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Native Omaha Days Story Compilation

July 31, 2019 6 comments

Native Omaha Days Story Compilation

Native Omaha Days has been on my writing-reporting radar for more than two decades. With the 2019 Native Omaha Days underway, I thought it a good time to compile some of my work about this communty reunion and heritage celebration. My blog, Leo Adam Biga’s My Inside Stories at leoadambiga.com, contains hundreds of stories I have written over the years about Black Omaha people, places, events and occasions. If you are a Native Omahan back for this year’s festival, then I invite you to visit the blog, poke around and enter searches to  reconnect – through words, memories and photos – some of the very things you are reliving this week. You will find stories on dozens of notable Native Omahans, past and present, including Ernie Chambers, Cathy Hughes, Alfred Liggins, John Beasley, Rudy Smith, Bertha Calloway, Gene Haynes, Gabrielle Union, Yolonda Ross, Tommie Wilson, Bob Gibson, Bob Boozer, Gale Sayers, Ron Boone, Marlin Briscoe, Johnny Rodgers, Monty Ross, Charles Hall, Carol Rogers., Q Smith, Camille Metoyer Moten, Kathy Tyree, Ahman Green, Terence Crawford, Carleen Brice, Vanessa Ward, Billy Melton, Preston Love Sr.

Be sure to check out my Omaha Black Sports Legends Series: Out to Win – The Roots of Greatness.

If you like what you see, then please follow my blog as well as my companion Facebook page, My Inside Stories.

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Here is the Reader (www.thereader.com) story I did previewing Native Omaha Days 2017. From all reports, the celebration was a great success. Pam and I made it down to a few different Native Omaha Days events and we thoroughly enjoyed ourselves, too. If you’ve never been, you’ve got to sample this authentic slice of Omaha.

 

Native Omaha Days 2017: A homecoming like no other

©by Leo Adam Biga

Originally appeared in The Reader (thereader.com)

 

The African-American diaspora migration from the South helped populate Omaha in the 20th century. Railroad and packing house jobs were the lure. From the late 1960s on, a reverse trend has seen African-Americans leave here en mass for more progressive climes. A variant to these patterns finds thousands returning each odd-numbered August for a biennial community reunion known as Native Omaha Days.

The 21st reunion happens July 31 through August 7.

If you’ve not heard of it or partaken in it, you’re probably not black or some of your best friends are not black, because this culture-fest is in Omaha’s Afrocentric DNA. But organizers and participants emphasize everyone’s welcome to join this week-long party.

Featured events range from gospel and jazz concerts to talks and displays to a parade to a ball.

Nobody’s quite sure how many native Omahans living outside the state head home for it to rekindle relationships and visit old haunts.

There are as many takes on it as people engaging in it.

Thomas Warren, president-CEO of the Urban League of Nebraska, which this year hosts its 90 anniversary gala during Omaha Days, may put it best:

“People make it a purpose to come back.”

Reshon Dixon left Omaha for Atlanta 24 years ago and she’s been coming back ever since, except when military commitments prevented it. She hopes to free up her schedule for this year’s fest.

“I’m trying to. I usually plan a year ahead to come back.”

She said she brought her children for it when they were young because “that’s pretty much where our roots are from.” She’s delighted her now grown kids are “planning to come back this year.”

Serial nonprofit executive Viv Ewing said Omaha Days touches deep currents.

“People look at this event very fondly. In the off-year it’s not being held, people ask when is it happening again and why isn’t it every year because it’s such a great time bringing the community together with family and old friends. People look forward to it.

“There are people who have moved away who plan their vacations so that they come back to Omaha during this particular time, and that says a lot about what this event means to many people across the country.”

Even Omaha residents keep their calendars open for it.

“I’ve cut business trips as well as vacations short in order to make sure I was at home during this biennial celebration,” Warren said.

Sheila Jackson, vice president of the nonprofit that organizes it, said, “It’s one big reunion, one big family all coming together.”

Juanita Johnson, an Omaha transplant from Chicago, is impressed by the intentionality with which “people come together to embrace their commonality and their love of North Omaha.” She added, “It instills pride. It has a lot of excitement, high spirits, energy and enthusiasm.”

As president of the Long School Neighborhood Association and 24th Street Corridor Alliance, Johnson feels Omaha Days could play a greater role in community activation and empowerment.

“I think there’s an opportunity for unity to develop from it if it’s nurtured beyond just every two years.”

Empowerment Network director of operations Vicki Quaites-Ferris hopes it can contribute to a more cohesive community. “We don’t want the unity to just be for seven days. We want that to overflow so that when people leave we still feel that sense of pride coming from a community that really is seeing a rebirth.”

Ewing said even though it only happens every two years, the celebration is by now an Omaha tradition.

“It’s been around for four decades. It’s a huge thing.”

No one imagined it would endure.

“I never would have dreamt it’d be this big,” co-founder Bettie McDonald said. “I feel good knowing it got started, it’s still going and people are still excited about it.”

She said it’s little wonder though so many return given how powerful the draw of home is.

“They get emotional when they come back and see their people. It’s fun to see them greet each other. They hug and kiss and go on, hollering and screaming. It’s just a joyous thing to see.”

Dixon said even though she’s lived nearly as long in Atlanta as she did in Omaha, “I’m a Cornhusker first and a Peach second.”

Likewise for Paul Bryant, who also left Omaha for Atlanta, there’s no doubt where his allegiance lies.

“Omaha will always be home. I’m fifth generation. I’m proud of my family, I’m proud of Omaha. Native Omaha Days gives people another reason to come back.”

A little extra enticement doesn’t hurt either.

“We really plan things for them to make them want to come back home,” said McDonald. She drew from the fabled reunion her large family – the Bryant-Fishers – has held since 1917 as the model for Omaha Days. Thus, when her family convenes its centennial reunion picnic on Sunday, August 13, it will cap a week’s worth of events, including a parade and gala dinner-dance, that Omaha Days mirrors.

Bryant, a nephew of McDonald, is coming back for the family’s centennial. He’s done Omaha Days plenty of times before. He feels both Omaha Days and reunions like his family’s are ways “we pass on the legacies to the next generation.” He laments “some of the younger generations don’t understand it” and therefore “don’t respect the celebratory nature of what goes on – the passing of the torch, the knowing who-you-are, where-you-come-from. They just haven’t been taught.”

Sheila Jackson said it takes maturity to get it. “You don’t really appreciate Omaha Days until you get to be like in your 40s. That’s when you really get the hang of it. When you’re younger, it’s not a big thing to you. But when you get older. it seems to mean more.”

Sometime during the week, most celebrants end up at 24th and Lake Streets – the historic hub for the black community. There’s even a stroll down memory lane and tours. The crowd swells after hours.

“It’s almost Omaha’s equivalent of Mardi Gras, where you’ll have thousands people just converge on the intersection of 24th and Lake, with no real plans or organized activities,” Warren said. “But you know you can go to that area and see old friends, many of whom you may not have seen for several years. It gives you that real sense of community.”

Fair Deal Village Marketplace manager Terri Sanders, who said she’s bound to run into old Central High classmates, called it “a multigenerational celebration.”

Touchstone places abound, but that intersection is what Warren termed “the epicenter.”

“I’m always on 24th and Lake when I’m home,” said homegrown media mogul Cathy Hughes, who will be the grand marshall for this year’s parade. “I love standing there seeing who’s coming by and people saying, ‘Cathy, is that you?’ I always park at the Omaha Star and walk down to 24th and Lake.”

“I do end up at 24th and Lake where everybody else is,” Dixon said. “You just bump into so many people. I mean, people you went to kindergarten with. It’s so hilarious. So, yes, 24th and Lake, 24th Street period, is definitely iconic for North Omahans.”

That emerging art–culture district will be hopping between the Elks Club, Love’s Jazz & Arts Center, the Union for Contemporary Art, Omaha Rockets Kanteen, Jesse’s Place, the Fair Deal Cafe and, a bit southwest of there, the Stage II Lounge.

Omaha Days’ multi-faceted celebration is organized by the Native Omahans Club, which “promotes social and general welfare, common good, scholarships, cultural, social and recreational activities for the inner city and North Omaha community.” Omaha Days is its every-other-year vehicle for welcoming back those who left and for igniting reunions.

The week includes several big gatherings. One of the biggest, the Homecoming Parade on Saturday, August 6, on North 30th Street, will feature drill teams, floats and star entrepreneur Cathy Hughes, the founder-owner of two major networks – Radio One and TV One. She recently produced her first film, the aptly titled, Media.

Hughes is the latest in a long line of native and guest celebrities who’ve served as parade grand marshall: Terence Crawford, Dick Gregory, Gabrielle Union.

During the Days, Hughes will be honored at a Thursday, August 3 ceremony renaming a section of Paxton Blvd., where she grew up, after her. She finds it a bit surreal that signs will read Cathy Hughes Boulevard.

“I grew up in a time when black folks had to live in North Omaha. Never would I have assumed that as conservative as Omaha, Neb. is they would ever consider naming a street after a black woman who happened to grow up there. And not just a black woman, but a woman, period. When I was young. Omaha was totally male-dominated. So I’m just truly honored.”

“Omaha Days does not forget people that are from Omaha,” Reshon Dixon said. “They acknowledge them, and I think that’s great.”

During the Urban League’s Friday, August 4 gala concert featuring national recording artist Brian McKnight at the Holland Performing Arts Center, two community recognition awards will be presented. The Whitney M. Young Jr. Legacy Award will go to Omaha Economic Development Corporation president Michael Maroney. The Charles B. Washington Community Service Award will go to Empowerment Network president Willie Barney.

Maroney and Barney are key players in North Omaha redevelopment-revitalization. Warren said it’s fitting they’re being honored during Omaha Days, when so many gathering in North O will have “the opportunity to see some of those improvements.”

Quaites-Ferris said Omaha Days is a great platform.

“It’s an opportunity to celebrate North Omaha and also the people who came out of North Omaha. There are people who were born in North Omaha, grew up in North Omaha and have gone on to do some wonderful things locally and on a national level. We want to celebrate those individuals and we want to celebrate individuals who are engaged in community.

“It’s a really good time to celebrate our culture.”

“I really admire the families who are so highly accomplished but have never left, who have shared their talents and expertise with Omaha,” said Hughes. She echoes many when she expresses how much it means returning for Omaha Days.

“Every time I come, I feel renewed,” she said. “I feel the love, the kindred spirit I shared with so many of my classmates, friends, neighbors. I always leave feeling recharged. I can’t wait.”

The celebration evokes strong feelings.

“What’s most important to me about Omaha Days is reuniting with old friends, getting to see their progression in life, and getting to see my city and how it’s rebuilt and changed since I left,” Dixon said. “You do get to share with people you went to school with your success.”

“It’s a chance to catch up on what’s going in everybody’s life,” Quaites-Ferris said.

Juanita Johnson considers it. among other things,

“a networking opportunity.”

Paul Bryant likes the positive, carefree vibe. “There we are talking about old times. laughing at each other, who got fat and how many kids we have. It’s 1:30-2 o’clock in the morning in a street crowded with people.”

“By being native, many of these individuals you know your entire life, and so there’s no pretense,” Warren said.

Outside 24th and Lake, natives flock to other places special to them.

“When I come back,” Dixon said, “my major goal is to go to Joe Tess, get down to the Old Market, the zoo, go through Carter Lake and visit Salem Baptist Church, where I was raised. My absolute favorite is going to church on Sunday and seeing my Salem family.”

Some pay respects at local cemeteries. Dixon will visit Forest Lawn, where the majority of her family’s buried.

Omaha Days is also an activator for family reunions that blend right into the larger event. Yards, porches and streets are filled with people barbecuing, chilling, dancing. It’s one contiguous party.

“It’s almost like how these beach communities function, where you can just go from house to house,” Hughes said.

The Afro-centric nature of Omaha Days is undeniable. But participants want it understood it’s not exclusive.

“It just happens to be embedded in the African-American community, where it started,” Dixon said. “Anyone can come, anyone can participate. It has become a little bit of a multicultural thing – still primarily African-American.”

Some believe it needs to be a citywide event.

“It’s not like it’s part of the city,” Bryant said. “It’s like something that’s going on in North Omaha. But it’s really not city-accepted. And why not?”

Douglas Country Treasurer John Ewing agrees. “Throughout its history it’s been viewed as an African-American event when it really could be something for the whole community to embrace.”

His wife, Viv Ewing, proposes a bigger vision.

“I would like to see it grow into a citywide attraction where people from all parts come and participate the way they do for Cinco de Mayo. I’d like to see this event grow to that level of involvement from the community.”

Terri Sanders and others want to see this heritage event marketed by the city, with banners and ads, the way it does River City Roundup or the Summer Arts Festival.

“It’s not as big as the College World Seriesm but it’s significant because people return home and people return that are notable,” Sanders said.

Her daughter Symone Sanders, who rose to fame as Bernie Sanders’ press secretary during his Democratic presidential bid, may return. So may Gabrielle Union.

Vicki Quaites-Ferris sees it as an opportunity “for people who don’t live in North Omaha to come down and see and experience North Omaha.” She said, “Sometimes you only get one peripheral view of North Omaha. For me, it’s an opportunity to showcase North Omaha. Eat great food, listen to some wonderful music, have great conversation and enjoy the arts, culture, business and great things that may be overlooked.”

John Ewing values the picture if offers to native returnees.

“It’s a great opportunity for people who live in other places to come back and see some of the progress happening in their hometown.”

Recently completed and in-progress North O redevelopment will present celebrants more tangible progress than at anytime since the event’s mid-1970s start. On 24th Street. there’s the new Fair Deal Village Marketplace, the renovated Blue Lion Center and the Omaha Rockets Kanteen. On 30th, three new buildings on the Metro Fort Omaha campus, the new mixed-use of the former Mister C’s site and the nearly finished Highlander Village development.

For some, like Paul Bryant, while the long awaited build-out is welcome, there are less tangible, yet no less concerning missing pieces.

“I think the development is good. But I truly wish in Omaha there was more opportunity for African-American people to be involved in the decision-making process and leadership process. But that takes a conscious decision,” Bryant said.

“What I’ve learned from Atlanta is that unlike other cites that wanted to start the integration process with children, where school kids were the guinea pigs, Atlanta started with the professions – they started integrating the jobs. Their slogan became “We’re a city too busy to hate.” So they started from the top down

and that just doesn’t happen in Omaha.”

He worked in Omaha’s for-profit and non-profit sectors.

“A lot of things happen in Omaha that are not inclusive. This isn’t new. Growing up, I can remember Charlie Washington, Mildred Brown, Al Goodwin, Bob Armstrong, Rodney S. Wead, talking about it. The story remains the same. We’re on the outside running nonprofits and we’ve got to do what we have to do to keep afloat. But leadership, ownership, equity opportunities to get involved with projects are few and far between. If you’re not able to share in the capital, if your piece of the equation is to be the person looking for a contribution, it’s hard to determine your own future.”

Perhaps Omaha Days could be a gateway for African-American self-determination. It’s indisputably a means by which natives stay connected or get reconnected.

“I think its’ critical,” said Cathy Hughes, who relies on the Omaha Star and her Omaha Days visits to stay abreast of happenings in her beloved North O.

She and John Ewing suggest the celebration could play other roles, too.

“I think it’s a good way to lure some natives back home,” Hughes said. “As they come back and see the progress, as they feel the hometown pride, it can help give them the thought of, ‘Maybe I should retire back home in Omaha.'”

“I think Omaha could do a better job of actually recruiting some of those people who left, who are talented and have a lot to offer, to come back to Omaha,” Ewing said, “and if they’re a business owner to expand or invest in Omaha. So there’s some economic opportunities we’ve missed by not embracing it more and making it bigger.”

Ewing, Sanders and others believe Omaha Days infuses major dollars in hotels, restaurants, bars and other venues. The Omaha Convention and Visitors Bureau does not track the celebration’s ripple effect, thus no hard data exists..

“I don’t think it’s accurately measured nor reflected in terms of the amount of revenue generated based on out-of-town visitors,” Warren said. “I suspect it has a huge impact on commerce and activity.”

