Lisa Haselton
I’m a NH native and love New England. I love writing about the region, exploring it on foot, on my bicycle, and in my car. There are so many small communities and fun and interesting people in this area, that I could be here a lifetime and not do all it is I want to do. 🙂

I’m a writer because I have a passion for words. I write YA and adult fiction, favoring all flavors of mysteries and I enjoy dark fiction. I belong to Sisters in Crime and Sisters in Crime – New England (SinCNE) and I’m a regular contributor to the SinCNE blog. My favorite mystery writing conference is the annual New England Crime Bakeheld each November in Boston.

I interview authors at Lisa Haselton’s Reviews and Interviews. All reviews are my own opinion. For interviews, you can contact me at ReviewsAndInterviews (at) gmail (dot) com.

I’m a moderator at The Writer’s Chatroom that hosts live chats with guest authors on Sunday nights 7-9PM EST. Join the e-mail list to get notifications of upcoming guests, then stop in and join the conversation!

View my complete profile

Links to check out

Passion Project – My new “Alexander Payne: His Journey in Film” now available at KANEKO


 

FINAL FRONT COVER 6-28-16

 

My life’s work is writing stories about people, their passions and their magnificent obsessions. I do this as an author-journalist-blogger. The gallery of people and pursuits I write about is quite diverse.

See for yourself by reading and following my work at–
http://www.leaoadambiga.com and http://www.facebook.com/LeoAdamBiga.

Though I am a generalist who writes about anything and everything, there are a few subjects I keep returning to again and again. Some of these are societal and cultural in nature, others historical. But there is one particular individual who occupies special emphasis among all my writing and reporting: Alexander Payne. The Oscar-winning filmmaker, who has given us such works as Election, About Schmidt, Sideways, The Descendants and Nebraska, is actually part of a larger interest in film I have cultivated for decades. I got hooked on movies as a teen. I did film programming for a decade-and-a-half. Since the mid-1990s I have written hundreds of stories as a film journalist. Many of my film interviews and profiles focus on Nebraskans in film. I am developing the Nebraska Film Heritage Project as a print, online, lecture and curriculum vehicle for documenting and celebrating the achievements of Nebraskans in film, past and present, both in front of the camera and behind the camera.

Payne is the epitome of the passionate creatives I interview and profile. His magnificent obsession with film ranges from an encyclopedic knowledge of world cinema to support of film preservation and education efforts to pursuit of great film projects. From his very first feature, Citizen Ruth, on through his last completed film, Nebraska, he has satirically, thoughtfully explored a wide expanse of the human heart and soul. He’s paid particular attention to relationships, but he’s also touched on abortion, politics, mid-life crisis, loneliness, identity issues, addiction, depression, love, romance, infidelity, death, family, alienation, old age. The film he’s making now, Downsizing, which releases in late 2017, will offer up his most expansive take yet on the world with the satire this time revolving around themes of depleted world resources, sustainability, technology, geo-political tensions, terrorism, corruption, exploitation, discrimination and civilization. He and co-writer Jim Taylor are exploring the very nature of what it means to be human and how we create society. Where his previous films have been more intimate in scale, he is working on an epic canvas here, though the ideas are distilled into the closely observed personal story of one character, Paul (played by Matt Damon), whose life is the prism through which all these intersecting storylines and themes are played out. In terms of ideas, it may be the most ambitious American film since Apocalypse Now or The Deer Hunter or at least since Avatar.

My extensive coverage of the acclaimed writer-director has resulted in a deep body of work about him and his films that I have collected into a book first published in 2012. I have a new edition out this summer featuring expanded and enhanced content that brings you right up to date with his latest project.

Introducing the new “Alexander Payne: His Journey in Film” 

I am very pleased to announce the new edition Alexander Payne: His Journey in Film releases September 1. You have an early bird opportunity to buy the book at KANEKO, 1111 Jones Street, in Omaha’s Old Market. It will be available for purchase during the remainder of the Storytelling Series run (through August 27) at this venue that is “an open space for open minds…”

The book will be available at other venues, including bookstores and gift shops, during the course of the summer and fall. The book will also be available on Amazon and for Kindle.

