Houston Alexander, “The Assassin”

Fighters have always had a certain appeal, whether doing their fighting in the street or in the ring or, since the advent of mixed martial arts events, in the octagon.  Houston Alexander of Omaha has pretty much done it all and he’s turned his talent for fisticuffs, combined with his good looks and charisma, into a bit of a run in the Ultimate Fighting Championship, although he ended up losing more than he won.  He’s also a radio DJ, graffiti artist, self-styled hip-hop educator, and man-about-town, making him more than the sum of his parts.  The following story I did on him for The Reader (www.thereader.com) hit just as he was on his way up, and even though his star has since dimmed, he’s a survivor who knows how to work his image.  He and his family didn’t like some of the things in my story, but he also knows that comes with the territory.



Culture Shock Tour.jpg

DJ Doc Beat Box and Houston on a school Culture Shock Tour


Houston Alexander, “The Assassin

©by Leo Adam Biga

Originally published in The Reader (www.thereader.com)

Ultimate fighter Houston “The Assassin” Alexander of Omaha is being a good soldier for the photo shoot. Stripping down to his trunks, he poses in the middle of a south downtown street one late summer afternoon. He’s asked to look menacing, hardly a stretch for the chiseled, tattooed, head-shaved graffiti artist-street thug turned Ultimate Fighting Championship contender. He remarks about “those guys looking out those windows” at his half-naked ass, meaning inmates at the Douglas County Correctional Center peering out the razor-wired windows of the facility just down the block. He once peered out those same windows upon this very street.

“I was inside the cage in ‘97. I just got through beating up a cop and they took me down,” he says matter-of-factly. “The cop tried to grab me and I swung back and hit the guy. It was illegal what he was trying to do to me in the first place. He was trying to beat me up. I didn’t get charged for hitting a cop. I got charged for something else. I did like six months.”

It’s not his only run-in with the law. He alludes to “a whole bunch of domestic,” referring to disturbances with a woman that police responded to.

The fact he has a record only seems to add to his street cred as one tough M.F..  His fans don’t seem to mind his indiscretions. Passersby shout out props. “What’s up, Houston Alexander?” a guy calls out from his sedan. Another, on foot, invites him to a suburban sports bar where, the homey says, “they all love you out there.”

Now that Alexander is a certified UFC warrior, he’s handling all the hoopla that goes with it like a man. He seems unfazed by the endorsement deals, sponsorships, personal appearance requests, interviews, blog appraisals and fan frenzy demands coming his way these days.

Increasingly recognized wherever he goes, he eagerly acknowledges the attention with his trademark greeting, “What’s up, brother?” and firm handshake, giving love to grown men and boys whose star-struck expressions gleam with admiration for his fighting prowess. The African-American community particularly embraces him as a home boy made good. A strong, hard-working single father of six who came up an urban legend for his scribbing and street fighting. He’s one of their own and it’s them he’ll most be representing come next fight night.

Barely three months have passed since his furious UFC debut on May 26, when the  light heavyweight put an octagon whupping on contender Keith Jardine at UFC 71 in Las Vegas. After getting knocked down in the first 10 seconds, Alexander quickly regrouped. His relentless pressing style backed Jardine against the fence, where he unleashed a flurry of knees, elbows, uppercuts and hooks to score a technical knockout. Now Alexander’s primed for his next step up the sport’s elite ladder.

He and his local coaching-training team led by Mick Doyle and Curlee Alexander, the same men who got him ready for his dismantling of “The Dean of Mean Jardine, left for Great Britain on Monday to make final preparations for a September 8 clash with Italian Alessio Sakara on the UFC 75 card at London’s O2 Arena.

Doyle, a native of Ireland, is a former world champion martial arts fighter. His Mick Doyle Mixed Martial Arts Center at 108th and Blondo is the baddest gym around. He’s trained and worked the corner of several world champs. Curlee Alexander, a cousin of Houston’s, is a former NAIA All-America wrestler at UNO and the longtime head wrestling coach at North High School, where he’s produced numerous individual and team state champions.

Houston Alexander when to North, but other than brief forays in wrestling and football, he didn’t really compete in organized sports, unless you count weight lifting and body shaping. He was a two-time Mr. North. There was never enough money or time, he explains. By high school he was already a burgeoning  entrepreneur with his art and music. Besides, he said, “I always had responsibilities at home.But everyone knew he was gifted athletically.