Some speculate Omaha Days could activate or inspire homegrown businesses that plug into this migration,

“I think it can certainly be a spark or a catalyst,” Warren said. “You would like to see the momentum sustained.

You hope this series of events may stimulate an idea where a potential entrepreneur or small business owner sees an opportunity based on the activity that occurs during that time frame. Someone could launch a business venture. Certainly, I think there’s that potential.”

For Omaha Days history and event details, visit nativeomahacub.org.

Read more of Leo Adam Biga’s work at leoadambiga.com,

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With the 2011 Native Omaha Days, July 27-August 1, just around the corner I am posting stories I’ve written about this every two years African American heritage and homecoming event and how it serves a kind of litmus test for the black community here to take stock of itself in terms of where it’s been, where it is today, and where it’s heading. The following story appeared just as the 2009 Native Omaha Days concluded. I spoke to a number of individuals for their take on the state of Black Omaha at a time when there is both much despair and much promise for the predominantly African American northeast Omaha community. I interviewed folks who grew up here and stayed here and those who left here but who retain deep ties here and come back for events like the Days in order to get a cross-section of perspectives on what the past, present, and future holds for North Omaha. This much discussed community, where generational problems of poverty and underachievement are rampant but where many success stories have also been launched, is finally getting the kind of attention it’s long required. Initiatives like the African American Empowerment Network are helping drive a planned revitalization that seems much closer to reality today than it did even two years ago. The role of Native Omaha Days shouldn’t be overlooked because it does bring together thousands of current and former Omaha residents whose individual and collective vision and energy are helping fuel what is about to be a major North Omaha revival. That doesn’t mean all the challenges that face that community will be eradicated overnight. It took decades for those problems and wounds to become embedded and it will take decades to heal them, and events like Native Omaha Days help give a purpose and focus to affecting change.

Native Omahans Take Stock of the African-American Experience in Their Hometown 

©by Leo Adam Biga

Originally published in The Reader (thereader.com)

The 2009 African-American heritage celebration Native Omaha Days concluded Monday. Natives came from across America to indulge memories of this touchstone place. The biennial, week-long Days lends itself to gauging the African-American experience here — past, present, future.

Taking stock has added import with North Omaha at a tipping point. Ambitious new housing and commercial developments, job training programs, educational reform efforts and gang intervention initiatives are in the works. All in response to endemic problems of poverty and unemployment, low job readiness, poor academic performance, high dropout rates, epidemic-level STDs and ongoing drug traficking-gang violence. North O has a strong sense of identity and purpose yet struggles with scarce opportunities. The persistent challenges of segregation and inequality have led many natives over time to leave for better prospects elsewhere, but a sense of home and family keeps their ties to Omaha strong.

The Days brings thousands of natives back to meet up with friends and relatives for homecomings, large and small. Last week’s public events included: a mixer at the Native Omahans Club; a parade along North 30th Street; a dance at the Mid-America Center; appearances by NBA star Dwayne Wade and actress Gabrielle Union at North High School; and a picnic at Levi Carter Park.

Visitors helped swell the numbers at Jazz on the Green, at clubs and bars on the north side and at black church services. Celebrants were out in force too at school reunions. Then there were untold family reunions and block parties that unfolded in people’s homes and yards, in the streets, and in parks all over the city.

Northeast Omaha was jumping as visitors mixed with residents to sight-see or just kick it. Kountze Park, the Native Omahans Club, the Love’s Jazz & Arts Center, the Bryant Center, Skeets Barbecue and other haunts were popular gathering spots. Joe Tess on the south side was a popular stop. Streams of cars toured the black community’s historical corridors. Many made the rounds at post-card amenities like the riverfront, the Old Market, Lauritzen Gardend and Henry Doorly Zoo.

Nobody seems to know how many expatriates arrive for The Days. That’s a shame, as these visitors represent resources for a strapped city and state hurting from a brain drain and a small tax base. Many natives who come back are the same upwardly mobile blacks Omaha has trouble retaining, a costly decades-long trend. The city’s black population is small to begin with, so every talented native lost is felt acutely by a community with a paucity of black entrepreneurs and professionals for a city this size.

Hometown girl Felicia Webster has twice left for the East Coast but has since returned to live here with her young son. She wonders what would happen if residents collaborated with visitors on visioning new initiatives, ventures, projects, even start-up businesses aimed at reviving North Omaha.

“I feel Native Omaha Days right now is a good opportunity and a wonderful manifestation of African-American people coming together of one accord and building and talking and socializing. It would be nice to just have a really huge collective on what could actually happen with development here,” said Webster, a spoken word artist, “because, you know, people come from everywhere that are doing all kinds of things. They can bring their knowledge and tools with them to share something fresh, new and vital here. I personally would like to see that.”

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Felecia Webster

What about The Days serving as a catalyst for brainstorming-networking forums that capitalize on the skill sets and entrepreneurial ideas and investment dollars of natives near and far? All geared toward building the kind of self-sufficiency that black leaders point to as the most sustainable path for black prosperity.

Nate Goldston III  left Omaha as a young man and went on to found Gourmet Services in Atlanta, Ga., one of the nation’s largest food service companies. He’s doing just what Webster advocates by working with locals on stimulating new development. The self-made millionaire has been advising the Omaha Chamber of Commerce and the North Omaha Development Project on the landscape for new North O investment. He’s bullish on the prospects for that long depressed district.

“I think it’s going to grow, but you’ve got to plant the seeds first and that’s what were interested in helping do with some business development there in the food service area,” Goldston said by phone from Atlanta.

He’s close to finalizing plans for a brick-and-mortar Gourmet Services backed project here to provide entrepreneurial opportunities for local African Americans.

“If we can bring this business opportunity there and put some young people in place and let them have a little piece of the action and begin to develop a franchise type operation, and then allow them to go on and grow it themselves, manage and own at the same time, that’ll bring that missing link and fill that gap in the economic development portion. At least a small portion of it,” he said.

He said it’s the kind of grassroots development that’s required. “It’s not the Chamber’s job to develop North Omaha. North Omaha needs to be developed by people from or attached to North Omaha, and the kinds of things that need to go in need to be done from within as opposed to from without.” Goldston’s impressed with the “pro-business, pro-development, pro-North Omaha” focus of the Chamber and city. “They just need the right teammates, they need the right partners to help them do it, and that’s the first time I’ve ever noticed that collaborative attitude in Omaha. I think there’s a real chance there.”

New Omaha City Planning Director Rick Cunningham, who most recently lived on the East Coast, is a native who hopes to implement Mayor Jim Suttle’s vision for a revitalized north side. “His agenda includes a strong commitment to North Omaha,” Cunningham said of Suttle. “He has a goal for 24th and Lake Street to become a new Dundee for Omaha.”

Cunningham knows first-hand Northeast Omaha’s prolonged decline. He also knows “there have been pockets of success,” including the Blue Lion Center at 24th and Lake he served as project manager for under Omaha architect and mentor Ambrose Jackson. He said most North O redevelopment has come from “investments in new rooftops, in new housing,” and while that needs to continue he said there must be a focus on creating more employable residents and attracting businesses and services that generate new jobs and commerce. “To bring Omaha into a very livable community with an environment that all residents and visitors can enjoy we’ve got to make sure we’ve got a diverse economy.”

He looks forward to being part of solutions that “return North 24 to the vibrancy it had, when 24th and Lake was the heart and soul. We will be engaged in that effort.” He looks forward to meeting with community partners from the public and private sectors to “build synergy in accomplishing those goals.” He said the city cannot afford to let North Omaha wallow. “If there is an area that suffers in Omaha than the entire city suffers,” he said. “It’s important we revitalize the core area. Those communities that are alive and thriving have inner cities that are alive.”

Nate Goldston III

Goldston vividly recalls when North O had a greater concentration of black-owned businesses than it does today, but he said even in its heyday Omaha’s black community had few major black entrepreneurs.

“Omaha’s African-American community has always been job-oriented as opposed to entrepreneurial-oriented,” he said. “I see great opportunity and I see opportunity that’s been missed only because I don’t know that we’ve been blessed with a lot of entrepreneurs that have had the path or the ability to develop businesses in the area. We had the model of the bars, the nightclubs, the pool halls.”

He could have added restaurants, barbershops, beauty salons, clothing stores and filling stations. There were also black professionals in private practice — doctors, dentists, attorneys, accountants, pharmacists, architects.

Their example “gave me inspiration and hope,” said attorney Vaughn Chatman, a native Omahan who made it back for The Days from Calif. North 24th Street was once a thriving hub of black and white-owned businesses. Few, however, survived the ‘60s riots and their aftermath. Urban renewal did in more. Once the packing house and railroad jobs that employed many blacks vanished, few good-paying  employment options surfaced. “My friends and I had no desire to leave Omaha until opportunities for us began to disappear,” said Chatman . “Most, if not all my friends, faced with lack of opportunity have left Omaha. My friends and relatives (still) there tell me the quality of life for them and their generation has not gotten any better despite the best efforts of a number of individuals and organizations.”

Several new businesses have popped up but many have come and gone over time. Despite some redevelopment North 24th is largely barren today.

“That positive feeling of inspiration and hope is what I miss the most about the North Omaha I grew up in,” said Chatman.

 An old-line exception is the Omaha Star, a black weekly now 70-plus years strong. Founder Mildred Brown was one of America’s few black women publishers. She earned a national reputation for her crusading work during the civil rights movement. Goldston learned valuable lessons working for the Star as a kid.

“The Omaha Star was my entree to entrepreneurship,” he said. “That’s what taught me to create a marketing sense, the ability to be able to develop a customer base and customer service and the whole nine yards.”

Cathy Hughes is another Star veteran who credits her experience there and at Omaha black-owned radio station KOWH with helping give her the impetus to be a broadcast owner and eventually build her Radio One empire.

“It encouraged me to go ahead and to try to own my own radio station because I saw some folks in Omaha do it,” she said by phone from her Maryland home. “You lead by example. When you do something, you never know who you’re touching. you never know who you’re having an impact on. I saw Bob Gibson and Rodney Wead and Bob Boozer and Gale Sayers come together and buy a radio station, so I knew it was possible, and now I’m the largest black-owned broadcast corporation in America and the only African-American woman to head a publicly traded corporation. None of that would have been possible if I hadn’t seen the examples I saw in Omaha, if I hadn’t seen Mildred Brown keeping her newspaper not only afloat but providing her with a very comfortable existence for that day and time.”

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Cathy Hughes

Hughes, like Goldston, is pleased by gains that have been made via new housing developments, streetscape improvements and the Love’s Center, but is dismayed there aren’t more Mildred Brown figures in Omaha by now. In Hughes’ estimation Omaha should be much further along than it is in black entrepreneurship.

“It has a long ways to go,” she said.

Hughes is also concerned that strong community leaders like North O developer Al Goodwin, educator Katherine Fletcher and job training director Bernice Dodd are no longer on the scene. She’s warily watching the new generation of local black leadership to assess their commitment to redevelopment.

Goldston said black businesses in Omaha are not as visible as they once were.

“Those things have all gone away,” he said, adding that Omaha “is miles apart” from the dynamic black business culture found in Atlanta. “I think other opportunities were just not there (in Omaha) at that time to start and build a business.”

All these years later, he said, few if any Omaha businesses have made the Black Enterprise 100 list of the largest African-American owned businesses.

Most black-owned Omaha businesses of any size are not located on the north side today. Out of sight, out of mind. Hard to emulate what you don’t see. “I think we flourish when we see reflections of ourselves in the community where we live,” said Webster. “And when you don’t see that, what do you have to strive for?”

Introducing students to Omaha black achievers via school curricula is something Vaughn Chatman, founder of the Omaha Black Music Hall of Fame, advocates.

Webster presents programs in schools that attempt to expand kids’ vision. “I want them to see a bigger picture, a bigger view of the world than what they normally see, and I hope that by my being African-American young boys and girls are seeing reflections of themselves in me of what they possibly could attain,” she said.

Hughes and Goldston are concerned about the education gap that finds black students on average lagging behind whites. The truancy and drop-out rates for blacks are higher. The two are alarmed by how far Omaha’s inner city schools trail their suburban counterparts. “We’re going to have to really cure that before anybody can make any progress,” said Goldston, who’s challenged a national organization he once led, 100 Black Men, with making a difference in schools.

Webster said she was fortunate to have parents who stressed education and showed her “the world was bigger than Omaha.” Omaha’s segregation meant she would often frequent places and be the only black person there. Cathy Hughes had the same experience coming of age here. “That’s challenging,” said Webster. The first time Webster left, for Philadelphia, in the early ‘90s, Omaha was viewed as a dull place by many young people — black and white.

“A lot of my close friends did end up leaving and going to more heavily populated cities, and I think a lot of that had to do with not only wanting to explore the world but what opportunities they saw. For some, it was a larger African-American presence. For others, it was bigger metropolitan areas where you felt like you were getting paid what you were worth and could fulfill what you desired.

“Coming back this time I can see Omaha is really growing but I think Omaha is still a work in progress. I have friends with degrees who are still making $12 an hour, and I think that’s a challenge. They can’t find jobs with livable wages. And I find I’m still the only person that looks like me when I go certain places.”

Webster likes that Omaha has far more going on now than even five years ago, but she said she misses Philly’s constant slate of cultural activities and larger base of African-Americans to share them with. The big city scene “reignites” her.

Author Carleen Brice (Orange Mint and Honey, Children of the Waters) is a native living in Denver, Colo. with mixed feelings about Omaha.

“It’s always complex being from a small city and having big dreams,” said Brice. “I can’t speak for others, but I felt I needed to leave Omaha to achieve what I wanted to achieve. Part of that had to do with my specific family background. When my parents divorced, we went through some bad times and so I associate Omaha with those negative memories as well as with the positive ones.

 

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Carleen Brice

“What I sense the most in Omaha is a kind of small thinking, small dreaming. Strange since Omaha does have a lot going for it. But I also think every city is what you make of it. I live in Denver and think it’s great, but I have friends who grew up here and feel very much like it’s a tiny, backwards city. I’ve begun to think that if I moved back to Omaha I could experience it differently, without feeling so blinded by my past.”

Still, Brice said she senses North Omaha’s quality of life is worse today. “I know my grandmother is saddened by the decline of that part of the city. My friends don’t see much improvement in how people actually interact or how they are treated, which makes them feel depressed. Back to that word depressed again. It’s sad, but true, I think Omaha is depressed.”

Beaufield Berry is a playwright and actress who’s come and gone from her hometown several times. She’s here again. She feels a big part of what holds Omaha back is its “small town ideas” that don’t readily embrace diversity. She believes North Omaha will not reach its potential until the cycle of inequity and despair is broken.

“For Omaha’s black population to really thrive I think you’ve got to start at the poverty line. You have to start at where the people may not have the role models that other kids do. You have to make it so they can see a father figure or an older brother making the right decisions.”

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Beaufield Berry

But Berry sees much to be hopeful about, too. “On the flip side of that I see so many amazingly talented young people of all different races who are really working towards something, who can really make a difference, not only with their work but with their words, with their presence, and I want to see more of that. I think that’s how Omaha, black or white, will start to thrive citywide.”

Webster sees Omaha progressing but like many blacks she’d like to see more done.

“I think with a collective idea and voice from all kinds people that it could kind of put a faster spark into it happening. It could manifest into something where everybody that lives here really enjoys it. I think it would be amazing.”

 

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As the July 27-August 1 Native Omaha Days festival draws near I am posting articles I’ve written about this African-American heritage and homecoming event and about closely related topics. The following story for The Reader (www.thereader.com) appeared some years ago, at at time when predominantly African American North Omaha was experiencing a large increase in gun violence and media reports laid out the widespread poverty and achievement gaps affecting that community. In response to dire needs, the African American Empowerment Network was formed and a concerted process begun to to bring about a revitalized North Omaha. Native Omaha leaders and others expressed hope that events like Native Omaha Days and the Omaha Black Music and Community Hall of Fame might serve to unify, heal, and instill pride to help stem the tide of hopelessness and disrespect behind the violence. Things have improved recently and North O really does seen the verge of coming back, thanks in large part to efforts by the Empowerment Network, but the stabilizing role of events like Native Omaha Days shouldn’t be forgotten or dismissed.