Alexander Payne: His Journey in Film charts the filmmaker’s rise to the elite ranks of world cinema. Articles and essays take you deep inside the artist’s creative process. It is the most comprehensive look at Payne and his work to be found anywhere. This new edition features significant new content related to Nebraska and Downsizing. We have also added a Discussion Guide with Index for you film buffs and students. The book is also a great resource for more casual film fans who want a handy Payne primer and trivia goldmine. The book releases September 1 from River Junction Press and sales for $25.95.

For inquiries and pre-orders, contact: leo32158@cox.net.

 

FINAL BACK COVER 6-28-16

 

Strong praise for”Alexander Payne: His Journey in Film”–

“This is without question the single best study of Alexander Payne’s films, as well as the filmmaker himself and his filmmaking process. In charting the first two decades of Payne’s remarkable career, Leo Adam Biga pieces together an indelible portrait of an independent American artist, and one that’s conveyed largely in the filmmaker’s own words. This is an invaluable contribution to film history and criticism – and a sheer pleasure to read as well.” –Thomas Schatz, Film scholar and author (The Genius of the System)

“Alexander is a master. Many say the art of filmmaking comes from experience and grows with age and wisdom but, in truth, he was a master on day one of his first feature. Leo Biga has beautifully captured Alexander’s incredible journey in film for us all to savor.” – Laura Dern, actress, star of Citizen Ruth

“Last night I finished your wonderful new book and I enjoyed it so much! Alexander Payne is such a terrific director and I loved reading about his films in detail. Congratulations.” – Joan Micklin Silver, filmmaker (Hester StreetCrossing Delancey)

“Alexander Payne is one of American cinema’s leading lights. How fortunate we are that Leo Biga has chronicled his rise to success so thoroughly.” – Leonard Maltin, film critic and best-selling author

“I’d be an Alexander Payne fan even if we didn’t share a Nebraska upbringing: he is a masterly, menschy, singular storyteller whose movies are both serious and unpretentious, delightfully funny and deeply moving. And he’s fortunate indeed to have such a thoughtful and insightful chronicler as Leo Biga.” – Kurt Andersen, novelist (True Believers) and Studio 360 host

“Alexander Payne richly deserves this astute book about his work by Leo Biga. I say this as a fan of both of theirs; and would be one even if I weren’t from Nebraska.” – Dick Cavett, TV legend

“Leo Biga brings us a fascinating, comprehensive, insightful portrait of the work and artistry of Alexander Payne. Mr. Biga’s collection of essays document the evolution and growth of this significant American filmmaker and he includes relevant historical context of the old Hollywood and the new. His keen reporter’s eye gives the reader an exciting journey into the art of telling stories on film.” – Ron Hull, Nebraska Educational Television legend, University of Nebraska emeritus professor of broadcasting, author ofBackstage

“Perhaps the most intriguing feature of the book is Biga’s success at getting Payne to speak candidly about every step in the filmmaking process. These detailed insights include the challenges of developing material from conception to script, finding financing, moderating the mayhem of shooting a movie, and undertaking the slow, monk-like work of editing.” – Brent Spencer, educator and author (The Lost Son)

“This book became a primer for me, and introduced me to filmmaking in a way that I had never experienced in my years at film school. The intimacy and honesty in Biga’s writing, reporting and interviewing– and Payne’s unparalleled knowledge of cinema introduced me to filmmaking and film history from someone I quickly came to respect: Mr. Payne.” – Bryan Reisberg, filmmaker (Big Significant Things)

Watch for announcements about book signings and how you can get your copy for yourself, a friend, a loved one. Alexander Payne: His Journey in Film makes a perfect gift for the film lover in your life.

Alex Kava Bestselling Mystery Author Still Going Strong

November 3, 2015 2 comments

OK, so I’m getting old and I can’t remember so well all the stories I have in the pipeline from even a few months ago.  This feature on best-selling mystery author Alex Kava is one of those I forgot to mention when I posted about stories of mine to look for the last part of 2015.  It’s odd I forgot this one though because I had long wanted to interview and profile Kava and I found her a delightful subject.  Anyway, here is that short feature about her for Omaha Magazine (http://omahamagazine.com/).  She has a new book out titled Breaking Creed.