The way Doyle puts it, Alexander’s “a freak” of nature for his rare combo of power and speed. The 205-pounder can bench press more than twice his body weight, yet he’s not muscle bound. He’s remarkably agile and flexible. Alexander came to him a “raw” specimen, but with abundant natural talent and instincts. Alexander knows he has a tendency to resort to street fighting, but Doyle recently reassured him by saying, “Everything we’re showing you sticks because it’s brand new. It’s not really replacing anything that anyone else taught you.” A blank slate.

“He wants to learn,” Doyle said. “He’s very confident, but he’s grounded. It’s a joy to coach someone like him.”

Curlee Alexander, a lifelong boxing devotee, has rarely seen the likes of his cousin, who’s made this old-school grappler a UFC convert. He, too, tells Houston not to change what’s worked, street fighting and all, but to harness it with technique. When Houston came to him eight months ago asking that he condition him, Curlee was dubious. Houston’s work ethic won him over. “He’s certainly determined.” His dismantling of Jardine convinced him he was in the corner of a special athlete.

“It was the most amazing night as far as being a coach I’ve ever had. All the things we had worked on were coming to fruition. He was doing it. He put all this stuff together at that moment. Incredible.”


Houston "The Assassin" Alexander


For his part, The Assassin credits his coaches with getting him to the next level.

“Without Mick and Curlee, there’s no me. I had the raw skills, but they’re fine tuning what I have to turn me into this champ I need to be,” he said. “I love those guys. They’re the real deal. No joke. They know what they’re talking about. I do whatever they tell me to do. There’s no getting away with anything, brother, believe me. But I wouldn’t want to cheat myself anyway.”

With their help, he said, “I’m more technical and all the power and strength I have is programmed a whole different way. More controlled. But don’t get it twisted. If I need to turn it up and go hard in the paint, it can easily change.”

A win Saturday night should put the fighter in the Top 10 and that much closer to what some anticipate will be a world title challenge within a year. Doyle told Alexander as much after an August meeting to breakdown the tape of the Jardine fight. “I told you this would be a two-year process. We’re only three months into this deal and look how much better you’ve gotten. Just think in another year where you’re going to be. You’ll be able to get in the ring with Wanderlei Silva (the legendary Brazilian world champ, late of the PRIDE series, now a UFC star).”

“We understand the window of opportunity on this thing is short,” Doyle said. “We want to get it there.” Asked if Alexander’s age, 35, is part of the urgency, he said, “Maybe some of it. If he gets an injury he’s not going to heal like a 25-year-old. He’s got some years left, but let’s get him the money. He’s got six kids.”

The Sakara-Alexander tussle is key for both fighters. Doyle calls Sakara “a stepping stone” for his fighter, whom he said must “prove the Jardine thing wasn’t a fluke.” He describes it as “a make or break fight” for Sakara, who’s coming off two straight losses at 185 pounds. “He’s gotta win to stay in the UFC. Sakara’s in the way of bigger and better things, so he’s gotta go.”

Cool, suave, laidback, playful. Quick to crack on someone. Alexander’s extreme physicality manifests in the way he grabs your hand or brushes against you or delivers none too gentle love taps or engages in horse play. When he needs to, he can turn off the imp and attend to business. He’s all, ‘Yes, coach…‘Yes, sir,’ with his trainers, putting in hour after hour of roadwork, skipping rope, weight lifting, calisthenics, stretching, grappling, sparring and shadow boxing under their watch.

For months he’s trained three times a day, up to six to eight hours per day, six days a week, devoting full-time to what not long ago was just “a hobby.” He’s disciplined and motivated enough to have transformed his physique and refined his fight style. After years of itinerant club fighting, all without a manager or trainer, only himself to count on, he began formal, supervised training less than a year ago. He worked with Doyle a few weeks before the Jardine clash, which also marked the first time he prepped for a specific foe and followed a nutritional supplement regimen. By all accounts he followed the strategy laid out for him to a tee.

“I have no problem working,” he said. “I’ve been working all my life.”

Doing what needs to be done is how he’s handled himself as an artist, DJ, father, blue collar worker and pro fighter. Whatever’s come down, he’s been man enough to take it, from completing large mural projects to getting custody of his kids to donating a kidney to daughter Elan to breaking a hand in a bout yet toughing the injury out to win. “Most people don’t know I’m fighting with one kidney,” he said. He’s paid the price when he’s screwed up, too, serving time behind bars.