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Native Omaha Club photo by lachance (Andrew Lachance)

Native Omaha Days: A Black is Beautiful celebration, now and all the days gone by

©by Leo Adam Biga

Originally published in The Reader (thereader.com)

Organizers of the 16th biennial Native Omaha Days call it the largest gathering of African-Americans in Nebraska. That in itself makes it a significant event. Thousands fill Salem Baptist Church for the gospel fest, spill into North 24th Street for the social mixer/registration and the homecoming parade, boogie at the Qwest Center dance and chow down on soul food at a Levi Carter Lake Park picnic.

This heritage celebration held every other summer is a great big reunion with many family-class reunions around it. Parties abound. Hotels, casinos, eateries, bars fill. Jam sessions unwind. Bus tours roll. North 24th cruising commences. Stories and lies get told. It’s people of a shared roots experience coming together as one.

Unity is on the minds of natives as their community is poised at a historic juncture. Will North 24th’s heyday be recaptured through new economic-education-empowerment plans? Or will generational patterns of poverty, underemployment, single parent homes, crime and lack of opportunity continue to hold back many? What happens if the cycle of despair that grips some young lives is not broken?

“The Native Omaha homecoming is very important, but a lot of young people don’t know what it’s all about, and that really bothers me,” said Hazel Kellogg, 74, president of the sponsoring nonprofit Native Omahans Club, Inc.. “They’re the future and what we’re trying to do is make them realize how important it is to hang in with your community and to keep your community pulling together for the betterment of our people. OUR people, you know?

“We have a big problem on the north side with violence and crime and all that, and I want to reach out to young people to let them know this homecoming is all about family and friends coming home to be together and enjoy a weekend of good clean fun. Eventually the young people are going to be heading up Native Omaha Days and they need to know what it’s all about.”

She said she hopes the event is a catalyst for ongoing efforts to build up the community again. After much neglect she’s encouraged by signs of revitalization. “I’ve been through it all. I’ve been through the riots. For a long time it moved in a negative direction. Now, I’m very hopeful. We need the whole community to come together with this. Together we stand.”

Vaughn Chatman, 58, shares the same concerns. He left Omaha years ago and the problems he saw on visits from Fair Oaks, Calif., where he now lives, motivated him to found the Omaha Black Music Hall of Fame. The Hall seeks to restore the sense of community pride he knew. An induction ceremony held during the Days honors area black artists, athletes, activists, entrepreneurs and leaders. He feels young blacks can only feel invested in the future if exposed to successful folks who look like they do. He works with the Omaha Public Schools to have local black achievers discussed in classroom curricula as a way to give kids positive models to aspire to.

“Back in the day” is an oft-heard phrase of the week-long fest. Good and bad times comprise those memories. Just as World War II-era Omaha saw an influx of blacks from the South seeking packinghouse-railroad jobs, the last 40 years has seen an exodus due to meager economic-job prospects.

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photo by Cyclops-Optic (Jack David Hubbell)

Centered in northeast Omaha, the black community hub became North 24th, where  Jewish and black-owned businesses catered to every good and service and a vital live music scene thrived. Hence, many Days activities revolve around 24th, which declined after the late ‘60s riots. A few blocks have seen improvements, but much of this former “Street of Dreams” is run down or empty. Gang violence in the district is a problem. It’s concerns like these now spurring coalitions of residents and expatriate natives like Chatman to craft sustainable solutions.

For a change, Karen Davis sees “substance” in the new initiatives targeting rebirth. Enough to make the Native Omahans Club officer feel the area “can be back to where it was or even more. Businesses have come down or moved back, and I think it’s a good thing for us,” she said.

The Native Omahans Club is quartered in a former lounge at 3819 North 24th. During the Days the building and street outside overflow with people reminiscing. Visitors mix with residents, exchanging handshakes, hugs, laughter, tears. Scenes like this unfold all over — anywhere neighborhood-school chums or relatives catch up with each other to relive old times.

“We haven’t seen each other in years, so it’s just a fellowship — what we used to do, what we used to look like…It’s just big fun,” said Davis.

Like countless Omahans, Davis and Kellogg each have friends and family arriving for the Days. No one’s sure just how many out-of-state natives return or the economic impact of their stays, but organizers guess 5,000 to 8,000 make it in and spend millions here. Those hefty numbers lead some to say the event doesn’t get its just due from the city. No matter, it’s a family thing anyway.

“People come in from all over for Native Omaha Days. My family comes from Colorado, Minnesota. It’s a time I can get together with them. I have a friend from Arizona coming I haven’t seen in 20 years. I’ll be so glad to see her. Those are the things that really just keep my heart pumping,” Kellogg said. “It’s just a gala affair.”

For details on the Days visit www.nativeomahans.com or call 457-5974.

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Even though I grew up in North Omaha and lived there until age 43 or so,  I didn’t experience my first Native Omaha Days until I had moved out of the area, and by then I was 45, and the only reason I did intersect with The Days then, and subsequently have since, is because I was reporting on it.  The fact that I didn’t connect with it before is not unusual because it is essentially though by no means exclusively an African American celebration, and as you can see by my picture I am a white guy. Then there’s the fact it is a highly social affair and I am anything but social, that is unless prevailed upon to be by circumstance or assignment. But I was aware of the event, admittedly vaguely so most of my life, and I eventually did press my editors at The Reader (www.thereader.com) to let me cover it. And so over the past eight years I have filed several stories related to Native Omaha Days, most of which you can now find on this blog in the run up to this year’s festival, which is July 27-August 1. The story below is my most extensive in terms of trying to capture the spirit and the tradition of The Days, which encompasses many activities and brings back thousands of native Omahans – nobody’s really sure how many – for a week or more of catching up family, friends, old haunts.

NOTE: The parade that is a highlight of The Days was traditionally held on North 24th Street but has more recently been moved to North 30th Street, where the parade pictures below were taken by Cyclops-Optic, Jack David Hubbell.

My blog also features many other stories related to Omaha’s African American community, past and present. Check out the stories, as I’m sure you’ll find several things that interest you, just as I have in pursuing these stories the last 20 years or so.

Vera Johnson, Native Omahans Club founder, (Photo by Robyn Wisch)

Back in the Day: Native Omaha Days is reunion, homecoming, heritage celebration and party all in one

©by Leo Adam Biga

Originally published in The Reader (thereader.com)

A homecoming. That’s what Native Omaha Days, a warm, rousing, week-long black heritage reunion, means to the thousands of native sons and daughters coming back in town for this biennial summer celebration. Although the spree, which unfolded July 30 through August 4 this year, features an official itinerary of activities, including a gospel night, a drill team competition, a parade, a dance and a picnic, a far larger slate of underground doings goes on between the many family and class reunions, live concerts and parties that fill out the Days. Some revelers arrive before the merriment begins, others join the fun in progress and a few stay over well after it’s done. A revival and carnival in one, the Days is a refreshing, relaxing antidote to mainstream Omaha’s uptight ways.

North Omaha bars, clubs and restaurants bustle with the influx of out-of-towners mixing with family and old friends. North 24th Street is a river of traffic as people drive the drag to see old sites and relive old times. Neighborhoods jump to the beat of hip-hop, R&B and soul resounding from house parties and family gatherings under way. Even staid Joslyn Art Museum and its stodgy Jazz on the Green take on a new earthy, urban vibe from the added black presence. As one member of the sponsoring Native Omahans Club said of the festival, “this is our Mardi Gras.”

Shirley Stapleton-Odems is typical of those making the pilgrimage. Born and raised in Omaha — a graduate of Howard Kennedy Elementary School and Technical High School — Stapleton-Odems is a small business owner in Milwaukee who wouldn’t miss the Days for anything. “Every two years I come back…and it’s hard sometimes for me to do, but no matter what I make it happen,” she said. “I have friends who come from all over the country to this, and I see some people I haven’t seen in years. We all meet here. We’re so happy to see each other. It’s a reunion thing. It’s like no matter how long you’re gone, this is still home to us.”

As Omaha jazz-blues guru Preston Love, a former Basie sideman and Motown band leader and the author of the acclaimed book A Thousand Honey Creeks Later, observed, “Omahans are clannish” by nature. “There’s a certain kindredness. Once you’re Omaha, you’re Omaha.” Or, as David Deal, whose Skeets Ribs & Chicken has been a fixture on 24th Street since 1952, puts it, “People that moved away, they’re not out-of-towners, they’re still Omahans — they just live someplace else.” Deal sees many benefits from the summer migration. “It’s an opportunity for people to come back to see who’s still here and who’s passed on. It’s an economic boost to businesses in North Omaha.”

Homecoming returnees like Stapleton-Odems feel as if they are taking part in something unique. She said, “I don’t know of any place in the country where they have something like this where so many people over so many generations come together.” Ironically, the fest’ was inspired by long-standing Los Angeles and Chicago galas where transplanted black Nebraskans celebrate their roots. Locals who’ve attended the L.A. gig say it doesn’t compare with Omaha’s, which goes to the hilt in welcoming back natives.

Perhaps the most symbolic event of the week is the mammoth Saturday parade that courses down historic North 24th Street. It is an impressionistic scene of commerce and culture straight out of a Spike Lee film. On a hot August day, thousands of spectators line either side of the street, everyone insinuating their bodies into whatever patch of shade they can find. Hand-held fans provide the only breeze.

Vendors, selling everything from paintings to CDs to jewelry to hot foods and cold beverages to fresh fruits and vegetables, pitch their products under tents staked out in parking lots and grassy knolls. Grills and smokers work overtime, wafting the hickory-scented aroma of barbecue through the air. Interspersed at regular intervals between the caravan of decorated floats festooned with signs hawking various local car dealerships, beauty shops, fraternal associations and family trees are the funky drill teams, whose dancers shake their booties and grind their hips to the precise, rhythmic snaring of whirling dervish drummers. Paraders variously hand-out or toss everything from beads to suckers to grab-bags full of goodies.

A miked DJ “narrates” the action from an abandoned gas station, at one point mimicking the staccato sound of the drilling. A man bedecked in Civil War-era Union garb marches with a giant placard held overhead emblazoned with freedom slogans, barking into a bullhorn his diatribe against war mongers. A woman hands out spiritual messages.

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Long the crux of the black community, 24th Street or “Deuce Four” as denizens know it, is where spectators not only take in the parade as it passes familiar landmarks but where they greet familiar figures with How ya’ all doin’? embraces and engage in free-flowing reminiscences about days gone by. Everywhere, a reunion of some sort unfolds around you. Love is in the air.

The parade had a celebrity this time — Omaha native actress Gabrielle Union (Deliver Us From Eva). Looking fabulous in a cap, blouse and shorts, she sat atop the back seat of a convertible sedan sponsored by her father’s family, the Abrams, whose reunion concided with the fest’. “This is just all about the people of north Omaha showing pride for the community and reaching out to each other and committing to a sense of togetherness,” said Union, also a member of the Bryant-Fisher family, which has a large stake in and presence at the Days. “It’s basically like a renewal. Each generation comes down and everyone sits around and talks. It’s like a passing of oral history, which is…a staple of our community and our culture. It’s kind of cool being part of it.”

She said being back in the hood evokes many memories. “It’s funny because I see the same faces I used to hang out with here, so a lot of mischievous memories are coming back. It’s like, Do you remember the time? So, a lot of good times. A lot of times we probably shouldn’t of been having as young kids. But basically it’s just a lot of good memories and a lot of lessons learned right here on 24th.”

The three-mile parade is aptly launched at 24th and Burdette. There, Charles Hall’s now closed Fair Deal Cafe, once called “the black city hall,” provided a forum for community leaders to debate pressing issues and to map-out social action plans. Back in the day, Hall was known to give away food during the parade, which ends at Kountze Park, long a popular gathering spot in north Omaha. Across the street is Skeets, one of many soul food eateries in the area. Just down the road a piece is the Omaha Star, where legendary publisher Mildred Brown held court from the offices of her crusading black newspaper. Across the street is the Jewell Building, where James Jewell’s Dreamland Ballroom hosted black music greats from Armstrong to Basie to Ellington to Holiday, and a little further north, at 24th and Lake, is where hep cat juke joints like the M & M Lounge and McGill’s Blue Room made hay, hosting red hot jam sessions.

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Recalling when, as one brother put it, “it was real,” is part and parcel of the Days. It’s all about “remembering how 24th and Lake was…the hot spot for the black community,” said Native Omahans Club member Ann Ventry. “We had everything out here,” added NOC member Vera Johnson, who along with Bettie McDonald is credited with forming the club and originating the festival. “We had cleaners, barber shops, beauty parlors, bakeries, grocery stores, ice cream stores, restaurants, theaters, clothing stores, taxi companies, doctors’ offices. You name it, we had it. We really didn’t have to go out of the neighborhood for anything,” Johnson said. Many businesses were black-owned, too. North O was, as lifelong resident Charles Carter describes it, “it’s own entity. That was the lifestyle.”

For James Wightman, a 1973 North High and 1978 UNL grad, the homecoming is more than a chance to rejoin old friends, it’s a matter of paying homage to a legacy. “Another reason we come back and go down 24th Street is to honor where we grew up. I grew up at the Omaha Boys Club and I played ball at the Bryant Center. There was so much to do down on the north side and your parents let you walk there. Kids can’t do that anymore.” Noting its rich history of jazz and athletics, Wightman alluded to some of the notables produced by north Omaha, including major league baseball Hall of Famer Bob Gibson, Heisman winner Johnny Rodgers, jazzman Preston Love, social activist Malcolm X, actor John Beasley and Radio One founder and CEO Catherine Liggins Hughes.

For Helen McMillan Caraway, an Omaha native living in Los Angeles, sauntering down 24th Street brings back memories of the music lessons she took from Florentine Kingston, whose apartment was above a bakery on the strip. “After my music lesson I’d go downstairs and get a brownie or something,” she said. “I had to steer clear of the other side of the street, where there was a bar called McGill’s that my father, Dr. Aaron McMillan, told me, ‘Don’t go near.’” Being in Omaha again makes the Central High graduate think of “the good times we used to have at Carter Lake and all the football games. I loved that. I had a good time growing up here.”

For native Omahan Terry Goodwin Miller, now residing in Dallas, being back on 24th Street or “out on the stem,” as natives refer to it, means remembering where she and her best girlfriend from Omaha, Jonice Houston Isom, also of Dallas, got their first hair cut. It was at the old Tuxedo Barbershop, whose nattily attired proprietors, Marcus “Mac” McGee and James Bailey, ran a tight ship in the street level shop they ran in the Jewell Building, right next to a pool hall and directly below the Dreamland. Being in Omaha means stopping at favorite haunts, like Time Out Foods, Joe Tess Place and Bronco’s or having a last drink at the now closed Backstreet Lounge. It means, Goodwin Miller said, “renewing friendships…and talking about our lives and seeing family.” It means dressing to the nines and flashing bling-bling at the big dance and, when it’s over, feeling like “we don’t want to go home and grabbing something to eat and coming back to 24th Street to sit around and wait for people to come by that we know.”

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Goodwin Miller said the allure of renewing Omaha relationships is so strong that despite the fact she and Houston Isom live in Dallas now, “we don’t see each other there, but when we come here we’re together the whole time.”

Skeets’ David Deal knows the territory well. From his restaurant, which serves till 2 a.m., he sees native Omahans drawn, at all hours, to their old stomping grounds. He’s no different. “We’re just coming down here to have a good time and seeing people we haven’t seen in years.” Sometimes, it’s as simple as “sitting around and watching the cars go by, just like we used to back in the good old days.”