AlexKava1

Alex Kava Bestselling Mystery Author Still Going Strong

October 30, 2015 by 
Photography by Bill Sitzmann
Appearing in the Nov.-Dec. 2015 issue of Omaha Magazine (http://omahamagazine.com/)

Sure, Alex Kava is a best-selling mystery author, but as an aspiring writer she faced insecurities. Even now, with a six-figure contract from Putnam, there are uncertainties in this brave new world of publishing.

Growing up in rural Silver Creek, Nebraska, her working-class parents considered writing frivolous. Word-struck Alex secretly spun stories from her imagination and committed them to the back pages of used grain co-op calendars, squirreling away the scrawled tales in a shoe box under her bed.

Convinced writing fiction couldn’t support her, she followed an advertising-marketing-public relations career path that, while successful, left her unfulfilled and burned-out. It didn’t help when her first novel-length manuscript received 116 rejection letters.

Kava may never have become the author of the long-running Maggie O’Dell and new Ryder Creed series had she not left her PR job to commit herself to writing at 38.

“There was too many hours, too many meetings. I really was at a crossroads in my life and I decided that while I’m figuring out what it is I want to do with the rest of my life, I’ll try writing. I told myself if I wasn’t published by 40 I would give it up.”

While completing the book, expenses for home and car repairs mounted. She went through her savings. She took a paper route to make ends meet.

She just squeaked under the self-imposed deadline when, three days before her 40th birthday, she signed advance reader copies of her debut novel, A Perfect Evil. Her 2000 portrait of a community traumatized by a serial killer was extrapolated from the actual terror that befell Bellevue and Papillion in the early 1980s when John Joubert murdered two boys there. Kava worked for the Papillion Times at the time.

“What surprised me,” she says in revisiting those events years later, “was that I could remember those feelings of panic that had taken over that community.”

Her stand-alone One False Move was another instance of real-life crime influencing her work. When the 2002 Norfolk, Nebraska, bank robbery gone fatally bad eerily followed a plot she was developing, she used evidence from the actual crimes to inform her novel.

Forensics expert and profiler Maggie O’Dell was among multiple characters on the case in A Perfect Evil, but Kava’s publisher pushed to make O’Dell the subject of a series. Kava resisted. A dozen O’Dell books later, she and Maggie are fixtures in the mystery-thriller genre.

Kava admits she didn’t like O’Dell at first. “We’re both very stubborn and slow to trust.” On the advice of a go-to expert, former Douglas County prosecutor and now district judge Leigh Ann Retelsdorf, Kava gave O’Dell shared interests in dogs and college football.

“Those two little things actually made it easier for me to relate to her,” Kava says. “The series grew, and I grew, and Maggie O’Dell grew. I love that character. She and I have been through so much together.”

Her new protagonist, Ryder Creed, is a K-9 search and rescue dog handler. He teams with investigators like O’Dell to help crack cases.

“I love Ryder Creed because he has this passion for dogs and I can really connect to that.”

Kava says it’s a relief after “so many years writing about something I don’t know—murder,” to write about her four-legged friends. She’s dedicated books to her pets, Molly and Scout, the latter named after Kava’s favorite literary character, Scout Finch from To Kill a Mockingbird.

Kava’s steeped herself in the CSI-law enforcement milieu, even presiding over her own “crime scene dinner club” of attorneys, detectives, and techs who voluntarily plied her with case file details.

“I really do love the research. I’ve never had any problem with people opening up. I’m not sure why they do.”

She admires her expert sources.

“I’ve always looked at law enforcement officers in awe. I could never do what they do and stay sane.”

She’s toured the FBI’s Quantico facility in Virginia, interviewing behavioral science wonks there. She’s turned down opportunities to visit crime scenes and view autopsies. “Some of those things it’s best for me to leave to my imagination.”

Kava, who did a spring book tour for her latest work, Breaking Creed, is grateful for her success. But in this new age of ebooks, publishing mergers, and tenuous contracts, nothing’s guaranteed.

“There’s so much more for readers to choose from, and I think that added choice is great. At the same time it makes it more of a challenge for us as authors to figure out how to get those readers and stay in front of them. I’m now writing two books a year so I can stay in front and say, ‘Here’s the next one, and I’ve got another one coming out, and another one after that.’ You don’t want them to
forget you.”