The UFC is all happening fast for Alexander, which is fine for this dynamo. But the thing is, he’s come to this breakthrough at an age when most folks settle into a comfortable rut. No playing it safe or easy for him though. The truth is this opportunity’s been a long time in the making for Alexander, who enjoyed local celebrity status way before the UFC entered his life.

The veteran Omaha hip hop culture scion, variously known as Scrib, FAS/ONE and The Strong Arm, has always rolled with the assurance of a self-made man and standup brother. All the way back to the day when he protected the honor of his siblings and cousins with his heavy fists, first on the mean streets of East St. Louis, Ill., then in north O, where his mother moved he and his two younger siblings after she left their father. Alexander was all of 8 when he became the man of the family.

“I’m the oldest, so I was always expected to be the leader of the whole bunch. See, I’ve fought all my life, and that’s no exaggeration. It was always a situation where I couldn’t walk away, like somebody putting their hands on my girl cousins. I got into a lot of fights because of my brother,” he said. “I don’t interfere with no one’s business, but if you put your hands on my family, then it becomes my business. A lot of people got beat up because of that.”

Respect is more than an Aretha Franklin anthem for him.

“I don’t go around disrespecting people unless they disrespect me. There’s always a line you can’t cross.”

Growing up in a single-parent home, he started hustling early on to help support the family. What began as childhood diversions — fighting and music — became careers. When he wasn’t busting heads on the street, he was rhyming, break dancing, producing and graffiti tagging as a local hip hop “pioneer.” His Midwest Alliance and B-Boys have opened for national acts. He had his own small record label for a time, His scrib work adorns buildings, bridges and railroad box cars in the area. He mostly does murals on commission these days but still goes out on occasion with his crew to scrib structures that just beg to be tagged.

It wasn’t until 2001 he began getting paid to fight, earning $500-$600 a bout. He estimates having more than 200 fights since then, of which he’s only been credited with seven by the UFC, sometimes getting in the ring multiple times per night, on small mixed martial arts cards in Omaha, Lincoln, Sioux City, Des Moines. These take-on-all-comers type of events, held at bars (Bourbon Street), concert venues (Royal Grove), outdoor volleyball courts, casinos, matched him against traditional boxers as well as kickboxers, wrestlers and practitioners of jujitsu and muay thai.

“I fought everybody, man. I fought every type of fighter there is,” he said. “Fat, short, tall. I fought a guy 400 pounds in Des Moines. Picked him up from behind and slammed him on his neck and beat him senseless. I’m a street fighter, man. When you street fight you don’t care what size and what style. It don’t matter.”

There were times he’d MC a rap concert and fight on the same venue. “Dude, it was funny, man, because first people would see me on stage saying, ‘Hey, get your hands in the air,’ and then five hours later I’m kicking somebody’s ass in the ring.”

MMA promoter Chad Mason, who promoted many of Alexander’s pre-UFC matches, confirmed the fighter saw an inordinate amount of action in a short time.

“Sometimes he was doing two-three fights in a night. He’d do ‘em in Des Moines and then turn around two days later and go to Sioux City and fight a couple more times there. So there were times he probably had six fights in a week,” Mason said. “Of course everybody he fought wasn’t top of the line competition, but he was beating Division I college wrestlers, pro boxers, pro kick boxers, guys that had years of experience. They could come out of the woodwork to just try against Houston, and he’d beat ‘em. I mean, he’d knock ‘em out.”

By Alexander’s own reckoning his personal record was fighting and winning five times in one night in Sioux City.

“I was feeling it that night. It was just crazy, man.”

He began fathering kids 15 years ago and now has custody of his three boys and three girls, by three different mothers. Four of the kids are from his ex-wife of 10 years. He, his kids and his hottie of a new girl friend, Elana, share a three-room northwest Omaha apartment until he finds the right house to buy. He has the perfect crib in mind — a three-bedroom brick house with wood floors.

As a single daddy he has a new appreciation for raising kids. He makes it work amid his training and other commitments with some old-fashioned parenting.





“My kids have structure. It’s all military style. We have to do everything together. We all have breakfast together. We all sit down at the table together for dinner. It can’t work any other way,” he said.

Between school and extracurricular activities, he said, “I try to keep them as active as I can.” He helps coach his boys club football team, the Gladiators. One girl’s in ballet, another in basketball. “I’m always moving, so they’re always moving.”