North Omaha. More than a geographic sector, it is the traditional, cultural heart of the local black community encompassing the social-historical reality of the African-American experience. Despite four decades of federally-mandated civil rights, equal opportunity, fair housing and affirmative action measures the black community here is still a largely separate, unequal minority in both economic and political terms and suffers a lingering perception problem — born out of racism — that unfairly paints the entire near northside as a crime and poverty-ridden ghetto. Pockets of despair do exist, but in fact north Omaha is a mostly stable area undergoing regentrification. There is the 24-square block Miami Heights housing-commercial development going up between 30th and 36th Streets and Miami and Lake Streets, near the new Salem Baptist Church. There is the now under construction North Omaha Love’s Jazz, Cultural Arts and Humanities Complex, named for Preston Love, on the northwest corner of 24th and Lake. The same sense of community infusing Native Omaha Days seems to be driving this latest surge of progress, which finds black professionals like attorney Brenda Council moving back to their roots.

Former NU football player James Wightman (1975-1978) has been coming back for the Days the past eight years, first from Seattle and now L.A., and he said, “I’m pretty pleased with what’s going on now in terms of the development. When I lived here there was a stampede of everybody getting out of Omaha because there weren’t as many opportunities. I look at Omaha’s growth and I see we’re a rich, thriving community now.” During the Days he stays, as many do, with family and hooks up with ex-jocks like Dennis Forrest (Central High) and Bobby Bass (Omaha Benson) to just kick it around. “We’re spread out in different locations now but we all come back and it’s like we never missed a beat.” The idea of a black pride week generating goodwill and dollars in the black community appeals to Wightman, who said, “I came to spend my money on the north side. And I’ll be back in two years.”

Wightman feels the Days can serve as a beacon of hope to today’s disenfranchised inner city youth. “I think it sends a message to the youth that there are good things happening. That people still come back because they feel a sense of family, friendship and connection that a lot of young people don’t have today. All my friends are in town for their school-family reunions and we all love each other. There’s none of this rival Bloods-Crips stuff. We talk about making a difference. It’s not just about a party, it’s a statement that we can all get along with each other.”

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“It just shows there’s a lot of good around here,” said Omaha City Councilman Frank Brown, who represents largely black District 2, “but unfortunately it’s not told by the news media.” Scanning the jam-packed parade route, a beaming Brown said, “This is a four-hour event and there’s thousands of people of all ages here and they’re smiling and enjoying themselves and there’s no problems. When you walk around you see people hugging each other. There’s tears in some of their eyes because they haven’t seen their friends, who’ve become their family.”

Family is a recurring theme of the Days. “My family all lives here.” said John Welchen, a 1973 Tech High grad now living in Inglewood, Calif. For him, the event also “means family” in the larger sense. “To me, all of the friends I grew up with and everyone I’ve become acquainted with over the years is my extended family. It’s getting a chance to just see some great friends from the past and hear a lot of old stories and enjoy a lot of laughter.”

Native Omahans living in the rush-rush-rush of impersonal big cities look forward to getting back to the slower pace and gentler ways of the Midwest. “From the time I get off the plane here I notice a difference,” said Houston Odems, who flies into Omaha from Dallas. “People are polite…kind. To me, you just can’t beat it. I tell people all the time it’s a wonderful place to have grown-up. I mean, I still know the people who sold me my first car and the people who dry-cleaned my clothes.”

Although the Days traces its start back to 1977, when the Native Omahans Club threw the first event, celebrations commemorating the ties that bind black Omahans go back well before then. As a young girl in the ‘50s, Stapleton-Odems was a majorette in an Elks drill team that strutted their stuff during 24th Street parades. “It’s a gathering that’s been gong on since I can remember,” she said.

Old-timers say the first few Native Omaha Days featured more of a 24/7, open-air, street-party atmosphere. “We were out in the middle of the street all night long just enjoying each other,” said Billy Melton, a lifelong Omahan and self-styled authority on the north side. “There was live entertainment — bands playing — every six blocks. Guys set up tents in the parks to just get with liquor. After the dances let out people would go up and down the streets till six in the morning. Everybody dressed. Everybody looking like a star. It was a party town and we knew how to party. It was something to see. No crime…nothing. Oh, yeah…there was a time when we were like that, and I’m glad to have lived in that era.”

According to Melton, an original member of the Native Omahans Club, “some people would come a week early to start bar hopping. They didn’t wait for Native Omaha Days. If certain people didn’t come here, there was no party.”

Charles Carter is no old-timer, but he recalls the stroll down memory lane that was part of past fests. “They used to have a walk with a continuous stream of people on either side of the street. What they were doing was reenacting the old days when at nighttime 24th Street was alive. There were so many people you couldn’t find a place to walk, much less park. It was unbelievable. A lot of people are like me and hold onto the thought this is the way north Omaha was at one time and it’s unfortunate our children can’t see it because there’s so much rich history there.”

Then there was the huge bash Billy Melton and his wife Martha threw at their house. “It started early in the morning and lasted all night. It was quite a thing. Music, liquor, all kinds of food. It was a big affair,” Melton said. “I had my jukebox in the backyard and we’d have dancing on the basketball court. Endless conversations. That’s what it’s all about.”

Since the emergence of gang street violence in the mid-80s, observers like Melton and Carter say the fest is more subdued, with nighttime doings confined to formal, scheduled events like the gospel night at Salem and the dance at Mancuso Hall and the 24th Street rag relegated to the North Omahans Club or other indoor venues.

A reunion ultimately means saying goodbye, hence the close of the Days is dubbed Blue Monday. Most out-of-towners have left by then, but the few stalwarts that remain mix with die-hard residents for a final round or two at various drinking holes, toasting fat times together and getting high to make the parting less painful. After a week of carousing, out-of-town revelers wear their exhaustion like a badge of honor. “You’re supposed to be tired from all this,” Houston Isom said. “There’s no such thing as sleeping during this week. I can’t even take a nap because I’ll be worried I might be missing something.” Goodwin Miller builds in recovery time, saying, “When I go home I take a day off before I go back to work.” She and the others can’t wait to do it all over again two years from now.

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One of  my favorite events to write about is something called Native Omaha Days, which is really a bunch of events over the course of a week or two in mid to late summer, held every two years and in essence serving as a great big celebration of Omaha’s African American culture and heritage. There’s a public parade and picnic and a whole string of concerts, dances, and other activities, but at the root of it all is the dozens, perhaps hundreds of family and school reunions and various get togethers, large and small, that happen all over the city, but most especially in the traditional heart of the black community here – North Omaha. I’ve done a number of stories over the years about the Native Omaha Days itself or riffing off it to explore different aspects of Omaha’s black community.   The story below for The Reader (www.thereader.comI is from a few years ago and focuses on one extended family’s celebration of The Days. as I like to refer to the event, via a reunion party they throw.

Native Omaha Days

The Ties that Bind: One family’s celebration of Native Omaha Days

©by Leo Adam Biga

Originally published in The Reader (thereader.com)

The warm, communal homecoming known as Native Omaha Days expresses the deep ties that bind the city’s African-American community. It’s a time when natives long moved away return to roll with family and friends.

Beyond the cultural activities marking the festival, which officially concluded this week with the traditional “Blue Monday” farewells at northside watering holes, it’s an occasion when many families and high schools hold reunions. Whether visiting or residing here, it’s not unusual for someone to attend multiple public and private gatherings in the space of a week. The reunions embody the theme of reconnecting folks, separated by miles and years, that permeates The Days, whose activities began well before the prescribed Aug. 3 start and end well past the Aug. 8 close.

No singular experience can fully capture the flavor of this biennial love-in, but the Evergreen Family Reunion — a rendezvous of many families in one — comes close. Evergreen’s not the name of a people, but of the rural Alabama hamlet where families sharing a common origin/lineage, including the Nareds, Likelys, Olivers, Unions, Holts, Butlers, Turners and Ammons, can trace their roots.

For older kin reared there, Evergreen holds bitter memories as an inhospitable place for blacks. Those who got out, said Evergreen-born and Omaha-raised Richard Nared, were forced to leave. “Most of us came here because we had to,” he said. “A lot of my relatives had to leave the South in the middle of the night. I was little, but I did see some of the things we were confronted with, like the Ku Klux Klan.” The Nareds migrated north, as countless others did, to escape oppression and to find, as New York-raised Clinton Nared said, “a new freedom” and “a better life.”

Celebrating a fresh start and keeping track of an ever-expanding legacy is what compelled the family to start the reunion in the first place, said Rev. Robert Holt, who came in for the affair from California. The reunion can be traced to Moses Union and Georgia Ewing, who, in around 1928, “decided they would bring the family together so there would be no intermarriage. It started out with about 10 people and it grew. We’ve had as many as 2,000 attend. I don’t care where it is, I go.”

As Rev. Frank Likely of Gethsemane Church of God in Christ said in his invocation before the family fish fry on Friday, the reunion is, in part, a forum for discovering “family members we didn’t even know we had.” Then there’s “the chance to meet people I haven’t seen in 40 or 50 years,” said Rev. E.C. Oliver, pastor of Eden Baptist Church. “That’s what it means to me. A lot of them, I’ve wondered, ‘Were they still alive? What were they doing?’ It’s a good time for catching up and for fellowship,” said Oliver, who arrived from Evergreen without “a dime in my pocket.”

Clinton Nared‘s taken it upon himself to chart the family tree. Reunions, he said, reveal much. “Each year I come, I get more information and I meet people I never met before,” he said. “There’s so much history here.” Niece and fellow New Yorker Heather Nared said, “Every year I find out something different about the family.”

Of Richard Nared’s three daughters — Debra, Dina and Dawn — Dina’s been inspired to delve into the family’s past. “I needed to meet my people and to know our history,” she said. “I’ve been to more reunions than the rest of them. I even went to Evergreen. I thought it was beautiful. I loved the South. Before my oldest relatives died off, I got to sit and talk to them. It was fun. We had a good time.”

Over generations the family line spread, and offshoots can be found today across the U.S. and the world. But in the South, where some relatives remain, the multi-branched tree first sprouted in America. “We live all over. Now and then we come back together,” Richard Nared said. “But Evegreen’s where it all began. They used to call it Big Meeting.”

Gabrielle Union Is Teaching Dwyane Wade Basic Life Skills

Gabrielle Union

Held variously in Detroit, Nashville, Evergreen and other locales, the reunion enjoys a run nearly rivaling that of the Bryant-Fisher clan, an old, noted area black family related by marriage to an Evergreen branch, the Unions, whose profile has increased due to the fame of one of its own, film/TV actress Gabrielle Union. A native Omahan hot off The Honeymooners remake and an Ebony cover and co-star of the upcoming ABC drama Night Stalker, she made the rounds at The Days and reunion, causing a stir wherever she went — “You seen Gabrielle? Is she here yet? We’re so proud of her.”

A display of how interconnected Omaha’s black community remains were the hundreds that greeted the star at Adams Park on Friday afternoon, when a public ceremony naming the park pond after her turned into — what else? — a reunion. Her mother, Theresa Union, said of the appreciative throng, “Most of these people, believe it or not, are her relatives, either on my side or on her father’s side. We are a very big part of North Omaha’s population.” Gabrielle’s father, Sylvester Union, said his famous daughter comes to the family galas for the same reason everyone does: “It’s a legacy we’re trying to keep going,” he said. “It’s an opportunity to communicate and share and stay in touch. To me, that’s what it’s about — bonding and rebonding.”

The actress wasn’t the only celebrity around, either. Pro football Hall of Famer Gale Sayers and Radio One founder Catherine Liggins Hughes were out and about, meeting and greeting, giving props to their hometown, family and fellow natives. This tight black community is small enough that Sayers and Hughes grew up with the Unions, the Nareds and many other families taking part. They were among a mix of current and former Omahans who gave it up for the good vibes and careers of 40 musicians inducted into the Omaha Black Music Hall of Fame at an Aug. 4 banquet. The Days is all about paying homage to Omaha’s great black heritage. As Sayers said, “People in Chicago and different places I go ask me where I’m from and when I say, ‘Omaha, Nebraska.,’ they look at me like I’m crazy. ‘You mean there’s blacks in Omaha?’ I explain how there’s a very rich tradition of African-Americans here, how we helped develop the city, how there’s a lot of talent that’s come out of here, and how proud of the fact I am to be from Omaha, Nebraska.”

Gale Sayers

This outpouring of pride and affection links not only individual families, but an entire community. “Family ties is one of the most powerful things in black history. It runs deep with us,” Richard Nared said. During The Days, everyone is a brother and a sister. “We’re all one big family,” Omahan John Butler said.

Helping host the 2005 Evergreen affair were the Nareds, whose sprawling Pee Wee’s Palace daycare at 3650 Crown Point Avenue served as the reunion registration center and fish-fry/social-mixer site. Born in Evergreen with his two brothers, William and John, Richard Nared is patriarch of a family that’s a pillar in the local black community. The Nareds were instrumental in starting the Bryant Center, once Omaha’s premier outdoor basketball facility now enjoying a revival. Richard helped form and run the Midwest Striders track club. William was a cop. John, a rec center director. Richard’s sister-in-law, Bernice Nared, is Northwest High’s principal. Daughter-in-law Sherrie Nared is Douglas County’s HIV Prevention Specialist.

The Friday fry event broke the ice with help from the jamming funk band R-Style. Some 300 souls boogied the night away. “More than we expected,” Debra Nared said. About 50 folks were still living it up on the edge of dawn. As adults conversed, danced and played cards, kids tumbled on the playground.

The family made its presence known in the Native O parade the next morning with a mini-caravan consisting of a bus and two caddies, adorned with banners flying the family colors. T-shirts proclaimed the family’s Evergreen roots. A soul-food picnic that afternoon at Fontenelle Park offered more chances for fellowship. Gabrielle and her entourage showed up to press the flesh and partake in ribs, beans, potato salad and peach cobbler. She posed for pictures with aunties, uncles, cousins. A weekend limo tour showed out-of-towners the sights. A coterie of relatives strutted their stuff at the big dance at Omaha’s Qwest Center that night. A Sunday church service and dinner at Pilgrim’s Baptist, whose founders were family members from Evergreen, brought the story full circle.

Heard repeatedly during the reunion: “Hey, cuz, how ya’ doin’?” and “You my cuz, too?” and “Is that my cuz over there?”

Annette Nared said, “There’s a lot of people here I don’t know, but by the time the night’s over, I’ll meet a whole lot of new relatives.” Looking around at all the family surrounding her, wide-eyed Dawn Nared said, “I didn’t know I had this many cousins. It’s interesting.” Omahan Sharon Turner, who married into the family, summed up the weekend by saying, it’s “lots of camaraderie. It’s a real good time to reconnect and find out what other folks are doing.”

For Richard Nared, it’s all about continuity. “Young people don’t know the family tree. They don’t know their family history unless someone old enlightens them,” he said. “Kids need to know about their history. If they don’t know their history, they’re lost anyway.”

It’s why he called out a challenge to the young bloods to keep it going. “This is a family affair,” he said. “I want the young people here to carry things on. Let’s come together. Let’s make this something special from now on.”

Jazz to the Future – The Revitalization of a Scene

July 3, 2019 2 comments

JAZZ to the Future illustration

 

Jazz to the Future – The Revitalization of a Scene

story by Leo Adam Biga

Illustration by Derek Joy

Originally appeared in the July 2019 issue of Omaha Magazine (omahamagazine.com/articles/jazz-to-the-future)

 

Legacy Informs Revival

Veteran drummer Curly Martin came of age in the ‘50s and ‘60s, when North O brimmed with players and venues. Today, he’s a flashpoint for shedding light on the history and making jazz relevant again. He is adamant “you can’t be taught jazz or blues.”

“We had mentors. Preston Love was one of my biggest mentors. I was a junior in high school, 16 years old, when I got the gig with his band. I got permission to go on the road and said bye to Tech High.”

He insists the only way to learn is to “just hang out and play, man.”

“My whole thing is about the music and passing on the knowledge,” says Martin, who’s forming a foundation to mentor youth, The Martin Mentoring Lab. He’s presented jazz labs at Hi-Fi House in the Blackstone District and is doing the same at The Jewell in the Capitol District.