AlexKava1

From the heart: Tunette Powell tells it like it is

March 10, 2015 Leave a comment

Tunette Powell has taken Omaha by storm since blowing into town like a mini-hurricane a few years ago.  This journalist, author, speaker, nonprofit co-founder, mother, and daughter is a high energy, speak-her-mind advocate for giving at-risk young people the foundational support they need to heal wounds and to pursue dreams.  In a very short time she’s garnered lots of attention and accolades and gained quite a following of admirers.  This story I wrote about Tunette for Omaha Magaizne (omahamagazine.com) charts her fast-rise to public figure.  On this blog you can find an earlier story I wrote about Tunette.

 

 

Nebraska Cultural Endowment Livelihood blog features Leo Adam Biga – Omaha journalist/author writes about people, their passions and their magnificent obsessions

September 15, 2014 Leave a comment

Honored to be featured on the Nebraska Cultural Endowment’s Livelihood Blog, where I share some of how and why writing became my passion. My beloved, artist Pamela Jo Berry, was featured earlier this year. I have the distinction of following the blog’s last featured subject, author Timothy Schaffert. If you haven’t visited the blog before, give it a look-see, and be sure to sample the past featured artists, creatives and culture enthusiasts.

I am sharing my Livelihood entry more or less just the way it’s presented on the NE Cultural Endowment site.

NOTE: The blog my entry links to is the very one you are on now. It also links to a Facebook page I manage that gets feeds from my blog.

 

 

What’s Your Livelihood?

Embrace the Arts and Humanities in Nebraska

Writing is my Livelihood

leo 3

 

My interest in wordplay began in childhood. Growing up in North Omaha I found myself attracted to the wonder of certain words, usually multi-syllabic tongue twisters I heard television talking-heads wittily brandish. I also fell under the near fatal spell of alliteration.

I believe my real fascination with language stemmed from seeing my late father working his crossword puzzles, reading the newspaper and occasionally immersing himself in a book. Then there was the colorful vernacular he used around the house and that my extended family, who lived in South Omaha, used. Sprinkled in with the cuss words were  idiomatic descriptives favored by my father’s white-collar clan, whose expressions were just different enough from those of my mother’s blue-collar bunch, to stand them apart. Further seasoning this verbal stew were stray Polish words from my father’s side and occasional Italian words from my mother’s side. It was a multicultural linguistics education. As our all-white inner-city neighborhood became mixed, African-Americans introduced me to another rich vein of language flavored by their Southern roots and urban Northern street culture.

“….the simple joy of playing with words is the main

appeal to me.”

Even with all those influences I do not believe I would have been drawn to writing were it not for the Marvel comic books and high school English lit books I inherited from my older brothers. These stimulating hand-me-downs were enhanced by the periodicals that came into our home, particularly Sports Illustrated. By the time my brother Dan started writing his own personal sports column, just for the sheer pleasure of it. I, too, discovered writing could be fun. Later I found out what hard work it is. As teachers encouraged my efforts, I stretched myself. In high school I was recruited to write for the school paper and that led me to study journalism in college.

Even now, as a journalist and author, the simple joy of playing with words is the main appeal to me. Follow my work telling the stories of people, their passions and magnificent obsessions at leoadambiga.wordpress.com or http://www.facebook.com/LeoAdamBiga.

 

About Leo

Leo Adam Biga is a working journalist who contributes articles to newspapers and magazines. He is also the author of Alexander Payne: His Journey in Film, a collectionleo of the writer’s extensive journalism about the Oscar-winning filmmaker. Additionally, Biga is the coeditor ifMemories of the Jewish Midwest: Mom and Pop Grocery Stores and the author of two e-books for the Omaha Public Schools.

The University of Nebraska at Omaha graduate worked in public relations (Joslyn Art Museum) before becoming a freelance writer. His published stories for dailies, weeklies, monthlies and quarterlies number well over a thousand. As a generalist he writes about a broad range of subjects, though most of his work is arts and culture-based.

He is finishing the biography of a retired Catholic priest who served marginalized populations around the world and he has plans for more nonfiction books. A new edition of his Payne book is in-progress.

Sample his eclectic work at leoadambiga.wordpress.com or http://www.facebook.com/LeoAdamBiga.

NOTE: His partner, artist Pamela Jo Berry, is a past Livelihood subject. Read more about Pamela Jo Berry here: http://bit.ly/YAt45c.

 

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