He vows his children, ranging in age from 15 to 4, are his prime motivation for making this fight thing pay off.

“I want to win to secure a financial future for my kids’ college education. Again it always goes back to the kids.”

To makes ends meet he worked on highway construction crews for nearly 10 years. Until the UFC discovered him, he was perhaps best known locally for his radio career, first at Hot 94.1 and now at Power 106.9, where he does everything from sales to promotions to engineering to hosting his own independent music show on Sunday nights.

He’s also an educator of sorts by virtue of his long-running School Culture Shock Tour that finds him presenting the history of hip hop to students.

Whatever it takes to put food on the table, he does. “I’m a hustler, man. This is true. That’s why I have Corn Hustler on my forearms,” he said, brandishing his massive, graffiti-inked limbs. “That’s a street term. I stay busy. I have always kept busy.”

He strives to be “well-rounded” and therefore “I’m always in that mode to where I’m doing something to better myself.”

Always looking for fresh angles, a pro sports career is right up his alley with its marketing possibilities and mix of athletics and entertainment. Besides catching on like wildfire, the sport is a crowd-pleasing showcase for men wishing to turn their cut bodies, mixed martial arts skills, macho facades, charismatic personalities and catchy names into national, even international, brands. Having built to this moment for years, he leaves little doubt he’s ready to take advantage of it, confident he will neither lose himself if he succeeds nor crash should he fail.

“I give myself five or six years, maybe more than that if I keep training and don’t get hurt. (Randy) Couture is 43 and he fought a younger guy and whupped his ass. If it doesn’t work out with the UFC, who cares? I was never a UFC fan anyway.”

Would he ever return to those $500 paydays in Sioux City? “Yeah, in a hearbeat. Why not? I love fighting, man. That’s the whole thing — I love fighting.”

What is it ultimately about fighting that’s such a turn on?

“I think it’s the rush,” he said. “I know have the ability to beat the guy, but it’s still the rush of not knowing. You’re out there to prove to this guy that you know how to whip his ass. You think Jardine had remotely in his mind he was going to get done like that? I don’t think so. But I knew. Because I know deep down in my heart what type of abilities I have.”

As he says, the UFC was never really his goal until promoter and friend Chad Mason hooked him up with fight manager Monty Cox. What little Alexander’s seen of the competition out there doesn’t impress him. No high octane attacks like his.

“I never really watched the UFC. When I started watching it all I saw was this assembly line of guys. I really haven’t seen anyone come with it or bring it. Maybe the guys they bring in are not as passionate about it as I am. I really love fighting. When I get in the ring I love doing it, so I’m going to bring it to the guy 110 percent. If a guy’s trying to slack off on me and he wants to me wear me down, nu-uh, we’re going to pick up the pace a little bit and we’re going to go at it.

“If you want to try to wrestle and do all that, OK, that’s fine, but you’re going to get kneed and you’re going to get elbowed and you’re going to get disrupted.”

Disruption could be his alter ego name inside the octagon. It’s a mantra for what he tries to do to opponents. “Always disrupt, man, always disrupt,” he said. “To where they can’t think, because if you can’t think, you can’t react. That’s been my concept through the years,”

He said a quick review of the Jardine fight will reveal “I had hands in his face all the time. I was so close to him to where he couldn’t use those long arms, and I kept applying the pressure. Like my coaches said, ‘Always apply the pressure,’ and that’s what I did with that guy. I kept him disrupted.”

Alexander puts much stock in his “explosiveness.” “Once a guy tries to attack me,” he said, “my counter moves are so swift and fast and powerful, that definitely we’ll take the guy out. They’re all in short bursts.”

Doyle doesn’t even want Alexander thinking about leaving his feet. He wants him to dispatch Sakara on Saturday night the same way he did Jardine — standing straight up, his trunk and feet forming a triangle base, throwing blunt force trauma blows with knees, elbows and fists. Back in July Doyle told his fighter, “Just like in the Jardine fight, you don’t need to go to the ground. We’re going to knock the guy out or make the referee stop it. That will get you a title quicker. He’s gotta go.”

“That’s our motto for 2007 — he’s gotta go. He’s in the way. The Italian guy has got to go. Chow, baby,” Alexander said of Sakara. “I really want to go in and knock this guy out or really do something bad to him. I want people to be scared when they look at the footage. I want to show them what I’ve got.”

In his soft Irish brogue Doyle explained to his fighter how keeping an element of mystery is a good thing.