“I believe the audience is in Omaha—they just don’t know what they’ve been missing because it’s been gone for so long,” says Kate Dussault, formerly of Hi-Fi House. “Omaha has this really unique opportunity right now, which is why we’re creating this foundation as a place where people can come and learn by osmosis.”

In Martin, Dussault found a kindred spirit.

“He reveres jazz like I do—as black classical music. Curly’s determined to bring jazz back to Omaha and [Hi-Fi House is] doing everything we can to help him.”

His son Terrace Martin, a noted musician and producer in Los Angeles, is leading a similar charge on the coast. 

“It’s a whole new clique going on,” Curly says. “All these young musicians catching hold and putting all this together—passing the work and knowledge around.”

The Grammy-nominated album Velvet Portraits, featuring Curly and Terace, was recorded at producer Rick Carson’s Omaha-based Make Believe Studios. Carson says Terrace, with artists like Kamasi Washington and Robert Glasper, are leading “a jazz resurgence,” adding, “The jazz they’re playing isn’t straight-ahead jazz, it’s this jazz mix-up of hip hop, funk, R&B, and soul.”

“Terrace is sitting right at the nexus of hip hop and jazz,” Dussault says. “He’s a sought-after producer who works with Kendrick Lamar and Herbie Hancock. He’s part of that whole crew bringing this new sort of jazz and making playing jazz cool again to young people.”

That synergy travels to Omaha in work Terrace, Curly, and others do at Hi-Fi, Make Believe, Holland Performing Arts Center, and The Jewell. None of this new activity may have happened, Dussault notes, if Martin hadn’t asked Hi-Fi “to help him bring back jazz at the club level.”

“At the time, in my estimation, jazz truly was dead in Omaha,” she says. “Love’s Jazz was doing a little smooth jazz and you had great shows at the Holland, but you can’t develop a jazz audience at $35 and $65 a ticket. So we came up with a concept of doing shows where Curly and company perform jazz and tackle history he thought otherwise would never be told. He’s really a big believer if kids don’t see it, they can’t aspire to play it—and then we’ll never turn this around.”

Dussault committed “to celebrate the history with Curly and guys he grew up with that had a pretty important impact on the canon of jazz, blues, R&B, even rock. We brought back his friends. We underwrote the shows and we were full almost every time.”

Make Believe captures interviews and performances of Martin and guest musicians. The result is an archive of artists who lived North O’s jazz and blues past.

Filling the Void

Recent standing-room-only Holland performances confirm what Martin and Dussault already knew. “There’s an audience for this music—but you have to reintroduce it,” she says. “Omaha has to work on audience development.” She adds that there has been serious neglect of the scene, not just in Omaha but around the country. “It needs to be respected, coddled, and brought back.”

Omaha Performing Arts executive director Joan Squires saw the same void. Filling that gap became the mission of its Holland Jazz Series and 1200 Club.

“Nobody was presenting, in any real consistent way, the major touring jazz artists and ensembles here, and we felt it was important we do it,” Squires recalls. “Jazz is an important art form and something we’re very committed to. We do it not just for what’s on the stage but also for the education components the artists bring to our community.”

OPA’s jazz program launched in 2007. The main stage concert hall series features “a mix of very established jazz masters and renowned artists along with up-and-coming talent,” she says.

Jazz on the Green fell under OPA’s domain when Joslyn Art Museum sought someone to take it over.

“We jumped at the chance, because it’s certainly a big part of our mission and it’s a beloved series,” Squires says. “Midtown Crossing’s opening made for a perfect location. All the pieces came together to take that series to a whole new level. We’ll regularly get 8,000 to 10,000 people at a performance. It’s extraordinary.”

Omaha saxophonist Matt Wallace, who toured with Maynard Ferguson and played the prestigious Blue Note and Birdland, likes the city’s new jazz landscape.

“In general, I think the scene is very healthy right now between the players we’re producing and the available venues. The whole scene depends on schools doing well and having places to play. It’s very systemic. If one part is missing, there’s an issue. I’m very encouraged by what’s happening.”

He’s impressed by The Jewell, which opened last fall.

“What happens with most clubs is they get one of two things right—either it sounds great or it looks great. This club actually got all of it right. Another thing I like is that when you walk in you get a history of artists who played at the Dreamland—Nat King Cole, Dinah Washington, Duke Ellington.”

Jewell owner Brian McKenna’s club is a conduit to Omaha’s jazz past.

“There are two stories here,” McKenna says. “There’s the generation of Curly Martin and the previous generation of Preston Love. Each became enchanted with the sounds and players of their eras. They met the artists who came through and ended up playing with them.”

Back in the Day

Martin and his buddies learned to play jazz on the North Side, jamming alongside big-time touring artists. They became respected industry journeymen. Martin has brought some—Stemsy Hunter, Calvin Keys, Ron Beck, and Wali Ali—back to gig with him in Omaha.

North 24th Street landmark Allen’s Showcase, Martin says, “was a musicians’ hangout. It was just about music, period. You went to the Showcase for one reason only—to hear the best of the best. That’s what black music was about. That was the place for the players. The Sunday jam session was notorious. It went from 10 in the morning till 1 the next morning. You had time to play, go home, change clothes, eat, come back.”

The Dreamland Ballroom was where people went to see the major artists at the time. “We knew it as a blues place—Little Richard, Etta James, BB King…You never could dance in the damn ballroom because it was packed tight,” Martin says. “You know where us young musicians were at—right up to the stage looking up.”

“That’s how we met ‘em all. We had a chance to sit-in and play with them.…Later on, when we got 20, 21, they remembered us. That’s how we got gigs.”

Once musicians sufficiently honed their craft here, they left to back big-name artists on major concert tours and hit records. They found success as sidemen, session players, composers, producers, and music directors. Some, like Buddy Miles, became headliners.

The same scenario unfolded a generation earlier at the Dreamland, Club Harlem, Carnation Ballroom, and McGill’s Blue Room. Anna Mae Winburn, Preston Love, and Wynonie Harris broke out that way.

On the North O scene, mostly black talent played in front of integrated audiences on the strip dubbed The Deuce. Driving riffs, hot licks, and soulful voices filled myriad live music spots.

“Everybody was coming north,” Martin says.

“When I came up, we were not leaving Omaha for New York or Los Angeles. There was that much work. There were that many great musicians and venues. Then there were all the cats coming back and forth through Omaha. We were seeing the best in the world…why go anywhere?”

An infrastructure supported the scene in terms of black hotels, rooming houses, and restaurants. A&A Records was “a kick-ass music store with eight listening booths.”

“We had all that going on,” Martin says. “I’d come out of my house every morning and hear music on every corner. It was a fairytale, man. At night, you had to dress up—suit and tie, shoes shined. It was classy. Twenty-fourth and Lake was like being on Broadway. It was like that back in the day.”

Further making the scene special were clubs such as Backstreet, Apex Lounge, The Black Orchid, and The Green Light. At Off Beat Supper Club emcees introduced Cotton Club-like revues and floor shows. “It was killing,” Martin says. “It was the most popular black club in North Omaha.”

After-hours joints added another choice for late nights out. High stakes games unfolded at the Tuxedo Pool Hall. The Ritz and Lothrop movie theaters and social halls provided more entertainment options.

“North Omaha was a one-stop shop when it came to music. There was more to it than just jazz. That was just part of it. The history of North Omaha is not simple at all, especially about the music. There was just tons of music.”

And transcendent talent.

From Gene McDaniels hitting gold with “A Hundred Pounds of Clay” to Lalomie Washburn writing Chaka Khan’s mega-hit “I’m Every Woman,” it’s clear the talent was there.

“Cats getting record deals with Chess Records in Chicago. I can go on and on,” Martin says. “They were hometown stars in the ‘hood—and we all grew up together.”

Restoring What Was Lost

In the ensuing decades, clubs closed and the economy dwindled.

As the North O scene waned, new metro artists emerged—Dave Stryker, Jorge Nila, Dereck Higgins, Steve Raybine, and the Potash Twins.

There were still veterans around for up-and-comers to learn from.

Matt Wallace learned under Luigi Waites. “Playing with older, more experienced guys your game has to come up—there’s just no way around it,” Wallace says. “I try carrying that on.”

Drummer Gary Foster is grateful to his mentors. “I had so many experiences of people taking their time with me, from Bobby Griffo to Charles Gamble to Luigi to Preston, and Preston’s sons Norman and Richie. They were very open.”

Bobby Griffo, aka Shabaka, “was just a prime mover in the North Omaha modern jazz scene. Anybody that was anybody played with him,” Foster says.

Griffo ran the Omaha Music School and led the big band Arkestra that included prime players Timmy Renfro, Mark Luebbe, Gamble, and Foster.

Omaha’s Jazz Scene Hung On

“The Showcase was still going. The Howard Street Tavern had Tuesday night jam sessions. Luigi normally had a night there (and at Mr. Toad’s). A lot of people came in to play,” Foster recalls. “Jack DeJohnette’s band. The Johnny Otis Revue. Dizzy Gillespie and Earl Hines came to town and did a jam session at Howard Street.”

“That stuff went on all the time. The big one was at Kilgore’s. Chick Corea was in town to play the Music Hall. He wanted to know if there was anything going on and we took him to Kilgore’s. He sat in all night playing drums. He didn’t even touch the keyboard.”

Foster says jazz could also be heard at places like The Gaslight and Julio’s.

“And there were still all kinds of little after-hours clubs. I remember one down by the stockyards. I walked in there with my drums—this young white boy with all these black musicians in an all-black club. When the guys sitting at the bar turned around, their coats opened and they were all carrying pistols. They were like, ‘Don’t worry, you’re with the band, you’re cool, you don’t have to worry about anything here.’”

But things slowed to a crawl from the 1990s on.

“Clubs stopped hiring the caliber of jazz artists they once did,” he says. “There were always good local players playing, but it was just a niche thing. Nobody was really making any money at it. We turned to other music to keep gigging. You had to do what you had to do to make it. We played jazz because we loved it.”

The same 10 jazz players played all the gigs. “That’s why I moved to New York,” Foster says. Stryker, Nila, and Karrin Allyson preceded him there.

Climbing Back

Foster is glad the jazz scene has picked up.

Mark’s Bistro owner Mark Pluhacek helped feed the resurgence with a regular jazz program at Jambo Cat beneath his eatery. Though it gained a following, that wasn’t enough to prevent its closing.

Chuck Kilgore, a musician and former club owner, played at and booked Jambo Cat, which he called “the perfect venue.” Even perfect wasn’t good enough.

The truth, Kilgore says, is that few entrepreneurs are willing to risk an investment when there’s “almost certain” small returns.

“Jazz is mostly subsidized these days the way symphonic music is,” Pluhacek says. “It’s underwritten for it to survive. It’s not what people are listening to in huge volumes, so it has to be supported in other ways.”

Pluhacek enjoyed Jambo’s run while it lasted.

“It all came together. It was wonderful. We realize the importance of it. We hope the energy for jazz just grows and gets better.”

Hope for the Future

Besides the Holland and Jewell, other outlets for jazz include the Ozone Lounge, Omaha Lounge, Havana Garage, Harney Street Tavern, and Mr. Toad’s.

Education is also key to engaging an audience.

LJAC hopes to have artists at The Jewell work with elementary school students, and OPA is introducing the genre to pre-schoolers through Jazz at Lincoln Center’s WeBop program. Another facet of cultivating audiences is radio jazz programming. Artists still depend on air play.

“What’s changed is musicians’ ability to get their music out there,” KIOS-FM jazz host Mike Jacobs says. “We get a lot of music produced and marketed by musicians themselves. The major labels have gotten away from doing straight-ahead jazz. A lot of artists produce a hybrid jazz-pop sound. They’re like gateway artists to the classic stuff.”

Jacobs’ KIOS colleague Christopher Cooke is cautiously optimistic The Jewell and other jazz spaces will re-energize things here. He hopes to one day see a “real summer jazz festival in Omaha.”

Meanwhile, Martin helps to build appreciation for the past and a foothold for the future. “It’s about the music coming first. I’ve been blessed and I have to pass it on,” he says.

“Curly was around for a scene that doesn’t exist anymore,” Carson says, “and he’s still connected to the people who made that music…No one is putting him and those dudes on the pedestal. But they’re world-class musicians. They’re clearly exceptional talents.”

Martin wants North O’s renaissance to be informed by what went before.

“How you going to know what we need, when you don’t know what we had?”


This article was printed in the July/August 2019 edition of Omaha Magazine. To receive the magazine, click here to subscribe.

An Omaha Star: Phyllis Hicks – The Publisher & the Newspaper She Never Meant to Run

March 10, 2019 Leave a comment

An Omaha Star: Phyllis Hicks

The Publisher & the Newspaper She Never Meant to Run

by Leo Adam Biga

Originally appeared in the March-April 2019 edition of Omaha Magazine (http://omahamagazine.com/articles/an-omaha-star-phyllis-hicks/)

 

 

 

 

When the story of the city’s longest-running African-American-owned newspaper, The Omaha Star, is written, three women will dominate its 80-year narrative.

Founding publisher Mildred Brown ran the ship from 1938 until her death in 1989. Her niece Marguerita Washington (a career educator), who spent time working for her aunt growing up, succeeded her. Phyllis Hicks joined the paper in 2005 and took over more and more of its operations after Washington fell ill. Upon Washington’s 2016 death, Hicks officially became publisher and managing editor; in truth, she had been running things for some time.

Hicks—the last survivor of this troika of black women journalists—never intended getting so deeply involved with the paper. Brown was only an acquaintance and Hicks’ association with the Star was limited to reading and submitting news items to it. She only joined the staff as a favor to her mother, who was close to Washington. Hicks studied journalism in school, but besides writing occasional press releases for her work in the public and private sectors (including her coaching of the Stepping Saints drill team), she had nothing to do with the Fourth Estate.

Fate had other plans, and thus Hicks, like Brown and Washington before her, became the matriarchal face of the paper. She did it her way, too. Lacking the entrepreneurial and sartorial flair of Brown, Hicks nevertheless managed attracting enough advertisers to keep the Star afloat through troubled economic times and declining ad revenues and subscriptions. Without the publishing and academic background of Washington, Hicks still found ways to keep the paper relevant for today’s readers.

After more than a decade with the paper, Hicks—who turns 76 on March 7—is looking to step away from the paper due to her own declining health. She broke her ankle in 2017, and then, last year went to the hospital to be treated for pneumonia; she was discharged with a dysfunctional kidney requiring dialysis.

She is eager for someone to carry the Star torch forward. As this issue of Omaha Magazine went to press, a management transition involving the Mildred D. Brown Memorial Study Center was in progress.

Whatever the paper’s future, Hicks is glad to have been part of its legacy of strong black women. That legacy extends to her late mother, aunts, and grandmother (Emma Lee Agee-Sullivan)—all independent achievers from whom she drew much inspiration.

When Agee-Sullivan was young, she was a member of the church pastored by the Rev. Earl Little (Malcolm X’s father). Agee-Sullivan was with the Little family when a lynch mob came looking for Earl Little. The family hid him and covered for him, and the Littles fled Nebraska the next day. As an adult, Hicks says, Agee-Sullivan was active in the Baptist church and started the state’s first licensed, black-owned home daycare.

Hicks had aunts who worked in finance and another who was a championship golfer (who would have gone professional “if she had come at another time”), she says, adding that her paternal grandfather, the Rev. J. P. Mosley Sr., led a demonstration to integrate swimming pools in Chillicothe, Missouri, in 1954, and “built Mount Nebo Baptist Church from the ground up” in Omaha.

When the challenge of the Star or anything else presented itself, she was ready. “I just did it because it had to be done,” Hicks says.

She followed the path laid out by other “black women taking the leadership role.”

At a time when few black women owned businesses, Brown launched the Star only a year after moving to town. She originally worked for the city’s other African-American paper, The Guide. She left its employment for her startup, which competed against The Guide for advertisers and readers. The Star soon won out thanks to her entrepreneurial savvy and not-taking-no-for-an-answer grit. The publisher made her paper a bastion for civil rights and community pride.

Following Brown’s death in 1989, Washington took command. By the early 2000s, the
paper struggled.