“Dude, if you go out there and knock this guy out, people are still going to wonder, What else can Alexander do? You know what, let them try to find out. If we can finish this guy on our feet, let’s do it. You don’t need to show people any more of your game than what is necessary to get the job done — until you come up with an opponent who makes you show more,” he said. “Keep it simple.”

Doyle, a Dublin native who came to America in ‘86, has tried to prepare Alexander for any technical tricks opponents might try to spring on him. He’s had him go toe-to-toe with athletes skilled in boxing, wrestling, kicking, you name it, bringing in top sparring partners from places like Chicago and sending him to Minneapolis to work with world-class submission artists good enough to make him tap out.

The fighter will have seen everything that can be thrown at him by fight night.

“They’ll get that move on you one time, and that’ll be the last time,” Doyle told Alexander. “That way when you step in the ring, and a guy goes to make his moves, you’ll feel ‘em coming, you’ll see ‘em coming, you’ll know what to do.”

Doyle and his team have spent much time honing Alexander’s footwork and stance, making sure his weight is balanced. It’s all done to harness his natural power, which becomes “more dangerous” when leveraged from below. The uppercuts that devastated Jardine were practiced repeatedly. The force behind those vicious shots, Doyle reminded him, comes from “using your legs,” which is why he harps on Alexander to maintain the foundation of a solid base.

To improve his quickness, Alexander often spars with lighter, faster guys and wears heavy gloves, so that when fight time arrives his hands and feet move like lightning.

The gameplan with Sakara is to pepper him with double jabs, then push off or slide step in to follow up with an arsenal of kill shots. For all his bravado and bull-rush style, Alexander is all about “protecting myself,” which is why a point of emphasis for the Sakara fight has been to keep his hands up against this classical boxer.

“As long as you keep your hands up you’re not going to get hurt,” Doyle said after an August sparring session. “None of the guys out there are just like that much better than you. But if you give them a mistake, they are more experienced and more technical to capitalize on it than you are right now. In a year, it’s all going to be different. Just like this guy Sakara, we’re going to make him give us a mistake.”

Sakara’s habit of keeping his hands low is one Alexander expects to exploit.


Houston Alexander


One thing Alexander said he’ll never be is intimidated.

“It’s important to inject fear. Everyone gets scared of the way a guy looks. I truly believe that half these people get scared by looking at the guy in the ring. I think Jardine beat a lot of people by the way he looked,” he said. Not that it was ever a possibility in his own mind, but Alexander said Jardine lost whatever edge he might have had when he heard him give an interview and out came a voice that didn’t match the Mr. Mean persona. “There’s no way I’m going to get my butt kicked by a guy that sounds like Michael Jackson,” he said.

Jardine’s comments leading up to the fight led Alexander and his camp to believe the veteran UFC fighter took the newcomer lightly. Alexander warns future foes not to make the same mistake.

“If anybody approaches me the same way to where they’re not taking me serious, that’s what’s going to happen. Every time. I’m going to be passionate about it. I’m going to be right or die with it. That means I’ll die in the ring before I actually lose. That’s how I feel about winning. Winning is everything, I don’t care what nobody says. If I hadn’t of won…you wouldn’t be talking to me,” he told a reporter.

It’s not hard to imagine Alexander gets an edge, both by the ripped, powerful figure he projects, and the calm demeanor he exudes. His serenity is no act.

“I’m mentally prepared for this thing,” he said. “I’ve always been mentally strong…tough. Make no mistake about it, the mental game I have down. No one’s going to out-mental me. No one’s going to deter me left or right, forward or back, because I have it down. Guys ask me, ‘Are you going to be nervous going out in front of 50,000 people?’ No, because I’ve done it before. I’ve done it with concerts. I’ve hosted concerts with 10,000 people. I do the school thing every week with 700-800 kids. Kids are the worst critics ever. If you can’t get kids’ attention, you’re garbage, and every week I get those kids’ attention. My working in radio, having 30,000 people listening every time I crack that mike, that’s pressure. So for me being in front of a crowd is nothing.”

Like all supreme athletes, Alexander exudes a Zen-like tranquility. His senseis — Mick and Curlee and company — have brought out the samaurai in him. It’s why he’s such “a calm fighter” entering the octagon.

“What it comes down to, you just have to play it out all the way and see where the chips fall,” Alexander said. “Everything happens for a reason. It is what it is.”

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