Meanwhile, Hicks’ mother, Juanita, befriended Washington. When Juanita fell ill, Washington helped care for her to allow Hicks to manage the Stepping Saints. Then, when Juanita’s house got flooded, she stayed with Washington for six weeks.

“They kind of adopted each other and threw me in the mix,” Hicks says.

Hicks was retired but, at the urging of her mother, she offered to assist Washington at the Star. Hicks soon took on editorial and business duties.

“I went to do a little marketing for Marguerita, and I’ve been there ever since,” she says. “I discovered there was a lot of help she needed. The paper was in dire straits. And I just started doing some of everything.”

Along the way, Hicks and Washington grew close. “It was a growing relationship that became more of a personal one than a business one,” she says.

Together, they formed the Mildred D. Brown Memorial Study Center as a fundraising and scholarship vehicle.

As Washington’s health failed, Hicks became her caregiver and eventually power of attorney. By the time Washington died of multiple malignant brain tumors in 2016, Hicks transitioned the paper from a weekly to a biweekly as a cost-savings move. She also got the paper’s archives digitized online.

Hicks continued running the paper, she says, because “I just felt an obligation. When I take on something, I try to see it through.”

Woodcut of Phyllis Hicks by Watie White

The Star is believed to be the nation’s oldest African-American paper owned and operated by women. Through the Great Depression, the late ’60s riots, the 2008 economic collapse, the death of publishers, and declining print ad revenue, it has never ceased publication.

Hicks admires how Washington took up the mantle after Mildred Brown died.

“She wanted the paper to go on as a legacy to Mildred because Mildred put her all into the paper. Plus, Marguerita felt the paper needed to be in the community to allow the black community a voice. She felt the newspaper was another way to educate people.

“She made the ultimate sacrifice and put her life on hold to keep somebody else’s dream alive,” Hicks says.

With Washington and Brown as her models, she ensured the Star’s survival.

“I take satisfaction in knowing I kept it from going under because it was close to going under,” she says. “With some personal sacrifices, I’ve been able to keep the doors open and pay people’s salaries. I paid off allThe Omaha Star bills. There were several years of back taxes. All that’s been caught up to date.”

Hicks came to believe, as Brown and Washington did, the Star serves an important role in its “ability to tell it like it is in the community, without it having to be politically correct.”

Just don’t expect crime reporting.

“I’ve tried to keep the paper in the light that Marguerita and Mildred did in positive news,” she says. “We don’t report who got killed, we don’t report crime, we don’t report any of that, because there’s a mess of that being reported already. What we try to do is paint a bright picture of what’s going on in the community—people’s accomplishments. We try to put information out there that builds the community up as well as inspires the community.”

The Star’s long been home to strong voices—from Charlie Washington and Preston Love Sr. to Ernie Chambers and Walter Brooks—calling for change. For many black Omahans, including those living elsewhere, it remains a main conduit to their shared community.

Hicks wishes more young people used the paper as a resource and recognized its role in fighting injustice and championing black self-determination.

“It’s a legacy for them,” she says. “It’s a part of this community’s history, and it’s a vehicle for them to tell their stories. We invite young people to submit stories.”

The Star intersects with young people through internships it offers students and scholarships granted by the Study Center. Engaging with community youth has been a priority for Hicks for years.

Long before joining the Star, Hicks made her community mark as co-founder and director of the Salem Baptist Church Stepping Saints drill team. The team was originally organized in 1966 to perform at a single event. But Saints dancers and drummers wanted something permanent, so the group became a fixture in area parades and at Disneyland, Disney World, Knott’s Berry Farm, and many other attractions across the nation.

Hicks says, the last time she counted, the Saints had performed in 38 states and some 2,000 youths had cycled through the team’s ranks over time. Some veteran Saints have seen their children and grandkids participate, making it a multigenerational tradition.

The Saints celebrated 50 years in 2017. The team is still going strong. Even though Hicks no longer takes an active hand in things, she’s still the matriarch.

Just as she never meant for the Saints to be a long-term commitment, her Omaha Star gig turned into one. Her promise-keeping may be her enduring legacy.

“If I say I’m going to do something, then I’m going to try to see it to the end,” she says.

Hicks wants the paper to remain black-owned and managed and based in North Omaha, where its red brick building (at 2216 N. 24th St.) has landmark status on the National Register of Historic Places.


Visit theomahastar.com for more information.

This article first appeared in the March/April 2019 edition of 60PLUS in Omaha MagazineTo receive the magazine, click here to subscribe.

Commemorating Black History Month – Links to North Omaha stories (Part IV of four-part series)


Commemorating Black History Month

Links to North Omaha stories from 1998 through 2018

 

 
Articles on social justice, civil rights, race, history, faith, family, community, business, politics. education, art, music, theater, film, culture, et cetera

A weekly four-part series

Final week: Part IV – Soul food and soul sports

 

https://leoadambiga.com/2019/01/16/the-long-road-to…ear-as-a-bluejay

Charles Hall’s Fair Deal Cafe | Leo Adam Biga’s My Inside Stories

 
https://leoadambiga.com/2012/04/10/onepeachof-a-pitcherpeaches…
 

 

Local Black Filmmakers Showcase: Next up – short films by Jason Fischer on Tuesday, March 5 at 6 p.m.


Local Black Filmmakers Showcase

A February-March 2019 film festival @ College of Saint Mary, 7000 Mercy Road

6 p.m. | Gross Auditorium in Hill Macaluso Hall

Featuring screen gems by Omaha’s own Omowale Akintunde and Jason Fischer

Support the work of these African-American community-based cinema artists

 

Next up – three short films by Jason Fischer

Screening on Tuesday, March 5:

•The art film “I Do Not Use” pairs searing, symbolic images to poet Frank O’Neal’s incendiary words.

•The documentary “Whitney Young: To Become Great” uses the civil rights leader’s life as a model for kids and adults to investigate what it takes to be great.

•And the award-winning “Out of Framed: Unseen Poverty in the Heartland” documents people living on the margins in Omaha.

 

Screenings start at 6 p.m.

Followed by Q & A with the filmmaker moderated by Leo Adam Biga.

Tickets and parking are free and all films are open to the public.

For more information, call 402-399-2365.

Still to come – a screening of Omowale Akintunde’s award-winning documentary “An Inaugural Ride to Freedom” about a group of Omahans who traveled by bus to the first Obama inauguration. Plus a bonus documentary on the second Obama inauguration. Followed by Q&A with the filmmaker moderated by Leo Adam Biga. Date and time to be determined. Watch for posts announcing this wrap-up program in the Local Black Filmmakers Showcase.

Local Black Filmmakers Showcase continues tonight with “Wigger”

February 28, 2019 Leave a comment

Local Black Filmmakers Showcase featuring screen gems by Omaha’s own Omowale Akintunde and Jason Fischer

Support the work of these African-American community-based cinema artists

 

February-March  2019

College of Saint Mary

6 p.m. | Gross Auditorium in Hill Macaluso Hall

The work of award-winning Omaha filmmakers Omowale Akintunde and Jason Fischer highlight this four-day festival at College of Saint Mary.

 

Next up:

“Wigger” (2010)

From writer-director-producer:

Omowale Akintunde

 

Screening tonight – Thursday, February 28 @ 6 p.m. 

Followed by a Q&A with flmmaker Omowale Akintunde. 

Moderated by Omaha fllm author-journalist-blogger Leo Adam Biga.

 

Shot entirely in North Omaha, “Wigger” explores racism through the prism of a white dude whose strong identification with black culture ensnares and empowers him amidst betrayal and tragedy.”Wigger” is a spellbinding urban drama, which chronicles the life of a young, White, male (Brandon) who totally emulates and immerses himself in African American life and culture. Brandon is an aspiring R&B singer struggling to overcome the confines of a White racist, impoverished family headed by a neo-Nazi father who is absolutely appalled by his son’s total identification with Black culture. Additionally, he is oft times reminded of his position of privilege by virtue of being White in a White, racist society despite his adamant efforts to transcend “Whiteness”, institutionalized racism, and find a place for himself in a world in which he rejects Whiteness but is not always fully embraced by African American culture. Ultimately, this is the story of a young White, inner-city, male caught up in an emotional, psychological, experiential, and racial “Catch 22” determined to be granted acceptance in the life and culture with which he chooses to identify.

Wigger Poster  

The Festival continues on Tuesday, March 5 with  three short films by Jason Fischer taking center stage. The art film “I Do Not Use” pairs searing, symbolic images to poet Frank O’Neal’s incendiary words. The documentary “Whitney Young: To Become Great” uses the civil rights leader’s life as a model for kids and adults to investigate what it takes to be great. “Out of Framed: Unseen Poverty in the Heartland”documents people living on the margins in Omaha.

 

NOTE: The March 5 Jason Fischer program was originally scheduled for February 25 but was postponed due to inclement weather.

The February 26 program featuring Omowale Akintunde’s Emmy-award winning documentary “An Inaugural Ride to Freedom” was also postponed due to weather and will be rescheduled at a date to be determined later.

 

All films begin at 6 p.m. and will be screened in Gross Auditorium in Hill Macaluso Hall at College of Saint Mary, 7000 Mercy Road.

A Q & A with the filmmaker follows each screening. 

Tickets and parking are free and all films are open to the public.

For more information, call 402-399-2365.

 

Local Black Filmmakers Showcase featuring screen gems by Omaha’s own Omowale Akintunde and Jason Fischer

February 26, 2019 Leave a comment

Local Black Filmmakers Showcase featuring screen gems by Omaha’s own Omowale Akintunde and Jason Fischer

Support the work of these African-American community-based artists

 

February-March  2019

College of Saint Mary

6 p.m. | Gross Auditorium in Hill Macaluso Hall

The work of award-winning Omaha filmmakers Omowale Akintunde and Jason Fischer highlight this four-day festival at College of Saint Mary.

On Tuesday February 26, Akitnunde’s “An Inaugural Ride to Freedom” charts a trip Nebraskans made to D.C. for Obama’s historic first inauguration. On Wednesday, February 27, it’s the world premiere of Akintunde’s television pilot “It Takes a Village,” which turns black situation comedy on its head. On Thursday, February 28, his impressive dramatic feature debut “Wigger,”shot entirely in North Omaha, explores racism through the prism of a white dude whose strong identification with black culture ensnares and empowers him amidst betrayal and tragedy.

On Tuesday, March 5 three short films by Fischer take center stage. The art film “I Do Not Use” pairs searing, symbolic images to poet Frank O’Neal’s incendiary words. The documentary “Whitney Young: To Become Great” uses the civil rights leader’s life as a model for kids and adults to investigate what it takes to be great. “Out of Framed: Unseen Poverty in the Heartland”documents people living on the margins in Omaha.

Screenings start at 6 p.m. Q &As follow the February 27. February 28 and March 5 showings.

All films begin at 6 p.m. and will be screened in Gross Auditorium at College of Saint Mary, 7000 Mercy Road 68106.

Tickets and parking are free and all films are open to the public.

For more information, call 402-399-2365.

Local Black Filmmakers Showcase

Tuesday, February 26th

“An Inaugural Ride to Freedom”

Wednesday, February 27th

Premier screening:

“It Takes a Village”

Director Q&A with Omowale Akintunde

February 28th

“Wigger”

Director Q&A with Omowale Akintunde

Tuesday, March 5

Short Films (originally scheduled for Feb. 25)

“I Do Not Use”

“Whitney Young To Become Great”

“Out of Frame: Unseen Poverty in the Heartland”

Director Q&A with Jason R. Fischer

Commemorating Black History Month – Links to North Omaha stories (Part III of four-part series)

February 26, 2019 Leave a comment

Commemorating Black History Month

Links to North Omaha stories from 1998 to 2019

 

Articles on social justice, civil rights, race, history, faith, family, community, business, politics. education, art, music, theater, film, culture, et cetera

A weekly four-part series

This week: Part III – History, art, music, theater, film, culture, entertainment, society

 

https://leoadambiga.com/2018/11/25/cathy-hughes-for…g-the-status-quo

https://leoadambiga.com/2018/12/12/as-screen-vetera…-big-career-move

https://leoadambiga.com/2010/05/11/berthas-battle/ ‎

Burden of Dreams: The Trials of Omaha’s Black Museum | Leo Adam …

https://leoadambiga.com/…/burden-of-dreams-the-trials-of-omaha’s-black museum/

Great Plains Black History Museum Asks for Public Input on its …

https://leoadambiga.com/…/great-plains-black-history-museum-asks-for- public-input-on-its-latest-evolution/‎

Long and Winding Saga of the Great Plains Black History Museum …

https://leoadambiga.com/…/long-and-winding-saga-of-the-great-plains-black- history-museum-takes-a-new-turn-2/

https://leoadambiga.com/2010/04/30/omahas-sweet-six…master-battalion

https://leoadambiga.com/2010/06/18/the-tuskegee-airmen/

https://leoadambiga.com/2019/02/09/omahas-jazz-past…ge-at-the-jewell/

https://leoadambiga.com/2018/11/25/funny-yet-seriou…ber-ruffin-story

https://leoadambiga.com/2018/12/08/putting-it-on-th…in-late-night-tv/

https://leoadambiga.com/2018/04/30/north-omaha-rupt…f-playfest-drama/

https://leoadambiga.com/2018/04/24/stage-screen-sta…e-omaha-symphony

soul sisters – The Reader

http://thereader.com/visual-art/soul_sisters/

Camille Metoyer Moten | Omaha Magazine

http://omahamagazine.com/articles/tag/camille-metoyer-moten/

Camille Metoyer Moten: With a song in her heart | Leo Adam …

https://leoadambiga.com/2016/12/26/camille-metoyer-moten-with-a

Art imitates life as themes in play cut closely for its stars – The Reader

http://thereader.com/visual-art/art_imitates_life_as_themes_in_play_cut_closely_for_its_stars/

https://leoadambiga.com/2016/02/18/blacks-of-distinction-2/

https://leoadambiga.com/2012/04/01/blacks-of-distinction-ii/

https://leoadambiga.com/2011/09/05/after-night-of-v…s-venue’s-future/

https://leoadambiga.com/2010/11/20/finding-forefath…limpse-of-future/

https://leoadambiga.com/2012/07/09/actor-kelcey-wat…es-of-separation/

https://leoadambiga.com/2016/04/22/john-beasley-living-his-dream/

https://leoadambiga.com/2010/06/06/john-beasley-making-his-stand

https://leoadambiga.com/2012/02/01/john-beasley-act…nt-believability

https://leoadambiga.com/2011/09/03/john-beasley-and…kshop-and-beyond

https://leoadambiga.com/2011/09/30/tired-of-being-t…-beasley-theater

https://leoadambiga.com/2010/06/18/get-your-jitney-on

https://leoadambiga.com/2011/05/29/polishing-gem-be…gem-of-the-ocean

https://leoadambiga.com/2011/06/14/what-happens-to-…aisin-in-the-sun

https://leoadambiga.com/2012/10/04/michael-beasley-…-steel-magnolias/

Life comes full circle for singer Carol Rogers | Leo Adam …

https://leoadambiga.com/2015/08/28/life-comes-full-circle-for

Sisters of song: Kathy Tyree connects with Ella Fitzgerald …

http://thereader.com/visual-art/sisters_of_song_kathy_tyree_connects_with_ella_fitzgerald/

Black Women in Music | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2010/07/11/black-women-in-music

Now Wasn’t That a Time? Helen Jones Woods and the …

https://leoadambiga.com/2010/04/29/17

Kia Corthron | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/category/kia-corthron

Bomb Girl Zedeka Poindexter Draws on Family, Food and …

https://leoadambiga.com/2015/03/11/zedeka-poindexter-draws-on..

Lit Fest Brings Author Carleen Brice Back Home Flush with …

https://leoadambiga.com/2011/07/02/lit-fest-brings-author-carleen

https://leoadambiga.com/2010/10/26/novel’s-mother-d…it-to-the-screen

Wanda Ewing Exhibit: Bougie is as Bougie Does | Leo Adam …

https://leoadambiga.com/2013/12/08/wanda-ewing-exhibit-bougie-is

https://leoadambiga.com/2012/06/17/color-me-black-a…ications-of-race/

https://leoadambiga.com/2011/06/22/frederick-browns…ing-on-of-legacy

https://leoadambiga.com/2011/08/28/artist-bernard-s…-revival-worship/

Jana Murrell: Working Towards a New Standard of Beauty …

https://leoadambiga.com/2012/07/04/jana-murrell-working-towards-a

Gospel Playwright Llana Smith Enjoys Her Big Mama’s Time

https://leoadambiga.com/2010/06/07/gospel-playwright-llana-smith

Quiana Smith’s Dream Time Takes Her to Regional, Off …

https://leoadambiga.com/2011/01/23/quiana-smiths-dream-time-2

Jill Scott Interview | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2012/08/08/interview-with-jill-scott

https://leoadambiga.com/2010/07/05/a-woman-under-the-influence/

Crowns | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/tag/crowns/‎

Tiffany White-Welchen delivers memorable performance in …

https://leoadambiga.com/2015/10/14/tiffany-white-welchen-delivers

Enchantress “LadyMac” Gets Down | Leo Adam Biga’s My …

https://leoadambiga.com/2011/06/21/enchantress-ladymac-gets-down

Preston Love, His Voice Will Not Be Stilled | Leo Adam Biga’s My …

https://leoadambiga.com/…/preston-love-his-voice-will-not-be-stilled/‎

https://leoadambiga.com/2016/05/05/preston-love-a-t…late-hepcat-king/

https://leoadambiga.com/2010/06/03/mr-saturday-night

https://leoadambiga.com/2010/06/03/omaha-blues-and-…end-preston-love

https://leoadambiga.com/2010/06/03/preston-love-192…ed-at-everything

https://leoadambiga.com/2010/05/01/hard-times-ring-…uthor-laura-love/

https://leoadambiga.com/2013/04/27/laura-love-omaha…r-gal-comes-home/

https://leoadambiga.com/2011/12/19/preston-love-jr-…e-man-chautauqua

Cool Cat Billy and the Sportin’ Life | Leo Adam Biga’s My Inside Stories

https://leoadambiga.com/2010/07/01/sportin-life/‎

https://leoadambiga.com/2010/06/18/puttin-on-the-ritz/

https://leoadambiga.com/2011/08/28/soon-come-nevill…hing-north-omaha

https://leoadambiga.com/2016/12/27/gabrielle-union-…-from-the-camera

Gabrielle Union having it all between her own series, new …

http://thereader.com/news/gabrielle_union_having_it_all_between_her_own_series_new_film_producing_mar/

https://leoadambiga.com/2012/09/29/gabrielle-union-…ary-half-the-sky/

https://leoadambiga.com/2010/08/21/the-gabrielle-union-chronicles

https://leoadambiga.com/2010/08/21/gabrielle-union-a-star-is-born

Dope actress Yolonda Ross is nothing but versatile – from …

https://leoadambiga.com/2016/10/18/dope-actress-yolonda-ross-is

Yolonda Ross adds writer-director to actress credits – The …

http://thereader.com/visual-art/yolonda_ross_adds_writer-director_to_actress_credits/

https://leoadambiga.com/2011/06/21/yolonda-ross-takes-it-to-the-limit

https://leoadambiga.com/2015/09/13/tim-christian-ch…film-in-nebraska

https://leoadambiga.com/2011/11/29/vincent-alstons-…nd-love-all-over

https://leoadambiga.com/2016/03/09/master-of-many-m…ms-jason-fischer/

https://leoadambiga.com/2011/09/01/an-inner-city-ex…range-of-stories/

https://leoadambiga.com/2011/09/01/art-from-the-streets/

https://leoadambiga.com/2011/07/20/omowale-akintund…new-cinema-voice/

https://leoadambiga.com/2010/05/21/deconstructing-w…ost-racial-world

Hope Hero: Vanessa Ward

January 27, 2019 1 comment

Hope Hero: Vanessa Ward

 

©by Leo Adam Biga

Appearing in the February 2019 New Horizons (hitting mailboxes and newsstands starting Jan. 31)

 

They call her the Hope Hero.

Vanessa Loftin Ward, 65, is a positive, energetic spirit by nature. Anyone who’s ever heard her speak – whether stumping for the Nebraska Democratic Party’s gubernatorial nomination in 2018 or leading prayer chains for peace – can attest to her dynamic presence.

“I’ve always been an encouraged heart,” she said. “My grandmother worked for rich white people and she taught me to hold your head up and to be proud.”

The historical example of abolitionist-activist Harriet Tubman leading escaped slaves to freedom via the underground railroad made a big impression on Ward.

“I could clearly see the power that Harriet demonstrated by one person caring enough to do something over and over and over again.”

But in the late 1980s Ward despaired at the sorry quandary she and her late husband Keith Ward found themselves in. Like their fellow working-class neighbors, the couple struggled getting by. Their poor but once peaceful northeast Omaha neighborhood had become plagued by unsavory, illegal, dangerous activities that sprung up there like weeds. A few drug dealers, gang members, pimps and prostitutes took hold and stubbornly, brazenly held on.

Bereft of trust, respect and consideration, neighbors became strangers to each other.

A pall fell over the neighborhood. Its upstanding citizens were afraid of being victims in what became known as Death Valley for all the violent fatalities there. Calling the police was discouraged. People didn’t seem to care anymore. They let their properties go and litter fill the street. The sense of safety and community Vanessa and Keith grew up with only a few blocks away was broken. It became a rough place to raise their four children but limited means left them with few options. Besides, they lived in their own home and the couple were not about to be run out by some thugs. So they stayed.

“When my neighborhood was so disconnected because  nobody knew each other, that bothered me,” Ward said.

“Living in an impoverished area where nobody really connected or cared because it’s The Hood, the slum, the ghetto – that bothered me. Then the fact my children had to play in the backyard. There was no break for them. Why couldn’t they play in the front? But we were worried about a drive-by. That’s the way we survived – by hiding. I just couldn’t take it.”

The last straw came after a young man got shot and killed right across the street from where the gang members hung out. He died in front of the Wards’ home.

“Nobody did anything. Nobody called the law. Because if you called you were a snitch. You didn’t do anything but survive. It was always eating at me because I had a free childhood without all this mess.”

Somebody do something

Rather than hide and remain silent anymore, Vanessa, an ordained minister who pastored Afresh Anointing Church, proceeded to step out on faith to lift up her neighbors and confront the troublemakers.

The healing ministry she did right there on her own block eventually restored a sense of community and hope among residents. It all began with Ward picking up trash and greeting her neighbors. Then, drawing on an event her mother organized back in the day, she planned the first of what became an annual block party there. She reached out to gang members to get their assurance there would be no trouble. The party went on without incident and proved a rallying point for the neighborhood, drawing hundreds for fellowship and fun. Over time, the area underwent a profound change. Gardens were planted and homes renovated. She led outdoor church services. The bad element moved out and criminal behaviors ceased. Death Valley became Hope Valley.

The block party celebrated 20 years in 2017. It grew so big that last year it moved off the block to nearby Fontenelle Park, where some 1,500 people gathered.

The transformation that occurred in the neighborhood has earned Ward much recognition. It became the inspiration for her book, Somebody Do Something. None of it would have happened though, she insists, if she hadn’t changed her own heart first.

“I hated the gang members, I hated my neighborhood, I hated my quality of life. If I had stepped out out of hate I would never have endured. It took love, forgiveness, empathy to be able to step out and make significant change. To go over to the gang members and ask that there not to be any trouble during this event took love –and they knew it.

“You can’t accomplish anything without truth,” she said. “Truth builds trust, and you’re nowhere without it.”

Placing fault or pointing fingers wasn’t the answer. “You can’t choose sides,” she said. “You have to find a better way.” It wasn’t about expecting someone else to come to the rescue either. “No one can come into your community and produce effective change. You have to accomplish that from within.”

 

ward2.jpg

 

Be the change

Empowering others to be change agents became her life’s work.

“I feel like in every negative situation, be it relational, community, citywide, worldwide, people need to understand they have the potential of making a difference beyond the bolt. I think you need people to inspire you to step out or step up in whatever your situation is to make positive change.

“Now your situation may not be as dire as mine with a young man dying right in front of your home and you’re already totally dissatisfied with the condition of your condition. It may not have to be that much to push you, but it does require asking what can I do. It may be as small as greeting, smiling, waving, engaging. Always more is required. But if you’re keeping your head down, not making eye contact, avoiding your neighbor – that’s how this negative element around us grows.”

Just don’t be looking for scapegoats.

“Everybody wants to blame the government. The government can’t see what’s going on on your block or in your family. That’s not the government’s responsibility. You can’t be blaming other people.

“For me the block party was basically an example of what YOU can do where you are.”

Ever since then her mission’s been to raise up others by encouraging them to be the change they want.

“What I’m doing is giving wisdom keys to people to inspire them to keep hope alive.”

She feels elders like herself have much to offer. She likes repeating what her fellow residents at Salem Village have to say about being seniors: “Retired but not expired.”

She feels she and other seniors can show the way for how things are done.

“Without direction, people go astray. If somebody’s not there like grandpa and grandma and we don’t keep the direction and say, this is the way you do it, we go astray. We need to pull on that wisdom because we need direction. This young generation is screaming for it. It’s a silent scream of ‘somebody tell me what to do, how to do it – encourage me to do it.'”

A once cohesive community torn asunder

This woman that stepped boldly forth to reclaim her community went through her own transformation only a few years before. Without this “conversion,” she said, she wouldn’t have been able to take the actions she did. To understand that transition one has to return to her childhood and young adulthood and the doldrums she found herself in at age 38 before being born again.

One constant in her life is community. She’s always been about community.

“I love community. Community for me was the Near Northside.”

She grew up at 25th and Evans when segregation was still the de facto force of law.

“This was North Omaha in the late ’50s, early ’60s when the civil rights movement was at its peak. We were living in the cluster of moving no farther south than Cuming Street, no farther north than Ames Avenue, no farther east than 16th Street and no farther west than 30th Street. No matter what your educational status was, your profession, your financial stability – as long as you looked like me, that’s where you lived.”

Segregation had its benefits, including a tight-knit, self-sustaining black community.

“My fondest memories came from community,” Ward said. “We looked out for each other. It was like there was no divisiveness, no competition. There was Miss (Bertha) Calloway right next door. Johnny Rodgers right up the street. Officer Mahoney down the alley. Brenda Council and Thomas Warren and all the rest of them around the corner – Luigi Waites, Camille Steed.

A cohesive village raised her and her peers.

“My community had guidelines. You didn’t ever talk back to your elders. That was a no-no. You had to be in the house-yard by the time the street lights came on. Men in my community took an active role model presence. Mr. Winburn would take all the neighborhood youth on ‘The Hay Ride’ a ride in the back of his truck to Hummel Park or out in the country – just to get us out of The Hood. Mr. Waites led the Contemporary Drill Team.

“If any adult had to scold you, then by the time mom and dad got word you were sure to get a ‘whupping’ back home. My community understood living and working together. We watched out for one another. Everyone knew one another. Most adults were homeowners.”

Her family was active at Hope Lutheran Church. She and her siblings attended its Christian school. Two-parent households were the norm, not the exception. Ward grew up in one until age 10, when her folks divorced. She adored her father, who operated the first black barber shop in South Omaha.

“My fondest memories were with my biological father.”

Her mother was an entrepreneur, too, making and selling home-made candied apples and popcorn balls from the family’s home. Ward recalls she and her siblings going to a North Omaha orchard with their mother to pick apples.

Suddenly living in a broken home “was hard on me.” she said, Her mother remarried but things just weren’t the same with the stepfather and that second marriage didn’t last anyway.

Ward went through a period of rebellion in her late teens before checking herself and finding a positive outlet in cheerleading at Omaha Technical High School. When her mother and stepfather moved to New York state, she went there her senior year to complete school and to see the Big Apple, but she found it too big, fast and unfriendly and gladly returned to her hometown.

When desegregation came, the sense of community and stability she knew eroded. Where before, professionals and laborers were all mixed together, blacks began dispersing by income or class. Busing to integrated schools found black students sometimes separated from friends.

“When we started dispersing, you definitely could not live in neighborhoods you couldn’t afford. That became a big divider. You started to lose that sense of oneness. When you’re separated you’re no longer quite sure what someone else’s plight is or where they’re struggle comes in. You don’t know. That’s what happens when we start getting more divided.”

Further disrupting things and causing insecurity were the loss of good paying packinghouse and railroad jobs that many blacks worked. Many natives left to pursue better opportunities elsewhere.

The riots of the late 1960s destroyed several businesses in the North 24th Street hub. The mostly white owners chose not to rebuild. Owners of unaffected businesses chose to close shop in that tense time. Many vacant lots and abandoned storefronts remained empty for decades. Some still remain so

“Twenty-fourth Street was burning right outside my neighborhood,” Ward recalled. “There was burning and pillaging of stores of friends you met in the community. Everything was being destroyed. My whole life was up in flames during that time.”

Construction of the North Freeway forced many residents to move and imposed a barrier that severed neighbors and neighborhoods from each other.

The community that was once so “alive and vibrant” became a shell of its former self.

“It was rough,” Ward said. “But I think if we didn’t have  each other, it could have been a whole bunch worse. I really believe that.”

 

A block party unites

Through thick and thin

As if the deteriorating community were not challenge enough, her husband Keith was diagnosed with Type I Diabetes and eventually lost his legs. This jack of all trades who drove a bus and was employed as a custodian, groundskeeper and security guard, could no longer work and the family lost their home.

An angel came to their rescue.

“A landlord who had a vacant home let us come stay there free for six months because he admired what I was doing in the neighborhood. Then we were able to get into another home. We never had to leave the neighborhood. You can’t do the block work if you’re not on the block. You have to actually live there.”

For two years the couple did live off-site for his health. Even though she went back on weekends to pray for the neighborhood, it wasn’t the same. She found that without her nurturing, things had become stagnant. When she told Keith she was dissatisfied being apart from her roots, they moved back.

“My husband was my number one supporter.”

Even when he disagreed with how she went about things and feared for her safety, Keith had her back. And even with their world coming down around them, she persevered. They were strong for each other that way.

She told a biographer, “I had to keep my work going – it was too important. I had to keep Keith going. He was literally dying in my arms and he was afraid for my life. Can you imagine – he was worried about me?”

These high school sweethearts married three times.

“The first time we got married in front of the justice of the peace. The second time we had an official church wedding where all our children were in it. That was awesome. And then the third time we got married in the community garden so that the neighbors and everybody could come share.”

His remains are buried in the Hope Garden.

The soulmates made a life for themselves and their family. Things were tough but good. But it never set right with her that as blacks they often had to settle for things.

“I was never satisfied living where we had to live because this was all we could afford. It took you back to slavery where you have the house slaves and the field slaves. Light skin, dark skin. Silky hair, wooly hair. All of that division.”

 

Crucible

Just when things got really tough, she underwent a crisis of faith that spurred a catharsis that changed her life’s course.

“We were going through the roughest part of our marriage. I wasn’t even sure I wanted to continue it. I felt like a zombie. I was dead inside. I was going through the motions taking care of my husband and children. I didn’t even know you could get that removed and still function. Keith knew there was a problem. He said, ‘I want you to go take care of my mother.’ She was dying of cervical cancer. I said, ‘Okay. sweetheart.;”

Ward didn’t know it then, but this caregiving experience with her mother-in-law, whom she called Mom, would prove more impactful for her than the patient.

“Mom would sing songs like ‘Amazing Grace.’ She had Christian TV on and she was always talking the Lord. It started doing something inside of me. I could feel my spirit trying to come awake. I revisited that place of love I knew as a child.”

The spirit moved in her and took her to another place.

“One day I broke down crying at the dining room table talking to my mother-in-law about her son like a dog. She got out of her seat, put her hands on my shoulders and she began to pray in a tongue. All of a sudden I had an out-of-body experience. I traveled back, and I knew it was the Lord with me, to the second grade on my knees praying in chapel that I would never have premarital sex. Why was it so important to have made that promise at age seven? When I saw myself it resonated in me and I heard the Lord say clearly, ‘I forgave you, how come you haven’t forgiven yourself?’

“Suddenly I was back at that dining room table. I thought, Was it that easy – am I really mad at me? What’s wrong? I looked into my mother-in-law’s eyes and she said, ‘Baby, you’ve got to forgive yourself.'”

Right there Ward declared, “I need to know this Jesus.” She began studying the Bible under Mom’s tutelage. The New Testament’s theology of love, compassion and peace set the framework for a reborn life that saw her become Apostle Vanessa Ward.

“My conversion activated what was already in me, but it also caused me to have the courage and the love to take the steps. I tell people be prepared to examine your motives in whatever you step out to do. You don’t want to find out if it gets difficult along the journey that you didn’t have enough steam because you’re out here for your own reasons.

“You have to be out here for a greater reason than yourself in order to make significant change.”

She undertook a personal housecleaning.

“Once i was able to look at myself I decided the premise has to be love. God is love. Anything I’m doing I’m moving in love. If I’m standing against injustice or saying there’s a better way, it’s all based in that. As I project out, that’s the voice you’ll always here, even in correcting. I’ll correct you, too, in love.”

Carrying her message across the state

To thine own self be true, she preaches.

“Until you as an individual find your identity, your purpose, your destiny, you’re just aimless. I don’t care what color you are, where you live, how much money you have, you’re just aimless. Your identity is not how much money you have or don’t have.”

That lesson got reinforced during her campaign for governor.

“When I first started my campaign the frustrating part was people telling me I had no business running because I didn’t have the money. My response was, ‘How can you tell me that when I’ve never had the money?’ When do you ever aspire for your dreams or set course for your goals based on having money?Where I come from not having the money is merely a hurdle or an obstacle you have to clear in order to finish the race. So that should never be a geiger counter as to where you’re at. I’m called to discourage that.”

Ward’s commitment to serving others is clearly engrained. Most of that work’s done without any renumeration, though it has brought her notoriety.

She received the key to the City of Omaha from Mayor Jean Stothert and the “Gold Volunteer Of The Year” award from President Barack Obama. A four-block stretch of North 38th Street now bears her name.

So by the time she announced her surprise candidacy for governor, she was already a public figure in some quarters. But few gave this black woman without an established base a chance in such a red-white state.

She had in fact been approached by party operatives to put her name in the ring.

“I had been doing a lot of soul-searching prior to the delegation approaching me and asking me to run. I felt called to share my life experiences as well as the wisdom I’ve gained over the years. It was just about stepping out – and that’s the same thing I’ve represented all my life. Step out and do something you believe. No matter how hard the obstacles may seem, just go ahead and do what you know to do.

“I’d like to encourage more people to do that right where they are.”

It’s a message she shares with audiences large and small and with cadets in her Hope Hero Academy. The Academy promotes “identity, destiny and victory” in its youth cadets. “Our young people need that.” she said.

She will share that message again during the Hope Hero Conference on March 23 at Tri Community Church at 6001 Fontenelle Boulevard. She will deliver the keynote address and other presenters will lead breakout sessions. The free, family-friendly event is from 8:30 a.m. to 4 p.m. and includes breakfast and lunch.

“I’m getting heroes together that will inspire our community to make positive change where they are. The focus is building up future leaders,” she said. “A hero is just an ordinary person that overcomes  outstanding obstacles.”

The charismatic Ward can get a crowd fired up. “I’ve always had a knack for speaking,” she said. “That’s a gift.”

Whenever Ward has an audience, whether it’s one person or a crowd, she aims to teach.

Her daughter Va’Chona Graves benefits from many lessons.

“I’ve learned that one person can make a difference,” said Graves. “If you are that difference, if you are that change, it can spread. It really starts with one person and she’s living proof of that. I’ve seen that change and I really want to apply that more in my life.”

Va’Chona credits her mother for making her a better mother to her sons. More than anything, this proud daughter wants people to know her mother is genuine.

“I get to see her behind closed doors and I can honestly say she is really real about what she does. It’s not a show, it’s not just for the pulpit or the camera. She lives it on and off the screen. She’s a real living, walking testimony.”

But politics operates by its own rules and Ward found that the team organized around her had little faith in her ability to raise money, much less win votes. Some of the very people charged with trying to get her elected, sabotaged or abandoned her when the going got tough. A campaign manager quit when she questioned how certain things were being done without her consent.

“I said, what did you plan for me? Did you think I was going to be a puppet? Why would you approach me to run for the most important position in the state if you didn’t think I would need to know?”

Another campaign manager publicly dismissed her viability as a candidate. She felt betrayed.

“If you don’t support me, then do it silently or get out of the way. Even if you don’t think I have a chance, don’t publicly say it. If we’re going down, we’re not going to hang each other on the way down. By the end, the only person left on my team was Va’Shona. We had no money and we still pulled in close to 30,000 (25,692)votes.”

The impressive second place showing in last May’s primary to the well-monied campaign of Nebraska legislator Bob Krist, who received 50,000-plus votes, was not expected by anyone inside or outside the state Democratic Party.

Her simple message seemed to resonate with folks.

“We need to have integrity, come together, stand united and be willing to listen. That commonality I really believe is what brought my votes in,” she said. “The rural areas were the strongest.”

She got a warm welcome everywhere she stopped on her caravan.

“On the governor trail I went from here all the way to Scottsbluff. I took my kids and the grand-babies with me. I was not just tying to get votes, I was trying to create memories, so I took the whole family by van. People were excited to see I brought my family. What I learned along the journey is how hungry people are that don’t look like me for relationship. We were received with love all across Nebraska.”

If there was an over-riding takeaway from the trip, she said, “I saw how important it is that you speak the truth.”

She chalks up the campaign as a positive experience.

“No regrets at all. I feel it was both rewarding and refreshing for myself and for Nebraska.”

 

 

(left to right) Pastor Vanessa Ward; Mayor Stothert, and Mr. Stothert

 

All we need is love and with a little hope we’ll get by

The attempt only confirmed her belief that the way past the animosity permeating the nation is by meeting people where they’re at without judgment.

“I believe the way we get there is to be intentional about becoming safe. When people feel safe they can be         themselves regardless of their differences. When people feel safe, they talk, and when we start communicating then we start building relationships – without the masks and the personas.

“We have to create that place to feel safe. It’s all an approach to being an approach – and we’ve got to make some approaches or I think we’re going to self-consume. Without hope, there’s chaos, and with chaos then there’s doom.”

If people from different backgrounds are to be in communion with one another, she said, it must be modeled.

“If you do not teach or train people how to stay engaged, they won’t, they’ll disconnect really quick.”

Meanwhile, she’s expecting to be fully healed from a broken leg she suffered last fall by the time the next block party rolls around for its traditional second Saturday in August (the 10th) slot. Like last year, this year’s event will be held at Fontenelle Park from 10 a.m. to 5 p.m. in and around the pavilion.

“in another four months it should be like the broken leg never happened and by the block party I should be skipping.”

Whatever she does, you can bet she’ll be moving forward in hope and love.

“Let’s keep hope alive.”

Follow Vanessa Ward on Facebook and YouTube.

Read more of Leo Adam Biga’s work at leoadambiga.com.

Putting it on the Line: Omaha’s Amber Ruffin making a name for herself in late-night TV

December 8, 2018 1 comment

Omaha’s Amber Ruffin has so much to say and so much going on that I couldn’t fit it all into one story. That’s why in addition to the recent Omaha Star cover story I did on her, I wrote a Reader feature on this writer-actress best known for “Late Night With Seth Meyers.” While she came to national attention with her work on that show, she’s no overnight sensation. She put many years into an improvisational comedy career before network TV gave her a mass media platform for her talents. Her performing start goes clear back to Omaha Benson High School and local theaters.

But first, here are some thoughts about Amber and her being part of a long legacy of African-Americans with Nebraska ties making their marks in the entertainment industry.

Amber Ruffin: A consideration

For the second year in a row Ruffin came home to headline the Inclusive Communities FriendsGiving event.

There’s little doubt we will be hearing and seeing a lot more from this smart, engaging writer-performer who often skewers wrongdoers and haters with her subversive, silly, serious takes. Her humor, especially when it deals with race and other social justice issues, resonates strongly because it’s grounded in reality and truth, I wouldn’t be surprised if she proves herself a fine dramatic actress as well.

She’s part of an impressive contingent of black creatives from here to make their mark variously in music, theater, film, television, literature and media.

These talents include:
Noble and George Johnson
Lloyd Hunter
Preston Love Sr.
Wynonie Harris
Anna Mae Winburn
Mildred Brown
Helen Jones Woods
Ruth Norman
Buddy Miles
Arno Lucas
Calvin Keys
Victor Lewis
Cathy Hughes
Carol Rogers
Nole Jeanpierre
Lois “Lady Mac” McMorris
John Beasley
Monty Ross
Kevyn Morrow
Randy Goodwin
Camille Steed
Sandra Organ
Alfred Liggins Jr.
Jade Jenise Dixon
Gabrielle Union
Yolonda Ross
Q Smith
Carleen Brice
Kim Louise
Victoria Benning
Omowale Akintunde
Michael Beasley
Lafayette Reed Jr.
Tim Christian
Beaufield Berry
Symone Sanders
Chanelle Elaine

 

Putting it on the Line

Omaha’s Amber Ruffin making a name for herself in late-night TV

©by Leo Adam Biga

Appearing in the December 2018 issue of The Reader (www.thereader.com)

 

Since joining NBC’s “Late Night with Seth Meyers” in 2014 as a writer-performer, Omaha native Amber Ruffin has made a name for herself. The gig made her the first black female writer in U.S. late-night network television.

Her strong Afro-centric takes on social issues are part of a disarming package. She can be sweet, silly, manic comedian or edgy commentator and provocateur.

In the recurring “Late Night” segments “Amber Says What” and “Amber’s One-Minute of Fury,” she skewers newsmakers and outs injustice. Her subversive bits play like funny truth sessions by a righteous sister reporting from the trenches of Being Black in America.

“That’s my goal,” Ruffin said. “You’ll never be wrong when you say police should stop murdering children in the street. That (racism) being a lot of my subject matter just gives me tremendous confidence because it’s never been more right and it’s never been more important.”

This fresh TV face and voice is steeped in a long, deep improv background that started here and took her to comedy capitals. Last month she came home to display her authentic, unvarnished self during an Inclusive Communities event at Slowdown. The audience got a taste of her formidable improv skills.

Replicating improv on TV is elusive.

“Oh, how I wish the feeling of improv translated to television. A lot of people have tried to get that feeling in a show, but it’s pretty difficult.”

Playing off a live audience is crucial.

“You’re constantly adjusting your tone, cadence because you have instant feedback and that allows you to give the best performance.”

Working in a corporate culture is still an adjustment.

“It is crazy for comedy to exist in an office. I’d never seen it before I was a part of it. I still find it shocking that it works.”

She’s learned to work within network TV boundaries.

“You can’t be crazy politically incorrect. When you’re on stage doing improv it only exists in that moment, so you can say whatever comes to mind, but on this show whatever you say exists forever. So you have to get it right so that 20 years from now when someone plays it you’ll still stand by it.”

Going out on a limb is a Ruffin trait.

“We are a little adventurous,” Ruffin said of her family. “My mom graduated high school at 16. Every summer she went to New York to find out what the world was about. My oldest sister lived in Panama. Another sister lived in Namibia. It’s just in our bones to see what’s out there.”

Her retired military parents are from the South. They met at Offutt Air Force Base. They later ran their own daycare business. Amber’s the youngest of their five children. Her sisters are also published writers.

Growing up, Ruffin used humor as escape.

“Humor WAS my way to survive. When kids make fun of you, it’s nice to give them something else to laugh at.”

That experience still informs her.

“My day-to-day humor stems from a need to make everyone feel welcome and comfortable and happy, which stems from getting made fun of so badly. It’s assumed people use comedy to put up walls, but I think in many cases the opposite is true. I can say exactly how I feel no matter how uncomfortable it makes you – if there’s a joke attached.”

Musically and dramatically inclined (she plays piano and sings), she developed an early passion for theater.

“I just love musicals.”

The movie The Wiz made a big impression for more than the music.

“It was rare to see a show with an all-black cast that has nothing to do with being black,” she said. “Often times, black people have to talk about their experience being black to be valued. But these people didn’t. It was just a story of joy. The movie, the live musical, every performance of it leaves so much room for you to express yourself. It reminds us the world wants us at our weirdest. When you pretend to fit in, you fade away.”

She contributed to the book of a new stage version of The Wiz that premiered in June at The Muny amphitheater in St. Louis. She hopes a national tour comes here on what could be a Broadway-bound path.

“What distinguishes our version is its timelessness. I wanted it to never have to be rewritten again.”

The stage bug bit while playing Princess Winnifred in an Omaha Benson High production of Once Upon a Mattress. The Benson grad honed her craft via Stages of Omaha at the Millennium Theatre. She did improv at the Shelterbelt and Blue Barn.

Encouraged to try it in Chi-Town, she caught on with Boom Chicago – working with Jordan Peele, Matt Jones and Jessica Lowe – and then Second City. In between, she did a stint with Boom’s company in Amsterdam, the Netherlands.

Within days of an unsuccessful “SNL” audition, she got hired by “SNL” and Boom alum Seth Meyers.

“I think it’s been a natural progression because I have always been writing my own black point of view. I haven’t found it (TV) to be too crazy because at Boom Chicago we would do short form, where the audience suggests the set-up and then you have to deliver punch lines. You have three or four seconds to come up with something. But on “Late Night” I have all day to come up with a punch line. It’s much more relaxed.”

She usually has a week to hone her “Late Night” routines.

“You write it up and you rewrite it a bunch and you show it to the audience and you get one last rewrite and then it has to go in the show.”

She believes she provides a good change-up.

“Because Seth is so grounded in his comedy there is room for an insane person like me.”

She doesn’t make a big deal about having been the first black female writer in the late-night lane.

“I am not sure if any of that matters. What matters is knowing that we exist and being able to see us. What matters is that everyone knows there’s room for them – because there is.”

She says she was long ready for the opportunity. “I could have done this job years ago, for sure.” But happening when it did kept her real. “Now that I’m in this environment, I’m still me. If I had got this job years ago, I would have bent to what the culture was, and it’s my not having done that has made my career what it is.”

Her go-to topic, racism. is informed by her travels.

“The racism in Omaha is different than anywhere else. We don’t have a huge history of lynchings, scary slavery and Confederate monuments, and so we feel we are above racism, which is what puts us so far beneath it. No one’s really angry because you’re a black woman. People don’t think of you as much as a threat. They just think you are kind of gross.

“Omaha’s pretty bad. It’s way less in Chicago. In Amsterdam, way less, but still there – just a different kind. In L.A., there’s less palpable racism. It’s all institutionalized instead of in your face. In New York, people say something the tiniest bit racist and everyone knows it and sees it. It has gone from me being gross to racism itself being the gross thing, which is a relief.

“Now racism is fixed and over, so we win. Just kidding.”

Coming of age here, she craved diversity.

“I remember being in Omaha and just wanting there to be more me and to have a place where you felt like you could belong, and there wasn’t. I still don’t have a lot of me. I just see how critically important it is, especially for young kids.”

Her diversity advocacy made her an apt choice as special guest for the Inclusive Communities FriendsGiving fundraiser.

Meanwhile, she has an NBC development deal for a show, “Village Gazette,” on which she has co-writing and executive producer credits. It’s set in fictional Benson, Nebraska. The name is inspired by her real-life alma mater, Benson High, and the neighborhood that school is in.

She’s also writing feature film scripts. And she can be seen on Comedy Central’s “The Detroiters” and “Drunk History.”

“I shouldn’t be doing this many things, but I figure you only have so much time. I want to give it a shot.”

Follow Amber on Facebook and Twitter.

Read more of Leo Adam Biga’s work at leoadambiga.com.